Newman
CONCERTINO flute solo, chamber winds, piano
OK
FEEL
GOOD
MUSIC
Jonathan Newman
CONCERTINO COMMISSIONED BY Boston College, Sebastian Bonaiuto, Director of Bands The Florida State University, Richard Clary, Senior Band Conductor Georgia State University, Robert J. Ambrose, Director of Bands Kennesaw State University, Peter Witte, Director of Bands Louisiana State University, Frank B. Wickes, Director of Bands Tarleton State University, Jonathan Hooper, Director of Bands University of Puget Sound, Robert Taylor, Director of Bands University of Tennessee, Gary Sousa, Director of Bands Valdosta State University, Joe H. Brashier, Director of Bands Willamette University, Tim Robblee, Director of Bands additional support provided by: Azure Ensemble, Susan Glaser, Artistic Director Consortium organized by Robert J. Ambrose, Georgia State University
OK
FEEL
GOOD
MUSIC
Jonathan Newman (b.1972) Concertino (2007) for flute solo, chamber winds, and piano I. Vive II. Chant du soir III. Voix argentine
1 43 65
ABOUT Concertino This Concertino takes the lively French chamber wind literature of the early 20th-century as its starting point, but this piece views the “French” style through an odd lens, twisting and bending the language of that neoClassical genre in order to run the music through very different stylistic approaches. In the later movements, the Franco-survey is expanded to other inspirations—to not only the techniques of other French nationals, but also of those I consider “French” in spirit, such as Japanese composer Toru Takemitsu. In writing the piece, I was particularly excited to explore these styles while juxtaposing the virtuosity of the soloist with the delicate intimacy of the chamber ensemble. Practically, the work comes out of the efforts of my friend and colleague Robert Ambrose, a champion of new music who encouraged me to write for chamber winds, and flute in particular, and who shepherded the project with infectious enthusiasm. The Concertino is dedicated to flutist Sarah Kruser Ambrose, for whom it was written.
INSTRUMENTATION 10 PLAYERS: FLUTE SOLOIST (Flute, Piccolo, Alto Flute) Oboe 1 Oboe 2 / English Horn E-flat Clarinet 1/ B-flat Clarinet 1 B-flat Clarinet 2 / Bass Clarinet Bassoon 1 Bassoon 2 Horn 1 in F Horn 2 in F Piano
DURATION 16’
Performance materials available for hire from OK Feel Good Music rental@jonathannewman.com www.jonathannewman.com
OK
FEEL
GOOD
MUSIC
Transposed Score
for Sarah Kruser Ambrose
CONCERTINO for flute solo, chamber winds, and piano
Solo Flute
Oboe 1
Oboe 2 / English Horn
Clarinet 1 in Eb
Clarinet 2 in Bb/ Bass Clarinet
Bassoon 1
Bassoon 2
Horn 1 in F
Horn 2 in F
Piano
4/08 1st Edition
In 2 q = 120
f
f
In 2 q = 120
f
f
f
f
f
f
f
JONATHAN NEWMAN
I. Vive
f
f
mp
f
mf
mp
f
mf
Copyright Š 2007 by Jonathan Newman, OK Feel Good Music, ASCAP All rights reserved For all countries www.jonathannewman.com
2
6
Fl.
Ob. 1
Ob. 2
Eb Cl.
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
mf
mp
f
f
f
mf
mf
mp cresc.
f
f
L.H.
f
quasi gl.
f
quasi gl.
f
mf
f
mp
Pno.
3
12
Fl.
Ob. 1
Ob. 2
Eb Cl.
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
A
mf
mp
mf
mp
mf
f
f
f
f
A
mp cresc.
f
f
f
f
Pno.
4
17
Fl.
Ob. 1
Ob. 2
Eb Cl.
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
mp
mp
f
f
mf
mf
f mf mf
mp cresc.
f
f
f
mf
Pno.
f
f
f
L.H.
f
quasi gl.
mp
mp
mp
mp
quasi gl.
5
23
Fl.
Ob. 1
Ob. 2
Eb Cl.
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
f
f
f
f
B
mf
B
Pno.
5
p
p
mf
p
p
6
30
Fl.
Ob. 1
Ob. 2
Eb Cl.
Cl. 2
mf
mf
mf
mf
Bsn. 2
f
Pno.
Hn. 2
Bsn. 1
Hn. 1
p
mf
mf
7
37
Fl.
Ob. 1
Ob. 2
Eb Cl.
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Pno.
5
3
3
5
5
f
f
5
f
3
3
f
f
8
42
Fl.
Ob. 1
Ob. 2
Eb Cl.
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Pno.
ff
ff
ff
f
ff
f
f
f
f
f
f
ff
f
f
9
Fl.
Ob. 1
Ob. 2
Eb Cl.
Cl. 2
C
46
mf
Bsn. 2 Hn. 1
Hn. 2
Pno.
mp
f
mp
mp
f
f
f
f
mf
mp
f
C
f
f
f
mf
mp
Bsn. 1
mf
mf
mf
f
mp cresc.
10
51
Fl.
Ob. 1
Ob. 2
Eb Cl.
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Pno.
f
gl. as before
L.H.
f
f
mp
mp
mp
f
mf
mp
f
mp cresc.
f
mp
f
mf
mp
gl. as before
f
11
57
Fl.
Ob. 1
Ob. 2
Eb Cl.
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
gliss.
p
mf p sub.
f
f
p
p
gliss.
gliss.
mf p sub.
D
mf p sub.
mp
p
p
3
D
mf
fp
Pno.
mf
f
mf
12
63
Fl.
Ob. 1
Ob. 2
Eb Cl.
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Pno.
p
mf
mf
mf
3
f
f
mf
3
3
p
mf
p
mf
p
mf
f
f
mf
3
3
f
mf
sfz
f
stacc.
mf
f
f
mf
quasi gl.
3 f
piĂš f
mf
mf
mf
mf
13
69
Fl.
Ob. 1
Ob. 2
Eb Cl.
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Pno.
3
3
3
3
mp
f
mp
f
6
f
6
f
mf
f
mf
6
6
mf
sfz
6
mp
mp
6 6
f
f
f
mp sub.
mf
mf
f
mp
mf
6
6
f
14
73
mp
Fl.
Ob. 1
Ob. 2
Eb Cl.
Bsn. 2
Hn. 1
Hn. 2
Pno.
f
f
f
f
f
f
f
ff
ff
f
f
mf
mf
6
mp
mf
p
p
mp
f
f
mf
Bsn. 1
f
mf
Cl. 2
10
mp
mf
15
E 78
Fl.
Ob. 1
Ob. 2
Eb Cl.
f
f
f
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Pno.
f
E
f
f
f
f
f
mf
mf
f
mf
f
L.H.
mp cresc.
f
mf
mp
mf
mp
f
Cl. 2
f
16
84 Fl.
Ob. 1
Ob. 2
Eb Cl.
Cl. 2
Bsn. 1
Bsn. 2
mp
Hn. 1
Hn. 2
Pno.
mp
mp
f
mp
f
f
f
F
mf
to E.H.
Solo
p
p
mf
mp
p
F
p
17
89
Fl.
Ob. 1
E.H.
Eb Cl.
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Pno.
3
18
96
Fl.
Ob. 1
E.H.
Eb Cl.
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
G
mf E.H.
p
mf
mf
Solo
f
G mf f
(p)
p
(p)
mf
Pno.
3
f
19
102
Fl.
Ob. 1
E.H.
Eb Cl.
Cl. 2
Pno.
Bsn. 2
Hn. 2
Hn. 1
Bsn. 1
p
to B.Cl.
20
107
Fl.
Ob. 1
E.H.
Eb Cl.
B. Cl.
H
Hn. 1
p
p
p
3
H
Pno.
p
Hn. 2
mf
Bsn. 2
Solo
Bsn. 1
p
21
114
Fl.
Ob. 1
E.H.
Eb Cl.
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
mp cresc.
mf
mf
mf
quasi gl.
3
mf
mf
mf
mf
mf
p
B.CLAR.
p cresc.
Pno.
22
I
121
Fl.
Ob. 1
E.H.
Eb Cl.
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
p
mf
p
I
h = q. (q. = 60)
pp
p
p
p
Pno.
h = q. (q. = 60)
23
125
Fl.
Ob. 1
E.H.
Eb Cl.
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
mf
mf
p
f
mf
mp
mf
mp
mp
mf sub.
f
mp
6
mp
p
Pno.
f
24
130
Fl.
OSSIA
Ob. 1
E.H.
Eb Cl.
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Pno.
J
mf
mf
mf
p
p
p
J mf
mp
p
mf
Solo
p
25
134
Fl.
Ob. 1
E.H.
Eb Cl.
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Pno.
Solo
mf
p
p (p)
p
(p)
mf
mp
mp
fp
fp
fp
(p)
26
K
141
Fl.
Ob. 1
E.H.
Eb Cl.
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
to Picc.
mf
mf
mf
3
3
mf
Pno.
q. = h A Tempo (q = 120)
mf
3
mf
p
3
mf
p
p
p
mf
mf
p
p
K q. = h A Tempo (q = 120)
mp
mf
mp
mf
mp
27
147
Picc.
Ob. 1
E.H.
Eb Cl.
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
p
very slow tremolo, poco a poco accel. PICC.
p
Pno.
3
mf
mf
3
mf
mp
mf
mf
3
3
mf
mf
mf
mf
mf
mp
mf
28
152
Picc.
Ob. 1
E.H.
Eb Cl.
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
p
p
p
mp
f
p
Pno.
f
f
p
3
p
3
p
Hn. 2
3
f
29
L 156
Picc.
Ob. 1
E.H.
Eb Cl.
B. Cl.
Bsn. 1
Hn. 1
Hn. 2
Pno.
mp cresc. poco a poco
mp cresc. poco a poco
L
mp cresc. poco a poco
p cresc. poco a poco
to Oboe
mp cresc. poco a poco
f
Bsn. 2
h = q. (q. = 60)
mf cresc.
h = q. (q. = 60)
f
30
160
Picc.
Ob. 1
Ob. 2
Eb Cl.
B. Cl.
f
f
to Bb Clar.
accel.
(f)
f
cresc.
OBOE
f
f
Bsn. 2
Pno.
Hn. 2
accel.
Bsn. 1
Hn. 1
31
163
Picc.
Ob. 1
Ob. 2
Eb Cl.
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
f
mp
mp
mf
mp
f
A Tempo (q = 120)
mf
Bb CLAR.
f
ff
f
to C Flute
f
f
A Tempo (q = 120)
f
Pno.
mp cresc.
32
Ob. 1
Ob. 2
Eb Cl.
FLUTE
167 Fl.
M
6
mf
f
f
Bsn. 1
f
mf
Bsn. 2
Hn. 1
Hn. 2
mf
mf
f
f
M
mf
mp
mp
f
f
f
Pno.
f
mf
f
mf
f
Cl. 2
f
mf
mp cresc.
33
172
Fl.
Ob. 1
Ob. 2
Eb Cl.
f
f
f
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
f
mf
mf
f f
f
Hn. 2
Pno.
mf
f
L.H.
f
sim. quasi gl.
sim. quasi gl.
34
177 Fl.
Ob. 1
Ob. 2
Eb Cl.
mp
Pno.
p
p sub.
mf
f
f
p sub.
Hn. 2
Bsn. 2 Hn. 1
p sub.
p sub.
Bsn. 1
p sub.
Cl. 2
mf
quasi gl.
f
3
f
mf
mf
f
35
183
Fl.
Ob. 1
mf
Ob. 2
Eb Cl.
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Pno.
mf
mf
mf
mf
mf
3
mf
3
p
3
f
f
p
mf
p
mf
mp
f
f
mp
f
mf
3
3
mf
f
3
3
3
mf
3
f
sfz
f
stacc.
mf
piĂš f
f
36
188
Fl.
Ob. 1
Ob. 2
Eb Cl.
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
sfz
mf
Pno.
6
6
6
mf
6 6
f
mf
mp
mf
mp
f
mp
f
f
mp sub.
f
f
f
6
mf
mf 6 6 mp
6
mf
mf
Hn. 2
mf
mf
37
192 Fl.
Ob. 1
Ob. 2
Eb Cl.
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
f
f
f
f
f
mf
mf
rip
mf
f
mf
N
f
rip
ff
ff
Pno.
mf
f
f
Hn. 2
mf
piĂš f
f
f
N brilliant
f
10
f
f
38
197
Fl.
Ob. 1
Ob. 2
Eb Cl.
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Pno.
5
5
stacc.
f
39
202
Fl.
Ob. 1
Ob. 2
Eb Cl.
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
ff
f
f
piĂš f
f
f
piĂš f
O
f
Pno.
O
40
207
Fl.
Ob. 1
Ob. 2
Eb Cl.
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
5
Pno.
5
5
5
7
3
ff
3
gliss.
41
211
Fl.
Ob. 1
Ob. 2
Eb Cl.
Cl. 2
3
3
Bsn. 2
gliss.
gliss.
Hn. 2
Pno.
Bsn. 1
Hn. 1
f
ff
f
f
f
gliss.
42
215
Ob. 2
Eb Cl.
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Pno.
f cresc.
f
mf cresc.
mf cresc.
f
f
mf
f
mp cresc.
f
f
ff
ff
f
ff
f
f
f
mf
P
mf
f
ff
mf
Fl.
Ob. 1
P
ff
ff
f
ff
f
ff
ff
ff
43
II. Chant du soir Senza tempo 4" *
Alto Flute
Oboe 1
English Horn
Clarinet 1 in Bb
Bassoon 1
Bassoon 2
Horn 1 in F
Horn 2 in F
sim.
Bb Clarinet
pp
n
pp
n
repeat ad lib.
pp
repeat ad lib.
Piano
4"
n
Bass Clarinet
Senza tempo 4"
pp (sounds) piano harmonic touch string in piano
sempre
4"
sim.
(sounds)
(touch both strings)
* all second timings are approximate and open to conductor interpretation
ord.
pp repeat ad lib.
44
6
A. Fl.
Ob. 1
E.H.
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Lentement q = ca. 72
repeat ad lib.
p
A
mp
5
3
p
)
p
pp
n
repeat ad lib.
pp
mp
pp
n
(
Pno.
mp
mp
repeat ad lib.
p
Lentement q = ca. 72
ord.
mp
(harmonics)
fp
A
fp
mp
6
45
12
E.H.
A. Fl.
Ob. 1
Senza tempo, as before 6"
7
Bsn. 2
Hn. 1
7
p
A tempo (q = ca. 72)
( )
repeat ad lib.
p
p
w/ Hn. 2 together
together w/ Hn. 1
Pno.
sfz
Hn. 2
repeat ad lib.
p
p
Bsn. 1
7
7
B. Cl.
5"
sfzp (after Cl.)
p
Cl. 1
sfz
Senza tempo, as before 6"
( )
sfz ( )
sfz
5"
p
A tempo (q = ca. 72)
46
15
A. Fl.
Ob. 1
E.H.
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
6
6
mp
mp
3
mp
mf
p
poco
3
Pno.
B
3
p
B
p legato
mp
p
p
p
mp
poco
mp
poco
mp
mp
3
3
3
poco
mp
legato
poco
mp
47
18
A. Fl.
Ob. 1
E.H.
Cl. 1
B. Cl.
Bsn. 1
Senza tempo 5"
mf
gl.
mp
p
Hn. 1
5"
p
gliss.
mf
4"
p
gliss.
mf
p
p
Pno.
p
Hn. 2
gliss.
Solo
(after Cl.)
p
Bsn. 2
gl.
p
Senza tempo 5"
p bisbigliando ad. lib, unmeasured
5"
4"
48
21
A. Fl.
Ob. 1
E.H.
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
C
PiĂš Mosso (q = ca. 88)
Pno.
mf
Solo
gl.
mf
p
mf
mp
mp
mp
mf
mp
mf
5
mp
mp
C
PiĂš Mosso (q = ca. 88)
sempre Ped.
ord.
49
24
(echo)
p
Ob. 1
E.H.
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
p
mp
p
mp
Pno.
mp
p
Hn. 2
(p)
A Tempo
A. Fl.
p
p
mp
5
p
p
A Tempo
50
28
A. Fl.
Ob. 1
E.H.
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
3
mf espr.
mp legato
D
mf
sempre l.v.
mf
mf
3
mf
3 3
p
mp legato
mf
Solo
6
mp
Pno.
D
Harmonics (overblown fundamental, sounding partials)
51
"harmonic trill" ossia, ord. (non harmonics)
31 A. Fl. 3
Ob. 1
E.H.
Cl. 1
p cresc.
3
p cresc. espr.
Bsn. 1
Hn. 1
Pno.
mp cresc.
6
mp
mf
mp
mp cresc.
mp
cresc.
mp cresc.
p
p
p
p
Hn. 2
p
Bsn. 2
3
p cresc. espr.
p
B. Cl.
52
E 34
A. Fl.
Ob. 1
E.H.
Cl. 1
B. Cl.
Senza tempo 4"
mf
p
gliss.
gl. freely
mp espr.
6" gl.
gl.
3" gliss.
p sub.
4"
chase Oboe, freely
mp espr.
p sub.
Bsn. 1
p sub.
Bsn. 2
Hn. 1
Hn. 2
p sub.
mf
mf
p sub.
Senza tempo 4"
E
Pno.
p
mf
4"
repeat ad lib.
6"
3"
bisbigliano as before
53
38
A. Fl.
Ob. 1
E.H.
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
A Tempo (q = ca. 72)
p
p
legato
legato
p
n
n
n mf
n
legato
mf
p
pp
pp
p
p
p legato
(echo)
6
mf espr.
mp
mf
Pno.
F
p
F A Tempo (q = ca. 72)
n
n
n
p
n
54
43
Ob. 1
E.H.
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
A. Fl.
mf
mf
mf
mp
Pno.
mp
mf
6 loco 3 3
mf espr.
poco
mf espr.
mf
G
6
mp
mf
Hn. 2
mp
f
G
l.v.
mf espr.
mf espr.
con Ped.
55
48
A. Fl.
f
Ob. 1
E.H.
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Pno.
6
mf
f
mf sub.
mf
mf
mf
mf
mf
mf
mf
mf
loco
mf
mf
mf
mf
mf
3
mf
mf
harmonic trill as before (ossia ord.)
mf
3
3
3 3 3
p
3
3
56
A. Fl.
Ob. 1
E.H.
Cl. 1
B. Cl.
Bsn. 1
rall.
ord.
mp cresc.
f
mp
mp
f
f
Hn. 2
mp
f
Pno.
mp cresc.
mp cresc.
mf
f
3
f
3
con Rubato
f
f
rall.
f
f
mp
Hn. 1
mp
Bsn. 2
f
mf
con Rubato
52
piĂš f
57
56
A. Fl.
Ob. 1
E.H.
Cl. 1
B. Cl.
Bsn. 1
H
6
ff
6
6
6
6
5
ff
poco rit.
ff
ff
ff
ff
Hn. 1
Hn. 2
ff
Pno.
ff
ff
H
Bsn. 2
sempre l.v.
mp
poco rit.
ff
58
A Tempo 59
A. Fl.
Ob. 1
E.H.
Cl. 1
p
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Pno.
f
3
p
I
cresc.
p cresc. espr.
p cresc. espr.
high harmonics fingered gliss
n
p
p
A Tempo
p
3
mp cresc.
p
p
3
mp
B. Cl.
3 3
p
cresc.
mp cresc.
I
mf
mp
59
63 A. Fl.
Ob. 1
E.H.
Cl. 1
mf
p
3"
gl.
3" gliss.
Senza tempo 4"
p sub.
6
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
p
p sub.
p sub.
mf
p sub.
Senza tempo 4"
cresc.
mp
mp
Pno.
mf
p sub. bisbigliando as before
3" repeat ad lib.
3"
60
J
67
A. Fl.
Ob. 1
E.H.
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
PiĂš Mosso (q = ca. 88)
mf
gl.
mf
p
mf
mp
mp
mp
mf
mp
mf
Pno.
5
mp
J
mp
PiĂš Mosso (q = ca. 88)
harmonic, as before
sempre Ped.
61
K
70
(echo)
A. Fl.
p
Ob. 1
E.H.
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
p
mp
3
p
p legato
K
mp
3
p
mf
mp
mp
6
Pno.
p
Hn. 2
A tempo (q = ca. 72)
A tempo (q = ca. 72)
5
mp
(harmonic)
62
73
E.H.
Cl. 1
6
p
A. Fl.
Ob. 1
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
p
p
n
repeat ad lib.
repeat ad lib.
3
pp
p
p
3
pp
Pno.
pp
n
B. Cl.
6
p
p
ord.
(harmonics)
63
77
A. Fl.
Ob. 1
E.H.
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
mp
p decresc.
sim.
repeat ad lib.
n
pp
repeat ad lib.
pp
p
p
pp
L
3
5
Senza tempo 4"
Pno.
fp
pp
fp
6
Senza tempo 4" ord.
L
repeat ad lib.
p
mp
pp
repeat ad lib.
sim.
64
80
A. Fl.
Ob. 1
E.H.
Cl. 1
B. Cl.
repeat ad lib.
attacca Mvt. 3
repeat ad lib.
( pp )
to Clar.
repeat ad lib.
Bsn. 2
Pno.
Hn. 2
pp
Bsn. 1
Hn. 1
( pp )
con sord.
repeat ad lib.
p con sord.
p
repeat ad lib.
p
attacca Mvt. 3
Alto Flute
Oboe 1
English Horn
Clarinet 1 in Bb
Clarinet 2 in Bb/ Bass Clarinet
Bassoon 1
Bassoon 2
Horn 1 in F
III. Voix argentine AllĂŠgro agite q. = 144
p
(con sord.)
p
AllĂŠgro agite q. = 144
mf
p
(con sord.)
Piano
ALTO avec urgence
p
Horn 2 in F
65
66
5
A. Fl.
Ob.
E. Hn.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Pno.
cresc. poco a poco
p
p
mf
mf
mf
67
A
9 A. Fl.
Ob.
E. Hn.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
( mp ) ... cresc. poco a poco ...
Pno.
p cresc. poco a poco
mp
mp
mp
p cresc. poco a poco
mp
mp
A
mp
68
13 A. Fl.
Ob.
E. Hn.
Cl. 1
Cl. 2
Bsn. 2
mf
p
p
mf
Pno.
(cresc.)
Hn. 2
Bsn. 1
Hn. 1
mp
mp
mp
mp
69
17 A. Fl.
Ob.
E. Hn.
mp
Cl. 1
Cl. 2
Bsn. 1
mf
Bsn. 2
Hn. 1
Pno.
( mp )
( mp )
mp
mp
p
cresc. poco a poco
( mf ) ... cresc. poco a poco ...
mf
p
p
Hn. 2
cresc. poco a poco
mf
mf
mf
mf cresc. poco a poco
p
p
mf poco cresc.
70
22 A. Fl.
Ob.
( mf )
E. Hn.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Pno.
4 4
( mf )
mf cresc.
mf cresc.
mf
mf
f
f
f
f
f
f
71
A. Fl.
B
26
f
Ob.
E. Hn.
Cl. 1
Cl. 2
Bsn. 2
Hn. 1
mf
f
Pno.
f
mf
f
B
mf
mf
mf
Hn. 2
f
mf
mf
Bsn. 1
f
f
f
f
f
f
72
A. Fl.
Ob.
E. Hn.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
C
31
p
p
C
poco
poco
mp
mf
cresc. poco a poco
p cresc. poco a poco
cresc. poco a poco
p
Pno.
p
Hn. 2
to Flute
p cresc. poco a poco
mf
mp p
Solo, open, avec force
73
35 Fl.
Ob.
E. Hn.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
mf
open
mp
mf
p cresc. poco a poco
Pno.
mp
mp
mp
( mp ) ...cresc. poco a poco...
( mp ) ...cresc. poco a poco...
mf
( mp ) ...cresc. poco a poco...
( mp ) ...cresc. poco a poco...
p
p
mf
74
39 Fl.
Ob.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
mf
p
Solo, as before
mp
mf
mf
Pno.
mf
mp
mf
( mf ) ...cresc. poco a poco...
( mf ) ...cresc. poco a poco...
( mf ) ...cresc. poco a poco...
( mf ) ...cresc. poco a poco...
( mf ) ...cresc. poco a poco...
cresc. poco a poco
mp
p
( mp ) ...cresc. poco a poco...
E. Hn.
Solo, as before
f
( mf ) ...cresc. poco a poco...
cresc. poco a poco
75
43 Fl.
Ob.
E. Hn.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Pno.
4
4
f
4
mf cresc.
4
4
4
f
f
f
f
f
76
47
Ob.
f
E. Hn.
mf
Cl. 1
f
Cl. 2
mf
Bsn. 1
Bsn. 2
Hn. 1
mf
f
Pno.
(f)
mf
Hn. 2
mf
D
mf
mf
p
mf
p
mf
p
p
p
f
f
f
f
Fl.
D
mf
mf
mf
mf
mf
77
E
53 Fl.
Ob.
C FLUTE
f
f
E. Hn.
Cl. 1
f
f
Cl. 2
Bsn. 1
f
f
Bsn. 2
Hn. 1
f
f
Hn. 2
f
mf
mf
mf
f
f
mf
f
f
f
f
mf
f
mf
E
Pno.
f
78
57 Fl.
Ob.
E. Hn.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
4
4
f
p
mf
mf
mf
p
mf
mf
mf
mf
to B.Clar.
4
Pno.
mf
79
60 Fl.
mf
Ob.
11
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Pno.
8
sfz
sfz
sfz
mp
sfz
11
mp
p
mf
sfz
p
Cl. 1
11
p
E. Hn.
sfz
sfz
mp
sfz
80
F
energique
64 Fl.
mf
Ob.
E. Hn.
Cl. 1
Hn. 1
p
F
mf
mf
p
mp
mf
Pno.
p
mp
Hn. 2
mp
Bsn. 2
p
mf
Bsn. 1
mp B. CLAR.
B. Cl.
p
81
69 Fl.
Ob.
E. Hn.
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Pno.
mf
mp
mp
p
mf
p
f
( mf )
82
73 Fl.
Ob.
E. Hn.
Cl. 1
B. Cl.
Bsn. 1
poco cresc.
Hn. 1
Hn. 2
Pno.
p
p
mf
mf
f
p
sfz
sfz
p
to Picc.
p
mf
mf
Bsn. 2
( mf )
sfz
to Clar.
fp
fp
sfz
sfz
83
Picc.
Ob.
mp
E. Hn.
mp
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Pno.
sfz
sfz
mf
mf
sfz
mf
sfz
sfz
mf
sfz
fp
sfz
sfz
11
fp
Hn. 2
mp
Cl. 1
PICC.
78
fp
fp
sfz
sfz
84
G
82 Picc.
Ob.
E. Hn.
Cl. 1
sim. energique
Bsn. 1
Hn. 1
mf
mp
mp
Pno.
mp
Hn. 2
mp
G
f
Bsn. 2
f
mf
Cl. 2
f
mp
f
f
85
86 Picc.
Ob.
E. Hn.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Pno.
mp
f
mf
mf
f
mp
86
90 Picc.
Ob.
E. Hn.
Cl. 1
mp
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Pno.
4
mp
Cl. 2
f
mp
f
mp
f
f
87
Picc.
Ob.
E. Hn.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
11
mf
f
f
mp
cresc. poco a poco
mp
cresc. poco a poco
mf
mf
mf
mp cresc. poco a poco
mp cresc. poco a poco
mp
mp
H
Pno.
H
94
mf
Solo, avec force, as before
f
88
98 Picc.
Ob.
E. Hn.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
11
f
mf
f
Pno.
11
mf
sfz
mp cresc. poco a poco
mf
mf
mf
f
( mf ) ...cresc. poco a poco...
( mf ) ...cresc. poco a poco...
( mf ) ...cresc. poco a poco...
mp
f
( mf ) ...cresc. poco a poco...
mp
mf
f
89
102 Picc.
11
Ob.
sfz
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
f
mp
f
mp
f
14
Solo, as before
Pno.
mf
( mf ) ...cresc. poco a poco...
E. Hn.
f
mp
mp
f
8
sfz
( f ) ...cresc. poco a poco...
( f ) ...cresc. poco a poco...
( f ) ...cresc. poco a poco...
( f ) ...cresc. poco a poco...
( f ) ...cresc. poco a poco...
cresc. poco a poco
mp
Solo, as before
f
( f ) ...cresc. poco a poco...
cresc. poco a poco
90
106 Picc.
mf
Ob.
E. Hn.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Pno.
4
f
sfz
4
4
11
11
4
ff
4
4
mf cresc.
4
4
ff
ff
ff
ff
91
110
Ob.
E. Hn.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
più f
più f
Pno.
più f
più f
mf
mf
più f
to Flute
mf
ff
mf
mf
f
f
f
f
f
p
f
f
f
f
f
p
p
p
I
p
mf
Hn. 2
Picc.
I
92 CADENZA
FLUTE
115 Fl.
Ob.
E. Hn.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
ff
ff
ff
ff
ff
ff
ff
ff
ff
Pno.
ff
CADENZA
to B.Clar.
93
Fl.
Fl.
Fl.
Fl.
rit.
Fl.
p cresc.
ff
Adagio
accel.
ten. p
ten.
fff
p
f
Fl.
Allegro
rit.
very slow tremolo, poco a poco accel.
ten. ten.
p
f
f
f
piĂš mosso
p cresc.
accel.
Allegro
Fl.
mf
stacc.
Fl.
accel.
f
f
6
6
6
94
meno mosso Fl.
mp
120 Fl.
B. Cl.
molto meno mosso
pp
Adagio, accel. poco a poco
J A tempo
accel.
(q. = 144)
p
p
125 Fl.
B. Cl.
Pno.
p
mp cresc. poco a poco
95
129 Fl.
Ob.
E. Hn.
Cl. 1
B. Cl.
Bsn. 2
Pno.
Hn. 2
Bsn. 1
Hn. 1
cresc. poco a poco
p cresc. poco a poco
p cresc. poco a poco
p cresc. poco a poco
cresc. poco a poco
mf
96
133 Fl.
Ob.
E. Hn.
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Pno.
mf ...cresc. poco a poco...
K
mp
mp
p
mp
mp
K
97
137 Fl.
Ob.
E. Hn.
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
p
p
p
mf
mf
Pno.
p
98
141 Fl.
Ob.
E. Hn.
Cl. 1
B. Cl.
Bsn. 1
(cresc. poco a poco)
mf
mf
Bsn. 2
Hn. 1
Hn. 2
Pno.
mp
p
cresc. poco a poco
mf
cresc. poco a poco
cresc. poco a poco
mp
p
99
145 Fl.
Ob.
E. Hn.
Cl. 1
B. Cl.
Bsn. 1
mf
Hn. 1
Hn. 2
Pno.
p
mp cresc.
mp
to Clar.
mf
(f)
mf
p
mf
Bsn. 2
L
mp
L
cresc. poco a poco
100
149 Fl.
Ob.
E. Hn.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
mp cresc.
f
mp cresc.
mf cresc.
mf cresc.
mf
mp
mf cresc.
Solo, as before
f
mf cresc.
cresc. poco a poco
(cresc. poco a poco)
mf cresc.
Solo, as before
Pno.
101
153 Fl.
Ob.
E. Hn.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
4
4
4
mf cresc.
CLAR.
Pno.
4
4
mf
sfzp (
sfzp (
4
4
4
sfzp
sfzp
)
)
102
M
157 Fl.
Ob.
E. Hn.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
sfz-f
ff
f
f
f
f
f
f
Pno.
ff
f
Hn. 2
ff
f
M
f cresc.
ff
ff
ff
103
160 Fl.
Ob.
E. Hn.
Cl. 1
Cl. 2
Bsn. 1
mf
ff
Pno.
ff
mf
f
f
f
ff
f
Hn. 2
mf
ff
Hn. 1
f
f
mf
Bsn. 2
f
f
mf
f
11
più f
più f
più f
più f
più f
più f
più f
più f
più f
104
164 Fl.
Ob.
E. Hn.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Pno.
11
mf
14
ff
mf
mf
mf
ff
ff
f
ff
ff
mf
mf
ff
ff
ff
mf
ff
mf
ff
mf
New York City 3/27/2007