senior
The National Youth Orchestras of Scotland
Conducted by
James Lowe
WAGNER | TCHAIKOVSKY | BERNSTEIN Die Meistersinger von Nürnberg Suite
Swan Lake Suite
Symphonic Dances from West Side Story
And a new work by Oliver Searle Accidental Dances
Thu 28 July, 3pm Greyfriars Kirk Edinburgh
The aim of the School is to create a happy, caring and purposeful community in which each individual can achieve his or her full potential both academically and socially. With our strong commitment to Music, we are proud to suppor t The National Youth Orchestras of Scotland.
OUR MAIN ENTRY POINTS ARE: JUNIOR SCHOOL
SENIOR SCHOOL
Kindergar ten and Junior 1 Af ter School and holiday care is available.
Transitus (P7) and 1st Year Bursaries are available.
Tel: 0141 942 0158 Email: adminjs@hsog.co.uk
Tel: 0141 954 9628 Email: admissions@hsog.co.uk
Please contact the School to arrange a visit.
w w w. g l a s g o w h i g h . c o m The High School of Glasgow Ltd. Registered Charity No. SCO14768
WAGNER arr. Hutschenruyter Die Meistersinger von Nürnberg Suite (13') Page 8
SEARLE Accidental Dances (14") Page 9
INTERVAL - TBC TCHAIKOVSKY Swan Lake Suite Op. 20a (30')
Page 12
BERNSTEIN Symphonic Dances from West Side Story (24')
Page 15
Dance is the theme for all the National Youth Orchestras of Scotland’s classical ensembles throughout the year, as each orchestra performs a wonderful range of dance-infused repertoire. This summer NYOS Senior Orchestra welcome back James Lowe as conductor. ThIS summer concert will conclude James’ residency with the Senior Orchestra. We thank him for the magnificent work he has done with NYOS, establishing the Senior Orchestra and bringing it to the incredibly high standard it is today. We wish him all the very best for the future as he takes on new and exciting projects with the Prussian Chamber Orchestra, Germany and the Vassa Sinfonia, Finland. This afternoon you will hear the Orchestra perform Bernstein’s much-loved Symphonic Dances from West Side Story, whose Mambo features as part of the BBC Ten Pieces Secondary repertoire. This is part two of the exciting initiative to open up the world of classical music to a new generation of young people, and we are delighted to be involved once again. The concert in Edinburgh’s stunning Greyfriars Kirk is the Orchestra’s second performance of the summer. Just last night, NYOS Senior Orchestra performed, as part of the International Society for Music Education’s annual conference, where the Orchestra had the honour of performing a new work by Oliver Searle, Accidental Dances, a musical investigation into the spontaneity of dance, which you will also hear this afternoon. The exceptional talent showcased by the Orchestra today is made possible by our many funders including Creative Scotland, trusts and foundations, individual donors and you, our supporters. Following a full review of our individual giving schemes, we have decided to simplify our Friends membership to a one-off annual payment and have increased the options and benefits within our Chair Sponsorship scheme to make it even more attractive to our supporters. As public funding becomes ever more precarious, we would like to encourage our audience members to consider becoming a Friend or Chair Sponsor, and to encourage our current Friends to consider increasing their support to Chair Sponsorship. All the support we receive is vital and very much appreciated. Thank you. The National Youth Orchestras of Scotland
Now in its fourth season, NYOS Senior Orchestra is for musicians aged 13 and over. It is the second-stage orchestra on the classical education pathway for aspiring members of NYOS Symphony Orchestra, and a critically acclaimed performing ensemble in its own right. ‘This summer we continue to explore dance in orchestral form, with the passions of Bernstein’s modern-day Romeo and Juliet forming the core of this afternoon’s repertoire, alongside a new work from Oliver Searle. We also pay tribute to Tchaikovsky, surely one of the finest of all ballet composers.’ Conductor James Lowe.
James has established a great rapport with the Senior Orchestra players based on trust, mutual respect and hard work, and he never fails to bring out the very best in these young, talented instrumentalists. NYOS is delighted to announce the continuation of its ticket price for under 25s of £2.50 at selected venues. Please check our calendar of events on page 16 for more information.
Access to Excellence ~ Setting the highest targets musically and academically ~ Intensive music training with many performing opportunities ~ An impressive and stimulating academic education ~ Entry for talented musicians, aged 9-19, by music audition from P5 to S6 ~ Scottish Government and bursary funding available up to full fees ~ Consistently excellent results.
Open Day Saturday 8 October
St Mary,s Music School Scotland's specialist music school and the choir school of St Mary's Cathedral Coates Hall, 25 Grosvenor Crescent, Edinburgh EH12 5EL tel: 0131 538 7766
www.st-marys-music-school.co.uk Registered Charity SC014611
CONFERENCE 20 Stirling University, Thursday 1st and Friday 2nd September 2016
co 20 SAME’S 20/20 ViSion nf th er for MuSic EducATion en ce with Sponsorship from Trinity College London Transforming lives through learning; looking inwards, looking outwards, looking forwards with Keynoter Speaker and Presenter – Ken Burton, Conductor, Educator, Composer Presenters invited include: Aileen Monaghan Stephen Cowan Jane Rimmer Ivy Partridge Matthew Chinn Andrew Dickie Andy Gleadhill Alan Friel Dougie Pincock Mandy Miller
Kate Picken Monica Wilkinson David Ashworth Ninian Perry
Topics confirmed to be covered include: Performing Assessment, SQA – suitable for Instrumental and Classroom staff; Windband Repertoire – with conference and Delegate band; Kick Start any learning and ensemble; Understanding Music, NQ Senior Phase; Exploring Composition, NQ Senior Phase; Drums for Schools; Trad music in the classroom; Primary Music Making; Singing Repertoire; Working with a choir – with demo choir; Gospel Singing; Beatboxing; Flipsnack; Sonic Pi; Currently in Scottish Music Education; Ukulele in BGE; Primary Resources – Out of the Ark; Inclusion; Tune up your body with Dalcroze; TCL Pop and Rock; Syllabus and Inclusion.
Comments from previous delegates: “This conference gets me started for the year.” “Thank you for another thoughtprovoking, exciting and stimulating day. You have charged my musical batteries!” “As usual, an inspiring day that informs and enlightens. Thank you SAME!” “Best CPD we do as teachers.” “Yet again, another inspirational conference and injection of energy and confidence to my ideas bank – can’t wait to come back next year.” “Another excellent day/course packed full of information and inspiration.”
FREE GuEsT wi-Fi
The usual varied exhibition of resources will be available in conjunction with retailers, publishers etc. Brochure available Spring 2016. Available on-line and mailed to every educational establishment in Scotland. Free membership of SAME is available to all involved in music education in Scotland. Members receive prior notice of Conferences by email and free copies of SAME magazines by post. To have your name added to the list of members, send an email with ‘SAME free membership’ in the subject box to office.same@btinternet.com also adding your postal address. Conference applicants will gain automatic free membership. Details are held securely and solely for the purpose of member contact. Information is not released to third parties.
Scottish Association for Music Education
www.same.org.uk
Graeme Wilson, Secretary/Treasurer, PO Box 26858, Kirkcaldy, Fife KY2 9BP Admin Office – Tel: 01592 784256 / Email: office.same@btinternet.com
Prizewinner in international conducting competitions, James Lowe is Chief Conductor of the Prussian Chamber Orchestra, Germany, and the Vaasa Sinfonia, Finland. His work as Artistic Director of the Hallé Harmony Youth Orchestra was featured in a four-part documentary shown in the UK on Channel 4 in 2010. A recipient of the Bernard Haitink Fund for Young Talent, Lowe is Principal Conductor of the Edinburgh Contemporary Music Ensemble, Principal Guest Conductor of Music for Everyone and Orchestras Advisor and conductor of the Senior Orchestra of the National Youth Orchestras of Scotland, and he held the position of Associate Conductor of the Royal Scottish National Orchestra. Educated at the University of Edinburgh, Lowe continued his development as Benjamin Zander Conducting Fellow with the Boston Philharmonic, and has studied with leading conductors in masterclasses, including Jorma Panula, Neeme Järvi and Bernard Haitink, and with Valery Gergiev and the London Symphony Orchestra. He has worked as Assistant Conductor to Haitink in performances with the Concertgebouw Orchestra in Amsterdam. One of two prizewinners in the Tokyo International Competition for Conductors and special prizewinner in the Jorma Panula International Competition, he has appeared in performance with the Osaka and Tokyo Philharmonic Orchestras, the Trondheim Symphony Orchestra, the Moscow Chamber Orchestra, the St Petersburg Academic Symphony Orchestra, the New Japan Philharmonic, the Indianapolis Symphony Orchestra, the Hallé Orchestra, the BBC Philharmonic, Scottish Ballet, the Orchestra of Welsh National Opera, the Royal Liverpool Philharmonic and the Scottish Chamber Orchestra, as well as working with numerous other ensembles in many European countries, South Africa and the USA. In addition to his conducting work, James is active as an educator and teacher of conducting and, is undertaking research exploring ways in which orchestras can meaningfully engage with a greater public.
Y“outh orchestras embody a kind of energy and enthusiasm that we easily lose as we age. We too easily adopt an attitude that confuses cynicism with sophistication, but this Orchestra has an energy, enthusiasm and curiosity that I find deeply inspiring.”
Richard Wagner (1813-1883) Die Meistersinger von Nürnberg Suite (1867) Introduction to the Act 3 Dance of the Apprentices Procession of the Mastersingers Comedy was no more Wagner’s forte than it was Verdi’s. Yet like Verdi, Wagner produced a comic opera that is not only one of the greatest works of its kind, but also one of the greatest, most warm-hearted of all operas. This was Die Meistersinger von Nürnberg (The Mastersingers of Nuremberg), a score as glowingly German as Falstaff is Italian. Its characters are real: the ordinary townsfolk of Nuremberg in the 16th century, caught in the act of deciding who should win the local song contest that forms the work’s sumptuous climax. Ordinary? Well, Hans Sachs, the cobbler who is the pivot of the opera, is rather more than that, but he is undoubtedly a person, not a Wagnerian god, dwarf or superhuman. The story, with its wealth of characterisation – the philosophical Sachs, the crabbily academic Beckmesser (a caricature of the Viennese music critic Eduard Hanslick), the ten other mastersingers, the young lovers, the jovial apprentices – drew from Wagner a fine-spun web of melodic counterpoint, full of vitality and with a classical clarity of texture. The Mastersingers has been called a Haydnesque opera, and the comparison is by no means as ridiculous as it might seem. The Overture says it all. Wagner’s glorious procession of marches sounds sonorous and sublime. Upon these, the gentle love music intrudes sweetly, and the theme of the apprentices is a jaunty, saucy parody. The genius of comedy, as a distinguished critic once remarked, is what presides over this Overture, warning us not to interpret it in too serious and ponderous a spirit. The work, we should always remember, was composed as an interlude – but what an interlude! –between Tristan and Isolde and The Ring. Programme note by Conrad Wilson
Oliver Searle (b.1977)
Accidental Dances (2016)
Occasionally in a film, there is a moment when somebody starts moving in a certain way, and everyone around them interprets it as a dance manoeuvre, so begins to join in (a good example exists in the 1980s comedy Airplane!). I am not particularly gifted at co-ordinating body movements in a rhythmic way, and do not regularly go anywhere with the sole intention of dancing. But over the years, I have found myself in several situations where spontaneous dancing has erupted around me, and there was little I could do but join in, in my own slightly awkward and disjointed manner. This piece explores some of those situations, by amalgamating cultural references and styles of music gathered while on trips abroad, presenting these experiences in four distinct sections: • Dallas Line Dance: failed attempts at integrating into a linedance, while at a conference in Texas. • Rathaus Waltz: trying to waltz badly to Strauss at a function in the Vienna City Hall, then giving up and proudly settling for a rather awkward fandango. • Chicago Slowdown: dancing more slowly than the music in a blues club in Chicago. • Chaophraya Disco: joyous dancing to 1980s pop songs on a Bangkok river-boat tour. Programme note by Oliver Searle
Leader Sophie Williams, Midlothian
First Violin Lisa Abraham, Aberdeen City Emma Baird, South Ayrshire Sophie Curren, Glasgow City Ken Fairbrother, City of Edinburgh Matthew Farren, Cumbria Matthew Guy Henderson, Aberdeenshire Zoe Hodi, Highland Amy Hutchison, Western Isles Chrissie Johnson, Scottish Borders Chun-Wei Kang, East Dunbartonshire Molly McGregor, Highland Iona Quilter, West Lothian Lucrezia Nina Schmid-Kempter, Scottish Borders Eleanor Scott, Angus Florence Sharkey, Glasgow City
Cello
Lorna Doyle, Perth & Kinross Verity MacInnes, Glasgow City Emily Mander, City of Edinburgh Finn Mannion, Perth & Kinross Sarah Newman, Fife David Shanks, Glasgow City Christopher Summers, South Ayrshire Matthew Terras, South Ayrshire
senior
Second Violin
Luke Barjoti, Stirling Sophie Boyd, East Renfrewshire Martha Cole, Stirling Paul Ersfeld, East Dunbartonshire Chloe Ghiro, East Renfrewshire Mark Green, Highland Ivan Ma, Fife Anna J Mackenzie, Glasgow City Catriona M Mackenzie, Highland David McDonald, Dumfries & Galloway Lara J Polson, Shetland Islands Sara Qureshi, Aberdeen City Rebecca Steven, South Lanarkshire Rachel Whitelaw, East Dunbartonshire
Viola
Jodie Cameron, Darlington Sophie Carroll, Aberdeen City Gordon Cronshaw, City of Edinburgh Nico Ersfeld, East Dunbartonshire Elsie Haldane, Perth & Kinross Gavin Marnoch, Western Isles Jamie Turnbull, Perth & Kinross
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Double Bass
Emily Addis, City of Edinburgh Cameron W Duff, Falkirk Callum McCluskey, Stirling Joseph Standley, North Ayrshire
Flute
Rebecca Coffey, Perth & Kinross Laura Macfarlane, South Lanarkshire Christopher Michie, West Dunbartonshire Nicola Stevenson, City of Edinburgh
Oboe
Stephanie Kozlowski, Highland Lewis Sinclair, Stirling Christopher Smith, Aberdeenshire Christopher Vettraino, East Renfrewshire
Bassoon
Amy Laurenson, Shetland Islands Emma Macrae, Stirling Douglas McDonald, City of Edinburgh
French Horn
David CW Loh, East Dunbartonshire Carly McCready, Aberdeen City Peter McNeill, East Lothian Rachel Naylor, South Lanarkshire
Trumpet
Simon Archer, East Lothian Calum Blair, South Lanarkshire Juliette Murphy, East Renfrewshire Euan Scott, East Dunbartonshire
Trombone
Anthony Connolly, West Dunbartonshire Dylan Findlay, Aberdeen City
Tuba
Anthony Hook, Highland Micah Scott, Fife
Bass Kieran Smith, Aberdeen City
Timpani & Percussion
Clarinet
Eve Burgoyne, East Renfrewshire Iain Clarke, Glasgow City Alice Gowenlock, West Lothian Iona Jackson, South Lanarkshire
Joshua Dunbar, Renfrewshire Eden Mikula, Argyll & Bute Michael O’Rourke, Inverclyde Max Rodney, East Renfrewshire Fraser Sharp, Aberdeenshire Adam Stanley, East Dunbartonshire
Harp
Abigail Millar Todd, Highland
Piano & Celeste (Bernstein) TBC
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Pyotr Ilyich Tchaikovsky (1840 -1893)
Swan Lake Suite (1877) Scene, Act 2 Waltz, Act 1 Dance of the Little Swans, Act 2 Scene, Act 2 Czardas, Hungarian Dance, Act 3 Spanish Dance, Act 3 Neapolitan Dance, Act 3 Mazurka, Act 3
Even more than The Nutcracker, even more than The Sleeping Beauty, Tchaikovsky’s Swan Lake is the ballet whose story and music people have come to love. The plot is so simple that many modern directors and choreographers set out to complicate it. But they, for their part, would doubtless claim that the composer himself, along with his advisers, complicated the German folk-tale employed as inspiration, adding a variety of psychological undertones that may or may not have been there in the first place, but were given new significance by the deeply responsive Tchaikovsky. In essence, however, Swan Lake concerns the Princess Odette, who is transformed into a swan by an evil sorcerer but allowed, with her ladiesin-waiting, to regain her human form for a few hours each night. The romantic Prince Siegfried, happening upon her at such a time, falls in love with her and plans to rescue her. The sorcerer reacts by disguising his daughter Odile as Odette, thus causing Siegfried, in contradiction of his pledge, to pursue the wrong swan-woman. But though the truth comes out, and Siegfried is forgiven for his error, it all ends tragically when the sorcerer prompts the death of the lovers by drowning.
12
Various versions of Tchaikovsky’s four-act ballet have been staged (including one with a happy ending) and various concert suites have been compiled from the magical music, some of them longer and more elaborate than others. On this occasion we shall hear some of the finest movements, starting with the ballet’s greatest musical inspiration, the shimmering waterscape famously conjuring up the atmosphere of the supernatural lake and of Odette’s and Siegfried’s burgeoning love for each other. With poetic use of oboe and harp, Tchaikovsky evokes a haunting vision of the scene, as the main theme builds gradually to its climax. In the luscious waltz from Act One, with its hesitantly nudging rhythms and grand array of melodies, courtiers and villagers welcome the ardent young prince. The Dance of the Little Swans is a brief movement where softly clucking woodwind evokes the transformed dancers. A further atmospheric scene leads in this performance to the divertissement of national dances – Hungarian, Spanish, Italian, Polish – that lighten the tone of the third act and display Tchaikovsky’s rhythmic flair at its most brilliantly colourful. Yet it is the music of the swan lake itself that broods darkly over the score as a whole, and that haunts the memory after every staging of this study in mistaken identity. Swan Lake was first performed in 1877 at the Bolshoi Theatre, Moscow, where it was ungraciously received. It was neither the first time, nor the last, that a Tchaikovsky masterpiece would be cold-shouldered. But when the work’s fortunes changed, thanks to the intervention of the great dancer Marius Petipa, they changed forever. Of all Tchaikovsky’s ballets, it remains the most ardently moving. Programme note by Conrad Wilson
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girls’ boarding and day school Top performing Independent School for Intermediate 2, Highers & Advanced Highers Scottish Independent School of the Year 2014 - The Sunday Times
Music Scholarships Available Set in a glorious 54 acre campus in the heart of Perthshire, Kilgraston School is an Independent Boarding and Day School for girls. Kilgraston is proud of its musical tradition with many pupils representing the school in regional and national orchestras and choirs. The aim of the music department is to enable all pupils to learn to enjoy, appreciate and participate in a wide variety of musical activities. This is achieved through our extensive School Choir performance instrumental, curricular and co-curricular at the Vatican 2016 programmes. If you would like further information about Kilgraston please contact Mrs Barbara McGarva on admissions@kilgraston.com Whole School Christmas Concert Perth Concert Hall
www.kilgraston.com
Kilgraston School, Bridge of Earn, Perth, PH2 9BQ Telephone: +44 (0) 1738 812257 Email: admissions@kilgraston.com Kilgraston School Trust is a charity. Scottish Charity Number SC029664
Leonard Bernstein 1918-1990 Symphonic Dances from West Side Story (1961) In 1957 West Side Story opened on Broadway. It was an orchestrator’s dream to work with Leonard Bernstein; Lenny, Irwin Kostal and I discussed every note in every bar of the score at great length, fully aware of the limitations that the theatre orchestra would impose upon us. With five standard five reeds (woodwinds, including bassoon chair who played only bassoon!) having to negotiate 14 instruments among them, its no wonder that we hoped someday to be able to re-orchestrate this very inventive and difficult music. We got our chance when Lenny asked Irv to do a suite based on the ballet music from the show. We were in ecstasy! Every orchestral colour was ours for the asking; strings could be subdivided ad infinitum, percussion could be spread out among many players, wind and brass were expanded; and our only concern was whether the classically oriented symphonic player could handle the “jazzier” elements of the score. Cool, for example: Lenny assured us that symphonic orchestras could play the Cool Fugue stylistically, and indeed they have. In retrospect, I now realise that Lenny himself, because he had a foot in both camps, was a classically trained musician who knew just how far we could go with popular styles. As for the form of the suite, Lenny knew it should certainly begin with the famous signature tritone on which so much of the show’s music is based, and go directly into the Prologue (including finger snaps in the orchestra). The order of the rest of the material in the suite is based on “feel” rather than on the plot of the show. Ergo, Somewhere finds itself in between the Prologue and the Mambo. The Meeting Scene gets compressed into an atmospheric lead-in to the Cool Fugue – that tritone ties everything together. Finally, after the Rumble Lenny inserted a flute solo unique to these Symphonic Dances, which makes a dramatic and beautiful change to I Have a Love, which was Jack Gottlieb’s suggestion to end the suite (and which is the only music in the suite that is not a dance in the show). The suite ends with subdivided strings, which I’m sure was the orchestration in everyone’s mind when the show was originally scored. Somehow, the Symphonic Dances manage to be both “serious” and “popular”. This suite brings music of Broadway into the concert hall, orchestrating with symphonic character the music every theatregoer loves. Miraculously, Lenny could do it all. I’ll always consider myself extraordinarily lucky to have been one of his devoted helpers. Sid Ramin 1992
SUMMER | AUTUMN 2016 NYOS JAZZ ORCHESTRA SUMMER TOUR – SECOND LEG 4 August at 8pm, Wiltshire Music Centre, Bradford-on-Avon 5 August at 10.15pm, Royal Albert Hall, London part of the BBC Proms 2016
NYOS SYMPHONY ORCHESTRA – SUMMER TOUR 3 August at 7pm, City Halls, Glasgow £2 .50 4 August at 7.30pm, St David’s Hall, Cardiff 7 August at 3.45pm Royal Albert Hall, London part of the BBC Proms 2016 Un d 25 er FO s R
NYOS CAMERATA with Hebrides Ensemble in Association with Nationaal Jeugd Orkest, the Netherlands 13 August at 7.30pm, Church of the Holy Rude, Stirling 14 August at 7.30pm, Glasgow Cathedral
NYOS CAMERATA 1 October at 4.30pm, the Cumnock Tryst
NYOS FUTURES with Mark Lockheart’s ‘Elllington in Anticipation’
20 October at 8pm, Queen's Hall, Edinburgh
Applications for the National Youth Orchestras of Scotland open in August 2016 You can now apply to audition for all NYOS classical and jazz orchestras online. Visit our website to find out more at www.nyos.co.uk Applications are invited from musicians aged between 8 and 25 with Scottish links: • • • •
Born in Scotland Living in Scotland Studying in Scotland With Scottish family
Un d 25 er s
£2 FOR .50
His Royal Highness The Earl of Wessex KG GCVO CD ADC has been Patron of NYOS since 1987. Despite having a full diary and busy schedule, His Royal Highness supports NYOS projects and attends courses and concerts on a regular basis.
HRH The Earl of Wessex KG GCVO CD ADC
He attended The National Youth Orchestra of Scotland’s BBC Prom in 2012, visited NYOS Junior Orchestra during its 2013 summer residential course (pictured) and was guest of honour at the 35th Anniversary Gala Concert at Edinburgh’s Usher Hall in 2014.
The National Youth Orchestras of Scotland
symphony
Conductor
Soloist
Ilan Volkov
Pavel Kolesnikov
TCHAIKOVSKY ◆ PROKOFIEV ◆ STRAVINSKY Piano Concerto No.2
GLASGOW
Romeo & Juliet (Excerpts)
CARDIFF
Firebird The Ballet
LONDON
3 August, 7pm City Halls
4 August, 7:30pm St David’s Hall
7August, 3.45pm Royal Albert Hall
t: 0141 353 8000 glasgowconcerthalls.com
t: 029 2087 8444 stdavidshallcardiff.co.uk
t: 020 7589 8212 royalablberthall.com
SPONSORSHIP John Lewis Partnership TRUSTS & FOUNDATIONS Aberdeen Endowments Trust Harold Merton Adams Trust Angus Allnatt Charitable Foundation Ayr Arts Guild Bellahouston Bequest Fund The Binks Trust Jimmie Cairncross Charitable Trust The Caram Trust W A Cargill Fund Peter Coat’s Trust Sheila & Denis Cohen Charitable Trust The Commonweal Fund The Martin Connell Charitable Trust Crerar Hotels Trust H R Creswick’s Charitable Trust The Cross Trust Cruden Foundation Dunard Fund The Dunclay Charitable Trust Ecton Trust The Educational Institute of Scotland (EIS) The Endowment Trust of the National Youth Orchestras of Scotland The Forteviot Charitable Trust The Gordon Fraser Charitable Trust Hugh Fraser Foundation The Gannochy Trust Hinshelwood Gibson Trust Mrs R A Goffins Charitable Trust David and June Gordon Memorial Trust The Jennie S Gordon Memorial Foundation R K T Harris Trust Miss E C Hendry’s Charitable Trust Astor of Hever Trust I B B Trust The Imlay Foundation The J T H Charitable Trust The St Katharine’s Fund The R J Larg Trust
The Leng Charitable Trust The Leverhulme Trust The Mackintosh Foundation Maidenwell Charitable Trust The Martin Charitable Trust Nancie Massey Charitable Trust John Mather Charitable Trust M E B Charitable Trust The Mickel Fund Sir James Miller Edinburgh Trust The Ronald Miller Foundation Alexander Moncur Trust Margaret Murdoch Trust Northwood Charitable Trust The Oldhurst Trust Penpot Charitable Trust P F Charitable Trust Portrack Charitable Trust The Robertson Trust Frank & Elizabeth Robertson’s Charitable Trust Robertson Ness Trust St Andrews (Glasgow) Charitable Trust Saints & Sinners Club of Scotland Scottish Secondary Teachers’ Association The N Smith Charitable Settlement Souter Charitable Trust The Stevenston Charitable Trust Sir Iain Stewart Foundation Miss Jean Stirrat’s Charitable Trust The Verden Sykes Trust The William Syson Charitable Foundation Talteg Trust Tay Charitable Trust Tayfield Foundation Thomson Charitable Trust D C Thomson Charitable Trust The Tillyloss Trust The Turtleton Charitable Trust The Walton Foundation
REGULAR FUNDING The National Lottery & Creative Scotland LOCAL AUTHORITY GRANTS East Renfrewshire Glasgow City Renfrewshire
Chair Sponsorship You can enjoy a personal commitment to your favourite instrument, or perhaps give a gift for a music-loving friend, through sponsoring a chair. At the same time, you can help support the UK’s only national youth organisation providing musical education in both classical and jazz.
For as little as £200 per year you can feel part of a NYOS orchestra. Annual student membership of NYOS can cost up to £2,700. With your help, we can give young musicians the chance to benefit from a NYOS education and experience. Benefits of Chair Sponsorship include: • 2 tickets for all NYOS concerts in Spring and Summer • Invitation to all interval receptions • Annual Season Brochure and quarterly newsletter • Invitation to the annual NYOS Chair Sponsors’ party • Preview of following season • The chance to meet the student on your chair* • The chance to attend behind-the-scenes events and occasional rehearsals* • Acknowledgement in NYOS concert programmes and on the NYOS website *depending on level of giving
Form more information please contact Alison MacPhee, Development Manager via email at alisonmacphee@nyos.co.uk or call 0141 332 8311.
HONORARY FRIENDS
FRIENDS OF NYOS
Richard & Sarah Chester Mrs Helen Davidson Mr & Mrs N G Robb
Kirsty Adam Brigadier & Mrs Allan Alstead Mr & Mrs W F T Anderson Mr & Mrs J F C Armstrong Andrew Bain Mr & Mrs Peter J Brookes Mr & Mrs Iain S Bruce Mrs Gillian Buchanan Douglas & Moira Burke Mr & Mrs Edward Caswell Dr Joseph Coleiro Mrs R Coleman Mr Stephen Coleshill Dr Norman Cooper Dr & Mrs I D Currie Dr John H Dagg Mr Malcolm Day Mr Julian De Ste Croix Mr & Mrs Tom Douglas Mr & Mrs Richard Drew Mr & Mrs David Duguid Mr & Mrs Morrison Dunbar J & P Dyer The Countess of Elgin & Kincardine Christine, Lady Erskine-Hill Mr Tom Ferguson Dr Thomas A Fitzpatrick Janey and Leslie Fleming Dr Helen Fowler Lady Veronica Gibson Lord Donald Graham Miss Isobel A Hall Mr Patrick Harrison Dr Philip Heywood Dr Colin Holroyd Mr David Houldsworth Mrs Alison Hunter Mr Graham Hunter Mr Walter Hutchison Penelope Johnston Mr Christopher Judson Mr Andrew Keener Mr Iain Knox Mrs Mary K Lawson Mr & Mrs Crawford Logan Mrs Kate Longworth Dr & Mrs Warren Luke Professor M A Lumsden
BEST FRIENDS Mrs A M Bennett St Fillans Music Circle Mr & Mrs Iain Harrison Mr & Mrs Timothy Laing Professor Marjorie & Dr David Rycroft Alan & Jan Simpson Dr Myra Soutar FAMILY FRIENDS Mr & Mrs Alistair C Brown Mr & Mrs Alan & Janice Burns Mr Graham Bygrave Lord & Lady Cameron of Lochbroom Kevin & Linda Clarke Mr & Mrs A Craig Duncan Mr Malcolm Fleming Mr Andrew Hadden Professor & Mrs Andrew Hamnett Mr David K Laing Professor David Hamilton Lawson Mrs Adele W Lygate The Rt Hon Lord MacLean Mr & Mrs Thomas McCreery Ms Elspeth A Orcharton Emeritus Professor Donald Pack CBE FRSE Mr Robin Pagett & Mrs Kate Longworth Professor & Mrs Kenneth Paterson Mr & Mrs Michael J Pell Dr Stephen & Dr Alison Rawles Dr C D & Mrs K A Sinclair Mr A L Stewart Mr Allan V Tucker Mrs Ann Verney Mr Colin West Mr & Mrs R M Williamson Graeme and Ella Wilson Dr & Mrs Paul Wilson
Alasdair MacDonald Duncan & Sarah MacIntyre Mr & Mrs John MacIntyre Dr & Mrs A S Mackenzie Mr & Mrs R P Manson Mr James McBeath Mr George McCaig Mr I S S McGlashan Dr Harvey McGregor Mr John McLeod Mr & Mrs D McVicar Mr & Mrs Neil G Meldrum Dr K N A Millar Mr Allan Murray Mr David A J Noble Angusina C Oliver & David R Oliver Mr John B Park Professor & Mrs Jim Parratt Mr Tom Pate Simon & Lesley Paterson Mrs Helen T Pearce Mr & Mrs Alex Perry Angela & Euan Petrie Dr Bill Phillips Dr Nicholas T Phillipson Mr Ronald Raffan Mrs Kay Robertson Alan & Catriona Robertson Mrs Pat Ryall Mr & Mrs Ian M T Sandison Mr & Mrs Mark Seymour Irene and Fred Shedden Mrs Margaret Sherriff Miss M L Slater Mrs L D Smart Mrs M K Stephen Mr John Tytler Stewart Graham Taylor MBE Mrs Irene R Tod Dr & Mrs Trust George & Isobel Walker The Hon Lord Weir Mr & Mrs Walter Wolfe NYOS also acknowledges supporters who wish to remain anonymous.
NYOS SYMPHONY ORCHESTRA The Leader – Dr Myra Soutar Principal 2nd Violin – Lindsay Pell & Chris Morris Principal Cello – Iain & Fabienne Harrison Principal Bassoon – Mr Michael J Pell Principal Horn – In memory of Diana, Viscountess Younger of Leckie and George Younger, 4th Viscount Younger of Leckie KT KCVO TD DL Principal Timpani – Martin Gibson NYOS SENIOR ORCHESTRA The Leader – Professor Marjorie & Dr David Rycroft NYOS JUNIOR ORCHESTRA The Leader- Alan & Jan Simpson
HRH The Earl of Wessex KG GCVO CD ADC NYOS Symphony Orchestra Sir James MacMillan CBE NYOS Senior Orchestra Colin Currie NYOS Junior Orchestra Nicola Benedetti MBE Honorary President Emeritus Professor Donald Pack CBE FRSE
LEGACIES TO NYOS Mrs Judith Worthington NYOS also acknowledges supporters who wish to remain anonymous. Trustees of Endowment Trust of NYOS Mr Richard Chester MBE Chairman Mr Iain Harrison CBE Mr Robin Pagett Sir John Shaw CBE Sheriff Alayne Swanson Mr Ian Dickson
Joan Gibson Chief Executive & Artistic Director
Carol Biggar Finance & Administration Manager
Jacqueline Rossi Development Manager and Head of Marketing & Development
Anthony Coia Marketing & Communications Manager
Alison MacPhee Development Manager
Sarah Cruickshank Professor Marjorie Rycroft Chair Tim Barraclough Norman Bolton Gavin Davey Chris George Joan Gibson Kenneth Osborne Lindsay Pell Jennifer Rimer
Orchestral Ensembles Manager and Head of Ensembles
Arlene Cochrane Orchestral Ensembles Manager
Judith Archibald Education & Chamber Ensembles Manager
Corinna Gregory Jazz Ensembles Manager
Alison White Office Administrator
Course Manager Arlene Cochrane Tutors Strings, Christopher George First Violin, Tim Ewart Second Violin, Chris Latham Viola, Joanna Petrie Cello, Jessica Kerr Double Bass, John Clark Flute & Wind, John Grant Oboe, Anne Rankin Clarinet, Jean Johnson Bassoon, Alison Green Horn, Alison Murray Trumpet, Tom Poulson Trombone & Brass, Tom Smith Tuba, Mark Reynolds Harp, Helen Thomson Timpani & Percussion, Kate Openshaw Pastoral Staff Andy Langford (Head) Yla Garvie Caitlin Kennedy Paul Middleton Michael Sherry Orchestra Logistics Manager Ronnie Herd Logistics Cameron Logistics
Interested in MUSIC? The Music School of Douglas Academy could be the place for you! Funded by the Scottish Government and supported by East Dunbartonshire Council l l l l l l l
Applications close 30 January 2017 Individual weekly lessons, ensembles and small tutorial classes Orchestral and choral experience Generous practice facilities Residential accommodation Applications from Primary 7 to Secondary 5 Broad academic curriculum within a highly successful comprehensive school
Further information tel: 0141 955 2365 web: www.douglas.e-dunbarton.sch.uk email: office@douglas.e-dunbarton.sch.uk
Training Ensembles String | Wind | Brass | Percussion
collective
senior
ACCESS
symphony
senior
senior
Tickets available from Queens Hall Box Office: Call: 0131-668 2019 or visit www.thequeenshall.net
The National Youth Orchestras of Scotland
The National Youth Orchestras of Scotland
Conductor
DVORAK
BRITTEN
BORODIN Conducted by
James Lowe 9th April at 3pm Greyfriars Kirk Edinburgh
Un d 25ser
£2 FOR .50
Tickets £10/£5
Image: Raymonda by Lousine Hogtanian
Senior Orchestra A5 Spring 2016.indd 1
07/03/2016 17:13