Typography Portfolio

Page 1

SPRING 2009

ART 223

OMID MOUSAEI


41

35

31

28

22

20

18

13

7

2

TABLE OF CONTENTS


objective: produce a three-dimensional interpretation of both a sketched original character design as well as a character belonging to a classic typeface.

TYPOGRAPHY

3D LETTERS

2


structure


classic


original character


objective: take components from the 3D letterforms as well as the original classic typeface to create abstract designs.

TYPOGRAPHY

2x2 COMPOSITION

7


baskerville composition


classic 3D letterform


original 3D letterform


mixed letterforms


sketched version


ILLUSTRATED TYPE

objective: using a pencil/pen, create an entire stylized alphabet on sheets of paper, which will then be scanned into a digital format.

TYPOGRAPHY

13


original document


vectorized letters


text in use


text in use in sentences


FOUND LETTERS

objective: to look for typefaces that are in the environment around us. A camera will be used to take photographs of five variations of each character.

TYPOGRAPHY

18


examples


MIXED LETTERFORM

objective: use the pen tool to create a unique alphabet using the found letters images. Make each letter standout for itself.

TYPOGRAPHY

20


unique vector alphabet


WORDMARKS

objective: use the alphabet you created from the previous exercise to change the logo of existing companies.

TYPOGRAPHY

22


diesel


dkny


ferrari


ferre


zeus


“MEAN WHAT YOU SAY”

objective: using found objects, create words that form a phrase and photograph the result.

TYPOGRAPHY

28


“see life through an artist’s eye”


“see life through an artist’s eye” unknown


objective: use handwriting technique along with photographs pre-existing typefaces to express feelings

TYPOGRAPHY

FEELING WORDS

31


brushed versions


photograph w/ brushed versions


photograph w/ type versions


PAINTING WITH WORDS

objective: utilizing tracking and leading, create varying gray values of text and use these to “paint” images.

TYPOGRAPHY

35


gray values

15 years ago, Lamb of God began their ascent to the forefront of modern heavy metal. A self-described "pure American metal" quintet from

Richmond, VA, took deliberate steps, paid the dues and withstood the knocks as an underground, un-commercial metal act. Beloved by a rabid,

grass roots cult of underground thrash fanatics thanks to brutal and technical albums like 2000’s New American Gospel and 2003’s As the

Palaces Burn, the band toured North America relentlessly and began their international career overseas in support of the latter. Entering 2004, 10

years after inception, the band had risen to the top of the independent metal scene. Their uncommon work ethic, uncompromising musicianship

and intellectual lyrics set them apart - and into un-chartered territory.

Five years ago, Lamb of God surprised the hell out of everyone — including themselves — by attracting the attention of and soon after inking a

deal with Epic Records. "How does an extreme band like us even exist at this kind of upper-echelon major label?" remembers guitarist Mark


painting [1]


painting [2]


painting [3]


painting [4]


TYPOGRAPHIC DRILLS

objective: using specific content with varying restrictions, create typographic designs. Get creative with type.

TYPOGRAPHY

41


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STEP INSIDE DESIG MY FIRST TIME:

EN

BACK TO SCHOOL DIRECTION IN PACKING 10 TRENDS FOR

ADANAC 05.11 $ SU 59.7 $ REBMECED / REBMEVON TUO EDISNI EHT MORF

BROWER: WIT & ITS COUSIN (CONTROVERSY) WHO NEEDS 200,000 TYPEFACES? DESIGN

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10 pt. Helvetica, regular

MODERN

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MY F I RS T TIM E: SIG E D IN PACKING 10 E CTION TREN D IRE DS F D OR L O

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STEVEN B R O W E R: W i t & I DE S I G N 2007/

Why The Eames Aesthetic Sti l l M a t t e r

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one size, two weights

HOOL S C2008 K T OFOR AC B 10 TRENDS

PACKAGING DIREC DECEMBER / IN NOVEMBER ANARCHY DESIGN RX FORTIONS ADBUSTERS PRESCRIPTION O U S I N EVOLVING A LEGACY STEVEN I T S CR: W I T & BROWE

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$7.95 us / $ 11.50 canada

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STEP

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KALLE LASN ON THE ADBUSTERS PRECRIPTION EVOLVING A LEGACY (CONTROVERSY) NOV / DEC

STEVEN

DESIGN RX FOR DESIGN

WHO $7.95 us / $ 11.50 canada

DIRECTIONS


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any size, any weight, lines and negative space and shapes FIRST STEP TIME: BACK SCHOOL STEP INSIDE DESIGN DIRECTIONS IN PACKAGING MY FIRST TIME: BACK TOMY SCHOOL INSIDETO DESIGN DIRECTIONS IN PACKAGING MY FIRST TIME: BACK TO SCHOOL STEP INSIDE DESIGN DIRECTIONS IN PACKAGING MY FIRST TIME: BACK TO SCHOOL STEP INSIDE DESIGN DIRECTIONS IN PACKAGING ON THE ADBUSTERS 10 TRENDS FOR 2008 RX FOR DESIGN ANARCHY KALLE LASN DIRECTIONS IN PACKAGING 10 TRENDS FOR

MY FIRST TIME: BACK TO SCHOOL STEP INSIDE

$7.95 US $11.30 CAN MY FIRST TIME:

PRESCRIPTION MODERN DOG TURNS 20 EVOLVING A LEGACY WHY THE LASN ON THE EAMES AESTHETICADBUSTERS STILL MATTERS STEVEN BROWER: WITCHY & DOG ITS KALLE COUSIN PRESCRIPTION MODERN TURNS 20 EVOLVING A

(CONTROVERSY) LEGACY wHO NEEDS 200,000 TYPEFACES? DESIGN WHY NOVEMBER THE EAMES AESTHETIC STILL MATTERS STEVEN DECEMBER FROM THE INSIDE OUT

COUSIN (CONTROVERSY) wHO NEEDS 200,000 TYPE 2007 $7.95MY US $11.30 CAN MY FIRST TIME: FIRSTFIRST TIME: BACKTIME: TO SCHOOL STEP INSIDE DESIGN DIRECTIONS IN PACKAGING MY FIRST TIME: BACK TO SCHOOL STEP INSIDE DECEMBER 2007 $7.95 US MY BACK TO SCHOOL STEP INSIDE 10 TRENDS FOR 2008 FOR DESIGNIN ANARCHY KALLE LASNFOR ON THE ADBUSTERS DESIGN DIRECTIONS IN RX PACKAGING 10 TRENDS PACKAGING 10 TRENDS FOR PRESCRIPTION MODERN DOG TURNS EVOLVING ATHE LEGACY 2008 RX FOR DESIGNDIRECTIONS ANARCHY KALLE20LASN CHY ON KALLE LASNWHY ON THE THE

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2009



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