Olga Saptefrati_ Fashion Design_ Portfolio

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o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o

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Olga Saptefrati

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P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P


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lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio

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Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Ho avuto Portfolio l’opportunità di creare tantissimi proPortfolio getti nel settore tessile durante il mio corso di Portfolio studio, partendo da lavori sperimentali realizzati Portfolio Portfolio con diverse tecniche di tintura fino ad realizzare Portfolio stampe digitali utilizzando Photoshop e IllustraPortfolio Portfolio tor. Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio

Identità Tessile Progetto di laurea Collezione tessile

Fashion Projects Golden Bar Enjoy Fashion, Save the Planet

Graphic Design Works Textile Design

Tailoring Works Another Romeo and Juliet Story Post Humanity


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Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo Portfo


olio olio olio olio olio olio olio olio olio olio olio olio olio olio olio olio olio olio olio olio olio olio olio olio olio olio olio olio olio olio olio olio olio olio olio olio olio olio

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Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Identità Tessile Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio Portfolio

Progetto di laurea Sperimentazioni tessile e analisi sull’identità interculturali, classe, genere e moda, tra il passato e il presente. a.a. 2018 - 2019


Sperimentazioni tessili partendo dalla ricerca sulla costruzione dell’identità culturale e personale come sistema dinamico, elastico e permeabile alle mille sollecitazioni della vita, partendo dall’analisi storica, psicologica e antropologica. Il tessuto sociale rappresentato attraverso le sperimentazioni tessili, in cui il punto di partenza è la memoria. Memoria materiale e immateriale della cultura di appartenenza e dell’individuo, che attraverso i processi di selezione del ricordo diventa identità. La cultura, al di là degli aspetti materiali, rappresenta un insieme di significati profondi che strutturano l’azione. Sono conoscenze depositate nella memoria degli esseri umani, nei libri, negli artefatti e negli oggetti condivisi dai membri di un gruppo. Queste memorie sono la base di tutte le prove tessili, dove la cultura è un tessuto di significato su cui vengono “depositate” e raccontate esperienze, valori, sentimenti. Collezione tessile realizzata utilizzando diverse tecniche, partendo da quelli tradizionali della cultura romena-moldava: la tintura e la tessitura per poi passare a quelli industriali: stampa flock, stampa digitale e il taglio laser.


Book con sperimentazioni tessili.




Tessuti finali Brown P3915

Pink P5911

Brown P126

Yellow P414


White P 991

Grey P 89

Grey P 133

Grey P 138

Black P 17516

Brown P 1714


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lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio lio

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1. Golden Bar

Fashion Design Collection

2. Enjoy Fashion, Save the Planet

Shoes Collection


Golden Bar

La collezione Autunno/Inverno “Golden Bar” è ispirata all’Art Decò per una donna di età compresa tra i 20-35 anni che vive in una città mondana, piena di feste, spettacoli teatrali sia per il lavoro che fa (l’attrice) sia perché ama i festeggiamenti. I capi della collezione hanno delle linee dritte con dei tagli asimmetrici e simmetrici, pieghe, tasche, colli ampi, dettagli in oro ad esempio impunture, strisce e stampe che richiamano agli edifici decorati degli anni ’20, vetrate ecc. I tessuti usati sono: doppio crepè, gabardine, loden, lana cotta, pelliccia per cappotti; lurex, cady, satin, crepe de chine e chiffon per abiti e camicie, velluto per pantaloni e gonne e altri tessuti fantasia con filati particolari. L’elemento più utilizzato è la striscia in oro insieme ai dei bottoni gioiello. All’interno della collezione ho inserito una Capsule Collection dedicata all’epoca del Proibizionismo e una Capsule Collection fatta di pellicce. Inoltre ho aggiunto una mini collezione da uomo che potrebbe avere lo stesso stile di vita.



Olga Saptefrati Capsule Collection F/W 2016/2017



Olga Saptefrati Scheda prodotto

88cm

60 cm

40 cm

F/W 2016/2017

110 cm

25

cm

86 cm


50 cm

60 cm

108 cm

55 cm

100cm 86 cm

106 cm


Olga Saptefrati Disegni Tecnici F/W 2016/2017



Olga Saptefrati Capsule Collection F/W 2016/2017



Olga Saptefrati Outfit 1 F/W 2016/2017 86 cm

32

25 cm

105 cm

cm

Abito realizzato in raso di seta nero e oro, e della rete con filato lurex sui fianchi. Il tessuto plissettato fu realizzato da me con l’utilizzo della pressa e della teletta adesiva per fissare le pieghe.



Olga Saptefrati Outfit 2

86 cm

F/W 2016/2017

Giacca con maniche a kimono e tasche a filetto con patta. 60 cm

60 cm

86 cm

140 cm

108 cm

m

40 c



Olga Saptefrati OVerview F/W 2016/2017



2. Enjoy Fashion , Save the Planet “Enjoy fashion, save the planet “ è una collezione basata sul brand di Stella McCartney, un brand vegano che non usa nè pelle nè pelliccia per le sue creazioni, e sul lavoro del fotografo e critico Allan Sekula, incentrato sull’ampio sistema economico oppure “L’immaginario e materiale geografico del capitalismo avanzato del mondo”. Nella nostra creazione abbiamo mantenuto le caratteristiche eco-freandly della designer Stella McCartney e l’idea di globalizzazione, l’inquinamento, e le soluzioni alternative per prevenire tutto ciò, dividendo così in: “Globalization”, “Fragment”, “Alternative Solution”.

Mood

Cotone biologico

Note Progetto realizzato in gruppo

Alter nappa

Legno sostenibile

Lana rigenerata

Gomma eco-sostenibile


Target

È una donna giovane, sportiva e senza troppi fronzoli. Abita in una grande città trafficata e frenetica, il suo abbigliamento è comodo e pratico ma non vuole rinunciare all’eleganza. Ama l’ordine e le cose organizzate, ha uno stile di vita salutare ma senza togliersi il piacere di dedicarsi del tempo tra il lavoro, per viaggiare in posti tropicali.


Globalization, movement


Globalization G_1 Scarpe stile Oxford in Alter Nappa bianca con zeppa in gomma colorata effetto carro armato bianca a contrasto. Chiusura con lacci e punta tonda. Scarpe disegnate in Illustrator e successimante colorate in Photoshop.

75mm

75mm

Materiali #G01 Alter Nappa

#G02 Gomma

PANTONE 7454 C

PANTONE 7477 C

PANTONE 697 C

PANTONE Cool Gray 1C

PANTONE Cool Gray 1C

PANTONE 7407 C

PANTONE 7418 C

PANTONE 697 C


Alternative solution, safeguard


Alternative Solution A_1 Sandalo tipo espadrillas, tomaia in tela traforata; suola in gomma bianca e corda. Chiusura a bottone a pressione sul retro.

45 mm

45 mm

Materiali #AS01 Tela grezza

#AS03 Corda intrecciata

#AS05 Gomma PANTONE Black 7 C

PANTONE 5743 C

PANTONE Warm Gray 1C

PANTONE 5743 C

PANTONE Warm Gray 1C

PANTONE 7504 C


Fragment, corrode


Fragment F_1 Sandalo in eco-pelle opaca con applicazioni in denim, plateau con tacco alto decorato con delle stelle a contrasto. Cinturino alla caviglia regolabile mediante fibbia sul retro.

Materiali

120 mm

#F01 Denim

65 mm

#F02 Ecopelle opaca

#F04 Denim Sfrangiato

#F03 Gomma

PANTONE 644 C

PANTONE 380 C

PANTONE 7541 C

PANTONE 404 C

PANTONE 726 C

PANTONE 7541 C

PANTONE 64 C

PANTONE 404 C


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1. Textile Design

Stampe all-over


1. Textile Design

Il progetto Textile Design consisteva nel creare dei tessuti imparando le tecniche in Illustrator e Photoshop. Le stampe da realizzare erano tartan, pois, pied de poule, geometrico, etnico, rigato, floreale, cineserie, mimetico, speculare e un piazzato.



Stampa Pied de poule realizzato interamente in Illustrator.

3 cm

3 cm


4,4 cm

4,4 cm

Stampa Tartan realizzato interamente in Illustrator.


Stampa Paisley.

30 cm

30 cm


Stampa Mimetico.

10 cm

10 cm


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1. Another Romeo and Juliet Story

Costume per lo spettaccolo

2. Post Humanity Collezione


1. Another Rome and Julliet Story.

Il progetto per l’esame di Costume per lo Spettacolo si intitola “Another Romeo and Juliet Story”. Si tratta di un film ipoteticamente realizzato sulla base del libro di William Shakespeare modificando completamente i personaggi a partire da il genere, nome, ruolo, l’ambiente e il periodo. La vicenda è ambientata in una scuola americana privata degli anni ‘90. I costumi sono stati realizzati solo per alcune scene del film dei personaggi più importanti: Benvolio - una cheerleader che indossa quasi sempre la divisa sui corridoi della Verona High School; Mercuzio - un ribelle che ha addosso una giacca chiodo fuori della scuola, nell’ ATTO III Scena I in cui lui muore. Romeo - fa parte della squadra di football e indossa il bomber con il logo. Giulietta indossa il costume della sposa cadavere per la festa di Halloween. ATTO I Scena IV scena in cui Romeo si imbuca alla festa dei Capuleti. MOODBOARD

Note Progetto realizzato in gruppo


Benvolio Divisa Cheerleader ATTO III Scena I

Cartamodello, piazzamento logo e sartoria: Olga Saptefrati. Realizzazione del cartamodello a mano, digitalizzando solo i due pezzi per la stampa dei luoghi.


Giulietta Halloween Sposa cadavere ATTO I (scena: 3-4)

Disegno tecnico, modellistica e sartoria realizzato da Olga Saptefrati. Il costume realizzato è stato creato dall’unione di un abito esistente aggiungendo spalline, coppe e gonna ampia di pizzo utilizzando le misure dell’attrice. Ricami in rilievo sui tagli dell’abito. Il pizzo della gonna è tinto di nero con taglio a vista per fare l’effetto macchiato e deteriorato.

Schizzo del costume realizzato con Photoshop partendo dall’abito base e quello d’ispirazione.



2. Post Humanity Collezione di stampe digitali per la collezione “Post Humanity” ispirata alla cultura cyborg, schemi informatici, realtà virtuale, l’unione delle parti organiche con quelle meccaniche. Come immagine di riferimento ho preso in considerazione il film “Ghost in the Shell”.

Organic Machine

Digital Immortality

Dichotomic

Stampe piazzate

Stampe all over


Overview



Outfit finale 1



Outfit finale 2


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