ICONS ICONS PSYCHEDELIC PSYCHEDELIC

Albert Hofmann

The Swiss chemist who first synthesized LSD while working with the ergot fungus in 1943. After purposefully taking a dose of acid, his historic afternoon bike ride on April 19, 1943 has become a revered psychedelic holiday. The author of “LSD: My Problem Child,” Hofmann believed LSD could be used to increase society’s respect for our place in the natural world.

Maria Sabina

Posters of the famous mushroom shaman of Mexico still line windows in Oaxaca where Sabina lived until 1985. She famously used mushrooms – which she called “the children” – to cure sick members of her community and communicate with the divine. This ritual, or velada, was reported in LIFE Magazine and was responsible for an explosion of interest in psilocybin research.

ALDOUS & LAURA HUXLEY

Authors of numerous cornerstones of psychedelic literature including “The Doors Of Perception,” “Islands,” “Brave New World” and “You Are Not The Target” –the Huxleys believed using psychedelics could unlock the secrets of the mind, and perhaps existence. Aldous believed psychedelics help us achieve a spiritual and philosophical experience that has benefits for everyone. Laura – a self-described "restrained investigator of LSD" – believed acid and mescaline could help you navigate the heavy jungles of the human mind. In 1963, she helped her husband pass peacefully, administering 100 micrograms of LSD to him on his deathbed to ease his journey.

Terence Mckenna

He’s been called a mystic, ethnobotanist, pioneer, and even “the Timothy Leary of the ‘90s.” Throughout McKenna’s travels in Jerusalem, Mexico and Nepal, he experimented using plant-based psychedelics to increase the spiritual connection to a combined consciousness. In 1976, he and his brother wrote “Psilocybin: Magic Mushroom Grower's Guide” outlining spore cultivation techniques for the home enthusiast.

Timothy Leary

Referred to as the “father of the psychedelic movement” of the '60s, Leary was a psychologist who studied psychedelics and personality at Berkeley and as a faculty member at Harvard. He inspired young people everywhere to experiment with acid. Famous for the phrase "tune in, turn on, drop out" – he co-founded the Harvard Psilocybin Project and the League for Spiritual Discovery. President Richard Nixon called him "the most dangerous man in America."

RICHARD ALPERT (RAM DASS)

A researcher at Harvard who was fired in 1962 for giving psychedelics to his undergraduate students, Alpert worked with Timothy Leary to found the infamous Millbrook Commune – aka the League for Spiritual Discovery. Later, he’d journey to India and be renamed Baba Ram Dass by a guru, before returning to become a spiritual leader and write the influential book “Be Here Now.”

ALFRED M. HUBBARD

ANN & ALEXANDER “SASHA” SHULGIN

Together, this husband and wife team created and tested over 200 psychoactive compounds in their home laboratory. The process was documented in their 1991 book “Phenethylamines I Have Known and Loved” and its follow-up “Tryptamines I Have Known and Loved” – commonly referred to as “PiHKAL” and “TiHKAL.” While not the inventor, Alexander’s work introducing MDMA throughout the ‘70s and ‘90s earned him the nickname “The Godfather of Ecstacy.”

HUNTER S. THOMPSON

Author, journalist and psychonaut who defined the literary style we now call “Gonzo.” Throughout his career, Thompson notoriously supplied the first psychedelic dose to influential artists, writers, actors … and even Hells Angels. He often used psychedelics to invite the unknown to write his next paragraph. “As for LSD, I highly recommend it. The feeling it produces is hard to describe. 'Intensity' is a fair word for it."

Augustus Owsley Stanley Iii

“Clandestine chemist” is the best way to describe this pivotal figure in the ‘60s psychedelic scene. It was his talent for manufacturing acid that helped iconify the Monterey Pop Festival and fueled the Merry Pranksters’ Acid Tests. The Oxford English dictionary defines Owsley as a noun for a particularly pure form of LSD.

Ken Kesey

Paul Stamets

Over the last 40 years, Stamets has become one of the most famous mycologists of our time – spreading the message that mushrooms have the power to save the world. His stance that psilocybin mushrooms are a non-addictive, life-changing substance has helped him discover new types of hallucinogenic fungi and even inspired a character in “Star Trek.”

The Johnny Appleseed of LSD, it’s estimated that Hubbard dosed six thousand people between 1951-1966. Hubbard wanted to change the world by dosing influential and prominent figures in society. Using LSD he obtained from Hofmann himself, Hubbard preached the key importance of “set and setting” during an acid session and felt promoting psychedelic therapy was his angelic calling.

After volunteering in a 1959 government program that studied the effects of psilocybin, amphetamine, LSD and other psychoactive drugs, Kesey used the experience to write “One Flew Over The Cuckoo’s Nest.” With his group of Merry Pranksters, he sought to defy conformity and promote psychedelic discovery. Their exploits were documented in Tom Wolfe’s novel “The Electric Kool-Aid Acid Test.” (For more on Kesey and the Merry Pranksters, check out this month’s Cannthropology).

Many people believe that when we consume psychedelic entheogenic medicines, we tap into both an inner space as well as an interdimensional, shapeless plane of existence too vast and complex for us to describe or define with our limited human capabilities. Through his art, Chris Dyer attempts to give a physical, visual form to concepts, beings and feelings conjured to his mind in part from his many experiences as a spiritual psychonaut. We had the chance to tap in with the Canadian-Peruvian skateboarder and psychedelic visionary to learn more about his life, his artistic process, and what he’s seen and felt during his many experiences with various journey-inducing substances all over the world.

ON THE INFLUENCE HIS PERUVIAN UPBRINGING HAD ON WHO HE’S BECOME:

Peru’s tricky. When people think of Peru, it's like, ‘Oh, it's so beautiful with the llamas running around the mountains and the ruins and the Incas, and then you go to the jungle and you drink ayahuasca – la la la.’ But no, for me, growing up in the ‘80s and the ‘90s in Lima, Peru was terrorism and blackouts and getting mugged four times a year for being white. I went to an all-boys school, so it's just like hyper-masculine scenarios where everyone's fighting over power, and me being a sensitive artist, I had to build a bunch of armors to protect myself from getting too energetically robbed. It gave me a lot of challenges that I've had to work through in my life. I'm better now, but I recognize where the wounds started.

On The Interconnected Experiences And Visions Reflected

IN TRIBAL ART THROUGHOUT

GLOBAL HISTORY:

Cultures around the world somehow had access to the portals that take you to … the same center of creation, and it comes out and it manifests as a head in Mexico, or a carving in Nepal, or some motifs on textiles in Peru. This tribal artwork from ancient times, they were all tapping to the same place. And I'm tapping to the same place. Yes, I am Peruvian and I grew with a certain influence, but I've also traveled to 45 different countries around the world and observed the similarities. Then I go into that place of oneness and try to understand what these interdimensional consciousness beings are and what they're trying to tell us, and how they're trying to help humanity throughout time. They're in a place past time, so they're just waiting for us there. In that other dimension, they exist. If I were to go into an Ayahuasca ceremony today, I’d tap into that place. It's the same exact time and place –since it's timeless – that the pre-Inca cultures tapped into, and many other cultures around the world.

ON

The

EXPERIENCE OF AYAHUASCA:

When I'm there, I'm like, ‘What the fuck's going on here? What is this place? Is it alien? Is it collective consciousness? Is this an aspect of God? Is this God itself?’

A couple weeks ago, I did my 45th ceremony in Willow Creek – I was sitting in the other dimension for a few hours just observing it and letting it teach me how to fix my own corrupt coding so that I can shine more and help empower others to shine more. And thus, together we shine together and create a flame of humanity that is so strong that we'll break through the darkness that's trying to hold us down as a humanity. … What is this fractal consciousness reality that feels like many souls in one, that wants to help me and wants to help us? It's almost like the elders are cheering us from the place before and after life. That's where I go with Aya.

ON THE DIFFERENCES BETWEEN AYAHUASCA AND OTHER ENTHEOGENIC MEDICINES:

When I did Bufo, I went somewhere else. Bufo took me to a white place where I wasn't even there anymore. And thus, I don't have many memories of it. There wasn't even a ‘Chris’ left to observe because I had dissolved into everything-slash-nothingness, and there's a subconscious part of me that remembers that place of expansion in my dreams. positivecreations.ca | @chris_dyer

With mushrooms, you can get to that place that Aya takes you, but you gotta take like, a lot of mushrooms. … I think all of these medicines open different portals, and really, once the portal's open, those places are so big it makes the physical plane that we live in – with our planet, our solar system, our galaxy, the universe – look small compared to the astral plane where there's no up and down and it just goes on into infinity or eternity. Once you're there, it seems like that's the real place and this is the fake little video game that we play to kind of experience physical reality, and this array of human emotions and pain and joy. In the end, we're from beyond, and these places that we go through these medicines are closer to our real self. I would say our true, pure, real self is what we understand to be God –that oneness, the absolute energy of love and expansion. But that's just my personal belief.