Nutnicha A. | Architecture Portfolio 2022 by Nutnicha Attawutinun

Architecture Portfolio

Nutnicha Attawutinun Working Archive l 2017-2022

conCreate MArch UCL Bartlett Design studio Research Cluster 4 Instructor Gilles Retsin, Manuel JimenezGarcia, Kevin Saey, David Doria Collaboration with Elisa Ballabio and Nazuk Beborta

Project Brief conCreate’s goal is rethinking community housing towards affordable, sustainable, and inclusive living. Using recycled concrete, an automated design process, and a user platform, conCreate encourages a relationship between community, architecture, and environment. Starting from concrete buildings used as quarries, conCreate resurrects all those building elements which would otherwise be wasted during the traditional demolition process. Reconstructing a new building is the mission of automated architecture, which conCreate adopts as part of its agenda. Despite the users not being a part of the design process of their community building, they are essential to the life of the building itself. Through the conCreate app, they are able to live sustainably and feel part of a community.

Circular Economy —Reclaiming Concrete Nearly 50.000 buildings are being demolished every year in the UK, most of them in the Greater London area, with a consequent abundance of free concrete. Concrete buildings slated to be demolished become our quarries, giving us the pieces with which to realise new design proposals. Aiming to reduce unnecessary disposal of concrete, conCreate developed the idea to cut and extract elements from old buildings.

conCreate presentation

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Quarries —Catalogue of concrete buildings Starting from the reclaiming process of our material, we catalogued a series of concrete buildings, differentiated into three main families according to their structure. Our construction process, construction - on - reverse, is hence a reverse process. Starting from an existing building, we deconstruct it and re-use its elements in order to build a new one. With a computationally developed procedure, the deconstuction consists of creating a voxelgrid around the building and then differentiating the elements of the building according to their function.

On-site extraction From the cutting process, we obtain our library of raw materials, including any sort of element, whose structural features are known and recorded. These images demonstrate the process of existing cutting techniques based on our research.

Library of raw materials Building elements from our quarries were categorised according to their structural system. Their dimensions are scanned and recorded, resulting in a list of crowdsourced concrete elements These components are then transported to the factory, where they are scanned, cut and refined, before being prepared for post-tensioning, and catalogued based on their features.

Library of customised parts Customisation is part of this process; here is an example of an arch and its various assembly options. All the components now lose their native function, able to assume new and different ones. The example shows the process of customisation for ArchWall01, the combination of an arch and two columns, which is derived from different concrete parts.

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Design procedure —Wave Function Collapse conCreate’s spaces are arranged computationally through the use of the Wave Function Collapse algorithm. Starting from tiles input with declared adjacencies, the algorithm allows us to procedurally generate our entire floorplan. These are our tiles corresponding to our 4x4m rooms.

tiles. Some possible couplings are depicted here, highlighting the connection type that they share. The primordial rule we set for the algorithm authorizes our tiles to connect through any sides where they carry the same color.

Each tile is associated with one or more colours per face, where neighboring tiles with adjacent faces that share at least one color can form a connection. WFC is a constraint-based algorithm which is able to create infinite combinations of

Program Massing This brings us to 3-dimensional voxels which are then further distinguished into private and shared spaces inside the community, arranged and connected through circulation.

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conCreate users rent their private space - that is, the ensuite bedroom - whilst sharing facilities and common areas. All non-essential spaces are accessible through the use of points - gained and spent inside

the community - encouraging a sustainable and very handson community lifestyle. Private rooms are permanent, while shared spaces are temporary in definition - adaptive to whichever activity they host.

conCreate Platform The app is a place where a user has control at their fingertips. Let’s break down how the app works in four simple steps. Upon logging in, members have access to the conCreate interface which then allows them to earn points. There are three ways to do so: energy efficiency, space evaluation and skills exchange. Information is then stored in the cloud where it tallies points for the members. Consequently, these points can be used for unlocking shared spaces, booking services and upgrading appliances and storage.

Building can be sustainable, Community can be sustainable, Inhabitation can be sustainable —conCreate

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Future Lab Volume 2: Surf Culture Keystone Studio, 2021

Architects Keystone Studio Client Siam Discovery Location G Floor, Siam Discovery Area 82 sqm Year 2021 Lead Designer Nutnicha Attawutinun Publication FRAME Magazine issue 147 Neo-nomadism (Jul-Aug 2022) Spatial Design and Venue Decoration for Luxury surfskate Street Brand Exhibited in the context of a lifestyle laboratory retail concept mall, Future Lab Volume2: Surf Culture is experiential of an enthralling lab-style environment with installments serving up surf and skate co-creation space. Consisting of three main zones; Introduction zone, Boards Exhibition zone, and Hyperpersonalization Lab zone. This project inspiration comes from an approach to the urban skate park, combined with an innovation lab. A variety of installations and displays match the concept from concrete ramps and bowls curves to guide customers through the journey of skateboard culture.

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Introduction to surfskate Capturing customers’ attention at first glance, the robotic arm with skateboard model, directing focus on the introduction zone. The movement and flow of the space were being captured as a long dynamic line of white three ramps in a circular plan.

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‘Hyperpersonalization Lab’ encourages visitors to The white ramps with skateboard models shelves explore their individuality. The lab is empowered capture attention for the outsiders to walk along. by Australian surfing sportswear giant Rip Curl, the Thai’s first surf skate school.

Boards — Exhibition zone The hanging 53-acrylic facade racks accentuate the transparency of space. They even highlight the ‘Find Your First Board’ exhibition displayed along the circular ring with an elaborate selection of merchandise of top brands, including YOW, SmoothStar, Sunova, Z-Flex, Penny, and 9INE 5IVE. All are accompanied by detailed descriptions in short videos explaining the identities and personalities of each board with board-shape screens on ramps underneath.

Hyperpersonalization Lab The zone offers not only a myriad of ways to customize your board but also personalizes your surf outfit and accessories through pressing and flex techniques using names, chosen words, and techniques such as embroidery and house artists’ hand-painting services. Skate aficionados can build their boards with professional assistance alongside water borne adapter engraving service.

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School of Surfskate Keystone Studio, 2021

Architects Keystone Studio Client Siam Discovery Location Discovery Plaza, Siam Discovery Area 312 sqm Year 2021 Lead Designer Nutnicha Attawutinun The First City’s Outdoor Surfskate — Skatepark The new temporary outdoor skatepark of Bangkok lies over Discovery Plaza. School of Surfskate turns the plaza into the city’s first surf skate school for beginners. The place is located in between two lifestyle shopping malls, which made it perfect for transforming it into a surf skate-spot. The spot is located close to the main road with pedestrian ways as a result of high fences with safety nets were made. This new public space becomes the place of attraction among children, adolescents, skaters, and young people from the two shopping malls. Also, Surfskating, a sport that is gaining interest among the youth of the city as it has many followers and currently does not have nearby spaces to practice it.

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To create a simple platform suitable for beginners, the characteristics of the ramp are not in great accelerations and also achieve a smooth and continuous surface with colors. The floor was filled with special colors painted to protect from rain and sun. The floor graphic lines direct the practice of skateway for surf skate lessons provided by professional surfskaters such as Chatchai Somporn, pro surfer, and surf skate. The seatings with storage underneath are also incorporated in the design.

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Perrier x Murakami Keystone Studio, 2021

Architects Client

Keystone Studio Perrier water brand Siam Discovery Location Siam Center and Siam Discovery, The Bridge Connect Area 40 sqm Year 2021 Lead Designer Nutnicha Attawutinun

Perrier x Murakami Promoting Tunnel The French sparkling water brand, Perrier is collaborating with Japanese renowned artist, Takashi Murakami. The collaboration has a special flavor with the Murakami style, given the popularity of Japanese pop art in which Takashi Murakami is recreating a little piece of his famous flower motifs on the brand’s bottles of sparkling water for the price of a bottle of Perrier.

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Daylight brightens the spaces of the distinctive green Perrier bottle and the colorful flower bubbles which are inspired from the bubbles of sparkling water. Dotted flower patches formulate a graphic element shadow on the ceiling and floor. Breaking free of the clean scheme of the two spaces with an experiential artwork, Perrier x Murakami bridge accents accent on the cute and popular event peripheral products. The scale of the event excited the visitors who had passed through the tunnel. After the moment, two limited edition bottles are provided to collect on the spot.

Exhibited along the bridge connecting two lifestyle shopping malls, Perrier x Murakami is accessed both ways. While turning into a full pop art atmosphere tunnel, visitors experience a journey of a dreamy flower world. Inscribed along the ceiling, Murakami’s signature smiling flower bubbles are hanging from the frame structure along the tunnel. Professional Work l Perrier x Murakami

Sansiri Pride, Circle of Equality Keystone Studio, 2021

Architects Location

Keystone Studio Semicircle, Sansiri Backyard T77 Community Area 46.2 sqm Year 2021 Lead Designer Nutnicha Attawutinun

Sansiri Pride Design Installation To celebrate Pride Month, Sansiri demonstrated the commitment ‘Sansiri, Live Equally’ campaign with the deep meaning of LGBTQIA+ and equality in all dimensions with the theme, Circle of Equality, we are equal, I am equal to you. Sansiri uses its public community space, the T77 community, to showcase the installation and break down social barriers in everyday lives, aligned with inclusivity. Reflected as the symbol of equality, it is placed and interpreted in the position of an infinite line of circular plan which show respect for the differences in all aspects.

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In response to the issues of ‘Inclusivity’, the project emphasizes words along with sustainable local materials. The self-stand rotatable 12 wooden panels in different heights on a concrete base decorated with bold designs and words in waterproof creates a link to the message with a series of pattern designs. While on the other side shows a reflective material.

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Audemars Piguet Code 11.59 Keystone Studio, 2021

Architects Keystone Studio Location AP House Bangkok, Gaysorn Tower Area 60.7 sqm Year 2021 Lead Designer Nutnicha Attawutinun AP House Bangkok launches the official private opening of Audemars Piguet Code 11.59 for 2021. The round case and octagonal middle case merge into one bold character design yet classic. Each watch design has its design language; complicated shape, precision, and materials. The design takes into consideration the raw and transparent, edges and sharpness, and revelation and unconventional. To enhance the mood, the marble material featured along with polished pink gold steels was introduced as the mood from the watch’s design.

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Welcoming — AP House

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Upon entering AP House, the welcoming zone for AP House reveals three watch pedestals for original Audemars Piguet’s watches which provide 360 views of the watch itself with touch screen display description. The custom-made cases of the size with horizontal secret display drawers to provide a manual opening.

AP CODE 11.59 — Lauch room While the interior is a launch room, the exhibition space featured raw materials and lab-like tools illustrating a craftsmanship process. The watches showcase with custom-

made watch stands highlight the watches themselves. To subtly enhance the dynamic wall, the floor was applied with bumpy stainless plates. The trick adds visual definition to

the volumes and the shadow extends to the interior wall where it complements the lighting.

The Bird Embassy Year 4, Semester 2 Design studio Jan - May 2019 Instructor Deborah Lopez

An Artifical Mountain promoting Bird Intelligence in Anthropocene world This is a condition set. Imagine a society where everyone has to consume bird nest. It means we need to create a huge amount of mountains in order to produce more habitats for swiftlets birds. The project would promote the positive aspects of animality - intelligences, ecological accord, and innocence - while preserving the enlightened aspects of humanity, scientific curiosity and technological innovation. Also, express the ideal of symbiosis between human and non-human organisms.

Enviromental Conditon Concerning on Animal rights, somehow birds comprehend things through birds brain as discussion of avian adaptive capabilities in “bird brain”. It prove vital in the future as climate change and Loss of habitat of birds according to Audubon society organization. So it is to conserve and restore natural ecosystems, focusing on birds, their habitats for the benefit of humanity and earth’s biological diversity. The project is set in the near future where the temperature rises up to 40 degrees Celsius and the level of the water, because of that temperature, rises to 23 metres. Therefore, I provide an artificial island for human and non-human (birds) coexisting and have a living system provided through the use of algae and make the exterior space more inhabitable. As biosocial; of biology and sociology, or ornithology and human society, the natural and cultural are amplified to open relationship connect with each other through an appreciation of their shared landscape and ecology.

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Edible Bird Nest

Viking Cave —Swiftlet bird

The Intelligence of Swiftlets

It is in the northeast of Phi Phi Leh Island, Thailand. Viking cave got its name from the Viking ship cave drawings in the wall. Within the cave there are lots of ledges which are inhabited by thousands of birds called Swiftlets live on top of the 15 meter high ledges. These swiftlets produce Edible bird Nest.

Swiftlets are insectivorous birds, and are widely distributed.During the breeding season, both male and female swiftlets of the Aerodramus species collaborate to produce highly valuable edible bird’s nest (EBN) from saliva secretions generated from their salivary glands

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It’s a gelatinous mixture. It’s believed to have near-magical properties, from curing cancer to helping children grow taller. The main ingredient? a partially dissolved feather of a swiftlet, a small bird native to Southeast Asia.

So while there are more bird nests today, they’re not much easier to come by and that’s why bird’s nest soup is still so pricey, selling for over a thousand baht a bowl at some restaurants. But the question on all of our minds was,

Until recently, the most common way of getting the nests was to harvesting them from the impressive height of the cave. Or in the most inaccessible place. It’s the high cost of these saliva nests that makes bird’s nest soup so expensive.

“Is it worth it?” Comparing to Gold which is timeless, priceless, valuable. It’s because of its rareness and its difficulty of producing. So is bird nest. It owns its value because of the condition in which remote location,

difficulty of collecting, and the beliefs of Chinese. More people could afford it. More people could access it. After observing the swiftlet habitat, it is challenging the imitation of caves environmental factors which responsive to the swiftlets behaviour and contribute to a lucrative aspect of its industry. Because it affects the productivity of its production. The conditions of the cave are replicated

Narrative —Speculative Condition

Narrative —Speculative Condition After digging in Economical aspects values, the Ecological environmental aspects is observed afterwards in the Diorama limestone model

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The Bird Embassy is the political gardening for reliable voyageurs and proposes a new symbiosis between ecology and infrastructure. The project embraces many aspects of actors. The micro-organisms, Algae, are engineered into artificial

cultivation environments and growth pattern by using it as a viable source for living. To put it more simply, it is an “Oxygen Generator” They grows and evolves its physical qualities out of its relationship with sunlight; light

is filtered and captured for photosynthetic operations; oxygen is produced and carbon dioxide adsorbed; more light results in more oxygen production and more screening potential; less light turns into less photosynthesis and more transparency.

Car Pods

Bird Embassy

The Bird Embassy

Algal Technology

Dwelling Pods / Laboratory

Aviary Observatory BSc l Bird Embassy

A case of Tourist Ghetto, Khao San Road Urban Design, 2018

Khao san road —Inside-Out Structure of Traditional houses are still preserved. The facades are decorated programmatically. Buildings become sculpture and decorated shed where systems of space and structure are directly at the serviceof program, and ornament isapplied independently of them. BSc l A case of Tourist Ghetto

A relationship between the program and the facade of a building is prominent. By taking such terms an applying them to an analysis of building facades, an interesting relationship can be created between the marketing strategy desired and the way in which the facade represents such strategy.

1. commercial —cultural 2. container —content. What if the policy is changed, what will happen to Khao san in the upcoming future? In a year; The effect on larger scale of architectural design including facade and building in which gradually change the whole urban fabric.

Current Condition

Proposal Condition

Facade Exposure —You see what you get

Sense Fest Year 3, Semester 2 Design studio Jan - May 2018 Instructor Alicia Lazzaroni

The centre of tourists ghetto —Khao San Road The investigation of the collision of human behavior of ‘the centre of tourists ghetto’ in Khao San road explores the idea of capturing the representation of Thainess contamination. The intangible generalization of groups held in a manner that renders them largely, though not entirely, immune to counter evidence. In doing so, Ethnography powerfully shapes the perceptions of groups. The cognitive distortions promised a new world serve as a microcosm Visual Universe. Basically the way we experience Khaosan road is related to extreme Thai stereotype and cultures. It might set the scene itself to represent the promise of a new world. “To mimic a way of learning Thai culture; —Storytelling” Are we only subject to the circumstances we are in? At this point, Khao san road is the major activator which influences the area around; Banglumphu and the slum community. The tourism contamination spreads out. Both social structure and existing structure are evolving as a tourist attraction. Obviously, the traditional shophouses adapted into guesthouses, restaurants, pubs and commercial area putting up the LED signs and billboards as dressing up programmatically and structurally. The reasons behind this touristy place’s success; Thainess - the representation of Thai cultural symbols and stereotype. The unique experience intentionally made up for tourists such as famous Thai street food, Pad-thai, Northern mountain accessories or even clothes with elephant pattern on. The question is; How might we design experiences rather than spaces or structures that have a psychological effect on people?

Khao san road video

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Sense Fest The project challenges the very definition of architecture, encloses a socially interactive machine to awaken the passive subjects of mass culture to a new consciousness. In a sense, it is the realization of the long unfulfilled promise of a technologically informed architecture and the machine for a living of social condition in terms of time and space. Considering the programme in temporal terms, it is an entity that continues to change which allows multiple uses and an improvisational architecture of constant activity, in a continuous process of construction, dismantling and reassembly. The tourists could embark on a journey of creativity and sensibility perception development. Consequently, It becomes events. BSc l Sense Fest

Smell —Spices Perfume and Odour

Touch —Thai Fabric Roller and Bench

Hearing —Inflatable Musicbox Beerbike

Sight —Thai Shadow Puppet Stalls

Sensory Interventions We are equally capable of a wonderful range of noises; conversations nearby, footsteps on the street, murmuring from the crowd. The things themselves, the people, noises, sounds, air, colors, materials, textures, forms move to the feeling and the sense. People, highly sensitive and individual, are the products of sensitivities

themselves and interact with objects in a particular way. Atmosphere and mood inevitably come to mind as perceived it through our emotional sensibility. A form of perception that works incredibly quickly which we are capable of immediate appreciation of a spontaneous emotional response.

Smell —Spices Perfume and Odour Extension

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Hearing —Inflatable Musicbox Beerbike

Touch —Thai Fabric Roller and Bench

Sight —Thai Shadow Puppet Stalls

The Autonomous Year 3, Semester 1 Design studio Aug - Dec 2017 Instructor Carmen Torres

Rajasthan Architecture —Jodhpur, Rajasthan Very often, tradition is viewed in a superficial manner without understanding the essence of it and that is true with architecture also. Architectural experience is about creating memories, and often, in an attempt to insinuate traditional architecture that would give a lasting impression which ends up being kitschy and pastiche. The proposal design attempts to demonstrate the agenda of regional expression within the global context while being environmentally conscious and explored local identity to create an engagement with the future progressive disposition.

The Autonomous —Aggregration compounds The project transforms into more compact compared to original Haveli concerning nowadays usage and constraints. The private living area including small ancillary zone forcing people to have an interaction outside. The communal space is wider and open encouraging people to participate in the co-working space.The openness qualities of arch interval infrastructure were incumbent upon as level of privacy control. In terms of aesthetic aspirations and construction technologies, the identification of carved sandstone was translating into precast concrete to take away the material’s limitation, through extremely creative inventions which, in the end, contributed significantly to the overall language of the buildings.

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Haveli Courtyard house —Folkroom Reloaded The dwelling of past, which provides us a rich fabric of experience, bear witness to such efforts, one may feel a sense of wonder while looking BSc l The Autonomous

at Jodhpur Haveli houses which have been discovered as a result of human effort to control environment for maximum comfort. These

buildings have a great impact on the period in which they were constructed.

Jharokhas —Bay windows facade

Bay Windows Façade Construction Ventilated Facade

7 5

Outer Skin Structure Layering walls for ventilated system 1. 20-25 mm thickness GFR Concrete ventilated facade panel by ULMA, 2. Vertical T-rail 3. 80-130 mm Thermal insulation, Scale 1: 60

Main Structure 4. 250x300 mm I-Beam, 5. 150x200 mm purlins and substructure Scale 1: 60

Inner Skin Structure Interior walls, floors and ceiling 6. 15 mm thickness moisture resistant MDF 7. 2 mm thickness waterproof membrane 8. 70 mm thickness sheathing Scale 1: 60

3000mm 9 10 2 19

Material

The shady spacious verandahs attached to all the buildings which are linked by the meandering barrelvaulted corridors. The buildings themselves are porous to allow generous horizontal and vertical cross ventilation. The most intriguing and unusual piece of passive solar control is two-skinned facades.

B A

8 4 16 5

3 17

Sheathing

Detail B Vertical Section Layering wall connection and air outlet Scale 1: 10 Thermal Insulation

1 2 3 19 11 16

4000mm

The ventilated facade system is responding to an Indian climate which is hot and dry. A physical separation is created between the outside of the façade and the interior wall of the building and providing ventilation and thermal solution.

Wood

Moisture Resistant MDF 9 6 14

1 2 8 4

Glass Fiber Reinforced Concrete (GFRC)

3 17

Detail C Vertical Section Connection between wall and window Scale 1: 10 8

6 11 16

1 2 16 17 18

2 3 5 17 15 1

8 4

3 10 13

9 12 19

Detail A Horizontal Section Anchor point connection to the layering walls Scale 1: 10

Detail D Vertical Section Layering wall connection and air inlet Scale 1: 10

Nutt : Nutnicha Attawutinun : 5834740525

BSc l The Autonomous

1. GFR Concrete ventilated facade panel by ULMA, 20-25 mm thickness 2. Vertical T-rail 3. Thermal insulation, 80-130 mm thickness 4. Purlin, 150x200 mm 5. I-Beam, 250x300 mm 6. Moisture resistant MDF, 15 mm thickness 7. Waterproof membrane, 2 mm thickness 8. Sheathing, 70 mm thickness 9. Flashing sealant 10. Rivet 11. Anchor bolt, 25 mm diam. and 100 mm long 12. Anti-movement structural silicone 13. Starter rail profile 14. Inverted started rail profile by ULMA 15. Support angle for corner 16. Carrier bracket, 50x50x70 mm 17. Self-drilling screw for carrier wall bracket or support angle connection to upright, 15 mm diam. and 30 mm long 18. L profile 19. Weep hole

This device-like facade using another physical analogy, eyelids which allows the plan and the facade to be organized independently so that the placing of windows in rooms follows one logic while, externally, the wall is pierced by windows in places where they look toward the street. The creation of what is effectively a decorative screen over a random array of functionally disposed openings does not do much for the view from some of the rooms but works superbly climatically and is an improvement on the traditional Jaali as it not only shades the window openings but also channels breezes into the rooms.

Creative artists can both live and work in a collaborative environment —combining of workspace with compact living quarters The relationship between lighting and noise levels and productivity of the occupants is the fundamental theory which assemble all the modules. As the direct influence of lighting intensity and noise level on human productivity

and capacity as another environmental aspect, the control, noise reduction and high-quality lighting is design’s mandatory. The character of space, as the autonomous rooms for creative

artist community principally, accentuates on co-working space where the shared environment is deliberately observed.

Bang Nong Saeng Kindergarten Design and Construction for Community, 2018

The project consists of four pavilions provided by hut-like roofs and circular walls made of painted concrete blocks to define rooms underneath, while pink coverings offer shade in the courtyard and at the sides of the structure.

The construction uses a modular system to be built and completed through the years, when funds will be available: with a project including four roofs, only three of them have been arranged till now. The structure is easy to assemble

and it’s able to increase the built surface reducing the costs.

Four colorful pavilions in Thailand — a space thought for the community that provides educational and recreational spaces FAD Awards

Jury mention International 2019 Comment Award International 2019

Location Program Architects and instructors Area Completion

Dum Yai, Thailand Kindergarten Pau Sarquella and Carmen Torres 380 sq m 2018

The space, distributed on 380 sqm, provides education beside recreational and meeting areas, distributed inside and outside, where a circular tribune is located.

an entire new building for kindergarten. Therefore, the proposal was to generate a set of modular roofs, designed to grow over time, according to the needs of the school and future donations to complete the set.

The starting point of the project was to create a strategy to balance the available budget with the high expectations of the school, which needed

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The highlight, however, is the social exchange derived from that kind of projects, since

all the design team moved from Bangkok to Dum Yai (Ubon Ratchathani) during the construction process, sharing the time with the people of the town, school children and local workers, fostering a collaborative and creative, intergenerational and international environment with a constant exchange of experiences and knowledge.

Passive ventilation system through solar chimneys, and taking tropical climate as an advantage that allows to blur the boundaries between interior and exterior.

Strategically designing the building as a modular system with the ability to exist as a partial building and grow in the near future when more funds will be available.

On site inhabitation during the construction by workers and students, fostering an intimate creative environment, promoting social bonding among people of varying

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classes, generations backgrounds.

and

At Dum Yai, the process became more relevant than the result when city students,

international instructors, village kids and rural workers shared and learned from each other while working side by side.

Nutnicha Attawutinun nutnicha.attawutinun@gmail.com (+44)7 824 421 928