Nicolas Andreou Exhibition Photgraphy
Nicolas Andreou 21 July 1986
nykolas@ymail.com T (+45) 28 49 57 51
curriculum vitae
Semptember 2009-Present Director / Director of photography 2013 -Short film FISH ATE PYRAMID (direction) -Director for the FIBERperforming arts contemporary dancing videos for (fringe fest{athens} , TEDx Nicosia ReVive) 2010- 2011 MIRAGE (Music event organisation agency) light direction for event promo videos 7 SINS 2009 Short film OBJECT DISPLACED directed by Christiana Charalambous (California Film Association) Still life photography for short film OBJECT DISPLACED Art Direction & Photography / Fashion Editorials VIBE jOHANSSON (Danish) TIBBE SMITH & TYRE LOE (Danish-Norwegian) DIGITARIA (Greece) IOANNA KOURBELA (Greece) SPIROS HALARIS (New York based fashion illustrator) ATELIER LOUKIA (Greece) AKIRA MUSHI (Greek-Cypriot clothing brand) EFIERI (Cyprus) ThreeFloors (brand) January 2013 - present Editorial Photographer GREY / BLACK webzine LESS mag Issue n.4 TAPE biannual magazine Issue 1 Fashion Editorial ‘UnCommon State’ Architectural Photography Contributor at Arkitekturbilleder.dk RCR architectes (Spain) Cherry & Concept interiors + CROSS products Interior and exterior photography for GROHE (CY) for the project So White (boutique hotel) Interior photography for GROHE (CY) for the project Play4kids Published in “Water Enjoyment” by GROHE Contributing collaborator to MONOCHROME (architecture and design blog ) I started out my training, in the field of photography. This is where I first came in contact with the the world of fashion and editorial photography. I was very much drawn to this medium, so I decided to pursue my education in the field of photography. Recently some further collaborations have brought me in contact with the world of cinematography and direction of photography for film. I have always enjoyed this progression in my education and work, one thing leads to another and there is always room for new experiences and new opportunities. My recent experimentation with film has seen the nature of the work shift in focus from the finished work of art, towards a more process-driven approach, which allows for the narrative to come through the work in a multitude of layers. My recent work has also in a way brought me full circle, going back to the human body where it all started. Working with contemporary dance and choreographers, opened up a whole new dimension to my approach towards spatial and temporal understanding.