School of Theatre Recruitment Brochure 2023-24

DESIGN

Directing

PERFORMANCE

STAGE VOICE

COSTUMING

ACTING SCENERY LIGHTING PERFORMANCE DESIGN STAGE DEVISING

DIGITAL MEDIA

MANAGEMENT

SOUND MANAGEMENT

ACTING SCENERY LIGHTING

Leadership

THEATRE

THEATRE

The School of Theatre

offers three undergraduate degree programs

BFA acting

BA Theatre Innovation & Entrepreneurship

BFA design & production

“Enron”

School of Theatre / Photo by Bryan Cardinale-Powell

Cover Image: “She Kills Monsters” School of Theatre / Photo by Bryan Cardinale-Powell

Auditions & Interviews

on-campus auditions and interviews

• November 10 and 11

• december 9 (Design & Production/BATIE ONLY)

• february 2 and 3

• february 23 and 24

off-campus audition locations

• International Thespian Festival

• Southeastern Theatre Conference

• Mid Atlantic Regional Auditions

• Colorado Thespian Festival

• Georgia Thespians Festival

• chicago unified auditions

• Oklahoma Thespian Festival

• Texas Educational Theatre Association Theatre Fest

• Texas Thespians Festival

• Greater Houston Area Auditions

How to Audition/Interview

All programs do not audition or interview at all events. For more information please visit okcu.edu/theatre/admissions or email ocutheatreauditions@okcu.edu

How to apply to the university

To apply to the university and view detailed application instructions, visit okcu.edu/admissions/apply

Talent scholarships are available to incoming freshman and transfer students based on auditions/ interviews.

An application to the university also serves as an application for both competitive and academic merit-based scholarships. competitive scholarship deadline dec 1 - Regular Competitive Scholarship Application Deadline

/theatreocu

@theatreocu

��% OF OCU STUDENTS RECEIVE FINANCIAL AID.

BFA ACTING

senior showcase Opportunities: four new york Los Angeles

Chicago Dallas

encouraging place a safe, and grow as an artist to take risks

four faculty-led Study Abroad Programs: london | cyprus | ROME | beijing

Competitive talent scholarships available to all BFA Acting majors

Faculty:

11 4 members of actor’s equity association members of screen actors guild

our faculty are working professionals training you to be a working professional

Small, ensemble-led performance classes

between the Schools of Theatre, music, and Dance, OCU p r o d u c e s

50 productions a n n u a l l y

“A Midsummer Night’s Dream” School of Theatre / Photo by Bryan Cardinale-Powell

on-camera track stage & screen track

Classical Training in: Acting vocal work

Movement

Dialects

Musical theatre training

Individual voice lessons

Dance classes

Three semesters On-Camera

acting training

Traditional stage acting

Seven semesters On-Camera acting

Hands-on film production work FIlm editing

Screenwriting

Directing & Producing for film

“On the Town”

Wanda L. Bass School of Music / Photo by Wendy Mutz

BA Theatre Innovation & Entrepreneurship (BATIE)

A flexible, individualized program of study training the next generation of theatre artists and leaders including directors, arts administrators, dramaturgs, playwrights, teaching artists, and more!

FLEXIBLE DEGREE

The BATIE pairs the BA core with 48 hours of electives. With the help of the faculty and their advisor, each student designs their own program of study to meet their educational and professional goals.

STUDY ABROAD

The BATIE has the flexibility to enable students to study abroad. Students can choose to spend a semester, or a summer abroad, at one of our partner institutions.

OCU

Honors Program

The BATIE pairs perfectly with the OCU Honors Program. For more information visit okcu.edu/ academics/honors-program

4 + 1 BA/MA and Certificate in Nonprofit Arts Administration

Students in the BATIE have the opportunity to earn both a bachelors degree and a master’s degree in Nonprofit Leadership - Arts Administration in five years. Students can also complete a certificate in Nonprofit Arts Administration as a part of their BA.

Production Participation and Professional Partners

BATIE students have the opportunity to be involved in productions on campus in many capacities and can start working on productions as soon as their first year. BATIE students may also have the opportunity to work on productions with the School of Theatre’s professional partners in Oklahoma City including Lyric Theatre of Oklahoma, OKC Rep, and more!

BATIE Curriculum

BA Core Curriculum

THRE 1113 Script Analysis (3)

THRE 1303 Intro to Theatrical Design or

THRE 1703 Stage/Production Management (3)

THRE 1403 Acting I (3)

THRE 1503 Acting II (3)

THRE 3223 Theatre History and Historiography (3)

THRE 3233 Seminar in Theatre History Topics (3)

THRE 3523 Dramaturgy (3)

THRE 3653 Applied Theatre (3)

NONP 4103 Arts Entrepreneurship (3)

THRE 4522 New Media and Digital Performance (2)

THRE 4541 New Media and Digital Performance Lab (1)

THRE 4583 BA Capstone Project

Choose two sequences in Design and Production from Stage Craft, Costumes, Lighting, and Stage/Production Management.

BATIE PATHS & TRACKS

Each BATIE student will design a unique program of study, which means the possibilities in the degree are endless! Here are a few examples of possible degree pathways, but there are many more:

INNOVATION PATHWAY: This pathway equips students with the knowledge and skills to become artists and leaders. In this pathway, students explore multiple facets of artistry in order to develop their own artistic voices. This pathway includes:

The Director Track

The Teaching Artist Track

The BA Film/BA Theatre Track

And more!

ENTREPRENEURSHIP PATHWAY: This pathway equips students with the knowledge and skills to chart their own course in the arts. In this pathway, students will explore both artistic practice and entrepreneurship in order to prepare for individualized careers in the arts. This pathway includes:

The Dramaturgy Track

The Arts Administration Track

And more!

CHOOSE YOUR OWN PATHWAY: This pathway is the most flexible for students to design a plan of study that meets their own individual needs and goals. This pathway includes:

The Double Major Track

okcu.edu/theatre

The Choose Your Own Track: Build a plan of study from courses across the campus!

Staged reading of “Family of the Bride” by BATIE student Marianne Edem

School of Theatre /

Photo by Bryan Cardinale-Powell

Production photo from “Almanac for Farmers and Lovers in Mexico” directed by BATIE student Ziania Ramirez

BATIE Student Delaney Horton as Kaliope in “She Kills Monsters”

The BATIE program has expanded my love of theatre beyond measure...I have had the opportunity to direct and pursue three minors so that I can become the most well-rounded theatre artist. The BATIE is for the people who want to do more!

-Ceci Touzon, BATIE ’24

BFA Theatre Design & production

Freshman year production assignments

we believe in learning

by doing

over ��% of D&P Graduates land jobs in their field within 3 months of graduation mentoring Individual faculty variety of theatre spaces on campus & around okc

BFA Design & Production curriculum

Design & Production Core COURSES

THRE 1113 Script Analysis

THRE 1303 Introduction to Theatrical Design

THRE 1403 Acting I

THRE 1402 Stagecraft

THRE 1441 Stagecraft Lab

THRE 1603 Technical Drawing for Theatre

THRE 1702 Stage Lighting

THRE 1741 Lighting Lab

THRE 1703 Stage/Production Management

THRE 2113 Drawing & Rendering

THRE 3803 Digital Drafting & Rendering

THRE 2501 Portfolio Development I

THRE 2702 Costume Construction

THRE 2741 Costume Lab

THRE 3223 Theatre History and Historiography

THRE 3233 Seminar in Theatre History Topics

THRE 3501 Portfolio Development II

THRE 3561 Design/Production Practicum (repeat x4)

THRE 3981 Design & Production Internship

THRE 4113 Professional Preparation

SELECT YOUR EMPHASIS TRACK: DESIGN, STAGE/PRODUCTION MANAGEMENT, OR TECHNICAL DIRECTION

Stage/Production Management Track

THRE 3723 Theatrical Unions

THRE 3683 Advanced Stage Management

THRE 3883 OMT Stage Management

THRE 4723 Production Management

THRE 3403 Lighting Design

THRE 3503/3803 Scene OR Costume Design

THRE 3713 Sound Design & Engineering

THRE 4903/4913 Period Styles OR Costume History

ADVISED PATHWAYS FOR STAGE/PROD MGMT TRACK:

TECHNICAL PRODUCTION PATHWAY

THRE 3303 CAD for Theatre

THRE 3123 Lighting Programing

THRE 3823 Projection Design

THRE 4303 Technical Production

THRE 3163 Special Topics: Venue Management

ARTS ADMIN-NONPROFIT LEADERSHIP PATHWAY

NONP 4103 Arts Entrepreneurship

NONP 4223 Resource Mobilization & Development in the Arts

NONP 4413 Nonprofit Financial Oversight

NONP 4923 Marketing for the Arts

THRE 3163 Special Topics: Venue Management

CREATE YOUR OWN CUSTOM PATHWAY

Technical direction track

THRE 3163 Special Topics: Automation & Stage Mechanics

THRE 3303 CAD for Theatre

THRE 3403 Lighting Design

THRE 3503 Scene Design

THRE 3713 Sound Design & Engineering

THRE 4303 Technical Production

THRE 4723 Production Management

THRE 4903 Period Styles & Décor

+ ADVISED ELECTIVES (18 hrs)

MINORS AVAILABLE SUCH AS:

Animation Business

Directing

Graphic Design

Digital Film & Media

Social Media & Online Communication

Design Track

DESIGN AREA CONCENTRATIONS:

COSTUME DESIGN

THRE 2541 Makeup Lab

THRE 3603 Costume and Props Crafts

THRE 3703 Costume Patterning

THRE 4703 Costume Technology

THRE 4803 Costume Design II

SCENE DESIGN

THRE 3303 CAD for Theatre

THRE 3413 Scene Painting I

THRE 4303 Technical Production or 3163 Props Design & Fabrication

THRE 4603 Scene Design II

LIGHTING DESIGN

THRE 3113 Adv Electrical Production or 3123 Lighting Programing

THRE 3303 CAD for Theatre

THRE 4403 Lighting Design II

THRE 4513 Museum, Fashion, & Special Event LD

PROPS DESIGN

THRE 3303 CAD for Theatre

THRE 3813 Props Design & Fabrication

THRE 3603 Costume & Props Crafts

THRE 4623 Materials & Processes

SOUND DESIGN

MUS 1123 Music & the Human Experience

THRE 3713 Sound Design & Engineering

THRE 4523 Advanced Sound Design

THRE 3163 Special Topics: Live Audio Engineering

PROJECTION DESIGN

THRE 3303 CAD for Theatre

THRE 3823 Projection Design

THRE 3163 Special Topics: Advanced Projection Design Or other 3000/4000 level D&P course

THRE 4522/4541 New Media & Digital Performance + Lab

+ DESIGN TRACK CORE COURSES

THRE 3033 Creativity & Innovation

THRE 3403 Lighting Design

THRE 3503 Scene Design

THRE 3803 Costume Design

THRE 4903 Period Styles & Décor

THRE 4913 History of Costume

+ ADVISED ELECTIVES (12 hrs)

Production Opportunities

MAINSTAGE

TheatreOCU Mainstage provides opportunities for students to collaborate with professional theatre artists from a variety of disciplines to produce entertaining, engaging, provocative, and inclusive theatre representing a wide range of styles and genres. School of Theatre students can also audition for Mainstage opera/music theater productions in conjunction with the Wanda L. Bass School of Music as well as co-productions with our professional partners.

Studio Series

The Studio Series encourages creativity and exploration in a practical learning environment. Prioritizing process over production values, the Studio Series utilizes minimal design and technical elements while providing student and faculty artists the opportunity to hone their skills as storytellers.

OUT OF THE BOX

Out of the Box is our student-led and operated theatre company aimed at exposing students to the realities of producing. Out of the Box features student selected titles produced exclusively with student directors and performers. Out of the Box also produces the OCU Improv Troupe which holds frequent late-night comedy shows throughout the year.

OCUEdge

OCUEdge is a series of staged readings produced throughout the year by Out of the Box. OCUEdge readings are student acted and directed which focus largely on fresh, contemporary works written within the last five years, allowing students to experience new material and up and coming playwrights.

2023-2024 Season

okcu.edu/theatre

Stripped

Stripped is a student-run organization mounting musical productions every year. The studio productions are fully staged and memorized but “stripped” down to the storytelling essentials. Staged in two weeks, these productions provide a unique production experience for OCU students.

2020-2021 season School of theatre

Mainstage

DRACULA: A FEMINIST REVENGE FANATASY, REALLY

OCTOBER 26-29, NOVEMBER 2-3

PARADISE

DECEMBER 7-10

PUFFS, OR SEVEN INCREASINGLY

EVENTFUL YEARS AT A CERTAIN SCHOOL FOR MAGIC AND MAGIC

FEBRUARY 1-4

SHE STOOPS TO CONQUER

APRIL 4-7

Studio Series

ROMEO & JULIET ABRIDGED

SEPTEMBER 21-24

BELLWETHER

NOVEMBER 9-12

THANKSGIVING PLAY

NOVEMBER 16-19

THE YELLOW BOAT

NOVEMBER 30-DECEMBER 3

The Life of Galileo

FEBRUARY 22-25

BE AGGRESSIVE

FEBRUARY 29-MARCH 3

DUSTY AND THE BIG BAD World

MARCH 21-24

Gross Indecency: The Three Trials of Oscar Wilde

APRIL 11-14

School of MUSIC

SWEENEY TODD

SEPTEMBER 29-OCT 1

LIGHT IN THE PIAZZA

NOVEMBER 3-5

PIETÁ/SUOR ANGELICA

NOVEMBER 17-19

MERRY WIVES OF WINDSOR

FEBRUARY 16-18

LOLANTHE

FEBRUARY 23-25

RENT

APRIL 19-21

For more information on the Theatre Season, please visit okcu.edu/theatre/theatreocu.

For more information on the Music Season, please visit okcu.edu/music/performances.

professional partners

Founded in 1963, Lyric is Oklahoma’s leading professional theatre company, continually striving to produce Broadway-caliber productions for Oklahoma audiences.

Oklahoma Children’s Theatre provides extraordinary live theatre and interactive educational experiences for young audiences.

The Oklahoma City Ballet has been the city’s professional ballet company since 1972 and is currently the resident dance company of the Civic Center Music Hall.

Established in 2006, factor 110 is the region’s leader in event and destination management, and the company remains the first and only destination management company in Oklahoma.

Oklahoma City Ballet / Photo by Jana Carson

“A Christmas Carol”

Lyric Theatre of Oklahoma / Photo by KO Rinearson

Oklahoma Children’s Theatre

become a global artist

Study Abroad offers you the chance to satisfy your intellectual and creative curiosity while expanding your life experiences in a new culture.

There are multiple opportunities for students to study abroad during their time at OCU. The School of Theatre has established study abroad exchanges with universities across the UK and Central Europe.

Mary Taylor, BFA Acting ’20 in London

London Summer Trip @ the Fringe Festival in Edinburgh

Erin Wilson, BFA Design & Production ’21 in Florence

Elise Bear, BATAP ’23 in London

World Theatre Education Alliance 2019 Beijing, China

“Being immersed in cultures besides my own has taught me so much about life and about people, which enhances my artistic skills in ways that are invaluable to my education.” - Mary Taylor

SENIOR SHOWCASES

LOS ANGELES

Graduating students have the opportunity to perform in front of leading agents, managers, and casting directors. During the week-long professional preparation trip students participate in performances, casting workshops, masterclasses, industry panels, and on-camera acting masterclasses taught by leading LA artists.

NEW YORK CITY

The Wanda L. Bass School of Music and School of Theatre bring a casting director and agent from New York to audition all of our graduating seniors. Those chosen for the showcase spend the spring semester rehearsing a one-hour performance featuring songs and scenes. Those students travel to New York to perform in front of casting directors, talent agents, producers, and other industry professionals.

CHICAGO

The School of Theatre invites a half dozen casting professionals (casting directors, agents, artistic directors) from prominent Chicago area theatres to campus. Our graduating seniors meet with, audition for, take workshops from, and get personalized feedback from these guests. Thus, when they arrive in Chicago, our actors are on a first-name basis with a large number of important industry professionals.

DALLAS

The School of Theatre partners with a number of prominent casting authorities from Dallas for extensive workshops and auditions for the graduating seniors.

WHY THEY CHOSE OKLAHOMA CITY UNIVERSITY

I chose OCU because of the supportive community and excellence in theatrical production. The professors here strive to ensure their students receive the best possible professional training. I have learned many things at OCU about the technical, creative, and production side of theatre. Most importantly, I have learned how to be an artist in an ever changing world.

-Lauren Leppke, ’22 BA Theatre

I chose the BA Theatre Major because it allowed me to explore a wide range of courses in acting, directing, design, and new works. Because there are so many elective credits to fill on this track, it is easy to choose classes in every area of theatre you are interested in. I feel I have become a very wellrounded theatre artist at OCU.

-Olivia De Haan

’23 BA Theatre

Oklahoma City University has been a community of love and support for me the past 4 years. The community of love I saw during my audition welcomed me in and supported me in all aspects of my life. OCU promotes the growth of their actors in their acting, artistry, and their humanity.

-Fabius Bascon

’22 BFA Acting

The choice to join the OCU School of Theatre was easily the best decision I have ever made. The faculty and staff are encouraging, inspiring and passionate, and their love for the students shines every single day. Since coming to OCU, I have learned invaluable skills for the professional theatre world and have been able to use them to build personal relationships. Most importantly, I have learned the importance of being unapologetically myself, and how to bring that to all my work in the future.

-Madison Bailey

’22 BFA Acting

The School of Theatre, specifically the Design and Production department, has provided me with countless skills to add to my artistic and professional toolbox. From portfolio building classes to specific courses on my emphasis. I have worked on so many different productions in many different technical areas. When I graduate I know I will feel prepared to take on the world of professional theatre.

-Preston

Hunt

’24 BFA Theatre Design & Production

My experience at OCU as a Design and Production student has given me the knowledge, experience, and innovative mindset to successfully pursue a career in theatre. The program mentors you and your peers to grow as young theatre artists.

-Lauren McPherson, ’24 BFA Theatre Design & Production

guest artists & MASTER CLASSES

Guest Artists from recent years:

- Dominic Abbenante, Resident Media Designer, Playmakers’ Rep. Co.

- Christine Albright-Tufts, Artistic Director of Professional Training Company at Actors Theatre of Louisville

- Kevin Asselin, Artistic Director, Montana Shakespeare in the Park

- Dylan Baker, Actor & director, Tony Award nominee

- Paul Barnes, Founder, Great River Shakespeare Festival

- Beowulf Boritt, Tony Award winning Scenic Designer

- Caitlin Cairns, Drama Therapist

- Cary Cannon, American Players Theatre

- Joel Carlton, Talent Agent, CGF Talent in NYC

- Ken Cerniglia, Dramaturg, Disney Theatrical Productions, Hadestown Broadway

- Kristin Chenoweth, Tony Award winner

- Rex Daugherty, Artistic Director of Solas Nua

- Millie Dixon, Theatre Projects - Principle

- Ian Evans, Royal Welsh College of Music and Drama, UK

- Becky Fleming, Broadway ASM

- Alan Freedlan, Animation & television writer, Emmy Award winner

- Julia Gibson, MFA Acting Professor at UNC Chapel Hill, PlayMakers’ Rep. Co. Member

- Chris Harrison, Host of The Bachelor

- Erica Hart (Erica Hart Casting), Casting Director/ Producer

- Lisa Helmi Johanson, Actor - Broadway, Off-Broadway, Region

- Anna Maria High, Actor, Director

- Mary Ann Hoag, Lighting Designer at Solomon R. Guggenheim Museum

- Craig Holzberg, Owner and Agent, Avalon Artists Group

- Monica Horan Rosenthal, - Actress, known for her role as Amy MacDougall-Barone on Everybody Loves Raymond

- Raymond Inkel, Production Manager, Alley Theatre in Houston

- Jessica Jackson, Director & improviser

- Don Jordan, Head of Production, Circle Theatre

- Dr. Ajay Joshi, Fulbright Scholar, Children’s Theatre Author

- Scott Kaiser, Head of Company Development for Oregon Shakespeare Festival

- Elizabeth Kensek, Associate Producer, WaterTower Theatre

- John Kimble, formerly William Morris Agency

- Michael Kirsten, Harden Curtis Kirsten Riley Agency

- Beth Kligerman, Producer, The Second City, Chicago

- Karen Kohlhaas, Atlantic Theatre Company

- Talia Krispel, Equity SM, LA & NYC

- Ellen Lavia, Broadway Stage Manager for The Lion King

- Denise Lee, Dallas Based Actress/Singer/Diversity Advocate

- Linda Leonard, Freelance Director, Actor, Teacher, & Coach

- Christine Lesiak, Small Things Productions - Intro to Clown, Presence & Play from Alberta, Canada

- Tiffany Little-Canfield, Casting Director, Telsey + Co. in New York City

- Mike LoBue, Head Electrician, Radio City Music Hall

- Bob Mason, Casting Director, Chicago Shakespeare

- Gilbert McCauley, Off-Broadway & Regional Theatre Director

- Anne McMills, Broadway Associate Lighting Designer

- Joseph Megel, Artistic Director, The Process Series at UNC

- Kathleen Mulligan, Professor of Voice & Speech, Ithaca College

- Mike Naumann, Production Manager, Cirque du Soleil - Varekai

- Jeff Norman, Production Stage Manager of Newsies National Tour

- David O’Brien, Production Stage Manager, Wicked National Tour

- Kelli O’Hara, Tony Award winner

- Brian O’Neill, - Author of Acting As A Business

- Laura Osnes, Actress & singer known for her work on the Broadway stage

- Mike Pahsetopah, Osage, Cherokee, and Creek Performer and Storyteller

- Mamie Parris, Actor, Broadway, Film and TV

- Clint Ramos, Tony Award winning Costume & Scenic Designer

- Jeff Rane, Executive Producer, Uptown Players

- Cody Renard Richard, Broadway SM, Cirque du Soleil, Tony Awards, Jesus Christ Superstar Live!, Hamilton

- Phil Rosenthal, - TV writer & producer, known for creator writer/executive producer on Everybody Loves Raymond

- Sainrithya School of Dance, Classical Indian Dance (Bharatanatyam) from Norman, Oklahoma

- Sam Samuelson, Stewart Talent, Chicago

- Adam Sanders, Managing Director, Commonwealth Shakespeare Company

- Steve Scott, Producer, Goodman Theatre, Chicago

- Kaitlin Shaw, Tara Rubin Casting

- Merri Sugarman, Tara Rubin Casting

- Joey Walls, Lighting Supervisor, Atlanta Ballet

- Sherry Jo Ward, disabled actor and playwright

- Kat Wepler, TheatreSquared

Patti LuPone

Jason Alexander

Mary McDonnell

Denise Lee

we are committed for our students with leading to creating opportunities industry professionals

Teatro Milagro

Gary Garrison Executive Director Dramatists Guild of America

David “Dstew” Stewart Production Manager, Disney Parks Live Entertainment

Jason Marsden Executive Vice President Matthew Shepard Foundation

Jonathan Allsup Production Manager, Paramount Theatre

Cirque du Soleil’s “Crystal”

Teresa Eyring Executive Director, Theatre Communication Group

Antonio Fava Maestro of Commedia Dell’arte

Louis Colaianni Author of The Joy of Phonetics and Accents

Elizabeth Gray Executive Director, Civic Center Foundation General Manager, OKC Broadway

Auditioning the Female Perspective w/ Mamie Parris, Anna Maria High, Lisa Helmi Johanson

Ty Fanning ’13 Playing Romeo at the Utah Shakespeare Festival

Isaiah Williams, BFA ’17 Coordinator/Artistic Director for Taylor Performing Art Center

Lauren Thompson ’15

Played Hero and Dogberry in “Much Ado About Nothing” with Utah Shakespeare Festival

Mercedes Arndt, BFA ’19 Hallmark Channel as supporting character in “Plus One At An Amish Wedding”

Jeremy Fisher BFA Design & Production ’11 Production Manager, Tennessee Shakespeare Company

Anna Luczynski BA Theatre & Performance ’21 Tour Actor/Director, Missoula Children’s Theatre

Carleigh Wagner BFA Design & Production ’19 Assistant Charge Artist, The Glimmerglass Festival

Oklahoma City

Our campus sits in the heart of OKC in the historic and vibrant Uptown District. Just a short drive, walk, or bike ride from campus you can explore more than a dozen diverse neighborhoods and entertainment districts featuring live music venues, local restaurants, coffee shops, food trucks, farmers markets, art events and cultural performances.

On any given night you may find yourself dining at one of the local hotspots in Automobile Alley or Deep Deuce, enjoying a festival in the Plaza District or Midtown, appreciating one of the many art galleries in the Paseo Arts District, attending a professional sporting event, catching a local or nationally touring show at the Civic Center Music Hall or the Lyric Theatre of Oklahoma, playing laser tag in the Bricktown Entertainment District, or taking a stroll by beautiful Lake Hefner.