The Next Art House

As the Village Square era ends, the Beverly's begins

BY Josh Bell

When Act III Theatres opened its Village Square location at Sahara and Fort Apache in December 1997, it was the only movie theater in the fast-growing Summerlin area. Because of various corporate mergers, the expanding Regal Cinemas chain absorbed the theater in 1998, and it quickly established itself as the city’s primary location for what movie theater bookers call “specialty” releases: independent, foreign, and art house films. Previously, some of those films had been booked at the two-screen Gold Coast Twin, which closed in 2000, but the 18-screen Regal Village Square had more flexibility, as well as proximity to an audience eager for nonmainstream fare.

More than 25 years after its opening, on February 12, 2023, Regal closed the Village Square location, ending an era of moviegoing in Las Vegas. Less than a month later, a new era begins with the long-awaited Beverly Theater, at 6th and Bonneville Downtown, celebrating its grand opening on March 3. No one planned it that way, but it’s hard not to see the two events as a symbolic passing of the art house-cinema baton, at a time when movie theaters are facing challenges on multiple fronts because of COVID-related shutdowns and the rise of streaming.

“I don’t attach Regal to art house films,” says Kip Kelly, the Beverly Theater’s creative director. “I don’t know that there was enough of a slate for me to really latch onto (Village Square) as an independent spot to see films.”

With its single screen, the Beverly will focus more on booking art house releases, which Kelly estimates will make up 70-80 percent of the theater’s programming, alongside live music and literary events. Films will show seven days a week, between two and six times a day, with ticket prices set at $10.

Grand opening events include recent Sundance Film Festival premiere Past Lives and 2017’s First Reformed with a live appearance from filmmaker Paul Schrader. After that, Kelly anticipates a mix of first-run releases and repertory programming. Upcoming bookings include Oscar-nominated Polish drama EO, acclaimed documentaries

All the Beauty and the Bloodshed, Framing Agnes and Sirens, and revival showings of Todd Haynes’ Carol and John Carpenter’s Escape From New York

The Beverly’s state-of-the-art facility, substantial support from namesake philanthropist Beverly Rogers, and location amid other major downtown cultural offerings instantly make it the most high-profile art house theater in Las Vegas. But there are other venues that provide alternative moviegoing options in town, from the drive-in screen at Snappy Burger on North Decatur (where recent showings range from Back to the Future to Alfonso

Cuarón’s Roma ), to the long-running Sci Fi Center in New Orleans Square (which has a premiere event celebrating B-movie studio Troma Entertainment scheduled March 31 and April 1).

Local film festivals have also been longtime champions of independent and foreign films, and Kelly hopes to eventually include festival programming at the Beverly. For now, events such as Boulder City’s Dam Short Film Festival, the Las Vegas Black Film Festival (set for April 20-23 at Century 16 Suncoast), the Nevada Women’s Film Festival (June at MEET Las Vegas), and Sin City Horror Fest (November 1-5 at Art Houz Theaters) continue in other venues.

Those festivals have all returned to in-person events following some pandemic-era virtual editions. “Last year was our first year back (in person), and it was probably our best year ever,” says Nevada Women’s Film Festival executive director Nikki Corda. “I think people were just really ready to come back together for the film festival experience.”

Not every movie theater survived the pandemic shutdown. Similarly, not every film festival has made it back. The Las Vegas Jewish Film Festival, once the longest-running film festival in Nevada, held virtual screenings on a regular basis through early 2022, but is now on hiatus as festival director Joshua Abbey works on a documentary about his mother, artist Rita Deanin Abbey. The Las Vegas Queer Arts Film Festival, which held two editions before the pandemic and mounted a virtual festival in 2021, will not be returning. “It was a challenge, trying to bring back that pre-pandemic momentum that the festival had going,” founder Kris Manzano says.

The Las Vegas Film Festival, which had become the premier general-interest film festival in town, still lists canceled 2019 dates on its social media and has made no announcements regarding future plans. Corda says she doesn’t know what’s going to happen with local film festivals in the future, adding, “Judging from our experience last summer, I feel positive about it.”

Kelly may discount the importance of Regal Village Square to the evolution of art house cinema in Las Vegas, but Corda is one of many local film mainstays who appreciated its value. Highlights of her experiences there included seeing the documentary

Three Identical Strangers and Paolo Sorrentino’s This Must Be the Place. Manzano remembers going with a friend to see Barry Jenkins’ If Beale Street Could Talk. “I went to see something before it left, but it’s empty on the (theater listings) app,” local filmmaker Adam Zielinski said on February 14, a day before the theater’s initially announced closing date. “It’s heartbreaking.”

The Beverly should soothe some of that heartbreak for Zielinski and others, and Kelly plans to embrace the local film community, both festivals and filmmakers. “If there’s a filmmaker who’s put together something that is worthy of a screening or premiere in Las Vegas, then we can give them that opportunity,” he says.

Regal neglected Village Square toward the end of its run, leaving it with a broken HVAC system in summer 2022 and ending its lease as part of a company-wide bankruptcy restructuring. That appears unlikely to happen at the Beverly, which has Rogers’ and her staff’s full support. “We really designed this place for locals,” Kelly says. “We just want people to come here and keep coming back.”

That’s been the dream of every art house cinema operator in Vegas for the past three decades. Now, it’s the Beverly’s turn to try and make it a reality. ✦ co-founder Vinnie Fiorello says. “It wasn’t supposed to last at all, but it’s lasted 50 years.”

Fifty years?! Does a punk rock museum mean that punk is dead, like the mummies of the Egyptian Museum or the dinosaurs of the American Museum of Natural History?

Scott Crawford, director of the Washington, D.C., punk/hardcore documentary Salad Days and author of the accompanying book Spoke, doesn’t think so. “I’ve never subscribed to the idea of punk being dead and never will. Every new generation redefines it and makes it something entirely their own,” he says, adding that museums are essential to “helping to document and preserve such an important cultural movement. It’s only natural that some of the people that were informed by punk rock are now in positions where they can create such a space.”