OLESYA KOVAL PORTFOLIO
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COPYRIGHT @ 2017 Olesya Koval All rights reserved. No part oft his book may be used or reproduced in any manner without the written permission of Olesya Koval. Olesya Koval PHONE / 1 415 3416654 EMAIL / olesyaokoval@gmail.com WEB / http://misshummingbird.wixsite.com/olesyakoval ACADEMY OF ART UNIVERSITY 601 Brannan St, San Francisco, CA 94107 DIRECTOR / Archana Myer INSTRUCTOR / Leonarda Tamayo COURSE / Portfolio TYPEFACE / Mr Eaves Mod OT SOFTWARE / Adobe Creative cloud PHOTOGRAPHY / Olesya Koval CAMERA / iPhone 6S PRINTER AND BINDERY/ Blurb 580 California St # 300, San Francisco, CA 94104
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WOOD “Wood is universally beautiful to man. It is the most humanly intimate of all materials� -Frank Lloyd Wright A home, the material, the smell, the sense, all things which are part of human nature, we all connect to these elements within design. Wood is neither defining not defined within the home yet there is a connection with this material that connects us to this feeling of home. The designs and selected projects within this book illustrate my understanding with the application of wood as a material, these projects residential and commercial all connect to an earthy quality which I believe that wood possesses.
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TABLE OF CONTENT
DINING ROOM
FALLEN LEAF HOUSE
3D MODELING / RENDERING
INTRODUCTION 8-9 10-11
Concept / sketching Overall space plans
46 47-49
Description Renderings
BootUP OFFICE
INTRODUCTION 52-53 54-55 56-57
Concept Site Overall plan
1ST FLOOR 12-13 14-19 20-23 24-27
Floor plan Dining room Kitchen Great room
CO-WORKING 1 58-59 60-61 62-63 64-65
Finish plan Sketches Rendering Elevations
2ND FLOOR 28-29 30-35 36-41
Floor plan Master bedroom Master bathroom GUEST HOUSE AND OUTDOOR
42-43 44-45
4
Outdoor patio Guest house
CO-WORKING 2 66 67 68-69 70-71
Finish plan Sketches Rendering Elevations KITCHEN
72 73 74-75 76-77
Finish plan Sketches Rendering Elevations
CAFE - MONET
3D MODELING / RENDERING 78 79-81
Description Renderings
ART HOTEL
BEDROOM
3D MODELING / RENDERING
INTRODUCTION 84-85 84-85 88-89 90-91
Location Program Sketches Concept
106 107-109
Description Renderings
1ST FLOOR 92-93 94-95
Floor plans Rendering 2ND FLOOR
96-97
Floor plans / Rendering 3RD FLOOR
98-99 100-101 102-103 104 105
Floor plans Rendering Section Model Exterior elevations
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FALLEN LEAF HOUSE This residential project is located on the bank of Fallen Leaf Lake, to the south of Lake Tahoe. The idea was to design a contemporary house in the woods with a touch of traditional Tahoe architectural style. In addition to that, it was important for me to design a house that will embrace the nature that surrounds it, bringing the nature into the house whenever possible. Large windows, several outdoor decks, and a dock for owners boats were how I was able to bring these ideas to life within my design.
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SKETCHING / PROGRAM The design includes a guest house and a main house. The main house: 6000 sq.ft. with : mud room, laundry room, garage for 3 cars, kitchen, butlers pantry, game room, powder room, dining room, main entrance, great room, master bedroom, master closet, master bathroom, ofďŹ ce for 2 people, bedroom, 2 bathrooms, nursery, sun room and playroom. The guest house (700 sq.ft) consists of: kitchen, gathering room, powder room, bathroom, bunk room and a bedroom with large outdoor patio.
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FLOOR PLAN - ALL LEVELS OVERALL SPACE PLANS 3
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LEVEL 1
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LEVEL 2
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LEVEL 3
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FLOOR PLAN - LEVEL 1 OVERALL FURNITURE PLAN 1st floor has two main entrances: one from the front of the house that leads to a glass corridor and gives visitor a choice to enter either the dining room or into the great room, this allows for the user to continue to the guest house or outdoor deck by the water. The other entrance is from the 3 car garage that leads to the mudroom, which opens to great room. The mudroom also connects to a powder room and a butlers pantry, allowing for easy grocery unloading directly to the pantry and the kitchen. Great room consists of two main zones: the TV area and lounge by the fireplace that opens up a view to through a huge glass wall to a view of Fallen Leaf lake. The kitchen is connected to the great room, there is also a sliding wall that helps create privacy if needed. A Hidden sliding shelf in the kitchen opens up an entrance to a “speakeasy” room for entertaining.
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DINING ROOM FURNITURE FLOOR PLAN / ELEVATIONS
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DINING ROOM MATERIAL SELECTION / MURAL Dining room was designed to serve guests on special occasions as well to highlight a material choice which connects to the surrounding environment of the lake. Sleek lines of furniture and fireplace are meant to bring in the contemporary feel, while the choice of the materials relate to the traditional earthy feel. For this room I created a unique mural design, a watercolor drawing of flowers that are common in California. This decorates the entire wall of this dining room, this could be painted directly on the wall or printed on wallpaper.
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SALVAGED WOOD
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DYED STEEL - BLACK
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BENJAMIN MOORE NEWBURYPORT BLUE
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STARK CARPET - CADMAN - LINEN
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CALACATTA MARBLE
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MAXWELL - CURTAINS AMBER #137 WHITEWASH
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KITCHEN FURNITURE FLOOR PLAN / ELEVATIONS
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KITCHEN FURNITURE AND MATERIAL SELECTION / RENDERING
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FUTURE PERFECT - CHANDELIER - BRANCHING BUBBLES BB.08.03
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DARK STAINED WOOD BOTTOM KITCHEN CABINETS DETAIL
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CLASSIC - BARDIGLIETTO - POLISHED KITCHEN COUNTER
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WHITE LACQUERED TOP KITCHEN CABINETS
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DYED STEEL - BLACK - DETAILING
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CONCRETE - FLOORING
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SALVAGED WOOD
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GREAT ROOM FURNITURE FLOOR PLAN / MATERIAL AND FURNITURE SELECTION
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FLEXFORM ARMCHAIR (x2) DESIGN: JENNY METERIAL: CANALETTO WALNUT - NOCE CANALETTO FABRIC: CASHMERE #775
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STOVAX STUDIO 2 - FREESTANDING WOOD BURNING STOVE
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MINOTTI SOFA - DESIGN: ALLEN
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STILNOVO FLOOR-LAMP ITALY 1950
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STARK - CARPET - BELLUCCI - ICE
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FLOOR PLAN - LEVEL 2 OVERALL FURNITURE PLAN
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MASTER BEDROOM FURNITURE FLOOR PLAN / ELEVATIONS
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MASTER BEDROOM MATERIAL AND FURNITURE SELECTION
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MINOTTI - POOF DESIGN: DENNY - MATERIAL: COM
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LOUIS POULSEN AJ TABLE LAMP
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FUTURE PERFECT - MCQUEEN BEDSIDE CHEST
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MINOTTI - BED - SPENCER
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DONGHIA - WILDLY CHIC - OTTOMAN AND ACCENT PILLOWS COLOR: SNAKEBITE
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ARMSTRONG FLOORING - WALNUT AUTUMS DUSK - 5” HARDWOOD WIDE PLANK
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DONGHIA - WILDLY CHIC - SOFA UPHOLSTERY COLOR: WHITE RUSSIAN
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DYED STEEL - BLACK - SLIDING DOOR
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DONGHIA - NORAH - SHEER - COLOR: WHITE
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WALNUT FURNITURE
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MASTER BATHROOM FURNITURE FLOOR PLAN / ELEVATIONS
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MASTER BATHROOM RENDERING The custom carved free-standing bathtub is located in front of a custom designed wallpaper. I created this watercolor painting speciďŹ cally for this bathroom design which contrast of the colors demarcate different zones of this bathroom. This creates a rhythm that unites the entire space and its contrasting materials.
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MASTER BATHROOM APPLIANCES AND MATERIAL SELECTION / CUSTOM MURAL DESIGN
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CALACATTA MARBLE - BORGHINI GLOSSY/HONES
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ARMSTRONG FLOORING - WALNUT - CRAFTED WARMTH - 6 3/4” WIDE PLANK
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KOHLER - BOTTICELLI VESSEL 17” BATHROOM SINK
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ANN SACKS - LA PALMA FIELD TILE
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KOHLER - KELSTON FLOOR-MOUNT BATH FILLER TRIM WITH HANDSHOWER - OIL-RUBBED BRONZE
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GUEST HOUSE FLOOR PLAN / RENDERINGS
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DINING ROOM The 3D MAX Studio class that I took gave us the assignment to model a space and render it to our liking. I chose to model every piece with in the space from the dishware to the light ďŹ xtures, this allowed me to better understand the complexities within modeling simple forms to the most complex forms. I then rendered the space using the rendering engine FStorm, creating every material, setting the lighting, as well the environment in the background which grounds the rendering to the site context.
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BootUP OFFICE The BootUp OfďŹ ce project we had for our Commercial Design Studio was to take an existing real client and redesign their space to better suit the needs of the client. After several meetings with the owner and CO we created several designs in which we took into consideration their needs and wants as well with our own design aesthetics. After the meeting and doing some preliminary site research we came up with a concept and then allowed that concept to take shape within the ofďŹ ce space. This concept along with the feedback from the client we came up with a design that could be realized at a later point for the client.
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CONCEPT STATEMENT / NARRATIVE WEAVE - STRING - CONNECTION - NEST - WEB Those are the words that come to mind when I think of BootUP, It’s ideals and philosophy. If we were to connect all the people that have made connected due to this company we would have a giant woven pattern, consisting of interactions and new ideas. This company is the hub in which allows for these connections to be made, they gather the pieces of the puzzle and place them together making a beautiful image. The idea of connection, weaving, and strings is carried through the entire project through various elements. This concept suits BootUP due to the connections it makes with people to create and foster new ideas in a wide range of areas. Weave as a concept is illustrated in not only the string art installations creating semi transparent walls but in the plans which connected areas in which people work and collaborate. The lounge is one of the most important spaces within this project as it is where collaboration is born through conversation and interaction. This space has become my focus within the project as I believe that this is the space in which the majority of positive creation happens, though conversation and forced interaction.(see space planning diagram.)
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SITE ANALYSIS Site and walkable distance Roads and circulation Nearby structures Parking and sun study Wind study
SIDEWALK BOTH SIDES SIDEWALK ONE SIDES
NO SIDEWALK
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RESIDENTIAL HOUSING
Bootup World
source:
www.menlopark.org
UBS FINANCIAL SERVICES INC.
STANFORD HOSPITAL AND CLINICS
FRAZIER HEALTHCARE VENTURES
SAN FRANCISQUITO CREEK - BORDER BETWEEN MENLO PARK AND PALO ALTO
BUS STOP
OUTDOOR PARKING LOTS WITHIN THE PROPERTY LINE
ENTRANCE / EXIT - PARKING LOTS
MOST OF THE PARKING SPOTES ARE LOCATED IN THE SHADED AREAS DUE TO THE AMOUNT OF TREES SURROUNDING THE AREA. SOME SPOTS THOUGH RECIEVE SOME SUNLIGHT.
OUTDOOR PARKING LOTS OUT OF THE PROPERTY LINE
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OVERALL FLOOR PLAN APPLIANCES AND MATERIAL SELECTION / CUSTOM MURAL DESIGN
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OVERALL FINISH FLOOR PLAN MATERIAL AND LIGHT FIXTURE SELECTION
C01
HARDWOOD FLOOR
C02
CARPET TILE
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BAMBOO FLOORING UNFINISHED JAVA FOSSILIZED WIDE PLANK TONGUE AND GROOVE
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CARPET - BENTLEY COLLECTION: ALTITUDE COLOR: FERVOR 803109
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TRACK LIGHT - KICHLER 7050OZ RAIL LIGHT 3Lt HALOGEN HATTERAS BAY COLLECTION
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PENDANT LIGHT - KICHLER 43589NBR MINI PENDANT/WALL 1Lt RUMER COLLECTION
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CO-WORKING 1 PLAN / SKETCHES
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CO-WORKING 1 PLAN / ELEVATIONS
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TYP. WALL PAINT - BENJAMIN MOOR - BUNNY GRAY - 2124-50
ACCENT WALL PAINT BENJAMIN MOOR - METRO GRAY 1459
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CO-WORKING 2 PLAN / SKETCHES
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CO-WORKING 2 PLAN / ELEVATIONS
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PHONE BOOTH WALL PAINT - BENJAMIN MOOR - ACADIA GREEN 2034-50
TYP. WALL PAINT - BENJAMIN MOOR - BUNNY GRAY - 2124-50
NICHE WALL PAINT - BENJAMIN MOOR BACHELOR BLUE 1629
ACCENT WALL PAINT BENJAMIN MOOR - METRO GRAY 1459
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KITCHEN / LOUNGE PLAN / SKETCHES
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KITCHEN / LOUNGE MATERIAL AND FURNITURE SELECTION / RENDERING
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KITCHEN / LOUNGE PLAN / ELEVATIONS
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CABINET INTERIOR PAINT BENJAMIN MOOR - NEON RED 2087-10
TYP. WALL PAINT - BENJAMIN MOOR - BUNNY GRAY - 2124-50
ACCENT WALL PAINT BENJAMIN MOOR - METRO GRAY 1459
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CAFE MONET The 3D MAX Studio class that I took gave us the assignment to model a space and render it to our liking. I chose to model every piece with in the space from the anaglypta on the wall to the light ďŹ xtures and furniture, this allowed me to better understand the complexities within modeling simple forms to the most complex forms. I then rendered the space using the rendering engine VRay, creating every material, and setting the lighting within the space.
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Art Hotel A beacon in the night. This project of an art hotel is realized along the shore of Alameda CA, this design for my Spatial Design Studio utilized abandoned silos which became the based structure for the project. After extensive site research I selected the program of art hotel, this program was to revitalize the shoreline that has become derelict over the last few years. The addition of this program would bring in travelers from around the bay area and the world and would stimulate the area in a positive manner.
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LOCATION: ALAMEDA, CA The assignment was to redesign old silo tanks as an art hotel. The tanks are located in Alameda right on the waterfront with a view to Oakland. In front of the silos are several boathouses as well as a harbor with sailboats which is where my design concept arose from. The area is very quiet, this is in part due to Alameda’s population consisting largely of people over 45 years of age. It’s a beautiful area dense with history and soul. That is why I believe it is important to bring more people to the area. My choice was to do it through art.
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PROGRAM NEW PROGRAM: TOTAL 26 GUEST ROOMS 9 GUEST ROOMS WITH KITCHEN 3 EXTRA BIG WITH A LIVING ROOM (INSTEAD OF DOUBLE H. CEILING) CAFE FOR 10 PEOPLE LOBBY RECEPTION 1 DARK ROOM 1 MUSIC STUDIO WITH CONTROL ROOM (MAY BE USED AS SOUND MIXING ROOM) 1 EQUIPMENT STORAGE 1 LARGE ELEVATOR (ALLOWS TO LIF BIGGER INSTRUMENTS AND EQUIPMENT TO 3RD FLOOR WITH AMPHITHEATRE AND TO THE TOP FLOOR WHERE WE CAN FIND STAGE IN THE RESTAURANT) 1 STAGE (THAT CAN BE USED AS CASTING AND MAKEUP ROOM WHILE CLOSED) 1 AMPHITHEATRE (MAY BE TRANSFORMED TO A LARGER OPEN ARE) 1 TECH. ROOM WITH PROJECTOR 1 RESTAURANT WITH A KITCHEN
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SKETCHING IDEAS
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Atrium
Courtyard
Amphitheatre
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CONCEPT Ocean, winds, and sails bring us to a destination which through experience becomes one that lingers. Soft natural curves of sails as a contrast to solid buildings tests this concept. Seeing that cold brutal concrete structure, at first might seem to be un-welcoming, just like a cliff in the ocean, while getting closer you will see an inviting flickering light leading you closer to the final destination. Inside bright, inviting warm textures and materials, soft, calming shapes make you feel ever more welcome when entering the hotel. This concept lends itself to creating a welcoming atmosphere for the travelers and artists in my hotel. DESIGN DEVELOPMENT The idea was to create an art hotel out of old silo tanks in Alameda, CA. It was important to create an unforgettable experience through the development of different kinds of spaces. As I chose to focus on music and filmmaking as a focal art sphere, it was important to add some functions to my building where artists can create their work and perform it as well. In my design I’ve decided to have a main vertical axis, a focal point. Along that axis visitors may experience three main spaces: courtyard, amphitheater, and atrium with hanging art pieces which create acoustic panels
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SAIL A lone white sail shows for an instant Where gleams the sea, an azure streak. What left it in its homeland distant? In alien parts what does it seek? The billow play, the mast bends creaking, The wind, impatient, moans and sighs... It is not joy that it is seeking, Nor is it happiness it ies. The blue wave dance, they dance and tremble, The sun's bright ray caress the seas. And yet for storm it begs, the rebel, As if in storm lurked calm and peace!.. -Lermontov (transtation)
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1ST FLOOR A wide ramp with several resting areas that are turned into a recreational space leads visitors to the main entrance. First, they enter a courtyard with one tree in the middle of the space this is a symbolic space to those that visit. Above it, there is an atrium that lets natural light in. The courtyard is directly connected to the lobby and reception area of the hotel, which allows visitors to have several choices to continue their journey.
DN DN
CAFE SEATING AREA CAFE PICK UP ZONE
LOBBY
1 EL 1
RESTROOM
RECEPTION
BACK OF HOUSE UNDER THE SRAIRS
UP
OFFICES 317 SF
DARK ROOM 165 SF RESTROOM
DN
BACK OF HOUSE 207 SF
MUSIC STUDIO 311 SF
CONTROL ROOM 137 SF
UP
EQUIPMENT STORAGE 279 SF
1 EL 2
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BACK OF HOUSE 118 SF
RCP 1ST FLOOR FOCUS AREA - NOT TO SCALE RECESSED FLUORESCENT DOWN LIGHT DECORATIVE PENDANT LIGHT FIXTURE WALL SCONCE COVE LIGHTING
1ST FLOOR FOCUS AREA - RENDERED FINISH PLAN
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2ND FLOOR The second floor is divided into private and public zones. The public zone contain an amphitheater and stage, that may be turned into a movie screen, a tech room with projector and other equipment as well as public restrooms. In this amphitheater artists can exhibit their work to the public who can visit the shows and interact with artists. This amphitheater is located under a large atrium space, where visitors can also admire a hanging art piece, which not only supports the sail concept of the hotel but has a very practical function - acoustics, that are so important in a theater. The seating is adjustable which may be folded which creates flexibility for other kinds of performances, with the possibility to create a great meeting space. The private part of that floor contains 6 living units.
AMPHITHEATER
STAGE
1 EL 1 TECH ROOM
RESTROOM
DN
RESTROOM
UP
GUEST ROOM
GUEST ROOM
GUEST ROOM GUEST ROOM WITH KITCHEN
GUEST ROOM
UP
1 EL 2
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2ND FLOOR FOCUS AREA - RENDERED FINISH PLAN
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3RD FLOOR The top floor of the building is a restaurant with its own kitchen. There is an indoor area that has a little stage that allows artists to perform their music. The outdoor area contains several lounge areas as well as a bar that opens a beautiful view of the bay. The space planning of the restaurant was designed accordingly to existing pipe structure on the roof.
1 EL 1
OUTDOOR RESTAURANT AREA
DN
UP
INDOOR RESTAURANT AREA
STAGE
RESTAURANT KITCHEN
UP
1 EL 2
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RCP 3RD FLOOR FOCUS AREA - NOT TO SCALE RECESSED FLUORESCENT DOWN LIGHT DECORATIVE PENDANT LIGHT FIXTURE WALL SCONCE THEATER SPOT LIGHT
3RD FLOOR FOCUS AREA - RENDERED FINISH PLAN
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RENDERED SECTION Rendered section shows the main vertical axis of the hotel. Courtyard on the first floor, atrium amphitheater and atrium above it.
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BEDROOM The 3D MAX Studio class that I took gave us the assignment to model a space and render it to our liking. I chose to model every piece with in the space from the bed to the lighting ďŹ xtures, this allowed me to better understand the complexities within modeling simple forms to the most complex forms. I then rendered the space using the rendering engine VRay, creating every material, and setting the lighting within the space.
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I would like to dedicate this book to my parents who have always supported me. I thank my family in Russia. Especially, Anna and Oleg Koval who have always been by my side. They made me who I am, taught me to never give up. MY FAMILY / Anna Koval, Oleg Koval, [Ivan Koval], Tamara Koval, Tamara Toropova, [Vladislav Toropov]. FACULTY / Leonarda Tamayo, Ernest Mariotto THANK YOU My family thought my whole life supported me in all my decisions. They also taught me how to be strong, no matter how hard it might be, now matter what stands on your way. Thank you for moral support and financial, thank you for staying strong while I’m so far away, thank you for inspiring me and pushing me towards my goals. Thank you for opening my eyes to things that matter and to things that don’t.
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