Newman
THE RIVERS OF BOWERY winds brass and percussion
OK
FEEL
GOOD
MUSIC
about THE RIVERS OF BOWERY THE RIVERS OF BOWERY is an overture with a triumphant vision of the City as complex machine, capable of incubating the lowest in human nature as well as harnessing the best of Man’s intentions. The title comes directly from Allen Ginsberg’s glorious chronicle of Beat counterculture, Howl. Written in 1956, in a tenement about 2 blocks from where I live on the Lower East Side of Manhattan, Howl celebrates the Beat counterculture by breathlessly rejoicing in the underdog grit of Ginsberg’s beloved bohemia. The image is extracted from the line: …who ate the lamb stew of the imagination or digested the crab at the muddy bottom of the rivers of Bowery. Ginsberg’s river is a rush of people, and not the usual sunny city dwellers of an E.B. White essay or an O’Henry story, but his specific anti-community of the lost, the drugged, and the outcast. Ginsberg presents his city as possessing a triumphant spirit, neighbors piled on top of each other, never letting each other down despite being torn apart by society and by themselves. No one is more convinced of this dichotomy than me: Upon returning home after a weekend away in December, I found that my apartment had been broken into. Someone who most likely knows me, perhaps a teen in the building, or a relative of a neighbor down on his luck, had entered my apartment, and in a spirit of criminal benevolence, had taken only a portable piece of electronics (easily replaceable by me, and yet very saleable on the street). But our thief also grabbed my backpack, probably in order to transport the hot goods. As this occurred while I was writing this very piece, the bag contained piles of manuscript paper—all the sketches and drafts for this commission and for others, as well as a music sketchbook containing most of the sketches of every piece I’ve written for years. In taking the bag along with the intended stolen item, he inadvertently defeated his (in a way, thoughtful) purpose and actually took what was in fact most valuable to me. I knew there had to be a way where I and my (Ginsberg’s!) community could work together to correct his mistake. The contents of the bag (not seeming valuable) were most likely in a dumpster, somewhere in the neighborhood. I posted notices, whispered of a reward. I talked to neighbors, suspects, and relatives of suspects. I made it known that I did not want the stolen electronics back, but needed only the papers in that backpack. Just as I was starting to think that the manuscripts were lost forever and begin the process of frantically re-writing this piece, a homeless man came to the building, and reported that he "found" the papers in the garbage while looking for cans... Most likely he split the reward with the thief, but the details don’t matter. What is important is that despite our own machinations, we all keep each other afloat on Ginsberg’s river, and my (now appropriately fetid, stinking) manuscripts can make this positive vision manifest in sound and concert.
FIRST PERFORMANCE Rutgers Wind Ensemble Dr. William Berz, conductor 2005 CBDNA National Conference Skirball Center, New York University New York, NY February 24, 2005
INSTRUMENTATION (one on a part) Piccolo Flute 1 Flute 2 Oboe English Horn Bassoon Contrabassoon E-flat Clarinet Clarinet 1 in B-flat Clarinet 2 in B-flat Clarinet 3 in B-flat Bass Clarinet in B-flat Soprano Saxophone Alto Saxophone Tenor Saxophone Baritone Saxophone Trumpet 1 in B-flat Trumpet 2 in B-flat Horn 1 Horn 2 Horn 3 Horn 4 Trombone 1 Trombone 2 Bass Trombone Euphonium Tuba Piano Percussion Player 1 Glockenspiel 1* Wood Block (w/ glock mallet)
Player 2 Glockenspiel 2* Metal & Bamboo Wind Chimes (always played together) Bass Drum
Player 3 Crotales (also bowed) Triangle Tam-Tam (also scraped) Suspended Cymbal
Player 4 Tuned Button Gongs (A-flat3, B-flat3, G-flat4) Tubular Bells Ride Cymbal (also scraped)
Player 5 Marimba
Player 6 Vibraphone (also bowed) * Glocks ideally placed on opposite sides
SUGGESTED PERCUSSION SETUP
$ Z
Ab3 Bb3 Gb4
KK ;K $
'
* JJ
%
1
DURATION 3:30
Performance materials available for hire from OK Feel Good Music rental@jonathannewman.com www.jonathannewman.com
Commissioned by Dr. William Berz and the Rutgers Wind Ensemble for the 2005 CBDNA National Conference, New York City
TRANSPOSED SCORE
98
THE RIVERS OF BOWERY dedicated with friendship to Bill Berz
Andante con moto = 88 (sempre = 264) q.
e
Piccolo
air through horn
f
air through horn
Flute 1-2
f
Oboe
English Horn
JONATHAN NEWMAN
f
air through horn
air through horn
f
p
Bassoon
Contrabassoon
b
stagger breathing with Clar. 1
air through horn
Clarinet in E
f
b
f
p
stagger breathing with Eb Clar.
air through horn
Clarinet 1 in B
p
repeat ad lib., legato, not together
Clarinet 2 in B
b
p
repeat ad lib., legato, not together
Clarinet 3 in B
b
p
repeat ad lib., legato, not together Bass Clarinet in B b
Soprano Saxophone
air through horn
p
f
f
f
Baritone Saxophone
Trumpet 1-2 in B
b
98
f
q.
f
f
f
f
Tuba
f
Piano
Glockenspiel 1 Wood Block
Glockenspiel 2 Wind Chimes Bass Drum
Crotales Triangle Tam-Tam Susp. Cymbal
Tuned Button Gongs Tubular Bells Ride Cymbal
Marimba
98
Vibraphone
air through horn
air through horn
air through horn
air through horn
air through horn
f
air through horn
f
air through horn
f
air through horn
f
Andante con moto = 88 (sempre = 264) q.
e
Metal & Bamboo Wind Chimes
to B.D.
p
bowed
to Crot. & Tri.
p
alternate mallet and bowed, ad lib.
1/26/05 rev. corr. 5/17/05
p
air through horn
3. repeat ad lib., legato, not together
air through horn
Euphonium
p
air through horn
Bass Trombone
1. repeat ad lib., legato, not together
air through horn
Trombone 1-2
air through horn
f
air through horn
e
air through horn
f
Horn 3-4 in F
f
air through horn
Andante con moto = 88 (sempre = 264)
f
Horn 1-2 in F
f
air through horn
f
air through horn
Tenor Saxophone
f
air through horn
Alto Saxophone
p
Copyright © 2005 by Jonathan Newman, OK Feel Good Music, ASCAP All rights reserved For all countries www.jonathannewman.com
128
2
8
Picc.
Ob.
E.H.
Bsn.
Cbsn.
Eb Cl.
Cl. 1
f f f 3
6
3
6
6
(( p )
A
legato
Tbn. 1-2
B. Tbn.
Euph.
Tba.
Pno.
p
f
128
Hn. 3-4
Hn. 1-2
T. Sax.
Tpt. 1-2
A. Sax.
B. Sax.
Cl. 3
S. Sax.
Cl. 2
B. Cl.
Fl. 1-2
A
A Glock 1 W.B. Glock 2 W.Ch. B.D. Crot. Tri. Tam-Tam Sus.C. Gongs Tub. B. Ride Mar.
Vib.
f
B.D.
p
Tri.
p
(mallet)
mf
f
mallet
128
13
Picc.
Fl. 1-2
Ob.
Bsn.
Eb Cl.
Cl. 2
Cl. 3
S. Sax.
98
98
f
f
air through horn
f
air through horn
f
air through horn
air through horn
air through horn
f
air through horn
air through horn
legato
f
f
f
air through horn
f
air through horn
f
mf
3
mf
mf
128
98
Gongs Tub. B. Ride
Mar.
f
3
mp
T-Tam scrape w/ tri. beater
p
to T-Tam
3
Vib.
f
mf
B. Tbn.
Crot. Tri. Tam-Tam Sus.C.
air through horn
air through horn
Tbn. 1-2
Glock 2 W.Ch. B.D.
3
Glock 1 W.B.
Pno.
128
3
mf
f
p
Tba.
air through horn
Euph.
6
f
mf
Hn. 3-4
Hn. 1-2
T. Sax.
Tpt. 1-2
A. Sax.
B. Sax.
Cl. 1
B. Cl.
E.H.
Cbsn.
128
3
Ride Cym. w/ drumsticks
p
4
18
Picc.
Fl. 1-2
Ob.
E.H.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
S. Sax.
A. Sax.
T. Sax.
B. Sax.
Tpt. 1-2
Hn. 1-2
Hn. 3-4
f
Bsn.
Cbsn.
B
p
p
mf
mf
p
p B
p
B. Tbn.
p
Glock 2 W.Ch. B.D. Crot. Tri. Tam-Tam Sus.C. Gongs Tub. B. Ride
Mar.
Vib.
B
mf
l.v.
p f
mf
p p stagger breathing as before
stagger breathing as before
as before
p
as before
p
solo
f espr.
a2 con sord., stagger breathing
p p mf mf p
repeat ad lib., legato, not together
mf 3
f
to Tri. & Crot.
f
f
to Crot.
mf
Glock 1 W.B.
3
Pno.
mf
Tba.
3
mf
p
p
mf
Tbn. 1-2
Euph.
p
Gongs repeat ad lib.
p
mf
5
24
Picc.
Fl. 1-2
Ob.
E.H.
Bsn.
Cbsn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
S. Sax.
A. Sax.
T. Sax.
B. Sax.
mf
mf mf
mf
p
mf Tpt. 1-2
Hn. 1-2
Hn. 3-4
1.
Tbn. 1-2
B. Tbn.
Euph.
Tba.
Pno.
Glock 1 W.B. Glock 2 W.Ch. B.D. Crot. Tri. Tam-Tam Sus.C. Gongs Tub. B. Ride Mar.
Vib.
mf
6
29
Picc.
Fl. 1-2
Ob.
Cbsn.
Eb Cl.
Cl. 1
f
C
f 6
3
6
6
f
68
1. repeat ad lib., legato, not together, as before
Hn. 1-2
C
3. repeat ad lib., legato, not together, as before
Tbn. 1-2
p
B. Tbn.
Euph.
Tba.
Pno.
Glock 1 W.B. Glock 2 W.Ch. B.D. Crot. Tri. Tam-Tam Sus.C.
as before
Mar.
Gongs Tub. B. Ride
p
mf
mp
68
f
C
to Tub. Bells
alternate mallet and bowed, as before
Vib.
p
Hn. 3-4
f
T. Sax.
solo
A. Sax.
Tpt. 1-2
3
as before
B. Sax.
f
f mf f
Cl. 3
S. Sax.
p f
Cl. 2
B. Cl.
E.H.
Bsn.
68
to Glock / W.Chim.
p
f (mallet)
mf
Tub. Bells
mf
33
Picc.
Fl. 1-2
E.H.
Bsn.
Eb Cl.
Ob.
Cbsn.
mf
98
air through horn
air through horn
f
air through horn
air through horn
air through horn
B. Cl.
S. Sax.
f
air through horn
f
mf
solo
f
mf
Cl. 3
f
mf
f
mf
Cl. 2
air through horn
f
air through horn
f
A. Sax.
air through horn
f
B. Sax.
Tpt. 1-2
T. Sax.
f
98
air through horn
air through horn
f air through horn
f
Hn. 1-2
air through horn
Tbn. 1-2
f
mp
Hn. 3-4
air through horn
f
mp
air through horn
f
B. Tbn.
air through horn
f
Euph.
air through horn
f Tba.
Pno.
Glock 1 W.B.
Gongs Tub. B. Ride
45
98
prepare bow
let ring
to Ride
38
<e = e >
38
<e = e >
Wind Chim.
p
(mallets)
45
p
p
bowed
p
let ring
air through horn
f
let ring
Vib.
Crot. Tri. Tam-Tam Sus.C.
Mar.
mf Glock 2 W.Ch. B.D.
<e = e >
mf
Cl. 1
f
38
7
45
38 43
Bsn.
Cbsn.
8
39
Picc.
Fl. 1-2
Ob.
E.H.
Eb Cl.
45
legato
p
legato
legato
Cl. 3
Cl. 2
38 43
Cl. 1
38 45
D (q = 132 - Allegro)
p
p
B. Cl.
S. Sax.
Tbn. 1-2
B. Tbn.
Euph.
Hn. 3-4
Pno.
Glock 1 W.B. Glock 2 W.Ch. B.D. Crot. Tri. Tam-Tam Sus.C.
45
(q = 132 - Allegro)
p
p
38 43
p
p
p
p
38 43
38 45
38 43
D (q = 132 - Allegro)
p
p
45
p
p
38 45
p
38 43
bowed
back to mallet
p
Gongs Tub. B. Ride
Mar.
Ride scrape w/ tri. beater or coin
pp
to both Gongs & Bells
pp
Vib.
D
Hn. 1-2
Tba.
p
T. Sax.
Tpt. 1-2
A. Sax.
B. Sax.
legato
p
sempre Ped.
Picc.
38 43
38 45
Ob.
E.H.
Bsn.
Eb Cl.
Cl. 3
A. Sax.
T. Sax.
B. Sax.
p
Tpt. 1-2
Hn. 1-2
Hn. 3-4
Tbn. 1-2
B. Tbn.
Euph.
Tba.
Pno.
Glock 1 W.B.
Glock 2 W.Ch. B.D. Crot. Tri. Tam-Tam Sus.C. Gongs Tub. B. Ride
Mar.
Vib.
p
p
p
38 43
sempre l.v.
p
sempre l.v.
E
p
38 45
f
E
let ring
p
38 43
let ring
f
p
38 43
f
p
38 45
p
p
E
38 43
sempre l.v.
p
sempre l.v.
ord.
p
p
38 45
38 43
p
p
38 45
p
p
Cl. 2
S. Sax.
Cl. 1
B. Cl.
Fl. 1-2
Cbsn.
38 45
47
9
p
sempre l.v.
10
56
Picc.
Bsn.
Tpt. 1-2
Tbn. 1-2
Glock 1 W.B. Glock 2 W.Ch. B.D. Crot. Tri. Tam-Tam Sus.C. Gongs Tub. B. Ride
Mar.
Vib.
mf
+ 1. open
p
2.
f
mf
6
p
p
5
mf
p
38 43
38 43
p
mf
mf
p
f
p
f
6
mf
38 45
38 45
43
mf
p
5
p
mf
p p
38 43
2. open
f
Euph.
Pno.
mf
B. Tbn.
mf
Hn. 3-4
Tba.
43
Hn. 1-2
mf
mf
T. Sax.
A. Sax.
p
12
f
Cl. 3
B. Sax.
Cl. 2
S. Sax.
mf
Cl. 1
B. Cl.
E.H.
Eb Cl.
mf
38 45
12
Ob.
f f 12
Fl. 1-2
Cbsn.
43
62
Picc.
Ob.
E.H.
Bsn.
Cbsn.
Eb Cl.
Cl. 3
Gongs Tub. B. Ride
Mar.
Vib.
38
f
mf
43
F
p
p f f l.v.
p
p
1 4
p
f
(l.v.)
43
f
Wood Bl. (w/ glock mallet)
41
41 43
mf mf
mf
mf
mf
43
41 43
mf
mf
F
mf
mf
mf
38
f
43
6
f
a2
f
Euph.
Crot. Tri. Tam-Tam Sus.C.
1.
B. Tbn.
Glock 2 W.Ch. B.D.
mf
Tbn. 1-2
Glock 1 W.B.
p
Hn. 3-4
Pno.
p
p
41
41 43
F
Hn. 1-2
Tba.
T. Sax.
Tpt. 1-2
mf
A. Sax.
B. Sax.
mf
Cl. 2
S. Sax.
mf
43
Cl. 1
B. Cl.
Fl. 1-2
38
11
43
12
70
Picc.
Fl. 1-2
Ob.
E.H.
Bsn.
Cbsn.
Eb Cl.
Cl. 2
Cl. 3
S. Sax.
Crot. Tri. Tam-Tam Sus.C. Gongs Tub. B. Ride
Mar.
Vib.
43
f
43
6
a2
f
41
43
mf
f
(l.v.)
p
43
mf
mf
f
41 f
p
mf
6
mf
43
41
41 43
mf mf
f
41
43
mf
mf
f
Euph.
Glock 2 W.Ch. B.D.
B. Tbn.
Glock 1 W.B.
Tbn. 1-2
Pno.
Hn. 3-4
Tba.
41
Hn. 1-2
T. Sax.
Tpt. 1-2
A. Sax.
B. Sax.
Cl. 1
B. Cl.
43
43
f
Picc.
Fl. 1-2
Ob.
E.H.
Bsn.
Cbsn.
Eb Cl.
77
41
f
solo
Cl. 2
Cl. 3
B. Cl.
S. Sax.
A. Sax.
T. Sax.
B. Sax.
Tpt. 1-2
Hn. 1-2
Hn. 3-4
Tbn. 1-2
B. Tbn.
Euph.
Tba.
Pno.
Glock 1 W.B.
Glock 2 W.Ch. B.D. Crot. Tri. Tam-Tam Sus.C. Gongs Tub. B. Ride
Mar.
Vib.
41
mf
43
mf
41
p
41
f
43
3
3
f mf f
mf
f f mf mf mf
44
a2
f
f
f
3
f
mf
mf
43
to B.D.
mf
mf
mf
f
41 43
mf
f
f mf
5
44
f
Cl. 1
43
f
41
a2
43
13
mf p
( )
44
ff
f
14
Picc.
Fl. 1
Fl. 2
Ob.
E.H.
Bsn.
Cbsn.
Eb Cl.
Cl. 1
G
f f f f f f f 84
f
Cl. 2
Cl. 3
B. Cl.
S. Sax.
A. Sax.
T. Sax.
B. Sax.
Hn. 1-2
Hn. 3-4
Tbn. 1-2
B. Tbn.
Euph.
Tba.
Pno.
Glock 1 W.B.
Glock 2 W.Ch. B.D. Crot. Tri. Tam-Tam Sus.C. Gongs Tub. B. Ride Mar.
Vib.
f
f
f f f f
Tpt. 1-2
G
f
f 3
3
3
G
mf
to Glock
to Tri.
f
f sempre Ped.
6
mf
mf
mf
mf mf mf mf
f
f
l.v.
f f
mf
mf
mf
mf
mf
6
mf
l.v.
6
mf
f f
6
f
f
p
to Crot.
(l.v.)
15
Picc.
89
Fl. 1
Fl. 2
Ob.
E.H.
Bsn.
Cbsn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
f
H
f
f
f
Tbn. 1-2
B. Tbn.
Euph.
S. Sax.
A. Sax.
T. Sax.
B. Sax.
Tpt. 1-2
Hn. 1-2
Hn. 3-4
Tba.
Pno.
Glock 1 W.B.
Glock 2 W.Ch. B.D. Crot. Tri. Tam-Tam Sus.C. Gongs Tub. B. Ride Mar.
Vib.
f
mf
mp
f
f
mp
f
H
H
mf
16
92
Picc.
Fl. 2
Ob.
E.H.
Bsn.
ff
Fl. 1
Cbsn.
ff
cresc. poco a poco
ff
ff
Eb Cl.
cresc. poco a poco
Cl. 1
Cl. 2
Cl. 3
B. Cl.
cresc. poco a poco
S. Sax.
A. Sax.
T. Sax.
B. Sax.
Tpt. 1-2
f
ff
Hn. 1-2
Hn. 3-4
Tbn. 1-2
B. Tbn.
Euph.
f
Tba.
Pno.
Glock 1 W.B. Glock 2 W.Ch. B.D. Crot. Tri. Tam-Tam Sus.C. Gongs Tub. B. Ride Mar.
Vib.
ff
f
f
f
( ff )
17
95
Picc.
f
Fl. 2
E.H.
Bsn.
Eb Cl.
f
f
Ob.
Cbsn.
Fl. 1
ff ff
3
3
ff
Cl. 1
cresc. poco a poco
Cl. 2
cresc. poco a poco
Cl. 3
cresc. poco a poco
B. Cl.
S. Sax.
A. Sax.
f
T. Sax.
B. Sax.
Tpt. 1-2
f
Tbn. 1-2
f
B. Tbn.
Euph.
f
f
Hn. 3-4
Tba.
Pno.
Glock 1 W.B. Glock 2 W.Ch. B.D. Crot. Tri. Tam-Tam Sus.C. Gongs Tub. B. Ride Mar.
Vib.
f
( ff )
f
f
f
3
3
f
Hn. 1-2
18
98
Picc.
Fl. 1
3
ff f f 3
stacc.
f
cresc.
Fl. 2
Ob.
E.H.
Bsn.
Cbsn.
Eb Cl.
Cl. 3
3
Tbn. 1-2
B. Tbn.
Pno.
Glock 1 W.B.
Glock 2 W.Ch. B.D.
Crot. Tri. Tam-Tam Sus.C. Gongs Tub. B. Ride
Mar.
Vib.
3
3
f cresc.
3
f
ff ff
3
ff
f
f
più f
f
3
3
f
mf
f
cresc.
3
3
f
3
f
ff ff
3
3
f
98
3
f cresc.
3
cresc.
<e = e >
f
stacc.
f f ff
Tba.
f
Euph.
f
Hn. 3-4
f
Hn. 1-2
3
3
ff
T. Sax.
Tpt. 1-2
3
A. Sax.
B. Sax.
3
3
f
Cl. 2
S. Sax.
Cl. 1
B. Cl.
3
3
3
p
f f
<e = e >
98
f
Susp. Cymbal - yarn mallets
f
<e = e >
f
f
98
102 Picc.
Fl. 1
Fl. 2
Ob.
E.H.
Bsn.
Cbsn.
Eb Cl.
Cl. 1
98
19
I <e = e >
ff ff ff ff ff
6
ff
ff
ff
Cl. 2
Cl. 3
B. Cl.
S. Sax.
T. Sax.
Tpt. 1-2
A. Sax.
B. Sax.
ff
98
I <e = e >
Tbn. 1-2
B. Tbn.
Euph.
Hn. 1-2
Hn. 3-4
Tba.
Pno.
98
quasi gliss 3
quasi gliss 3
I
<e = e >
Glock 1 W.B.
Glock 2 W.Ch. B.D. Crot. Tri. Tam-Tam Sus.C. Gongs Tub. B. Ride
Mar.
Vib.
f
f
f
f
6
f
128
20
104 Picc.
Fl. 1
Fl. 2
Ob.
E.H.
Bsn.
Cbsn.
Eb Cl.
Cl. 3
S. Sax.
A. Sax.
ff
T. Sax.
128
ff
Tpt. 1-2
ff
Hn. 1-2
Hn. 3-4
ff
ff
B. Tbn.
Euph.
Tba.
Glock 2 W.Ch. B.D.
Gongs Tub. B. Ride Mar.
Vib.
ff
128
98
f
Crot. Tri. Tam-Tam Sus.C.
ff
Pno.
Glock 1 W.B.
98
ff
Tbn. 1-2
ff
B. Sax.
Cl. 2
98
Cl. 1
B. Cl.
f
106 Picc.
Fl. 1
Fl. 2
Ob.
E.H.
Bsn.
Cbsn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
S. Sax.
A. Sax.
T. Sax.
B. Sax.
Tpt. 1-2
Hn. 1-2
98
f
98
f
(e = e)
f
Tbn. 1-2
B. Tbn.
Euph.
ff
Pno.
Glock 1 W.B. Glock 2 W.Ch. B.D. Crot. Tri. Tam-Tam Sus.C. Gongs Tub. B. Ride Mar.
Vib.
ff
98
ff
3
f
42
J
f
f
f
f 3
43
J
f
ff
to W.Chimes / B.D.
to Tam-Tam / Sus. Cym.
44
f
to Tub. Bells
f
f
3
f
43
f
(e = e)
f
Tba.
44
f f
42
Hn. 3-4
J
f
43
(e = e)
21
42
f
44
22
110 Picc.
Bsn.
Cbsn.
Eb Cl.
Tpt. 1-2
44
Tbn. 1-2
Euph.
f
ff
44
Crot. Tri. Tam-Tam Sus.C.
Gongs Tub. B. Ride
Mar.
p
as fast as possible, ad lib., secco
Vib.
p
43
4 3
ff ff
ff
ff
ff
gliss.
f
f
ff
ff
as fast as possible, ad lib.
p
p
ff
6
p
Glock 2 W.Ch. B.D.
6
as fast as possible, ad lib.
Glock 1 W.B.
ff
ff
6
6
B. Tbn.
f
Hn. 3-4
Pno.
ff
ff
Hn. 1-2
Tba.
ff ff
T. Sax.
ff 6
6
A. Sax.
B. Sax.
Cl. 3
S. Sax.
ff
Cl. 2
ff
f
Cl. 1
B. Cl.
43
Ob.
Fl. 1-2
E.H.
44
ff
Sus. Cym.
(choke)
mf
f
ff
ff
let ring as long as possible