OFFmag_artist_4_Erwin Olaf

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nยบ 4 artist

Erwin Olaf




Editor: José Manuel Bejarano_

Director: Isidre Estévez_

Editor gráfico y maquetación: Óscar ferrer_

st@ff_OFFmag

Jefe de Redacción_ Rubén Romero._

Redacción: Jordi Muro_ Sílvia Micolau_

Colaboradores:

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Adrián de Alfonso_ Albert Duat_ Antonio Baños_ Boko_ Carles Riu_ Chabela Díaz _ Christian Barranco_ Cristian Campos_ Cristina Ros_ Desirée de Fez_ El Negociador_ Federico Navarro_ Ferran Llauradó_ Gonzalo del Castillo_ Guido Reyna_ Guillem Clua_ Half Nelson_ Íñigo M. Möller_ Iban del Campo_ Iván Caparrós_ Jaime Casas_ José Sánchez_ Laura Folguera _ Laura Sales_ Luis Escudero_ Marc Prades_ Marc Piñol_ Matías Corea_ Marga Durá_ Mónica Artigas_ Noemí Zapata_ Oriol Rossell_ Óscar del Pozo_ Quim Pérez_ Ramón Vendrell_ Rubén Mayoral_ Rubén Romero_ Salvador Santó_ Sebastià Roig_ Sylvia Patterson_ Valentín Roma_ Vicenç Batalla_ Xavi Ayén_

Fotografía: Ángela Bonadiés_ Anna Ripoll_ Biel Capllonch_ Cès DeVilallonga_ Corinne Day_ Daniel Riera_ Darius Dombek_ Jack Ristol_ José Manuel Bejarano_ Jack Ristol_ Julian Broad_ Julio Garcia_ Kevin Westenberg_ Marc Goodwin_ Misha Kominek_ Nacho Juárez_ Natalia_ Nico_ Onofre Bachiller_ Ronnie Black_ Simbolek_ Tristan Macherel_ Udo Hess_ Xevi Muntané_

Ilustración: Bernat Lliteras_ Berto Martínez_ J. Carrasco_ Jordi Ferrera_ Juanjo Sáez_

Informática: David Portillo_

agradecimientos: Rubén Bruque _Montserrat Fernández de Arroyabe _ Lali Almonacid_Mati Barbero_Isa Isla_Carmen Frutos_ Marc Salinas_ Misha Kominek_ Mónica Cuende _Toni López_ Susana Baldó_

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erwinolaf.com Born in 1959 in Hilversum (the Netherlands), lives in Amsterdam (the Netherlands). Erwin Olaf’s art implicitly visualises the unspoken, the overlooked, that which typically resists easy documentation. Olaf’s trademark is to address social issues, taboos and bourgeois conventions within the framework of a highly stylised and cunning mode of imagery. With the aid of his razor-sharp aesthetic intuition, Olaf purposely conceals his themes so that the viewer unconsciously and initially accepts the concealment found in his photo series. Yet in the end, his unconventional style never fails to deliver dramatic visual and emotional impact. By providing scenic and striking design, along with the utmost perfect composition in his typical, immaculate ‘Olaf’ style, combined with his passion for conceiving flawless scenarios, he vividly captures the essence of contemporary life.

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Erwin Olaf






















































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