Selected Project- BA Architecture Oliver Cheng

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HAOMENG CHENG

PORTFOLIO
2 CONTENT 2022 2022- 2023 2021 The Roaming Kiosk (Chapel Market pt1) | The Shadow Theatre (Chapel Market pt2) | Deptford Church Street- Civic Gallery | 03 06 26 2023 Nurtured Beginnings | 16 2022 Material Experiments: Bio-plastic Tiles | 31 2024 Guryong Elderly Village | 22

“CIVIC MOBILITY STALL” THE ROAMING KIOSK

The boundary between architecture and the urban environment has been blurred throughout years. The city that we understand as an ecosystem, a complex interaction network between the built environment and the set of actors that inhabit it. Integrating with research and design, architecture can act as a tool to make the built environment more inclusive and resilient for humans and nonhumans alike.

My final year warmup project is to create a civic stall for the Chapel Market, islington. The project aim is to address social interaction with the aim of making the street more inclusive. According to my research, Chapel Market acts as a community space for the local people to gather during the day. However, the market has no public seating area for the market users and visitors.

Moreover, Islington is one of the top 10 most dangerous boroughs in London. More importantly, most of the crime is related to youth crime and anti-social behaviours. On the Chapel Market, the crime rate is gradually higher on the East end compare to the West end. This this because the West end is closer to the local police station, but the East end is close to all the trasportations such as Bus stops and Underground station.

Therefore, I designed a Roaming Kiosk for the users. During the day, it is an Urban Furniture for the street and at night it is a roaming theatre with a pop-up stage on the top of the structure. This aims to reduce the crime rate at night, and at the same time to activate the street for night activities after the markets are left.

Chapel Market South Street Elevation

Chapel Market South Street Elevation

Chapel Market North Street Elevation

Chapel Market North Street Elevation

Architecture2022 BA (Hons)||THE ROAMING KIOSK 3 BLINDSPOT
Project type: Civic Stall, Urban Regeneration. Program: Performative, Conservation, Commercial. Location: London, UK. Level: Third Year Design Thesis Part I. //01
MARKET USER DELIVERY MAN TEENAGER (12-22 YRS) ANTISOCIAL TEENAGER (S) CHILDREN (0-12 YRS) COUPLED ELDERLY (ABOVE 55 YRS) SINGLE ELDERLY (ABOVE 55 YRS) BORED CHILDREN (0-12 YRS) ISOLATED ELDERLY (ABOVE 55 YRS) CLAREMONT PROJECT MURIEL STREET CARE HOME CARE UK) CHAPEL MARKET ST LUKE’S COMMUNITY CENTRE THE NARRATIVE THE RESEARCH & EVIDENCE Over the past few decades, the increasing number of older people suffering from mental illness the incidence of dementia and the large number of young people suffering from depression have been a major concern for society, which could potential lead to an increase in youth crime. Lack of playground and green area is making these mental issues even worse. As the number of elderly only takes 6% of the Islington’s population, the city structure is not necessarily designed for some of them. Eventually, this makes them self isolated at home ELDERLY LEFT LONELYAND RECLUSIVE AGE UK ‘S 2015 campaigns raised awareness of the older generations lacking companiships and community & social interaction. ISLINGTON NEEDSAPLACE FOR ELDERLY & YOUTH CONCLUSION: “Demographic trends mean the number of over 50s suffering from loneliness is set to reach two million by 2025/6. This compares to around 1.4 million in 2016/7 49% increase in 10 years according to new research byAge UK.” Accoding to theAge UK Campaign 2015, “Shockingly, half of all older people consider the television as their main form of company.” ISSUES: -ISLINGTON DOES NOT PROVIDE ENOUGH ACTIVITIES FOR ELDERLY & YOUTH TO ENGAGE TOGETHER. -MOST ELDERLY THINKS THAT ALL TEENAGERS ARE DAMAGING THE ENVIRONMENTAND THE COMMUNITY. -YOUTH THINKS THAT NO ONE IS THERE TO LISTEN AND UNDERSTAND POTENTIALS: -THE ELDERLYARE THE LOCALACTORS WHO DEFINE THE HERITAGE AND CULTURE OF ISLINGTON, THEY CAN RAISE THE AWARENESS OF LOCALNESS FOR THEYOUTH. -BOTH GROUPS CAN SHARE THEIR SKILLS AND STORIES TO MAKE THE COMMUNITY MORE INCLUSIVE. -ELDERLY WILL FEEL BEING NEEDED AND VALUED, THE YOUTH G WILLFEELMORE SELF CONFIDENTAND UNDERSTOOD. -BOTH GENERATIONS STAND TOGETHER CAN REVIVE THE LACK IN CULTURALIDENTITYAND THE LOCALHERITAGE SOCIALAGENDA: THE THEATRICALHERITAGE; THE DIVIDED CMMUNITYOF ISLINGTON; OLD,YOUNG NEW IDENTIFIED USERS: -ELDERLY(PAST & PRESENT OF ISLINGTON) -YOUTH (PRESENT & FUTURE OF ISLINGTON) Claremont project is one of the few organizations helping the elderly out of their home by providing a full course of activities for them everday day. -Claremont providing courses such as creative writings; dancing and performace; Arts & Craft; Tai Chi and coffee morning Etc. -It aims to provide high quality, aspirational activities, as well as engagement and friendship for thousands of older people, most of whom live alone. The have large programme of groups, classes and projects aimed at being creative and healthy in body and mind. CLAREMONT PROJECT’S COURSES TARGETING ON ELDERLY MISSION: “We believe that building quality relationships with people the heart of our work. Quality relationships require respect, and engender dignity, equality and striving to see someone for all that they are, have been, and could yet become. Older people are, first and foremost, people. Older people do not form some sort of homogenous group that different and sectioned off from the rest society.” YOUTH’S DEPRESSION & MENTAL ILLNESS “35% of young people known toYouth Offending Service YOS) had at lease one fixed term exclusion during 2013/14 to 2017/18.” Islington Council “100 people accused of youth violence in Islington in 2019.” This has lead to youth- hate by elderly, they are concerned to be close to youth. This is only making the “GAP” bigger. “Most of the youth crime were ages between 15-19 YRS (56%), and additionally, 89% of those accused were MEN. -London Borough of ISLINGTON, 2020

ISLINGTON’S CIVIC NETWORKS SITUATED IN PROXIMITY TO SITE

ISLINGTON’S CIVIC NETWORKS SITUATED IN PROXIMITY TO SITE

Priority Employment Location

Priority Employment Location

Primary ShoppingArea

Primary ShoppingArea

Town Centre

Town Centre

CentralActivities Zone (CAZ)

CentralActivities Zone (CAZ)

- Civic spaces are a consequence of complex interactions and superpositions of multiple civic actors, communities and networks.

- Civic spaces are a consequence of complex interactions and superpositions of multiple civic actors, communities and networks.

- The new proposed civic space situated in the ‘site proposal’ will create a collaborative moment which will allow those individual users to establish open relationship through a series of activies provided by the new civic space.

- The new proposed civic space situated in the ‘site proposal’ will create a collaborative moment which will allow those individual users to establish open relationship through a series of activies provided by the new civic space.

A B C D E F

C D

Almeida Theatre Claremont Project

Almeida Theatre

It is one of the oldest theatres in Islington, a 325-seats producing house with an international reputation. It helps to launch the next generation of British artists onto the world stage. It is an independent and co-educational drama/ performance theatre but also offering drama lessons to the community. It was founded in 1968.

Anna Scher Theatre Claremont Project

It is one of the oldest theatres in Islington, a 325-seats producing house with an international reputation. It helps to launch the next generation of British artists onto the world stage. It is an independent and co-educational drama/ performance theatre but also offering drama lessons to the community. It was founded in 1968.

It is a community arts/ wellbeing centre for elderly, aiming for an inclusive community by providing daily courses and activities to old people (55+). The organization has been around since 1907.

WHERE WHAT WHO?

Families with children WHERE WHAT WHO?

Vittoria Primary School Elizabeth Garrett Anderson School

Vittoria Primary School

It is one of the primary schools in Islington, which is located right next to the Chapel Market, it aims to educate primary school kids (4-11 YRS)

Elizabeth Garrett Anderson School LittleAngel Theatre

It is a community arts/ wellbeing centre for elderly, aiming for an inclusive community by providing daily courses and activities to old people (55+). The organization has been around since 1907. It is one of the primary schools in Islington, which is located right next to the Chapel Market, it aims to educate primary school kids (4-11 YRS)

It is one of the secondary schools in Islington right near by the West End of the Chapel market, it aims to educate teenagers (11-16 YRS).

It is one of the secondary schools in Islington right near by the West End of the Chapel market, it aims to educate teenagers (11-16 YRS).

with children, they provide puppetry shows.Also they co-operate with theAge UK to teach elderly shadow puppet making, and then perform to children, this intergenerational course aims to make the community more inclusive.

It is an unique theatre performance place for families with children, they provide puppetry shows.Also they co-operate with theAge UK to teach elderly shadow puppet making, and then perform to children, this intergenerational course aims to make the community more inclusive.

MAKE MAKE/ LEARNCARE/ LEARN LEARN LEARNPLAY/ MAKE

MAKE MAKE/ LEARNCARE/ LEARN LEARN LEARNPLAY/ MAKE

International actors

International actors

Young local actors (11- 25YRS) Local Elderly Children (4-11YRS)

Young local actors (11- 25YRS) Local Elderly

Children (4-11YRS)

Teenagers (11-16YRS)

Teenagers (11-16YRS)

Families with children

INCLUSIVE SOCIALBILITY AIM: To ‘MIND THE GAP’by creating a catalyst for intergenerational groups to interact, reduce hate and the gap within the existing community WHY

EXISTING CIVIC NETWORK PROPOSED PUBLIC REALM

EXISTING CIVIC NETWORK PROPOSED PUBLIC REALM

INCLUSIVE SOCIALBILITY AIM: To ‘MIND THE GAP’by creating a catalyst for intergenerational groups to interact, reduce hate and the gap within the existing community

Architecture2022 BA (Hons)||THE ROAMING KIOSK 4
CONNECTIVITY
OPPORTUNITIES
A NNASCHER THEATRE
CONNECTIVITY
WHY OPPORTUNITIES

- COMPOSITION 1

The layout is fairly simple to do without splitting the Kiosk apart, but just by pulling out the “urban furniture”. it allows people to site with their private spaces and enjoying the view from the WEST and the EAST of the market.

- COMPOSITION 2

The layout requires splitting the Kiosk apart, and pulling out the “urban furniture”. It allows people to sitearound together at the same time, generating collective activities.

- COMPOSITION 1

The layout is fairly simple to do without splitting the Kiosk apart, but just by pulling out the “urban furniture”. it allows people to site with their private spaces and enjoying the view from the WEST and the EAST of the market.

Roaminng Slots Bike Parking Area Residential blocks Greenery - Foldable benches for the lack of sitting area on the Chapel market. - Foldable tables for the market users. - projector unit for shadow pupptry - Shadow pupptry performance space. - Shadow pupptry audience space with foldable roof. - The foldable benches are single modules that can be used as stock carriers.

“MIND THE GAP” THE SHADOW THEATRE

My final year project is located in ANGEL, ISLINGTON. It was a home for many creative theatrical performers, which has been a big part of the local heritage for such a period of time. Moreover, it also became a type of local identity in recent years, However, along with the city developments and local economy development, this magnificiant part of local identity seems lost by new generations. Also, due to the fire, most of the historical theatres are demolished.

ThesiteisrightnexttotheChapelMarket,which is the local traditional street market. However, the mobility of the area is quite unfriendly to olderpeople,however,theoldpeopledomake up 9.4% of the local population, therefore, this makes them isolated from the existing society.

Over the past few decades, the increasing number of older people suffering from mental illness, the incidence of dementia and the large number of young people suffering from depression have been a major concern for society.

The proposal aims to generate a mobility hub for the society, it contains intergenerational programs, during the daytime, it is a civic centre providing youth care facilities and elderly care.Itaimstobringbothgenerationstogether to make one inclusive community. it also focuses on boosting the local heritage by creating performance programs including recreational theatre, rehearsal studio and puppetry theatre shows to engage the interaction between elderly and youth.

Architecture2022-2023 BA (Hons)||THE SHADOW THEATRE 6 TOLPUDDLE STREET THE CHAPLE MARKET
I T STR EET
WHITE CON DU CLOUDESLEY ROAD DEWEYROAD
Project type: Community Centre, Urban Regeneration. Program: Theatrical, Educational, Conservation. Location: London, UK. Level: Third Year Design Thesis Part II. //02

“THE CENTRAL COURTYARD”

- The courtyard aims to create a communication for mental health healing atmosphere in the centre of the proposal. However, instead of dividing the building into two parts, it connects both entrances of the performative space and the intergenerational care centre.

2022-2023 Architecture BA (Hons)||THE SHADOW THEATRE
8 SPATIAL LAYOUT & FUNCTIONS: 1. Youth care centre 2. Library book borrowing 3. Elderly care centre 4. Shadow puppets workshop 5. Shadow play back stage 6. Shadow play audience room 7. Semi-open courtyard 9. Pretheatre gathering space 8. Reception 16. W.C 10. Recreational theatre 11. Rehearsal studio 12. Fitting room 13. Storage 14. Script studio 15. Civic Cafe SPATIAL LAYOUT & FUNCTIONS: 17. Civic library 18. Private reading room 19. Youth activity space 2 20. Roof garden 21. W.C 22. Rehearsal studio (double height) 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21
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- Section AA cuts through the youth& elderly care centres andthepuppetryworkshop. - Section CC cuts through the civiccafeandtherecreational theatre. - Isometric concept diagram to understand the spatial relationships within the proposal.

“THE PATH IS MADE BY WALKING”

- The external view of the proposal is showing the exterior finish of the building with red bricks and the surrounded by plants. The aim is to create a common backyard walkway with vegetation facing the residential area and the Chapel Market. This allows people from the Chapel Market to take a moment to rest and solving the problem of the market foe lack of sitting and green spaces.

2022-2023 Architecture BA (Hons)||THE SHADOW THEATRE

Recycled red bricks

- Time consuming

- Very less tensile strength

+ Low maintance

+ Protection from fire and moisture

Timber frame structure

- Time consuming

- Very less tensile strength

+ Faster build, impact of weather is reduced in construction

+ Sustainable

Polycarbonate

- Not scratch resistant

- Expensive for construction

+ Thermal insulation

+ Lightweight

Self-made Bioplastic tiles

- Biodegradble - It shrinks

+ Expensive for larger scales

+ Costly for maintance

Plasterboard

- Cracks easily

- Costly repairing

+ Moisture resistance

+ Sustainable

Cork

- Not scratch resistant

- Expensive for construction

+ Sound proof

+ 100% reusable

- Section BB cuts through the care centres and the recreationaltheatre.
Architecture2022-2023 BA (Hons)||THE SHADOW THEATRE 12
- 1/50 model of the Shadow theatre space, a combination ofCastingandLasercutting. - 1/100 model of the proposal, a combination of 3D printing andLasercuttingtechniques. - Experience with different casting materials such as PlasterandJasmonite.

“THE SHADOW THEATRE”

- The space encourages interaction through its structural design, it gathers the most amount of daylight during the day, while other parts of the building plays with shadow and patterns, this space is meant for people to take a breathe and release their mental stress.

2022-2023 Architecture BA (Hons)||THE SHADOW THEATRE
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Detail A: Detail B: Detail C: Detail D: Detail E: Detail F: Detail G: Detail H:

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6. Brick tiles

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Architecture2022-2023 BA (Hons)||THE SHADOW THEATRE 15 1 4 2 3 5 6 9 7 8
External brick veneer
Interior brick veneer
Top plate 90 x 30 mm
Wooden cladding
Secondary beam
Primary Beam 7. Mineral wool insulation
Plasterboard
6.
8.
Bottom plate 90 x 30mm
Section
1 4 2 3 5 6 9 7 8 1 4 2 3 5 6 9 7 8
Section
1 4 2 3 5 6 9 7 8
Detail
1 4 2 3 5 6 9 7 8 Section Detail
1 4 2 3 5 6 9 7 8 1 4 2 3 5 6 9 7 8 Section Detail
Section Detail H: 1 2 3 4 5 6 7 8 9 10 11
Section Detail A:
Detail B:
Section Detail C:
Detail D:
Section
E:
F:
G:
Interior brick veneer
Air gap
2.
Mineral wool insulation
Air
gap + weather coat
Exterior brick veneer
Top plate 90
30mm
Wooden cladding
Secondary beams
Mineral wool insulation
Bottom plate
Plasterboard 10 11 12 13 10 1. Exterior brick veneer
Air gap
Weather coat
Mineral wool insulation
Plasterboard
Mineral wool
x
7.
8.
9.
10.
11.
2.
3.
4.
5.
6.
insulation 7. Top plate 90 x 25mm 8. Grade sheathing board 9. Secondary beam 10. Primary beam 11. Bottom plate 12. Mineral wool insulation 13. Cork panel
Exterior brick veneer
Air gap
Weather coat
Mineral wool insulation
7. Concrete slab foundation
8. Red Brick
10. Gravel
10 11 12 13 14
9. Fine sand
Interior wooden finish
Mineral wool insulation
2.
Weather coat
Air gap
Interior brick veneer
Mineral wool insulation
Grade sheathing board 8. Top plates 90 x 30 mm 9. Primary beam
Secondary beam 11. Bottom plate 12. Cork panel 13. Mineral wool insulation 14. Interior brick veneer
7.
10.
Insulated tempered glass 2. Butyl retainer frame seal
Rigid vinyl thermal break
3.
Curbs
Brick veneer
5.
Secondary beam
Mineral wool insulation 8. Air gap 9. Plasterboard 10 11 10 11 12
Triple layed brick veneer
Weather coating
Mineral wool insulation
7.
1.
2.
3.
Plasterboard
Grade sheathing board
Top plate 90 x 25mm
Air gap
Secondary beams 9. Mineral wool insulation
7.
8.
Bottom plate 90
25mm
Plasterboard
x
11.
Interior brick veneer
Air
gap
Mineral wool insulation
Air gap + weather coat
Exterior brick veneer
30mm
Top plate 90 x
Plasterboard
8. Secondary beams 9. Mineral wool insulation
Bottom plate
Plasterboard
Interior brick veneer

HOME AFTER CRISIS “ NURTURED BEGINNINGS”

In an ever-changing world where emergencies andcrisesfrequentlydisplacecommunities,the importanceofprovidingrapidaccommodation that not only provides shelter but also feels like home must be highlighted.

This fuelled our project to become one that goes beyond temporary relief, instead laying the foundation for enduring new families and communities. We recognise the potential for theseemergencyshelterstoevolveintothriving villages and dynamic developing areas filled with opportunities.Central to our approach is the utilisation of locally accessible materials such as bamboo, and adobe, fostering efficiencyandreducingenvironmentalimpact.

The design weaves together public spaces such as markets, communal areas for water collection and cooking, and private spaces for living. The aim is to create a community that can grow and adapt over time.

To achieve this, flexibility and adaptability are integrated into the very fabric of the structures. Easily changeable divisions and joinery enable simpleassemblyanddisassembly,ensuringthat structures can expand, or contract as needed. Our common gathering spaces, stimulate connection and a sense of belonging. The central water collection area and Majalisa space may be connected to the core module to create a shaded open space that encourages community involvement. Ultimately, this project not only offers immediate relief but also nurtures the potential for lasting transformation.

Architecture BA (Hons)||NURTURED2023BEGINNINGS 16 b. ACCESSIBILITY, tessellating, uniform layouts, facilitate access and opportunity through equal farming and market streets a. SELF SUSTAINING STRATEGY, central water collection structure and the collection of waste, for living, growing and farming c. HUB FOR GROWTH, creating central market spaces, ensures interaction promotes local businesses, social growth d. UPGRADE & EXPANSION, designed for adaptable change through partitions and simple assemble disassemble construction
MARKET STREET MARKET STREET MARKET STREET MARKET STREET -VillageMasterPlan. Project type: Residential Housing, Urban Regeneration. Program: Marketing, Farming, Residential, Recycling. Location: Nigeria, Africa. Level: Architectural Competition. Collaborators: Raymond Wong, Bee Yogasivam, Jason Yip, Stephanie Ng. //03

“HUB FOR GROWTH”

- The front elevation of each household is a convertible structure that allows the family members to have a little market stall area facing the main street. With all the households together, the market stalls slowly form a market street for the locals. This could form a local identity as well as bringing health and wealth to the society.

17 Architecture BA (Hons)|NURTURED BEGINNINGS 2023|
Architecture BA (Hons)||NURTURED2023BEGINNINGS 18 Exploded Axonometric fog mesh tensile fabric 1 2 3 4 5 6 7 9 bamboo substructure with rope natural water filtration 8 water funnel bamboo structural frame water pipe water tank
& FUNCTIONS:
Society market
Main bedroom
Bedroom
Bedroom
Living room
1 2 3 4 56 7 8 9 10
Water collection
Toilet 10.
SPATIAL LAYOUT
1.
2.
3.
4.
5.
6. Cooking area 7. Majalisa
8.
9.
Livestock
mesh
Bamboo substructure
joints
Tensile fabric
Water filtration
Water
Bamboo
Water pipe
Water tank
WATER COLLECTION STRUCTURE: 1. Fog
2.
3. Metal
4.
5.
6.
funnel 7.
frame 8.
9.

-Elevationthroughthevillagers living area including livestock andwater collection.

- Elevation through the individual household’s front, itisusedasamarketspacefor commongrowth.

- Section cuts through the water collection system and the waste collection from the toilets.

- Section cuts through people’s living space showing the relationship between cooking area and thegrowingspaces.

Architecture BA (Hons)||NURTURED2023BEGINNINGS 19

“OFFGRID COMMUNITY”

- The central water collection structure collects rain wawter also filters water through fog meshers. Each household has its own waster collecting toilet systems underneath the structure that combines with the waste from the livestocks can be then used as fertilisers to farming and growing.

20 Architecture BA (Hons)|NURTURED BEGINNINGS 2023|
Architecture BA (Hons)||NURTURED2023BEGINNINGS 21 Section 1 sanitation space 3 2 4 5 majalisa water collection structure living area attached to the water structure is a tarp fabric extending to the roof to create a covered outdoor canopy for the residents as well as collecting rain water. water tank stores filtered water for domestic use with taps and pipes enabling access for domestic uses. flexible outdoor space could be used as an market stall space or just covered outdoor space for play or cooking. blurring boundaries between the indoor and outdoor with flexible bamboo doors to balance privacy with ventilation and flexibility. recycled tire, rammed earth and bamboo foundations with raised floors to prevent water flooding. 6 bamboo columns slotted into the floor plates; easily demantable to reconfirgure layouts. fog mesh attached to capture fog, dew and rain. bedroom area market stalls built in natural water filters within bamboo and funnel to transport filtered water to water tank sanitation space placed in proximity to farming space to collect water captured from shower through grill floor and waste to be recycled. th » floor coverings » covering ceiling for storage) rope netting roof covering flattened openings fencing fence height fog mesh fine roof bamboo beam bamboo column bamboo screen recycled tire 4 rammed earth 6 base waterproof plate 6 floor coverings 2
“GURYONG

ELDERLY VILLAGE”

Project type: Social Housing, Urban Regeneration.

Program: Marketing, Farming, Residential, Recycling.

Location: Seoul, South Korea.

Level: Architectural Competition.

Collaborators: Raymond Wong, Bee Yogasivam, Jason Yip.

Guryong Village in Seoul, South Korea, symbolises resilience amid land ownership disputes and government challenges. This project explores the community’s spatial dynamics, focusing on care architectures and the waste economy. Recognising residents’ self-sufficiency and amid ongoing debates, we highlight the proactive role of the elderly in leading the waste transformation economy.

Our goal is to propose an infrastructural framework supporting and normalising collections, and improving accessibility. This project aims to deepen understanding of selfcreated spaces and communities. Embracing sustainability, our proposed infrastructures use locally sourced materials, aligning with the green belt policy to prevent urban sprawl. Ultimately, we strive to empower Guryong Village, contributing to a sustainable, locally rooted model that harmonises with broader city planning goals.

To uplift Guryong Village, we implemented variouselementstoenrichcommunitylife.Local marketswereintroducedtostimulateeconomic activity and foster local interdependence, providing a platform for residents to exchange goods and services. Emphasising sustainability, community farming initiatives were also integrated, encouraging residents to participate in shared agricultural practices that not only promoted self-sufficiency but also strengthened communal bonds. Additionally, outdoorexercisespotswereplacedtocultivate an active lifestyle and create communal hubs for spontaneous interactions among residents. The introduction of restaurants also serve as a communal gathering space, contributing to the social fabric of the village. A recycling station reinforces a collective commitment to responsible waste management. These integratedelementsaimedtocreateavibrant, holistic living environment, empowering Guryong Village residents and fostering resilience, interconnectedness, and a deep sense of community belonging.

Architecture BA (Hons)||GURYONG ELDERLY 2024VILLAGE 22 BEYOND ISOLATION
//04
Architecture BA (Hons)||GURYONG ELDERLY VILLAGE 2024 - community centre - Farming area - Recycling centre - Markets & Resturants - Residential area - Exercise Pavillion
Architecture BA (Hons)||GURYONG ELDERLY VILLAGE 2024

The Guryoung Village redevelopment aims to combine detached housing and apartment typologies, creating a hybridization that actively combats loneliness. Upon assessing the existing housing conditions on the site, it became evident that most structures were in a state reminiscent of slums, posing safety concerns for residents.

Whilst designing, a distinctive feature was introduced:awoodendeck, envelopingeach building.Thedesignopensthelivingroominall directions onto the deck, thereby creating an interstitialgatheringspacewithineachunit.This layoutfostersmeaningfulinteractionsbetween residents. Furthermore, the incorporation of two diagonal cores within each unit, both balances internal life and addresses safety concern. This approach promotes a dynamic and engaging living environment for the residents of Guryoung Village.

We designed three modules to cater to different family needs:

• A studio module is used for individuale elderlyresidents.Itprovidesindependence, and privacy, Also, it is more financially suitable for most families.

• A one bedroom module is for elderly couples, it is a combination of comfort and functionality. It also provides a closed bedroom space with private closets and working space.

• A two bedroom module is for families or thoseneedingacaretaker,itprovidesboth space and privacy.

Eachmoduleistailoredtoenhancethequality of life for the Guryong residents.

Architecture BA (Hons)||GURYONG ELDERLY 2024VILLAGE 25
01. Studio Module02. One Bedroom Module03. Two Bedroom Module - Storage space near the entrance. - Dinning room integrated with Kitchen facilities. - Living room being seperated with the cooking area by furniture. - bedroom integrated with the living for one person use. - dining room fixed with the kitchen giving more space for couple users.
- bedroom fully seperated for privacy,
- Ensuite for a bigger family use. - Single bathroom for guest and the single user.
- One single bedroom for single user or couples wth children to take care of. - Living is fully seperated with the living spaces and the bathroom area to give a private shared space.

Deptford is rich in its diversity and creative art culture, art and crafting as a huge part of its intangible heritage, it is slowly fading away due to the lack of investment for the artists. The councils are building architecture for its financial benefits instead of the community. Therefore, the artists and creative people have less rooms to express their talent and pass the art culture to the younger generations.

In our Term 1 project we were required for a situated action to help with the accuracy of our research. We were doing a site survey as a group to gather the primary information through chatting with the locals, and throughout the survey, I have learned that the community is barely holding together, due to the lack of diversity and common culture awareness. so that I will use that information to design a temporary civic pavilion for everyone that is benefit- ing the society and create inclusiveness and coherence among the existing community.

I have chosen my site on the Giffin Square where is the heart of Deptford and close to the existing heritage street, the Deptford High street

In my Term 2 & 3 project we were asked to continue designing a civic place in Deptford. However, we have to design a permanent and medium sized building that fits the areas needs. In this case I am choosing my site on the Deptford High St which acts as an existing gap between the Deptford High St community and the Creekside community. Where the High St is the gathering place of the locals. However, the Creekside is more developed in terms of art and creativity. Therefore, I will be using the Deptford Church St as a bridge to fill the gap between the High St and the Creekside to create a whole community for everyone.

Architecture2021 BA (Hons)||DEPTFORD CHURCH ST- CIVIC GALLERY 26
DEPTFORD CHURCH ST
Community Centre, Urban Regeneration. Program: Art, Educational, Conservation, Cultural. Location: London, UK. Level: Second Year Design Thesis. //05
“CIVIC GALLERY” Project type:
Architecture2021 BA (Hons)||DEPTFORD CHURCH ST- CIVIC GALLERY 27 20
SPATIAL LAYOUT & FUNCTIONS: 1. Outdoor sitting area 2. Community activity space 3. Art shop & Reception 4. The community cafe 5. Public toilet 6. Open events space 7. Modern art gallery 9. Painting gallery 8. Core gallery 10. Dancing studio 11. Outdoor playground SPATIAL LAYOUT & FUNCTIONS: 16. Office 12. Outdoor wathing platform 13. Indoor community space 14. Connection bridge 15. The community library 1 5 3 4 6 8 10 7 9 11 12 13 14 16 15 17 17. Open workshop
29 1. Polycarbonate 2. CLT Structural frame 3. Glulam columns 4. Polycarbonate 2. Plasterboard 3. Wooden Floor Decking 4. CLT Structural frame 1. Glulam columns 1. Glulam columns 2. Polycarbonate 3. Concrete Slab Foundation 4. Fine Sand & Gravel 5. Soil
2021 Architecture BA (Hons)||DEPTFORD CHURCH ST- CIVIC GALLERY

REDUCE NITROGEN

On the aspect of environmental benefit, growing sweet corn could reduce the nitrate nitrogen content in soil profiles efficiently,especially could decrease shallow nitrate nitrogen content,especially for the nitrate nitrogen content in the soil surface(0-20 cm) were declined the most obviously.

It is a versatile food, as the entire plant can be used. The husks can be used to make tamales, silk to create medicinal tea, kernels for food, and stalks for livestock feed. Corn is used to make tortillas, tortilla chips, polenta, cornmeal, corn oil and more.

VERSATILE FAST GROWING

Generally, it takes two to three months from sowing seeds to picking ripe sweet corn. The exact amount of time depends on the variety. Usually, the number of days from sowing to harvest will be noted on the seed packet.

HIGN IN VITAMINS

Corn is rich in vitamin C, an antioxidant that helps protect your cells from damage and wards off diseases like cancer and heart disease.

CARBON SINK

Corn is a carbon sink, says South Dakota scientists. Per acre, every acre of corn absorbs 8 tons of carbon dioxide.

LOW WATER FOOTPRINT

Corn has relatively low water footprint as well. It takes 1,222 liters of water to produce 1 kilogram or 2.2 pounds of corn / 146 gallons of water to produce 1 kilogram or 2.2 pounds of corn.

BIOPLARCH COOKING GUIDEBOOK BIOPLASTIC TILES
Architecture BA (Hons)||MATERIAL EXPERIMENT 2022 31

BIOPLASTIC COMPOSITION

BIOPOLYMER(S)PLASTICIZER(S)ADDITIVE(S)

(Natural and Synthetic)

Polymers are used to increase the stiffness an strength of plastic products,andBiopolymersareused inthecreationofbioplastics,which unlike their purely synthetic counterparts, biodegrade in a short amountoftime.Traditionalplastics cantakethousandsofyearstobreak down.

Plasticizers are generally nonvolatile, high boiling, low molecularweightcompoundsadded to a polymer to improve its processability, flexibility, and stretchability by modifying the mechanical properties making the films more ductile, lowering the melt viscosity and the Tg of the product without altering the fundamental chemical character of theplasticizedmaterial.

Bioplastic with additives has better tensile strength and long biodegradability than that with silicasolution.

Biopolymer: - Corn Starch

Mixer: - Water

EXAMPLESEXAMPLESEXAMPLES

( Starch,AgarAgar, Chitin, Cellulose, Gelatin,Alginate, Algae, Protein )

( Sorbitol, Xylitol, Glycerol, Vegetable oil ) ( Spirulina, Vinegar, Fibers, Kelp Power )

Plasticizer: - Vegetable glycerine - Vinegar - Chitin Power

Additives: - Hemp Fibres - Egg Shells (Powder)

1. Measure biopolymer powders and water seperatly according to the water to biopolymer ratio (Additives could be added too if required).

2. Put the measured water to boil in a hot pan under medium heat, and then add biopolymers (and additives if there is any) while stiring constantly until the material is completely dissolved into a homogeneous solution.

3. Add plasticizer to the hot pan with the mixed material, in this research, I will be using vegetable based glycerine for the plasticizer. Keep mixing and stiring, the more cooking the more water is evaporated which helps the shrinkage of the final outcome.

4. Roughly 6 minutes of cooking, pour the mixure out on a unsticking surface ( In this research : silicone mold, foil paper and baking paper).

5. There are several drying methods to use to create the final finish of your bioplastic: Oven dry at 50 degrees for 2 hours/ Hair dryer drying until the mixure become soild/ air dry by expose the mixure under the sun for approximately 8 days for it to get soild.

6. Document the final outcome and seer the performance of it (Shrinkage, waterpooring, compression and tension tests).

Architecture BA (Hons)||MATERIAL EXPERIMENT 32 2022 1 2 34 5 6
Haomeng Cheng Unit 11 Technical Studies- Stage 3
fig. 04: Bioplastic composition property research by Aurther (2023)

B

BIO PLASTIC 1.

Main Ingredients:

- Water

- Cornstarch

- Glycerine

Additional; ingredients:

- Dehydrated black tea leaves, and also tea bags leaves

- Vinegar

- Food colouring: freshly made black tea

Characteristics of substance:

Generally the colour of the outcome tends to be transparent, however, the longer it is cooked in the oven, the more yellowish the outcome will be. The material tends to shrink, and it is easy to cut just by cutting knifes. It depends on the ratio of the ingredients, that can change the characteristics of the material easily. The tea leaves both from the tea bags and fresh tea can relatively reduce the amount of shrinkage on the material.

Main Ingredients:

- Water

- Cornstarch

- Glycerine

Additional; ingredients:

- Chitin powder - Vinegar

- Food colouring

- CMC (Carboxymethyl cellulose or cellulose gum)

Characteristics of substance:

The material that has CMC powder involved will be shown has transparent, and it tends to be more flexible and elastic, the ones that has the ingredient of chitin powder involved will be shown as in yellow. It tends to be less elastic but stiffer and more brittle.

IO PLASTIC 2. BIO PLASTIC 3.

Main Ingredients:

- Water

- Cornstarch

- Glycerine

Additional; ingredients:

- Dehydrated Food wasts such as: grounded coffee, egg shells, and orange peels

- Vinegar

- Food colourings and coffee drops

Characteristics of substance:

Generally speaking, the ones that are made from food wastes are the prettiest. The samples that contain grounded coffee will look darker and with the grounded coffee on the surface of the material, it tends to be less elastic and less brittle, it feels like card paper. The ones with egg shells will also end up with shells on the surface of the material, it is more flexible and also stiffer. Orange peels make the material very brittle.

Architecture BA (Hons)||MATERIAL EXPERIMENT 33 2022

Outcome of pr

My first outcomes are based on my initial test, have then developed different forms and tested out differernt ingredients of bioplastic mainly based on food wastes ( tea leaves, orange peels, and avocado seeds). However, I have also added fibre into one of my ingredients, the intension is to strengthen the material at the same time to reduce the amount of shrinkage of the material.

The problems that will address in my new experiment is that I have will pre-mix the ingredients in a container, and then cook then all together to create the mixture. This is because that in my initial attempt, I have mixed the CMC powder and cornstarch with water first, then added the vinegar and glycerine seperately after I started cooking. This is caused that some of the CMC powder was not properly mixed into the mixture, and that is why in my initial outcome there were some chunks of CMC powder left on top of the surface.

My first outcomes are based on my initial test, have then developed different forms and tested out differernt ingredients of bioplastic mainly However, I have also added fibre into one of my ingredients, the intension the CMC powder and cornstarch with water first, then added the vinegar

Shear test:

Although the test was stopped at 2.8kg, however, there was only one small cracking occured on the material, this could be prevented by increasing the thickness of the material.

Architecture BA (Hons)||MATERIAL EXPERIMENT 34 2022
Unit 11 Technical Studies- Stage 3 08
Haomeng Cheng fig. 15: The sample from my first attempt. fig. 16: The new sample after my first attempt. Photo credit: Haomeng Cheng (Aurther) fig. 17: Cracking after the shear test.
Unit 11 Technical Studies- Stage 3
Haomeng Cheng fig. 15: The sample from my first attempt. fig. 16: The new sample after my first attempt. fig. 17: Cracking after the shear test. 0.8kg1.4kg2.8kg Barely holding Eventually fell

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