Windows 8 with the new Parallels Desktop 9 for Mac Win a copy of Parallels Desktop 9 for Mac Now! Simply submit a short paragraph on what you think about Parallels Desktop 9 for Mac and why you deserve to win to cac-publications@ntu.edu.sg Terms & Conditions: 1. You must be a current student of NTU. 2. Matriculation Card and your Mac must be shown when collecting prize. 3. Prize collection will take place in NTU. 4. Should you possess a non-portable Mac, you can give us the serial number of your Mac for verification. 5. Deadline for submission is 15th February.
I
t might be unthinkable for some, but there are many reasons why an OS X user might want to run Windows on the same system. PC gamers might be discouraged from getting a Mac due to the lack of games made for Mac. As desktop virtualization software, Parallels Desktop 8 for Mac allows Mac users to run both operating systems simultaneously on the same system, without rebooting. This means you can run Windows applications right alongside your Mac apps, and even share files, music, videos and even bookmarks. Get up to date with the latest Windows and Mac OS (Windows 8.1 and OS X Mavericks respectively). Now, you can have your cake and eat it too!
Features Here’s why Parallels Desktop for Mac is the world’s bestselling, top-rated, and most trusted solution for running Windows applications on your Mac. Up-to-date Parallel Desktop 9 supports the OS X Mavericks, the latest Mac OS. It also incorporates the familiar and much-missed real Start menu and Windows Start button. Also, Metro apps will open in a separate window rather than in full screen. Audio & Visual Parallels Desktop 9 allows users to enjoy the Brilliant Retina display resolution, even while using Windows and Windows applications. Get a smoother and enhanced Windows 3D graphics experience with Parallels Desktop 9. Oh, did we forget to mentioned that it offers up the fastest way to run the most graphical intensive Windows programs? Now, you can use a wide-variety of design programs and games with DirectX 9.0c/9Ex support. The audio from Parallels Desktop 9 is no slouch either, with Surround Sound 7.1 support. Immerse yourself in games, movies and music music with any external Surround Sound 7.1 USB or FireWire device simultaneously in your Mac and the virtual machine.
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Cloud Storage Save your limited cloud storage space with Parallel Desktop 9. The SkyDrive, iCloud, Photo Stream, Dropbox, Google Drive optimizations make sure you don’t inadvertently duplicate files locals to get the most of storage space. Hardware support Thunderbolt and Firewire storage device support: For convenience of everyday use, users can connect these devices directly to a Windows virtual machine. Custom keyboard: Editable keyboard shortcuts help users maximise their Windows experience. Sticky multi-monitor setup: When using Windows in Full Screen mode and connecting to an external monitor, Parallels Desktop will remember settings and put the Windows virtual machine back in full screen mode on the remote monitor. Pricing Parallels Desktop 9 for Mac is available at SGD98 and for students at SGD58. Both prices are inclusive of GST.
ArtJam is a premier publication presented to you by NTU Cultural Activities Club (NTUCAC).
Editor’s Note Dear readers, Welcome to yet another issue of ArtJam! It has been a great pleasure serving you as your Editor-In-Chief for the past year. ArtJam has been growing over the years, extending its reach not only campus-wide, but all over Singapore, going beyond boundaries people never expected it to cross. Constantly expanding our coverage for you, our team has also worked hard to bring you privileged discounts and special prizes to be won so do keep your heads up for that. All these would have not been successful if not for you, our beloved followers! In this issue, ArtJam gets up close with the performers and the people behind the curtains. Be intrigued as they reveal their backstage secrets, opinions and lifestyle, all to us. ArtJam will continue to serve you with great coverage. This issue brings you a special walk down memory lane, and if you are interested in being a part of us, simply drop us an email and let your journey with CAC begin at CAC-Publications@ntu.edu.sg Best regards,
Joel Joel Lim
Editor-in-Chief
Editor-In-Chief Joel Lim Chief Editor Koh Hui Fang Managing Editors Alphonsus Seng Joan Kwek Editors Jeryn Lau Rimjhim Relan Eleanor Chua Writers Akriti Vij Ali Qasim Amanda Kwok Karyn Aw Sriporna Mukherjee Tan Yu Jia Yeo Tan Cheng Chief Art Director Daniel Tan Chief Photographer Derrick Say Photographers Adarsh Kanodia Lee Kok Hong Li Xiang Ma LingJie Mun Yong Jian Pham Quynh Anh Victor Li Qi Printer Xpress Print Pte Ltd Tel: 6880 2881
Issue 34 MCI (P) 121/10/2013 This is a publication of Nanyang Technological University Cultural Activities Club. To advertise with us or list your events in ArtJam, email cac-publications@ntu.edu.sg ArtJam can be found at: All Junior Colleges | All Polytechnics | NTU | NUS | SMU | SIM | NAFA | SOTA | The Esplanade | National Museum | ART STAGE Singapore |The Substation| Alliance Francaise | Studio Wu | Singapore Symphonic Orchestra| The Necessary Stage | Stamford Arts Centre | Goodman Arts Centre| Marina Bay Sands | SCAPE | Virtuoso Arts | Home Club | Attitude Dance Studio | ARTrium | DBS Arts Centre
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CONTENTS 12
In a Snapshot... 6
Timeline
Our Member Clubs 8 10
14
Contemporary Dance Symphonic Band
Simply CAC 12
Freshmen Pageant Bash
14
CAC Members’ Night
Our Special Projects 16
Arts From The Heart
19
Freshmen Orientation Camp
22
Cynosure
Martial Arts
16
24
ONE FC: Total Domination
Concerts 26
Opus Jay World Tour The King of Mandopop returns.
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Piano Guys
30
Sundown Festival Featuring 8 countries in 8 hours!
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Musicals & Theatres 32
Ballet Under The Stars
& behind the scene with 34
Kwok Min Yi
36
Phantom of the Opera
40
Taming of the Shrew
40
Let’s have a chat with… 42
Joe Murphy You got to understand that the audience is coming to (the play) with their own ideas and you got to accept those ideas and try to change them into your own ideas and opinions.
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Hossan Leong
46
Kumar
48
Natalie Hiong
A lot of people don’t understand (drag). Drag is a level beyond reality.
I knew I definitely wouldn’t go back to banking and finance… I didn’t really believe that I would fail as I am quite the go-getter and might even be thick-skinned in searching for jobs.
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Sarah Cheng-De Winne
Cosplay Culture 52
Anime Festival Asia 2013
46
The J-pop extravaganza returned to Singapore in its 6th consecutive year.
Do Not Miss… 54
Events Listings
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, WHaT y,oUWvHeaT yoU ,ve ! 3 1 0 2 n i D e s S i WHaM T yoU ve MiSseD! MiSseD!
Compiled by: Joel Lim
Before a new year and semester begins, let us take a walk down memory lane and see what you might have missed this year.
January 24
Nanyang Arts Festival
The Nanyang Arts Festival (NAF) was started back in 2003 as the Cultural Festival to promote culture and the performing arts in NTU. The theme for 2013 ARTiculate, seeks to encourage & inspire each & every individual to express themselves wholly through "art", inherently embedded in articulation.
March 9
NTU Open House 2013 It’s more than just studies in NTU. It’s a world of possibilities. Don’t miss the CAC booth this 2014 as we bring you yet another amazing experience on campus!
March 17
Impresario Grand Finals Hosted by CAC for an unprecedented 12 consecutive years, Impresario is known to be amongst the best Nationwide Talent Search Competition. The concept of Impresario is to find the best performer from different sets of artistic genres ranging from dance to vocal talents whereby the winners are determined by a fair ruling from the judge as well as the audience. Impresario has always been a highlight in NTU’s calendar of events and has gained national recognition in its efforts to be one of the main channels of talent emergence in Singapore.
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March 31
Joint Dance Concert Presented annually, JDC is jointly presented by the eight dance groups in CAC. A platform for the expression and appreciation of dance, the concert unites the diverse range genres of dance in a single production. Art and expression has no boundaries. Stay tuned with us as we unfold a brand new theme, Cirque De Tromperie, this 2014.
July 22
CAC Freshmen Orientation Camp 2013 – Cryptius To feel welcomed and cared for, to have fun and be in good company; CAC FOC is THE camp to attend to make transition to University life an enjoyable experience. Our Orientation Committee is dedicated to planning and presenting a memorable camp for freshmen, where they forge lasting friendships and have the time of their lives
August 30
CAC Card Official Launch The CAC Card is an Arts centric discount card that consolidates the latest happenings in the local Arts scene, providing you with opportunities to attend them at special discounted rates. Coupled with the various lifestyle, musical, and theatrical benefits, the CAC Card aims to further your appreciation for the Arts not just within the NTU community, but all around Singapore. Most of us have it. What about you?
September 13
CAC’s AGM & Investiture Happy 23rd Birthday CAC! Despite being a well known established club, the club is popular not because of its status as a top constituent club, but for the cultural vibrancy, fun and engagement it brings to the lives of every NTU student. This birthday introduces the 23rd Executive Committee to the CAC Family.
November 6
CAC’s Exam Welfare Pack Giveaway! Every semester, to help you pull through the tough examination muggings, CAC gives away Exam Welfare Packages to our committee members. If there is a reason to not join CAC, send us your feedback to CAC-Publications@ntu.edu.sg. If not, why wait? Join the CAC Family today. Simply approach any one of our Executive Committee Members or Member Club Chairpersons for more information to joining us!
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Story By: Alphonsus Seng
Contemporary Dance Concert 2013
Marking its fifth annual production, 1st September 2013 was a special night for NTU Contemporary Dance. Aptly titled The Chrysalis, the performance showcased Contemp{minated}’s development and emergence into the beautiful butterfly. Held at Nanyang Auditorium, the hour-and-half long concert kept the audience on the edge of their seats. The performance got off to a dynamic start with ‘Vortex’ with its highly energetic choreography, which contrasts with the playful and joyous ‘Sweet Little Girls’. The next dance was visual storytelling at its finest. “Dear D.” was performed without background music, thus stripping the dance down to raw emotion. Following that was ‘Tranfuse’, a fast yet synchronized dance, which represents feelings of angst and torment. ‘Locus Pocus’ was a grand performance, depicting the calm before the storm and the search for security in the ensuing chaos. “Imperfectly.Perfect” portrayed being weighed down by unrealistic expectations, with several negative adjectives being inscribed on the dancers’ bodies and the mirrors on stage. The dance transitioned from a desolate and despairing one to one of soul-searching and hope, ultimately freeing themselves from the weighted expectations.
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Decked in suits, the dancers’ swagger was put on full display for ‘grrrl’. The pompous music matched the fearless choreography excellently, making the dance look straight out of a movie. Confidence characterized by bold and aggressive moves. ‘Spot the Difference’ drew laughter from the audience through its light-hearted yet original choreography. The overt expressions and colourful tops worn by the dancers accentuated their individuality. The retro themed performance paraded the dancers as marching toys, making it a delightful viewing experience. Like its interesting title, ‘;’ was an intriguing performance. Conflicting emotions were represented by the seamless transitions between the trio of dancers. The high level of chemistry exhibited made the performance look effortless yet graceful. The turmoil portrayed in this penultimate performance eventually ends with acceptance. The final performance of the night, ‘Rise’, encapsulated the growth after change. Parallels could be drawn between the performance and Contemp{minated}’s surefootedness and ability to rise to the occasion. The entire production was enjoyable – from the excellent use of props to the top-notch lighting, but nothing could steal the limelight from the dancers that day, as they captivated the audience with their well-executed choreography and versatility, conjuring a variety of emotions in those in attendance that memorable evening.
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WANDERLUST
SYMPHONIC BAND FUNDRAISING CONCERT 2013 It was a beautiful mid-week redemption for all at NTUSB’s fundraising concert, WANDERLUST. Held on 31 Oct 2013, the audience was warmly welcomed into a comfortable and friendly atmosphere as the band’s jovial vibe lit up the auditorium. All who attended were treated to a night of familiar classics performed by enthusiastic musicians with their bells held high. In an effort to raise funds for the upcoming Japan trip, the Nanyang Technological University Symphonic Band (NTUSB) played a repertoire of six rather familiar tunes. Under the baton of the brilliant Mr Takehiro Oura, the band’s chemistry and love for music was greatly experienced by the audience. The band opened grandly with its rich brass sections in the first piece, Mika Oishi’s Spring March. The introduction was no less than majestic with resounding bells, crash cymbals, and the smooth complement from the woodwinds. Following the strong beginning came the clarinets and the saxophone family, who among other sections have proven that night to be the band’s strongest asset. The brass, the backbone of the band, came strong and energetic at the next part of the song. Light, exciting, lively, this first piece definitely captured the beauty and vibrancy of springtime. The Merry Widow, written by Franz Lehar and arranged by Eiji Suzuki, is a song most people have heard before. A hit favourite with most bands, this piece took the audience on a journey. The Merry Widow or Die lustige Witwe is an operetta (humourous short opera) based on the story of a rich widow and
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Story By: Carissa Abidin
how the men around her try to keep her money by marrying her. The band retold the story well, beginning with a delicate and well-restrained lead from the glockenspiel. Accompanied by the flutes and other woodwinds, the music eventually built and led up to the great accompaniment from the brass section. Next is the cult favourite, the original masked man before V for Vendetta, or Saw, for you horror fanatics. The mysterious masked man is none other the angel of music. Written by Andrew Lloyd Webber and arranged by Johan de Meij, The Phantom of the Opera sees a full house at almost every show ever performed in the world. The masked man is a musical genius who is deformed since birth. While he resides in one of the most beautiful cities in the world, Paris, he lives in the sewers of the Paris Opera House to escape the cruel eyes of society. Here, he meets Christine, a rising star. Romance blossoms and eventually spirals into jealousy and despair. Beginning with a beautiful solo from the flute section, the rest of the band joined in to introduce the audience to the well-known theme of the play. With snippets of the entire repertoire of the play, it was almost like listening to a summary of the grand classic. Re-introducing the audience to the Singaporean spirit, the band presented Three Portraits for Symphonic Band written by local composer Dr Kelly Tang, who incorporated Singaporean elements through this composition. The audience was delighted to relate to the local flavour through the Chinese folk song arrangement, rock album production, jazz performance, and south Indian percussion.
Still on the local track, the band presented Bengawan Solo, written by Gesang Martohartono and arranged by Ito Yasuhide. This famous Indonesian song about the Solo River in Java, is one that every Singaporean knows by heart and you probably began singing the song in your head when you read the title above. The song brings forth the essence of the song, which is poetic nostalgia. The last song is one that every English-speaking person on the planet should know by heart. Evergreen 70s written by Masato Myokoin is so famous that you should probably be ashamed if you can’t sing along to at least one of the parts. The band the songs to life from the very first note, with the grand sound of the triumphant French horns. Taking the lead melody on the Bee Gees hit, How Deep Is Your Love were the saxophones, who then passed the torch to the energetic trumpet section. The two sections were the stars in this final piece with the trumpet section killing the solo in Killing Me Softly with His Song by Roberta Flack and the saxophones leading the melody in ABBA’s Dancing Queen. It was lively and hard not to sing along to. If you were present yet not singing the song in your head, you are either lying or you have extreme self-control. Wrapping up the night, the band’s encore piece, Gelato Con Caffe written by Toshio Mashima, was engaging and vibrant that it got the entire auditorium to clap along. With the trombone and trumpet sections raising their bells up high during their solos, the concert definitely ended with a bang!
NTUSB certainly did liven up the auditorium and their love for what they do is very much commendable. The friendliness the emcee expressed through his speech also made the audience feel right at home. And while other conductors would have gotten annoyed at latecomers, the ever-gracious Mr Oura kept a Darley smile on his face while members of the audience streamed in. It was an absolute pleasure to meet a band like this, with so much heart, passion, and humility.
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CAC Freshmen Pageant Bash 2013
S TA I R W A Y T O H E A V E N , H I G H W A Y T O H E L L Story By: Joel Lim
What is Freshmen Pageant Bash (FPB)?
CAC’s FPB is a signature university event for freshmen enrolling in NTU. It takes place after our very own Freshmen Orientation Camp and serves as an avenue to let each Orientation Group carry forth the camp spirit and bond with their peers. Providing our contestants a stage to showcase their talents, they will pit each other off in a battle for glamour.
WEEK 1
August was all about inspiration and hard work for these few unique individuals chosen to represent their groups. It was not anything easy for these contestants as most of them had no major experience in the modeling industry. Having fun was important and paramount to the success of the event. Such cannot be achieved without making sure they get to know each other better from games and bonding activities.
WEEK 2 Apart from getting to know each other better, our contestants went through a series of makeovers. From confidence boosting sessions to dieting, to restoring botched brows, they got the best of what we had to offer even before the day of their photo shoot. Like their outfits? Our male apparels were proudly sponsored by Gentlemen’s Handbook while female apparels were from MGP Label!
Lovely and Dazzling! Our contestants going through an intense makeover with our very own sponsors from The School of Make-Up and Salon De Choix.
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WEEK 3 Trainings like what you think, is not the usual dull and mundane days you have. Our contestants learnt and grew together as one. Having meals together, horsing around and talking about the beginning of a new journey in school is perhaps only the start of a new chapter in their life.
WEEK 4
Catwalk and dance trainings are the most common sight you’ll get when you glance into the studio they’re in.
It wasn’t long before the day of showdown. This year’s venue Zouk. With a full house, you could hear the roar of the crowd as they screamed their lungs out in support for the most elegant and their OG mates.
Apart from strutting along the catwalk stage and blowing kisses, you can easily notice the immense amount of talent our contestants have hidden within them. The atmosphere was electric as the crowd filled the club with unceasing cheers and screams to show their support for their friends.
SION, an OG, were among the many people present at the club to support their fellow mates.
Contestants firing up the crowd as they did their catwalk and alluring poses!
It would be a clear understatement to say that it was just a memorable night. The glamour and joy on everyone’s face was priceless. Coincidentally, the winners of the pageant came from the same OG, with Nicholas and Wei Shuang being crowned the new Freshmen King and Queen.
Love the dress? Our female formal wear were proudly sponsored by Genie In A Closet. Look them up!
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MEMBERS' NIGHT
Story By: Alphonsus Seng
CAC celebrated Halloween in the form of the annual CAC Members’ Night, organized by the CAC Social and Welfare Committee. Various candies were given at the entrance, setting the mood for trick-or-treating. I was initially apprehensive of entering the hall (in fear of getting spooked) but was coaxed into entering. It was such a relief to see a warm ambience despite the scary connotation. Many members had dressed up for the occasion, ranging from the cutesy devil horns and bat cutouts, to the outright scary with elaborate designs painted on their faces.
The ones who were not dressed to the occasion were selected to go on stage to doll up with makeshift materials such as toilet rolls and trash bags. The contestants drew laughter from the crowd as they modelled their new look on the stage.
The photogenic flocked to the photobooth countless times, each time with different facial expressions. The spookier expressions were better suited for the backdrop of cobwebs and jack-o’-lanterns, which many performed to perfection. With most dolled up, few shied away from the camera as the majority sought to capture memories of the night.
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The night ended with the trick-or-treat. Contestants had to pop a balloon to see the outcome of their trick-or-treating. The successful ones were given hampers, while the “tricks” varied from dancing like a zombie to lip-syncing to “What Does the Fox Say?” The ridiculous forfeits, all in the name of fun, kept the audience entertained. However, the party went on with members mingling with one another and taking photos with the intricate stage decoration. Halloween is not widely celebrated in Singapore, but thanks to this night, members got to enjoy the thrill of dressing up and trick-or-treating. The CAC family indeed felt more bonded after such a night!
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COLeOURS o he WIND off tth Story By: Yu Jia
This year’s Arts from The Heart was titled ‘Colours of the Wind’ and was held at JCube Rooftop Garden on 2nd June 2013. Taking the form of a carnival filled with exciting games and brimming with aesthetic performances, Colours of the Wind aimed to raise money for the needy, with all proceeds from the charity event going to Children’s Aid Society. Brilliantly and meticulously organised by our own NTU students, the event also aimed to foster deeper familial bonds by selling tickets to the public and encouraging visitors to play the games at the carnival. These Games included ‘Pop Air Balloon’ and the ever popular real life ‘Angry Birds’. To complement this year’s theme, the whole rooftop garden was adorned with windmills and indeed a giant windmill painstaking made by our own students towered above everyone and visitors were invited to take family pictures with it. At the same time, visitors were entertained by guest performers and our own student groups alike. The event started at 11 am with an introduction by NTU’s very own emcee club before a breathtaking performance of Chinese Pop songs by band ONeFiftyNine. The audience was then treated to the world of spinning with Yoyo professional Lim Aik Hwee, a 3-time Asian champion and 6-time Singapore champion with ten years of experience with the Yoyo under his belt.
Following which, I.Future (standing for I am the Future for this World) lent his talents to the events with rousing Mandarinpop songs coupled with a dashing blend comprising the swagger of hip hop, the skills of rapping and singing and the grooves of dancing. Once the leader of a multi-talented K-pop performing group named S.P.A.M (Spirit, Passion, Attitude, Modesty), I.Future has been rapping since 13 and his first formal performance was before a thousandstrong crowd at the age of 16. Ever closer to his dream of becoming a professional performer and a rising star in his own right, the now solo artist aimed to spread the message that ‘Light of the hopeless is found if you have faith in yourself’ and has been to several competitions to gain experience. After the first round of Stage Games, more guest performances followed and one notable performance was Richard’s Balloon Show. A skilful and creative display of using balloons as a form of entertainment, Richard’s Balloon Show was a lively performance which drew cheers, applause and laughter from the audience, particularly the children. A percussion group called Baracuda Batucada then took the stage, producing mind-blowing and bonafide beats which the group describes as “heavier than samba, lighter than rock’’ Having started out as a 3-man band in Ngee Ann Polytechnic, Baracuda Batucada has been on the music scene for 8 years and performed at hundreds of event ranging from local to international ones. Composed of members with a myriad of musical backgrounds and experiences, this band is bound by a passion to create unforgiving rhythms set to blow your mind. After all the exciting performances, it was time for a sobering moment with an address by our own Cultural Activities Club President Lee Jian Kai. The address also served as an opening for the performances by the NTU groups that followed. First up was our NTU CAC Wushu with their remarkable skills. NTU Wushu is currently the Champion among the tertiary institutions in Singapore after winning the annual inter-tertiary Invitational Traditional Wushu Championship. A display of the beauty of the human voice then followed the display of Wushu with the performances by NTU Choir and NTU Jazz and Blues. After the successful Cantemius this year, NTU Choir continued to dazzle its audiences with two Acapella pieces –
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“New Soul” by Yael Naim and “Innocence” by Avril Lavigne. Not to be outdone, NTU CAC Jazz and Blues gave another spectacular performance and showed that it has come a long way since its formation 10 years ago and continue to be the gathering place for NTU students who share the common passion for music and performance. The bands’ repertoire comprises jazz and related forms of music such as Swing, Bossa Nova, Samba, Blues, Funk and also Pop and Fusion genres. Up next was the first Lucky Draw at 4pm where the audience stand a chance to win an Asus Memo Pad, Ukeleles or Ice Rink passes before performances by singer Dante Chua and Baracuda Batucada once more. Then, the public was treated to another round of vigourous display of martial arts by the Traditional TaeKwon-Do Club. Established in 1985 and affiliated to the Singapore TaeKwon-Do Academy (STA), the club exhibited their skills by breaking wooden boards and performing devastating kicks, feats that wowed the audience and served as a true testament of the power of martial arts. The event returned to the universal language of music with the performance by The Twins, and Jerald Ang and his band. The twins are currently undergraduates at Singapore Institute of Technology – University of Nevada, Las Vegas (UNLV) and their most recent performance was an opening act for Super Rookie Korean Boyband, Lunafly Fan Meet Session at Causeway Point. Apart from singing and dancing, they also do hosting and judging for several Kpop Sing and Dance Competitions in Singapore. Some of their performances include Samsung D&D, Miss Singapore
Beauty Pageant 2010 held at the Intercontinental Hotel, New Year countdowns, shopping malls, as well as onboard Star Cruises Superstar Libra, Superstar Virgo and Royal Carribean. To add on to their list of accomplishments, they also performed for our president, Dr. Tony Tan at an event at the Marina Bay Sands. Equally impressive was the performance by Jerald Ang and his band, a group formed only two years ago and with a humble beginning as an acoustic duo of only Jerald and his friend Brendon. Now, the band has outgrown and outshone its former self to become the hit that enthralled the audience at Colours of the Wind. The event continues with a dance segment by girl group Identity before moving on to the NTU CAC Piano Ensemble who performed Pop Songs and the Final Fantasy Theme, and the NTU CAC Dragon & Lion Dance. Even as the evening approaches and the shadows lengthened, talent can never be shrouded by darkness and continues to give off its own brightness. Nothing can be described more aptly than band In The Shadows. Although each of members hail from different backgrounds and different walks in life, the band is bonded by a common thread: A selfless desire to make a difference. Since its formation, the band has been helping out at several charity events and indeed the reason the band gave for the choosing their band name was that they wish to come out of the shadows and into the light. The music continues with MenECHOustic Menechoustix, a group of Filipino working professionals
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in Singapore bound by individual musicality. Originally named “Afterworkz” due to its literal meaning of individual music-hobby only after working hours and during weekends, the name “Menechoustix” came out to avoid a possible confusion with two other superb musical group in Singapore. The love for “harmony” is what brought them as a group in an acoustic platform oriented by modern “YouTube” music groups around the globe. As the event draws to a close, it was time for the final stage games. The first of these games was Guess the Number and members of the audience had to guess the number of windmills in a tub. Those whose answers were the closest walked away with a digital Clock, a thumb drive or a portable charger. The next and last game was the second Lucky draw where winners stood a chance to win a 32” LCD TV or a photo printer. The last performance of the day was by SoundCard. The two singers are best friends and are both alumnus
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of the CCA - Soundcard, a solo singing group in NYP. With their matching voices, the duo often performed and joined competitions together, and brought the Colours of the Wind to a fitting and soothing end. Colours of the Wind proved a successful event and a worthy successor in the lineage of the Arts from the Hearts charity events. Even though the performances by both guests and NTU students alike were breathtaking and could easily have made the event a success, it was not musical notes and instruments that ultimately defined this year’s Arts from the Hearts as a meaningful event. Rather, it was the laughter by the children at the games and performances, and the supportive cheers by the parents that proved to be the most beautiful sounds of all. One can only hope that when these children grow into adulthood, they can have the courage to pursue their dreams and nurture their talents while listening to their hearts. Let us wish that by then, the children can use their talents for charity and carry on the true meaning and spirit of Arts from the Hearts.
C R Y P T I U S 2 013 Cultural Activities Club Freshmen Orientation Camp
Story By: Amanda Kwok
Freshmen Orientation Camps (FOCs) are the times for most of us university newbies to start making friends – or even network – and is arguably a highlighting experience for any student. Among the sheer variety of Camps available to apply for, some have reputations of being more harsh, physically and mentally tiring (Hi Sports Camp!), while others, such as the Cultural Activities Club (CAC) FOC is known to focus on fun and well being of the participants.
start of camp All day
22 July
8 Orientation Groups When I accepted my place in NTU, I hadn’t given much thought to joining any camps. There was hearsay, as always, but I floated pleasantly about in that ignorance. I looked through all the FOCs brochures and pamphlets, but took a considerably long time to apply for any. However, after much urging and persuasion from a fellow senior/friend who had previously experienced the camp (and currently a programmer in it), I was finally convinced to apply with a few other friends; I wasn’t dragging my heels, but I wasn’t clicking them together in glee either.
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The 2013 CAC FOC experience was much, much more than I had expected. Any JC orientation camp was simply plain peanuts in comparison, even considering CAC’s welfare reputability. It was pretty tiring for someone who needs a minimum of 6-7 REM sleep a day, but I had so much fun that that exhaustion was easily shoved aside. After all, the purpose was for us to bond via absurd challenges and strenuous demands within a markedly short span of time. And trust me, it worked. Wonderfully down-to-earth, nutty, relatable, annoying (I’m joking; don’t kill me!), and the list of adjectives describing the seniors and fellow new students who I met there, goes on.
27 main committee members
5 days 4 nights The theme of mystery – every CAC FOC is supposed to have a theme – was unfortunately not entirely clear throughout, especially for the fresher faces. Nonetheless, I don’t think any of the orien-tees can truthfully say that they were not swept away with the thrill of competition during the amazing race or beach day. The cheers and chants taught by seniors definitely exposed us all more to the NTU culture, which I thoroughly enjoyed and felt proud to be a part of! 20
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The presence of the ‘Fake Freshies,’ made everyone look at everyone with suspicion after a while, and they truly succeeded in messing with everyone’s head. (I was personally very thankful that I knew someone prior to camp in my orientation group since that made my poor, abused brain hurt slightly less). However, most were uncovered – which fits strangely well in with the theme of mystery – and our OG had not one, but TWO fake freshies hidden amongst us. That was also surprisingly effective in drawing the groups together as we slowly figured out who was who. It was such a thrill now that I look back in reminiscence!
break camp
26 July
Interestingly enough, by the end of the camp, I wasn’t entirely sure of what CAC was – what it stood for, what it comprised and such. The small information booklet (Essentia) handed out to us, and which we had a small quiz on, was useful no doubt, but for some reason, what CAC was and could be, was something too huge for me to wrap my head around. I knew it encompassed 22 member clubs, several special projects, and had a rather sophisticated hierarchy; it had an ambitious vision (however too muddling for my sleep-deprived mind), but its culture was apparent; to promote familiarity and create homeliness within each other.
I think my general impression of it…was fun! Which is what it should be about. It is more than that, of course, but the FOC didn’t try to shove information down our throats about CAC. It didn’t try to push us to join any particular committee or organisation of the club. It was about letting us freshmen know how fun and rewarding this club could be, and in that aspect, I felt they succeeded.
Jiahe / Junfeng Photos
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Cynosure CAC
two thousand thirteen Story By: Jeryn Lau
The CAC (Cultural Activities Club) Cynosure Ball is an annual event for all CAC members to gather and commemorate everyone’s efforts in running individual clubs successfully. This year’s CAC Cynosure Ball 2013 was held on the 24th August at Conrad Continental Hotel, and attendances by all the member clubs were overwhelming.
The theme for this year’s Cynosure Ball was Hollywood Glamour, which provided a great opportunity for the ladies and gentlemen to dress up in glamour and style. I turned up for the event in a lace inspired black dress paired with dark purple wedges, in the hopes of resembling a chic 21st century Hollywood celebrity. The reception before entering the dinner hall was well planned, as there was a photo booth set up with a variety of props for attendees to have some fun with friends. The best part was that one could take as many photos as possible for free, and it really provided great fun for me and my friends who went early to register. A whole line of activities were planned to keep everyone entertained that night, starting with stage games to hype up the crowd’s enthusiasm. The highlight of the night was the annual CAC Cynosure Pageant where the crowd cheered and supported their favourite pageant contestants, enjoying performances put up by contestants to showcase individual talents. The pageant contestants were from different CAC member clubs and they made their first appearance dressed in retro outfits, followed by talent time showcases, Q&A sessions and lastly a catwalk in formal gowns and suits. The crowd’s spirits were high and we were all cheering our favourite contestants on, amidst the seven-course dinner catered by the hotel. The dining experience left us wanting more (unfortunately!), but we were so absorbed in the atmosphere that we didn’t seem to mind. There was a “best dressed” component amongst the crowd and individuals who were nominated went up the stage to participate in some stage dances. I, too, was nominated for best dressed and felt very flattered by the recognition despite not winning the best dressed title in the end. The night ended with the release of the results of pageant winners and a mass group photo. Kudos to the organizing committee for the exciting night and it was evident that everyone enjoyed themselves tremendously. Now it’s time to start looking forward to next year’s Cynosure for a great night out with friends!
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CAC Pageant Mr Personality: Wilson Qiu (Public Affairs) Miss Personality: Elaine Mah (DanceSport Academy) Mr Popular: Jacky Chung (Impresario) Miss Popular: Ho Hui Sze (Public Affairs) Mr CAC Face 2013: Nicholas Chia (Wushu) Miss CAC Face 2013: Michelle Tan (Arts From The Heart)
General Awards Poster of the Year: Chan Tat Lek Marcus (Arts From The Heart) Moment of the Year: Loo Yan Long (Arts From The Heart) Video of the Year: Lin Qing (Orientation Committee)
Support Committee Awards Most Active Support Committee: Logistics Committee
Member Club Awards Most Bonded Member Club: Soul Funky Pop&Lock Most Improved Member Club: Emcee Club Outstanding Member Club: DanceSport Academy Outstanding Achievement of the Year: Soh Hwee (Wushu)
Special Project Awards Business Manager of the Year: Winston Tan (Nanyang Arts Festival) Liaison Officer of the Year: Ooi Liuqi (Impresario) Logistics Officer of the Year: Koh Bing Xiong (Arts From The Heart) Programmer of the Year: Raymond Tan Yao Zong (Impresario) Publicity Officer of the Year: Chan Tat Lek Marcus (Arts From The Heart) Most Bonded Special Project: Arts From The Heart Outstanding Special Project: Joint Dance Concert The conclusion of Cynosure marks the end of a long, but fulfilling academic year for all CAC members. A special shout out to the 22nd Executive Committee, who helped CAC to achieve greater heights! The end of a journey marks the start of another; so here’s to the newly elected 23rd Executive Committee!
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TOTAL DOMINATION
Story By: Alphonsus Seng | Photos By: ONE FC / Justin Ng
The capacity crowd at the Singapore Indoor Stadium were treated to a spectacle. The audience really got behind the Singaporean fighters in an unforgettable night that saw the unification of the ONE FC Bantamweight World Championship title belt.
I walked into Singapore Indoor Stadium not knowing what to expect. After the event, I left amazed and having respect for those warriors in the cage. Taunts were traded. Fighters were left busted wide open. Definitely, I would not want to be on the receiving end of an accidental groin strike! More hearteningly, friendships were solidified inside the ring. These fighters may not hold back their blows in the confines of the cage but they respect each other. There were several debutants that day but their tenacity meant that they were no pushovers.
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I can’t help but to wonder what was on the minds of the fighters as they walked down ringside to their entrance theme. Surely, the local fighters felt boosted as the capacityfilled stadium sounded their appreciation as they made their way into the ring. The home ground advantage worked as the Singaporean fighters defeated their opponents across the causeway.
Despite it being a crowd full of males, there was some eye candy for the females in the form of models-turnedfighters, Juan Wen Jie and Peter Davis. Both flashed their chiseled bodies and charismatic looks for the
camera during the official weigh-in days before the event. Speaking of females, the promotion’s second female bout took place that night, featuring Singaporean Sherilyn Lim and her Malaysian opponent Ann Osman. The match went down right to the wire, testing the endurance and stamina of both fighters. Eventually, collective sighs of reliefs were heard as the referee raised Lim’s arm to reflect the judges’ decision. Another victory for the Republic! In the headline main event, Brazilian Bibiano Fernandes defeated Soo Chul Kim. Kim was devastated by the outcome - it wasn’t hard to see why - the young South Korean did his best but eventually came up short against a more experienced opponent. Perhaps the fighters could be characterized by Shinya Aoki – the Japanese is not at all interested in the glamour of being a fighter - he just wants to get in the ring and fight. This men (and women) submit their bodies to much pain - all because of their passion for fighting. And that’s why I hold so much respect for them. It certainly ain’t easy being one.
Lim (left) successfully lands a punch on Osman (right)
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O PUS J AY
2013 WORLD TOUR
Story By: Tan Cheng
Mandopop King Jay Chou needs no introduction. Since his debut 12 years ago, the famous Taiwanese popstar has garnered a huge fan following and it was no surprise that the tickets for Opus Jay 2013 World Tour in Singapore, 3 years since his last stint here, sold out within 4 hours of sales!
I was very excited to be able to catch Jay Chou on 8th June, the last of his three consecutive concerts in Singapore. Since it was his last night performing here, I stepped into the Singapore Indoor Stadium half-expecting the singer to be a little lethargic from having performed here twice. And boy, have I never been happier that I was wrong. If there was anything that sets the talented and well-liked singer apart from other singers, it was his energy and sincerity towards the 9,000-strong crowd, mostly comprising teenagers who had grown up listening to his songs. His popularity was evident from the excited screams once the lights dimmed. The two screens flanking the sides of the stage showed a sci-fi simulation of Chou battling with a dragon and escaping through a circular machine that transported him right to the very stage in front of the audience. All eyes were glued to the machine as the door slowly levitated and once the singer stepped out, pink light sticks were waved frantically to welcome the singer. He quickly burst into energetic numbers such as Exclamation Mark (惊叹号) and Dragon Fist (龙拳) while revealing his killer 8-pack abs to the swooning female audience. Chou then spoke of his appreciation towards his fans for supporting him through the 12 years of his career. “I will continue singing till the day I won’t be able to sing anymore!” Chou declared, tugging at the heart-strings of his adoring fans. He concluded the touching speech with a song from his third album, The Final Battle (最后的战役).
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The stage was transformed into a mini musical when Chou and his pals, Cindy Yen, Gary from Nan Quan Mama and Darren from The Drifters, donned on retro outfits and performed 4 songs as part of a teaser for Chou’s upcoming move, Rooftop (天台). The scenes changed rapidly from a group of countrysiders dancing, to a romantic duet between Cindy and Chou. Chou, Gary and Cindy then sang and danced to the piece A Rather Large Cello (比较大 的大提琴). A dramatic fighting scene ensued, with Chou defeating the antagonist to claim victory. This certainly boosted the anticipation of the fans
to catch the musical-movie, which is released in July in Singapore. The scene wrapped up with a heart-melting number, You Are Everywhere (哪里都是 你). White confetti rained over audience seated at Category 1, strengthening the solemn mood of the song. As per usual, Jay Chou did not neglect his mission to promote good music to his audience. During the next stage transition, guitarists gave electrifying performances before the singer took the stage again to belt out soundtracks from movies, such as All The Way North (一路向北) from Initial D and Secret (不能说 的秘密) from the movie Secret. Stage setup included two gigantic double-digit counters that were used to resemble a speedometer and house the background musicians, as well as the backdrop, which showcased scenes from the movies. He then performed one of his signature fast songs, Nunchunks (双截棍). The entire Indoor Stadium transformed instantly into a karaoke room as his fans crooned to the crowd favourites Obviously (明明就), End Of The World (世界末日), Mine Mine and Silence (安静).
Just as I marveled at the earlier stage set-up and thought it to have reached its peak of splendor, an entire inn was lowered to the stage, where Chinese “hopping” vampires grooved to his Zhongguo feng (Chinese Style) music: Eunuchs Tend To Have Headaches ( 公公偏头痛), Blue and White Porcelain (青花瓷) and Worldly Tavern (红尘客栈). A beat-boxer amazed the audience with his versatility in the transition that followed, before joining an a capella group to deliver a rendition of Chou’s songs Bullfight (斗牛), Sailors Afraid Of Water (水手怕水) and Big Ben ( 大笨钟). Chou certainly knows his fans well, remixing his much-loved pieces into one medley. He sat in front of the mass audience with his guitar, strumming to the tunes of Rainbow (彩虹), Orbit (轨迹), Cowboy On The Run (牛仔很忙), Starry Mood ( 星晴) and Return To The Past ( 回到过去), while clearly basking in the audience’s singing. The gifted musician concluded the segment with Perfectionism ( 完美主义), where he mocked himself for using his own name to fill the chorus, and Sunny Day (晴天), one of my personal favourites.
unwilling to part with the singer as shouts of encore rang through the Stadium. The singer then delivered one of the biggest surprises for the concert – a 3D video of Sign Language (手语) with real and virtual ‘Jay Chou’s dancing smoothly to the music. The singer continued the encore with Can’t Express Myself (开不 了口). Once he exited the stage, shouts of encore continued. In a flash, the whole stadium transformed into a summer beach party! The audience went wild and jumped to the lively music of Ukulele (乌克丽 丽) while giant beach balls were thrown around and Chou himself was dressed in a Hawaiian-style shirt. As a final encore, another lively piece Sunshine Homeboy (阳光宅男) was performed before the singer thanked all his background musicians and retreated for the last time into the pitch darkness, leaving the audience with memories of a lifetime and wondering when the next visit of the singer will be. Jay Chou is a truly dedicated and hardworking musician, never failing to amaze the audience with the effort he puts into his work and with his assurance during the concert, we are sure to be treated to many more years of great music by one of the best and most adored singer in Asia. Rock on Jay Chou!
The audience was clearly
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“Our vision is to create music and videos that inspire & uplift. Whatever we do, we put our heart and souls into every note and frame.”
The Piano Guys Story By: Karyn Aw
The Piano Guys are a YouTube sensation, consisting of the pianist, Jon Schmidt; the cellist, Steven Sharp
The concert started with an interesting mash up, “Love Story Meets Viva La Vida” which was very well
Nelson; the music producer, Al Van Der Beek; as well as the producer and videographer, Paul Anderson. Together, they are known for their inventive self-made music videos and creative performance techniques. One of their greatest achievements include air-lifting a piano up a thousand foot cliff for their music video, “Peponi”.
received by the crowd.
On 2nd September, more than 4000 people, including myself, gathered at The Star Theatre to watch The Piano Guy’s first performance in Singapore. I was first introduced to The Piano Guys two years ago when I chanced upon their song “Moonlight” over YouTube. The song really moved me and since then, I have been a great fan. Getting to hear The Piano Guys performing live was like striking one item off the bucket list.
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The Piano Guys are daring in their creations, having come up with several ingenious arrangements combining both classical and pop music. A perfect example would be “Titanium/Pavane”, a wonderful combination of French house music producer David Guetta’s “Titanium” as well as French classical composer Gabriel Fauré’s “Pavane”. In a solo segment, Jon performed his original creation, “All of Me”, which he wrote when he was 21. On the other hand, Steven performed “Beethoven’s 5 Secrets”, a combination of melodies from Beethoven’s 5th Symphony with One Republic’s “Secrets”. It was an amazing performance which also included a collaboration with eight other violinists from the United World College and the song got the audience all hyped up.
Interestingly, both men credited their children as a source of inspiration for their songs. An example was how Steven came up with the Cello Wars song, a Star Wars parody, to please his son who was a big fan of the film series and to spark his interest in picking up the cello as well. My personal favourites had to be “Michael meets Mozart”, an ingenious approach to create the song using purely sound effects made from the instruments shown in the video (which consisted of their piano, cello, mouth percussion as well as bass drum), as well as “Peponi”, a cover with a west African beat to Coldplay’s famous song, “Paradise”. The latter gave a soulful, beautiful yet surreal touch to the song. Throughout the concert, absolute chemistry was demonstrated between the two chirpy men.
However, it could have been better if there were more interactions with the audience. The one and a half hour concert could not have ended more perfectly with the quartet performing their amazing rendition of “What Makes You Beautiful” by One Direction, a top hit song which was performed solely through the use of different parts of the piano. This was the song which made them shoot to fame after it was uploaded on YouTube and thus far, it has received more than 24 million views. I think what’s most encouraging was seeing how The Piano Guys looked like they truly enjoyed themselves in each performance and audience could easily feel their passion and enthusiasm in creating great music. To end it all, The Piano Guys is a true inspiration to all. It was their first concert in Singapore, but it will definitely not be the last.
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8
nations represented hours of music
The annual Sundown Festival was once again held at Marina Promenade this year, featuring acts from 8 countries. Originally starting as an all-Korean event, the festival has since evolved into one representing the musical diversity of Asia. With a new Asian country added to the lineup each year, there was added pressure for the event to deliver. And deliver it did. At present, the Sundown Festival is more of a carnival, celebrated by music lovers across Asia.
8k+
fans tuned up
N W O D N SU Story By:
The adoring fans displayed their strong enthusiasm for their favourite performers, grooved to the rhythm of the various songs and dances. Along with the stunning and vibrant stage lighting, the fans soaked up the atmosphere and had a good time. 30
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Alphonsus
Seng
FESTIVAL Filipino alternative rock band Rocksteddy getting into the groove
Armed with only a guitar, the endearing Yoga Lin charmed the fans with an acoustic performance, even treating them to a cover of Britpop band Blur’s Song 2.
Hong Kong actor/singer Bosco Wong capped his energetic performance by obliging the screaming fans by throwing his towel into the crowd.
Japanese visual kei rock bands SCREW and D=Out got into the groove as the night progressed, even getting the crowd to sing along. Left: SCREW vocalist Byou teasing fans with a loose top, which he eventually took off, to the delight of the adoring fans.
10 1
Whilst Korean girl groups are known for their synchronised choreography, AOA went one better, wowing the audience with their instrumental prowess and dancing.
No More Tear from Thailand chose to open their set with their soulful songs, before rocking out to a cover of Lady Gaga’s Bad Romance.
acts performed at this year’s music festival 2
3 Other performers at the festival: 1 Nidji (Indonesia) 2 Rico Blanco (Philippines) 3 Adonia Shao (China)
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S I N G A P O R E D A N C E T H E AT R E
BALLET
UNDER THE STARS Story By: Ali Qasim
On the 19th of July, and on its 25th anniversary, Singapore Dancing Theatre (SDT) offered the ballet fans an exciting feat of a series of contemporary ballet works that were showcased to the loyal audience over the entire weekend. An unconventional yet perfect environment surrounded this outdoor annual event at Fort Canning’s park. Much like a picnic, an open green yard that was perfectly slanted toward the stage to form a natural theatre only to brilliantly seat the audience, a starry night sky roof-topped the masses and a gorgeous and quiet weather condition ruled the evening. ArtJam was lucky to witness a pre-show that was only specific to the first night of the performance. The pleasant opening starred students from schools like Nanyang Academy of Fine Arts, Nanyang Girls’ High School, NUS Dance Synergy, Strides Youth Dance Company, and LASALLE College of the Arts. It showcased a beautiful choreography by junior ballerinos and ballerinas in white, who almost defied gravity in many instances of their beautifully synchronized moves. They have indeed done a formidable job, as a junior dancing group, and have successfully warmed the hearts of the audience for an eager reception of the awaited performances coming up next. Unlike what might come to one’s mind when hearing the word “ballet”, the repertoire was actually a beautiful mélange of contemporary works rather
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than classical. The repertoire started with “Absence of Story” along with very romantic and touching background music (1st violin sonata by Brahms), choreographed by the famous Japanese professor, Toru Shimazaki. The performance reflected the climax of technicality, agility, flexibility, and seamlessness of the flow the white-dressed SDT dancers had exhibited; the story is absent though, as the title implies. Shimazaki was seemingly aiming not to distract the music from casting its charming spell on the audience while watching the dancers perform. Yet, the work was notably synchronized and quite lively. To our further amazement, the repertoire’s flavor was further seasoned with the presence of Australia’s Expression Dance Company (EDC), which displayed dazzling individual and joint performances (with SDT). The first performance by EDC was the very famous one-act iconoclastic ballet, Carmen Suite. It is a tale of love and passion, depicting a sorrowful story of a love triangle, focusing on Carmen (a beautiful and free-spirited woman), her alternate personality that appears as Fate, and two other men (Don Jose, a soldier and Escamillo, a victorious bullfighter). When Carmen seduces the temperamental Don Jose to help her escape a hideout after she decided not to love him anymore, she falls for Escamillo who already had a crush on her. She finally finds herself facing death when Don Jose stabs her in the end while Escamillo wins his bullfight that he invited
her to witness. The ensemble of dancers who performed this ballet was indeed stupendous. This ballet was performed while Georges Bizet’s fiery music and percussion resonated throughout the park. This one-act was impressive, and dingles minds with its shocking and tragic end. Next came the awaited joint-performance of EDC and SDT “Four Seasons”, which was choreographed by EDC’s Artistic Director, Natalie Weir, herself. The performance is characterized by cheerfulness, involving all the stage lights to convey the taste of relationships between couples across the four seasons. The 25 minutes rendition was unique, quad-colored, certainly novel, and was a premier. It featured unique ways the groups move and assemble their patterns, with Baroque like string-music exciting the atmosphere. It was a fabulous experience full of a wide variety of different dancing flavors.
Singapore’s Dance Theatre had witnessed an unexpectedly large number of attendants this year. Thus, breaking the whole feat into two parts over two weekends was the only solution. The first had kindly boasted the abovementioned set of respected choreographies. The second had an incredible classical performance of two-acts to offer, which was the golden romantic and tragic ballet of Giselle. ArtJam chose to attend the first week given the modernity of the titles it shone with, aiming to deliver to the readers an impression about a newer and a more vibrant set of works. Next year’s performance would be awaited with utmost eagerness. It was undeniably one of the best outdoor shows of its kind, and it is certainly worth it, especially if you appreciate the ballet art.
Finally, “Fives”, by the famous Singaporean ballet dancer and choreographer, Goh Choo San, finalized the repertoire. Goh created this bright and energizing work in an effort to interweave classical and contemporary ballet styles. According to him, this is a “music ballet” work in which the source of dancing movements is music itself, allowing the audience to observe a modern music oriented repertoire. The stage lights, dancers’ attires and the entire theme was reddish, contributing to the flamboyance and energy this performance was pulsating with. It was an appreciable and well done work indeed.
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Kwok Min Yi Interview By: Joan Kwek & Joel Lim
Kwok Min Yi received the Singapore Ballet Academy Scholarship in 2007 and 2008. She also received the National Arts Council Scholarship to train at the English National Ballet School (ENBS) in London. Currently an Apprentice in the Singapore Dance Theatre, Min Yi has performed for several productions such as The Nutcracker, Swan Lake and even toured with the English National Ballet II, performing My First Sleeping Beauty in the United Kingdom. Stay tuned with the Singapore Dance Theatre and you’ll be able to spot her on stage. ArtJam was given a chance to have a short interview with Min Yi to get to know her better. Find out what this lovely and passionate artist have to say!
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How were you first exposed to ballet? I was following my sister to her ballet class so I was just walking around outside and looking in. I was just watching the girls dancing and when the teacher walked out she asked my mom if she would let me join the beginner’s class. And that’s how I started! (Giggles)
to attend academic classes which include dance history or dance on screen which was how you view dance on screen. We learnt all the different camera angles and effects. We also did anatomy which is important for dancers to know which muscles to use. Academic classes are only for 2-3 times a week and the rest would be physical.
What do you do every day? We start a company class at 10 for an hour and a half, have a 15-minute break and we do rehearsals. Lunch is from 2-3. The other rehearsals are dependent on our timetable and we attend those which we are part of. We finish at 5.30. On my off days, I try to get as much sleep as possible and I like to go shopping.
What do you think of each production? We want to show the best to the audience so we push ourselves during rehearsals. Sometimes pressure can reverse the effect and makes you more stressed and perform worse though.
Does it take a lot of discipline to keep up with your schedule? Yeah. It’s not only just dancing; you have to do your proper warm-up procedure and everything. You also have to do some stretching during the weekends to keep yourself flexible. You have to make sure that you eat right to make sure that you have enough energy to get through a certain number of hours of rehearsals. Were there times you felt like giving up? Not really. Even when things got painful, I knew it was the one that I chose to do. Like when I was training in the UK for 3 years, it was the hardest because it was the first time I was dancing every day from 8.30-6.30. It was really hard but I was happy because when I was young, I really wanted to go to a ballet school. So, I knew it was the path I had chosen and I had to see it through no matter what. What was the curriculum in ballet school like? Most of the time, dancing every day. We also have
How do you actually remember the steps to the whole production? I don’t know. I guess we have been trained from young. Plus, it’s also with music so we can associate the steps. It helps me remember the steps more easily. What are your plans in the future? I plan to constantly improve on my craft; make myself better and make sure I don’t lose my technique. I would like to still be dancing 10 years from now because you know, injuries are prone to happen to dancers. Every dancer wants to dance for as long as possible. What were the things that you had to give up to be a ballerina? When I was younger, it would be my free time. Now, it would be my weekends because usually I have my classes during the weekends. If you aren’t dancing, what do you think you would be doing today? An air stewardess perhaps. They have nice costumes!
Can’t get enough of the Singapore Dance Theatre? SDT will open the 2014 season with Romeo and Juliet.
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BEHIND THE SCENES Story By: Akriti Vij
A peek into the backstage action at The Phantom of the Opera 1984. Impresario Andrew Lloyd Webber approached producer Cameron Mackintosh to propose a new romantic musical based on French author Gaston Leroux’s novel “Le Fantôme de l’Opéra”. Almost thirty years later, The Phantom of the Opera maintains its spot as one of the most iconic musical productions of all time. As the longest running show in the history of Broadway, and winner of a range of awards including the Olivier Award and Tony Award, it created a major buzz and excitement among music and drama enthusiasts in Singapore during its six week stint at the Marina Bay Sands Grand Theatre. The plot is centred on the dreadfully disfigured musical genius- the Phantom, running a horrific reign over the Paris Opera House. He is bound by his obsession with the young soprano, Christine. The story unfolds with a series of riveting and impactful sequences, as he tries to win Christine’s affection. As a musical and drama enthusiast, I jumped at the opportunity to meet the director, Harold Prince and costume in-charge, Eugene. As an engineer in the making, I was excited for the exclusive backstage tour to get a detailed view of how the transitions and set-ups would be implemented.
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I walked into the theatre to meet Harold Prince, just in time to catch the last segment of the technical testing. Prince shed light on the intensive planning, organisation and attention to detail that goes into the sets. The stage sported heavy draperies, and a large number of candles whose motion, entry and exit was automated. He went on to explain how these components were engineered. Any of the set components that moved horizontally or from the side of the stage were automated. The fly-ins were manually handled. While this created the risk of timing-mismatch, it also added a dynamic element to the show. One of the highlights of the show in terms of visual effect was the falling-chandelier sequence. While the exact implementation and final effect vary from venue to venue, the Grand theatre allowed it to be extremely fast and dramatic. Prince seemed to be happy with the theatre dynamics that allowed for smooth and slick transitions between the depiction of the Opera House, its rooftop with the Paris skyline, a lake and a cellar. The stage design was also very meticulous and authentic. “Everything that is portrayed on stage can be seen and moved in the Paris Opera House just as it is here”, explained Prince.
One of the most effective pieces of machinery was a movable travellator which created the illusion of ascent and descent and was essential to the plot of the drama.
Then I headed to the next segment of my tourcostumes. In a grand production of that magnitude, it was not surprising to find a significant chunk of the budget set aside for costumes.
I couldn’t help but comment that the entire setting was very fanciful. Prince expressed his own view on that, “Yes, the basic set was put together over a span of ten days before the show officially commenced. We want it to be believable and not over the top, yet magnificent.”
Eugene took me around the costume and fitting areas.
different parts of the world. Apart from intricate designs and handcrafted patches, there had always been significant efforts on the part of the team to maintain authenticity at any cost. “Vintage floral velvets can be very hard to find, but we want to be true to that period and do it 18th Century style”, Eugene enthused. He also mentioned that some of the Chinese motifs had actually been acquired in auctions. Besides, the technical details of the costume designs were astounding, featuring carbon fibre moulds and the like.
With such grand costumes, a challenge turned out to be the large number of changes for the artists throughout the show. Eugene explained, with a hint of pride, “As much as they are choreographed on stage, there is a similar show happening backstage too. Over time, our operating style has settled in with the precision of clockwork. We have a blueprint for everything we do.” Smart shortcuts such as stitching multiple pieces as one also fastened the changing process.
The production had over 230 magnificent costumes to boast of, featuring hand dyed silks, velvet brocades, beads and laces brought in from
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Another essential feature of the costumes was the deep extent of customization. All costumes had been tailored impeccably according to the performers. This observation raised an obvious question –that of a cast change being a major problem for the team. “As I said, our fall back mechanism accounts for standbys, costume refitting and re-tailoring”. Eugene also showed me his personal favourites. First
Then we moved onto the fitting and maintenance area. I could spot labelled laundry sections, a hotbox- for heating and dying. A special technique of Chambray dyeing was employed. There was also an unbroken chain of steaming, ironing and beading of the costumes to counter the otherwise inevitable wear and tear. The only doubt I had at that time was whether such minute details actually get noticed on stage. But the
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amongst them was the costume for Darren. With an amount in two figure thousands spent on it, it was elaborately designed with a traditional steel bustle, and layered silks and brocades. He challenged me to lift it with one hand, and to my utter astonishment, I could not move even an inch, the hanger that held the majestic dress. Brilliant way to get the message across, indeed. Another favourite of his was a Chinese robe for the Phantom featuring silk motifs.
entire production’s tireless striving towards perfection made it clear that their efforts were directed towards being true to their art, and putting up a flawless show, irrespective of the reception of it. Such is the world of the creative. If I had to associate a single word with the “Phantom Of the Opera”, it would be grandeur. After this experience, I would certainly be able to appreciate any creative expression at a new level altogether.
16–19 JANUARY 20 14 MARINA BAY SANDS 40,500 VISITORS, 600 ARTISTS, 130 GALLERIES, 10 CURATED SALES EXHIBITIONS For more information, visit: www.artstagesingapore.com
Official Hotel Partner
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the
TAMING of the SHREW Story By: Eleanor Chua
“Women are made to bear and so are you!” Petruchio told Kate in their very first conversation, which was outrageously composed of sexual innuendos. Petruchio is the macho sailor cum soldier who proposes to take Katherina (Kate) the shrew as his wife. He mocks her shrewdness, comparing it against lion roars and artillery on the battlefield. This play is about feminism, morality and love, themes that are still much debated on in today’s society. The Story Lucentio and his servant Tranio have come to the city of Padua to attend University but Lucentio is completely distracted once he sets eyes on Bianca, Kate’s sister. Bianca is renowned for being the perfect woman- sweet and delicate, soft and obedient, the complete opposite of Katewhich is why she has two other suitors, Hortensio and Gremio. Through much deception the three try to woo Bianca but Bianca only has eyes for Lucentio.
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Bianca and Kate’s father, however, tells the men that they cannot marry Bianca till Kate is wed. Hence they lure Petruchio into marrying Kate. After Petruchio takes Kate as his wife, he proceeds to “tame” her in the name of love. For example, he stops her from eating his food, saying it is not good enough for her to eat. He even manages to make her proclaim that the sun is the moon, just because he says it is. Meanwhile, Bianca and Lucentio secretly get married, and Hortensio resigns to marrying a widow. The three men then make a wager, betting that their wife would come to them when called. In the end it is only Kate who comes to Petruchio, and with that we see that Kate’s feministic spirit has been broken in this comical tragedy. Are You Ready for Some Ladies? Funny how the eight-female cast is still led by male
directors. It is apparent gender roles are still rather distinct today. Yet the difference is that we recognise the importance of women and their capabilities more. The Queen of England is very much respected and Michelle Obama has also garnered a lot of support from people all over the world. Furthermore as education becomes more accessible to females, more women are empowered. With such empowerment, we see a different type of gender distinction- one that is not bound by a limitation of resources but rather one that is controlled by different perspectives. Having watched the play by a mixed cast before, I was intrigued by how this eightfemale cast would interpret the male characters. Especially
for Petruchio he is supposedly very macho and in the previous play I watched he was topless half of the time, showing off his pectorals. Petruchio in this production was more of a gentleman (except for his handshake that leaves his acquaintances squealing) and towards the end he shows he has a heart and does not really want to be Kate’s “master” but her husband. I might have enjoyed the mixed cast production more because it was much more comical. But this production put forth by the ladies was more realistic, which brought out the themes very strongly. On the other hand, Kate was my favourite for this production because of her vulnerability. This Kate wanted to be loved by others and she displayed her jealousy towards her sister instead of keeping her feelings bottled up. She was not an ice-maiden like in the mixedcast production- she merely spoke her mind, and such an interpretation helped to keep the play realistic since Kate’s personality was to not conform to what society and what the physically stronger men said. Her spirit broke in the end,
however, which I thought was acceptable, though tragic, due to her vulnerability.
thinking that there is a need to marry and procreate. Deception
First Kiss Me, Kate, and We Will Kate and Petruchio locked lips thrice in this play, with Kate taking the initiative. This was also disparate from the mixedcast production, in which Petruchio takes the initiative, and it brings up another feminist issue of whether it is alright for women to propose to men. In Bianca’s contrasting love story, however, Lucentio looked like a child next to her as “he” was much shorter and had child-like features. It hinted at Lucentio’s immaturity, as he claimed to “love” Bianca even without knowing her beyond her appearance. The realistic interpretation of the characters also made me realise another more profound love story- that between Kate and her father. Barring Bianca from being wed before Kate was an ingenious plan by their father to ensure that Kate could get married. Yet it also reminds us of the out-dated
It is amazing how Shakespeare can get away with atrocities with a bit of humour. Lucentio and Hortensio pretending to be Bianca’s teachers in order to court her might seem funny in a play but would be frowned upon in reality. This cast also introduced Bianca’s hidden personality early in the play, when she taunted Kate behind her father’s back by waving cheekily at Kate, as she left Kate to be reprimanded by her father. It exposed the unfairness Kate had to endure and gathered much sympathy from the audience. Beer, Wine, Champagne and a Selection of Soft Drinks Halfway through the play a glittering butterfly fluttered above the audience. It felt like we were having a campfire with most of us sitting on ground mats but instead of a fire we had the breeze and ice-cold beverages. The play started with an Irish song about an impossible love that became possible- how aptand the actresses sometimes ran along the aisles so close to us that we could just reach out to touch their costumes. There is a thin line between being loving and being submissive. The audience probably felt sad for Kate because she was resigned. But I am happy for her, for it became apparent Petruchio loves her.
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Interview with
Joe Murphy Interview by Joan Kwek & Joel Lim
Picture Ed Sheeran in his late 20s with straight hair neatly combed with a parting to his left. You wouldn’t believe just how dashing this artistic director is! Well, what’s more interesting is his imaginative mind that prowl along the coast of comedy and tragedy. In this interview, ArtJam delves into the mind of Director Joe Murphy, seeking his perceptions and opinions in the production of Taming of the Shrew. Read on to find out more! What is it about being a director that you like? I get to be in charge! Nah, I’m joking. It’s a really creative job; you get to work with incredibly talented artists across the spectrum – actors, musicians, designers, production managers, and writers – just an incredibly enjoyable job to work with fantastic people. As a director, I sort of just draw everyone’s talent together and create something that is artistic for an audience. The most enjoyable thing about is the people that you get to work with and the opportunity to use their talent and craft it into a single vision. How did you first get into theatre? I did a lot of it when I was younger as I was into drama and these kinds of things. And then I did a degree in drama and then a postgraduate study in directing, in London. And then someone asked me to move house
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for her, turned out to be an artistic director of a theatre in London and so she gave me my first job as an assistant director. I’ve been working since then for the last 4.5 years. Who is your favourite character in Taming of The Shrew? Wow, tricky question. Some of them are really nasty. Boringly, it’s probably Katharina, the shrew. She is incredibly fiery and independent yet also very vulnerable, quite neglected by her dad in an intensely male-driven society in which she is constantly told she’s ugly and shrewish, loud, angry whereas actually in the text she doesn’t do that much wrong. I find her the most fascinating character. Do you think that this play is still relevant to us today like social roles on individual happiness? Yeah, I really really do. I think Shakespeare’s works are still relevant today. This play particularly runs for women’s rights. Huge momentum has been gathered over the last century; the female vote, equality in the workplace has been around some time but still, around the world they are still oppressed and unequal to men. I think this play is a good opportunity and we’re doing this play with 8 actresses. It’s a great opportunity to mark how far we’ve come and also to take a moment to realize that this is still happening.
Is there any particular reason you chose an all-female cast? There are a couple of reasons, really. The main one is that this is a play with a really controversial history over the last couple of hundred years. With women’s rights, is this play misogynistic or is it an attack on misogyny, what is this play like? I felt it was time to give 8 women the opportunity to give their own views on this play, own this play and own the message in this play in their own way. The globe is often quite male-heavy just because Shakespeare wrote for men and so many characters are male so I think it’s an opportunity to let women take over that stage. Is there anything about the set that would be special this time round? The set is actually pretty simple. It’s a wooden platform made from oak wood. It’s quite small, it’s intimate. This is because back in the day when Shakespeare was around, they didn’t just do their plays in the theatre; they took them on tours, they took them around the country. They just took them on a wagon, pitch a tent, start up the wagon and you do the play right there and then. So we are trying to sort of capture the spirit in the modern day. So we are sort of turning up with our stage that sort of fits in the back of a truck and unfolds itself out and we intend to do the play in a really pure way; there’s no lighting effect or electric sound, all the music is done completely live by the actresses themselves. I suppose the set gives us the opportunity to go back to basics and quite a raw aesthetic. Are there any challenges in this play? Yeah. This play is by far the most challenging I’ve ever directed. A lot of people have assumptions about this play, about what they think this play is about… You got to understand that the audience is coming to with their own ideas and you got to accept those ideas and try to change them into your own ideas and opinions. And also we’ve toured many places and it’s all outdoors pretty much with few indoor venues. It’s hard to fit the play into different spaces and the actresses feel confident playing outdoors. Does any particular scene stand out for you? I think the whole play stands out for me. But I guess there’s a very famous speech at the end and the lady has performed it really beautifully. It’s a really interesting moment. The play is about 90% comedy and 10% tragedy right to the very end. So, the play turns from fun and enjoyable into something quite sad and emotionally moving makes you sort of rethink your opinion of the play.
Any significant quotes? There’re a couple of really interesting ones. There’s one where Petruchio is the ‘tamer’ of Katharine. He has this big speech where he says Katherine would do whatever he said. He says that she is his ox, his house, his movables, his anything. It’s all about ownership and it’s a really scary concept for a man to think of his wife. And it’s obviously quite archaic but I think those opinions are still around today and they need challenging. It’s a quote that sticks out in my head as very provocative making me think. Katherine in response of how women are made fools of if they don’t have the strength to resist male oppression. All those social issues stick out to me. It feels like Shakespeare could just be talking about today. Is there any play that you would like to direct in future? I work mostly new works. I love being the first person to direct them but in terms of Shakespeare, King Lear is my favourite.
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Hossan Leong is definitely no stranger to the local arts scene, having appeared on in several local films and television series. He was conferred the Chevalier de l’Ordre des Arts et des Lettres (Order of Arts and Letters) by the French Ministry of Culture in recognition of his contributions to French literature and art. Despite this, one can immediately tell that the fast-talking funnyman is definitely your average Singaporean. The multi-talented performer can now add “entrepreneur” to his long list of achievements, with his own company, Double Confirm. Let’s hear it from Mr Double Confirm himself!
Interview By: Joan Kwek
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Go for it! You never know till you try...
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Host, director, actor, stand-up comedian and more. Is there any particular one that you like more than others?
do whatever else they can to bring joy to people. So if you can do all three plus more, email us! We have to websites you can check out: doubleconfirm.
Retire. Kidding. Every aspect of my career has been
sg or paulcarrmedia.com. The next 2 years will be
fun to learn and craft. I started as an actor and even
spent building the company and the brand and
though I had no formal training, I learnt everything
hopefully in 10 years, the companies can run on
from ground zero. So acting has always had that
their own, developing and creating new talents and
special place in my heart.
productions!
Were there things that you had to give up to be where you are today? In some ways, my privacy. Then there is family time,
You are nicknamed the Singapore Boy and Singapore’s Funny Man. What makes you a Singaporean?
especially during festive occasions like Christmas,
EVERYTHING! The way I speak, the way I think and
New Year or Lunar New Year because I had to work.
behave. Sometimes it irks me because not ALL Singaporean characteristics are admirable, but most
What does it take to be a good performer? Discipline. One has to be healthy in the body and
times I’m proud when my Singaporean-ess shines through.
mind. Talent plays a big part of course! But if you already have talent, then discipline is key to success.
If you had one last day to live, what would you do?
There aren’t many stand-up comedians in Singapore. Why do you think this is the case? What do you have to say to people who want to be stand-up comedians?
I’d play my piano and sing Barry Manilow’s Can’t Smile Without You.
Being a stand-up comedian is not exactly a ‘normal’ job. I don’t think many people go to school thinking “when I graduate, I wanna tell jokes for a living!” So if someone wants to be one, I’d say “Go for it! You never know till you try, but hang on to your day job first. We can’t survive on love and fresh air.”
What are some of the challenges you face behind every production (theatre, standup…)? As I get older, I have to work harder at memorizing my lines! No kidding!
Do you script your stand-up performances? Comedy has to be scripted. Prepared. No one goes on stage and wings it! If that happens, it’s not good enough; the audience deserves a good show!
What do you see yourself doing in the next 1-2 years? What about 10-15 years later? Paul Carr and myself have started Double Confirm Productions and we want to use this as a platform for new talents to springboard from. We are hoping
Check out Double Confirm’s Facebook page for more updates on Hossan Leong at https://www.facebook.com/ doubleConfirmProductions
to form a little group that can sing, dance, act and
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Kumarason Chinnaduraiis Interview by Joan Kwek
Homegrown stand-up comedian Kumarason Chinnaduraiis, or more widely known as Kumar, is the most recognisable Drag Queen. The resident performer at Home Club (One Mic Stand) was his usual animated self when we sat down for an interview with him. One could easy feel the passion the master of drag had for what he was doing simply by his virtue of courage. Let’s find out what he has to say‌
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What is drag?
The meaning of drag is actually to exaggerate. That’s why you’ll Australian drag queens having higher eyebrows, heavier eye shadow, making them look like dinosaurs. For drag, everything has to be 10 times as compared to a normal girl. A lot of people don’t understand it (drag). They’ll say things like “Cross dressing is a man in a dress.” I can go to a party in a dress then I’m cross dressing . Drag is a level beyond reality. You know, the blow-your-mind look – like Vegas.
Where do you actually draw your inspiration from?
I read the papers every day so I talk about whatever that is happening. I just try to link it with whatever materials I have so it ends up as a joke. It’s not that difficult to get content for my shows now. It was more difficult last time.
You didn’t start off drag on a good note. How was it and how did you overcome it?
I cried because people just stared at me thinking “What is this freak on stage doing?” People didn’t laugh because I wasn’t allowed to do risqué jokes – only clean ones. Who wants to hear about the chicken who crossed the road? I kept pushing the boundaries after the third month.
Do you have any particular show that stands out to you or any show that you feel that you could have done better?
It’s usually the audience. If the audience isn’t very good, they’ll zap your energy. They just give a feeling like “Urgh, it’s horrible.” Generally not really bad. I never had a bad bad bad experience.
Do you like big stages like or a smaller stage with a more intimate crowd?
Both are a different board game altogether. For bigger stages, you are reaching to the mass, smaller stages are selective. Small stages in a closed setting are definitely more intimate but mass crowds give me the oomph – that people are coming specially to see me. And I reach to the heartlanders – because the lower category tickets are cheaper. I’m trying to move towards the heartlanders.
What makes you a Singaporean?
I really don’t know! My IC? With a pink IC, it’s pretty exciting when people want to check my IC.
What makes Kumar who he is?
Kumar is actually not like that. He is actually very reserved. Actually, I wouldn’t say reserved because it is usually associated with arrogance. I’d say tame. When I go on stage, I’m a totally different person.
What would you like to be labeled as? Comedian, drag queen?
Kumar The Comedian Drag Queen. Kumar Drag Comedian Queen.
What do you see yourself doing in the near future, perhaps 2 to 3 years down the road?
I would like to direct. I want to direct a play. I’m trying to. I haven’t put my foot down but I think I’ll start at the end of the year. Thinking.
What about 10, 20 years down the road?
I’ll be dead by then! I’m 45! Nowadays, we eat all the crap food! Whether we eat organic or not, it is still processed! It’s all unhealthy. In my time, we could roll and jump around in the mud. These days, everyone, even kids, are using the computer. Trust me, everyone is going to die early at the rate we are going.
What do you think about drag in Singapore?
It’s not easy; people just strip you bare. People tend to judge you straightaway. They only start to take you seriously when you prove your point. These days, society is more tolerant as compared to the past. I wouldn’t say accepting, but more tolerant. And there are people destroying the image of drag. You see guys wearing man-clothes with a pair of high heels and I’m like cannot . Some things must stay the way that they are supposed to stay.
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Natalie Hiong Interview By: Joan Kwek
We had the chance to catch up with the banker-turned-singer, Natalie Hiong. The local singer-songwriter recently performed at Music Matters Live earlier in May this year, opened a concert for Tiffany Alvord, and won the category for Love Song at the UK Songwriting Contest with Unravelling. Here is what the determined star has to say…
What have you been doing recently?
I’ve been working on some songs. I’m doing this course with Ocean Butterflies in order to pitch to the Chinese artistes. Recently, I co-wrote a song with Glen from The Final 1 which was performed live on TV. I’ve also been invited to a conference/ showcase in Austin, it’s called MEOW Con. I’ve also been working on some covers for my YouTube channel.
What is a typical day for you like?
Each day is different. For two days a week, I teach piano at an international school and for the rest of the days… it depends. If I have an upcoming gig,
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I’ll be practicing for it. As a self-managed artist, I have to do quite a lot of administrative work as well. I also try to sit down and write songs. Sometimes, I have to work on projects, such as songs for the racial harmony day, or even advertisements for television. I try to squeeze in time to do covers – I feel that I should include more covers in my YouTube channel! I try to promote myself as well.
Compared to your previous job as a banker, the life of a singer/songwriter is more irregular. Do you like it? Yeah I like it! It has more variety: for instance, I won’t get bored by doing only one thing. For
Don’t miss Natalie’s covers on her YouTube Channel at www.youtube.com/user/nataliehiong Also, keep yourself updated with Natalie Hiong and her lifestyle at nataliesmusicmusings.wordpress.com. To support and hear more of Natalie’s latest songs, head on to the iTunes store and search Beautiful Mess – EP.
example, if I get bored whilst writing a song, I can choose to work on my covers, or to work on other projects. Everything, including projects, is quite different. A racial harmony day song meant for kids is different from the upbeat theme for a fitness centre. The lyrics were a little darker for Incanto last year, so it’s quite fun! I wouldn’t mind sitting in the office and doing work, but I guess this (singing/songwriting) is better and suits my personality.
Did you have any backup plans?
I knew I definitely wouldn’t go back to banking and finance, but perhaps I could either teach, open a music school or even go into music management… I didn’t really believe that I would fail as I am quite the go-getter and might even be thick-skinned in searching for jobs. I think that has helped me in my career so far because it’s important to set forth and ask.
What are some of the difficulties and challenges that you faced?
Even though I’m rather disciplined, it’s quite easy to slack on some occasions. It’s also easy to get caught up and not do things. Other challenges that I face would be getting an audience because people are more inclined to listen to those bands. I try to find my niche audience. I don’t have a lot of teenage fans, so I try to reach out to them. I
also try to reach to my existing fans ; they’re so transient nowadays. I also try to improve myself. Sometimes, as an artist, I get haters and bad comments. The songs are very personal to me so when I’ll get affected whenever someone slams the song. I guess you eventually have to get over it because you shouldn’t dwell on the bad stuff.
Where do you draw your inspiration from?
I like to write about life experiences. The newer songs are about drawing experiences from your friends to relate to yourself. I try to get inspiration from different things, stories as well!
Lyrics or Melody first?
For me, it’s usually lyrics first. Or at least, to write some lyrics before starting to fit some of the melody in. Lyrics come first as it influences the mood of the song.
Is there anything that you would like to improve on right now?
Yes, definitely. You always want to improve yourself. For me, I don’t consider myself to be the strongest singer so I’m working on that. You know you can always get better when it comes to songwriting – not only for myself, but to write for the Chinese artistes and eventually, the western artistes as well. You have to be able to write a radio-friendly pop song.
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Sarah Cheng De-Winne Interview By: Joan Kwek
Local singer-songwriter Sarah Cheng De-Winne picked up an award for Contemporary Christian/Gospel Song with Love-Shape Void in the 12th Annual Independent Music Award. The “chocolate velvet vocals” star performed at Music Matters Live in May earlier this year.
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You have to be very comfortable with yourself. You can’t be selfconscious – but that in itself is a very difficult thing!
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How were you first exposed to singing? How did you discover that you could sing?
I’ve always been singing. Music has been a part of my life - Dad would always sing all around the house — he taught himself to play the piano, guitar, bass and drums, and my parents were really music lovers. In school, I joined the choir for ten years and really enjoyed performing as a soloist in school/ church shows and musicals, but it wasn’t until I won first place at a school talent time competition at age 14 that I considered – Maybe I could pursue this seriously!
What does it take to be a good performer / singer?
You have to be very comfortable with yourself. You can’t be self-conscious – but that in itself is a very difficult thing! The best performers take years to get used to this!
What do you like most about singing?
I like the fact that I can share ideas and tell stories through my music.
Are there any difficulties or challenges that you face? If so, what are they?
Maintaining a work-life balance! I'm a total workaholic and can spend hours working on my laptop. At times, my hectic schedule makes me feel the need to spend more time with my loved ones. So, I'm really thankful for my friends and family, who have been very understanding to accommodate my crazy schedules!
What do you usually do in a day?
I don’t exactly have a typical day, but I am constantly working on new promotional strategies, adding content to my blog, editing music videos, practicing
the piano, as well as other songwriting activities. It’s not all that glamorous a life! The peak period occurs when I’m travelling/touring. Recently, I was in KL for my Asia Tour, but I performed in Taiwan, Hong Kong and Japan prior the KL performance! It’s usually filled with rehearsals, multiple transits, and plenty of opportunities to meet new people!
You’ve recently won the 12th Independent Music Awards with Love-Shaped Void and Diagonal Rain was also nominated in another category. Did you think you could achieve so much when you first started?
No, nobody knows what tomorrow will hold, so it’s always exciting when new doors open! Actually, I didn’t knew that I had won until a couple of weeks after the announcement! I received several enquiries about my music and interview requests – all within a week; and I started to wonder if they had anything to do with winning one of the nominations. It is quite amazing, and a real blessing indeed.
What are your plans in the near future?
In the near future, I definitely intend to tour more. In fact, I'm actually planning a local church tour for the rest of the year. I’m also working on recording Chinese versions of my songs to promote my music to China and Taiwan. I hope to release a new EP, perhaps in the middle of the coming year? But plans are just plans. It takes a lot of hard work and having the right opportunities, so I’m just trusting that God will open the doors He wants me to walk through.
If you weren’t singing, what would you be doing right now? That’s not really a question – I can't imagine my life without it, but I suppose it’d probably be either photography or theatre, the other strong interests that I have!
Sarah’s latest music video, Parallel Lives is out on YouTube. Subscribe to her music at www.youtube.com/watch?v=yfD6EG3hKJ0
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Story By: Xue Ming
The 3 day festival drew an estimated 85,000 people to the Suntec Convention & Exhibition Centre. AFA first came to Singapore in 2008.
This is pure exhilaration- a MEDIA PASS for AFA 2013! I entered the venue on the evening of 9th November, feeling slightly appalled to be greeted with an exodus of Cosplayers (people who dress up in costumes, in most cases as characters from various Japanese animations) roaming the exhibition area. But not long after, it was easy to let myself fall in sync with the pace of the hustle and bustle of fellow visitors. My first stop point was where figurines of animation characters were neatly displayed. I was amazed by the wide collection of figurines and deeply admired the workmanship of their creators. It was, however, surprising to see iron man figurines in the sea of figurines that were otherwise related to Japanese animations!
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The manga ATTACK ON TITAN was adapted into an anime series. The series follows a teenage boy who takes revenge on the human-eating titans, who have eaten his mother. Following that, I ventured further in and browsed several merchandise shops. What left the deepest impression was the shop that was decorated based on the theme of a Japanese anime, “Attack of the Titans”. Queues stretched far beyond the entrance and customers had to be let into the shop in batches to prevent overcrowding. Nonetheless, the items sold were highly appealing, ranging from mugs to pillows that were designed according to various Japanese animations, each sold at affordable prices.
LiSA is a pop rock singer whose
rose to prominence through singing the theme for the anime series Angel Beats! Since then, she has released 3 other albums. To end off my adventure, I decided to catch the performance by LiSA. Despite it being overcrowded and stuffy, I was completely blown away by the enthusiasm and energy that both singer and audience showed. Her heartfelt singing created a lively atmosphere and I was thrilled when she accepted the audiences’ prompt for an encore! All in all, it was an experience that I gratefully and thoroughly enjoyed.
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Event Listings JANUARY 6
FEBRUARY 24
Arts From The Heart – Project Smile
Frankie Valli & The Four Seasons – Live in Concert
Arts From The Heart (AFTH), the charity arm of CAC, will be interacting and baking alongside their beneficiary, the Children’s Cancer Foundation.
With his new album and sold-out world tour, Frankie Valli is still not showing any sign of slowing down, even after 4 decades of being in the industry. Be sure to catch the legend in Singapore!
Venue: The Star Theatre
8-19
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M1 Singapore Fringe Festival The Festival celebrates its 10th anniversary with this year’s theme of Art and the People. The annual festival features theatre, dance, music, visual arts and mixed media.
16-19
Art Stage Singapore
The annual month-long event kicks off with an opening ceremony, featuring performances and a flea market. The theme for this year is Ribellioné, Italian for “Rebellion”, and the festival aims to display the ability of art to push boundaries. Do not miss the cross-cultural performances, unique workshops and mind-boggling installations throughout the month.
Venue: Canopy K
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Avril Lavigne – Live in Singapore 2014 The 29 year old pop punk singersongwriter is currently on tour to promote her eponymously titled album.
The “most eclectic and compelling” lineup in the music festival will consist of Jamie XX (of The XX fame), Youth Lagoon, XXYXX, Vance Joy, Unknown Mortal Orchestra, Mount Kimbie, Kurt Vile, The Jezabels, James Black, Jagwar Ma, Haim and Frightened Rabbit. Stay tuned for updates!
CAC Chinese Dance: Inner Reflexion V
Venue: Gardens by the Bay
26
CAC String Orchestra: Stringendo’14
16
Venue: Nanyang Auditorium Impresario Semi Finals Watch the semi finalists battle it out to get Grand Finals as they continue their journey towards stardom.
Venue: Bugis+
22
Michael Learns To Rock – Live in Singapore 2014
FEBRUARY Nanyang Arts Festival Opening Ceremony
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Venue: Singapore Indoor Stadium
Venue: Nanyang Auditorium
6
Venue: Lee Foundation Theatre
Laneway Festival Singapore
The leading Asian art fair connecting the world to the best of Asian contemporary art returns for its fourth edition.
Venue: Marina Bay Sands
14
CAC Piano Ensemble – Eleganza 2013: Romantique
13
CAC Jazz and Blues: Jazz and Blues Band Concert 2014 Venue: School of Art, Design and Media Auditorium
It’s not Out of The Blue, but the renowned Danish soft rock band, Michael Learns To Rock, will definitely be Painting your Love at The MAX Pavilion this night.
Venue: The MAX Pavilion, Singapore Expo Hall 10
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Nanyang Arts Showcase
CAC Chinese Orchestra: Transient Reminiscences 2013
Venue: Nanyang Auditorium
Venue: SOTA Concert Hall CAC DanceSport Academy: Lady in Red Venue: Nanyang Auditorium
MARCH 2
CAC Choir: Choir Annual Concert 2014 Venue: Singapore Conference Hall
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Eric Clapton Legendary musician Eric Clapton celebrates his 50th year as a recording artist. With an extensive and glittering musical career, this concert is not one to be missed!
Venue: Singapore Indoor Stadium CAC String Orchestra: Movendo’14 Venue: Esplanade Recital Hall
7-16
Mosaic Music Festival Mosaic Music Festival presents 10 days of non-stop concerts from music-makers around the globe, showcasing a variety of music genres and cultures.
13-16
Romeo and Juliet by Singapore Dance Theatre Singapore Dance Theatre will open the 2014 Season with one of the greatest love stories in the classical ballet repertoire Romeo and Juliet, inspired by Shakespeare’s timeless classic tale of two lovers.
15
CAC Harmonica Band: VIVACE XIV Venue: SOTA Concert Hall
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Impresario Grand Finals Join us for a night full of talented performances by the contestants as they try to win the coveted title of champion.The night also features performances from the guest artistes.
Venue: Nanyang Auditorium
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CAC Guitar Ensemble: Nocturne 2014 Venue: Lee Foundation Theatre
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Bruno Mars – The Moonshine Jungle Tour Grammy winning singersongwriter Bruno Mars will perform in Singapore for the first time. Jump at the chance to hear his global blockbuster hits live!
Venue: Singapore Indoor Stadium
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CAC Joint Dance Concert 2014 In 2014, JDC will feature performances transiting from depicting a typical happy circus to more dark and sinister performances.
Venue: Nanyang Auditorium Theme: Cirque de Tromperie (French for “circus of deception”)
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Tokyo Philharmonic Orchestra World Tour 2014 Do not miss the chance to see Japan’s oldest and arguably most respected orchestra, as they make their return to Singapore after a ten year absence!
Venue: Esplanade Concert Hall
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