Museum Sculptures by Ode To Art

SCULPTURE COLLECTION

DALÍ MUSEUM SCULPTURES

DALÍ SCULPTURE COLLECTION

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Table of Contents The Dalí Sculpture Collection

Dalí in the Third Dimension

Museum Sculptures

p. 11

Beniamino Levi President of the Stratton Foundation Robert and Nicolas Descharnes

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Adam and Eve

Alice in Wonderland

Cabinet Anthropomorphique

Dalinian Dancer

Dance of Time I

Dance of Time II

Dance of Time III

Homage to Fashion

Homage to Terpsichore

Horse Saddled with Time

Lady Godiva with Butterflies

Man with Butterfly

Nobility of Time

Persistence of Memory

Profile of Time

Saint George and the Dragon

Snail and the Angel

Space Elephant

Space Venus

Surrealist Newton

Surrealist Piano

Surrealist Warrior

Triumphant Angel

p. 100

Triumphant Elephant

p. 104

Unicorn

p. 108

Vénus à la Girafe

p. 112

Vision of the Angel

p. 116

Woman Aflame

p. 120

Woman of Time

p. 124

Prestigious Past Exhibitions

p. 129

Exhibition Photographs

p. 135

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The Dalí Sculpture Collection “You Dalí, as a sculptor will be considered unique. You will reveal your great genius, your possibilities for transformation and creative capacity.” Dalí’s wife, Gala

Salvador Dalí was not only a painter, he was a multi faceted artist in every sense of the word. He was widely recognised as sculptor, writer, illustrator, filmmaker, jewellery designer and more. “Painting is an infinitely minute part of my personality.” One major aspect of Dalí’s complete lifework is the creation of a collection of bronze museum sculptures. The passion and overwhelming desire to express himself sculpturally lasted throughout his entire life span, dating from 1934 until 1987. Dalí was fascinated by this form of transformation and created original maquettes and designs to be made into sculptures and objects. In this way, Dalí’s creative genius manifests into three-dimensionality, bringing form to sculptures which are amongst the most famous and beloved iconographic images created by Dalí during his lifetime. The sculptures described in the following pages are rich in Dalinian symbolism. Dalí used certain items and events from his childhood which appear recurrently in his work as icons, which are in fact rich in emotional meaning. These items embody some of Dalí’s strongest beliefs; his obsession with time, as depicted in his notorious 1931 painting The Persistence of Memory, is also present in his sculptures Profile of Time and Nobility of Time; his fascination with beauty and the female form can be seen in the Space Venus and the Woman Aflame sculptures; the crutch, another familiar motif in Dalí’s work symbolising support and stability which features in Alice in Wonderland and Snail and the Angel. Over the past twenty five years, these sculptures have toured over eighty prestigious museums and locations |4

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and have been seen by more than ten million people. This extraordinary collection brings to light a previously unknown aspect of DalĂâ&#x20AC;&#x2122;s work, allowing sculpture to take on a more important role. Inspired by his most famous paintings, his bronze sculptures represent a significant aspect of three dimensional surrealism and bear witness to the expressive force of his surrealistic iconographic images.

Beniamino Levi President of the Stratton Foundation

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Dalí in the Third Dimension Presenting the Stratton Foundation Collection Over a forty-year period the Stratton Foundation has assembled the world’s foremost collection of Dalí sculpture, reflecting Dalí’s vision in three dimensions. At a very early age, when he was working on illustrations for Les Chants de Maldoror (1934), Salvador Dalí sculpted plaster figures (today nowhere to be found) and designed surrealist objects that were later exhibited and in the years to follow were produced in limited series. When Dalí became internationally recognized in the United States (1939-1948) during World War II, he fully understood that representing his work and ideas three dimensionally was a formidable propaganda tool. He developed sketches and models, which were then selected and made into sculptures to bring out their brilliance and ranged from small figures for showrooms to monumental sculptures in public squares. In 1931, Salvador Dalí made a painting that would become an icon, The Persistence of Memory (Moma, New York), and then about 10 years later The Disintegration of the Persistence of Memory (1952-1954, The Salvador Dalí Museum, St Petersburg, Florida). The theme around malleable time, symbolised by the melting watch, was regularly implemented by Dalí, giving birth to several sculptures after 1939 during the second half of his artistic years, including The Persistence of Memory (1980) or The Persistence of Memory and the Profile of Time (1977-1984). The melting watches were also incorporated into various scenes, such as The Nobility of Time sculpture (1977-1984). It was Beniamino Levi, the renowned art collector from Milan, who inspired the development of Dalí’s sculptures, and who saw Dalí as “aesthetically” Italian. Levi originally met the Catalan artist for an exhibition project, which led to plans to develop sculptures in an effort to expose the work of this genius to a larger audience; many of these sculptures were produced in collaboration with Enrique Sabater, the artist’s secretary. The Stratton Foundation collection offers models of objects and sculptures linked to the surrealist period of the 1930s, produced by collectors and galleries that worked closely with the artist, such as Galerie André-

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François Petit in Paris for the Javanese Mannequin (1969) directly from the eponymous artwork fashioned in 1934, or even Yin and Yang (1968) from the Ampurdanese Yin and Yang (1936). Max Clarac produced surrealist objects and sculptures for the Galerie du Dragon, the most famous being Venus with Drawers (1964), designed in 1936 with the help of Marcel Duchamp (today, the plaster mould is in the Chicago Art Institute). In 1964, Dalí designed two other Venuses of similar size as the famous marble sculpture in the Louvre Museum, one with drawers and the second, the very dynamic Topological Metamorphosis of the Venus of Milo with Drawers, exhibited on several occasions, the last time in 2006 at the entrance of the retrospective Dalí exhibition in the Museum Ludwig in Cologne, as well as The Train Station at Perpignan or Pop, Op, Yes-yes, Pompier. Literature and major historical figures were also sources of inspiration, including Louis XIV; he painted the Sun King in gouache in 1971, which later became a sculpture, The Surrealist Knight (1971-1984). Other heroes, borrowed from literary fiction, such as Lady Godiva or Alice in Wonderland took on various forms in sculpture. The young heroine created in a book by Lewis Carroll (1832-1898) was used, along with her skipping rope, throughout all Dalí’s work. She appeared around 1934-1936 in the painting entitled Morphological Echo, metamorphosis into a church tower, used in other paintings and then made into a sculpture in 1984. The unicorn in Greek mythology - the narwhal of the marine world - was used by Dalí, and specifically the horn, in order to recreate a reproduction of the Lacemaker by Vermeer in May 1955 at the Vincennes Zoo in Paris for his film with Robert Descharnes The Amazing Adventure of the Lacemaker and the Rhinoceros. The tip of the rhino’s horn could purify water, an idea which developed into the sculpture The Unicorn (1977-1984), from the model The Agony of Love (c.1977-1978). “My battle […] against scepticism, in the name of faith […]” - Salvador Dalí Message-bearing angels - who in psychoanalysis may well represent manifestations of the subconscious

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that guide us - appear throughout Dalí’s oeuvre. We find them in the sculptures entitled The Vision of the Angel (1977-1984) or The Triumphant Angel (1976-1984) or even The Snail and the Angel (19771984), originally three gouaches, then models and later adapted into three-dimensional forms. The snail, a hermaphrodite, lazy but also the symbol of knowledge, is in essence very Daliesque, in connection with the melting watch and the notion of time that flows softly, the guardian of memory. Saint George (d.303) - hero of Christendom, of the Western crusaders and immortalised by the legend of his battle against the Dragon - was also widely employed by Dalí. In 1977, he painted a gouache that was later converted into the sculpture Saint George and the Dragon (1977-1984), this sculpture can be found within the Vatican collection. With regards to Daliesque animals, other than flies, butterflies, grasshoppers, lions and horses, a pachyderm takes precedence: the elephant. First and foremost there is Surus, the elephant owned by Hannibal (247183 BC), the famous war animal that passed through Dalí’s childhood home, before crossing the Pyrenees on route to Rome. The elephant symbolises the four pillars of the world, as well as knowledge and memory. The artist worked with the dual image of the Swan and the Elephant in 1937 in his painting Swans Reflecting Elephants. This association endured many years and solidified into the form of sculpture in 1967. Dalí set up monumental masonry elephants in the garden of the Gala castle in Púbol. The Space Elephant (1980) contains a pyramid, which is a pure geometrical form symbolising a variety of elements, similar to Bernini’s elephant obelisk (1598-1680) in Rome. In addition to the permanent location where parts of the collection are on display - Espace Dalí in Paris (as well as having been exhibited at the Dali Universe London, 2000 – 2010) - the collection of the Stratton Foundation has also been shown throughout the world over the last 20 years, during which time the collection has expanded, with the introduction of newly acquired pieces. The collection has also been a part of exhibitions organised in collaboration with other lending organisations, such as the Mitsukoshi in Tokyo

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in 1991 with the Gala-Salvador Dalí foundation and the Spanish Embassy. Monumental pieces have been put on display in Europe’s capital cities, such as in Place Vendôme in Paris in 1995. The collection has been presented in Asian locations, including Singapore, Seoul, Shanghai, Beijing, Melbourne and Sydney. The collection thus fulfils Dalí’s desire to spread his Surrealist vision and to represent the symbols of his artwork in three dimensions, revealing his vision and ideas and offering the audience something to look at and to think about. In a world in which the population is constantly growing, the Master from Catalonia remains an icon of the twentieth century, even for the new generations.

Robert and Nicolas Descharnes

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Museum Sculptures

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Adam and Eve

Material:

bronze

Technique:

lost wax process

Year:

conceived in 1968 and first cast in 1984 this cast at a later date

Height:

200 cm / 78.7 in

Edition size: 8 plus 4 EA, 2 EF

In one exquisite artwork, Dalí deftly portrays the Garden of Eden: Adam, Eve, and the serpent, as well as the intricate tension between the three.

The artist captures the very moment Eve offers Adam the forbidden fruit. Astonished, Adam raises his hand in indecision, unsure of their fate

should he relinquish himself to the enticing temptation. In an attempt to comfort the doomed couple, aware of the heartache that lies ahead, the serpent coils himself in the shape of a heart, reminding Adam and Eve that love creates a whole, which is greater than the sum of its individual parts.

Literature Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Sculptures & Objects, (Catalogue Raisonée of Dalí Sculpture), Paris, 2004, illustration of another cast, p. 254, ref. 654. Salvador Dalí in Shanghai, exh. cat., Shanghai, The Shanghai Art Museum, 2009, illustration of another cast, pp. 154 - 155 Beniamino Levi, et al., Dalí in the Third Dimension, The Stratton Foundation Collection, Umberto Allemandi & C., Turin, 2010, illustration of another cast, pp. 30 - 31 - 32 - 33 Dalí, Mind of a Genius, exh. cat., Singapore, ArtScience Museum at Marina Bay Sands, 2011, illustration of another cast, pp. 22 - 23 Dalí, Mind of Genius, exh. cat., Taipei, National Chiang Kai-shek Memorial Hall, 2012, illustration of another cast, pp. 34 - 35

Ref. text by Robert Descharnes June 12th, 2008 Ref. Robert and Nicolas Descharnes, The Hard and The Soft, Sculptures and Objects, 2004, p. 254 ref. 654 Each sculpture is accompanied by a Certificate of Authenticity

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Alice in Wonderland

Material:

bronze

Technique:

lost wax process

Year:

conceived in 1977 and first cast 1984 this cast at a later date

Height:

227 cm / 89.4 in

Edition size: 7 plus 3 EA, 2 HC, 2 EF

Like Alice in Wonderland, Dalí travelled a long and arduous road through the land of dreams, by means of his artistic expression. The artist was drawn to both the incredible story and the extravagant characters in this intoxicating fairytale. Alice is one of Dalí’s favorite images. She is

the eternal girl-child who responds to the confusion of the world behind the looking glass with the irrefutable naivety of childhood. After all her meetings with the inhabitants of this fantastic world, she returns to reality not only unharmed but unchanged by her surrealistic experience. Looking at Dalí’s sculpture we see that Alice’s skipping rope has become a twisted cord symbolising everyday life. Her hands and hair have blossomed into roses symbolising feminine beauty and eternal youth. The Grecian drapes of her dress symbolise antiquity and the beauty that is respected throughout the ages.

Exhibited Naples, Museo di Palazzo Reale, Dalí Scultore Dalí Illustratore,1989 Ferrara, Galleria Civica d’Arte Moderna, Dalí, 1989 Rome, Accademia Spagnola di Belle Arti, Dalí Scultore Dalí Illustratore, 1989 Genoa, Museo d’Arte Contemporanea, Dalí, 1991 Tokyo, Mitsukoshi Museum of Art, Dalí Exhibition, 1991 Toulouse, Musée d’Art Moderne, Dalí Retrospectif, 1994 Berlin, Grosse Orangerie des Schlosses - Charlottenburg, Dalí 500 Meisterwerks, 1996 Heidelburg, Schloss Heidelberg, Dalí, 1997 Oviedo, Centro de Arte Moderno, La Mirada de un Genio Dalí 1904 - 89, 1998 Palermo, Palazzo dei Normanni, Dalí, 1999 Copenhagen, Arken Museum of Modern Art, Dalí, 1999 London, County Hall Gallery, The Dalí Universe, 2000 - 2010 Guangzhou, Guangdong Museum of Art, Dalí: A Journey into Fantasy, 2002 Beijing, China Millennium Monument, Dalí: A Journey into Fantasy, 2002 Seoul, Seoul Arts Center, Dalí, 2004 Ngee Ann City, Takashimaya Shopping Center, 2006 Mexico City, Soumaya Museum, 2008 Singapore, ArtScience Museum at Marina Bay Sands, Dalí, Mind of a Genius, 2011 Taipei, The National Chiang Kai-shek Memorial Hall, Dalí, Mind of Genius, 2012

Ref. text by Robert Descharnes June 12th, 2008 Ref. Robert and Nicolas Descharnes, The Hard and The Soft, Sculptures and Objects, 2004, p. 243 ref. 624 Each sculpture is accompanied by a Certificate of Authenticity

Literature Dalí Sculpture, exh. cat., New York, Aberbach Fine Art, 1986, illustration of another cast, p. 26 Franco Passoni, Dalí nella terza dimensione, Milan, 1987, p. 49 Dalí Scultore Dalí Illustratore, exh. cat., Naples, Museo di Palazzo Reale, 1989, illustration of another cast, p. 35 Dalí Exhibition, exh. cat., Tokyo, Fukuoka Prefectural Museum of Art, 1991, illustration of another cast, p. 78 La Mirada de un Genio Dalí, exh. cat., Oviedo, Ayuntamento de Oviedo, 1998, illustration of another cast, p. 257 Salvador Dalí, exh. cat., Copenhagen, Arken Museum of Modern Art, 1999, illustration of another cast, p. 29 The Dalí Universe, exh. cat., London, County Hall Gallery, 2000, illustration of another cast, pp. 44 - 45 Dalí: A Journey into Fantasy, exh. cat., China Millennium Monument, 2002, illustration of another cast Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Sculptures & Objects, (Catalogue Raisonée of Dalí Sculpture), Paris, 2004, illustration of another cast, p. 243, ref. 624 Beniamino Levi, et al., Dalí in the Third Dimension, The Stratton Foundation Collection, Umberto Allemandi & C., Turin, 2010, illustration of another cast, pp. 34 - 35 - 36 - 37 Dalí, Mind of a Genius, exh. cat., Singapore, ArtScience Museum at Marina Bay Sands, 2011, illustration of another cast, p. 68 Dalí, Mind of Genius, exh. cat., Taipei, National Chiang Kai-shek Memorial Hall, 2012, illustration of another cast, pp. 40 - 41 The Dalí Universe Florence, exh. cat., Florence, Palazzo Medici Riccardi, 2013, illustration of another cast pp. 28 - 29

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Cabinet Anthropomorphique

Material:

bronze

Technique:

lost wax process

Year:

conceived and first cast in 1982 this cast at a later date

Height:

96 cm / 37.8 in

Edition size: 11 plus 1 EA

Over the years Dalí has made a number of drawings of this figure with slight variations. Significantly, in all versions, including the sculpture,

the face is concealed by long hair. Although the body derives from a human figure, essentially it is not human - this is not an individual, a human being with personality. For this reason the sculpture is rightly titled “anthropomorphic”, meaning “in the form of a human”. The drawers are empty, seemingly suggesting that the cabinet may be considered a place where we can store images that rise from our subconscious. The raised hand seems to warn us not to approach unless we are strong enough to accept the surreal.

Exhibited Naples, Museo di Palazzo Reale, Dalí Scultore Dalí Illustratore,1989 Ferrara, Galleria Civica d’Arte Moderna, Dalí, 1989 Rome, Accademia Spagnola di Belle Arti, Dalí Scultore Dalí Illustratore, 1989 Genoa, Museo d’Arte Contemporanea, Dalí, 1991 Tokyo, Mitsukoshi Museum of Art, Dalí Exhibition, 1991 Toulouse, Musée d’Art Moderne, Dalí Retrospectif, 1994 Berlin, Grosse Orangerie des Schlosses - Charlottenburg, Dalí 500 Meisterwerks, 1996 Heidelburg, Schloss Heidelberg, Dalí, 1997 Palermo, Palazzo dei Normanni, Dalí, 1999 Copenhagen, Arken Museum of Modern Art, Dalí, 1999 London, County Hall Gallery, The Dalí Universe, 2000 - 2010 Guangzhou, Guangdong Museum of Art, Dalí: A Journey into Fantasy, 2002 Beijing, China Millennium Monument, Dalí: A Journey into Fantasy, 2002 Seoul, Seoul Arts Center, Dalí, 2004 Mexico City, Soumaya Museum, 2008 Shanghai, The Shanghai Art Museum, Salvador Dalí in Shanghai, 2009 Singapore, ArtScience Museum at Marina Bay Sands, Dalí, Mind of a Genius, 2011 Taipei, The National Chiang Kai-shek Memorial Hall, Dalí, Mind of Genius, 2012 Kaohsiung, Kaohsiung Museum of Fine Arts, Dali, Mind of Genius, 2012 - 2013

Ref. text by Robert Descharnes June 12th, 2008 Ref. Robert and Nicolas Descharnes, The Hard and The Soft, Sculptures and Objects, 2004, p. 266 ref. 683 Each sculpture is accompanied by a Certificate of Authenticity

Literature Franco Passoni, Dalí nella terza dimensione, Milan, 1987, illustration of another cast, p. 63 Dalí nella terza dimensione, exh. cat., Bari, Castello Svevo, 1988, illustration of another cast, p. 43 Dalí, exh. cat., Paris, Galerie Patrice Trigano, 1989, illustration of another cast, p. 37 Dalí Scultore Dalí Illustratore, exh. cat., Naples, Museo di Palazzo Reale, 1989, illustration of another cast, p. 43 Dalí Exhibition, exh. cat., Tokyo, Fukuoka Prefectural Museum of Art, 1991, illustration of another cast, p. 68 Salvador Dalí, exh. cat., Copenhagen, Arken Museum of Modern Art, 1999, illustration of another cast, p. 28 The Dalí Universe, exh. cat., London, County Hall Gallery, 2000, illustration of another cast, pp. 90 - 91 Dalí: A Journey into Fantasy, exh. cat., China Millennium Monument, 2002, illustration of another cast Dalí, exh. cat., Seoul, Seoul Arts Center, 2004, illustration of another cast, pp. 82-83 Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Sculptures & Objects, (Catalogue Raisonée of Dalí Sculpture), Paris, 2004, illustration of another cast p. 266 ref. 683 Salvador Dalí in Shanghai, exh. cat., Shanghai, The Shanghai Art Museum, 2009, illustration of another cast, pp. 118 - 119 Beniamino Levi, et al., Dalí in the Third Dimension, The Stratton Foundation Collection, Umberto Allemandi & C., Turin, 2010, illustration of another cast, pp. 44 - 45 Dalí, Mind of a Genius, exh. cat., Singapore, ArtScience Museum at Marina Bay Sands, 2011, illustration of another cast, pp. 14 - 15 Dalí, Mind of Genius, exh. cat., Taipei, National Chiang Kai-shek Memorial Hall, 2012, illustration of another cast, pp. 14 - 15 The Dalí Universe Florence, exh. cat., Florence, Palazzo Medici Riccardi, 2013, illustration of another cast pp. 36 - 37

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Dalinian Dancer

Material:

bronze

Technique:

lost wax process

Year:

conceived in 1949 and first cast in 1984 this cast at a later date

Height:

175 cm / 68.9 in

Edition size: 8 plus 4 EA, 2 EF

Inspired by her own inner force, this vibrant dancer moves to the intense and passionate rhythms of the Spanish flamenco. Dalí was fascinated with the art and spirit of dance, especially that of the flamenco, emblematic of his homeland and known for exploring the full range of human emotions. The dancer’s skirts twirl around her in a spontaneous display of vitality and ecstasy.

Literature Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Sculptures & Objects, (Catalogue Raisonée of Dalí Sculpture), Paris, 2004, illustration of another cast, p. 251, ref. 646 Salvador Dalí in Shanghai, exh. cat., Shanghai, The Shanghai Art Museum, 2009, illustration of another cast, p. 129 Beniamino Levi, et al., Dalí in the Third Dimension, The Stratton Foundation Collection, Umberto Allemandi & C., Turin, 2010, illustration of another cast, pp. 54 - 55 Dalí, The Vision of a Genius, exh. cat, New York, Galeries Bartoux at Time Warner Center, New York, 2010, illustration of another cast, p. 54 The Dalí Universe Florence, exh. cat., Florence, Palazzo Medici Riccardi, 2013, illustration of another cast pp. 30 - 31

Ref. text by Robert Descharnes June 12th, 2008 Ref. Robert and Nicolas Descharnes, The Hard and The Soft, Sculptures and Objects, 2004, p. 251 ref. 646 Each sculpture is accompanied by a Certificate of Authenticity

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Dance of Time I

Material:

bronze

Technique:

lost wax process

Year:

conceived in 1979 and first cast in 1984 this cast at a later date

Height:

210 cm / 82.7 in

Edition size: 8 plus 4 EA, 2 EF

The melted watch is the most well-known and beloved of Dalí’s iconoclastic images - the artist chose to portray this image consistently throughout

his lifetime, beginning in 1931. The ever-present fluidity of time is represented in this sculpture as time not only moving, but dancing in rhythm

to the beat of the universe. Universal time knows no limits; it must be remembered that time, as we understand it, is a human notion. Instead, Dalinian time is perpetual and ‘dances on’ stopping for no man, history or even the cosmos. The image depicts Dalí’s fantastical relationship with time, his perception of its constricting limitations and the importance he believed to be inherent in memory. This image is depicted in three different forms: Dance of Time I, Dance of Time II and Dance of Time III.

Exhibited Naples, Museo di Palazzo Reale, Dalí Scultore Dalí Illustratore, 1989 Genoa, Museo d’Arte Contemporanea, Dalí, 1991 Paris, Historial de Montmartre, Espace Dalí, opened in 1991 Berlin, Grosse Orangerie des Schlosses - Charlottenburg, Dalí 500 Meisterwerks, 1996 Palermo, Palazzo dei Normanni, Dalí, 1999 London, County Hall Gallery, The Dalí Universe, 2000 - 2010 Lavardens, Chateau Lavardens, L’Univers de Dalí, 2004 Mexico City, Soumaya Museum, 2008 Shanghai, Open Air Exhibition, Zendai MOMA, 2009 Courchevel, Open Air Exhibition, Dalí au Sommet, 2009 - 2010 Singapore, ArtScience Museum at Marina Bay Sands, Dalí, Mind of a Genius, 2011 Venice, Museo di Sant’Apollonia, The Dalí Universe, 2011- 2013 Taipei, The National Chiang Kai-shek Memorial Hall, Dalí, Mind of Genius, 2012 Kaohsiung, Kaohsiung Museum of Fine Arts, Dalí, Mind of Genius, 2012 - 2013

Literature Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Sculptures & Objects, (Catalogue Raisonée of Dalí Sculpture), Paris, 2004, illustration of another cast, p. 248, ref. 639 Salvador Dalí in Shanghai, exh. cat., Shanghai, The Shanghai Art Museum, 2009, illustration of another cast, pp. 58 - 59 Beniamino Levi, et al., Dalí in the Third Dimension, The Stratton Foundation Collection, Umberto Allemandi & C., Turin, 2010, illustration of another cast, pp. 56 - 57 Dalí, Mind of a Genius, exh. cat., Singapore, ArtScience Museum at Marina Bay Sands, 2011, illustration of another cast, p. 65 Dalí, Mind of Genius, exh. cat., Taipei, National Chiang Kai-shek Memorial Hall, 2012, illustration of another cast, p. 10

Ref. text by Robert Descharnes June 12th, 2008 Ref. Robert and Nicolas Descharnes, The Hard and The Soft, Sculptures and Objects, 2004, p. 248 ref. 639 Each sculpture is accompanied by a Certificate of Authenticity

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Dance of Time II

Material:

bronze

Technique:

lost wax process

Year:

conceived in 1979 and first cast in 1984 this cast at a later date

Height:

150 cm / 59.1 in

Edition size: 8 plus 4 EA, 2 EF

The melted watch is the most well-known and beloved of Dalí’s iconoclastic images - the artist chose to portray this image consistently throughout

his lifetime, beginning in 1931. The ever-present fluidity of time is represented in this sculpture as time not only moving, but dancing in rhythm

to the beat of the universe. Universal time knows no limits; it must be remembered that time, as we understand it, is a human notion. Instead, Dalinian time is perpetual and “dances on” stopping for no man, history or even the cosmos. The image depicts Dalí’s fantastical relationship with time, his perception of its constricting limitations and the importance he believed to be inherent in memory. This image is depicted in three different forms: Dance of Time I, Dance of Time II and Dance of Time III.

Exhibited Naples, Museo di Palazzo Reale, Dalí Scultore Dalí Illustratore, 1989 Genoa, Museo d’Arte Contemporanea, Dalí, 1991 Paris, Historial de Montmartre, Espace Dalí, opened in 1991 Berlin, Grosse Orangerie des Schlosses - Charlottenburg, Dalí 500 Meisterwerks, 1996 Palermo, Palazzo dei Normanni, Dalí, 1999 London, County Hall Gallery, The Dalí Universe, 2000-2010 Lavardens, Chateau Lavardens, L’Univers de Dalí, 2004 Venice, Galleria San Marco, 2004 Singapore Opera Gallery,Takashimaya Shopping Center, 2006 Hong Kong, Masterpieces and Beyond, Sites Unseen, 2006 Shanghai, The Shanghai Art Museum, Salvador Dalí in Shanghai, 2009 Cannes, Galeries Bartoux, 2010 New York, Time Warner Center, The Vision of a Genius, 2010 - 2011 Bahrain, Opera Gallery at the Bahrain Financial Harbour, 2011 Dubai, Opera Gallery at Dubai Mall, 2011 Singapore, ArtScience Museum at Marina Bay Sands, Dalí, Mind of a Genius, 2011 Taipei, The National Chiang Kai-shek Memorial Hall, Dalí, Mind of Genius, 2012 Kaohsiung, Kaohsiung Museum of Fine Arts, Dalí, Mind of Genius, 2012 - 2013

Literature Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Sculptures & Objects, (Catalogue Raisonée of Dalí Sculpture), Paris, 2004, illustration of another cast, p. 248, ref. 637 Masterpieces and Beyond, Sites Unseen, exh. cat., Hong Kong, 2006, illustration of another cast, pp. 10 - 11 Dalí in Singapore, exh. cat., Singapore, Opera Gallery, 2006, illustration of another cast, pp. 32 -33 Salvador Dalí in Shanghai, exh. cat., Shanghai, The Shanghai Art Museum, 2009, illustration of another cast, pp. 70 - 71 Beniamino Levi, et al., Dalí in the Third Dimension, The Stratton Foundation Collection, Umberto Allemandi & C., Turin, 2010, illustration of another cast, pp. 58 - 59 Dalí, The Vision of a Genius, exh. cat, New York, Galeries Bartoux at Time Warner Center, New York, 2010, illustration of another cast, p. 62 Awaken your imagination in Bahrain, exh. cat., Dubai, Opera Gallery, 2011, illustration of another cast, p. 13 Dalí, Mind of a Genius, exh. cat., Singapore, ArtScience Museum at Marina Bay Sands, 2011, illustration of another cast, at the back of the front cover Dalí, Mind of Genius, exh. cat., Taipei, National Chiang Kai-shek Memorial Hall, 2012, illustration of another cast, p. 11 The Dalí Universe Florence, exh. cat., Florence, Palazzo Medici Riccardi, 2013, illustration of another cast pp. 32 - 33

Ref. text by Robert Descharnes June 12th, 2008 Ref. Robert and Nicolas Descharnes, The Hard and The Soft, Sculptures and Objects, 2004, p. 248 ref. 637 Each sculpture is accompanied by a Certificate of Authenticity

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Dance of Time III

Material:

bronze

Technique:

lost wax process

Year:

conceived in 1979 and first cast 1984 this cast at a later date

Height:

124 cm / 48.8 in

Edition size: 8 plus 4 EA, 2 EF

The melted watch is the most well-known and beloved of Dalí’s iconoclastic images - the artist chose to portray this image consistently throughout

his lifetime, beginning in 1931. The ever-present fluidity of time is represented in this sculpture as time not only moving, but dancing in rhythm

Literature Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Sculptures & Objects, (Catalogue Raisonée of Dalí Sculpture), Paris, 2004, illustration of another cast, p. 248, ref. 638 Beniamino Levi, et al., Dalí in the Third Dimension, The Stratton Foundation Collection, Umberto Allemandi & C., Turin, 2010, illustration of another cast, pp. 60 - 61 Awaken your imagination in Bahrain, exh. cat., Dubai, Opera Gallery, 2011, illustration of another cast, p. 17

Ref. text by Robert Descharnes June 12th, 2008 Ref. Robert and Nicolas Descharnes, The Hard and The Soft, Sculptures and Objects, 2004, p. 248 ref. 638 Each sculpture is accompanied by a Certificate of Authenticity

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Homage to Fashion

Material:

bronze

Technique:

lost wax process

Year:

conceived in 1971 and first cast in 1984 this cast at a later date

Height:

179 cm / 70.5 in

Edition size: 8 plus 4 EA, 2 EF

Dalí’s relationship with the world of haute couture began in the 1930s through his work with Coco Chanel, Elsa Schiaparelli and Vogue

magazine and lasted throughout his lifetime. This remarkable Venus, posing in the stance of a ‘supermodel’, has been created with a head of roses, the most exquisite of flowers. Her face lacks definition, allowing the admirer to imagine any face he desires. A dignified gentleman kneels, a ‘dandy’ paying homage to this twentieth-century muse.

Literature Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Sculptures & Objects, (Catalogue Raisonee of Dalí Sculpture), Paris, 2004, illustration of another cast, p. 246, ref 634 Salvador Dalí in Shanghai, exh. cat., Shanghai, The Shanghai Art Museum, 2009, illustration of another cast, pp. 132 - 133 Beniamino Levi, et al., Dalí in the Third Dimension, The Stratton Foundation Collection, Umberto Allemandi & C., Turin, 2010, illustration of another cast, pp. 70 - 71 Dalí, Mind of a Genius, exh. cat., Singapore, ArtScience Museum at Marina Bay Sands, 2011, illustration of another cast, p. 10 Dalí, Mind of Genius, exh. cat., Taipei, National Chiang Kai-shek Memorial Hall, 2012, illustration of another cast, pp. 48 - 49

Ref. text by Robert Descharnes June 12th, 2008 Ref. Robert and Nicolas Descharnes, The Hard and The Soft, Sculptures and Objects, 2004, p. 246 ref. 634 Each sculpture is accompanied by a Certificate of Authenticity

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Homage to Terpsichore

Material:

bronze

Technique:

lost wax process

Year:

conceived in 1977 and first cast 1984 this cast at a later date

Height:

187 cm / 73.6 in

Edition size: 7 plus 3 EA, 2 HC, 2 EF

Terpsichore is one of the famed nine mythological muses. In creating his version of the muse of dance, Terpsichore, Dalí uses a reflected image,

setting the soft, carnal muse against the hardened, statuesque one. The lack of definition in both faces clearly underlines the purely symbolic significance of these figures. The dancer with the smooth and classical form represents Grace and the unconscious, while the other angular, cubist figure represents the ever-growing and chaotic rhythm of modern life. Both figures dance side by side in everyone.

Exhibited Bari, Castello Svevo, Dalí Scultore Dalí Illustratore,1988 - 1989 Venice, Scuola Grande San Teodoro, Dalí, 1989 Rome, Accademia Spagnola di Belle Arti, Dalí Scultore Dalí Illustratore, 1989 Marseille, Le Palais de la Bourse, Dalí, 1990 Tokyo, Mitsukoshi Museum of Art, Dalí Exhibition, 1991 Berlin, The Spandauer Zitadelle Museum, Dalí, 1994 Strasbourg, Le Musée de l’Aubette, Dalí, 1994 - 1995 Amsterdam, Beurs van Berlage, Dalí, 1995 Norrkoping, Dalí, 1998 Copenhagen, Arken Museum of Modern Art, Dalí, 1999 Rome, Galleria di Piazza Colonna, Dalí 1904 - 89, 2000 London, County Hall Gallery, The Dalí Universe, 2000 - 2010 Guangzhou, Guangdong Museum of Art, Dalí: A Journey into Fantasy, 2002 Beijing, China Millennium Monument, Dalí: A Journey into Fantasy, 2002 Wuhan, Wuhan International Urban Planning Center, Dalí: A Journey into Fantasy, 2003 Mexico City, Soumaya Museum, 2008 Shanghai, The Shanghai Art Museum, Salvador Dalí in Shanghai, 2009 Singapore, ArtScience Museum at Marina Bay Sands, Dalí: Mind of a Genius, 2011 Venice, Museo di Sant’Apollonia, The Dalí Universe, 2011 - 2013 Taipei, The National Chiang Kai-shek Memorial Hall, Dalí, Mind of Genius, 2012 Kaohsiung, Kaohsiung Museum of Fine Arts, Dalí, Mind of Genius, 2012 - 2013

Literature Dalí Sculpture, exh. cat., New York, Aberbach Fine Art, 1986, illustration of another cast, p.15 Franco Passoni, Dalí nella terza dimensione, Milan, 1987, p. 35 Dalí nella terza dimensione, exh. cat., Bari, Castello Svevo, 1988, illustration of another cast, p. 51 Dalí, exh. cat., Paris, Galerie Patrice Trigano, 1989, illustration of another cast, p. 35 Dalí Scultore Dalí Illustratore, exh. cat., Naples, Museo di Palazzo Reale, 1989, illustration of another cast, p. 51 Dalí Exhibition, exh. cat., Fukuoka Prefectural Museum of Art, Tokyo, 1991, illustration of another cast, p. 80 La Mirada de un Genio Dalí, exh. cat., Oviedo, Ayuntamento de Oviedo, 1998, illustration of another cast, p. 256 Salvador Dalí, exh. cat., Copenhagen, Arken Museum of Modern Art, 1999, illustration of another cast, p. 30 Dalí: A Journey into Fantasy, exh. cat., China Millennium Monument, 2002, illustration of another cast Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Sculptures & Objects, (Catalogue Raisonée of Dalí Sculpture), Paris, 2004, illustration of another cast, p. 240, ref. 620 Salvador Dalí in Shanghai, exh. cat., Shanghai, The Shanghai Art Museum, 2009, illustration of another cast, pp. 116 - 117 Beniamino Levi, et al., Dalí in the Third Dimension, The Stratton Foundation Collection, Umberto Allemandi & C., Turin, 2010, illustration of another cast, pp. 78 - 79 - 80 - 81 Dalí, Mind of a Genius, exh. cat., Singapore, ArtScience Museum at Marina Bay Sands, 2011, illustration of another cast, p. 31 Dalí, Mind of Genius, exh. cat., Taipei, National Chiang Kai-shek Memorial Hall, 2012, illustration of another cast, pp. 12 - 13

Ref. text by Robert Descharnes June 12th, 2008 Ref. Robert and Nicolas Descharnes, The Hard and The Soft, Sculptures and Objects, 2004, p. 240 ref. 620 Each sculpture is accompanied by a Certificate of Authenticity

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Horse Saddled with Time

Material:

bronze

Technique:

lost wax process

Year:

conceived and first cast in 1980 this cast at a later date

Height:

141 cm / 55.5 in

Edition size: 8 plus 4 EA

In La Vie Secrète, Dalí’s autobiography published in 1942, the artist stated: “The mechanical object was to become my worst enemy, and as for

watches, they would have to be soft, or not be at all!” Dalí believed that humans cannot rely on the non-dreaming or “real” world to show the absolute truth. This theme is evident in his sculpture Horse Saddled with Time. The horse, one of the most famous Dalinian images, is saddled with Dalinian time: it is time which controls all of man’s passage. Man believes he is in control of the voyage, but it is always “time” who is the ultimate rider. The typical Dalinian melted watch is used in place of a normal saddle. This surrealist horse can not be ridden or tamed by man, only admired for its beauty and perpetuity. The horse is portrayed as the representation of life weighed down and harnessed by time, symbolic of man’s fleeting voyage through life.

Exhibited Naples, Museo di Palazzo Reale, Dalí Scultore Dalí Illustratore,1989 Ferrara, Galleria Civica d’Arte Moderna, Dalí, 1989 Rome, Accademia Spagnola di Belle Arti, Dalí Scultore Dalí Illustratore, 1989 Genoa, Museo d’Arte Contemporanea, Dalí, 1991 Toulouse, Musée d’Art Moderne, Dalí Retrospectif, 1994 Berlin, Grosse Orangerie des Schlosses - Charlottenburg, Dalí 500 Meisterwerks, 1996 Heidelburg, Schloss Heidelberg, Dalí, 1997 Oviedo, Centro de Arte Moderno, La Mirada de un Genio Dalí 1904 - 89, 1998 Palermo, Palazzo dei Normanni, Dalí, 1999 Copenhagen, Arken Museum of Modern Art, Dalí, 1999 London, County Hall Gallery, The Dalí Universe, 2000 - 2010 Guangzhou, Guangdong Museum of Art, Dalí: A Journey into Fantasy, 2002 Beijing, China Millennium Monument, Dalí: A Journey into Fantasy, 2002 Shanghai, Shanghai Urban Planning Center, Dalí: A Journey into Fantasy, 2002 - 2003 Seoul, Seoul Arts Center, Dalí, 2004 Singapore, Boat Quay, 2006 Mexico City, Soumaya Museum, 2008 Shanghai, Zendai MOMA Museum, 2009 Singapore, ArtScience Museum at Marina Bay Sands, Dalí, Mind of a Genius, 2011 Taipei, The National Chiang Kai-shek Memorial Hall, Dalí, Mind of Genius, 2012

Literature La Mirada de un Genio Dalí, exh. cat., Oviedo, Ayuntamento de Oviedo, 1998, illustration of another cast, p. 253 The Dalí Universe, exh. cat., London, County Hall Gallery, 2000, illustration of another cast, pp. 48 - 49 Dalí: A Journey into Fantasy, exh. cat., China Millennium Monument, 2002, illustration of another cast Dalí, exh. cat., Seoul, Seoul Arts Center, 2004, illustration of another cast, pp. 44 - 45 Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Sculptures & Objects, (Catalogue Raisonée of Dalí Sculpture), Paris, 2004, illustration of another cast, p. 252, ref. 650 Salvador Dalí in Shanghai, exh. cat., Shanghai, The Shanghai Art Museum, 2009, illustration of another cast, pp. 62 - 63 Beniamino Levi, et al., Dalí in the Third Dimension, The Stratton Foundation Collection, Umberto Allemandi & C., Turin, 2010, illustration of another cast, pp. 82 - 83 Awaken your imagination in Bahrain, exh. cat., Dubai, Opera Gallery, 2011, illustration of another cast, p. 19 Dalí, Mind of a Genius, exh. cat., Singapore, ArtScience Museum at Marina Bay Sands, 2011, illustration of another cast, p. 73 Dalí, Mind of Genius, exh. cat., Taipei, National Chiang Kai-shek Memorial Hall, 2012, illustration of another cast, pp. 16 - 17 The Dalí Universe Florence, exh. cat., Florence, Palazzo Medici Riccardi, 2013, illustration of another cast pp. 38 - 39

Ref. text by Robert Descharnes June 12th, 2008 Ref. Robert and Nicolas Descharnes, The Hard and The Soft, Sculptures and Objects, 2004, p. 252 ref. 650 Each sculpture is accompanied by a Certificate of Authenticity

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Lady Godiva with Butterflies

Material:

bronze

Technique:

lost wax process

Year:

conceived in 1976 and first cast in 1984 this cast at a later date

Height:

167 cm / 65.7 in

Edition size: 8 plus 4 EA, 2 EF

Dalí, the great Surrealist master, selected the image of Lady Godiva as one of his favourites and pays homage to her sensuous and shapely female

form through the conception of this sculpture. Announcing her arrival, butterflies not only hover around her and her noble steed, but also adorn her body as she plays her trumpet. Lady Godiva embodies earthly beauty, whereas the butterflies depict the ethereal otherworld.

Literature Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Sculptures & Objects, (Catalogue Raisonée of Dalí Sculpture), Paris, 2004, illustration of another cast, pp. 248 - 249, ref. 640 Salvador Dalí in Shanghai, exh. cat., Shanghai, The Shanghai Art Museum, 2009, illustration of another cast, pp. 130 - 131 Beniamino Levi, et al., Dalí in the Third Dimension, The Stratton Foundation Collection, Umberto Allemandi & C., Turin, 2010, illustration of another cast, pp. 84 - 85 - 86 - 87 Dalí, Mind of a Genius, exh. cat., Singapore, ArtScience Museum at Marina Bay Sands, 2011, illustration of another cast, p. 25 Dalí, Mind of Genius, exh. cat., Taipei, National Chiang Kai-shek Memorial Hall, 2012, illustration of another cast, pp. 36 - 37 The Dalí Universe Florence, exh. cat., Florence, Palazzo Medici Riccardi, 2013, illustration of another cast pp. 40 - 41

Ref. text by Robert Descharnes June 12th, 2008 Ref. Robert and Nicolas Descharnes, The Hard and The Soft, Sculptures and Objects, 2004, p. 248 – 249 ref. 640 Each sculpture is accompanied by a Certificate of Authenticity

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Man with Butterfly

Material:

bronze

Technique:

lost wax process

Year:

conceived in 1968 and first cast in 1984 this cast at a later date

Height:

179 cm / 70.5 in

Edition size: 8 plus 4 EA, 2 EF

This image of this elegant sculpture was originally designed as part of Dalí’s famous Tarot series, which was created specifically for his wife and

muse, Gala. The figure of Man with Butterfly leaves the banality of the everyday grounded world for that of the butterfly, which, being lighter will give the man wings and help him soar to a different physical plane - one where he can shed daily worries and habitual restraint.

Exhibited Naples, Museo di Palazzo Reale, Dalí Scultore Dalí Illustratore, 1989 Genoa, Museo d’Arte Contemporanea, Dalí, 1991 Paris, Historial de Montmartre, Espace Dalí, opened in 1991 Berlin, Grosse Orangerie des Schlosses - Charlottenburg, Dalí 500 Meisterwerks, 1996 Palermo, Palazzo dei Normanni, Dalí, 1999 London, County Hall Gallery, The Dalí Universe, 2000 - 2010 Lavardens, Chateau Lavardens, L’Univers de Dalí, 2004 Singapore, Open Air Exhibition, Dalí in Singapore, Opera Gallery, 2006 Uppsala, Mollbrinks, 2008 Shanghai, The Shanghai Art Museum, Salvador Dalí in Shanghai, 2009 London, Modern Masters Gallery, 2010 New York, Time Warner Center, The Vision of a Genius, 2010 - 2011 Singapore, ArtScience Museum at Marina Bay Sands, Dalí, Mind of a Genius, 2011 Taipei, The National Chiang Kai-shek Memorial Hall, Dalí, Mind of Genius, 2012 Kaohsiung, Kaohsiung Museum of Fine Arts, Dalí, Mind of Genius, 2012 - 2013 Florence, Palazzo Medici Riccardi, The Dalí Universe, 2013

Literature The Dalí Universe, exh. cat., London, County Hall Gallery, 2000, illustration of another cast, pp. 134 - 135 Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Sculptures & Objects, (Catalogue Raisonée of Dalí Sculpture), Paris, 2004, illustration of another cast, p. 252, ref. 648 Dalí in Singapore, exh. cat., Singapore, Opera Gallery, 2006, illustration of another cast, pp. 22 -23 Salvador Dalí in Shanghai, exh. cat., Shanghai, The Shanghai Art Museum, 2009, illustration of another cast, pp. 150 - 151 Beniamino Levi, et al., Dalí in the Third Dimension, The Stratton Foundation Collection, Umberto Allemandi & C., Turin, 2010, illustration of another cast, pp. 96 - 97 Dalí, The Vision of a Genius, exh. cat, New York, Galeries Bartoux at Time Warner Center, New York, 2010, illustration of another cast, p. 55 Dalí, Mind of a Genius, exh. cat., Singapore, ArtScience Museum at Marina Bay Sands, 2011, illustration of another cast, p. 24 Dalí, Mind of Genius, exh. cat., Taipei, National Chiang Kai-shek Memorial Hall, 2012, illustration of another cast, pp. 22 - 23 The Dalí Universe Florence, exh. cat., Florence, Palazzo Medici Riccardi, 2013, illustration of another cast pp. 42 - 43

Ref. text by Robert Descharnes June 12th, 2008 Ref. Robert and Nicolas Descharnes, The Hard and The Soft, Sculptures and Objects, 2004, p. 252 ref. 648 Each sculpture is accompanied by a Certificate of Authenticity

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Nobility of Time

Material:

bronze

Technique:

lost wax process

Year:

conceived in 1977 and first cast in 1984 this cast at a later date

Height:

154 cm / 60.6 in

Edition size: 7 plus 3 EA, 2 HC, 2 EF

Dalí’s soft watch is both draped against and supported by the remains of a tree whose trunks sprout new life and whose roots entwine a stone.

The terminology, “the crown of a watch” usually indicates a mechanical device which allows us to set the hands and wind the timepiece. Time, however, according to a Dalinian watch, is changeless and cannot be set and the watch itself has no internal power or motion. Given this absence of movement, the crown in this case is interpreted by the artist as a royal crown which adorns the watch, and identifies time’s mastery over human

beings rather than its utility to him. His majesty is attended by two reoccurring, fantastical Dalinian symbols: a contemplative angel and a woman draped in shawls look on. Time reigns supreme over both art and reality.

Exhibited Naples, Museo di Palazzo Reale, Dalí Scultore Dalí Illustratore,1989 Ferrara, Galleria Civica d’Arte Moderna, Dalí, 1989 Rome, Accademia Spagnola di Belle Arti, Dalí Scultore Dalí Illustratore, 1989 Genoa, Museo d’Arte Contemporanea, Dalí, 1991 Tokyo, Mitsukoshi Museum of Art, Dalí Exhibition, 1991 Toulouse, Musée d’Art Moderne, Dalí Retrospectif, 1994 Berlin, Grosse Orangerie des Schlosses - Charlottenburg, Dalí 500 Meisterwerks, 1996 Heidelburg, Schloss Heidelberg, Dalí, 1997 Palermo, Palazzo dei Normanni, Dalí, 1999 Copenhagen, Arken Museum of Modern Art, Dalí, 1999 London, County Hall Gallery, The Dalí Universe, 2000 - 2010 Guangzhou, Guangdong Museum of Art, Dalí: A Journey into Fantasy, 2002 Beijing, China Millennium Monument, Dalí: A Journey into Fantasy, 2002 Shanghai, Shanghai Urban Planning Center, Dalí: A Journey into Fantasy, 2002 - 2003 Wuhan, Wuhan International Urban Planning Center, Dalí: A Journey into Fantasy, 2003 Seoul, Seoul Arts Center, Dalí, 2004 Mexico City, Soumaya Museum, 2008 New York, Time Warner Center, The Vision of a Genius, 2010 - 2011

Ref. text by Robert Descharnes June 12th, 2008 Ref. Robert and Nicolas Descharnes, The Hard and The Soft, Sculptures and Objects, 2004, p. 247 ref. 635 Each sculpture is accompanied by a Certificate of Authenticity

Literature Dalí Sculpture, exh.cat., New York, Aberbach Fine Art, 1986, illustration of another cast, p. 13 Franco Passoni, Dalí nella terza dimensione, Milan, 1987, p. 93 Dalí nella terza dimensione, exh. cat., Bari, Castello Svevo, 1988, illustration of another cast, p. 61 Dalí Scultore Dalí Illustratore, exh. cat., Naples, Museo di Palazzo Reale, 1989, illustration of another cast, p. 61 Dalí Exhibition, exh. cat., Tokyo, Fukuoka Prefectural Museum of Art, 1991, illustration of another cast, p. 69 Luis Romero, PsicoDalico Dalí, Barcelona, 1991, illustration of another cast, p. 237 Salvador Dalí, exh. cat., Copenhagen, Arken Museum of Modern Art, 1999, illustration of another cast, p. 32 The Dalí Universe, exh. cat., London, County Hall Gallery, 2000, illustration of another cast, pp. 42 - 43 Dalí: A Journey into Fantasy, exh. cat., China Millennium Monument, 2002, illustration of another cast Dalí, exh. cat., Seoul, Seoul Arts Center, 2004, illustration of another cast, pp. 38 - 39 Dalí in Singapore, exh.cat., Singapore, Opera Gallery, 2006, illustration of another cast, pp. 30 - 31 Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Sculptures & Objects, (Catalogue Raisonée of Dalí Sculpture), Paris, 2004, illustration of another cast, p. 247, ref. 635 Beniamino Levi, et al., Dalí in the Third Dimension, The Stratton Foundation Collection, Umberto Allemandi & C., Turin, 2010, illustration of another cast, pp. 106 - 107 - 108 - 109 Dalí, The Vision of a Genius, exh. cat, New York, Galeries Bartoux at Time Warner Center, New York, 2010, illustration of another cast, p. 67

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Persistence of Memory

Material:

bronze

Technique:

lost wax process

Year:

conceived and first cast in 1980 this cast at a later date

Height:

191 cm / 75.2 in

Edition size: 6 plus 3 EA, 3 HC

Dalí has isolated the central image of his best-known painting and given it the same title. It is a simple figure: a limp watch draped over the

branch of a dead tree. Dalinian time is not rigid; it is one with space… fluid. The unexpected softness of the watch also represents the psychological fact that the speed of time, while precise in scientific use, is widely variable in human perception. When we are involved in pleasant activities or in work that absorbs all our attention, “time flies”, but when we are mired in boredom or discomfort, it drags. The limp watch no longer “keeps” time; it does not measure its passage. Thus, the speed of our time depends only on us.

Exhibited Lugano, Villa Malpensata, Spagna - 75 Anni di Protagonisti nell’Arte, 1986 Naples, Museo di Palazzo Reale, Dalí Scultore Dalí Illustratore,1989 Ferrara, Galleria Civica d’Arte Moderna, Dalí, 1989 Rome, Accademia Spagnola di Belle Arti, Dalí Scultore Dalí Illustratore, 1989 Genoa, Museo d’Arte Contemporanea, Dalí, 1991 Tokyo, Mitsukoshi Museum of Art, Dalí Exhibition, 1991 Toulouse, Musée d’Art Moderne, Dalí Retrospectif, 1994 Berlin, Grosse Orangerie des Schlosses - Charlottenburg, Dalí 500 Meisterwerks, 1996 Heidelburg, Schloss Heidelberg, Dalí, 1997 Palermo, Palazzo dei Normani, Dalí, 1999 Copenhagen, Arken Museum of Modern Art, Dalí, 1999 Guangzhou, Guangdong Museum of Art, Dalí: A Journey into Fantasy, 2002 Beijing, China Millennium Monument, Dalí: A Journey into Fantasy, 2002 Wuhan, Wuhan International Urban Planning Center, Dalí: A Journey into Fantasy, 2003 Seoul, Seoul Arts Center, Dalí, 2004 Mexico City, Soumaya Museum, 2008 Shanghai, The Shanghai Art Museum, Salvador Dalí in Shanghai, 2009 Singapore, ArtScience Museum at Marina Bay Sands, Dalí, Mind of a Genius, 2011 Venice, Museo di Sant’Apollonia, The Dalí Universe, 2011 - 2013 Taipei, The National Chiang Kai-shek Memorial Hall, Dalí, Mind of Genius, 2012

Literature Dalí Sculpture, exh.cat., New York, Aberbach Fine Art, 1986, illustration of another cast, p. 23 Spagna - 75 Anni di Protagonisti nell’Arte, exh. cat., Milan, Edizioni Electa, 1986, illustration of another cast, p. 72 Franco Passoni, Dalí nella terza dimensione, Milan, 1987, p. 41 Dalí Scultore Dalí Illustratore, exh. cat., Naples, Museo di Palazzo Reale, 1989, illustration of another cast, p. 47 Dalí Exhibition, exh. cat., Tokyo, Fukuoka Prefectural Museum of Art, 1991, illustration of another cast, p. 76 Salvador Dalí, exh.cat., Copenhagen, Arken Museum of Modern Art, 1999, illustration of another cast, p. 35 The Dalí Universe, exh. cat., London, County Hall Gallery, 2000, illustration of another cast, pp. 36 - 37 Dalí: A Journey into Fantasy, exh. cat., China Millennium Monument, 2002, illustration of another cast Dalí, exh. cat, Seoul, Seoul Arts Center, 2004, illustration of another cast, pp. 42 - 43 Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Sculptures & Objects, (Catalogue Raisonée of Dalí Sculpture), Paris, 2004, illustration of another cast, p. 246, ref. 632 Salvador Dalí in Shanghai, exh. cat., Shanghai, The Shanghai Art Museum, 2009, illustration of another cast, pp. 66 -67 Beniamino Levi, et al., Dalí in the Third Dimension, The Stratton Foundation Collection, Umberto Allemandi & C., Turin, 2010, illustration of another cast, pp. 116 - 117 Dalí, Mind of a Genius, exh. cat., Singapore, ArtScience Museum at Marina Bay Sands, 2011, illustration of another cast, p. 40 Dalí, Mind of Genius, exh. cat., Taipei, National Chiang Kai-shek Memorial Hall, 2012, illustration of another cast, pp. 42 - 43

Ref. text by Robert Descharnes June 12th, 2008 Ref. Robert and Nicolas Descharnes, The Hard and The Soft, Sculptures and Objects, 2004, p. 246 ref. 632 Each sculpture is accompanied by a Certificate of Authenticity

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Profile of Time

Material:

bronze

Technique:

lost wax process

Year:

conceived in 1977 and first cast in 1984 this cast at a later date

Height:

150 cm / 59.1 in

Edition size: 7 plus 3 EA, 2 HC, 2 EF

This sculpture echoes Dalí’s famous 1931 painting The Persistence of Memory in which the melted watch appeared for the first time. As the watch

liquifies over the tree, it forms into a human profile, underlining the interminable relationship between man and time. The unexpected softness of

the watch also represents the psychological aspect whereby time, whilst considered to be precise and fixed in its nature, can in fact, vary significantly in human perception. All men must bend to the passing of time. We see Dalí’s profile in the face of the clock. There is a tear falling from his eye, lamenting the path of life that all men must travel.

Exhibited Lugano, Villa Malpensata, Spagna - 75 Anni di Protagonisti nell’Arte, 1986 Naples, Museo di Palazzo Reale, Dalí Scultore Dalí Illustratore,1989 Ferrara, Galleria Civica d’Arte Moderna, Dalí, 1989 Rome, Accademia Spagnola di Belle Arti, Dalí Scultore Dalí Illustratore, 1989 Genoa, Museo d’Arte Contemporanea, Dalí, 1991 Tokyo, Mitsukoshi Museum of Art, Dalí Exhibition, 1991 Toulouse, Musée d’Art Moderne, Dalí Retrospectif, 1994 Berlin, Grosse Orangerie des Schlosses - Charlottenburg, Dalí 500 Meisterwerks, 1996 Heidelburg, Schloss Heidelberg, Dalí, 1997 Palermo, Palazzo dei Normanni, Dalí, 1999 Copenhagen, Arken Museum of Modern Art, Dalí, 1999 London, County Hall Gallery, The Dalí Universe, 2000 - 2010 Guangzhou, Guangdong Museum of Art, Dalí: A Journey into Fantasy, 2002 Beijing, China Millennium Monument, Dalí: A Journey into Fantasy, 2002 Seoul, Seoul Arts Center, Dalí, 2004 Mexico City, Soumaya Museum, 2008 Shanghai, The Shanghai Art Museum, Salvador Dalí in Shanghai, 2009 Paris, Grand Palais, Art Paris, 2010 Singapore, ArtScience Museum at Marina Bay Sands, Dalí, Mind of a Genius, 2011 Venice, Museo di Sant’Apollonia, The Dalí Universe, 2011 - 2013 Taipei, The National Chiang Kai-shek Memorial Hall, Dalí, Mind of Genius, 2012

Literature Dalí Sculpture, exh. cat., New York, Aberbach Fine Art, 1986, illustration of another cast, p. 23 Spagna - 75 Anni di Protagonisti nell’Arte, exh. cat., Milan, Edizioni Electa, 1986, illustration of another cast, p. 72 Franco Passoni, Dalí nella terza dimensione, Milan, 1987, p. 41 Dalí Scultore Dalí Illustratore, exh. cat., Naples, Museo di Palazzo Reale, 1989, illustration of another cast, p. 47 Dalí Exhibition, exh. cat., Tokyo, Fukuoka Prefectural Museum of Art, 1991, illustration of another cast, p. 76 Salvador Dalí, exh. cat., Copenhagen, Arken Museum of Modern Art, 1999, illustration of another cast, p. 35 The Dalí Universe, exh. cat., London, County Hall Gallery, 2000, illustration of another cast, p. 54 Dalí: A Journey into Fantasy, exh. cat., China Millennium Monument, 2002, illustration of another cast Dalí, exh. cat., Seoul, Seoul Arts Center, 2004, illustration of another cast, pp. 42 - 43 Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Sculptures & Objects, (Catalogue Raisonée of Dalí Sculpture), 2004, illustration of another cast, p. 238, ref. 615 Salvador Dalí in Shanghai, exh. cat., Shanghai, The Shanghai Art Museum, 2009, illustration of another cast, pp. 66 -67 Beniamino Levi, et al., Dalí in the Third Dimension, The Stratton Foundation Collection, Umberto Allemandi & C., Turin, 2010, illustration of another cast, pp. 120 - 121 Dalí, Mind of a Genius, exh. cat., Singapore, ArtScience Museum at Marina Bay Sands, 2011, illustration of another cast, p. 74 Dalí, Mind of Genius, exh. cat., Taipei, National Chiang Kai-shek Memorial Hall, 2012, illustration of another cast, pp. 28 - 29

Ref. text by Robert Descharnes June 12th, 2008 Ref. Robert and Nicolas Descharnes, The Hard and The Soft, Sculptures and Objects, 2004, p. 238 ref. 615 Each sculpture is accompanied by a Certificate of Authenticity

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Saint George and the Dragon

Material:

bronze

Technique:

lost wax process

Year:

conceived in 1977 and first cast in 1984 this cast at a later date

Height:

148 cm / 58.3 in

Edition size: 7 plus 3 EA, 2 HC, 2 EF

Dalí again transforms a traditional image by adding new and unexpected symbolic connotations. The classic interpretation of “Saint George and

the Dragon” is commonly seen as the saint’s battle against heresy and evil, Saint George being the guardian angel of Aragon and a celebrated saint of chivalry throughout medieval Europe. In this sculpture, we can see the artist himself, represented by Saint George, slaying the dragon, while his inspirational muse, Surrealist Art, exalts in the background. Metamorphic touches find their way into this sculpture too: the dragon’s wings turn into flames, and the monster’s tongue is a crutch, a favourite Dalinian image.

Exhibited Naples, Museo di Palazzo Reale, Dalí Scultore Dalí Illustratore,1989 Ferrara, Galleria Civica d’Arte Moderna, Dalí, 1989 Rome, Accademia Spagnola di Belle Arti, Dalí Scultore Dalí Illustratore, 1989 Genoa, Museo d’Arte Contemporanea, Dalí, 1991 Tokyo, Mitsukoshi Museum of Art, Dalí Exhibition, 1991 Toulouse, Musée d’Art Moderne, Dalí Retrospectif, 1994 Rome, Museo del Vaticano, 1995 Berlin, Grosse Orangerie des Schlosses - Charlottenburg, Dalí 500 Meisterwerks, 1996 Heidelburg, Schloss Heidelberg, Dalí, 1997 Palermo, Palazzo dei Normanni, Dalí, 1999 Copenhagen, Arken Museum of Modern Art, Dalí, 1999 London, County Hall Gallery, The Dalí Universe, 2000 - 2010 Guangzhou, Guangdong Museum of Art, Dalí: A Journey into Fantasy, 2002 Beijing, China Millennium Monument, Dalí: A Journey into Fantasy, 2002 Shanghai, Shanghai Urban Planning Center, Dalí: A Journey into Fantasy, 2002 - 2003 Wuhan, Wuhan International Urban Planning Center, Dalí: A Journey into Fantasy, 2003 Lavardens, Chateau Lavardens, L’Univers de Dalí, 2004 Seoul, Seoul Arts Center, Dalí, 2004 Shanghai, The Shanghai Art Museum, Salvador Dalí in Shanghai, 2009 Singapore, ArtScience Museum at Marina Bay Sands, Dalí, Mind of a Genius, 2011 Taipei, The National Chiang Kai-shek Memorial Hall, Dalí, Mind of Genius, 2012

Literature Franco Passoni, Dalí nella terza dimensione, Milan, 1987, p. 77 Dalí Exhibition, exh. cat., Tokyo, Fukuoka Prefectural Museum of Art, 1991, illustration of another cast, p. 79 Salvador Dalí, exh. cat., Copenhagen, Arken Museum of Modern Art, 1999, illustration of another cast, p. 37 The Dalí Universe, exh. cat., London, County Hall Gallery, 2000, illustration of another cast, pp. 128 - 129 Dalí: A Journey into Fantasy, exh. cat., China Millennium Monument, 2002, illustration of another cast Dalí, exh. cat., Seoul, Seoul Arts Center, 2004, illustration of another cast, pp. 114 - 115 Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Sculptures & Objects, (Catalogue Raisonée of Dalí Sculpture), Paris, 2004, illustration of another cast, p. 238, ref. 613 Dalí in Singapore, exh. cat., Singapore, Opera Gallery, 2006, illustration of another cast, pp. 24 - 25 Salvador Dalí in Shanghai, exh. cat., Shanghai, The Shanghai Art Museum, 2009, illustration of another cast, pp. 148 - 149 Beniamino Levi, et al., Dalí in the Third Dimension, The Stratton Foundation Collection, Umberto Allemandi & C., Turin, 2010, illustration of another cast, pp. 126 -127 - 128 - 129 Dalí, Mind of a Genius, exh. cat., Singapore, ArtScience Museum at Marina Bay Sands, 2011, illustration of another cast, p. 29 Dalí, Mind of Genius, exh. cat., Taipei, National Chiang Kai-shek Memorial Hall, 2012, illustration of another cast, pp. 18 - 19 The Dalí Universe Florence, exh. cat., Florence, Palazzo Medici Riccardi, 2013, illustration of another cast pp. 48 - 49

Ref. text by Robert Descharnes June 12th, 2008 Ref. Robert and Nicolas Descharnes, The Hard and The Soft, Sculptures and Objects, 2004, p. 238 ref. 613 Each sculpture is accompanied by a Certificate of Authenticity

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Snail and the Angel

Material:

bronze

Technique:

lost wax process

Year:

conceived in 1977 and first cast in 1984 this cast at a later date

Height:

151 cm / 59.4 in

Edition size: 7 plus 3 EA, 2 HC, 2 EF

This sculpture occupies an important place in the Dalinian universe, as it is intimately connected with the artist’s encounter with Sigmund Freud,

who Dalí came to regard as his spiritual father. As part of the early Surrealist movement, Dalí was surrounded by psychoanalytical influences and

these ideas were strongly incorporated into his artwork. Dalí was captivated upon seeing a snail on a bicycle outside Freud’s house, and connected the snail with the image of a human head; the head of Freud. He was also fascinated by the natural geometry of the snail’s shell, and like the egg, the contrast of its soft interior with its hard exterior. Paradoxically then, the snail, the universal symbol of the idle passing of time, has been given wings and is riding fluidly moving waves. A winged messenger of the gods, capable of limitless speed, bestows the snail with the gift of motion by touching down on its back for the briefest of moments.

Exhibited Naples, Museo di Palazzo Reale, Dalí Scultore Dalí Illustratore,1989 Ferrara, Galleria Civica d’Arte Moderna, Dalí, 1989 Rome, Accademia Spagnola di Belle Arti, Dalí Scultore Dalí Illustratore, 1989 Genoa, Museo d’Arte Contemporanea, Dalí, 1991 Tokyo, Mitsukoshi Museum of Art, Dalí Exhibition, 1991 Toulouse, Musée d’Art Moderne, Dalí Retrospectif, 1994 Berlin, Grosse Orangerie des Schlosses - Charlottenburg, Dalí 500 Meisterwerks, 1996 Heidelburg, Schloss Heidelberg, Dalí, 1997 Palermo, Palazzo dei Normanni, Dalí, 1999 Copenhagen, Arken Museum of Modern Art, Dalí, 1999 London, County Hall Gallery, The Dalí Universe, 2000 - 2010 Guangzhou, Guangdong Museum of Art, Dalí: A Journey into Fantasy, 2002 Beijing, China Millennium Monument, Dalí: A Journey into Fantasy, 2002 Wuhan, Wuhan International Urban Planning Center, Dalí: A Journey into Fantasy, 2003 Seoul, Seoul Arts Center, Dalí, 2004 Mexico City, Soumaya Museum, 2008 Shanghai, The Shanghai Art Museum, Salvador Dalí in Shanghai, 2009 Singapore, ArtScience Museum at Marina Bay Sands, Dalí: Mind of a Genius, 2011 Venice, Museo di Sant’Apollonia, The Dalí Universe, 2011 - 2013 Taipei, The National Chiang Kai-shek Memorial Hall, Dalí, Mind of Genius, 2012 Ref. text by Robert Descharnes June 12th, 2008 Ref. Robert and Nicolas Descharnes, The Hard and The Soft, Sculptures and Objects, 2004, p. 241 ref. 621 Each sculpture is accompanied by a Certificate of Authenticity

Literature Franco Passoni, Dalí nella terza dimensione, Milan, 1987, p. 43 Dalí Scultore Dalí Illustratore, exh. cat., Naples, Museo di Palazzo Reale, 1989, illustration of another cast, p. 32 Dalí Exhibition, exh. cat., Tokyo, Fukuoka Prefectural Museum of Art, 1991, illustration of another cast, p. 75 Salvador Dalí, exh. cat., Copenhagen, Arken Museum of Modern Art, 1999, illustration of another cast, p. 36 The Dalí Universe, exh. cat., London, County Hall Gallery, 2000, illustration of another cast, pp. 122 - 123 Dalí: A Journey into Fantasy, exh. cat., China Millennium Monument, 2002, illustration of another cast L’Univers de Dalí, exh. cat., Chateau Lavardens, 2004, illustration of another cast, pp. 114 - 115 Dalí, exh. cat., Seoul, Seoul Arts Center, 2004, illustration of another cast, pp. 110 - 111 Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Sculptures & Objects, (Catalogue Raisonée of Dalí Sculpture), Paris, 2004, illustration of another cast, p. 241, ref. 621 Salvador Dalí in Shanghai, exh. cat., Shanghai, The Shanghai Art Museum, 2009, illustration of another cast, pp. 144 - 145 Beniamino Levi, et al., Dalí in the Third Dimension, The Stratton Foundation Collection, Umberto Allemandi & C., Turin, 2010, illustration of another cast, pp. 130 - 131 - 132 - 133 Dalí, Mind of a Genius, exh. cat., Singapore, ArtScience Museum at Marina Bay Sands, 2011, illustration of another cast, p. 34 Dalí, Mind of Genius, exh. cat., Taipei, National Chiang Kai-shek Memorial Hall, 2012, illustration of another cast, pp. 26 - 27

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Space Elephant

Material:

bronze

Technique:

lost wax process

Year:

conceived and first cast in 1980 this cast at a later date

Height:

227 cm / 89.4 in

Edition size: 6 plus 3 EA, 3 HC

The Space Elephant embodies the Dalinian symbol that was born in 1946, when the artists painted one of his most famous pictures The

Temptation of St. Anthony. Dalí created the image of an elephant in the Egyptian desert carrying an obelisk, a symbol of power, domination and the progress of technology. Dalí painted these earthly temptations as a procession led by a rearing horse, a symbol of the mastery of one person over another. Four elephants stand on almost invisible spindle like legs of desire, and offer art, beauty, power, pleasure and knowledge. For this sculpture, based on the elephants in the painting, Dalí depicted it as having almost invisible spider legs, emphasising the contrast between robustness and fragility and contrasting the idea of weightlessness with structure. This fantastically surreal creature, moving through space towards the heavens, is typically Dalinian, symbolising a flight of fantasy to a mesmerising and surrealistic universe.

Exhibited Lugano, Villa Malpensata, Spagna - 75 Anni di Protagonisti nell’Arte, 1986 Naples, Museo di Palazzo Reale, Dalí Scultore Dalí Illustratore,1989 Ferrara, Galleria Civica d’Arte Moderna, Dalí, 1989 Rome, Accademia Spagnola di Belle Arti, Dalí Scultore Dalí Illustratore, 1989 Genoa, Museo d’Arte Contemporanea, Dalí, 1991 Tokyo, Mitsukoshi Museum of Art, Dalí Exhibition, 1991 Toulouse, Musée d’Art Moderne, Dalí Retrospectif, 1994 Berlin, Grosse Orangerie des Schlosses - Charlottenburg, Dalí 500 Meisterwerks, 1996 Heidelburg, Schloss Heidelberg, Dalí, 1997 Palermo, Palazzo dei Normani, Dalí, 1999 Copenhagen, Arken Museum of Modern Art, Dalí, 1999 London, County Hall Gallery, The Dalí Universe, 2000 - 2010 Guangzhou, Guangdong Museum of Art, Dalí: A Journey into Fantasy, 2002 Beijing, China Millennium Monument, Dalí: A Journey into Fantasy, 2002 Wuhan, Wuhan International Urban Planning Center, Dalí: A Journey into Fantasy, 2003 Seoul, Seoul Arts Center, Dalí, 2004 Mexico City, Soumaya Museum, 2008 Shanghai, The Shanghai Art Museum, Salvador Dalí’ in Shanghai, 2009 Singapore, ArtScience Museum at Marina Bay Sands, Dalí, Mind of a Genius, 2011 Venice, Museo di Sant’Apollonia, The Dalí Universe, 2011 - 2013 Taipei, The National Chiang Kai-shek Memorial Hall, Dalí, Mind of Genius, 2012

Literature Dalí Sculpture, exh. cat., New York, Aberbach Fine Art, 1986, illustration of another cast, p.25 Spagna 75 Anni di Protagonisti nell’Arte, exh. catalogue, Milan, Edizioni Electa, 1986, illustration of another cast, p. 72 Dalí Exhibition, exh. cat., Tokyo, Fukuoka Prefectural Museum of Art, 1991, illustration of another cast, p. 82 Luis Romero, Psicodalico Dalí, Barcelona, 1991, illustration of another cast, p. 237 Salvador Dalí, exh. cat., Copenhagen, Arken Museum of Modern Art, 1999, illustration of another cast, p. 40 The Dalí Universe, exh. cat., London, County Hall Gallery, 2000, illustration of another cast, p. 38 - 39 Dalí: A Journey into Fantasy, exh. cat., China Millennium Monument, 2002, illustration of another cast Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Sculptures & Objects, (Catalogue Raisonée of Dalí Sculpture), Paris, 2004, illustration of another cast, p. 244 - 245, ref. 631 Salvador Dalí in Shanghai, exh. cat., Shanghai, The Shanghai Art Museum, 2009, pp. 54 - 55 Beniamino Levi, et al., Dalí in the Third Dimension, The Stratton Foundation Collection, Umberto Allemandi & C., Turin, 2010, illustration of another cast, pp. 134 - 135 Dalí, Mind of a Genius, exh. cat., Singapore, ArtScience Museum at Marina Bay Sands, 2011, illustration of another cast, p. 47 Dalí, Mind of Genius, exh. cat., Taipei, National Chiang Kai-shek Memorial Hall, 2012, illustration of another cast, pp. 30 - 31

Ref. text by Robert Descharnes June 12th, 2008 Ref. Robert and Nicolas Descharnes, The Hard and The Soft, Sculptures and Objects, 2004, pp. 244 – 245 ref. 631 Each sculpture is accompanied by a Certificate of Authenticity

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Space Venus

Material:

bronze

Technique:

lost wax process

Year:

conceived in 1977 and first cast in 1984 this cast at a later date

Height:

124 cm / 48.8 in

Edition size: 7 plus 3 EA, 2 HC, 2 EF

Venus is the goddess of beauty and Dalí pays homage to the female figure by adding his own special elements. The underlying form in this

sculpture is of a classic marble statue of a female torso, to which four Dalinian elements have been added: a soft watch, an egg, two ants and a separation of the body into two parts. The watch is draped over the neck to give us two opposing messages; that beauty of the flesh is temporary and will vanish, while beauty of art is timeless and eternal. The ants are reminders of human mortality and impermanence. The egg, like the ant, is a favourite Dalinian theme given the duality of its hard exterior and soft interior, and is a positive symbol. The egg represents life, renewal, continuation and the future.

Exhibited Lugano, Villa Malpensata, Spagna - 75 Anni di Protagonisti nell’Arte, 1986 Naples, Museo di Palazzo Reale, Dalí Scultore Dalí Illustratore,1989 Ferrara, Galleria Civica d’Arte Moderna, Dalí, 1989 Rome, Accademia Spagnola di Belle Arti, Dalí Scultore Dalí Illustratore, 1989 Zurich, Kunsthaus Zurich, Salvador Dalí, 1989 Genoa, Museo d’Arte Contemporanea, Dalí, 1991 Tokyo, Mitsukoshi Museum of Art, Dalí Exhibition, 1991 Toulouse, Musée d’Art Moderne, Dalí Retrospectif, 1994 Berlin, Grosse Orangerie des Schlosses - Charlottenburg, Dalí 500 Meisterwerks, 1996 Heidelburg, Schloss Heidelberg, Dalí, 1997 Palermo, Palazzo dei Normanni, Dalí, 1999 Copenhagen, Arken Museum of Modern Art, Dalí, 1999 London, County Hall Gallery, The Dalí Universe, 2000 - 2010 Guangzhou, Guangdong Museum of Art, Dalí: A Journey into Fantasy, 2002 Beijing, China Millennium Monument, Dalí: A Journey into Fantasy, 2002 Seoul, Seoul Arts Center, Dalí, 2004 Mexico City, Soumaya Museum, 2008 Shanghai, The Shanghai Art Museum, Salvador Dalí in Shanghai, 2009 Singapore, ArtScience Museum at Marina Bay Sands, Dalí, Mind of a Genius, 2011 Venice, Museo di Sant’Apollonia, The Dalí Universe, 2011 - 2013 Taipei, The National Chiang Kai-shek Memorial Hall, Dalí, Mind of Genius, 2012

Ref. text by Robert Descharnes June 12th, 2008 Ref. Robert and Nicolas Descharnes, The Hard and The Soft, Sculptures and Objects, 2004, p. 239 ref. 616 Each sculpture is accompanied by a Certificate of Authenticity

Literature Dalí Sculpture, exh. cat, New York, Aberbach Fine Art, 1986, illustration of another cast, p. 21 Spagna - 75 Anni di Protagonisti nell’Arte, exh. cat., Edizioni Electa, Milano, 1986, illustration of another cast, p. 71 Salvador Dalí, exh. cat., Zurich, Kunsthaus Zurich, 1989, illustration of another cast, p. 24 Dalí Scultore Dalí Illustratore, exh. cat., Naples, Museo di Palazzo Reale, 1989, illustration of another cast, p. 57 Dalí Exhibition, exh. cat., Tokyo, Fukuoka Prefectural Museum of Art, 1991, illustration of another cast, p. 74 Salvador Dalí, exh. cat., Copenhagen, Arken Museum of Modern Art, 1999, illustration of another cast, p. 33 The Dalí Universe, exh. cat., London, County Hall Gallery, 2000, illustration of another cast, pp. 86 - 87 Dalí: A Journey into Fantasy, exh. cat., China Millennium Monument, 2002, illustration of another cast Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Sculptures & Objects, (Catalogue Raisonée of Dalí Sculpture), Paris, 2004, illustration of another cast, p. 239, ref. 616 Salvador Dalí in Shanghai, exh. cat., Shanghai, The Shanghai Art Museum, 2009, illustration of another cast, pp. 114 - 115 Beniamino Levi, et al., Dalí in the Third Dimension, The Stratton Foundation Collection, Umberto Allemandi & C., Turin, 2010, illustration of another cast, pp. 136 - 137 Dalí, Mind of a Genius, exh. cat., Singapore, ArtScience Museum at Marina Bay Sands, 2011, illustration of another cast, p. 9 Dalí, Mind of Genius, exh. cat., Taipei, National Chiang Kai-shek Memorial Hall, 2012, illustration of another cast, pp. 32 - 33

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Surrealist Newton

Material:

bronze

Technique:

lost wax process

Year:

conceived in 1977 and first cast in 1984 this cast at a later date

Height:

179 cm / 70.5 in

Edition size: 25 plus 2 EA (collector’s edition)

This sculpture was born out of Dalí’s respect for Sir Isaac Newton and his discovery of the law of gravity, represented by the famed falling apple.

Dalí has pierced the figure with two large spaces: the artist implies that the living being, Newton himself, has become a mere name, stripped of his individuality as his incredible and revolutionary laws of motion obscure all personal details relative to the great scientist.

Ref. text by Robert Descharnes June 12th, 2008 Ref. Robert and Nicolas Descharnes, The Hard and the Soft, Sculptures and Objects, 2004, p. 242 ref. 622* Each sculpture is accompanied by a Certificate of Authenticity

Literature The Dalí Universe, exh. cat., London, County Hall Gallery, 2000, illustration of another cast, p. 57 Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Sculptures & Objects, (Catalogue Raisonée of Dalí Sculpture), Paris, 2004, illustration of another cast, p. 242, ref. 622* Masterpieces and Beyond, Sites Unseen, exh. cat., Hong Kong, 2006, illustration of another cast, pp. 18 - 19 Beniamino Levi, et al., Dalí in the Third Dimension, The Stratton Foundation Collection, Umberto Allemandi & C., Turin, 2010, illustration of another cast, pp. 138 - 139*

*Errata: please note the edition size stated in the indicated catalogues is incorrect. The correct edition size is 25 plus 2 EA and the catalogue editors have been informed.

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Surrealist Piano

Material:

bronze

Technique:

lost wax process

Year:

conceived in 1954 and first cast in 1984 this cast at a later date

Height:

249 cm / 98 in

Edition size: 8 plus 4 EA, 2 EF

The Surrealist Piano is one of Dalí’s major iconoclastic symbols. The artist has chosen to transform the banal wooden legs of a piano, replacing

them with dancing female legs, thus creating an animate, joyous instrument that can dance as well as play. Dalí often blurred the lines between the real and surreal worlds, taking an inert and lifeless object and, with a wave of his magic surrealist wand, created an entirely new fantasmagorical happening.

Literature The Dalí Universe, exh. cat., London, County Hall Gallery, 2000, illustration of another cast, pp. 52 - 53 Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Sculptures & Objects, (Catalogue Raisonée of Dalí Sculpture), Paris, 2004, illustration of another cast, p. 250, ref. 643 Dalí in Singapore, exh. cat., Singapore, Opera Gallery, 2006, illustration of another cast, pp. 34 - 35 Beniamino Levi, et al., Dalí in the Third Dimension, The Stratton Foundation Collection, Umberto Allemandi & C., Turin, 2010, illustration of another cast, pp. 140 - 141 Dalí, The Vision of a Genius, exh. cat, New York, Galeries Bartoux at Time Warner Center, New York, 2010, illustration of another cast, p. 56

Ref. text by Robert Descharnes June 12th, 2008 Ref. Robert and Nicolas Descharnes, The Hard and The Soft, Sculptures and Objects, 2004, p. 250 ref. 643 Each sculpture is accompanied by a Certificate of Authenticity

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Surrealist Warrior

Material:

bronze

Technique:

lost wax process

Year:

conceived in 1971 and first cast in 1984 this cast at a later date

Height:

167 cm / 65.7 in

Edition size: 8 plus 4 EA, 2 EF

The image of this Roman warrior as created by Dalí, represents all victories, real and ethereal, spiritual and physical. Dalí’s surrealistic interpretation

of the warrior includes the addition of a window of light, portrayed through a “hole” in the warrior’s chest. This window inspires us to attempt to see that which is not evident, as well as that which encompasses the dream world beyond everyday reality.

Literature Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Sculptures & Objects, (Catalogue Raisonée of Dalí Sculpture), Paris, 2004, illustration of another cast, p. 251, ref. 647. Beniamino Levi, et al., Dalí in the Third Dimension, The Stratton Foundation Collection, Umberto Allemandi & C., Turin, 2010, illustration of another cast, pp. 142 -143 Dalí, Mind of a Genius, exh. cat., Singapore, ArtScience Museum at Marina Bay Sands, 2011, illustration of another cast, p. 58 Dalí, Mind of Genius, exh. cat., Taipei, National Chiang Kai-shek Memorial Hall, 2012, illustration of another cast, pp. 46 - 47

Ref. text by Robert Descharnes June 12th, 2008 Ref. Robert and Nicolas Descharnes, The Hard and The Soft, Sculptures and Objects, 2004, p. 251 ref. 647 Each sculpture is accompanied by a Certificate of Authenticity

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Triumphant Angel

Material:

bronze

Technique:

lost wax process

Year:

conceived in 1976 and first cast 1984 this cast at a later date

Height:

225 cm / 88.6 in

Edition size: 8 plus 4 EA, 2 EF

So light as to transcend the earth’s gravity, angels are a lyrical expression of Dalí’s world of dreams and fantasy - in fact, Dalí once said: “Nothing

is more stimulating than the idea of an angel! ” From the end of the 1940s, when the artist began weaving strong religious themes into his artworks, angels appear frequently in his oeuvre. In this beautiful sculpture, the Dalinian angel trumpets his divine music, wings spread, head thrown back, sending his jubilant message to all who will listen.

Literature Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Sculptures & Objects (Catalogue Raisonée of Dalí Sculpture), Paris, 2004, illustration of another cast, p. 254, ref.652 Salvador Dalí in Shanghai, exh. cat., Shanghai, The Shanghai Art Museum, 2009, illustration of another cast, pp. 152 - 153 Beniamino Levi, et al., Dalí in the Third Dimension, The Stratton Foundation Collection, Umberto Allemandi & C., Turin, 2010, illustration of another cast, pp. 150 - 151 - 152 - 153 Dalí, Mind of a Genius, exh. cat., Singapore, ArtScience Museum at Marina Bay Sands, 2011, illustration of another cast, p. 35 Dalí, Mind of Genius, exh. cat., Taipei, National Chiang Kai-shek Memorial Hall, 2012, illustration of another cast, pp. 38 - 39

Ref. text by Robert Descharnes June 12th, 2008 Ref. Robert and Nicolas Descharnes, The Hard and The Soft, Sculptures and Objects, 2004, p. 254 ref. 652 Each sculpture is accompanied by a Certificate of Authenticity

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Triumphant Elephant

Material:

bronze

Technique:

lost wax process

Year:

conceived in 1975 and first cast in 1984 this cast at a later date

Height:

265 cm / 104.3 in

Edition size: 8 plus 4 EA, 2 EF

The elephant, Dalí’s iconoclastic symbol of the future is often depicted on mosquito-spindly legs, emphasising the contrast between robustness

and fragility, much like the contrast between the past and modernity. The animal’s jewelled saddle symbolises wealth and the dawn of a new era is announced by a flying angel, trumpeting success and prosperity. Dalí’s elephant exemplifies every individual’s hope for abundance and good fortune in the future.

Literature Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Sculptures & Objects, (Catalogue Raisonée of Dalí Sculpture), Paris, 2004, illustration of another cast, p. 252 - 253, ref. 651 Beniamino Levi, et al., Dalí in the Third Dimension, The Stratton Foundation Collection, Umberto Allemandi & C., Turin, 2010, illustration of another cast, pp. 154 - 155 Awaken your imagination in Bahrain, exh. cat, Dubai, Opera Gallery, 2011, illustration of another cast, p. 18 The Dalí Universe Florence, exh. cat., Florence, Palazzo Medici Riccardi, 2013, illustration of another cast pp. 52 - 53

Ref. text by Robert Descharnes June 12th, 2008 Ref. Robert and Nicolas Descharnes, The Hard and The Soft, Sculptures and Objects, 2004, pp. 252 - 253 ref. 651 Each sculpture is accompanied by a Certificate of Authenticity

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Unicorn

Material:

bronze

Technique:

lost wax process

Year:

conceived in 1977 and first cast in 1984 this cast at a later date

Height:

183 cm / 72 in

Edition size: 7 plus 3 EA, 2 HC, 2 EF

The unicorn is a mythical creature prominent in legends as an intricately linked symbol of purity. The horn of a unicorn is believed capable of

neutralizing any poison. This animal also has connotations of chastity and virginity, both male and female and was adopted as the sign or ideal

representation of the “perfect” knight. In some legends it was also a symbol of virility. Dalí chose to portray the unicorn as a phallic figure whose horn penetrates a stone wall through a heart-shaped opening, from which a drop of blood seems to be slowly falling. The nude, reposing female stretched out in the foreground at the hooves of the animal underlines the sensual nature of this sculpture.

Exhibited Naples, Museo di Palazzo Reale, Dalí Scultore Dalí Illustratore,1989 Ferrara, Galleria Civica d’Arte Moderna, Dalí, 1989 Rome, Accademia Spagnola di Belle Arti, Dalí Scultore Dalí Illustratore, 1989 Genoa, Museo d’Arte Contemporanea, Dalí, 1991 Tokyo, Mitsukoshi Museum of Art, Dalí Exhibition, 1991 Toulouse, Musée d’Art Moderne, Dalí Retrospectif, 1994 Berlin, Grosse Orangerie des Schlosses - Charlottenburg, Dalí 500 Meisterwerks, 1996 Heidelburg, Schloss Heidelberg, Dalí, 1997 Palermo, Palazzo dei Normanni, Dalí, 1999 Copenhagen, Arken Museum of Modern Art, Dalí, 1999 London, County Hall Gallery, The Dalí Universe, 2000 - 2010 Guangzhou, Guangdong Museum of Art, Dalí: A Journey into Fantasy, 2002 Beijing, China Millennium Monument, Dalí: A Journey into Fantasy, 2002 Lavardens, Chateau Lavardens, L’Univers de Dalí, 2004 Seoul, Seoul Arts Center, Dalí, 2004 Hong Kong, Masterpieces and Beyond, Sites Unseen, 2006 Mexico City, Soumaya Museum, 2008 Singapore, ArtScience Museum at Marina Bay Sands, Dalí, Mind of a Genius, 2011 Taipei, The National Chiang Kai-shek Memorial Hall, Dalí, Mind of Genius, 2012

Literature Dalí Sculpture, exh. cat., New York, Aberbach Fine Art, 1986, illustration of another cast, p. 31 Dalí nella terza dimensione, exh. cat., Bari, Castello Svevo, 1988, illustration of another cast, p. 27 Dalí Scultore Dalí Illustratore, exh. cat., Naples, Museo di Palazzo Reale, 1989, illustration of another cast, p. 27 Dalí Exhibition, exh. cat., Tokyo, Fukuoka Prefectural Museum of Art, 1991, illustration of another cast, p. 73 Salvador Dalí, exh. cat., Copenhagen, Arken Museum of Modern Art, 1999, illustration of another cast, p. 31 The Dalí Universe, exh. cat., London, County Hall Gallery, 2000, illustration of another cast, pp. 132 - 133 Dalí: A Journey into Fantasy, exh. cat., China Millennium Monument, 2002, illustration of another cast Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Sculptures & Objects, (Catalogue Raisonée of Dalí Sculpture), Paris, 2004, illustration of another cast, p. 244, ref. 627 Masterpieces and Beyond, Sites Unseen, exh. cat., Hong Kong, 2006, illustration of another cast, pp. 14 - 15 Beniamino Levi, et al., Dalí in the Third Dimension, The Stratton Foundation Collection, Umberto Allemandi & C., Turin, 2010, illustration of another cast, pp. 156 - 157 - 158 - 159 Dalí, Mind of a Genius, exh. cat., Singapore, ArtScience Museum at Marina Bay Sands, 2011, illustration of another cast, p. 30 Dalí, Mind of Genius, exh. cat., Taipei, National Chiang Kai-shek Memorial Hall, 2012, illustration of another cast, pp. 44 - 45

Ref. text by Robert Descharnes June 12th, 2008 Ref. Robert and Nicolas Descharnes, The Hard and The Soft, Sculptures and Objects, 2004, p. 244 ref. 627 Each sculpture is accompanied by a Certificate of Authenticity

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Vénus à la Girafe

Material:

bronze

Technique:

lost wax process

Year:

1973 this cast at a later date

Height:

240 cm / 94.5 in

Edition size: 8 plus 1 EA, 3 HC

The serene and delicate head of the classic and armless statue of Venus has been placed atop the long upright neck of a giraffe. The spotted and elegantly clad Venus is surprisingly ornamented with an opened drawer which protrudes disproportionately from her body, supported by a crutch

of irregularly elongated prongs. The giraffe-like neck and lengthy extension of the drawer, paradoxically, give the sculpture a classical equilibrium which creates an air of balance and harmony. Dalí has thus succeeded in the recreation and revision of a classical art form and has produced a startlingly new version of beauty.

Exhibited Naples, Museo di Palazzo Reale, Dalí Scultore Dalí Illustratore,1989 Ferrara, Galleria Civica d’Arte Moderna, Dalí, 1989 Rome, Accademia Spagnola di Belle Arti, Dalí Scultore Dalí Illustratore, 1989 Genoa, Museo d’Arte Contemporanea, Dalí, 1991 Tokyo, Mitsukoshi Museum of Art, Dalí Exhibition, 1991 Toulouse, Musée d’Art Moderne, Dalí Retrospectif, 1994 Berlin, Grosse Orangerie des Schlosses - Charlottenburg, Dalí 500 Meisterwerks, 1996 Madrid, Museo Nacional Centro de Arte Reina Sofia, another cast exhibited, 1996 Heidelburg, Schloss Heidelberg, Dalí, 1997 Palermo, Palazzo dei Normanni, Dalí, 1999 Copenhagen, Arken Museum of Modern Art, Dalí, 1999 London, County Hall Gallery, The Dalí Universe, 2000 - 2010 Guangzhou, Guangdong Museum of Art, Dalí: A Journey into Fantasy, 2002 Beijing, China Millennium Monument, Dalí: A Journey into Fantasy, 2002 Seoul, Seoul Arts Center, Dalí, 2004 Mexico City, Soumaya Museum, 2008 Shanghai,The Shanghai Art Museum, Salvador Dalí in Shanghai, 2009 London, Modern Masters Gallery, 2010 Singapore, ArtScience Museum at Marina Bay Sands, Dalí, Mind of a Genius, 2011 Taipei, The National Chiang Kai-shek Memorial Hall, Dalí, Mind of Genius, 2012

Ref. text by Robert Descharnes June 12th, 2008 Ref. Robert and Nicolas Descharnes, The Hard and The Soft, Sculptures and Objects, 2004, p. 37 ref. 69 Each sculpture is accompanied by a Certificate of Authenticity

Literature Franco Passoni, Dalí nella terza dimensione, Milan, 1987, illustration of another cast, p. 63 Dalí, exh. cat., Paris, Galerie Patrice Trigano, 1989, illustration of another cast, p. 37 Dalí Scultore Dalí Illustratore, exh. cat., Naples, Museo di Palazzo Reale, 1989, illustration of another cast, p. 43 Dalí Exhibition, exh. cat., Tokyo, Fukuoka Prefectural Museum of Art, 1991, illustration of another cast, p. 68 Salvador Dalí, exh. cat., Copenhagen, Arken Museum of Modern Art, 1999, illustration of another cast, p. 28 The Dalí Universe, exh. cat., London, County Hall Gallery, 2000, illustration of another cast, p. 56 Dalí: A Journey into Fantasy, exh. cat., China Millennium Monument, 2002, illustration of another cast p. 37 ref. 69 Dalí, exh. cat., Seoul, Seoul Arts Center, 2004, illustration of another cast, pp. 76-77 Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Sculptures & Objects, (Catalogue Raisonée of Dalí Sculpture), Paris, 2004, illustration of another cast Dalí in Singapore, exh. cat., Singapore, Opera Gallery, 2006, illustration of another cast, pp. 20 - 21 Salvador Dalí in Shanghai, exh. cat., Shanghai, The Shanghai Art Museum, 2009, illustration of another cast, pp. 68 - 69 Beniamino Levi, et al., Dalí in the Third Dimension, The Stratton Foundation Collection, Umberto Allemandi & C., Turin, 2010, illustration of another cast, pp. 160 - 161 Dalí, The Vision of a Genius, exh. cat, New York, Galeries Bartoux at Time Warner Center, New York, 2010, illustration of another cast, p. 59 Dalí, Mind of a Genius, exh. cat., Singapore, ArtScience Museum at Marina Bay Sands, 2011, illustration of another cast, p. 42

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Vision of the Angel

Material:

bronze

Technique:

lost wax process

Year:

conceived in 1977 and first cast in 1984 this cast at a later date

Height:

140 cm / 55.1 in

Edition size: 7 plus 3 EA, 2 HC, 2 EF

Salvador Dalí reinvents a classic religious depiction through an unusual surrealistic interpretation. As symbolised in this sculpture, the strength

and supremacy of God is represented by a thumb from which all life emerges (as represented by the branches). To the left of this divine being stands humanity: a man bursting with life’s vitality. On the right, the presence of an angel, representative of the meditative spirit, can be found with his wing resting on and supported by a crutch. Although man is united with God, God’s knowledge is supreme.

Exhibited Naples, Museo di Palazzo Reale, Dalí Scultore Dalí Illustratore,1989 Ferrara, Galleria Civica d’Arte Moderna, Dalí, 1989 Rome, Accademia Spagnola di Belle Arti, Dalí Scultore Dalí Illustratore, 1989 Genoa, Museo d’Arte Contemporanea, Dalí, 1991 Tokyo, Mitsukoshi Museum of Art, Dalí Exhibition, 1991 Toulouse, Musée d’Art Moderne, Dalí Retrospectif, 1994 Berlin, Grosse Orangerie des Schlosses - Charlottenburg, Dalí 500 Meisterwerks, 1996 Heidelburg, Schloss Heidelberg, Dalí, 1997 Palermo, Palazzo dei Normanni, Dalí, 1999 Copenhagen, Arken Museum of Modern Art, Dalí, 1999 London, County Hall Gallery, The Dalí Universe, 2000 - 2010 Guangzhou, Guangdong Museum of Art, Dalí: A Journey into Fantasy, 2002 Beijing, China Millennium Monument, Dalí: A Journey into Fantasy, 2002 Seoul, Seoul Arts Center, Dalí, 2004 Mexico City, Soumaya Museum, 2008 Shanghai, The Shanghai Art Museum, Salvador Dalí in Shanghai, 2009 Singapore, ArtScience Museum at Marina Bay Sands, Dalí, Mind of a Genius, 2011 Taipei, The National Chiang Kai-shek Memorial Hall, Dalí, Mind of Genius, 2012

Ref. text by Robert Descharnes June 12th, 2008 Ref. Robert and Nicolas Descharnes, The Hard and The Soft, Sculptures and Objects, 2004, p. 240 ref. 617 Each sculpture is accompanied by a Certificate of Authenticity

Literature Dalí Sculpture, exh. cat., New York, Aberbach Fine Art, 1986, illustration of another cast, p.17 Dalí nella terza dimensione, exh. cat., Bari, Castello Svevo, 1988, illustration of another cast, p. 38 Dalí Scultore Dalí Illustratore, exh. cat., Naples, Museo di Palazzo Reale, 1989, illustration of another cast, p. 38 Dalí Exhibition, exh. cat., Tokyo, Fukuoka Prefectural Museum of Art, 1991, illustration of another cast, p. 77 Arken Museum of Modern Art, Salvador Dalí, Copenhagen, 1999, illustration of another cast, p. 34 The Dalí Universe, exh. cat., London, County Hall Gallery, 2000, illustration of another cast, pp. 124 - 125 Dalí: A Journey into Fantasy, exh. cat., China Millennium Monument, 2002, illustration of another cast L’Univers de Dalí, exh. cat., Chateau Lavardens, Chateau Lavardens, 2004, illustration of another cast, pp. 116 - 117 Dalí, exh. cat., Seoul, Seoul Arts Center, 2004, illustration of another cast, pp. 116 - 117 Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Sculptures & Objects, (Catalogue Raisonée of Dalí Sculpture), Paris, 2004, illustration of another cast, p. 240, ref. 617 Salvador Dalí in Shanghai, exh. cat., Shanghai, The Shanghai Art Museum, 2009, illustration of another cast, pp. 146 - 147 Beniamino Levi, et al., Dalí in the Third Dimension, The Stratton Foundation Collection, Umberto Allemandi & C., Turin, 2010, illustration of another cast, pp. 166 - 167 Dalí, Mind of a Genius, exh. cat., Singapore, ArtScience Museum at Marina Bay Sands, 2011, illustration of another cast, p. 36 Dalí, Mind of Genius, exh. cat., Taipei, National Chiang Kai-shek Memorial Hall, 2012, illustration of another cast, pp. 20 - 21

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Woman Aflame

Material:

bronze

Technique:

lost wax process

Year:

conceived and first cast in 1980 this cast at a later date

Height:

176 cm / 69.3 in

Edition size: 6 plus 3 EA, 3 HC

This sculpture unites two of Dalí’s obsessions: fire and a female figure with drawers. The flames seem to have a life of their own and represent

the hidden intensity of unconscious desire, while the drawers represent the mystery of hidden secrets. This beautiful faceless woman symbolizes all women. For Dalí, a woman’s mystery is her true beauty.

Exhibited New York, Marlborough New York, Masters of Modern Sculpture, 1984 Naples, Museo di Palazzo Reale, Dalí Scultore Dalí Illustratore, 1989 Ferrara, Galleria Civica d’Arte Moderna, Dalí, 1989 Rome, Accademia Spagnola di Belle Arti, Dalí Scultore Dalí Illustratore, 1989 Genoa, Museo d’Arte Contemporanea, Dalí, 1991 Tokyo, Mitsukoshi Museum of Art, Dalí Exhibition, 1991 Toulouse, Musée d’Art Moderne, Dalí Retrospectif, 1994 Berlin, Grosse Orangerie des Schlosses - Charlottenburg, Dalí 500 Meisterwerks, 1996 Heidelburg, Schloss Heidelberg, Dalí, 1997. Palermo, Palazzo dei Normanni, Dalí, 1999 Copenhagen, Arken Museum of Modern Art, Dalí, 1999 London, County Hall Gallery, The Dalí Universe, 2000 - 2010 Guangzhou, Guangdong Museum of Art, Dalí: A Journey into Fantasy, 2002 Beijing, China Millennium Monument, Dalí: A Journey into Fantasy, 2002 Seoul, Seoul Arts Center, Dalí, 2004 Mexico City, Soumaya Museum, 2008 Singapore, ArtScience Museum at Marina Bay Sands, Dalí, Mind of a Genius, 2011 Venice, Museo di Sant’Apollonia, The Dalí Universe, 2011 - 2013 Taipei, The National Chiang Kai-shek Memorial Hall, Dalí, Mind of Genius, 2012

Literature Masters of Modern Sculpture, exh. cat., New York, Marlborough New York, 1984, illustration of another cast, p. 15 Dalí Sculpture, exh. cat., New York, Aberbach Fine Art, 1986, illustration of another cast, p.19 Dalí nella terza dimensione, exh. cat., Bari, Castello Svevo, 1988, illustration of another cast, p. 19 Dalí Scultore Dalí Illustratore, exh. cat., Naples, Museo di Palazzo Reale, 1989, illustration of another cast, p. 19 Dalí Exhibition, exh. cat., Tokyo, Fukuoka Prefectural Museum of Art, 1991, illustration of another cast, p. 81 Salvador Dalí, exh. cat., Copenhagen, Arken Museum of Modern Art, 1999, illustration of another cast, p. 39 The Dalí Universe, exh. cat., London, County Hall Gallery, 2000, illustration of another cast, pp. 94 - 95 Dalí: A Journey into Fantasy, exh. cat., China Millennium Monument, 2002, illustration of another cast Dalí, exh. cat., Seoul, Seoul Arts Center, 2004, illustration of another cast, pp. 78 - 79 Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Sculptures & Objects, (Catalogue Raisonée of Dalí Sculpture), 2004, illustration of another cast, p. 255, ref. 655 Beniamino Levi, et al., Dalí in the Third Dimension, The Stratton Foundation Collection, Umberto Allemandi & C., Turin, 2010, illustration of another cast, pp. 168 - 169 - 170 - 171 Dalí, Mind of a Genius, exh. cat., Singapore, ArtScience Museum at Marina Bay Sands, 2011, illustration of another cast, p. 8 Dalí, Mind of Genius, exh. cat., Taipei, National Chiang Kai-shek Memorial Hall, 2012, illustration of another cast, p. 8

Ref. text by Robert Descharnes June 12th, 2008 Ref. Robert and Nicolas Descharnes, The Hard and The Soft, Sculptures and Objects, 2004, p. 255 ref. 655 Each sculpture is accompanied by a Certificate of Authenticity

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Woman of Time

Material:

bronze

Technique:

lost wax process

Year:

conceived in 1973 and first cast in 1984 this cast at a later date

Height:

242 cm / 95.3 in

Edition size: 8 plus 4 EA, 2 EF

Holding a perfectly formed flower and dressed in gently flowing robes, this radiant young woman bears Dalí’s most famous symbol…the melting

watch, which hints at the human construction of the nature of time. The artist allows the watch to pose the question - is beauty dependent on time, or is it eternal? The watch alludes to the woman’s awareness that beauty can be independent of time, whether it is corporeal grace or an ethereal rose.

Exhibited Naples, Museo di Palazzo Reale, Dalí Scultore Dalí Illustratore, 1989 Genoa, Museo d’Arte Contemporanea, Dalí, 1991 Berlin, Grosse Orangerie des Schlosses - Charlottenburg, Dalí 500 Meisterwerks, 1996 Palermo, Palazzo dei Normanni, Dalí, 1999 London, County Hall Gallery, The Dalí Universe, 2000 - 2010 Lavardens, Chateau Lavardens, L’Univers de Dalí, 2004 Paris, Espace Dalí, 2004 Venice, Galleria San Marco, 2004 Hong Kong, Masterpieces and Beyond, Sites Unseen, 2006 Shanghai, The Shanghai Art Museum, Salvador Dalí in Shanghai, 2009 Courchevel, Open Air Exhibition, Dalí au Sommet, 2009 - 2010 New York, Time Warner Center, The Vision of a Genius, 2010 - 2011 Bahrain, Opera Gallery at the Bahrain Financial Harbour, 2011 Dubai, Opera Gallery at Dubai Mall, 2011 Singapore, ArtScience Museum at Marina Bay Sands, Dalí, Mind of a Genius, 2011 Venice, Museo di Sant’Apollonia, The Dalí Universe, 2011 - 2013 Taipei, The National Chiang Kai-shek Memorial Hall, Dalí, Mind of Genius, 2012 Kaohsiung, Kaohsiung Museum of Fine Arts, Dalí, Mind of Genius, 2012 - 2013 Florence, Palazzo Medici Riccardi, The Dalí Universe, 2013

Literature Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Sculptures & Objects, (Catalogue Raisonée of Dalí Sculpture), Paris, 2004, illustration of another cast, p. 250, ref. 644 Masterpieces and Beyond, Sites Unseen, Hong Kong, 2006, illustration of another cast, pp. 16 - 17 Salvador Dalí in Shanghai, exh. cat., Shanghai, The Shanghai Art Museum, 2009, illustration of another cast, p. 128 Beniamino Levi, et al., Dalí in the Third Dimension, The Stratton Foundation Collection, Umberto Allemandi & C., Turin, 2010, illustration of another cast, pp. 172 - 173 Dalí, The Vision of a Genius, exh. cat, New York, Galeries Bartoux at Time Warner Center, New York, 2010, illustration of another cast, p. 61 Awaken your imagination in Bahrain, exh. cat., Dubai, Opera Gallery, 2011, illustration of another cast, p. 14 Dalí, Mind of a Genius, exh. cat., Singapore, ArtScience Museum at Marina Bay Sands, 2011, illustration of another cast, p. 65 Dalí, Mind of Genius, exh. cat., Taipei, National Chiang Kai-shek Memorial Hall, 2012, illustration of another cast, p. 24 The Dalí Universe Florence, exh. cat., Florence, Palazzo Medici Riccardi, 2013, illustration of another cast pp. 56 - 57

Ref. text by Robert Descharnes June 12th, 2008 Ref. Robert and Nicolas Descharnes, The Hard and The Soft, Sculptures and Objects, 2004, p. 250 ref. 644 Each sculpture is accompanied by a Certificate of Authenticity

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Prestigious Past Exhibitions

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National Chiang Kai-shek Memorial Hall, Dalí, Mind of Genius, Taipei, Taiwan June - September 2012 With the participation of: Director General of the Spanish Embassy, Borja Rengifo Secretario General Andrés Rodes CEO of Chinatrust Commercial Bank of China, Gao, Ren-Jie Executive Vice President of Want Want China Times Group, Xiang, Xiao-Dong Leader of Chiang Kai-shek Memorial Hall and Exhibition Planning Group, Jian, Hui-Wen Representative of Spanish Chamber of Commerce, Jose Luis Lamas

Singapore, Dr Lee Boon Yang Permanent Secretary, Ministry of Information, Communications and Arts, Dr Tan Chin Nam CEO, National Art Council, Singapore, Mr Lee Suan Hiang

Museo di Sant’ Apollonia, The Dalí Universe, Venice, Italy 2011 - 2013 With the participation of: The Questore of Venezia, Dr.Fulvio Della Rocca The Culture Minister of Venice, Mrs Tiziana Agostini

Chateau Lavardens, L’Univers de Dalí, Lavardens, France May - October 2004 With the participation of: Member of European Parliament, Mme. Castex Vice President Regional Council for South Pyrenees, M. Vail President General Council for Gers, M. Martin

The ArtScience Museum at Marina Bay Sands, Dalí, Mind of a Genius, Singapore May – October 2011 Open Air Exhibition, Dalí au Sommet, Courchevel, France December 2009 – April 2010 With the participation of: Mayor of Courchevel, Mr. Gilbert Blanc-Tailleur Director Office of Tourism, Mrs. Adeline Roux The Shanghai Art Museum, Salvador Dalí in Shanghai, Shanghai, P.R. China Jul – August 2009 With the participation of: Director, The Shanghai Art Fair Culture & Art development Co.Ltd, Mr Gu Zhi Hua Secretary-General, Shanghai Artists Association, Mr Chenqi President Eastern Shanghai International Cultural Television Group, Mr Fangjun Vice Chairman Shanghai Artists Association, Mr Zhou Chang Jiang Chateau de Pommard, Dalí Open Air Exhibition, Bourgogne, France April – November 2009 With the participation of: Deputy Mayor, Beaune, Mr Alain Suguenot Cultural Affair Councillor, Beaune, Mrs Anne Caillot General Councillor, Mr Denis Thomas President CCI, Beaune, Mr De Charette Open Air Exhibition, Masterpieces and Beyond, Hong Kong, P.R. China March – April 2007 With the participation of: Chairman, Opera Gallery, Giles Dyan Open Air Exhibition, Dalí in Singapore, Ngee Ann City, Singapore July - October 2006 With the participation of: Minister of Information, Communications and Arts,

Seoul Arts Center, Dalí, Seoul, Korea June - September 2004 With the participation of: Director National Museum of Contemporary Art, Yoon Soo Kim Ambassador, Embassy of Spain, Enrique Panes President of Seoul Arts Center, Yong Bae Kim

Wuhan Urban Planning Exhibition Center, Dalí: a Journey into Fantasy, Wuhan, P. R. China February - March 2003 With the participation of: China Millennium Monument Director, Mr. Wang Yu Dong Mayor of Wuhan The Beacon, The Dalí Universe, Southgate, Melbourne, Australia November 2002 - February 2003 With the participation of: Spanish Cultural Counsellor Shanghai Urban Planning Exhibition Center, Dalí: a Journey into Fantasy, Shanghai, P. R. China November 2002 - January 2003 With the participation of: China Millennium Monument Director, Mr. Wang Yu Dong Mayor of Shanghai Customs House, The Dalí Universe, Sydney, Australia September - November 2002 With the participation of: Spanish Cultural Counsellor, Arturo Perez China Millennium Monument, Dalí: a Journey into Fantasy, Beijing, P.R. China July - October 2002 With the participation of: China Millennium Monument Director, Mr. Wang Yu Dong Guangdong Museum of Art, Dalí: a Journey into Fantasy, Guangzhou (Canton), P. R. China April - June 2002 With the participation of: China Millennium Monument Director, Mr. Wang Yu Dong

Palazzo Ferraiuoli - P.zza Colonna, Rome, Italy July - October 2001 Retretti Arts Centre, Savonlinna, Finland June - August 2001 County Hall Gallery, The Dalí Universe, London, England June 2000 – January 2010 With the participation of: Spanish Cultural Counsellor, Ramon Abaroa Arken Museum of Modern Art, Dalí, Copenhagen, Denmark September - January 2000 With the participation of: Director Arken Museum, Christian Gether Prime Minister, Sweden, Joran Persson Consort of Queen Margrethe II, Prins Henrik Spanish Ambassador, José Luis Pardos Colosseum, Dalí, Essen, Germany August - November 1999 Galleria di Piazza Colonna, Dalí Scultore Dalí Illustratore, Rome, Italy July - October 2000 With the participation of: Spanish Ambassador, Mr Prat Spanish Consulate Representative, Carlos Abeilla Palazzo dei Normani, Dalí Scultore Dalí Illustratore, Palermo, Italy March - May 1999 With the participation of: President Fondazione Federico II, Nicola Cristaldi Mayor of Palermo, Leo Luca Orlando Kant Dreieck, Dalí – Bilder eines Genies, Berlin, Germany October - December 1998 With the participation of: Mayor of Charlottensburg, Mrs Monika Wissel Wife of Mayor of Berlin, Mrs Diepken Norrkoping, Sweden September - December 1998 With the participation of: Mayor of Norrkoping, Ulla Petterson-Carvalho Deputy Mayor of Norrkoping, Lars Ottoson Governor, Ostergotland State, Bjorn Eriksson Cultural Attaché to the Spanish Embassy, Ildefonso Castro Palais Pallavicini, Dalí, Vienna, Austria March 1998 With the participation of: Fashion designer, Nicola Trussardi Dalí expert, Mr Ralf Michler Count and Countess Pallavicini Millerntor Hochhaus im Lichthof, Dalí, Meister des Surrealismus, Hamburg, Germany March - June, 1998

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With the participation of: Art historian and critic, Prof. Hanns Theodor Flemming Consul General, the Spanish Congress, Juan Luis Flores Arroyuelo Consul General, Venezuela, Mr Pedro A. Mogna Nürnberg, Dalí, Egidienkirche, Germany January - March, 1998 With the participation of: Mayor of the City of Nürnberg, Dr. Scholz Head of Church, Dekan Dr. Friedrich Schloss Heidelberg, Dalí, Heidelburg, Germany September - November, 1997 With the participation of: Museum Director, Mr. Psalz Halle Münsterland, Münster, Germany May - August, 1997 With the participation of: Mayor of the city of Münster, Frau Marion Tünis General Manager Halle Münsterland, Dr. Hans-Jürgen Gaida Rheingoldhalle-Congress Centrum Mainz, Dalí, Mainz, Germany March - April, 1997 With the participation of: Mayor of the city of Mainz, Mr. Herman Hartmut Weyel Grosse Orangerie des Schlosses Charlottenburg, Dalí 500 Meisterwerks, Berlin, Germany September - December, 1996 With the participation of: President Berlin Parliament, Mr. Herwig Haase Senator of Justice, Mrs. Lore Maria Peschel-Gutzeit Mayor of the City of Berlin, Mr. Helmut Heinrich Neubaukirche der Universität Würzburg, Dalí, Würzburg, Germany August - September, 1996 With the participation of: University of Würzburg Kulturamt Stadt Würzburg Palais Palffy, Vienna, Salvador Dalí, Skulpturen & Illustrationen, Austria April - June, 1996 With the participation of: Mayor of Vienna, Dr. Michael Häupl Commissioner of Culture, Vienna President of the Council, Dr. Heinz Fischer Ambassador of Spain to Vienna, Dr. Miguel Angel Ochoa Brun Istituto degli Innocenti, Florence, Italy March - November, 1996 Chiesa Santa Maria del Popolo, Rome, Italy March - November, 1996

Documenta-Halle, Kassel, Germany February - April, 1996 With the participation of: Vice-Mayor of the City of Kassel, Dr. Jürgen Gehb Kulturhaus Abraxas, Augsburg, Germany November, 1995 - February, 1996 With the participation of: Department of Culture, City of Augsburg, Dr. Ludwig Kotter Palazzo dei Sette, Orvieto, Italy October, 1995 - January, 1996 With the participation of: Commissioner of Culture, Orvieto, Dott. Enrico Pietrangeli Department of Education,City of Orvieto Pinacoteca Civica, Dalí Scultore, Dalí Illustratore, La Spezia, Italy September - November, 1995 With the participation of: Department of Culture, La Spezia Department of Education, La Spezia Lord Mayor of La Spezia, Dott. Lucio Rosaia Manager of Public Museums, Dott.ssa Carla Ratti Grassi Museum, Dalí als Bildhauer, Dalí als Illustrator, Leipzig, Germany June - September, 1995 With the participation of: Commissioner of Culture, City of Leipzig Scuderie Parco di Miramare, Trieste, Italy June - September, 1995 With the participation of: Commissioner of Culture, Trieste Mr. Franco Bocchieri Beurs van Berlage, Amsterdam, Holland June - August, 1995 With the participation of: General Manager, Beurs van Berlage, Mr. Guus Bakker, Chiesa San Bartolomeo, Venice, Italy June - November, 1995 With the participation of: Commissioner of Culture, Venice Commissioner of the Province, Venice Open Air Exhibition, Place Vendôme, Dalí Monumental Sculpture, Paris, France May - August, 1995 With the participation of: Spanish Embassy in France Comité Vendôme, The Stratton Foundation World Trade Center, Dalí als Bildhauer, Dalí als Illustrator, Bremen, Germany January - March, 1995 With the participation of: Senator, Mr. Henning Scherf Manager, Bremen Business International, Mr. Detken

Le Musée de l’Aubette, Dalí Sculpteur et Illustrateur, Strasbourg, France November, 1994 - February, 1995 With the participation of: Deputy and Mayor, City of Strasbourg, Mme. Catherine Trautman Wintergarten Museum, Dalí, Skulpturen & Illustrationen, Frankfurt-Am-Main, Germany October - December, 1994 With the participation of: His Excellency the Ambassador of Spain to Germany Le Musée d’Art Moderne, Réfectoire des Jacobins, Dalí Retrospectif, Toulouse, France September - November 1994 With the participation of: Deputy and Mayor of the City of Toulouse, Member of the European Parliament, Mr. Dominique Baudis, Responsible for the Cultural Affairs, Mr. Julien Andres Kunsthaller Marstall Schloß, Dalí als Bildhauer, Dalí als Illustrator, Hamburg-Ahrensburg, Germany August - October, 1994 With the participation of: Honourable General Consul of Spain, Mrs. Luz-Elena Sánchez de Hudler Minister of Culture, City of Hamburg-Ahrensburg Le Musée de la Collégiale, Chartres, France July - September, 1994 With the participation of: Member Conseil Général Mr. Georges Lemoine, Commissioner of Culture, City of Chartres Kongresshaus Museum, Dalí als Bildhauer, Dalí als Illustrator, Salzburg, Austria July - August, 1994 With the participation of: His Excellency the Ambassador of Spain to Austria, Mr. Xavier Sellés Ferrando Minister of Culture, City of Salzburg Le Musée de l’Hôtel de la Cité, Dalí Sculpteur et Illustrateur, Carcassonne, France June - October, 1994 With the participation of: Deputy and Mayor of the City of Carcassonne, Mr. Raymond Chesa Commissioner of Culture, City of Carcassonne Alter Banhof, Dalí als Bildhauer, Dalí als Illustrator, Baden-Baden, Germany June – August, 1994 Museo Santa Croce, Dalí, Florence, Italy April 1994 -October 1994 With the participation of: Commissioner of Culture, Florence Commissioner of the Province, Florence

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The Spandauer Zitadelle Museum, Dalí als Bildhauer, Dalí als Illustrator, Berlin, Germany March - May, 1994 With the participation of: His Excellency the Ambassador of Spain to Germany, Mr. Senen Florensa Palau City Council Cultural Minister, Mr. Gerhard Hanke Su Alteza Real el Principe de Asturias, Felipe de Bourbon Le Musée du Palais de l’Europe, Menton, France July - September 1993 With the participation of: Cultural Committee, Côte d’Azur Fondation Deutsch - Musée d’Art Moderne et Contemporain, Belmont-Sur-Lausanne, Switzerland June - September, 1993 With the participation of: His Excellency the Ambassador of Spain to Switzerland President of the Deutsch Foundation Istituto degli Innocenti, Dalí Scultore, Dalí Illustratore, Florence, Italy April - October, 1993 With the participation of: Commissioner of Culture, Florence Commissioner of the Province, Florence Parco Ducale Palazzetto Eucherio Sanvitale, Dalí Scultore, Dalí Illustratore, Parma, Italy May - July, 1992 With the participation of: Commissioner of Culture, Parma Chiesa Santa Maria del Popolo, Il Mondo fantastico di Salvador Dalí, Rome, Italy April - November, 1992 With the participation of: Commissioner of Culture, Rome Commissioner of the Province, Rome Le Salon International du Livre et de la Press Palexpo, Geneva, Switzerland April - May, 1992 With the participation of: Mr. François Daulte, President Hermitage Museum, Lausanne With the participation of: His Excellency the Ambassador of Spain to Switzerland President of the Swiss Confederation President of the Geneva Council Chiesa San Bartolomeo, Venice, Italy March - October, 1992 With the participation of: Commissioner of Culture, Venice Commissioner of the Province, Venice Mitsukoshi Museum of Art, Dalí Exhibition, Tokyo, Japan October - November 1991 With the participation of: Embassy of Spain, Japan Gala-Salvador Dalí Foundation

Ministry of Foreign Affairs, Japan Agency for Cultural Affairs, Japan Metropolitan Board of Education NHK (Japan Broadcasting Corporation) NHK Promotions Company, Ltd.

His Excellency the Ambassador of Spain to Italy President of the Consiglio dei Ministri Ministry of Foreign Affairs Ministry of Beni Culturali e Ambientali Ministry of Asuntos Exteriores

Palazzo Lanfranchi, Pisa, Italy September - November 1991 With the participation of: Commissioner of Culture, Pisa Commissioner of the Province, Pisa

Scuola Grande San Teodoro, Dalí, Venice, Italy May - October 1989 With the participation of: Regional Commissioner of Culture

Historial de Montmartre, Espace Dalí, Paris, France Opening June 1991 of Permanent Exhibition With the participation of: His Excellency the Ambassador of Spain, Mr. Gabriel Ferran de Alfaro Mayor of Paris, Mr. Jacques Chirac Mayor of the 18th Arrondissement of Paris, Mr. Alain Juppé Chief of the Office of the Ministry of Culture Minister of Culture, Mr. Jack Lang Museo d’Arte Contemporanea, Dalí, Villa Croce, Genoa, Italy January - April 1991 With the participation of: Commissioner of Culture, Genoa Director Museo d’Arte Contemporanea

Galleria Civica d’Arte Moderna, Dalí, Palazzo dei Diamanti, Ferrara, Italy March - June 1989 With the participation of: Assessorato Istituzioni Culturali Administrazione Comunale de Ferrara Direzione Gallerie Civiche de Arte Moderne Castello Svevo, Dalí nella terza dimensione, Bari, Italy November 1988 - January 1989 With the participation of: Superintendent Beni Ambientali-ArchitettoniciArtistici e Storici della Puglia President International Association of Lions Clubs, Bari Assesore alla Cultura, City of Bari

Le Palais de la Bourse, Dalí Sculpteur et Illustrateur, Marseille, France October - December, 1990 With the participation of: Chamber of Commerce, City of Marseille Commissioner of Culture, City of Marseille Kunstgalerij Halletoren, Brugge, Belgium June - September, 1990 With the participation of: Minister of Foreign Affairs, Belgium Lokschuppen, Rosenheim, Germany May - August, 1990 With the participation of: Minister of Culture, Rosenheim Musis Sacrum, Arnhem, Holland May-July, 1990 With the participation of: Foundation Arnhem Promotion Foundation Musis Sacrum President, Foundation Musis Sacrum, Mr. Geerlings Museo di Chiostri di San Eustorgio, Milan, Italy April - October, 1990 With the participation of: Commissioner of Culture, Milan Commissioner of Tourism for Italy Accademia Spagnola di Storia Archeologia e Belle Arti, Dalí Scultore Dalí Illustratore, Rome, Italy October - December 1989 With the participation of:

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Exhibition Photographs

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The ArtScience Museum at Marina Bay Sands, DalĂ, Mind of a Genius, Singapore, 2011

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Museo di Sant’Apollonia, The Dalí Universe, Venice, 2011

Le Palais de la Bourse, Dalí Sculpteur et Illustrateur, Marseille,1990

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The Dalí Universe, London, 2000 - 2010

Time Warner Centre, Dalí, the Vision of a Genius, New York, 2010

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The Shanghai Art Museum, Salvador DalĂ in Shanghai, Shanghai, 2009

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Mitsukoshi Museum of Art, DalĂ Exhibition, Tokyo, 1991

Kunstgalerij Halletoren, Brugge, 1990

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Historial de Montmartre, Espace DalĂ , Paris, opened in 1991

Beurs Van Berlage, Amsterdam, 1995

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The National Chiang Kai-shek Memorial Hall , DalĂ, Mind of Genius, Taipei, 2012

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