Arts & Antiques

with yarn, and to Richard L. Williams’ touching photograph titled Claudette, Roman and Rashard – February 2021.

What else do constant readers know about me and jurors? I love to re-review shows and see if I agree or disagree with their choices. Art is a very subjective thing and artists must all have thick skins.

My choice for Best in Show – not just First Prize – would have been Werllayne Nunes’ gigantic oil on panel painting titled Us. The work vibrates with happiness and power and reaches deep into every child’s memories as well as delivering a powerful social message.

Judith Peck is one of the DMV’s painting superstars – her technical skills are almost supernatural and her breathtaking ability to infuse her work with psychological power legendary. Her painting titled State Collapse, depicting a young woman in bed, is able to transmit fear, anxiety, and angst and summarize 2020 in one gorgeous work of art. She gets my First Prize award.

Second Prize goes to Carol Antezana’s sensitive portrait photograph titled Las Gringas. She writes about this work:

“Las Gringas is a photographic self-portrait analyzing the balance between being both Bolivian and a firstgeneration American amid political turmoil and uprisings in both countries. Disagreements about politics have been a specter for many families and the differences are ones of morality, core values, and character, creating tension and division. I was always taunted by my family for being “una gringa” because I cannot speak Spanish perfectly, yet there was (Top) Waiting for Takeout (To Go) by Cathy Abramson (Bottom) Not in Front of the Kids by Aaron Maier Carretero.

Spurgeon-Lewis Antiques 112 N. Columbus Street BW Art, Antiques & Collectibles 108 N. Fayette Street Imperfections Antiques 1210 King Street The Antique Guild 113 N. Fairfax Street Silverman Galleries 110 N. St. Asaph Street Red Barn Mercantile 1117 King Street Washington Square Antiques 425 S. Washington Street Susquehanna Antique Co. 608 Cameron Street Old Town Antiques 222 S. Washington Street Verdigris Vintage 1215 King Street Cavalier Antiques 400 Prince Street Sumpter Priddy III 323 S. Washington Street Henry Street Antiques 115 S. Henry Street Curzon Hill Antiques 108 S. Columbus Street The Hour 1015 King Street A Galerie 315 Cameron Street Random Harvest 810 King Street Acme Mid-Century + Modern 128 S. Royal Street Van Bommel Antiek Hous 1007 King Street Lloyd’s Row 119 S. Henry Street Torpedo Factory Art Center 105 N. Union Street Principle Gallery 208 King Street Potomac Fiber Arts Gallery 105 N. Union Street St. George Gallery 105 N. Alfred Street The Art League 105 Union Street Local Colour Old Town 218 N. Lee Street Icon Galleria 101 N. Union Street B&B Art Gallery 215 King Street Gallery West 1213 King Street Enamelist’s Gallery 105 N. Union Street Printmakers, Inc. 105 N. Union Street Kelly’s Art & Frame 510 N. Washington Street Oerth Gallery 420 S. Washington Street Jeffrey Winter Fine Arts 110A S. Columbus Street Johnston Matthew 105 N. Union Street Huddy Studio 105 N. Union Street Mezzanine Multiples 105 N. Union Street Silverman Galleries 110 N. St. Asaph Street Cochran David 105 N. Union Street Betty Grisham Studio 105 N. Union Street

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no importance in keeping our Indigenous language, Quechua, alive. As a child of immigrant parents, the act of balancing, adopting, and assimilating cultures can be daunting; there are deeply rooted racial double standards in both countries. Through redefining my identity, I am striving to decolonize my mind—my attempt at breaking the intergenerational trauma in my family.”

Honorable Mention goes to Cathy Abramson’s oil painting titled Waiting for Takeout (to go), another cool work which captured the Covidian Age perfectly! I also like Aaron Maier-Carretero’s somewhat

Dog Tired?TRY PLANT THERAPY!

disturbing enormous painting titled not in front of the kids. The palpable, hidden violence is terrifying in the work.

One last thing.

As I wrote earlier, Dorothy Kosinski noted that “Duncan Phillips hosted this type of exhibition annually from 1935 to 1950, and we are proud to continue this tradition to support our talented community.”

An open request to the Phillips: Host this type of exhibition annually from 2021 till the end of time. Exclusively representing the works of F. Lennox Campello

Price and additi onal images upon request.

“ ONE OF THE MOST INTERESTING PEOPLE OF WASHINGTON, DC”

– Washington City Paper Syreni Caledonii (Northern Atlanti c Mermaid). Watercolor, charcoal and Conte. 2019, 12x36 inches.

Alida Anderson Art Projects, LLC, Washington, DC www.alidaanderson.com / info@alidaanderson.com

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