Bravo 2 0 1 4 – 2 0 1 5
S E A S O N
FEBRUARY–MARCH
A proud sponsor of the 2014-2015 Ogle Center Season
2014-2015 SEASON
FEBRUARY–MARCH
Office: (812) 941-2544 Ticket Office: (812) 941-2525 E-mail: oglemail@ius.edu Web site: oglecenter.com Facebook: facebook.com/OgleCenter TICKET OFFICE HOURS Monday Closed Tuesday 10 a.m. – 6 p.m. Wednesday 10 a.m. – 4 p.m. Thursday 10 a.m. – 6 p.m. Friday 10 a.m. – 4 p.m. The ticket office opens one and one half hours prior to every performance and until intermission on show days. Purchase tickets at the Ogle Center ticket office, the Ogle Center web site, or by phone at (812) 941-2525. OGLE CENTER STAFF Kirk Randolph, Director Ken Atkins, Marketing Manager Aaron “A.D.” Stonecipher, Interim Ticket Office Supervisor Jay Moore, Technical Director Derek Young, Assistant Technical Director Joseph Leezer, Technical Assistant Kyleigh Nolan, Ticket Office Assistant Brooke Wessel, Ticket Office Assistant Brendan Slack, Ticket Office Assistant Angrestasia Grover, Ticket Office Assistant Erin Coffee, Ticket Office Assistant OGLE CENTER ADVISORY COMMITTEE D. Jack Mahuron, chair · Tyler Bliss · Patricia A. Cress John Hartstern ·Judy Hess · Jim Hesselman · Rob Koenig Lynn Prinz Marty Ryall · Millicent Stiefler · Dana Wavle
THE HOT SARDINES
PART OF THE OGLE CENTER PRESENTS SERIES Saturday, February 14, 2015 7:30 p.m. Richard K. Stem Concert Hall
IU SOUTHEAST CONCERT BAND Winter Pops Concert
PART OF THE IU SOUTHEAST MUSIC DEPARTMENT CONCERT SERIES Sunday, February 15, 2015 3 p.m. Richard K. Stem Concert Hall
JERI SAGER Broadway by Jeri
PART OF THE OGLE CENTER PRESENTS SERIES
SPONSORS
Friday, March 6, 2015 7:30 p.m. Richard K. Stem Concert Hall
FEBRUARY–MARCH
Paul W. Ogle Cultural & Community Center 4201 Grant Line Road New Albany, IN 47150
Please join us for the 2015 Sanders Speaker Series
Featuring Bill Rancic Entrepreneur and winner of the first season of NBC’s “The Apprentice” Tuesday, March 3, 2015 • 6 – 7 p.m. Richard K. Stem Concert Hall Paul W. Ogle Cultural and Community Center Indiana University Southeast Admission free. No ticket required. 4201 Grant Line Road • New Albany, IN 47150 www.ius.edu/sanders-series
Thank You The work we do at the Ogle Center would not be possible without the tremendous support we receive from our volunteers and Indiana University Southeast employees. Please join us in thanking the following people: Kim Adam Betty Jean Applegate Corinne Beck Yetta Blair Tyler Bliss Tom Brison Rita Brotherton Dale Brown Deborah Burden Don Burden Jane Burden Herb Caldwell Angie Clark Hugh and Patty Cress Tom and Carolyn Diener Lucy Eagleson Samatha Earley Charles Edelen Cari Edwards Patricia Elder Lucy Elmore Marilyn Enmann Robin Fankhauser Rex and Frances Gettelfinger Joanna Goldstein John and Carolyn Greenman John Hartstern
Monica Haynes Judy Hess Jim Hesselman Elizabeth Hopkins Kelley Howard Melanie Hughes Julie Ingram Marilyn Inman IU Southeast Physical Plant University Information Technology Services University Police Gerry Kaestner Rob Koenig Sheila Koshewa Laura Lee Peter and Bette Livingston D. Jack Mahuron Lucas McCabe Mark McCabe Maggie McCarthy Frank McCoury Rebekkah Meixner-Hanks Fred and Carol Meirose Jill Morgan Rebecca Nies Marion Pastor
Kim Pelle Lynn Prinz Nancy Randall Carolyn Randolph Kyle and Susan Ridout, Ph.D. Marty Ryall Cathy Shea Robert Silverthorn III Don and Kathy Smith Margy Smith Millicent and Norman Stiefler Amanda Stonecipher Louise Suleiman, Ed. D. Earl Toepfort, Jr. Kathy Thomas Tim Tomes Cheryl Ulrich-Barnett Mildred Vernia Robert Von Kanel Chancellor Ray and Susan Wallace Tina Walters Dr. Lawrence Warren Dana Wavle Marilyn Wellman Nettie Williams David and Deborah Woolley
TICKET OFFICE
Service Animals Service animals are animals that are individually trained to perform tasks for people with disabilities such as guiding people who are blind, alerting people who are deaf, pulling wheelchairs, alerting and protecting a person who is having a seizure, or performing other tasks. Service animals are working animals, not pets.
Tuesdays and Thursdays: 10 a.m.–6 p.m. Wednesdays and Fridays: 10 a.m.–4 p.m. Opens one and one half hours prior to every performance and remains open until intermission on show days. You can order your tickets through any of the following methods: Order by Phone: (812) 941-2525. Order online at oglecenter.com.
POLICIES
All patrons must have a ticket, regardless of age.
Order in Person: Our ticket office is located in the lobby of the Paul W. Ogle Cultural and Community Center directly inside the front entrance to our facility.
Patrons arriving late to the performances will be seated at the discretion of management.
TICKET DONATIONS AND REFUNDS
Cameras and recording devices are strictly prohibited unless special permission is granted from the Ogle Center and the artist. Flash photography is prohibited at all times.
ALL SALES ARE FINAL. There are no refunds or exchanges. If you are unable to use your tickets for a performance, we will gratefully accept them as a tax-deductible contribution. Please call the Ticket Office at (812) 941-2525.
Smoking, food and beverages are prohibited in the theaters. Food and beverages are permitted in designated lobby areas. Indiana University Southeast is a tobaccofree campus.
PARKING
Paid parking is required for all events. Parking spaces for persons with disabilities are available in the lot immediately in front of the Center. Parking passes are included with Different Drummer Series Subscriptions.
GENERAL INFORMATION
Restrooms are located just off of the Ogle Center lobby in Knobview Hall, to the right as you leave the concert halls.
SPECIAL NEEDS
ACCESSIBILITY
Assistive Listening Devices The Stem Concert Hall, Robinson Theater and Stiefler Recital Hall are each equipped with five assistive listening devices. These are for use by patrons without hearing aids. The use of these devices is free. To reserve a device, simply call the Ogle Center Ticket Office at (812) 941-2525.
Parking passes are available for a nominal fee at the parking kiosks located at campus entrances. Parking passes are provided for season subscribers. USH ER
We are pleased to serve persons with special needs. Please call our Ticket Office at (812) 941-2525 to detail your needs in advance to reserve special seating for wheelchair patrons, listening enhancement devices. Parking spaces for persons with disabilities are available in the lot immediately in front of the Center.
To volunteer as an usher at any of our upcoming events, please contact (812)941-2525. The Ogle Center is available for rental. To rent the Ogle Center for your next gala, business meeting, or performing arts event, please contact the Ogle Center Technical Office at (812) 941-2503. Advertise. To advertise in the Ogle Center’s Bravo! program, e-mail Ken Atkins at atkins@ius.edu or call (812) 941-2523.
PAUL W. OGLE CULTURAL & COMMUNITY CENTER
Wheelchair Accessibility An elevator is conveniently located in the lobby of the Ogle Center and Knobview Hall for those patrons needing assistance to reach the balcony or the rear parking lot. In addition, each theater provides a number of seats without steps and rollup space for patrons in wheelchairs. For your convenience, please call the Ogle Center Ticket Office at (812) 941-2525 in advance to reserve your rollup location.
THE HOT SARDINES a great American success story worthy of the cinema. A born-and-bred NYC actor meets a Parisian-born writer at an open jazz jam over a noodle shop in Manhattan, and from there the Hot Sardines were born. Bandleader Evan “Bibs” Palazzo and lead singer Miz Elizabeth combine with the Sardine ensemble of powerhouse musicians – and their very own tap dancer – to play “hot jazz” as it was in the era when live music was king… with a little glamour, a little grit, and a lot of passion. Even while giving voice to the history-defining jazz of the 1920s, ’30s, and ’40s, the Hot Sardines’ vibrant performances bridge generations and captivate 21st century audiences. Forbes Magazine calls them “one of the best jazz bands in NYC today.” The Hot Sardines have a distinctive recipe for making musical magic: take a blustery brass lineup, layer it over a rhythm section led by a stride-piano virtuoso in the Fats Waller vein, and tie it all together with a one-of-the-boys frontwoman who sings in both English and French with a voice from another era. The brainchild of Bibs and Miz Elizabeth, the Sardine sound fuses musical influences from New York, Paris, and New Orleans that were nurtured from the Prohibition era through the Great Depression, WWII and beyond. “Greats like Fats Waller, Louis Armstrong, Thelonious Monk, Django Reinhardt, Count Basie, Fred Astaire, Mamie Smith, Billie Holiday, the Andrews Sisters, Ray Charles and a full-on melting pot of musicians both iconic and obscure have influenced our style,” says Miz Elizabeth, who helps fuel the Sardine mission to transform songs from another era into pop music for this century. Bibs shares that passion, and together they carefully manage the delicate balance of showcasing old songs without being an “old-timey band.” Says Evan, “We don’t treat this music with kid gloves, or place it on a pedestal to preserve and adore… we just play it… as if these songs were written this morning, for today’s generation.” The dramatically diverse age range among the Hot Sardines’ fan base reflects their success at making the classics relevant to current audiences, and Vanity Fair applauds their “unique repertoire, and a sound and style that are distinctly their own.”
· Febr uar y 14 , 2015 | 7:30 p.m.
I t’s
© LeAnn Mueller/Decca Records
THE HOT SARDINES
In October 2014, their debut self-titled album on the Decca/Universal Music Classics label launched in the U.S. and internationally, and features a collection of both early jazz classics and original Sardine compositions. The album launch marked a defining moment in the Sardines’ evolution, which started as a slow burn fueled by a shared passion for music from another era, and escalated as the band’s performances ignited the same passion in audiences all over the world. The irony of the Hot Sardines’ success is rooted in its origins: it was started by two non-musicians who never set out to form a band. Miz Elizabeth, who grew up living in several countries including France, Canada, and the Ivory Coast, sports a Masters Degree in Media and Communications from the London School of Economics and spent her preSardine life as a writer. With numerous bylines and writing credits to her name, Miz Eliz never sang a note outside of her own bathroom shower, aside from the requisite high school musical. However, she grew increasingly dissatisfied with her choice of career path and sought solace in nurturing her lifelong passion for music as a hobby. She made the rounds on the jazz circuit in NYC, approaching bands after shows and asking for the chance to sing with them, even just at rehearsals. “It was depressing,” she recalls, “because everyone would immediately ask me where I’ve sung before, and with whom, and even worse… what instrument I play, and when I had nothing to offer but passion and an untrained voice, I got politely laughed at and turned away.” But her fiery spirit and resourceful nature wouldn’t be cowed. In fact, the constant rejection ultimately sent her straight to acehardware.com, where she ordered a trusty Dubl-Handi washboard and drew upon her naturally percussive ear and inspiration from jug bands to become a “legit musician”…albeit self-taught, and with a little help from YouTube videos. She then both placed and answered ads on Craigslist, hoping to connect with others who shared her love of early jazz and blues and wouldn’t scoff at her lack of experience. Evan, meanwhile, was speeding toward the same destiny in a different way. Born and raised in NYC, Evan started playing piano by ear at age 3 and has flirted with amateur musicianship his whole life. His love of performing began in his early education in Waldorf Schools and led him to major in theater and musical theater at the University of the Arts in Philadelphia. Upon returning to NYC with his soon-to-be wife Jennifer, he became a working actor earning his living doing theater, commercials, and production work on films. However, like Miz Eliz, Evan continued to be seduced by his passion for traditional jazz, band leading, and his love of playing stride-jazz piano whenever he got the chance. Without his knowledge, his wife placed an ad on Craigslist for him, seeking others looking to start a traditional jazz band. Says Evan, “It was pretty hilarious, getting responses to an ad I never placed…but so exciting to start discovering people who wanted to get together and jam.” And then came the fateful day in 2007 when Evan and Elizabeth both answered the same Craigslist ad for an open jazz jam at an ad hoc rehearsal space in midtown Manhattan. Miz Eliz says that, “when Bibs and I met, it was like an instant musical connection,” adding that, “we started trading stories of songs and singers we loved while growing up, naming our biggest influences and trying out tunes together… and it was like everyone else in the room just faded away while we geeked out.” Evan knew the match was made in heaven when Miz Eliz asked him if he knew any Fats Waller. “I just started playing ‘Your Feet’s Too Big’ on the piano,” he says, “and Elizabeth just joined in like we’d been singing that duet together for decades,
Slowly the band began to take shape. Naming the band was easy, recalls Miz Eliz, who says that, “we knew we wanted the word ‘hot’ in the name, to reflect the type of jazz we played, and so we literally just paired different words with hot to find a name that was fun, unusual, and memorable.” Thanks to a tin of sardines in hot sauce Miz Eliz found at the local grocery store, the name fell into place in a snap. Over the first few years of the band’s evolution, Miz Eliz recalls that “it was like the universe started sending the perfect Sardine-style performers into our orbit…guys who were deeply trained, accomplished musicians from hallowed institutions like Julliard, Berklee, and NYU Jazz, but who weren’t afraid to – as we call it – get a little dirty and gritty with early American jazz.” In time, the core Sardine cast of characters expanded to include Jason Prover (trumpet), Alex Raderman (percussion), Nick Myers (clarinet/saxophone), and Evan Crane (upright bass/sousaphone). And in 2011, after playing mostly small venues and free gigs for friends, an unexpected break landed in their lap. “We got an anonymous email inquiry in late June from someone seeking a jazz band that performs songs in French for a last minute gig on the upcoming Bastille Day, and we sent song samples and whatever rag-tag video clips we had on hand,” says Evan. “Little did we know, the gig was Midsummer Night’s Swing at Lincoln Center…and we got it.” After bringing the house down for the 6,000+ music lovers in the audience that day, the Sardines earned an instant fan base in NYC, and more high profile gigs started rolling in. The marriage of earlyAmerican jazz with the mischievous twist of French culture is a reflection of Bibs’ and Miz Elizabeth’s musical partnership. Parisian-born Miz Eliz sings eloquently and effortlessly in both French and English – and sometimes in Mandarin, just for fun (“Chinatown, My Chinatown” –Jerome/ Schwartz, 1910) – and also writes original songs in both languages. The Hot Sardines have sold out 15 straight shows during their residency at New York’s famed Joe’s Pub, and showcased their versatility by performing to eager, hungry audiences at venues as diverse as the ultra-swank Top of the Standard (Boom Boom Room), the internationallyknown Montreal Jazz Festival, the playfully-naughty underground speakeasy experience Shanghai Mermaid, and Symphony Hall in Boston, where they recently performed to sold out audiences in collaboration with the Boston Pops. Both Evan and Miz Elizabeth attribute the Sardines’ accessible and arresting style to the more modern cultural influences that enrich the core early-jazz foundation that originally brought them together. Says Evan, “Nothing is sacred…everything from The Muppets to Bugs Bunny and from Harry Connick, Jr. to James Brown and Louis Prima has infiltrated our music and the way we interpret and perform songs.”
THE HOT SARDINES
which was pretty magical because it looked like no one else around us even knew that song.” With both of them still working at their day jobs, they started getting together every couple of months to play music for their own enjoyment… until one day on a lark, they decided to take their piano-washboard-vocal show to an open-mic night at Banjo Jim’s in the East Village. And fate stepped in that day again by sending Evan and Miz Eliz a tap dancer. Edwin “Fast Eddy” Francisco had stopped by Evan’s house on an errand for a friend, and started tap dancing along while they were rehearsing… and just like that – the “percussion section” of tap-andwashboard was born.
The James L. Russell
Wonderland Way Collection Paul W. Ogle Cultural and Community Center
History of Wonderland Way James L. Russell (1872–1937), a New Albany artist, opened his Art Shop in 1906 and created an influential gathering place for regional artists during a time that preceded World War I and continued into the 1930s. Inspired by a stretch of scenic auto roads from Cincinnati, Ohio to Mount Vernon, Illinois known as the “Wonderland Way,” the artists adopted this name for their Art Club. After meeting at Russell’s Art Shop, the artists would travel to scenic locations in the region and paint en plein air, a French expression which means “in the open air.” Grover Page, Jr., a former member of the Wonderland Way Art Club, wrote, “James L. Russell was not only a significant ‘Depression artist’ of the ‘30s, he was the kindest and most gentle person I ever knew. He was the favorite artist of everyone in New Albany and the surrounding and distant areas. In 1931, at the age of thirteen, I became a regular among local artists and art lovers who frequented Jim’s Art Shop on Market Street. Jim started the Wonderland Way Art Club for any artist in the area who wanted to study and discuss art.”
James L. Russell Sugar Grove on Ohio River. Oil. 1902.
Kathy Russell Smith, granddaughter of James L. Russell, and her husband, Don Smith, are proud to present these first pieces of art as part of a permanent collection of works. Kathy and Don have personally spearheaded efforts to make the James L. Russell Wonderland Way Collection a reality. Through the Smiths’ generosity, this collection preserves the history and heritage of the art of our region, and they encourage others to follow their lead.
The Wonderland Way Art Club included more than 300 artists. In addition to James L. Russell’s works, some of the Wonderland Way artists you will see represented in the Collection include John T. Bauscher, Orville Carroll, William Hancock, Grover Page, and Russell’s son, James J. Russell.
The first installment of the Wonderland Way Collection is now on display in the Ogle Center lobby. www.ius.edu/wonderland-way
WINTER POPS CONCERT Philip A. Thomas, director
SUNDAY, FEBRUARY 15, 2015 | 3 p.m. Richard K. Stem Concert Hall
PROGRAM edited by Frederick Fennell
In the Bleak Midwinter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gustav Holst
arranged by Robert W. Smith
Songs of Aloha . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . arranged by Ralph Ford Shake a Tail Feather . . . . . . . . Verlie Rice, Otha Hayes, and Andre Williams arranged by Tom Wallace
Symphonic Highlights from “Frozen” . . . . . . . . . . arranged by Stephen Bulla A Gershwin Tribute to Love . . . . . . . . . . . . . . . . . . . . . George and Ira Gershwin arranged by Brent Heisinger
Bond.... James Bond . . . . . . . . . . . . . . . . . . . . . . . arranged by Stephen Bulla
· Febr uar y 15 , 2015 | 3 p.m.
The Mad Major March . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kenneth J. Alford
IU SOUTHEAST CONCERT BAND
IU SOUTHEAST CONCERT BAND
IU SOUTHEAST CONCERT BAND
IU SOUTHEAST CONCERT BAND FLUTE
Sue Righthouse Jenny Jochim Zoe Blackwell Ellen Burt Kelsey Prall Becca Dirck OBOE Mary Lou Frank Kim Keim Autumn Grasty
CLARINET
Naomi Henderson Kristie Lomond Jennifer Gordon Amanda Barnett Marcie Maxey Quinterra Quinn Mildred Vernia Joyce Stone Judy Renwick
BASS CLARINET
Megan Renwick
BASSOON
Janie Spitznagel Steve Nale
ALTO SAXOPHONE
TRUMPET
Tim Bohannon Briston Hatchell Tim Johnston Andy Weedman Dan Goldman Martin Dixon Alecia Semonis Roger Stepro Ray Rice Scott Gordon
FRENCH HORN Sarah Tackett Norma Ruble Helen Gilland Brian Brown
TROMBONE
Jason Rich Larry Hoover Jason Novak Zach Haley
EUPHONIUM
Bob Crafton Bob DeHoag Kristie Schmidt Joe Law
TUBA
Cory Barnfield Steve Brewer Vic Maddox
Norm Epley Jason Pirtle Mike Abel Nathan Newby
TENOR SAXOPHONE
TIMPANI
Bob Gilewski
BARITONE SAXOPHONE Steve Baker
Stuart Brewer
PERCUSSION
Shannon Kisselbaugh Nathan Smith Alex Keim Jordan Amos Tye McFarland
JERI SAGER
eri J
was 12 years old when her love of singing, and her amazing voice, were first discovered. Her first public performances were in her local church. As she grew up, Jeri’s passion for singing grew into a life long love affair. She studied Opera (Vocal Performance) at Catholic University of America in Washington, DC. Ultimately, her profound love of performing led her to New York City. There she made her Broadway debut as “Frumah-Sara”, in the Tony Award winning, 25th Anniversary Production of FIDDLER ON THE ROOF. The New York Times review of this production said, “When Fruma-Sara [Jeri Sager] scurries across the stage... ‘Fiddler’ levitates.” Jeri has enjoyed critical acclaim for her portrayal of “Fantine” in LES MISERABLES and “Eva Peron” in EVITA. She is delighted her career has allowed her to work with such theater notable’s as Tony/Oscar Award winning director Jerome Robbins, Tony/Drama Desk Award winning director Trevor Nunn and Tony/Drama Desk Award winning singer/songwriter and playwright Rupert Holmes. These collaborations, and Jeri’s diverse talents, have earned praise from critics in such leading publications as The New York Times, The New York Daily News, The New Yorker Magazine, The Los Angeles Times, and The San Francisco Examiner. In addition to her Broadway roles, Jeri has had the pleasure of working in other theatrical productions such as CITY OF ANGELS, BRIGADOON, WEST SIDE STORY, PIPPIN, THE MYSTERY OF EDWIN DROOD, JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT, and PUMP BOYS AND DINETTES.
· March 6, 2015 | 7:30 p.m.
Jeri Sager is a veteran of Broadway and numerous national tours. She is best known for her portrayal of “Grizabella” in CATS, Andrew Lloyd Webber’s Tony Award® winning musical.
JERI SAGER
Jeri has also enjoyed performing with celebrated artists such as Bob Hope, Gregory Peck, Michael Crawford, Betty Buckley, Theodore Bikel, Bill Anderson, and John James. She has had the honor of performing for such dignitaries as President Jimmy Carter, President George W. Bush and Pope John Paul II. Through her work with the USO, Jeri has performed for both American and British troops. Other notable appearances include her rendition of the National Anthem for the Baltimore Orioles on July 4 and her debut at the Grand Ole Opry. Jeri’s golden voice and infectiously joyful stage presence gives her a broad audience appeal. Combined with her stellar critical acclaim, this has resulted in her busy touring schedule. Jeri performs all over the United States, England, the Caribbean, Japan, the West Indies, Mexico and Canada. She has released three CDs: SWING IT LIKE SAMMY, REGARDS… JERI, and MEMORY—A Special Live Performance. Currently she is working on the completion of her fourth CD titled BROADWAY by JERI—LIVE! When not touring with her one woman show, Jeri finds time for film & television roles. She co-hosted the cable TV show, RV TODAY on OLN (Outdoor Life Network) for four years and has starred in numerous TV commercials. Jeri played the abusive mother in Martina McBride’s heart wrenching music video CONCRETE ANGEL, and recently appeared in the film, COUNTRY STRONG, starring Gwyneth Paltrow, Tim McGraw and Leighton Meester.
CERUTI CHAMBER PLAYERS March 15, 2015 | 3 p.m.
IU Southeast Theatre
The Ogle Center Presents THE HOT SARDINES February 14, 2015 | 7:30 p.m.
ANGELS IN AMERICA
JERI SAGER: BROADWAY BY JERI March 6, 2015 | 7:30 p.m.
April 7, 2015 | 8 p.m. April 8, 2015 | 8 p.m. April 9, 2015 | 8 p.m. April 10, 2015 | 8 p.m. April 11, 2015 | 2:30 p.m. April 11, 2015 | 8 p.m. April 12, 2015 | 2:30 p.m.
PARENTAL ADVISORY Adult Language & Subject Matter
THE VAN-DELLS May 29, 2015 | 7:30 p.m.
IU SOUTHEAST CONCERT CHOIR & COMMUNITY CHORUS April 12, 2015 | 3 p.m. COMMONWEALTH BRASS BAND April 15, 2015 | 7:30 p.m. IU SOUTHEAST CONCERT BAND April 19, 2015 | 3 p.m. IU SOUTHEAST GUITAR ENSEMBLE April 24, 2015 | 7:30 p.m. IU SOUTHEAST ORCHESTRA April 26, 2015 | 3 p.m. COMMONWEALTH BRASS BAND June 5, 2015 | 7 p.m.
Nashville Nights
IU Southeast Music
THE BOXCARS April 24, 2015 | 7:30 p.m.
IU SOUTHEAST CONCERT BAND WINTER POPS February 15, 2015 | 3 p.m.
IU SOUTHEAST CONCERT BAND June 12, 2015 | 7 p.m. IU SOUTHEAST ORCHESTRA June 19, 2015 | 7 p.m.
NEW MILLENNIUM DUO March 1, 2015 | 3 p.m. I N D I A N A U N I V E RS I T Y SO U T H E AST F I N E A RTS D E PA RT M E N T
Ronald L. Barr Art Gallery
Paul W. Ogle Cultural and Community Center Monday – Thursday, 9 a.m. – 9 p.m. | Friday, 9 a.m. – 5 p.m. All events are free and open to the public.
BACHELOR OF ART (BA) SENIOR EXHIBITION ONE
BACHELOR OF FINE ART (BFA) SENIOR EXHIBITION ONE
BACHELOR OF ART (BA) SENIOR EXHIBITION TWO
BACHELOR OF FINE ART (BFA) SENIOR EXHIBITION TWO
Opening reception February 18, 5 p.m.–7 p.m. Exhibition dates February 18 – February 27
Opening reception March 5, 5 p.m.–7 p.m. Exhibition dates March 5 – March 16
Opening reception March 31, 5 p.m.–7 p.m. Exhibition dates March 31 – April 20
Opening reception April 28, 5 p.m.–7 p.m. Exhibition dates April 28 – May 12
TICKETS ON SALE NOW Call (812) 941-2525 or visit
oglecenter.com
IU Southeast Fine Art Program Gallery Co-Directors: Debra Clem, dclem@ius.edu, 812-941-2358 Brian Harper, harperba@ius.edu, 812-941-2349
CONTRIBUTORS
Indiana University Southeast, the Paul W. Ogle Cultural and Community Center, the Music, Theatre, and Fine Arts departments, and our students and community have benefited from the generosity of our donors. Words cannot express the appreciation we have for the support you provide through these gifts. Thank you for being a part of this special community of donors at Indiana University Southeast. Your support makes a difference! OGLE CENTER CONTRIBUTORS
21c Museum Hotel and Proof on Main Actors Theater of Louisville James Allgood Anonymous Anytime Fitness of Corydon Drs. Aric and Linda Applewhite A Summerhouse Inn John and Phyllis Atz Bernie and Dr. Carolyn Babione Joseph and Linda Baker Roger Baylor Dorothy Baumeier Big Al’s Charity Thrift Store The Honorable Cecile A. Blau Maurice and Debra Bohrer William F. Bolte Mary C. Bradley, Ph.D. Brown-Forman Corporation Phil Burns Sheryl M. Burns Bush Brothers & Company Buskirk-Chumley Theatre Lorrain Chein Dad Daughter Designs David & Barbara A. Cannon Cardinal Stage Company Carmichael’s Bookstore Betty A. Carver Mark and Mariellen Cassidy Churchill Downs Clark Memorial Hospital Community Foundation of Southern Indiana Patricia A. Cress Crown Plaza Indianapolis Downtown Union Station Carl and Karen deGraaf Dr. Thomas J. and Carolyn S. Diener DJ & W Farms The Doo Wop Shop Dorothy J. Ramp Revocable Trust Duke Energy Foundation Samuel and Rebecca Eckart Jacob and Susan Ems Falls of the Ohio State Park/Indiana Department of Natural Resources Robin Fankhauser, Ed. D. FedEx Office Teesue H. Fields, Ed. D. Floyd Memorial Hospital Physical Therapy Edwin Foote Foxhollow Farm Fund for the Arts Gannett Foundation, Inc. The Gheens Foundation Inc. Geraldine George Goldman, Sachs & Co.
GMeals Saundra Gordon Robert and Janet Hamilton, D.M. David and Carole Hammett Harrison County Community Foundation John and Martha Hartstern Tracy Heightchew Hidden Hill Nursery Alan and Candace Hilderbrand Bob and Janet Hill Holiday Inn Express New Albany Diana G. Holman Horseshoe Foundation of Floyd County Indiana Arts Commission Indianapolis Symphony Orchestra IU Auditorium Janis Ian Joe Huber’s Family Farm Restaurant Lloyd Kelly Robert and Deena Kleehamer Jack Landis Helen Lang Dr. Carl E. Langenhop Kent W. Lanum Robert and Carol Lanum John and Dora Largent Richard and Elsy Lehman Patricia J. Loebig The Louisville Film Society D. Jack and Carol Mahuron Robert E. Marshall James Y. McCullough, Jr, M.D Susan Moffett Glen Morris Dale W. and Jean T. Moss The New Albanian Brewing Company Stuart and Connie Newbanks LeAnne Nicholson Nick’s English Hut Old Bridge Inn of Jeffersonville Old Capital Golf Club Paul W. Ogle Foundation, Inc. Dr. Curtis H. and Pamela Peters Paul David Prather Elizabeth Raleigh Ramsey Popcorn Co. Carolyn K. Randolph Kirk and Meghan Randolph Dr. John and Carolyn Reisert Galen A. Renwick, Ph. D. Kyle R. and Susan K. Ridout, Ph. D. River City Field Trip Group River Valley Financial Bank Roberts Imports Rocksport Climbing Gym Morris Jean and Martha Mae Rosenbaum Col. and Mrs. William Ryall, USA (Ret.)
Ronnie Scott Schrink’s Personal Training Ronald E. Severtis, Jr. Catherine A. Shea, Ph.D. Sheraton Riverside Louisville Patricia G. Sisloff, RN BSN CIC Society of the Sons of the American Revolution Donald and Mary Ann Sodrel Frank and Andrea Spicka Terry and Jane Spitznagel Frances H. Squires, Ph. D. S & T Creations Stage One Family Theatre Subway Sunflower Designs Robert P. Thurston M. Elise Tighe Michael V. Turley Turtle Run Winery Upland Brewing Company Valley View Golf Club Vital Force Naturopathy Jack K. and Marilyn Waldrip Washington County Community Foundation Dana and Sharon Wavle Roger and Janie Whaley Dorothy R. Witten Darrell and Sally Weslander Wild and Wooly Video Robert and Patricia Woehrle Dr. Thomas P. and Ella N. Wolf Yangming Acupuncture YMCA of Harrison County YMCA of Southern Indiana
THEATRE DEPARTMENT CONTRIBUTORS Gary and Maryann Carney Kirk and Meghan Randolph Nathan W. Wheatley
MUSIC DEPARTMENT CONTRIBUTORS
W. Jameson Aebersold, D.M. and Sara Aebersold Thomas and Mary Barnard Stephen and Marilyn Brewer Jack C. Bohannon Bruce G. Borntraeger, Sr. Care-Pets Animal Hospital Pc Conrad Music Service Jason and Jacqueline Cooper James Copelin Sara Cruse Diane S. Denning Eli Lilly & Company Edwin W. Ellmers
IU SOUTHEAST FINE ARTS CONTRIBUTORS
John Greenman and Carolyn B. Bates-Greenman Beanblossom-Cesar Funeral Home Grace L. Baugh Bennett Richard and Barbara Combs Stephan and Marilyn Brewer Wayneda Dupont-Black Barbara Carnighan Charles Edelen Shelley A. Dickman Laurel J. Fredrickson James M. Dickman, Jr. Sondra B. Morris Robert Gilewski Kirk and Meghan Randolph Gail A. Fagan Kevin Rose Schultz James D. Henry Bennie N. Wyatt Melford and Molly Johnson Robert E. and Donna L. McMahel IU SOUTHEAST NEW DYNAMIC Klinglesmith RECORDS CONTRIBUTORS John and Dora Largent Karim Al-Zand Doris and Ronald Lind Edmund and Margaret Goerlitz Jo H. Lohmeyer Robert E. and Donna L. McMahel Demerese A. Lomond Klinglesmith Carol Martin Norma Robbins Dr. and Mrs. Stephen W. Nale Col. and Mrs. William Ryall, USA (Ret.) Ann R. and Howell Niren IU SOUTHEAST ARTS INSTITUTE Carolyn K. Randolph Kirk and Meghan Randolph CONTRIBUTORS Carl R. Reckelhoff Catherine A. Shea, Ph.D. Kyle R. and Susan K. Ridout, Ph.D. DONALD E. AND ELIZABETH H. Col. and Mrs. William Ryall, USA (Ret.) McMAHEL MUSIC SCHOLARSHIP Ronald C. and Donna L. Schad CONTRIBUTORS Jay and Cynthia K. Stillman Anonymous Louise F. Suleiman, Ed.D. Kenneth W. Atkins, Jr. John Walczak Molly H. Myles Bundy James J. Woeppel, Ph.D.
Gifts listed here were given from 1/1/2012 through 1/9/2015. To report an error or omission, please contact Kirk Randolph at (812) 941-2266 or by e-mail at karandol@ius.edu. For information about supporting Indiana University Southeast, please contact the IU Southeast Office of Development at (812) 941-2464.
GIVING OPPORTUNITIES In addition to ticket revenue, the Ogle Center and the IU Southeast Music and Theatre Departments depend on the generosity of businesses and individuals to continue and strengthen arts programming in our community. If you have enjoyed past performances at the Ogle Center, please consider making a contribution to our annual programming fund. If you are a regular contributor to the Fund for the Arts, you can earmark your donation for the Ogle Center. Annual Fund Each year, your gift helps us bring the finest entertainment possible to Southern Indiana. Gifts to the Ogle Center Annual Fund can be unrestricted, which allows us to direct the funds where needed most. Programming Fund Our goal is to achieve a minimum of $2 million in endowed funds to support and maintain programming and operations at the Center, including providing free tickets to more than 20,000 children for our Children’s Series and supporting family-oriented programming at the Center, allowing us to bring highquality entertainment to the community. Naming Opportunities There are opportunities for naming rooms and areas in the inside and outside of the Ogle Center. For details, please contact us at oglemail@ius.edu or call (812) 941-2266. Name Your Seat You can put your “John Hancock” on the seat of your choice (if available) in one of the three working venues at the Ogle Center. The cost is $300 per seat and includes a brass plaque which is placed on the seat you choose. For more information, please contact us at oglemail@ius.edu or call (812) 941-2266. “Give Now” to the Ogle Center, the Music Department, or the Theatre Department It’s easy to support the arts at IU Southeast by making a gift online with your Visa, MasterCard, American Express, or Discover Card. Simply visit the Ogle Center’s web site at www.oglecenter.com, the Music Department’s web site at www.ius.edu/music, or the Theatre Department’s web site at www.ius.edu/theatre and click on the “Give Now” button.
CONTRIBUTORS
Edwin Foote Edmund and Margaret Goerlitz Joanna Goldstein, Ph.D. Richard L. Goldstein Fay Ross Greckel, Ph.D. Robert Gilewski Robert and Janet Hamilton, D.M Carl J. Helmich, Jr. Integrity HR Inc. Jamey Aebersold Jazz, Inc. Robert E. and Donna L. McMahel Klinglesmith Jonathan and Alison Lane Wendell B. Lane Barbara Ann Maxwell Elizabeth L. McMahel Delores Mertl Kenneth and Wilma Mitchell Dane A. Poteet Kirk and Meghan Randolph Megan L. Renwick Norma O. Robbins Col. and Mrs. William Ryall, USA (Ret.) Dr. D. Eric and Tonia R. Schansberg Carroll Senior Terry and Jane Spitznagel Dr. Erich H. Stem Nan Tate Stephen and Sally Walker Raleigh and Joanne Wilson