THE X PROJECT Portfolio of Teng Xue Applying for MArch Design for Performance and Interaction Bartlett, UCL
Bachelor of Engineering in Urban and Rural Planning Beijing Forestry University Email：18811330079@163.com Tel：+86 18811330079 No. 35 Qinghua East Road, Beijing, 100083, China
CONTENT
SIDE A
Vol. 1
The Sound of Iceland
1-6
-Cultural Study & Musical Hotel Design-
Vol. 2
The Loop of Mothe Chandeniers
7-12
-Heritage Protection & Visitor Center Design-
Vol. 3
Encounter in The Hutong
13-19
-Sustainable Renovation Design In a Historical Area -
Vol. 4 It seems like a common thing for almost all design portfolio to have a certain theme. In the process of making this portfolio, I have also tried many times to find this theme from my previous works. What's interesting is that apart from these works are all from my own, it seems difficult for me to put them into one category.
Loop The Lok Ma Chou Loop
20-26
-Sociology, Ecology Study & Border Design-
Vol. 5
Oh God! Oh Love!
27-30
-Sociology, Ecology Study & Border Design-
I have always believed that design has no boundaries. As a designer, especially a designer who has a great passion for interaction and performance design, there is no boundary for exploring the possibilities and limits of design. This is the origin of The X Projext. X is the unknown, it represents myself as well as the infinite possibilities of design. 31-32
The Absence of Walls
Vol. 6
-Exhibition & Installation Design-
33-34
The Eyedrop Tool
Vol. 7
-Interaction Device Design-
35-36
Yeah to Z
Vol. 8
-Interaction Space & Stage Design-
37-38
The Impossible Encounter
Vol. 9
-Interaction Exhibition Design-
The HOPE -Interaction Art Installation Design-
Vol. 10
SIDE B
39-40
SIDE A: THOSE IDEAS...
THE SOUND OF ICELAND AN IMMERSIVE MUSIC HOTEL DESIGN Architectural Design Location: Lake Mývatn, Iceland An academic individual work Design date: April-July, 2017 Supervisor: Yun Qian E-mail: qianyun@bjfu.edu.cn Iceland, a sparsely populated small Nordic island with a rich regional natural landscape and culture, has always been one of the ideal destinations for travel enthusiasts. Iceland is often depicted as the last pure land on earth, whether by locals or tourists. As a result, the trip to Iceland seems to have some kind of spiritual meaning. This experience has something in common with the appreciation of music. As a music lover, my first impression of iceland comes from its unique misic.Iceland music as a characteristic culture in Iceland, is also popular with people around the world. In this project, I tried to incorporate Icelandic music culture and local materials into the design of a resort hotel and reinterpret the regional architecture through material, space, vision and hearing.The project is located along the east coast of Lake Mývatn, a shallow lake in northern Iceland, surrounded by unparalleled landforms caused by volcanic eruptions 2300 years ago. In addition to the lake itself, there are craters, magma sources, lava columns, geothermal areas, natural hot springs and other landscapes. Being here is like being in another world...
-1-
GEOGRAPHICAL CONDITION ANALYSIS OF ICELAND
ANALYSIS OF ICELAND MUSIC CULTURE AND DESIGN CONCEPT FOR LOCALS
Iceland, the cold wonderland at the end of the world, has the most unique natural environment.
FOR VISITORS
Egilsstaðir
80% Reykjavik Hafnarfjörður
Höfn Project Site
North
Most of the population live in major cities.
Most major roads built along the coast.
Tundra, volcanoes and glaciers as main landforms.
With the population of 100k, 80% of which are capable of instrument.
There are many different types of music & musician in Iceland.
2/3 Two third people‘s first impression of Iceland comes from music.
Many people regard Iceland as the last piece of pure land on earth.
Local music festivals have the tradition to use hotels as performance venues.
SITE ANALYSIS
People's Reykjahlið P
Blue Lake P P P P
P
Project Site
Lake Mývatn
Grjótagjá Cave
P
Hverfjall Volcano
P
P
P
P
N
Local Terrain and Road System Vegetation Cover Area (shrubs)
Volcano Ash Surface
Major Road
Waterway
Stone Boulder Surface
Lake
Minor Road
250m
Value of Iceland Music
Concept Summary
Obviously，music is an important part of Iceland culture, which also makes Iceland have some unique spiritual value.
As a result, the design of the resort
Airport
Accommodation
Bird Museum
P Parking Lot
Post Office
Observation Deck
Horse Riding
Gas Station
Restaurant
Bank
Swimming area
All drawn by Teng Xue
other local features to form a new shape of local architecture.
Public Service Facilities and View Spot Tourist Information
blends Iceland music culture and
Similarity between Music & Architecture There‘s a certain similarity in people's psychological responses to changes in architectural space and musical melody. All drawn by Teng Xue
-2-
VOLUME GENERATION
EXPLOSION DIAGRAM
The architectura spaces is based on the form of loop to organically combine nature, music and human behaviors through different spaces and tourlines.
From low to high, the architectural spaces are the stage courtyard, hot spring and sauna, viewing platform, VIP audience rooms and guest rooms. Gradually transition from open spaces to private spaces.
Volcano
Building
Courtyard
Landscape walkway
Hotel room
Lake
Audience sits
Hotel Room Floor
Courtyard
Architecture + Music + Nature
Three Systems
Built by the lake to achieve the intimacy with nature.
Three intertwined and rising systems around the courtyard.
Viewing platform
Roof
Waterside Deck
Landscape walkway
Building Structure
Sauna Courtyard as Stage
Courtyard as Landscape
Building forms stage sound field. And stage is visible in many ways.
Stage is transformed into a circular waterscape that echoes walkways.
Landscape Walkway Around Hotel Rooms VIP Audience Rooms
AXONOMETRIC DIAGRAM
Landscape Walkway Facing Volcano
Built by the lake to achieve the intimacy with nature. Built by the lake to achieve the intimacy with nature. Built by the lake to achieve the intimacy with nature. Waterside Deck
Main Building
Volcano Viewing Platform
Main Entrance
Landscape Walkway Facing Lake
Entrance
Column Underground Walkway Multi-functional stage member Stage & Stalls
Open-air Hot Spring Hot Spring & Sauna
Landscape
Underground Walkway
Hot spring and sauna are built on the water side, visitors can enjoy the stage activities while being close to nature.
Landscape formed by natural gravel and street lamps
A narror to wide walkway before reach the lob b y, sug gesting a hearing-to-visual transition.
All modeled and drawn by Teng Xue
Waterside Deck
All modeled and drawn by Teng Xue
-3-
STAGE & HOTEL FLOOR PLAN
14 15
7
Landscape Walkway Around Hotel Rooms
8
12
Waterside Deck The Stage Multi-functional Stage Member The Stalls VIP Audience Rooms
13
Landscape Walkway Facing Volcano
2 3 4
1
5
9
2
10 11
The Stage 6
The Stalls Waterside Deck
6
3
5
1
4
7
2 10 4
5
7
2
9
13 12
11
8
9 4
10
1
13
6
Hotel Lobby The Upper Circie The Stalls Hotel Room Open-air Hot Spring Landscape Walkway Facing Lake
1
1
STAGE & SAUNA FLOOR PLAN Entrance 2 Underground Walkway 3 Hotel Lobby 4 Stage Equipment Room 5 Outdoor Seating Area 6 Hotel Staff Dorm 7 Hot Spring Rest Space 8 Open-air Hot Spring 9 Hall to Stage 10 Hotel Staff Room 11 Sauna Room 12 Multi-functional Stage Member 1
3
12 13 11
14
8
15
0m
10m 5m
20m 15m
30m
N
0m
10m 5m
25m
20m 15m
30m
N
25m
SECTION 1-1
All modeled and drawn by Teng Xue
-4-
INTERACTION STRUCTURAL DIAGRAM
WINDOW & ACOUSTIC STRUCTURE NODE
The building adopts beam-column structure. Meanwhile, the local volcanic ash is integrated into concrete to form building materials with good heat preservation and sound insulation functions. Volcanic Ash Concrete Slab
Built-up Roofing
Secondary Beam
Water-proof Course Leveling Course Steel Bar Suspended Ceiling
Instructions for the use of acoustic structure & window
Wood Plank Water-proof Course Steel Member Wood Wool Cement Board an environmentally friendly material with good sound absorption and reflection effect.
Completely close the acoustic structure when an quiet environment is needed.
Flip the panel if there is a requirement to watch the stage.
Open the window when an interaction with the stage is needed.
Completely open the acoustic structure to create a better sound environment.
Window Structure Explosion
Air-con
Steel Member
Bathroom Fan
Air-entrained Concrete Bar
Hopper Window with Steel Rolling Bearing
Air-entrained Concrete Bar
Hopper Window with Steel Rolling Bearing
Air-entrained Concrete Bar
Acoustic Structure Explosion The acoustic structure has two different outer surfaces. When it is completely closed, wood plank is on the outside, the sound is absorbed twice through wood wool cement board to prevent being transmitted to the guest room. When the sturcture is open, it can reflects sound through the board to strengthen a stage sound environment.
Air-entrained Concrete
I can watch the show here.
Steel Rolling Bearing
Collect rain water from the stage
Steel Member Wood Plank Water-proof Course
Gather rainwater for resue
Wood Plank Steel Bar ďźˆfor fasten wood plank floor waterproofing Damp-proof Course Volcanic Ash Concrete Gravel Cushion Rammed Earth All modeled and drawn by Teng Xue
Send Purified rain water to sauna room as sauna water.
Send rain water back to the stage as landscape water.
Bolt Steel Member
Steel Rolling Bearing
Wood Wool Cement Board
Wood Plank
Rainwater Purifier Rain Water Pipe Drainage Trench All modeled and drawn by Teng Xue
-5-
SEMI-OUTDOOR AND INTERIOR RENDERINGS
OUTDOOR HOT SPRING AND LANDSCAPE WALKWAY
Underground Walkway The underground walkany in front of the hotel is a space from narrow to wide, from dark to bright, suggesting the transformation from hearing to vision.
Hotel Lobby One side of the hotel lobby faces the volcano for natural view, and after rotating the stairs to the coffee shop on the second floor, visitors can watch the stage from afar.
The open-air hot spring is in contact with the surface of the water, together with two walkways and hotel rooms creates a variety of spatial relationships with Lake Mývatn.
Interactive Courtyard Form A When there is no music show, courtyard is used as a open-air public space with a central water landscape for people to play with.
Interactive Courtyard Form B When there are doing music shows, the multi-functional stage member is lifted as a acoustic strecture to form a concert hall acoustic environment. Landscape walkway can overlook the Hverfjall Volcano and lead to more private areas, such as VIP audience rooms and hotel rooms. All modeled and drawn by Teng Xue
All modeled and drawn by Teng Xue
-6-
THE LOOP OF MOTHE CHANDENIERS A HERITAGE PROTECTION AND VISITOR CENTER DESIGN Architectural and Environmental Design Location: La Mothe Chandeniers, 86120 Les Trois-Moutiers, France An academic individual work Design date: February-May, 2018 Supervisor: Changming Yu E-mail: yuchangming@bjfu.edu.cn There is a special fascination in ruins. There is a sublime hint in dissolved architectures. There is something moving in the pulverizing of time. Silence takes over the architecture. In the long sunset that follows abandonment and preludes destruction, nature completes the design of mankind by taking space back according to its own pace. In that moment, something magical happens. In that moment, architecture gives way to ruins. The castle of Mothe Chandeniers is a perfect ruin. The origins of Mothe Chandeniers have been lost in the pages of a history that we don’t know. However it was renovated during the Romantic age. It is the architectural embodiment of romanticism. At that time, the castle was the Marquis Francois de Rochechouart-Chandeniers’ house. After the marquis’death, the castle was abandoned for 2 centuries. In those years, numerous families owned it until it passed into the hands of Francois Fidèle Hennecart a wealthy textile tradesman who purchased the castle in 1809. His family renovated it again but on the night of 13th March 1932, a violent fire destroyed most of the building. Currently Mothe Chandeniers is much more romantic than before its renovation. The ruins that fusion with nature seem to be the perfect materialization of the sublime. So the visitor center design is based on the concept to keep it as a whole outdoor exhibit. Under that condition, a loop shape overlying building is designed around the castle by combining the terrain, waterway and visitors' needs. While protecting the castle, this loop provides a diverse experienc form equiet to dynamic, shallow to deep.Meanwhile, inside of castle is retained and people can appreciate the charm of the relics from all angles and distances through a series of landscape intervention measures of different heights.
-7-
LOCATION
SITE HISTORY ANALYSIS
The castle of Mothe Chandeniers is located in in a remote suburb of the Phuatou-Charlande region of France, about 320km southwest of Paris and surrounded mostly by nature.
In the past dacade, the castle of Mothe Chandeniers has been though rise and fall... The origins of Mothe Chandeniers remain unknown.
The first record was the Marquis Francois de Rochechouart-Chandeniers’s house. Many artists phased the beauty of the house, garden and theater.
The castle was renovated during the Romantic age.
A wealthy man of textile business purchased it.
A violent fire Burned most of the building.
It passed into the hands of many other owners.
17th Century
1809
13th March 1932
20th Century
Saumur
30km
30km
15th Century Timeline
D7 D 162 25km
25km
13th Century
16th Century
Early 19th
18th Century
Nowadays
1950
D 751
D 178
D 147
20km
20km D 347
The original castle was firstly built by an unknown person.
La Mothe Chandeniers 47°05’32.6”N 0°01’57.3”E
It became property of the family that gave to it its current name, abandoned for 2 centuries after marquis’ death.
Tradesman’s daughter and niece carried out the renovation and transformed it into the way we know now.
Fire didn't destroy the west wing. tradesman’s descendants lived there until 1950.
D 759
It became arable land and the nature replace mankind completed the design.
DESIGN SYSTEM MAPPING
15km
15km
Historical elements Landscape and nature
fo r on nti ve ay s
ce nte ts ris
for La nd
Viewing platform of different heights
Old look with new functions Use three ways to connect the castle and the annular
ur
an
sit
All drawn by Teng Xue
Architecture & nature
Romanticism
Waterway
Ca fe ho p um
Resort hotel
Mu
se
Circular landscape walkways combined with architectural
Me
ng eti
roo
n
ter
s on wa y
History & culture area
ea
ay Mu
ltip
le
int
era
cti
To ur
Axle wire
nir s
ine mb co ist
sn
ee
ds
Around the castle
Three parts devided by water for different functions
Th
Waterway
ms
State line
roo
Minor roads
tel
Major roads
A loop shape overlying building
Ho
Woods
A complete exhibit
rw
Scrub land
20km
ate
Grass land
10km
ew
5km
bin
Crop land
2.5km
Co m
0km
et
0km
So uv e
rap
es
op og
Pr
0km
Catering & entertainment area
hy
erv e
the
ap p
The site
Re sta
ere nc e
Design concept
t
Mu ltip le
int
era
In the castle
cti on w
5km
sc ap ei
nte r
Reserve the plants
To u
m
r
Basic design Repair the castle
the se rv e Re
5km
m
Ind
ep lat
Design premise
La nd sc
A perfect fusion that need to be retained as a whole.
ap
Time
D 759
en
tio
10km
D 61
ga rd
ns
is ax
ora
e
ing
De c
ild
Ca stl
ys
wa
nts
en ard
pla
Bu
r ate
al
Nature
hg
nc
tur
Architecture
W
Fre
10km
Na
D 147
oo r
Humanistic relics
Semi-closed space All drawn by Teng Xue
-8-
CURRENT SITUATION AND DESIGN CONCEPT
STRATEGIES IMPLEMENTED TO SPACE
Castle garden and viewing platforms Main road
By-pass
Headwaters
Road System
Waterway
Water System
Axis
Cottage
Farm
Buildings & Axis
1
AR
Design Concept CHITECTURE NATURE
Built in the ancient time with a specticular architecture form,and nature used it own special process made the castle an unique mixed masterpiece.
3
2 It is the fusion that build up the beauty of the castle. So I want to consider it as a whole like a natural outdoor exhibit to maintain its present appearance for people to visit.
Three corridors to connect the loop and the castle
4
But this exhibit is not framed in glass, it is a container of time. and people can sense it, inreract with it from a variety of angles and distances.
Overall View
This idea can be realized in two ways. Use landscape interference to preserve the original appearance in the castle. and build a new loop shape building around the castle.
Resort hotel on the ground Historical & cultural area Completely underground Dining area semi-underground
Landscape walkways
5 Combine topography and waterways, new loop shape building is naturally divided into three parts.
7 6 Different functions are given to the building according to tourists' needs. And change architectural form at the same time.
Bridges to connect three areas
Connect the three parts and form a landscape walkway on the top.
Strategies Inside The Castle Office
Entrance
Seminar room
Garden Tourists center
History museum
Theater
View platform
Functions of the loop Hotel front desk Garden
Use the original building space to create a new form of use. All modeled and drawn by Teng Xue
Tourists center
View platform
Indoor landscape streamline with different vertical changes.
CafĂŠ
Connect to the new building by creating three passageways.
Kitchen
Restaurant
Hotel rooms
All modeled and drawn by Teng Xue
-9-
PLAN AND NODES
DETAILS DESIGN OF THE INTERACTIVE CENTRAL AXIS 1
3
2
4 12
11
14
13 16
15
STEP 1: Watch the Castle 5 1
1 6
7
Multifunctional seats combined with bicycle locks set at the entrance, visitors can rest here and watch the castle from afar.
17
18
8
Explosion Diagram
18 18 21
9
18
20
How To Use
19 19 19 19 19
19
19
19
0m
10
10m 5m
4
Management Office History Museum Bridge Connects Souvenir Shop & Muesum Souvenir Shop
5
Coffee Shop
1 2 3
6
Hall Connects Castle & Dining Area
7
Kitchen
8
Toliet
9
Restaurant
10
Bridge Connects Hotel & Dining Area
20m
N
15m
Museum Front Hall Duty Room Hall Connects Castle & History Area Seminar room Theater Art Gallery
11
Bridge Connects Theater & Hotel
17
Deluxe Hotel Rooms
18
General Hotel Rooms
19
Hotel Front Desk
20
Bridge Connects Castle & Hotel
21
12
STEP 2: Capture the Castle A series of wooden frames are set before stepping on the bridge of the castle to emphasize the original central axis.
13
Explosion Diagram
14 15 16
STEP 3: Feel the Castle A series of multifunctional atmosphere lights are used throughout the castle to foil atmosphere. When they're fully open, they can also be used as a supporting component for exhibitions and posters.
Restaurant All modeled and drawn by Teng Xue
Museum
Theater
Explosion Diagram
1
2
4
5
3
6
How To Use
All modeled and drawn by Teng Xue
-10-
SPACE FORMS & POSSIBLE ACTIVITIES I nt
ro
CONCEPT SECTIONS OF THE LOOP & THEIR RELATIONSHIP WITH THE CASTLE Fa
du
ce
th e
ce
Resort
ca
e
ds
s tl
an
Museum
ca
t te r s un l igh t
Lectures
Activities
Exhibitions
Section of Museum, Resort & Castle
Rest space
Activities
Viewing platform
History Museum
Step Lawn
The museum is completely underground. Use the stairs on the roof to form a vertical window, and use a curved wall to scatter natural light and introduce it into the museum.
Sp
At the top of the museum is a step lawn facing the castle, offering an outdoor seating area where visitor can enjoy the beauty of the castle at the same time.
ec ia
Restaurant
le
in
ca
st
lw
of ok to k e e p t h e ori gin al lo
ze the visibility of th
ec
ure
ximi
as
e as
ma
Restaurant
s nd
tle
Brewpub
Theater
Garden
em
to
Section 1 of Theater, Restaurant & Castle
p ca
w
t he
do
Food
Theater
Exhibitions
La
Viewing platform
Tourists center
Restaurant The semi-underground restaurant use two interior heights to offer open and private dining environments. By using special window, the castle everywhere.
Castle Garden Use Viewing platforms of different heights and original plants to create a castle garden. Protect the castle's texture while maximizing the castle's exposure to people.
Section 2 of Theater, Restaurant & Castle
SECTION 1-1
All modeled and drawn by Teng Xue
All modeled and drawn by Teng Xue
-11-
DETAILS OF MUSEUM a. Steel cable b. Thin concrete half-arch c. 5 cm steel plate d. 3 cm wooden board
e. 0.5-1cm roof waterproofing and root protection membrane according to FLL guidelines. f. 0.5-1cm protective layer, e.g. fleece.
j
h. 0.5 cm filter fleece.
i. 8-20 cm extensive layer substrate as vegetation support layer.
1.5 cm wooden board
j. Vegetation: Planting from drought-resistant plant species, applied by seeds, sedum sprouts, flat bale stauders or vegetation mats.
1 cm glass
Remain the interior of the castle, forming a natural semi-outdoor garden, and at the same time enriching the tourists' experience through landscape walkways of different height.
Steel structure
d
i g
g. 2-6 cm drainage from bulk goods, e.g. Lava (bulk material drainage), or plastics (solidstate drainage).
RENDERINGS
h f
e
Arch to diffuse sunlight
c d b
a
View From Castle Garden Details of window & outdoor seat
The restaurant uses two different heights to divide open and private spaces. At the same time, people can enjoy the castle through the top window.
View From The Restaurant
2 cm rough marble
2 cm drywall
5 cm cement plaster
5 cm cement plaster
1 cm floor waterproofing 20 cm concrete 30 cm plain soil compaction All modeled and drawn by Teng Xue
20 cm concrete Steel pillar to support the arch.
1.5 cm wooden board
1 cm waterproof layer
5 cm wooden keel
5 cm cement plaster
View From The Restaurant All modeled and drawn by Teng Xue
-12-
ENCOUNTER IN THE HUTONG HISTORICAL AREA SUSTAINABLE RENOVATION DESIGN BASED ON "SYMBOSIS COURTYARD" PROJECT Urban Design Location: Nanlouguxiang, Beijing, China An academic group work Design date: April-July, 2019 My Work: Field research, site analysis, design concept and strategies, all the modeling and drawings in this portfolio Supervisor: Tong Xu E-mail: xutong@bjfu.edu.cn In the context of the rapid development of China's economy, many historical districts cannot escape the fate of commercialization. Nanluoguxiang is a typical example. The rush to economic and tourism development has inevitably brought conflicts between locals and tourists. For traditional historical districts like Nanluoguxiang, the streets often carry the role of not only transportation but also public spaces, like squares in the western world. Today, this unique lifestyle is gradually disappearing with the intensification of commercialization. After years of different renovation strategies, a mixed experimental courtyard strategy has appeared in Nanluoguxiang and it is named "Symbiosis Courtyard" project. What is "Symbiosis Courtyard" project? It is the symbiosis of private space and public space, thus forming a symbiosis state in which commerce and residence can coexist, tourists and residents can coexist. In this design work, we tried to rebuild the traditional way that uses streets as a carrier of public spaces by combining the currently popular "symbiosis courtyard" project. At the same time, we hope this brand new continuous improving road system has the ability to diversify and weaken the conflicts and build a loop for residents and tourists, through the introduction of different functional spaces, hopefully achieve harmonious coexistence someday in the future.
-13-
LOCATION AND HISTORY ELEMENTS
CURRENT PROBLEM SUMMARY & DESIGN CONCEPT
Originated in the Jin Dynasty and flourished in the Ming and Qing Dynasties. Nanluoguxiang has witnessed the rise and fall of Beijing for centuries. It is the epitome of Beijing's history and culture. But now its glory is fading because of over commercialization. Hutong Culture
On going
in Nanluoguxiang
Commercialization
Damands
Privacy Public spaces Hutong lives Convenience
Residents
Decision maker Job opportunity Tourism value Cultural protection Economic development
Participants
Government
In-depth experience Local interaction Cultural understanding
Tourists
Commercialization indirectly led to increasing different needs of different people and exacerbated conflicts. Design site in Beijing historical maps
Before commercialization courtyards on both sides of the streets are more frequently connected. Residents are also more willing to use roads as a carrier of public spaces.
N
Jinzhongdu Map (11AD)
After commercialization Communication on both sides weakened significantly. There are obvious conflicts between tourists and residents, and the courtyards are mostly closed.
Houhai Yuandadu Map (12AD)
How to restore the function of roads as public spaces while preserving commercial functions?
The Forbidden City
After the design
During the design
Before the design
Less concentrated and conflicting
Concentrated and conflicting
Map of Beijing in Ming dynasty (16AD) Temple of Heaven
Decentralized and joyful
DESIGN SITE
Jing shi quan tu (19AD)
NAN LUO GU XIANG, BEIJING 116'39''E~116'42''E 39'93''N~39'94''N Total area: 18.35 hectares
The original conflicts were concentrated. So I create a new roads public space system based on site characteristics which can gradually introduce tourists into alleys to homogenize and decentralize the conflicts, enrich tourists experience and control the impact of tourists to a tolerable range. How can this design concept be realized in time ?
Republic of China era (20AD)
Current Situation under the Influencel of Commercialization
Crowd contradiction
Illegal construction
"Symbiosis Courtyard"
Tourists interfered residents' lives. Roads are no longer exclusive to residents. Which further intensified the conflicts between residents and tourists.
The lack of living spaces led to the widespread phenomenon of illegel construction which is encroaching public spaces and original Hutong texture, aggravating conflicts and reducing living standards.
In 2015, Four alleys in Nanluo were included in an experimental renovation project called "Symbiosis Courtyard". So far, more than 400 houses have been vacated for further renovation.
All drawn by Teng Xue
Seperate activity spaces
Associate over time
Spaces with muti-functions
Current status Residents' activity spaces
Design different activity spaces for tourists and residents and equip them with corresponding functions to attract different crowds, guide the flow of different behaviors, reduce mutual interference. and create spaces where tourists and residents can participate together.
Near future Tourist activity spaces
A mature network
Far future Overlapping range
With the further advancement of Nanluo's renovation policy, the number of vacated courtyards and symbiosis courtyards will increase, providing new potential paths for the roads system, thus forming a growing network of districts where tourists and locals can coexist happily.
All drawn by Teng Xue
-1 -
SITE ANALYSIS AND RENOVATION BACKGROUND
HOW TO FORM THE NEW ROAD SYSTEM?
Renovation Background — The Way To “Symbiosis Courtyard” Project
Factors Considered Renovated House
Historical map texture
Soften
Specialisation
The 2nd Renovation-Point Renovation
The 1st renovation: mandatory renovation which directly result in over-commercialization and the lack of site cultural characteristics. The 2nd Renovation: a soft updating method led by designers and based on the needs and ideas of local residents. Symbiosis Courtyard
Extract Historical Roads
Paths of Historical texture
Extract the original north-south roads in history from different historical maps.
Original House The 1st Renovation-Overall Renovation
New Roads System Layers
Renovated House
Integrate Original House
Vacated courtyards
Connect Useful Courtyards
Paths of vacated courtyards
Reconstruct, connect and open the existing useful vacated courtyards to public.
Original House
"Symbiosis Courtyard" Project: a specialized project within The 2nd Renovation that integrates vacated houses to form courtyards and brings flexibility to these courtyards. It is hoped not only to realize the protection of historical features, but also to improve the living conditions of the locals in the way they like.
Analysis of Buildings and Courtyards Courtyards distribution
Buildings states
Buildings ownership
Buildings height historical courtyards
Create Cultural Tour Line
Paths of historical features
Link historical courtyards to form a historical and cultural tour paths. Good
Fair
Bad
Courtyards states
Country
Personal
Roof forms
1
2
3
4
5
6
9
Buildings year Tourism facilities distribution
Connect Tourism Facilities
Paths of tourism facilities
Extract tourists oriented paths according to the distribution map of tourist facilities. Unvacated
Priority vacated
Vacated
Good
Fair
Bad
Flat roof
Pitched roof
Before 1949 After 2000
Before 2000
ArchGIS POI Analysis Based on Big Data Transportation Public transportation is convenient
Living facilities distribution
Living and tourist facilities mainly lie in north and the main road. Parking lot
Bus station
Connect Living Facilities
Paths of living facilities
Extract residents oriented paths according to the distribution map of living facilities.
Subway station
Living facilities overlay Overlay These Paths Bank
Service center
Tourist facilities
Medical & cultural sites
overlay Restaurants All drawn by Teng Xue
Shops
Hotels
Overlay the above paths to get the ideal roads public space system. reconstruct the existing roads system and transform the functions of existing roads and courtyards. Guide the flow of residents and tourists, gradually weakening the original strong conflicts through the introduction of different functional spaces. All drawn by Teng Xue
-1 -
MASTER PLAN
PHYSICAL MODEL
Among the new road system renovation plan: north-south paths mainly use for transportation and public spaces, east-west paths connect the functional courtyards. The design of the above ground platform can enrich space forms of the hutong life and increase tourists experience.
Site Original Texture
Private and Unchanged Buildings
Semi-public Buildings
Public Buildings
Landscape Platfrom
Road Public Spaces
Combine Roads to Renovate Buildings and Spaces
New Road System
N
10m 0m
50m
20m
100m
Private and Unchanged Buildings
Semi-public Buildings
Public Buildings
Road Public Spaces
Landscape Platfrom
Above Ground Landscape Platform
Combine Roads to Renovate Buildings and Spaces
A more stable commercial A more stable commercial development pattern All modeled and drawn by Teng Xue
A more peaceful resident life A more peaceful and healthy resident lifestyle
A more meaningful culturaland tour A more meaningful attractive cultural tour
AAdifferent perspective from platform different perspective to
experience from platform All modeled and drawn by Teng Xue
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DESIGN STRATEGY I: BUILDING REMADE
DESIGN STRATEGY II: CONFLICT POINT REMADE
Remade Courtyard Texture based on "Symbiosis Courtyard" I.
III.
Road remade Close courtyard
Activity Intensity Analysis of Different Groups
Demolish building Open courtyard
VI.
Demolish building Close courtyard
Activity Intensity
6:00
8:00
10:00
12:00
14:00
16:00
18:00
20:00
22:00
24:00
The Aged Office worker
II.
Remain structure
IV.
Open courtyard
Remain structure Open courtyard Pass through
V.
Remain structure
Children
Open courtyard Pass through
Youth Overlay
Remade of Illegel Buildings Illegal houses on streets
Illegal houses in courtyards
Use illedge houses material to create new structures to connect houses and courtyards at both sides.
Above ground landscape walkways to connect these houses and courtyards.
Remade of street-facing buildings
Overlay the activity intensity of different groups to obtain time periods with the highest activity intensity. 游客行为活动分析 游客行为活动分析 游客行为活动分析 游客行为活动分析 游客行为活动分析 游客行为活动分析
Analysis of Tourist and Resident Behaviors Classify tourist behaviors into six categories, evaluate them from safety, noise, health, congestion, and privacy. Classify residents' behaviors into 12 categories. Analyze the different behaviors of the two groups, select non-conflicting behaviors, combine these behaviors and design public spaces for them. 游客行为活动分析 游客行为活动分析
游客行为活动分析
游客行为活动分析
游客行为活动分析 游客行为活动分析
Rest
Photograph
Play
购物 购物 购物购物购物 购物
拍照 拍照拍照拍照拍照 拍照
用餐 用餐用餐用餐用餐 用餐
休憩休憩 休憩休憩 休憩休憩
Noise 噪音 噪音噪音噪音 噪音 噪音
噪音噪音噪音 噪音 噪音Noise 噪音
噪音噪音 噪音 噪音噪音Noise 噪音
噪音噪音 噪音Noise 噪音 噪音噪音
购物
噪音
拍照
购物
拍照
噪音
噪音
噪音
购物
用餐
噪音
用餐
噪音
噪音
拍照
休憩
噪音
休憩
噪音
噪音
用餐
玩耍
噪音
玩耍
噪音
噪音
休憩
游览 购物
噪音
噪音 噪音
游览
玩耍购物
噪音
噪音噪音
拍照
购物
游览 拍照
噪音
噪音
噪音噪音
用餐
拍照
噪音
噪音
Tour
玩耍玩耍 玩耍玩耍 玩耍玩耍
游览游览 游览游览 游览 游览
噪音噪音 噪音噪音 Noise 噪音噪音
用餐
休憩
用餐
噪音
噪音
噪音
休憩
玩耍
休憩
噪音
噪音
噪音
Tourist behavior
Dining
Shopping
游览 游览 噪音噪音 噪音噪音玩耍 噪音Noise 噪音
玩耍
游览
噪音
噪音
噪音
噪音
噪音
卫生 卫生 卫生 Safety 卫生 安全 卫生 卫生 卫生 安全卫生 安全卫生 安全 卫生 安全 安全 卫生安全 安全 安全 安全 安全 卫生卫生 安全安全 安全 卫生 卫生 安全 安全 安全 卫生 安全 安全 安全 安全卫生 卫生 卫生 安全 安全安全 安全 安全卫生 安全 卫生卫生 卫生 安全卫生 卫生卫生 卫生 卫生安全 安全 安全安全 卫生 安全 卫生卫生 卫生 卫生 卫生 安全卫生 卫生 安全 安全 安全 安全 Hygiene Hygiene Hygiene Hygiene Hygiene Hygiene Safety Safety Safety Safety Safety 安全卫生 卫生 卫生 安全 卫生 安全 卫生 安全 卫生 安全 卫生 安全
拥堵
Exhibition studio
Commercial space
New living space
Semi-outdoor space
卫生
拥堵
隐私
安全 卫生
隐私
安全
拥堵
拥堵
卫生
拥堵 隐私
安全卫生 安全 卫生 安全
隐私
拥堵 隐私
拥堵
卫生
拥堵 隐私
安全 卫生 安全 卫生 安全
隐私
拥堵 隐私
拥堵
卫生
拥堵 隐私
安全卫生 安全 卫生 安全
隐私
隐私拥堵
拥堵
卫生
拥堵 隐私
安全卫生 安全安全 卫生 安全 卫生 卫生 安全
隐私
拥堵 隐私 拥堵
安全安全 安全 卫生 卫生 卫生 安全卫生
拥堵 隐私拥堵 隐私 拥堵 隐私 隐私拥堵 拥堵 隐私
安全 卫生
拥堵拥堵 隐私 隐私
卫生卫生 安全
隐私 拥堵 隐私拥堵
卫生 安全
安全 卫生
隐私 拥堵 隐私
卫生 安全
拥堵 隐私拥堵
安全 卫生
隐私 拥堵 隐私
卫生 安全
拥堵 隐私拥堵
安全 卫生
拥堵 隐私拥堵
隐私 拥堵 隐私
隐私 拥堵 隐私
隐私拥堵
隐私
拥堵 拥堵 拥堵 拥堵拥堵拥堵 拥堵 隐私 隐私 隐私 隐私 拥堵拥堵 拥堵拥堵 拥堵 拥堵 拥堵 拥堵拥堵拥堵 隐私 拥堵拥堵 隐私隐私拥堵 隐私隐私拥堵 隐私隐私拥堵 隐私 隐私隐私 拥堵拥堵 拥堵 隐私拥堵 隐私隐私 隐私 隐私隐私 隐私拥堵 隐私拥堵 隐私拥堵 隐私 隐私 隐私 隐私 隐私 拥堵 拥堵 拥堵 拥堵隐私 隐私 Privacy 隐私 隐私拥堵拥堵 隐私拥堵 隐私 隐私 隐私 Congestion Privacy Congestion Privacy Congestion Privacy Congestion Privacy Congestion Congestion Privacy
Axonometric of Remade Buildings Exhibition Studio
Hutong Museum
Local Market
Shopping
Dinning
Sunbath
Reading
Fusion A.M.
Music
Chat
Walk the dog
Separation P.M.
Combine outdoor exhibitions and interactive installations. All modeled and drawn by Teng Xue
Gardening
A.M.
P.M.
Combine pocket park and commercial space.
Exercise
Sports
Babysitting
Internet
Resident behavior
Hutong Cultural Experience Zone
Share A.M.
P.M.
Transfor m old kitchen into shared kitchen and living room.
All modeled and drawn by Teng Xue
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DESIGN STRATEGY III: COURTYARD REMADE
DESIGN STRATEGY IV: ABOVE GROUND LANDSCAPE PLATFORM
Courtyard remade is divided into the below five categories: Landscape
Living space
Commercial space
Roof terrace
Exhibition
Platform Road system
Pond
Corridor space
Rooftop platform
How the Platform is Collected Interactive space
Sports zone
Semi-outdoor space
Undertree space
Select cour tyards those are vacated.
Exhibition board
outdoor living room
Public grassland
Rooftop platform
Public grassland
Bridge
Choose concentrated and wide ones.
Extract illedge houses from these courtyards.
Link them to form a landscape platform.
How the Platform is Connected to Buildings Collect rooftop spaces with landscape value through roof forms. Classify roof renovations by property, building nature, as well as residents' wishes.
Planting space
Pergola space
Pergola space
Library
Sloping roof
Ladder showroom
Flat roof
Aboveground platform
Sinking showroom
Separate
Semi-contact type
Contact type A
Contact type B
Diagram of Before and After Renovation Combine historical elements to generate interesting upper-level tours and public spaces. Enrich the space flow of the site and provide platforms for communication and understanding between tourists and residents.
Physical Model All modeled and drawn by Teng Xue
I.
II.
III.
IV.
All modeled and drawn by Teng Xue
-1 -
AXONOMETRIC DRAWING OF THE NODES
POSSIBLE EVENTS HAPPEN IN DIFFERENT NODES DURING ONE DAY 7:00 A.M.
9:00 A.M.
Outdoor living room for moring exercise
Local restaurant for food experience
10:00 A.M.
12:00 A.M.
Planting space to improve space and living quality
Shared kitchen to hold culture events
2:00 P.M.
Landscape platfrom with interactive activities
All modeled by Teng Xue drawn by Teng Xue and Yuqin Zhang
3:00 P.M.
Culture center with historical exhibition
5:00 P.M.
8:00 P.M.
Historical courtyard open as special public space
Outdoor theater for local music show
All modeled by Teng Xue drawn by Teng Xue and Heyuan Chen
-
-
LOOP THE LOK MA CHOU LOOP An Integrated Border Design Based on Site Historical Gaps and Sea Level Rise Crisis Architectural and Urban Design Location: Lok Ma Chou Loop, Hongkong and Futian District, Shenzhen, China An academic individual work Design date: July-September, 2019 Supervisor: LU Fan E-mail: littlojimmy@outlook.com In June 2019, political riots broke out in Hong Kong. Even today, Hong Kong is still in great chaos. As an ordinary citizen, I don’t think I have the right to criticize without understanding the real political background. But as a designer, I feel like I can express my concern for Hong Kong and the hope for its prosperity in my own way. This project was born in this condition. Shenzhen and Hong Kong were once known as "Xin An County" for centuries are now naturally devided by Shenzhen River. Ever since the Opium War in 1841, The land has changed dramatically. Resulting in significant gaps in culture, nature, economy and resources utilization. After the Handover, the Pearl River Delta region is becoming more and more integrated and coordinated. A more friendly border is needed. At the same time, the crisis of sea level rise is gradually threatening the land. The environment of the two sides is facing a variety of different challenges. This project aims at using the concept of loop by integrating cross-river resources and developmental patterns in combination with its historical and cultural factors to stimulate the resilience, integration and development of site from surface to inside. Eventually establish an invisible loop in the hearts of the people on both sides, thereby eliminating the gaps between the mainland and Hong Kong.
-20-
TYPOLOGICAL ANALYSIS OF BORDER ISSUES North American
Europe
Asia
Aferica
SITE ANALYSIS South American
Low-rise building Mid-rise building High-rise building Customs warehouse Customs living area Office building Flood discharge place City village Housing estate
Architectural analysis It shows the completeness of urban function in Shenzhen.
City development analysis It shows the mature city construction in Shenzhen and the undevelopment in Hong Kong.
Arterial road Sub arterial road Border road Subway line
Unfriendly facilities like wall and fence in controversal area.
Natural water body like river, lake.
Natural terrain like mountain, rainforest and desert.
Creative ways to show friendliness.
Bridges for connection.
Road with no boundary.
Classify national boundaries of 74 different regions and divide them into six categories from tension to friendliness. It is found that most countries have a friendly trend towards the treatment of border issues.
Urban road green space Landscape green space Attached green space Idle land
Road traffic system It shows complex public traffic system in Shenzhen and the undevelopment in Hong Kong.
Green space distribution It shows the differences between two cities' land policy on green space.
Abandoned land Green buffer Abandoned ponds
PRESENT SITUATION OF SITE AND TEXTURE CHANGES Water coverage after 5m of sea level rise Water coverage after 10m of sea level rise
The threat of sea level rise The flooded area in the south is larger than that in the north, but for the north is basically urban construction land, the impact is much greater than that in the south.
Satellite map
Year 1973
Year 1991
The different textures between the two sides of the river are clearly shown on the map.
Year 2018
The border line between Shenzhen and Hong Kong made up by Shenzhen River, is one of the most popular boundary forms. But due to giant gaps and different land policies,the north side gradually forms urban center and the south retains its natural texture. All modeled and drawn by Teng Xue
All modeled and drawn by Teng Xue
-21-
HISTORY AND SPATIAL ANALYSIS OF GAPS BETWEEN HONG KONG AND SHENZHEN HISTORY
not greatly affected by the war.
Railway brings possibility to the Development.
large-scale smuggling incidents happened in the border.
Ratio of
The policy of reform and opening up launched, city begin to develop to a metropolis.
Lok Ma Chau Port was built.
enter a period of high speed in urban construction.
Many problems arose such as the shortage of water and the renew of city village.
GDP Population
Shenzhen 1842
1940s
1950s
1960s
1979
1989
1997
2019
The War, The Seperation
The Systems, The Gaps
The Chaos, The Flourish
The Chaos, The Flourish
The New Beginning
A Contection, A Chance
The Reunion, The Epic
The Metropolis, The Nature
Hong Kong
Population GDP
Cross-river exchanges
Ratio of Hong Kong being leased to the United Kingdom.
The seperation cause great social differences.
trade port into a business and financial center.
northern part of city and Shenzhen River formed the barrier.
strengthen the construction of Lok Ma Chau isolation zone.
Gap between the rich and the poor in Hong Kong brings social problems especially in north.
Land policy reformed in Lok Ma Chau area.
SPATIAL Two sides as a whole.
Changes gradually happened after 100 years of seperation.
Four categories of gaps has formed in history.
Completely different spatial patterns has formed.
Reform and opening up brought urban vitality to Shenzhen.
environment
economic
society
resource
ANALYSIS OF THREATS CAUSED BY SEA LEVEL RISE Sea level rise has received attention nowadays, and bringing different threats to this area. Threats can be classified into the above four categories.
ecosystem
storm surges water system
population flood frequency
security facilities
water shortage land shortage
Nature reserve
Port
Industrial Area CBD Area
Urban Village
All drawn by Teng Xue
-22-
FORMATION OF THE SUSTAINABLE LOOP CONCEPT
MASTER PLAN AND TOOLKIT MARK
Rank the severity of the nine sea level rise effects mentioned above through Data and five influencing factors: Persistence, spacial scale, starting time, population effected and frequency. Light
N
Severe
Change the distribution of hydrothermal balance and aggravate the occurrence frequency of marine disaster climate.
Increase the social differences and contradictions between the two sides of the river.
Sea level rise 50 cm, the national tidal flat loss area will be 19.3×104 hm².
The economic losses in the Pearl River Delta region will be 2.5 trillion yuan in 2050.
Sea level rise 40 cm, Natural drainage capacity in Pearl River Delta region will decline by 20% to 25%
The Pearl River Delta region will be flooded with 1153 km2 of land.
10m
50m
0m 20m
200m 100m
The chlorine level, which affects water quality increased from 0.03g/kg to 3g/kg in 20082014.
Economic gap
Cultural gap Resource gap
lo
op
Environment gap
er
The different severity of these problems indicates that the gaps will be expanded at different time and spatial scales. so a sustainable concept is needed.
W
at
Gaps and threats can gradually deminish by using three loops.
Eco Loop
Cul
ture
Loo
p
THE LOOP CONCEPT Inspiration & purpose
Composition
Sustainability
1. The idea orignate from the site name.
A recycle system combine land and buildings.
Phase1. incompete but related to each other.
2. Loop means harmony and homogenize.
Wetland resource combine site development.
Phase 2. grow gradually over time to eliminate crisis.
Urban village culture and art district Interactive pond landscape Loops to form Water purification Exhibition Center
3. Hope to realize the harmony eventually. All modeled and drawn by Teng Xue
Awaken emotional resonance.
Make people interact.
Phase 3. connect physical & psychological loops.
Wetland mound landscape River purification landscape Loops to connect cultural facilities
Port culture park
Enclosed communities
mangrove slope land
cultural CBD and creative block
cultural and educational center
Cultural and economic high-rise buildings
Fishing village experience area
Loops to connect landscape
Master plan shows the harmony and connection that the site will eventually expect to achieve. Until then, the site will gradually change through a series of renovation strategies of three loops that take place in different time and spatial scale. All modeled and drawn by Teng Xue
-23-
URBAN AND LANDSCAPE SUSTAINABLE DESIGN TOOLKIT OF THE LOOP SYSTEM 2020
2025
2030
2035
2040
2045
2050
Eco loop Improve the green spaces in urban village.
Relocate warehouse and cultivate wetland mound landscape.
Relocate original buildings due to the change of urban land use function. cultivate wetland mound landscape instead.
introverted new residential community, whose central landscape has water storage and purification function.
Shenzhen
Remade waterfront pond so that it has the function of water purification.
Domestic wastewater gradually precipitates and forms tortuous waterways.
Considering the influence of sea level rise, surround lmc loop with annular green space.
Waterfront wetland landscape gradually form scale.
The service life of lowrise residential buildings is reached.
The circular landscape purifies the river and flows into the southern nature reserve.
Hong Kong
As sea level rise intensifies, gradually reduce wharf freight. Because the economic loss caused by sea level rise is much greater than the economic benefit of one port.
When the function of the wharf is completely lost, establish wharf cultural park.
Culture Loop New culture and commercial buildings replace old buildings and connect them with loops.
Shenzhen Use vacant rooms of the urban village for cultural education.
Hong Kong
Carry on organic renewal of culture orientation to urban village.
Fishing village cultural experience area: establish people's perception of historical context.
Combine high-rise office buildings and commercial squares to create a cultural loop.
Cultural and educational center: based on the needs of cultural exchange.
Assuming that cultural exchanges have matured at this time, Use physical loop to link cultural buildings on both sides.
Cultural CBD and creative block: After the close exchange of culture and the exploration of new forms and new values is needed.
Water Loop Three different first sewage purification remade measures based on building types.
The first sewage purification of a new building treated by special facade pipes. which can deliver water to the waterfront wetland for the second purification.
Use mangrove slope to absorb river water pollution, meanwhile the increasing slope can prevent the crisis of sea level rise.
Shenzhen For residential buildings
For high-rise buildings
For urban village Establish water culture landscape in the center of river after water cycle is fullly developed.
Hong Kong
The first sewage purification is carried out in the basement of the new buildings.
Due to the rise of sea level and the aggravation of river pollution, introduces the river water into the green space then the water flows into the nature reserve after being purified.
Due to the rising demands for clean water, expand the area of clean water wetland.
All modeled and drawn by Teng Xue
-24-
SUSTAINABLE PROCESS OF THE LOOP SYSTEM
DRAWING OF NODES
Water loop
Rooftop Watertank Purified water
For reuse Collect sewage Public buildings
Rooftop watertank
Old
Remade basement
Urban village
Landscape pipes
Vacant houses
New residential community
Wastewater
Remove harmful impurities
New
Deliver
Rain water
Special skin
Absorb nutrients
Waterfront wetland
During rain season
Landscape pipes
Community wetland
Deliver
Pipes
Sediment
Purify water
Water inlet for landscape purification.
Deliver + purify
Emergent plants Matrix A Matrix B Soil layer Stone layer
Wetland details
New residential community
Basement
Culture zone
Semi-outdoor waterpond
Nature reserve
exhibition center
Resilence ecology
Study and exhibition
Special Skin Deliver + purify
Deliver
Waterfront wetland
Purify water
Landscape pipes
Absorb nutrients
Wastewater is collected and purified through special skin and discharged into the landscape.
New high-rise public buildings that have watertank on rooftop and pipes to collect and deliver waste water to wetland.
New residential community with rooftop gardens, a special water circulation system and community green space with water storage function.
Culture experience area of fishing village draws on the form of a traditional fishing village courtyard at this area.
Cultural and education center‘s design combines architectural forms of the site in different periods to embody the concept of time.
Port culture park is redesigned from the formal port and industrial zone, which provides a new form of urban public space and retains the site memory at the same time.
Use pipes to collect water from landscape on both sides for a third purification, and send them to water purification exhibition center on the river center.
Rain water
Experience area Collect sewage
Traditional courtyard layout of a fishing village.
Remove harmful impurities For reuse
Culture loop Port culture park
Connect two sides with real loops (bridges).
Cultural experience area
Urban village art district
Cultural CBD and creative block
Past
Awaken emotional resonance
Now
Communation platform
Future
Create new possibilities
Overhead Cabin Extract traditional architectural form of fishing village.
Cultural CBD and creative block
Cultural and educational center
Ecology loop New eco system Enclosure community green space
Various remade strategies Mangrove slope
Purify river Link nature reserve
Port culture park
absorb river water pollution
Green space in urban village
Semi-outdoor waterpond
Concept is to link buildings styles of different ages in space.
increasing slope resist flood crisis
Regulate air & water
Decrease flood crisis
Gather them together in a loop.
Purify wastewater
Provide habitats
Vegetation Light friable soil Stone layer
Purify river
Gravel layer
Regulate microclimate
Landscape Pipe
Link nature reserve Decrease flood crisis Purify wastewater Cultural creative block green space.
Extend the southern (Hong Kong) wetland to north (Shenzhen). River purification Wetland landscape
Interactive landscape space.
Remade of abandoned fishing pond All modeled and drawn by Teng Xue
link two sides with landscape bridges to form environmental friendly spaces.
Adornment layer Waterproof layer Reinforceed layer Vacuum layer
New eco system
Absorbed layer
All modeled and drawn by Teng Xue
-25-
BIRD'S EYE VIEW Water purification wetland
Enclosure communities
Enclosure communities
Mangrove slope Port culture park
Landscape bridge
Culture experience area
Water purification exhibition center
Cultural and educational center
Cultural and economic high-rise buildings
PERSPECTIVE A
Water purification wetland
PERSPECTIVE B
All modeled and drawn by Teng Xue
-26-
I believe this is more than a design project, more likely to be an attempt based on sociological and cultural differences. There is a certain conflict between society and the LGBTQ community for sure. Especially when it comes to religion, the conflict reached its peak. Most Christians today regard LGBTQ issue as a matter of principle, god's hatred of the LGBTQ community can be found in the interpretation of the Bible, suggesting that it is unforgivable and they must go to hell after their death. But is the truth really as interpreted? If all things are equal, why does God hate LGBTQ so much? I believe if god really exist, everyone has the right to have faith. As a designer, I keep wondering using a way to remove religious prejudice and treat everyone with kindness. The project starts from the historical analysis of the connection between Christianity and LGBTQ community from ancient Greek to modern times. It is not difficult to find that the original intention of Christianity is to awaken people's goodness. After religion gradually intervened in the regime, people's thought of interests began to misread the doctrine in the name of God. Sexual minorities hid in the shadows since then. After World War II, under the background of sexual liberation movement, the LGBTQ Community gradually came out of the closets to fight for equal rights. A lot of parades held in the name of love. God or Love? which side would you pick... I create a two parallel Church spaces by means of an interesting and ironic approach. the church is surrounded by water. above-ground space for Christians and the underground space for the LGBTQ community.
OH GOD! OH LOVE! A CHURCH DESIGN BASED ON RELIGIOUS & CULTURAL PREJUDICE OF THE LGBTQ COMMUNITY
Project type: An academic individual work Design date: 2019
The above-ground church is a god processing factory under the shell of the traditional church. The appearance and plane layout extract the form of the Greek cross church, but the interior of the building takes the form of spiral space to imply the class phenomenon in Christianity. In the center of the building is a huge idol. The light fell from the dome and hit the idol. The story of God's seven days of creation in Genesis is translated into seven floors of different architectural spaces. According to different levels, each floor undertakes different functions of processing idol. People here lack sense of security and do not want to believe and accept behavior that is different from their own. They paralyzed themselves through a mechanized lifestyle and gradually added barriers to themselves. The processed idol also changes over time and gradually loses its original appearance. This series of ironic architectural spaces suggest that the closure of people's thoughts artificially influences the religious nature and the doctrine.
-27-
ANALYSIS OF THE CONNECTION BETWEEN CHRISTIANITY & LGBTQ IN HISTORY
ABOVE GROUND CHURCH ANALYSIS
It is not difficult to find that the original intention of Christianity is to awaken people's goodness. After religion gradually intervened in the regime, people's thought of interests began to misread the
Translate the story of God's seven days of creation in Genesis into seven floors of different architectural spaces. According to different levels, each floor undertake different functions of processing a idol of god. The only nature light comes through roof shines on the idol.
Ancient Greece
Ancient Roman
T h e re ’s n o l a b e l love for same-sex or opposite sex was beautiful and noble.
The sensuality between men reached the level of ridiculousness.
Day I
1st century Christianity began to become the dominate religion in Europe.
DAY & NIGHT
Day II
WATER & SKY
Day III
LAND & OCEAN
Day IV
TIME & SPACE
Day V
LIVING CREATURES
Day VI
HUMAN BEING
F3 Parts Forging Factory
F2 Basic materials transport and processing Factory
F4 Idol Maintenance Space F5 Idol Decoration Space
rested & blessed Day VII God this day calling it holy F1 Bible Printing Factory
1st century Greek mythology The favorite of Zeus was a teenager, Ganymedes.
Christianity’s attitude towards LGBTQ was not antagonistic.
Day
F7 Top-level Christian space
Idol F6 Assembly Space
God's ABOVE GROUND CHURCH PLANS 3rd floor
Genesis It is believed that Sodom City was destroyed by God because of the prevalence of homosexuality.
Ground floor
People began to misunderstand the Bible for reality reasons.
5th floor
UNDERGROUND CHURCH ANALYSIS Renaissance The Renaissance art reached its peak, but the LGBTQ culture was still suppressed.
After World War II LGBTQ culture gradually entered into public eyes.
1950s-1960s LGBTQ communities and bars began to spread.
1970s homosexuality was earsed from mental illness.
6th floor In floor 1-6, each floor is connected by freight elevator.
Early of the Middle Ages LGBTQ people in the 6th century would even be executed.
7th floor
4th floor 2nd floor
The center of the underground church is a huge prism. light comes though the roof passes through the idol of god then hits the prism. The underground church is immersed in iridescent lights.
1940s The earliest LGBTQ movement took place in Germany.
1969 The stone wall riots were considered to be the turning point of the modern LGBTQ movement.
UNDERGROUND CHURCH PLANS Ground floor
2000s Many countries began to recognize samesex marriage, and the social awareness of the lgbtq group went up to another level.
2nd floor
3rd floor
4th floor
5th floor
Nowadays Although the society is more and more tolerant to LGBTQ people, there are many Christians who still suppress this group.
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ABOVE GROUND CHURCH RENDERING
UNDERGROUNDGROUND CHURCH RENDERING
Ground floor—Paper making rooms,
2nd floor—Production rooms, polishing
Ground floor—
View from ground floor
3rd floor—Refining rooms & forging rooms
4th floor—Cleaning rooms & repair rooms
View from 2rd floor
View from 2nd floor
6th floor —Parts installation rooms
7th floor— space for the highest ones
View from 3rd floor
View from 4th floor
As the number of layers rises, the space gradually becomes larger, the streamline restrictions become blurred and completely disappears at the 6th floor.
Different from the above-ground church, the underground church intend to express tolerance, understanding and freedom through multiple spatial forms. -30-
SIDE B: THOSE PRACTICES...
ABSCENCE OF THE WALLS An Exhibition and Intreaction Art Installation Design in A Traditional Courtyard Exhibition and Installation Design Location: Baitasi, Beijing, China An academic individual work Design date: August-September, 2019 This is an exhibition design project of 2019 Beijing Design Week. The project is located in a traditional courtyard house. The content of the exhibition highlights the historical value and current contradiction of the ancient blocks, hoping to solve the contradiction by integrating symbiotic measures and break down barriers to reshape the vitality. As the curator, I wonder if it is possible to combine the value of the exhibition with the form of the exhibition in a certain way. walls are common material for an exhibition, but meanwhile walls can bring barriers. What if there are no walls? What if we can break down barriers as the exhibition theme trying to convey?
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DESIGN CONCEPT
STRUCTURE EXPLOSION DIAGRAM
Rooftop Traditional chinese Xuanshan Rooftop.
ONE
According to the exhibition content and venue requirements, the exhibition is divided into four parts
Lighting layout Spotlights are fixed with rectangular steel frames.
Structure & exhibition layout The exhibition mainly use kt plate sticked on walls and cloth hanging on beams, these two forms.
TWO
Traditional exhibition spaces often separate different exhibition spaces by building walls.
Exhibition structure The structure is shaped by steel plate and covered by yellow plastic plate on outsides.
Building walls Brick walls with no load capacity.
THREE
FOUR
Traditional exhibition spaces usually connect different exhibition spaces through doors to form an orderly exhibition path.
In combination with the exhibition content of ancient city symbiosis, I hope that my exhibition space can hint at the connotation of the exhibition in three-dimensional space, so that visitors can better understand the exhibition content, This interesting space is hoped that people are not limited to the same exhibition path. As a result, I replaced the wall and door with a complete fold line.
MODEL & PICTURES
Picture of the model before the exhibition
A visitor is writing comments
Picture took in front of the exhibition
Picture took inside the exhibition
All modeled and drawn by Teng Xue
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THE EYEDROP TOOL An Integrated Border Design Based on Site Historical Gaps and Sea Level Rise Crisis Installation Device Design An work project associate with Xuan Luan Design date: April-June, 2020 Color is a visual effect on light produced by the eyes, brain and our life experience. Human perception of color is not only determined by the physical properties of light, but also contains many factors such as psychology. For example, human perception of color is often affected by surrounding colors. Because of different color vision, different creatures see different worlds of appearance. So how does the machine see the color and recognize it? This project was inspired by the common "Eyedrop Tool" in softwares such Photoshop. After many experiments, the Eyedrop Tool in the physical world was born.
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inspire
inspire_color pen
inspire Color Pen HOW DO WE MAKE THE EYEDROP TOOL? Color Pen STEP 1: Install Screen Components STEP 2: Install Buttons & Sensors
HOW HUMAN & MACHINE inspire_color pen RESPONSE TO LIGHT
Human
19GND21
The sun shines on an object, and the object reflects light
The human eye receives reflected light
The brain center receives data and processes it
inspire_color pen
inspire
inspire_color pen inspire_color pen inspire_color pen VCC GND SCL SDA INT
VCC GND SCL SDA INT
inspire_color pen Darkroom light extraction/ RGB sensor receives reflected ESP32 processing inspire_color pen X1 data penreturn object surface reflection light andinspire_color transmits data Bluetooth/Wi-Fi to PC Machine
X1 X1 inspire_color pen
VCC GND SCL SDA INT
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VCC GND SCL SDA INT
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X1 VCC GND SCL SDA INT 2 4 6 8
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2 4 6 8
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VCC GND SCL SDA INT
VCC GND SCL SDA INT
2 4 6 8
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6 8
1 3 5 7
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2 4 6 8
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WiFi&Bluetooth Battery OLED
1 3 5 7
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back
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16175 18 VCC GND VCC SCL GND SDA SCL INT SDA
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back back
INT
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25 33 32
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32 6 33 8 25
SVP
SVP
/Relative position/ 13 SVP
SVP
13
+
SVP
WiFi&Bluetooth Battery OLED
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+
2 4 6 8
Welding pen
12 13
25 33 32
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SVP
12 14 SVP
2
23 GND
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+
SVP
STEP 4: Assemble The Shell
8
VCC
14
26 26
7
Toggle to adjust the color bar. Click to switch to RGB/ CMYK/HSB mode. Long press for 3 seconds to send color value.
19 GND21 19 GND21
Long press to pick color Click to wake up
22 22
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4 4 VCC GND VCC SCL GND SDA SCL INT SDA
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interactive mode
19 19 GND 22 GND 21 22 21
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Female Dupont Line X1
VCC GND VCC SCL GND SDA SCL INT SDA
WiFi&Bluetooth Battery OLED WiFi&Bluetooth Battery OLED
INT
1 3 1 5 3 7 5
2 4 2 6 4 8 6
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8
5 5
2 2 Hot melt glue's position and size
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12 14 26 12 14 26
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/The relative position can be left unconnected for assembly/
1 1 Power switch
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STEP X7
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X7 Arduino Arduino
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3: Upload Code & Test
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HOW DOX2WE MAKE THE EYEDROP TOOL?
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PC
HOW TO USE THE EYEDROP TOOL?
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Tools and materials that are needed.
1 3 5 7
/ Observe the positive and negative poles on the reverse side of the LED, "—" is directly welded to GND, and "+" is welded to a wire to connect to "26"/
WiFi&Bluetooth Battery OLED
X2
13 25 33 32 OLED SVP WiFi&Bluetooth Battery GND
GND GND
2 4 6 8
12
WiFi&Bluetooth Battery OLED
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1 3 5 7
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/The picture shows the actual required line length. If you are worried about making mistakes, you can take an extra part/
GND
WiFi&Bluetooth Battery OLED GND
2 4 6 8
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/Through the hole/ 1
WiFi&Bluetooth Battery OLED X1 ESP32+ Battery
X2
Tool
back 1 2 26 GND -back+ 3 4 - + 26 Battery GND /Solder sides of the LED/ WiFi&Bluetooth OLEDjoints are on both 5 6
X1
Screen
X1
2
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WiFi&Bluetooth Battery X1 OLED10K Resistor
WiFi&Bluetooth Battery OLED WiFi&Bluetooth Battery OLED WiFi&Bluetooth BatteryX1 OLED X1
12 14 26
2 4 6 8
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GND GND
/The entity can be placed on the screen, and the 27 circuit can be welded in the VCC corresponding position/ 1 7
X1
WiFi&Bluetooth Battery OLED
GND
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27 WiFi&Bluetooth Battery OLED VCC
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2 4 6 X1 8
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WiFi&Bluetooth Battery OLED23 GND 16175 18 WiFi&Bluetooth Battery OLED
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2.54mm Pin Header
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WiFi&Bluetooth Battery OLED
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16175 18
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INT
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WiFi&Bluetooth Battery OLEDback
WiFi&Bluetooth Battery OLED /Fix it slightly first to prevent screen problems and need to be disassembled/
Wave Wheel Button
2 4 6 8
2 4 6 8
Hot melt glue
LED 1 2 3 4 WiFi&Bluetooth Battery OLED 7
2 4
1 3 5 7
12 14 26 WiFi&Bluetooth Battery OLED
GND
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Power Switch
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/Remove the FPC cable seat and clamp it into the screen/
2 4 6 8
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wire
Color Pen
RGB Sensor
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1 3 5 VCC 7 GND SCL SDA INT
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WiFi&Bluetooth Battery 19GND21OLED 22
Circuit soldering point
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VCC GND SCL SDA INT
1 3 5 7
inspire_color penDO WE NEED TO PREPARE? WHAT 2 4 VCC 6 GND 8 SCL SDA INT
The pc drawing interface displays X1 the reading results The device screen shows the RGB data
X1 2 4 6 8
22
judge the color
Structural model
Countless experiments...
Select an object and long press the Eyedrop Tool to pick color.
The color is processed as data after passing through the sensor.
Get the color of the object, which can be transmitted to PC via Bluetooth.
All modeled and drawn by Teng Xue
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YEAH TO Z An Interaction Space & Stage Design For 3rd Anniversary of NYLON China Magazine Interaction Space & Stage Design Location: Modern Art Museum, Shanghai, China An work project associated with Haolun Zhang Design date: March-September, 2020 This is an Interaction space and stage design for NYLON 3rd anniversary. The main audience of the anniversary is young people aged 20-30. So I defined the theme of this event as a tribute and carnival to the Millennials and the culture of Generation Z. Through the form of performance stage + immersive exhibition + interactive games, I hope to create a young, interesting and rich experience for the audience. The performance stage is composed of exhibition spaces and live performances. For immersive exhibition I created four photograph spaces for NYLON through creative forms. In the interactive game part, I created seven interactive scenes as an escapethemed game using a combination of NPC and mechanical interactive devices. The event attracted a total of 3000+ public viewing the exhibition and participating in games in ten days.
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VISUAL & PERFORMENCE STAGE DESIGN
INTERACTIVE GAMES SPACES
The visual design is composed of two opposite scissor hands, which are gestures expressing "yeah" as well as the letter "Z". I hope the visual design can concisely expresses the theme of tribute to the millennial culture.
IMMERSIVE EXHIBITION DESIGN -21-
All by Teng Xue
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THE IMPOSSIBLE ENCOUNTER An Interaction Space & Stage Design Based on Chinese Tea Culture and Renaissance Art Interaction Space & Stage Design Location: Today Art Museum, Beijing, China An work project associated with Haolun Zhang Design date: September-October, 2020 This is an exhibition based on Chinese tea culture and Renaissance art. The initiator of the exhibition hopes to bring Western Renaissance art to people through this exhibition as well as express its relationship with Chinese tea culture. These two seemingly unrelated are presented through several dramatic interactive spaces such as Into The Painting, The Tea Garden Maze, Doors of The World & Hometown, and Out Of The Painting. In this exhibition space, the boundary between time and space is dispelled, and Chinese tea culture and Western top painting art meet here across time, space, country and field. The viewer can feel the artistic collision of the top western famous paintings with the Chinese tea culture, and then rethink the relationship between them.
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THE INSPIRACTION
SCENE TWO: INTO THE PAINTING
The acquaintance between the East and the West is far longer than people imagined.
Tea, like the fragrance of tea itself, is a continuous clue between East and West.
Once, Chinese tea appeared in the parlors of European aristocrats, people tasted tea in front of the paintings of the Renaissance.
In the early intercontinental logistics network, the most important traded product was tea.
It is precisely because of tea that the most precious products of the East and the West can circulate mutually: Chinese tea and Renaissance paintings
Today, precious European works of art come to a Chinese special tea gardens for people to appreciate the beauty of Western art.
Start with the picture frame and enter the exhibition I process the entrance in a dramatic way, so that a picture frame extends infinitely and becomes a road that can lead to the exhibition and an art door to be traversed. The outermost part of the frame is white in line with the gallery exhibition hall. As the color gradually deepens, the world behind us gradually recedes, and we arrive at the last golden classical frame and cross into the palace of the masters.
SCENE THREE: THE TEA GARDEN MAZE
MASTER PLAN & ROUTE SCENE 4
SCENE 3
SCENE 2
SCENE 1
SCENE ONE: DOORS OF THE WORLD AND HOME
I designed a tea garden maze based on the traditional Chinese tea garden form combined with contradictory space. The complex deformed geometric structure is full of strong mystery and imagination, so The viewer is unconsciously immersed in the infinite loop space. Stairs are interlaced with each other, and the picture frames are suspended in the air or stand on the ground, breaking the limitations of space. The boundary between time and space is dispelled. Chinese tea culture and the top western painting art meet here across time, space, and countries. In these dislocation spaces, viewers can feel the artistic collision of top Western famous paintings with Eastern tea, and then rethink the relationship between masters.
SCENE FOUR: AFTERNOON TEA IN THE GARDEN
On the way to the art gallery, there is a long and narrow stone path with hundreds of thousands of old trees on both sides of the road. Doors of different styles are installed on both sides of the path. Some can pass through normally, and some are mirrored. The space intersects alone with the opening and closing of the door. Looking out is the world, walking back is the hometown, and the story happened at this time...
In the West, gatherings to discuss art are called "salons". In the East, gatherings to explore philosophy through tea are called "Yaji".
Combine the two forms through the afternoon tea room. The exhibition ends when the afternoon tea ends. Welcome back to the real world with good memories.
All modeled and drawn by Teng Xue
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THE HOPE An Interaction Art Installation Design For 12th SOLANA Light Festival Interaction Art Installation Design Location: Solana, Beijing, China An individual work project Design date: September-November, 2020 As the unpleasant and ill-fated 2020 is finally coming to an end, people are looking forward to the coming of the New Year in all kinds of emotions. At the end of 2020, I am honored to cooperate with SOLANA to design the main installation of the light festival for them. My starting point is to use this interaction installation to illuminate the hope in people's hearts. The light of hope is like a deep sea flame, bursting out of the surrounding danger, and accompanies people to march towards the new year.
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THE ORIGIN OF THE THEME
RENDERINGS
The starting point of the design is to bring hope and happiness to people through the interaction installation.
Crawling Weibo text data to get the four most discussed positive words in 2020, which are HOPE, LOVE, PEACE and JOY. Before the design, in order to make the design content not so subjective, I conducted an online questionnaire survey on the design style, allowing people to choose the time period they most want to travel to. Among them, the 80s when person swings and roller skating with the disco in the dance hall have become the era that people most want to travel to.
Wind panel
Their substitutes
Features of the 80s
Disco ball
As the main skin decoration, the wind panel can produce disco ball's effect with the wind and reduce the load-bearing pressure of the truss frame.
Rendering Video Link: https://vimeo.com/478641566
PHOTOGRAPHS The plasticity and weight of optical fiber outdoors in winter are better than neon lights. Neon light
During the build process
Fiber optic The lower part of the site is a fountain, which is cheaper to transform into an ice arena.
Roller skate
Ice skate
RENDERINGS
During the build process
This art installation was completed on November 4 and put into use until March 1, 2021. In order to make the installation more interesting, I cooperated with the construction conpany and set up a light emitting method: ten people standing in front of the installation hand in hand can change the light color of the installation. As the COVI-19 is still popular today, I hope this device can link people’s hearts in some way. All modeled and drawn by Teng Xue
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