Rosetta Exploratorium Of Narratives Omneya Ahmed Hegazy 'Building is more than just the composition and form it's the materials and deepest connections'
MSA UNIVERSITY Faculty of engineering Architecture department Spring 2020 Graduation project II Group E9
Under supervision of: Prof. Sameh El-Feki Prof. Omar fawzy Prof . Namir Heikal Prof. Shady Shawky Saifelnasr Designed by: Omneya Ahmed Hegazy #160903
ABSTRACT Through the history of Egypt, many cities have possessed significance in many aspects, including location, heritage, culture, and architecture. In this book, we are discussing the importance of Rosetta's historical and heritage significance and its deterioration through time. Rosetta is one of the most important cities in Egypt. Unfortunately, we do not make use of the untapped potential of this beautiful city. This is mainly because of many reasons, including lack of administrative supervision and coordination, lack of proper documentation of data, and lack of people's awareness.
The proposed project for this area is an Exploratorium of Narratives. The Exploratorium will include an interactive exhibition that tells the story and demonstrates Rosetta's most important heritage and monuments. The main objective is highlight and revive Rosetta's neglected heritage sites. It will serve as an ode to the culture, heritage, and the rich history of Rosetta.
Abstract
TABLE OF CONTENTS
Table of Contents
Chapter I 1 - HISTORY AND CURRENT CONDITIONS 1.1 – Historical Background 1.2 – Heritage Icons 1.3 – Historical Mosques 1.4– Historical Houses 1.5 – Rosetta's Heritage Houses 1.6– Current Conditions 1.7– Conclusion 2 - URBAN ANALYSIS 2.1 – Urban Development 2.2 – Urban Fabric 2.3 – Urban Analysis 2.3.1 – Land Use 2.3.2 – Building Heights 2.3.3 – Building Conditions 2.3.4 – Accessibility And Roads Hierarchy 2.3.5 – Solid And Void 2.4 – Swot 2.5 –Elevation Analysis 2.5.1 – Old Style 2.5.2 – Modern-day Architectural Style 2.5.3 – Shading Elements 2.6 – Social Analysis 2.7 – Transportation Methods 3 - PROBLEM AND PROJECT SELECTION 3.1 – Introduction 3.2 – Social Interviews
3.3 – Rosetta's Problems 3.4 – The Problem Of Heritage 3.4.1 – Problem Definition 3.4.2 – Problem Statement
Table Of Contents
Table of Contents 3.6 – Proposed Project 3.6.1 – Project Statement 3.6.2 – Project Mission And Scope 3.6.3 – Project Vision 3.6.4 – Project Objectives 3.7 – Target Groups 3.8 – Conclusion 4 - SITE SELECTION 4.1 – Site Selection Criteria 4.2 – Site Locations 4.2.1 – Site 2 4.2.1.1 – Land Use 4.2.1.2 – Building Heights 4.2.1.3 – Accessibility 4.2.1.4 – Building Condition 4.2.1.5 – Solid And Void 4.2.1.6 – S.W.O.T Analysis 5- PROGRAM ANALYSIS AND GUIDELINES 5.1 – Target Groups 5.2 – Functional Diagram 5.2.1 – Zoning
:
Chapter II 2.0 Design Approach 2.1 Inspirations 2.2 3 Concepts proposals 2.3 Chosen Concept 2.4 .1.1 Jury 1 submission 2.4.1.2 Jury 2 submission 2.4.2 Chosen concept 2.4.3 Concept development 2.4.4 form generation 2.4.5 project zoning and circulation 2.4.5.1Project analysis 2.5 emergency and handicap facilities 2.5.1 emergency exist 2.5.2 handicap facilities 2.5.3 jury III 2.5.4 Jury VI 2.5.4.1 – Project development 2.6 Final project design • Plans , Sections, Elevations, Shots
Table Of Contents
Table of Contents
Chapter III
3.0 Construction 3.1- Screen kinetic Panels in the southern 3.2- movable Wall partitions inside the halls 3.3- GRC Panels for wall claddings 3.4- Double skin Breath brick in the southern façade 3.5- kaleidoscope window 3.6- technology Chapter IV 4.0 Structure
4.1.– Structure 3D visualization 4.2– Types of structure 4.2.1 – Master plan Grid 4.2.2 – Basement floor plan structure system 4.2.3 – First floor plan structure system 4.2.4 –Second floor plan structure system 4.2.5–Third floor plan structure system Chapter V 5.0 Environmental
5.1 – Environmental strategies 5.2- Environmental techniques 5.2.1 – Self Shading mass 5.2.2 – Breathe brick Façade in the Southern façade 5.3- Screen kinetic Panels in the southern façade Mashrabia inspired pattern 5.4 - Multi inclination roof FRP Chapter VI 6.0 Sustainability 6.1. Economical sustainability : 6.2 social sustainability 6.3 Environmental sustainability Chapter VII 7.0 BIBLIOGRAPHY List Of References Chapter VIII 8.0List of figures List Of Figures Table Of Contents
Introduction
METHODOLOGY
Location and Importance
History of Rosetta
Current Conditions
Mobility
Social Analysis
Problem Selection Literature Review
Proposed Project
Design Issues
Case Studies
Proposed Program
Site Selection
Site Analysis
Project
Urban Analysis
CHAPTER 1 Introduction
This chapter discusses the strategic location of Rosetta, and how it affected it was affected by it's rich historical background since 2500 BC, showing its development through the eras until today and why choosing Rosetta and the main thesis problem.
Chapter I Location
1.0 – Location Rosetta is a city located on one of the main branches of the Nile Delta. It possesses a unique, strategic location; connecting El Behera with Alexandria, and the Nile River with the Mediterranean Sea. Rosetta’s significance is not only highlighted by its location, but also by its heritage and historical values. After Cairo, Rosetta comes second in having Islamic monuments. Rosetta has been through different eras, making it of great importance and value to Egypt and the world.
Egypt
Nile Delta El-Behira
Figure,1.1 EL mandor mosque
Figure,1.2 Rosetta from the Nile branch
Rosetta
Chapter I| 9
1.1 – HISTORICAL BACKGROUND
Chapter I
Rosetta was named Khito during the Pharoanic era's New Kingdom.
Rosetta was named Bolbitine during the Ptolemic era.
Rosetta gained its name during this period. This period, a great recession affected Rosetta's trading business.
Under the rule of Sultan Qaitbay, the Qaitbay citadel was built. This was the era of architectural and urban prosperity for Rosetta.
During this period, the iconic Rosetta Stone was found in the Citadel of Qaitbay.
This was the era of bloodshed for Rosetta. The Fraizer campaign reached Rosetta in 1807 AD.
In 1963, there were monuments in Rosetta.
The number of monuments in Rosetta decreased to 37 in 2006. Figure 1.1 Rosetta's Historical Timeline (Authors, 2019).
Chapter I| 10
52
Chapter I
1.2 – Heritage icons
Figure,1.21 Rosetta Stone, clip art
Rosetta Stone ( 1799 AD ) The discovery of the Rosetta stone was the key to translating and deciphering the ancient Egyptian language
Figure,1.2.2 Abu Shahin Mill Plan, MOA n,d
Abou Shahin Mill ( 19th AD ) It was built in the 18th century by Usman Agha Al Tubgi, who also built the two adjacent Almasyali houses.
1.3 – Historical mosques
Figure,1.3.1Al-Mahali Mosque ,by Author 2019
Al-Mahali Mosque ( 1721 AD ) This mosque is one of the oldest mosques of Rosetta. It was built by Al Sayed Ali Al-Mahali.
Figure,1.3.2 Al-Abbasi Mosques , warehouse
Al-Abbasi Mosques ( 1809 AD ) It has a very unique location, with a view of the Nile River. It was built by Mohammad Bey Tabozada.
1.3 – Historical houses
Figure,1.4.1 Arab Killy House, by Author 2019
Arab Killy House ( 18 AD ) It is one of the most famous and biggest houses in Rosetta. It was built by Arab Killy.
Figure,1.5.1.2 Al Baqraqali House, By Author, 2019
Al-Baqrawali House ( 1718 AD ) It is one of the oldest houses of Rosetta, located in front of the suspension mosque.
History and Current Conditions| 11
Chapter I
1.5 – ROSETTA'S HERITAGE HOUSES Scan the QR code to view the historical houses
Figure.1.5.1 Rosetta's Heritage places, by Author 2019
History and Current Conditions| 12
Chapter I
1.5 – ROSETTA'S HERITAGE HOUSES
01- Al Ansari Agency
02- Ramadan House
03- Barqouli's House
04- Al-urabi Mosque
05- Al-smadi Mosque
06- Damaskis Mosque
07- Qabdawan Mosque
08- Jalal House
09- Tunisian House
10- Azzouz Bath
11- Maharm House
12- Al-gendi Mosque
13- The Local Mosque
14- Ghazali's House
15- Thabet House
16- Rashid Museum
17- Asfour House
18- Zaghloul Mosque
19- Shaheen Mill
History and Current Conditions| 13
Chapter I
1.6 – Current conditions Rosetta's glory period was ruined by the negligence of the heritage sites and monuments. Even though in past times Rosetta was an important port, with important cultural and historical elements, its significance has decreased throughout the years as a result of the loss of its important features and the decrease in its authentic crafts. In 2003, Rosetta was added to the UNESCO's potential world heritage sites list, but it was never declared as one due to failure to restore the monuments. The number of heritage houses in Rosetta is decreasing day by day, due to lack of attention and funding from authorities and lack of people's awareness of opportunities. The changes in the city are affecting the buildings, infrastructure, and the people. Rosetta had activities such as tourism, fishing, boat making, agriculture, and craft making, all which were affected by the lack of awareness and negligence. According to the interviews conducted, the younger generations do not understand the importance and potential of the city, which led to the deterioration of monuments. The positive part of Rosetta is that its main roads and important zones are kept clean and maintained. This should attract tourists (internal and external) to come view one of the world's open heritage centers, with its unique and authentic identity, regarding its historic past.
Figure 1.6.1 . Rosetta's Current Conditions, Authors, 2019
1.7– CONCLUSION Rosetta is a city with a strategic location and a rich historical background. It passed through different eras; this had a huge role in shaping Rosetta's identity as historical city of heritage. It used to be in possession of 52 monuments, but this number decreased to 37 through time. Most of the monuments were built during the Islamic periods of Rosetta. The houses are covered in molded bricks, red and black, a feature of Islamic Architecture. Most houses range from three to four stories, with wooden ceilings. The lower stories include wakalas, stables, and water reservoirs. The mosques have many entrances from different areas. The mosques include the basic elements of an ordinary mosque; riwaq, sahn, and mihrabs. The most important heritage discovery is the Rosetta Stone. The importance of these monuments and features will play a huge role in deciding the project, which should highlight the great history and authenticity of Rosetta.
History and Current Conditions| 14
Chapter I
2.1 – Urban development The expansion of informal settlements lead to the increase in residential areas and decrease of agricultural fields.
Figure 2.1.1 ( Urban Mass Development, El Raey 2000) Illustrated by Authors, 2019)
2.2 – Urban Fabric
Rosetta has a very rich urban fabric consisting of a variety of patterns. The analysis shows the number of intersections found in each segment, along with access points, number of blocks, and the length of the streets found in each area. Curvy Street Pattern
Informality In Streets
Fragmented Pattern
Grid Pattern
Access Points
9
6
11
7
No. of Blocks
11
5
16
10
Street Length
225m
257m
150m
90m
Street Pattern
Intersections
Table. 2.2.1 ( Google Earth, Base Map Analysis, Illustrated By Authors 2019)
Urban Analysis| 15
Chapter I
2.3 – Urban analysis 2.3.1 – LAND USE
Educational Green area Figure 2.3.1.1 Educational Building , Authors, 2019)
Historical Industrial Residential
Figure 2.3.1.2 Residential Buildings , Authors, 2019)
Figure 2.3.1.3 Land Use Map, Authors, 2019)
200m Figure 2.3.1.4 Land Use Map, Authors, 2019)
2.3.2 – BUILDING HEIGHTS
2 Levels 4 Levels Figure 2.3.2.1 4 Levels Height, Authors, 2019)
Figure 2.3.2.2 5 Levels Height, Authors, 2019)
5 Levels 6 And above levels
Figure 2.3.2.3 Land Use Map, Authors, 2019)
200m Figure 2.3.2.4 Building Heights Base Map, Authors, 2019)
Urban Analysis| 16
Chapter I
2.3 – Urban analysis 2.3.3 Building conditions
Figure 2.3.3.1 Damaged Condition , Authors, 2019)
Damaged Poor Condition Good Condition
Figure 2.3.3.2 Good Condition , Authors, 2019)
Figure 2.3.3.3 Land Use Map, Authors, 2019)
200m Figure 2.3.3.4 Building Conditions Base Map, Authors, 2019)
2.3.4 – Accessibility and roads hierarchy
Figure 2.3.4.1 Local Street , (Authors, 2019)
Local 7m Minor 12m Major 20m
Figure 2.3.4.2 Major Street , (Authors, 2019)
Figure 2.3.4.3 Land Use Map, Authors, 2019)
Figure 2.3.4.4 Streets Base Map, (Authors, 2019)
200m
Urban Analysis| 17
Chapter I
2.3 – Urban analysis 2.3.5 Solid and void
Figure 2.3.5.1 Solid And Void , (Authors, 2019)
Solid Void Figure 2.3.5.2 Land Use Map, Authors, 2019)
200m
Figure 2.3.5.3 Solid And Void Base Map, (Authors, 2019)
2.4 – SWOT •
2nd after Cairo • in Islamic Monuments •
•
Overlooks the Nile & the Sea • Some Monuments are Restored.
•
• • • •
No Awareness. Monument Deterioration & Flooding. Some Monuments are Restored.
Heritage Site • Declaration. • Fishing & Boat Making Crafts. Tourist Attraction Strong Trading Port
Sea-level Rise. Deterioration and Falling Buildings & Monuments.
Urban Analysis| 18
Chapter I
2.5 – Elevation analysis 2.5.1Heritage style analysis Rosetta 's old architectural style is mostly Islamic. The buildings are made of different colored bricks. Wooden elements are used along the elevations. The use of mashrabiyat (Islamic shading devices) is also apparent. The building openings, entrances and windows, are narrow. Islamic motifs such as repetition of patterns and elements.
Figure 2.5.1.1 Abo Mandour Entrance Elevation, (Taken By Authors, 2019)
Figure 2.5.1.2 Abo Mandour Entrance Elevation, (Taken By Authors, 2019)
Figure 2.5.3 Abo Mandour Entrance Elevation, (Taken By Authors, 2019)
2.5.2 – Modern day architectural style Rosetta 's new architectural style does not follow a certain pattern. Most structures are made of reinforced concrete and simple plastering, not following the brick structure used in the past. The windows of mosques and prayer corners follow old styles in the use of wooden mashrabiyat.
Figure 2.5.2.1 Abo Mandour Entrance Elevation, (Taken By Authors, 2019)
Figure 2.5.2.2 Abo Mandour Entrance Elevation, (Taken By Authors, 2019)
Figure 2.5.2.3 Abo Mandour Entrance Elevation, (Taken By Authors, 2019)
Urban Analysis| 19
Chapter I
2.5 – Elevation analysis 2.5.3 Shading elements The old buildings have protruding elements that throw shade on the areas beneath them, which allows activities in the spaces below. The newer buildings do not follow the same style, but use shading devices made out of fabric.
Figure 2.5.3.1 Residential Building, (Taken By Authors, 2019)
Figure 2.5.3.2 Residential Building, (Taken By Authors, 2019)
Figure 2.5.3.3 Residential Building, (Taken By Authors, 2019)
2.6 – Social analysis These icons shows the social analysis of Al-behera
Average Family Unemployment Total Labor Expenses 193,600 Force EGP 41,499 2,036,800 Fig. 2.6.1 Eaea.Gov.Eg, 2019
Population Working Force Average 6,404,210 1,843,200 Family Income EGP49,089
2.7 – Transportation analysis Toktok - Taxi - Horse Carriage - River Ferry - Trucks - Small Suzuki (Tomnaya) - Private Cars
Figure 2.7.1 Mobility Illustration , (Authors, 2019)
Urban Analysis| 20
Chapter I
3.0 – Problem and project selection 3.1 Introduction Rosetta is a city with a very rich historical and heritage background. According to our research and site survey, it is full of problems on a social and economic level. All these problems are the main cause of why its heritage has been deteriorating (Madkour, 2018). The main problem in Rosetta is the gradual and constant negligence of history that led to the loss of its Islamic and historical identity. This problem was causes by several other problems that include the negligence of historical and monumental sites, the lack of local administration, the lack of funding for restoration by the authorities, and the unawareness of the younger generations, regarding the importance and identity of Rosetta. If all these problems are solved or put in consideration, it will lead to resolving the main problem of heritage. Rosetta is full of opportunities and potentials in many aspects such as tourism, agriculture, fishing, and other local crafts. If these potentials are fulfilled, it increases the chances of development and improvement.
3.2 – Social Interviews
Interview (A)
In order to have a better understanding of the chosen city and its people, interviews were conducted. These interviews were with people of Rosetta's working class of middle-aged people. The three interviewees: A'am Hassan, Samir, and Ayman, had similar responses to the questions asked. The questions asked were related to job opportunities, educational opportunities, awareness of Rosetta's historical and heritage value, and its overall potential.
A'am Hassan "The negligence of the authorities and lack of attention and care lead to our identity and heritage falling apart. All our historical areas are damaged and will remain that way, unless someone takes action. "
Interview (B)
Figure 3.2.1. Interviewee A, A'am Hassan, (Authors, 2019)
Samir "The infrastructure and planning are very poor. They led to the flooding of the houses and heritage monuments. The lack of organization and planning caused the tourism rate to decrease. No one wants to visit Rosetta and stay anymore. "
Figure 3.2.2. Interviewee B, Samir, (Authors, 2019)
Problem and Project selection | 21
Chapter I
3.0 – Problem and project selection 3.3 Rosetta’s Problems Aside from Rosetta's rich historical background and value, it has developed several problems in different areas including history, culture, education and awareness, management, and planning. The problems of Rosetta are: no utilization of opportunities, no cultural awareness or education, negligence of historical monuments, , no documentation of heritage, lack of coordination between authorities, lack of funding and inadequate resources, poor infrastructure, and wrong utilization of strategic locations. All these problems are related to one important point: the heritage monuments located in the city of Rosetta. If all these problems are solved, the problem of heritage will be solved, and the opposite is true; if the heritage problem is solved, people will be more aware of their identity, employment rates will increase, and the city will become more developed, making it a touristic attraction for Egyptians and people from all over the world.
3.4 The problem of the heritage 3.4.1 – Problem Definition The problems that Rosetta is facing include lack of awareness, lack of authority attention and coordination, no documentation of heritage, poor infrastructure and sanitation networks, extension of the informal settlements towards the historical areas, and no utilization of the city's potentials. All these problems lead to the negligence and deterioration of heritage sites, but the main aspect is the lack of awareness of the authorities and the people.
Figure 3.4.1. Deteriorated Heritage Buildings, Authors, 2019)
Problem and Project selection | 22
Chapter I
3.0 – Problem and project selection 3.4.2- Problem statement The main problem deduced from our analysis and research is the negligence and deterioration of Rosetta's heritage monuments. If the problem is fixed, this will create a great opportunity for Rosetta to flourish and become one of the UNESCO's world heritage site
Figure 3.4.2.1 Historical Mosques transformed to Commercial Markets, Authors, 2019)
. If the current state remains the same regarding the authorities' negligence and people's unawareness, the history and identity of Rosetta will remain impaired and might not reach future generations. Thus the problem statement is "Negligence and detrition of the heritage monuments that lead to Rosetta getting terminated after being declared as a world heritage site. "
Figure 3.4.2.2 Flooded Mosque, Authors, 2019)
Historical
Figure 3.4.2.2 showing the problem of the heritage negligence
Problem and Project selection | 23
Chapter I
3.6 –Project selection 3.6.1- Project statement The proposed project is an Exploratorium of Narratives. This project will shed the light upon Rosetta's neglected heritage by creating a path through the city that starts and ends at the Exploratorium, narrating the story of Rosetta's history.
3.6.2- Project mission and scope EXPLORATORIUM OF NARRATIVES The exploratorium is going to include an interactive exhibition showing simulations of Rosetta's important heritage monuments, and telling its story throughout time. The narrative told in the exploratorium will be the story of Rosetta's history and the different eras it has been through, and how these changes shaped the city's identity, which will raise awareness. The project will include a documentation center that will document the important data required to restore and preserve Rosetta's rich heritage and identity. There will also be workshops and seminar classrooms that allow the message to be transferred to the people of Rosetta, raising awareness, and showing them their identity.
3.6.3- Project Vision Short Term
Raising Awareness
Data Documentatio n
Mixing Culture & Heritage
Increasing Tourism Social Interaction between Age Groups
Long Term World Heritage Site Declaration
Figure 3.6.1. Project Short-term and Long-term Vision, Authors, 2019)
The project has several short-term and long-term visions. The short-term vision includes raising awareness, documenting of important data relating to the heritage monuments, mixing culture and heritage. The long-term vision includes creating a platform for social interaction between different age groups and increasing tourism in Rosetta. All these visions will allow the main project vision to be achieved; the declaration of Rosetta as a Word Heritage Site by the UNESCO, since Rosetta possesses criterion (ii), (iv), and (v). Problem and Project selection | 24
Chapter I
3.6 –Project selection 3.6.4- Project Objective The project aims to solve the problem of heritage deterioration and by tackling the main issues that led to the heritage deterioration. World Heritage Site Declaration Restoration of the monuments will highlight the 3 achieved criteria.
Authorities Taking Action This will be achieved by helping them in data collection through the documentation center. Figure 3.6.2. Project Objectives, Authors, 2019)
3.7- Target groups Local Authorities Documentation and Restoration of Monuments.
Tourists Increasing Tourism
3.8- Conclusions
Raising Awareness This will be achieved by telling the narrative of Rosetta's history by creating simulations. Documentation This will be achieved by the documentation center, creating documents for the UNESCO. Local Youth Raising Awareness of the Local Youth. UNESCO Attracting the UNESCO's Attention
The project aims to make the world understand the value of Rosetta, and highlight the potentials and opportunities of it's location and importance. It seeks to return Rosetta back to its days of glory, and possibly lead to its declaration as a world heritage site. This should be done by raising awareness, having proper authority and leadership, having proper resources and funding, and developing the whole city. All this will be made possible by creating an exploratorium or center where the exhibited showcases will focus on the heritage monuments. The documentation center will aid in this process by creating a database for the heritage site, which will include all necessary documents for conservation. The classrooms and workshops will restore the crafts that once made Rosetta stand out next to its neighboring cities. Problem and Project selection | 25
Chapter I
4.1 –Site selection criteria
Figure (4.1.1), Selection criteria diagram,(Authors,2019).
The site selection criteria was determined through the research and site survey. Due to the nature of the project, these criteria were selected: nearness to heritage monuments, accessibility, security, nearness to human settlements, possibility of expansion, possession of waterfronts, and visibility. The selected site should be near heritage monuments, since it is part of the narrative told in the project. It should be accessible for all visitors, to attract more people. The site should possess a high level of security and be near human settlements to allow a sense of safety for the visitors. It should be located in an area with that allows possible future expansion plans of the project. It is also favorable to be located near a waterfront, because people are more attracted to spaces with views. The site should be visible in order for the project to achieve a landmark status; this allows visitors or people within a distance to have visibility of the project and make their access to it easier. According to these criteria, the selected site should be near the heritage, which is the project core, it should be accessible and safe, and with a view and a sense of visibility. SITE SELECTION | 26
Chapter I
4.2 –Site Locations The three sites have areas ranging from 15,000 m to 21,000 m. Site 1 and 2 both have views of waterbodies and have a possibility of expansion. Site 2 and 3 are both located within proximity to heritage monuments and near human settlements. Analysis was done for all three sites to pick the one most suitable for the project.
Kafr El-Sheikh
Figure (4.2.1), Selected Sites,(Authors,2019).
Total Area :18,000 m²
Figure (4.2.2), Site 1, Google Earth, (2019) Illustrated by Authors, 2019)
Total Area :20,900 m²
Figure (4.2.3), Site 2, Google Earth, (2019) Illustrated by Authors, 2019)
Total Area :15,500 m² Figure (4.2.4), Site 3, Google Earth, (2019) Illustrated by Authors, 2019)
SITE SELECTION | 27
Chapter I
4.2 .1–Choosen Site: Site 2
Site 2 is located in the center of the city. It overlooks the Nile River, which gives it a good view. It is also located near the largest local market in Rosetta. Its easily accessible by Rosetta's main roads and is near residential areas.
Figure (4.2.1.1), Site 2 Location,(Authors,2019).
SITE 2 Figure (4.2.1.2), Site 2 collage ,(Authors,2019).
SITE SELECTION | 28
Chapter I
4.2 .1.1– Landuse This site is located on the Nile River. It is located near Rashid Al-Am Hospital, Social Insurance Office, Bank Masr, Om Elmohsnen School & the local market. It is in the proximity of Rosetta's museum, 750 meters away. It is also near Rosetta's sports club. It is surrounded by residential areas and agricultural lands. Site 2 Residential Area Agriculture Lands Commercial
Nile
Historical Educational
Figure (4.2.1.1.2), Site 2 Land-use diagram, (Authors,2019).
Medical Vacant Lands
Figure (4.2.1.1.1), Site 2 Land-use,(Authors,2019).
Figure (4.2.1.1.3), Site 2 Landuse pictures,(Authors,2019).
4.2 .1.2– Building Heights The heights in the area range from 2 levels to 6 levels and higher. This will play a huge role in determining the heights of the project elements.
2 Levels 4 Levels
(2-3) Stories
6 Levels
Nile
6 Levels And Higher
Figure (4.2.1.2.2), Site 2 Building Heights diagram, (Authors,2019). (4-5) Stories
Figure (4.2.1.2.1), Site 2 Building Heights ,(Authors,2019).
(6) Stories Figure (4.2.1.2.3), Site 2 Building Heights pictures,(Authors,2019).
Site 2 | 29
Chapter I
4.2 .1.3– Site accessibility Site 2 is accessible through several major and minor road in the city. It is accessible through the Great Sea St., which connects most of the city's roads. It is also accessible through the Nile River by boat, from Kafr El-Sheikh. The walking time between the site and the nearby landmarks does not exceed 20 minutes.
The Great Sea St. Costal Road River Road
Nile
Figure (4.2.1.3.2), Site 2 Accessibility &road hierarchy pictures,(Authors,2019).
Figure (4.2.1.3.1), Site 2 Accessibility& Road hierarchy,(Authors,2019).
4.2 .1.4– Building conditions The area surrounding site 2 consists mostly of buildings with good condition, due to constant preservation. They are near most of the monuments of Rosetta and the Nile River, therefore, they are reserved and restored.
Nile
Figure (4.2.1.4.3), Site 2 Building Conditions pictures,(Authors,20 19).
Figure (4.2.1.4.1), Site 2 Building Condition ,(Authors,2019).
Figure (4.2.1.4.2), Site 2 Building Condition diagram, (Authors,2019).
Site 2 | 30
Chapter I
4.2 .1.4– Solid and Void As seen in (fig.4.2.2.5.1) The Vacant Lands are rare in this part of the tow, due to the presence of the core of the city in this part. Therefore, There are buildings all over the place with a percentage of Solid about 90%
Nile
Figure (4.2.1.5.2), Site 2 solid and void diagram, (Authors,2019).
Figure (4.2.1.5.1), Site 2 Solid and void ,(Authors,209).
4.2 .1.5– SWOT Analysis Conclusion Site 2 is easily accessible from all sides and with different transportation methods. It is located directly on the Nile River. It is surrounded by several landmarks. It is located near services and residential areas, which makes it secure. However, it is surrounded by agricultural lands which will make future expansion plans hard. The site also has buildings that were illegally built, so they can easily be removed. The advantages of this site makes it a great choice for the project.
•
• • • • •
• •
• • • •
Large view angle on the Nile. Accessible from different approaches. No views are blocked. Besides most heritage places. All services are available.
Nileshore (Attraction) Center of several heritage sites. Agriculture land (Greenery, Activities) Kaur El-Sheikh is located on the other side of the
•
If Expansion is needed, It will be on Agriculture Lands. The center of the city can get crowded.
•
Sea level rise.
•
On main street, thus, not so environmental friendly.
•
•
site.
Site 2 | 31
Chapter I
4.2 .1.5– Comparative analysis between the 3 sites
Figure (4.3.1), Site 1, Google Earth, (2019) Illustrated by Authors, 2019)
Site 1
Site 2
Figure (4.3.2), Site 2, Google Earth, (2019) Illustrated by Authors, 2019)
Figure (4.3.3), Site 3, Google Earth, (2019) Illustrated by Authors, 2019)
Site 3
Figure (4.3.1.), Selection criteria diagram,(Authors,2019).
Conclusion
Table (4.3.1), Selection criteria diagram,(Authors,2019).
According to our criteria, site 2 is the most suitable site for our project. It is accessible and located in the heart of the city, which makes it secure. It is near human settlements, which will allow easy access of the visitors and workforce. The building can be visible from most heritage monuments because there is nothing blocking the view. It is located near the Nile River, which is a great view. And most importantly, it is located near the heritage sites, forming a route through the monuments, which is part of our urban concept. These points are the cause of site 2's selection. Site 2 | 32
Chapter I
5.0– Program analysis 5.1–Program analysis based on the target groups Since that the objective of the project is to put Rosetta back on the map, thus, the audience we expect to come visit our project is basically everyone locally and to expend in an international way, therefore the audience we're targeting are: • • • • • • • • •
Families Teenagers Adults Tourists Visually impaired people Hearing-impaired and deaf people School groups Universities groups UNISCO Figure 5.1.1 Illustration of interactive exhibition (metmuseum,2019).
5.2- Functional Diagram Zone 2 Documentation center with a part to restore and preserve monuments
Zone 1 Interactive Exhibition with outdoor area & Permanent Museum
Zone 3 Educational Workshops with a library for elders and youngers
Zone 4 The managerial part in the project with all the services
Figure 5.2.1 Zoning illustrated by authors (authors, 2019)
5.3- Zoning Zone 4 Managerial
Library
Offices Zone 1
925 m²
Zone 3
TOTAL
Educational
Interactive
PROJECT
Workshops
Exhibition
1550 m²
2600 m² Zone 2
interaction spaces
AREA 9280 m²
Doc. Center 800 m²
Figure 5.3.1 Zoning illustrated by authors (authors, 2019).
Program | 33
Chapter I
5.0– Program analysis 5.4- Detailed Zoning Diagram Space Program Documentation Center
100%
18%
Educational
18%
Administration
15%
Exploratorium & Exhibition.
49%
0
Each zone is represented with a color code depending on how many rooms it has; the thicker the bar the larger the area. Each zone is represented with a percentage showing its actual size compared to the whole project. They are separated based on the functions. Table 5.4.1 Inspired from Rem Koolhaas's design program.
program | 34
CHAPTER II Design Approach
This chapter discusses the strategic location of Rosetta, and how it affected it was affected by it's rich historical background since 2500 BC, showing its development through the eras until today and why choosing Rosetta and the main thesis problem.
Chapter II
2.1 – Inspirations
Figure 2..1 .1 How the building is sustainable (The Edge / PLP Architecture, 2015)
Figure 2.1 .2 taking advantage from the existing situation of the surroundings of the heritage .( MoMA CHENGDU / Wande Wenmai Internaional Design proposal. 2008)
Figure 2.1.3 project was to reinstate the ramparts' original feeling of depth and strength and to reinforce the narrowness of the entrance to the city, (Valletta City Gate / Renzo Piano Building Workshop, 2015)
Inspirations |36
Chapter II
2.2.1 – Project Mission To help redirecting the focus on Rosetta and it's prosperous heritage. Promote the lives of the people there and make people increase the awareness about the history.
2.2.1 – Project vision and objective Put Rosetta on the touristic map again. Aim to get Rosetta back in the UNICCO preserved world sites through our project. By shedding the concentration again on Rosetta's Heritage with the help of the local and external communities to become a world heritage destination. • Turn the potentials into assets • Draw Rosetta back as a world heritage site • Rosetta as a touristic destination • Motivational for cultural and historical awareness among the youth • Sustainable • Adaptable
2.2.3 – Abstract • History is a part of our present without history there will be no present. Thus we need to preserve our history and develop it in order not to loss our identity. It plays a huge part in forming the cultural identity of Rosetta and it's built environment. Rosetta has always been known for with its very rich heritage that has gone to waste for the past years and neglicance. • The Exploratorium of Rosetta narratives will be the spark to enhance our heritage on so many levels social, economic and cultural.
Figure 2.2.1) showing some of the historical heritage in Rosetta that was once declared a world heritage site with them. (Author, 2020)
“Heritage is a tool for community improvement and development”
Heritage conservation in Rosetta (Rashid): A tool for community improvement and development, 2011
Concept | 37
Chapter II
2.3.1 – Concepts 2.3.1.1– Concept I (Routes of heritage through exploration) Slogan : Connecting the heritage to tell a story Concept statement: Using the relevant historical geographic references from the houses and monuments heritage surrounding the site with a hierarchical chronical order to adapt the connections in the form of the building in such a way to link the story telling within the form. Keywords: Connection, Heritage, story telling, ambiance, hierarchy, dates Connecting the heritage to tell a story • Each program in the project is connected by the bridges and connections inspired from the net formed between the monuments chronically • The aim of the bridges or connections is to connect the spaces of the project and make the visitors move across them in a story telling scenario from one function to another through a hologram • Each intersecting point represent a chronicle era of the heritage monuments 1. Adding the programs abstract the net. 2. Connecting the bridges between the programs. Each intersecting point represent era 3. Bridges connections outdoor to make people feel the ambiance of the city. Space programs with different heights to give heights diversity
Phase 2
Figure (2.3.1.1.11.)showing connection between historical monuments in Rosetta (Author, 2020 ) Map Source: Rosetta monuments
Figure (2.3.1.1.2abstract of the net connecting the historical monument (Author 2020
Phase 1
Administration and entrance Exploratorium Library and documentation center Bridge /connection Permanent museum & exhibition Workshops Concept | 38
Chapter II
2.3.1 – Concepts 2.3.1.1– Concept I (Routes of heritage through exploration)
Figure (2.3.1.1.3.) Winner of the Building to Building Pedestrian Bridge Challenge / sanzpont (Archdaily 2020)
Phase 3
Bridge
Figure (2.3.1.1.4.)project programs connected using the net (Author 2020)
Filed of sight
Figure (2.3.1.1.5 )hologram along the bridges from inside That shows the story of the heritage (Author 2020)
Inspirations
Figure (2.3.1.1.7) interactive screens Figure (2.3.1.1.8.) 360 panorama at At national park welten (Archdaily) National park (archdaily)
Figure (2.3.1.1.6.) intersecting point showing era simulation (author 2020)
Figure ((2.3.1.1.9) national park welten for elevation inspiration archdaily) Concept | 39
Chapter II
2.3.1 – Concepts 2.3.1.2– Concept II (Movement and tranquility ) Slogan : identity in the core Concept statement: Objects seem to be something over and above the material components that make them up. Shaun Murray (design studio ENIAtype) Movement and tranquility the movement from narrow to bigger space there is nothing interesting so you move inspired from the Islamic heritage in Rosetta, the building is more than just the composition and form it's the materials the deepest connection that is clearly shown in the Islamic principle adapted that the space is more than what it's actually is connection encouraging the idea of focusing on Rosetta again by drawing attention to details. Movement and tranquility will be used in all the project programs from indoor to outdoor. Keywords: Principles of Islamic architecture, historic buildings preservations, aesthetic, using the meaning of visuals, Movement and tranquility, core, Islamic architecture principles, arrival and approach, reflectivity, underground, natural and interruption of heritage.
Centrality
Phase 1
Entering from narrow to bigger
Harmony space Courtyard sustainable proportions approach Interesting wide space
Filed of sight from in to out
VOIDS
SOLID
FLUIDITY
Filed of sight from out to in
AIR Figure (2.3.1.2.1.) achieving tranquility of movement on all aspects of the building (author 2020)
Figure (2.3.1.2.2.) entering from narrow to bigger with feeling of Tranquility (Author 2020)
EARTH
WATER
Figure (2.3.1..2.3.) connection between the existing sources to form tranquility (Author 2020) Concept | 40
Chapter II
2.3.1 – Concepts 2.3.1.1– Concept II (Movement and tranquility ) Phase 2
2.. .shifting within the surrounding sources (Soli, Void, air, Fluidity, earth and water
1.Extrude the form
4. Trying to achieve building self shade and outdoor max shading
3. Achieving the tranquility of movement
5.Form development
Figure (2.3.1.2.4).form development with achieving tranquility of movement on all the project aspects (author)
Inspirations
Figure (2.3.1.2.5.) WELLNESS CENTER an ecofriendly tranquility center (Dezeen 2017)
Figure (2.3.1.2.6tranquility in the indoor and outdoor spaces Deezen,2017)
Concept | 41
Chapter II
2.3.1 – Concepts 2.3.1.3– Concept II (Support the growth) Slogan : developing & preserving the heritage Concept statement: Raising the community awareness to help in the development again and putting it in the scope of being world heritage site. By adapting the urban fabric with the site climate studies to encourage the participating by blending. Keywords: Ignition, development, community, heritage, shattered, infrastructure bad conditions, support, growth, expansion,, embracing imperfections, support, growth, expansion, elevated Concept development:
Prevailing wind
Prevailing wind Site location
urban fabric analysis from solid and void
Figure (2.3.1.3.1 ).prevailing wind and solid and void around the selected site (author)
Support can Be done by the people
Support for a better vison
Support Figure (2.3.1.3.2) from overlaying of the solid and void of the context and the climatic analysis (author, 2020)
Support can Be done to the people
Support for the city
Concept | 42
Chapter II
2.3.1 – Concepts 2.3.1.3– Concept II (Support the growth) Phase 2
Figure (2.3.1.3.1from overlaying of the solid and void of the context and the climatic analysis and adaption (author) Administration and entrance Exploratorium Library and documentation center Bridge /connection Permanent museum & exhibition Workshops Figure (2.3.1.3.1) form extrude (author)
Figure 2.3.1.3.2.) program addition (author)
street
Figure 2.3.1.3.3) form development (author)
Nile river
Figure (2.3.1.3.4 ) section inspiration as the site is closer to the Nile river will help with the gaps to create better air circulation. (author)
Figure (2.3.1.3.5.) elevation development adapting with the prevailing wind and inspired from the urban fabric also (author)
Concept | 43
Chapter II
2.4.1.1 – Jury I Concept submission Rosetta Exploratorium Of Narratives Omneya Ahmed 160903 Site location : Rosetta
Selected site
According to our criteria, site2 is the most suitable site for our project. It is accessible and located in the heart of the city, which makes it secure. It is near human settlements, which will allow easy access of the visitors and workforce. The building can be visible from most heritage monuments because there is nothing blocking the view. It is located near the Nile River, which is a great view. And most importantly, it is located near the heritage sites, for the route passing through the monuments, which is part of our urban concept.
Program
Site 1
SUPPORT THE GROWTH developing & preserving the heritage
Site2
Site3
Phase 1
Concept statement: Raising the community awareness to help in the development again and putting it in the scope of being world heritage site. By adapting the urban fabric with the site climate studies to encourage the participating by blending. Keywords: Ignition, development, community, heritage, shattered, infrastructure bad conditions, support, growth, expansion,, embracing imperfections, support, growth, expansion, elevated Support can Be done by the people
Support for a better vison
Support
Support can Be done to the people
Support for the city
Nile river section inspiration as the site is closer to the Nile river will help with the gaps to create better air circulation.
Jury 1 Feedback: Give priority to the imp. Sketches to be bigger & more clear in your sketches Very good models but need to be more related to the function The bridge idea need to be stronger in your form Concept 2 is the best one or you can merge the whole 3
Juries Submissions | 44
Chapter II
2.4.1.1 – Jury I Concept submission Rosetta Exploratorium Of Narratives Omneya Ahmed 160903
Movement and tranquility Identity in the core
Movement and tranquility inspirations
Concept statement:
Movement and tranquility is one of the Islamic principles, inspired from the Islamic heritage in Rosetta, . the movement from narrow to bigger space like the entrance or a pathway that is presented as a passage from the physical underworld to somewhere more spiritual. There is nothing interesting so you move from the narrow dark space nothing interesting to a tranquility more beautiful wide place. Iwan portal is symbol of a passage from the tightness of life and how it's very narrow with all its troubles to the richness and capacity of the afterlife that gets you to move to the calm tranquil space.
Movement from tightness of life to tranquility of afterlife VOIDS SOLID FLUIDITY
The building is more than just the composition and form it's the materials the deepest connection that is clearly shown in the Islamic principles. Adapting this idea will aid in focusing on Rosetta again by drawing attention to details of it's heritage. Keywords: Principles of Islamic architecture, historic buildings identity , aesthetic, using the meaning of visuals, Movement and tranquility, core, Islamic architecture principles, arrival and approach, reflectivity, underground, natural and interruption of heritage. Islamic Principles
Centrality
Showing the movement from entrance and pathway corridor to Entering from narrow Harmony space proportionsCourtyard sustainable calm and peaceful tranquility approach Interesting wide space to bigger
AIR EARTH WATER Building is more than just the composition and form it's the materials the deepest connection Administration and entrance Exploratorium
Concept development
Library and documentat ion center Path of tranquility Permanent museum & exhibition 1.Extrude the form
2.. .shifting within the surrounding sources (Soli, Void, air, Fluidity, earth and water
3-Creating a path of movement to tranquility within each zone
Workshops
4- Proposed zoning
5—Path of tranquility Concept development Phase 1: Connecting the historical houses and monumentsPhase 2: Taking the networks as a center and edges of in chronical networks each zone with central bridge connecting them.
Routes of heritage through exploration Connecting the heritage to tell a story Concept statement: Using the relevant historical geographic references from the houses and monuments heritage surrounding the site with a hierarchical chronical order to adapt the connections in the form of the building in such a way to link the story telling within the form.
Administration and entrance Exploratorium Library and documentat ion center Bridge with holograms
Keywords: Rosetta Exploratorium of narratives Connection, Heritage, story telling, ambiance, hierarchy, dates
Permanent museum & exhibition
Heritage monuments at Rosetta
Connecting the monuments together in chronical connection
Take the main spin form of the connectio n
Scope on Rosetta again through the project
Inspiration: Winner of the Building to Building Pedestrian Bridge Challenge / sanzpont (Archdaily 2019)
hologram along the bridges from inside That shows the story of the heritage
Jury 1 Feedback: Give priority to the imp. Sketches to be bigger & more clear in your sketches Very good models but need to be more related to the function The bridge idea need to be stronger in your form Concept 2 is the best one or you can merge the whole 3
Jury I submission | 45
Chapter II
2.4.1.2 – Jury I Concept submission
Jury 2 Feedback:Proportions of the spaces are not translated well Masses of the configuration needs to be quite simple Separate between your masses “Entrance” Plan needs development
Jury II submission | 46
Chapter II
2.4.1.2 – Jury I Concept submission
Plan 1:400
3D
Elevation
sections
Jury 2 Feedback: Proportions of the spaces are not translated well Masses of the configuration needs to be quite simple Separate between your masses “Entrance” Plan needs development
Jury II submission | 47
Chapter II
2.4.2 – Chosen Concept Concept statement:
“Objects seem to be something over and above the material components that make them up. Shaun Murray (design studio ENIAtype) The whole is bigger than the sum of the parts, Rosetta has always had a very rich value throughout time it was an important port city of the Nile Delta, 65 km east of Alexandria, its strategic location made it the target of many invaders over the course of its history. It has the second largest collection of Islamic antiquities after Cairo, Egypt's capital. The heritage in Rosetta follows a very distinguish architectural style. The Islamic architectural style that is found in the heritage follows a number of principles that are there to convey a specific reason in addition to a number of factors such as the local society that had a huge impact on the survival and the memory of this heritage. The hidden meaning lies in the monuments in order to convey the feeling of heritage and transfer the experience choosing one of the Islamic principles by choosing the context functionally to produce an important aspect I adapted the nonphysical aspect Movement and tranquility
Documentation center
Entrance Administration
Outdoor
Workshops
Exploratorium
Permeant museum
Main project Spin
Figure (2.4.1.1) Project bubble diagram (Author 2020)
Figure (2.4.1.2) Collage of the historical houses which inspired the concept with the historical timeline (Author 2020) Chosen Concept | 48
Chapter II
2.4.2 – Chosen Concept VOIDS
AIR
SOLID
EARTH
FLUIDITY
WATER
Figure (2.4.1.4) 'Building is more than just the composition and form it's the materials and deepest connections'
Movement from tightness of life to tranquility of afterlife
Figure (2.4.1.3) How the movement and tranquility was applied In some of the historical houses in some of the spatial Parts
Figure (2.4.1.5) how movement and tranquility was applied in the Islamic architecture analysis (author 2020)
Movement and tranquility is one of the Islamic principles, inspired from the Islamic heritage in Rosetta, the movement from narrow to bigger space like the entrance or a pathway that is presented as a passage from the physical underworld to somewhere more spiritual. There is nothing interesting so you move from the narrow dark space nothing interesting to a tranquility more beautiful wide place. Iwan portal is symbol of a passage from the tightness of life and how it's very narrow with all its troubles to the richness and capacity of the afterlife that gets you to move to the calm tranquil space. The building is more than just the composition and form it's the materials the deepest connection that is clearly shown in the Islamic principles. Adapting this idea will aid in focusing on Rosetta again by drawing attention to details of its heritage. Using the relevant historical geographic references from the houses and monuments heritage surrounding the site with a hierarchical chronical order to adapt the connections in the form of the building in such a way to link the story telling within the form Mission: Keeping the visitors exposed to more than just the physical part but also the experience that is inspired from the heritage and the locals. Vision: Drawing back the scoop on Rosetta's Heritage to be preserved and help in achieving awareness among the youth in order know the value of Rosetta. . Chosen Concept | 49
Chapter II
2.4.3 – Concept development
Figure (2.5.1.1) Project concept development (Author 2020)
2.4.4- Form Generation Anideaissalvationbyimagination FrankLlyod Wright Form inspired from the heritage. Consists of one main spine the Main Path of tranquility and a secondary spin for the end of the journey that opens to the outdoor area activities
• • •
Center of the mass the main node Two main project spines. Parts of the mass are removed to maximize the main spine and allow sunning
Phase 2
Prevailing wind North direction
Because the building mass appears to be large a vertical circulation is used within the local plan’s heights requirements optimizing the space program
•
•
Phase 3
•
•
Phase 1
Site located between one main street and secondary street. Orientating the mass with the north direction and prevailing wind inspired from the context.
Down scaling the masses based on dominated environmental aspects such as prevailing wind and south facing masses Outdoor landscape inspired from the masses to blend in and generated from the project main node
Phase 4
Skyline:
Chosen Concept | 50
Chapter II
2.4.4 – Form Generation Contextual analysis and Form development:
Plan development :
Final phase Exploratorium zone
Museum Zone
Workshops zone
library zone Documentation center zone Administration zone Plan with landscape
Chosen Concept | 51
Chapter II
2.4.5 – Project zoning and circulation
3rd floor zoning and circulation analysis
2rd floor zoning and circulation analysis
1st floor zoning and circulation analysis
Vertical zoning and circulation inspired from the historical heritage Basement floor circulation and analysis Project analysis| 52
Chapter II
2.4.5– Project zoning and circulation Master plan zoning
How the project affected the surroundings
Outdoor circulation analysis
the project blends with surrounding context in order to be part of Rosetta and not to be very eccentric
Secondary street
Service road
Main street
Vehicles circulation Main path
Nile
Secondary path
Project analysis | 53
Chapter II
2.4.5 – Project analysis Priority analysis
Green analysis
Main function of the project appears dominant in the 3D shows the vertically in the masses
Exploratorium main Priority Main spin
Outdoor green
Main nodes
Density analysis
High density Medium density
Zones Hierarchy
low density
Solid and void
Public Semi private Private Main spin Outdoor
Main node Secondary node Main project t axis
Solid Void Project analysis | 54
Chapter II
2.5. – Emergency exist and handicap 2.5.6.1 – Emergency exist Fire fighting •
Doors open to the direction of people flow
•
Width and dimensions determined by the people need to use the emergency route
•
Use fire resistance construction
•
Directly connected to last floor
Vertical Emergency stairs allocated at 30meter from the end of each zone limits on travel distance to the nearest exit Then escape route to the nearest exist outside the building as shown in the figure
Project analysis | 55
Chapter II
2.5. – Emergency exist and handicap 2.5..2 – Handicap Handicap facilities • Provide handicap WC
• Handicap circulation similar to all users circulation in order to provide them with equal experience and
• no Feeling of difference with the aid of panoramic elevators and ramps through the whole project.
• All ramps are 1:12 which facilities handicap movement.
Project analysis | 56
Chapter II
2.5.3 – JuryIII
Jury 3 Feedback: Some spaces need ventilation and source of light The workshop mass is somehow bulky Your spine should be ended by activity
Jury III submission | 57
Chapter II
2.5.3 – Jury III
Jury 3 Feedback: Some spaces need ventilation and source of light The workshop mass is somehow bulky Your spine should be ended by activity
Jury III submission | 58
Chapter II
2.5.3– Jury VI
Jury 4 Feedback: The proportions of the mpu rectangular. The door of the permanent museum place is very weird. The end of the project appears to be the start of the project. The concept appears to be very subjective. Good effort.
Jury IV submission | 59
Chapter II
2.5.4– Jury IV 2.5.4.1 – Project development
Master plan
Floor plans
Basement floor
Jury 4 Feedback: The proportions of the mpu rectangular. The door of the permanent museum place is very weird. The end of the project appears to be the start of the project. The concept appears to be very subjective. Good effort.
First floor
Jury IV submission | 60
Chapter II
2.5.4 – Jury IV 2.5.4.1 – Project development Floor plans
Sections
Jury 4 Feedback: The proportions of the mpu rectangular. The door of the permanent museum place is very weird. The end of the project appears to be the start of the project. The concept appears to be very subjective. Good effort.
Jury IV submission | 61
Chapter II
2.5.4– Jury IV 2.5.4.1 – Project development Elevations
Context
3D
Jury 4 Feedback: The proportions of the mpu rectangular. The door of the permanent museum place is very weird. The end of the project appears to be the start of the project. The concept appears to be very subjective. Good effort.
Jury IV submission | 62
Chapter II
2.6 Final jury submission Master plan
Final submission| 63
Chapter II
2.6.1 – Final jury submission Layout
t
Secondary street
Main street nile Layout on Google maps
Final submission| 64
Chapter II
Elevations
2.6.2– Final jury submission
Final submission| 65
Chapter II
Sections
2.6.3 – Final jury submission
Final submission| 66
Chapter II
2.6.4 – Final jury submission Journey shots
Main entrance
Path of tranquility
Archeological hall all types of users
Hologram Bridge connecting two masses
Cinema Cube about the historical monuments
Main entrance Stone hologram
Narrating hologram
VR in the path of tranquility
Museum with movable walls exhibit elements of Islamic heritage
Archeological hall
Methods of construction hall
Hologram Bridge connecting two masses
Panorama 360 hall to exhibit architectural elements
Kufi writings hall +6m level transmits from floor to wall
Chat areas to share tour experience
Ramp from +8m level to +2m level with 3d hologram structure End of tour watching Ramp +2m to -2m to city model
End of tour watching GRC interior elevations inspired from the historical houses Mangour brick
Final submission| 67
Chapter II
2.6.4 – Final jury submission Journey shots
City model end of tour
Path of tranquility
Spine to outdoor exhibition
Kinetic fmashrbya in eastern façadde
City model end of tour
Mashrebya along secondary spine inspired from Islamic houses
Bridge connecting doc center and museum
Workshop interior
Path of tranquility
Outdoor theatre
outdoor exhibition
Building from nile view
Main shot
Final submission| 68
Chapter II
2.6.4 – Final jury submission Main shots
“Movement and tranquility”.
“The whole is greater than the sum of its parts”
“Building is more than just the composition and form it's the materials and deepest connections”
Final submission| 69
CHAPTER III Construction
The Construction techniques and materials that were used in the project
Chapter III
3.0– Construction techniques 3.1- Screen kinetic Panels in the southern façade Mashrabia inspired pattern Inspired from the Islamic heritage the use of Mashrabia city identity turning it to a more modernized pattern thats inspired from The old Mashrabia. A mix between the old and the new.
Fig 3.1.1 Showing some of El mashrabia that has been used in the Islamic heritage (Prof N.HeikalN.D)
Function of Mashrabia old: important unit used for controlling light and air. plays an important role with the narrow billet to attract cold air and send the heat outside the room Function of Mashrabia new: Fig 3.1.2 Some of the pattern that was used. As its kinetic adapting the same old function of attracting the cold air and transferring the heat outside through the narrow billet. Benefits for the Exploratorium Gives more control to the daylight entering the exhibition halls this will allow a more controlled heat gain as well as the light entering the building Preserving a part of the identity of rosetta Fig 3.1.3 Showing Kinetic façade used in eastern elevation
Construction | 71
Chapter III
3.0– Construction techniques 3.1- Screen kinetic Panels in the southern façade Mashrabia inspired pattern The kinetic Panels has a series of apertures which will automatically respond by opening and closing to vary the amount of internal light that is needed inside that halls. The substructure panel is framed by the primary Frame
. Steel frame to support the panels
Anchor Bolt
Kinetic panels Fig 3.1.14 Steel From inspiration to support the panels (Jean nouvella institute de monde de arab)
Floor slab to support the panels
1:5 Fig 3.1.15 Showing some Detail of kinetic Mashrabia
Fig 3.1.16 Steel From inspiration to support the panels (Jean nouvella institute de monde de arab)
Fig 3.1.157 Showing light inside the space how it’s controlled
Construction | 72
Chapter III
3.1- Screen kinetic Panels in the southern faรงade Mashrabia inspired pattern
. Hot air rises up and go outside from roof openings
Control heat gain narrow billet to allow prevailing wind Control heat gain
Control daylight within the building
Fig 3.1.84 the kinetic panels (layers Jean nouvella institute de monde de arab)
1:100 Fig 3.1..9 Wall section showing the kinetic panels east elevation
The frame truss along the middle of the wall are used as a support for the motors the diaphragms Fig 3.1..10 Sketches inspiration for the connection on the elvation
Construction | 73
Chapter III
3.0– Construction techniques 3.2- movable Wall partitions inside the halls Allowing different layouts inside the halls
Fig 3..2.1 Key plan
1:5
Fig 3..2. 3 Different partitions Variations inside the halls
Fig 3..2.2 movable wall detailed section
Fig 3..2. 4 Interior shot from the project showing the movable Partitions
Construction | 74
Chapter III
3.0– Construction techniques 3.3- GRC Panels for wall claddings Glass fiber reinforced concrete is a particularly versatile type of concrete. It is formed in the same way as precast concrete, using bespoke molds, but can be made in thinner sections that result in lighter components
Fig 3.3.2 GRC panels with steel frames Connections
Fig 3..3.1 Key plan showing the interior walls where the GRC panels where used along the inner spines of the project
Fig 3.3.4 GRC panels Connections with concrete column
Fig 3.3.3 GRC panels used in the project
Fig 3.3.5 GRC Details
Construction | 75
Chapter III
3.0– Construction techniques 3.3- GRC Panels for wall claddings RC WALL INSULATION 2 CM
ISOLATION PADS
FIXING SCREW SUPPORT BRACKET GRC PANEL 30MM THICK
1:5 Fig 3.3.6 GRC panels Connections with concrete column
1:100 Fig 3.3.6 GRC panels Shots
Fig 3.3..7 GRC Wall section connection for the GRC Along the spine facing walls
Construction | 76
Chapter III
3.0– Construction techniques 3.4- Double skin Breath brick in the southern façade
Fig 3.4.2 Breathe brick façade detail section
Breath brick is used in the southern faade to Enhance the quality of air. Decrease the need for using AC
1:5
1:100
Fig 3.4.2 Breathe brick façade wall section self shade mass in southern façade
Construction | 77
Chapter III
3.0– Construction techniques 3.5- kaleidoscope window Creating new three dimensionally shaped window that reflects a kaleidoscope of textures and colors that changes throughout the day used in some parts of galleries In The eastern faced that is facing the Nile: • At night the glow transfer from inside the building and transfer to outside act like a light house
Fig 3.5..1 Kaleidoscopic window inspiration Zeits museum
Fig 3.5.2 Kaleidoscopic window details
Fig 3.5..3 Kaleidoscopic window inspiration Zeits museum
Fig 3.5..3 Kaleidoscopic window inspiration Glowing at night Breath brick façade
Movable wall
Kaleidoscopic window
Kinetic façade
GRC panel
Fig 3.5..4 Key section
Construction | 78
Chapter III
3.0– Construction techniques 3.6- technology
Exhibited items
Exhibition hall
Exhibited installations
1- 360 panorama screens with a story telling of some of the historical houses located in Rosetta.
Requires circular screens with seats that the user will feel involved within the story telling
2- Hologram bridges that allow the user to experience like a walk through the Historical l houses
Requires a bridges that acts as transition zone between two spaces to give the user sense of exploring walking through the heritage
3- The story telling Hologram Presented by a hologram of a man that tells the history of Rosetta in a narrative way in the start of the project
In the entrance zone acts as the narrator of the whole storyline
4- individual rooms with kufi Writing along the wall that will allow the user to explore the hidden meaning
Requires a closed space for the user to transmit the writings on the floor to the wall in an interactive way
5- Cinema cube to exhibit how the historical houses are built
Requires screens and seats
Construction | 79
CHAPTER IV Structure
This chapter includes the structural Grid that was used in the project. As well as the different types of structure that were chosen why and where.
Chapter IV
4.0– Structure analysis 4.1.– Structure 3D visualization Each space in the project requires a certain structure with the use of expansion and structural joints since the spans are long. Vertical structural zoning. Folded roof supported by tree columns
Space truss +8m
Folded roof supported by tree columns Tree columns +8m
Tree columns +8m Frames +2m
Space Truss +8m
Frames -2m
Flat Slab +0.3m Tree columns +1m Flat Slab -2m Tree columns +8m
Frames in museum +4m level
Frames in mpu
Frames in museum -1m level
Tree columns +2m
Flat Slab -2m
Use of frames, space trusses and tree columns to allow maximum open space spans for the halls. Use of flat slab in workshop and administration area. Use of tree columns to support in the last floor the folded roofs. Structure | 81
Chapter IV
4.0– Structure analysis 4.1.– Structure 3D visualization on master plan Space truss
Floor Slabs
Adding secondary beams to frames
Tree columns +8m Tree columns +8m Frames +2m
Space Truss +8m
Frames -2m
Flat Slab +0.3m Tree columns +1m Flat Slab -2m Tree columns +8m Frames in museum +4m level
Frames in mpu
Frames in museum -1m level
Tree columns +2m Exploded structural axonometric
Flat Slab -2m Structure | 82
Chapter IV
4.0– Structure types analysis 4.2– Types of structure 4.2.1- Space Trusses Where? In the Exploratorium +8m level Why? -Covers wide span without having to use columns in the space maximum use for the space. -durable material low cost.
(Fig.4.2.1.1 ) Space truss
4.2.2 Frames Where? In the Exploratorium area and multipurpose halls Why? -Covers wide span without having to use columns in the space maximum use for the space -the rigid connection at the joints allows standing bending moment -Ease in construction -rapid construction 4.2.3 Flat slab Where? In the workshops and administration area -2m Why? - Simple flat slab used in my project with no drop beams Stiffen the slab and reduce deflection. Use drop panels with column heads to increase shear strength Save clear height Short construction time Module of 8-7m
(Fig.4.2.2.1 ) Frames different shapes and it’s rigid Point joint
(Fig.4.2.3.1 ) Flat slab
Structure | 83
Chapter IV
4.1– Structure types analysis 4.2.– Types of structure 4.2.4- Steel Tree Columns Where ? Level +8m of the Exploratorium and administration and documentation showcase hall.
(Fig.4.2.4.1 ) how tree columns can branch (W. Zalewski 2009)
Why? A Modern type of structure that is widely used creating an ascending open warehouse-like space. It doesn't need to be covered gives an interior interesting support system.
(Fig.4.2.4.2 ) Gives interesting interior (Archdaily,2015)
Spacing between each column can range to 8 meters. Relation between shape and structural strength It can supported the inclined folded roof in the project As it strength to tensile loading and compression as Shown.
(Fig.4.2.4.3) point of load position changing. T. Fourcaud 2004)
Increase the Column diameter to avoid buckling. The branches are distributed to carry the roof loads in compression with minimal bending moments. The branches direct the forces into smaller resultant points and then transfer into the four tubular poles that acts as one. The advantage of using this Tree-like structure systems is that the distances between the loading points and the support system is minimized.
(Fig.4.2.4.4) Tree column supporting Folded Roof (Archdaily 2017)
(Fig.4.2.4.5)Force diagram to show load distribution
Structure | 84
Chapter IV
4.2 – Structure analysis 4.2.1 – Master plan Grid
Frames Flat slab Tree Columns Space truss
Master plan 1:600 level +0- +4m Structure | 85
Chapter IV
4.2 – Structure analysis 4.2.2 – Basement floor plan structure system
Frames Flat slab Tree Columns Space truss
Basement plan 1:600 level -2m Structure | 86
Chapter IV
4.2 – Structure analysis 4.2.3 – First floor plan structure system
Frames Flat slab Tree Columns Space truss
First floor plan 1:600 level +4m Structure | 87
Chapter IV
4.2 – Structure analysis 4.2.4 –Second floor plan structure system
Frames Flat slab Tree Columns Space truss
Second floor plan 1:600 level +6m Structure | 88
Chapter IV
4.2 – Structure analysis 4.2.5–Third floor plan structure system
Frames Flat slab Tree Columns Space truss
Third floor plan 1:600 level +8m Structure | 89
CHAPTER V Environmental
This chapter discusses the environmental strategies that was used in the project to decrease the energy used in the building using these techniques.
Chapter V
5.1 – Environmental strategies To sustain sources used in the modern life and for the future The main spin depends of venturi effect Library and spaces that needs daylight Prevailing wind Are located in the north
Building orientated To get maximum daylight in spaces needed and use prevailing wind in the main spin
Library
Wind from the nile
Nile
5.2- Environmental techniques 5.2.1 – Self Shading mass in southern façade For the south facing masses self shade crystal like form was used
Fig 5.2.1.1 Summer solstice
Winter solstice
Studies • Self shade is a passive tech • Used to block sunrays acts as a seasonal adjustment • In summer block the sun • In winter allow the sun to pass
Fig 5.2.1.2 After applying protrusion and depth on the masses located in the south
Winter sun altitude 35.16 azimuth 181.24
Summer sun altitude 82.02 azimuth 181.34
Environmental | 91
Chapter V
5.0 – Environmental strategies 5.2- Environmental techniques Calculations • Winter solstice dec 21st • Summer solstice jun 21st For mass with height 8m D= d/h*h= 0.6*8=4.8m depth P= p/h *h = 0.7*8 = 5.6m protrusion For mass with height 6m D= d/h*h= 0.6*6=3.6mdepth P= p/h *h = 0.7*6 = 4.2m protrusion
Fig 5.2.1.3 The Self shade mass in the southern elevation.
5.2.2 – Breathe brick Façade in the Southern façade • Environmental sustainable design solution: • Use of material as a building technology • Air brought into the space passing through the air filtering block and reduce the fossil Fuel energy
Fig 5.2.2.1 air filtration brick with Reinforcemnet .
Fig 5.2.2.2 The use of breathe Brick in the southern elevation.
Fig 5.2.2.4 air filtration brick Collecting air particles .
Environmental | 92
Chapter V
5.0 – Environmental strategies 5.2- Environmental techniques 5.2.2 – Breathe brick Façade in the Southern façade
Fig 5.2.2.3 The use of breathe Brick in the southern elevation with the reinforcement filtering the air in the southern facing facdes .
Fig 5.2.2.4 air filtration brick Elevation .
Hot air rises up And exist the building from the sky courts openings
South facing faade air entering the building Fig 5.2.2.5 air filtration brick DEATILED SECTION with the double skin façade
5.2.2 – Self Shading mass and breathe brick façade analysis Winter solstice
Summer solstice
Showing self shading mass with breathe brick façade
Environmental | 93
Chapter V
5.0– Environmental strategies 5.3- Screen kinetic Panels in the southern façade Mashrabia inspired pattern • Controlling internal temperature for the occupants . • Enhancing the idea of brining Rosetta back on the touristic map and making the users understand part of the heritage through the Elevation • Minimizing the heat gain as well as controlling the amount of daylight in the exhibition halls Summer solstice
Winter solstice
Kinetic façade
Environmental | 94
Chapter V
5.0– Environmental strategies 5.4 - Multi inclination roof FRP The pictures below show the Heat radiation on a flat roof And using the multi sloped roof with respect to north orientation and the prevailing wind also acts as wind mill for
How the facades are adapting with The solar gain and the roof
Increase in the quality of the interior spaces where the use Of AC is decreased by using a more environmental friendly technique
• Increase the air ventilation quality • By acting like a wind scoop allow prevailing wind in as well as the hot air exist from the ceiling Technical studies Fiber glass for the ceiling Acts as a light weight material Low cost High durability and strength
Cutting out greenhouse emissions
Fiber glass material
System ability to store the energy Material Gradient FRP as a material solution for Climate Adaptive Building Envelopes Towards smart building material technology "Building smarter with less means material optimization. (It means) that we are clever about how we use those materials; it means that we can build lighter. And lighter does not only mean less materials, like a smaller piece of wood but also lighter in forms of less transport, less weight and less impact on the environment. And these are just necessary paradigms for the future.“\
Environmental | 95
CHAPTER VI Sustainability
This chapter discuss the three pillars of sustainability social, environmental and economical and how they were covered through the project. Also measuring the building sustainability level.
Chapter VI
6.0– Sustainability.
ENVIRONMENTAL SUSTAINABILITY
SOCIAL SUSTAINABILITY
ECONOMIC SUSTAINABILITY
6.1. Economical sustainability : • Will be achieved through the project by using local labors increase productivity and development in workshops. • The use of kinetic Faade Masherbia and Breathe
Figure (6.1.1 ) Economic sustainability sketch increase development and productivity by using local labors
brick Facade that will help in the reduction of heat save
energy and thus increase the cost of saving. •
FRP (Fiber Reinforced Polymers,) System in the roofs ability to store the energy Gradient transport,
less
weight
and
less
Figure (6.1.2 ) high-tech responsive daylight systems. Institut du Monde Arabe / Enrique Jan + Jean Nouvel + Architecture-Studio
material less
impact
on
the
environment..
Figure (6.1.3) inspired use of FRP material in roofs SAMAN SAFFARIAN
6.2 Social sustainability: •
Common places outdoors and pedestrian path that are
defined and raise the targeted groups awareness Proximity
to
employment
areas
Workshops
to
introduce the forgotten crafts of Rosetta. • Exploratorium to allow the
people to explore about
Rosetta heritage as a technique for community involvement . • Cultural activities and historical heritage as a tool to achieve social sustainability. • Green design features good air quality inside the building • Use of sustainable materials and adaption with the
Figure (6.2.4) Diagram showing how social sustainability increase awareness communication and job opportunities through the project
environment Sustainability | 97
Chapter VI
6.0– Sustainability. 6.3 Environmental suitability • Breathe Brick in the faade : Use of material as a building technology Air brought into the space passing through the air filtering block and reduce the fossil Fuel energy Reduce waste recycling environmental foot print Figure (6.3.1) Showing breathe brick in some parts of the façade
• Self shading mass For the south facing masses self shade crystal like form that allow more opening in the southern faade and allow winter sun and resist's Summer's Sun save energy.
Figure (6.3.2) Showing the low winter sun and how it's allowed
Figure 6.3.3.) Showing the high summer sun and how the self shading mass resist it
• kinetic Faade Masherbia controls the heat within the building by allowing a certain amount of daylight also helps within the halls since they don't need light all the time using renewable energy.
• Integration between the building's landscape and the spatial masses gives a sense unity for
Figure (6.3.4) Showing the high summer sun and how the self shading mass resist it inspired from institute Arab de monde by jean nouvel. North direction
Prevailing wind
the project
Figure (6.3.5)) Showing the masses orientation
•
the orientation of the masses. With
the
prevailing wind and the north direction and inclination FRP roof save energy. Figure (6.3.6) Showing the integration between outdoor and masses
Sustainability | 98
CHAPTER VII Bibliography
Chapter VII
7- LIST OF REFERENCES History and current conditions Davidson, M. (2011). Stock Photo - , Abu Mandur mosque. Retrieved 2 December 2019, from https://www.alamy.com/stock-photo-replica-of-the-rosetta-stone-atfort- rosetta-formerly-known-as-fort-32583276.html Mustafa, W. (2017). Rosetta Cornish. Retrieved 2 December 2019, from https://upload.wikimedia.org/wikipedia/commons/9/9f/Rashid_For_Wiki-46.jpg Anani, I. (1993). Rashid's book in history describes a study in history, archeology and Ministry of Culture - Egyptian Antiquities Authority.
tourism. Cairo:
Urban analysis Eaea.gov.eg. (2019). http://www.eaea.gov.eg/statisticsdetal.php?id=135 Google earth (2019) https://earth.google.com/web/@31.41639505,30.39105847,5.68492824a,216 08.16956796d,35y,360h,0t,0r
Problem and project selection Centre, U. (2019). Historic quarters and monuments of Rosetta/Rachid - UNESCO World Heritage Centre. Retrieved 1 December 2019, from https://whc.unesco.org/en/tentativelists/1831/ déco, C., & aime, C. (2019). Pinterest : les photos déco les plus épinglées en avril 2015. Retrieved 1 December 2019, from https://www.cotemaison.fr/onaime/diaporama/pinterest-lesphotos-deco-les-plus-epinglees-en-avril2015_24554.html Department of the Environment and Energy. (2019). Retrieved 1 December 2019, from https://www.environment.gov.au/heritage/about/world/world-heritage-criteria Dunn, E. (2019). Stunning Glass Facade Building and Architecture Concept 41 Rockindeco. Retrieved 1 December 2019, from https://rockindeco.com/5646/stunning-glassfacade-building-architectureconcept/stunning-glass-facade-building-and-architecture-concept41/ Madkour, M. (2018). Architectural Environmental Compatibility as an Approach to Conserve the Identity of Heritage Cities in Egypt Case Study: Rosetta City. International Journal of Environmental Science & Sustainable Development, 2(2).
References | 100
Chapter VII
Program Analysis And Guidelines Defining and describing “Museum Exhibition Design� (2015)
o
o https://museumplanner.org/museum-exhibition-design-2/ Museum Audience Research / Museum Visitor (2015)
o
o https://museumplanner.org/category/museum-exhibitions/exhibition-design/. The famous architect Rem Koolhaas presents a critique of contemporary urbanism and
o
city building (2018) o https://garagemca.org/en/publishing/rem-koolhaas-junkspace Target Audience Eleanor Mills (2016)
o
o https://www.museumsassociation.org/museums-journal/museums-journal-blog/06052016-targetaudience Neufert, Exhibition & Museums (2019)
o
o https://archive.org/details/Architectural_Standard_Ernst_Peter_Neufert_Architects_Data James Simon. The Art of Giving Well (2019)
o
o https://www.smb.museum/en/museums-institutions/james-simon-galerie/home.html Anon, (n.d.). [online] Available at:
o
https://www.academia.edu/21246356/Ernst_Neufert_ARCHITECTS_DATA. Neufert, E. and Jones, V. (1994). Neufert architects' data: second
o
(international) english edition. Oxford: BSP Professional books. Anon, (n.d.). [online] Available at:
o
https://www.academia.edu/35938844/_Pamela_Buxton_Metric_Handbook_Planning_and_Desi_bok.org.
References | 101
Chapter VII
Chapter 2 : Design approach o Karen Cilento. "Al Bahar Towers Responsive Facade / Aedas" 05 Sep 2012. ArchDaily. Accessed 5 Jan 2020. <https://www.archdaily.com/270592/al-bahar-towers-responsive-
facade-aedas/> ISSN 0719-8884 o Angiletti Design Studio (n.d) (online) retrieved from https://www.angiletti.com/ o JOHN STOUGHTON 2017, retrieved from TECTONIC Harmoic journal o Madmuseum (N.D) retrieved from: https://madmuseum.org/sites/default/files/static/ed/The%20Art%20of%20Scent%20TRP_ 0.pdf o A. A. Zhunin, 2017 INNOVATIVE TECHNOLOGY OF INSTALLATION OF HINGED VENTILATED FACADES FOR CIVIL CONSTRUCTION (981-989) o "The Edge / PLP Architecture" 22 Apr 2016. ArchDaily. Accessed 20 Jun 2020. <https://www.archdaily.com/785967/the-edge-plp-architecture/> ISSN 0719-8884 o Kritiana Ross. "MoMA CHENGDU / Wande Wenmai Internaional" 01 Feb 2012. ArchDaily. Accessed 20 Jun 2020. <https://www.archdaily.com/199671/moma-chengdu-studioramoprimo/> ISSN 0719-8884 o "Valletta City Gate / Renzo Piano Building Workshop " 20 May 2015. ArchDaily. Accessed 20 Jun 2020. <https://www.archdaily.com/632066/valletta-city-gate-renzo-piano/> ISSN 0719-8884 o Thomas Schielke. "Light Matters: Mashrabiyas - Translating Tradition into Dynamic Facades" 29 May 2014. ArchDaily. Accessed 20 Jun 2020. <https://www.archdaily.com/510226/light-matters-mashrabiyas-translating-traditioninto-dynamic-facades/> ISSN 0719-8884
o Angiletti Design Studio (n.d) (online) retrieved from https://www.angiletti.com/ o JOHN STOUGHTON 2017, retrieved from TECTONIC Harmoic journal o Madmuseum (N.D) retrieved from: https://madmuseum.org/sites/default/files/static/ed/The%20Art%20of%20Scent%20TRP_ 0.pdf o A. A. Zhunin, 2017 INNOVATIVE TECHNOLOGY OF INSTALLATION OF HINGED VENTILATED FACADES FOR CIVIL CONSTRUCTION (981-989) o "The Edge / PLP Architecture" 22 Apr 2016. ArchDaily. Accessed 20 Jun 2020. <https://www.archdaily.com/785967/the-edge-plp-architecture/> ISSN 0719-8884
o Kritiana Ross. "MoMA CHENGDU / Wande Wenmai Internaional" ) 01 Feb 2012. ArchDaily. Accessed 20 Jun 2020. <https://www.archdaily.com/199671/moma-chengdu-studioramoprimo/> ISSN 0719-8884 o
References | 102
Chapter VII
Chapter 3 : Construction o THE ATELIER: BIOME ENVIRONMENTAL SOLUTIONS. https://thinkmatter.in/2016/11/24/theatelier/detail-2-tree-structure-1/
o "Valletta City Gate / Renzo Piano Building Workshop " 20 May 2015. ArchDaily. Accessed 20 Jun 2020. <https://www.archdaily.com/632066/valletta-city-gate-renzo-piano/> ISSN 0719-8884 o Thomas Schielke. "Light Matters: Mashrabiyas - Translating Tradition into Dynamic Facades" 29 May 2014. ArchDaily. Accessed 20 Jun 2020. <https://www.archdaily.com/510226/light-mattersmashrabiyas-translating-tradition-into-dynamic-facades/> ISSN 0719-8884 Karen Cilento. "Al Bahar Towers Responsive Facade / Aedas" 05 Sep 2012. ArchDaily. Accessed 5 Jan 2020. <https://www.archdaily.com/270592/al-bahar-towersresponsive-facade-aedas/> ISSN 0719-8884 Angiletti Design Studio (n.d) (online) retrieved from https://www.angiletti.com/ JOHN STOUGHTON 2017, retrieved from TECTONIC Harmoic journal Madmuseum (N.D) retrieved from: https://madmuseum.org/sites/default/files/static/ed/The%20Art%20of%20Scent%20TRP_ 0.pdf A. A. Zhunin, 2017 INNOVATIVE TECHNOLOGY OF INSTALLATION OF HINGED VENTILATED FACADES FOR CIVIL CONSTRUCTION (981-989) Institut Du Monde Arabe Facade Detail https://ojmm.wordpress.com/architecture/shelter-construction-details/institut-du-monde-arabe_page_5/ Tim Winstanley. "AD Classics: Institut du Monde Arabe / Enrique Jan + Jean Nouvel + Architecture-Studio" 02 Oct 2011. ArchDaily. Accessed 29 Jun 2020. <https://www.archdaily.com/162101/ad-classics-institut-dumonde-arabe-jean-nouvel/> ISSN 0719-8884
Christopher Henry. "In Progress: Sky Courts / Hรถweler + Yoon Architecture" 30 Jun 2011. ArchDaily. Accessed 29 Jun 2020. <https://www.archdaily.com/146940/in-progress-sky-courts-howeler-yoonarchitecture/> ISSN 0719-8884
Chapter 5 : Environmental Shady Shawky Saifelnasr 2019 IOP Conf. Ser.: Earth Environ. Sci. 329 012050 https://www.researchgate.net/publication/336443983_Design_of_a_SelfShading_Mass_as_a_Function_of_the_Latitude_for_Automatic_Seasonal_Adjustment Breathe Brick With its patent-pending product, Both Landscape and Architecture believes buildings can inherently improve indoor air quality worldwide. ) By COURTNEY HUMPHRIES
References | 103
Chapter VII
Chapter 6: sustainability
Tawab, A. A. (2019). The Assessment of Historic Townsâ&#x20AC;&#x2122; Outstanding Universal Value Based on the Interchange of Human Values They Exhibit. Heritage, 2(3), 1874-1891. Woodcraft Folk. (2019). Retrieved 8 December 2019, from https://woodcraft.org.uk/resources/group-sustainability-growth. The Watershed Institute. (2019). Retrieved 8 December 2019, from https://thewatershed.org/ Grand Rapids Art Museum. (2019). Retrieved 8 December 2019, from http://www.artmuseumgr.org/ Grand Rapids Art Museum: LEED Gold Certified / wHY Architecture. (2019). Retrieved 8 December 2019, from https://www.archdaily.com/284/grand-rapids-art-museum-leed-gold-certifiedwhy-architecture/ American University in Cairo. (2019). Retrieved 8 December 2019, from https://www.aucegypt.edu/ The Watershed Institute. (2019). Retrieved 8 December 2019, from https://thewatershed.org/ Leed | Tag | ArchDaily. (2019). Retrieved 8 December 2019, from https://www.archdaily.com/tag/leed
)
References | 104
CHAPTER VIII List of figures
Chapter VIII
Chapter 1: History and Current Conditions o Figure 1.1.1 Abu Mandur Mosque, Google image, illustrated by Author 2019. o Figure 1.1.2 El-Cornish street at rosetta, google image, illustrated by Author 2019. o Figure 1.1.3. Rosetta's Location, Google Image, illustrated by Author 2019. o Figure 1.2.1 Rosetta's Historical Timeline (Authors, 2019). o Figure 1.3.1 scripts of Mesopotamian civilization, google image o Figure 1.3.2 Ptolemaic Era.(MOA, n.d.) o Figure 1.3.3 Islamic Era (MOA, n.d.) o Figure 1.3.4 Mamluk Era (MOA, n.d.) o Figure 1.3.5 Ottoman Era, Sophia, turks in palestine by alexander aaronsohn. o Figure 1.3.6 French Campaign , napoleon's campaign.jefer o Figure 1.3.7 British Conquest , Frezer campaign by anntonio. o Figure,1.41 Rosetta Stone, clip art o Figure 1.4.2 Abu Shahin Mill Plan, MOA n,d o Figure 1.4.3 Azzouz Bathhouse,by Author 2019 o Figure,1.5.1Al-Mahali Mosque ,by Author 2019 o Figure,1.5.2 Al-Abbasi Mosques , warehouse o Figure 1.5.3 Domaqsis Mosque , by Author, 2019 o Figure,1.6.1 Arab Killy House, by Author 2019 o Figure 1.6.2 Al Baqraqali House, By Author, 2019 o Figure 1.6.3 Al-amasyali House , By Author, 2019
o Figure 1.7.1 Rosetta's Heritage Houses, Authors, 2019
References | 106
Chapter VIII
Chapter 1: Urban Analysis o Figure 2.1.1.1 Land use base map, Authors, 2019) o Figure 2.1.1.2 educational building , Authors, 2019) o Figure 2.1.1.3 residential buildings , Authors, 2019) o Figure 2.1.1.4 6 Industrial building , Authors, 2019) o Figure 2.1.2.1 Building heights base map, Authors, 2019) o Figure 2.1.2.2 4 levels height, Authors, 2019) o Figure 2.1.2.3 5 levels height, Authors, 2019) o Figure 2.1.2.4 6 levels height and above , Authors, 2019) o Figure 2.1.3.1 Building conditions base map, Authors, 2019) o Figure 2.1.3.2 Damaged Condition , Authors, 2019) o Figure 2.1.3.3 Poor Condition , Authors, 2019) o Figure 2.1.3.4 Good Condition , Authors, 2019) o Figure 2.1.4.1 Streets base map, (Authors, 2019) o Figure 2.1.4.2 Local street , (Authors, 2019) o Figure 2.1.4.3 Minor street , (Authors, 2019) o Figure 2.1.4.4 Major street , (Authors, 2019) o Figure 2.1.5.1 Solid and void base map, (Authors, 2019) o Figure 2.1.5.2 solid and void , (Authors, 2019) o Figure 2.1.7.1 Heritage sites base map, (Authors, 2019) o Fig. 2.2.1 ( Rosetta 2014, Nadaoka 2015 )
o Figure 2.3.1.1 main road Heritage sites base map, (illustrated by Authors, 2019) o Figure 2.3.1.2 Skyline elevation of historical buildings , (Authors, 2019) o Figure 2.3.2.1 elevation sketch , (Authors, 2019) o Figure 2.3.2.2 elevation sketch , (Authors, 2019) o Figure 2.3.2.3 elevation sketch , (Authors, 2019) o Figure 2.3.2.4 elevation, (Authors, 2019) o Figure 2.3.2.5 elevation, (Authors, 2019) o Figure 2.3.2.6 elevation, (Authors, 2019) o Figure 2.3.2.7 elevation, (Authors, 2019)
o Figure 2.3.2.8 elevation, (Authors, 2019) o Figure 2.3.2.9 elevation, (Authors, 2019) o Figure 2.5.1 Mobility illustration , (Authors, 2019)
References | 107
Chapter VIII
Chapter 1 Problem and Project Selection o Figure 3.2.1. Interviewee A, A'am Hassan, (Authors, 2019) o Figure 3.2.2. Interviewee B, Samir, (Authors, 2019) o Figure 3.2.3. Interviewee C, Ayman, (Authors, 2019) o Figure 3.4.1. Deteriorated Heritage Buildings, Authors, 2019) o Figure 3.4.2. Historical Mosques transformed to Commercial Markets, Authors, 2019) o Figure 3.4.3. Flooded Historical Mosque, Authors, 2019) o Figure 3.6.1. Project Short-term and Long-term Vision, Authors, 2019) o Figure 3.6.2. Project Objectives, Authors, 2019)
Chapter1 : Site Selection o Figure (4.1.1), Selection criteria diagram,(Authors,2019). o Figure (4.2.1), Selected Sites,(Authors,2019).
o Figure (4.2.2), Site 1, Google Earth, (2019) Illustrated by Authors, 2019). o Figure (4.2.3), Site 2, Google Earth, (2019) Illustrated by Authors, 2019). o Figure (4.2.4), Site 3, Google Earth, (2019) Illustrated by Authors, 2019). o Figure (4.2.4), Site 3, Google Earth, (2019) Illustrated by Authors, 2019). o Figure (4.2.1.1), Site 1 Location ,(Authors,2019). o Figure (4.2.1.2), Site 1 collage ,(Authors,2019).
References | 108
Chapter VIII
Chapter 1 : Site Selection o Figure (4.1.1), Selection criteria diagram,(Authors,2019). o Figure (4.2.1), Selected Sites,(Authors,2019). o Figure (4.2.2), Site 1, Google Earth, (2019) Illustrated by Authors, 2019). o Figure (4.2.3), Site 2, Google Earth, (2019) Illustrated by Authors, 2019). o Figure (4.2.4), Site 3, Google Earth, (2019) Illustrated by Authors, 2019). o Figure (4.2.4), Site 3, Google Earth, (2019) Illustrated by Authors, 2019). o Figure (4.2.1.1), Site 2 Location,(Authors,2019).
o Figure (4.2.1.2), Site 2 collage ,(Authors,2019). o Figure (4.2.1.1.1), Site 2 Land-use,(Authors,2019). o Figure (4.2.1.1.2), Site 2 Land-use diagram,(Authors,2019). o Figure (4.2.1.1.3), Site 2 Land-use pictures,(Authors,2019). o Figure (4.2.1.2.1), Site 2 Building Heights ,(Authors,2019). o Figure (4.2.1.2.2), Site 2 Building Heights diagram,(Authors,2019). o Figure (4.2.1.2.3), Site 2 Building Heights pictures,(Authors,2019). o Figure (4.2.1.3.1), Site 2 Accessibility& Road hierarchy,(Authors,2019). o Figure (4.2.1.3.2), Site 2 Accessibility &road hierarchy pictures,(Authors,2019).
o Figure (4.2.1.4.1), Site 2 Building Condition ,(Authors,2019). o Figure (4.2.1.4.2), Site 2 Building Condition diagram,(Authors,2019). o Figure (4.2.1.4.3), Site 2 Building Conditions pictures,(Authors,2019). o Figure (4.2.1.5.1), Site 2 Solid and void ,(Authors,209). o Figure (4.2.1.5.1), Site 1 Solid and void ,(Authors,2019). o Figure (4.2.1.5.2), Site 1 solid and void diagram,(Authors,2019). o Figure (4.2.1.5.2), Site 2 solid and void diagram,(Authors,2019). o Figure (4.2.1.6.1), swot analysis diagram,(Authors,2019). o Figure (4.3.1), Site 1, Google Earth, (2019) Illustrated by Authors, 2019).
o Figure (4.3.2), Site 2, Google Earth, (2019) Illustrated by Authors, 2019)
References | 109
Chapter VIII
Chapter 1 : Space Program & Standards o Figure 7.1.1 Real footages of the zones (libguides, 2016) o Figure 7.1.2 Real footages of the zones (libguides, 2018) o Figure 7.1.3 Real footages of the zones (lexpoonline, 2015) o Figure 7.1.4Real footages of the zones (libguides, 2016) o Figure 7.1.5 Bubble Zoning illustrated by authors (authors, 2019) o Figure 7.1.2.1 Function Zoning illustrated by authors (authors, 2019) o Figure 7.2.1 Illustration of interactive exhibition (metmuseum,2019). o Figure 7.2.2 Tour guide with visitors. (museumfacts , 2019). o Figure 7.2.3 Direction Signs (VectorStock, 2019) o Table 7.1.2.1 Inspired from Rem Koolhaas's design program (2019)
o Table 7.3.1 Inspired from David Chipperfield's museum & Neufert's Book (2019) o Table 7.3.2 Inspired from David Chipperfield's museum & Neufert's Book (2019) o Table 7.3.3 Inspired from David Chipperfield's museum & Neufert's Book (2019) o Figure7.4.1.1.1 Functional scheme (Buxton,2015 ) (Kister,2012) o Figure 7.4.1.2.1 Functional scheme (Buxton,2015 ) (Kister,2012) o Figure 7.4.1.2.2 Three modes of expansion: a Block addition; b Extension; c New building (Buxton,2015 ) o Figure 7.4.1.3.1 A Possible Layout For A Small Exploratorium (Buxton,2015 ) o Figure 7.4.1.3.2 A Possible Layout For A Small Exploratorium (Buxton,2015 )
o Figure 7.4.2.1 A Possible Layout Diagram For A Small Museum (Buxton,2015 ) o Figure 7.4.2.2 Flow Diagram Of Collection Item Movements In The Operation Of Collection Services: Exhibitions, Conservation And Collections Management (Buxton,2015 ) o Figure 7.4.2.3 Two Basic Massing Concepts That Allow Public Areas To Reorganized On One Level (Buxton,2015 ) o Figure 7.4.2.4 A Layout Concept Showing A Clear Relationship Between Museum Functions And An Approach To Zoning And Expansion (Neufert,n.D) o Figure 7.4.2.4 A Layout Concept Showing A Clear Relationship Between Museum Functions And An Approach To Zoning And Expansion (Neufert,n.D)
o Figure 7.4.2.1.1 Method Of Layout In Open-access Storage Areas (Buxton,2015 ) o Figure 7.4.2.2.1 Exhibition arrangement (Neufert,n.D) o Figure 7.4.2.2.2Exhibition components (Neufert,n.D) o Figure 7.4.3.1. Seat Dimensions , (Neufert, n.D) o Figure 7.4.3.2 Vision Lines of Auditorium, (Neufert, n.D) o Figure 7.4.3.3 Section Of Auditorium , (Neufert, n.D)
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Chapter VIII
Chapter 2 : Design approach
o Figure 2..1 .1 How the building is sustainable (The Edge / PLP Architecture, 2015) o Figure 2.1 .2 taking advantage from the existing situation of the surroundings of the heritage .( MoMA CHENGDU / Wande Wenmai Internaional Design proposal. 2008) o Figure 2.1.3 project was to reinstate the ramparts' original feeling of depth and strength and to reinforce the narrowness of the entrance to the city, (Valletta City Gate / Renzo Piano Building Workshop, 2015) o Figure 2.2.1) showing some of the historical heritage in Rosetta that was once declared a world heritage site with them. o (Author, 2020) o Figure (2.3.1.1.11.)showing connection between historical monuments in Rosetta o (Author, 2020 ) Map Source: Rosetta monuments o Figure (2.3.1.1.2abstract of the net connecting the historical monument (Author 2020 o Figure (2.3.1.1.3.) Winner of the Building to Building Pedestrian Bridge Challenge / sanzpont o (Archdaily 2020) o Figure (2.3.1.1.4.)project programs connected using the net o (Author 2020) o Figure (2.3.1.1.5 )hologram along the bridges from inside o That shows the story of the heritage o (Author 2020) o Figure (2.3.1.1.6.) intersecting point showing era simulation (author 2020 o Figure (2.3.1.1.7) interactive screens at national park welten (Archdaily o Figure (2.3.1.1.8.) 360 panorama at National park (archdaily) o Figure ((2.3.1.1.9) national park welten for elevation inspiration archdaily) o Figure (2.3.1.2.1.) achieving tranquility of movement on all aspects of the building (author 2020) o Figure (2.3.1.2.2.) entering from narrow to bigger with feeling of o Tranquility (Author 2020) o Figure (2.3.1..2.3.) connection between the existing sources to form tranquility (Author 2020 o Figure (2.3.1.2.4).form development with achieving tranquility of movement on all the project aspects (author) o Figure (2.3.1.2.5.) WELLNESS CENTER an eco-friendly tranquility center (Dezeen 2017) ) o Figure (2.3.1.2.6tranquility in the indoor and outdoor spaces Deezen,2017) o Figure (2.3.1.3.2) from overlaying of the solid and void of the context and the climatic analysis (author, 2020) o Figure (2.3.1.3.1from overlaying of the solid and void of the context and the climatic analysis and adaption (author) References | 111
Chapter VIII
Chapter 2 : Design approach Figure (2.3.1.3.1) form extrude (author) Figure 2.3.1.3.2.) program addition (author) Figure 2.3.1.3.3) form development (author Figure (2.3.1.3.4 ) section inspiration as the site is closer to the Nile river will help with the gaps to create better air circulation. (author) Figure (2.3.1.3.5.) elevation development adapting with the prevailing wind and inspired from the urban fabric also (author) Figure (2.4.1.1) Project bubble diagram (Author 2020) Figure (2.4.1.2) Collage of the historical houses which inspired the concept with the historical timeline (Author 2020) Figure (2.4.1.3) How the movement and tranquility was applied In some of the historical houses in some of the spatial Parts Figure (2.4.1.4) 'Building is more than just the composition and form it's the materials and deepest connections Figure (2.4.1.5) how movement and tranquility was applied in the Islamic architecture analysis (author 2020) Figure (2.5.1.1) Project concept development (Author 2020)
o o o o o
o o o o o o o
Chapter 3 : Construction o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o
Fig 3.1.1 Showing some of El mashrabia that has been used in the Islamic heritage (Prof N.HeikalN.D) Fig 3.1.2 Some of the pattern that was used. Fig 3.1.3 Showing Kinetic façade used in eastern elevation Fig 3.1.14 Steel From inspiration to support the panels (Jean nouvella institute de monde de arab) Fig 3.1.15 Showing some Detail of kinetic Mashrabia Fig 3.1.16 Steel From inspiration to support the panels (Jean nouvella institute de monde de arab) Fig 3.1.157 Showing light inside the space how it’s controlled Fig 3.1.84 the kinetic panels (layers Jean nouvella institute de monde de arab) Fig 3.1..10 Sketches inspiration for the connection on the elvation Fig 3.1..9 Wall section showing the kinetic panels east elevation Fig 3..2.1 Key plan Fig 3..2.2 movable wall detailed section Fig 3..2. 3 Different partitions Variations inside the halls Fig 3..2. 4 Interior shot from the project showing the movable Partitions Fig 3..3.1 Key plan showing the interior walls where the GRC panels where used along the inner spines of the project Fig 3.3.2 GRC panels with steel frames Connections Fig 3.3.3 GRC panels used in the project Fig 3.3.4 GRC panels Connections with concrete column Fig 3.3.5 GRC Details Fig 3.3.6 GRC panels Connections with concrete column Fig 3.3.6 GRC panels Shots Fig 3.3..7 GRC Wall section connection for the GRC Along the spine facing walls Fig 3.4.2 Breathe brick façade detail section Fig 3.4.2 Breathe brick façade wall section self shade mass in southern façade ) Fig 3.5..1 Kaleidoscopic window inspiration Zeits museum Fig 3.5.2 Kaleidoscopic window details Fig 3.5..3 Kaleidoscopic window inspiration Zeits museum Fig 3.5..3 Kaleidoscopic window inspiration Glowing at night Fig 3.5..4 Key section References | 112
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Chapter 4: structure o o o o o o o o
Fig.4.2.1.1 ) Space truss (Fig.4.2.2.1 ) Frames different shapes and it’s rigid Point joint Fig.4.2.3.1 ) Flat slab (Fig.4.2.4.1 ) how tree columns can branch (W. Zalewski 2009) (Fig.4.2.4.3) point of load position changing. T. Fourcaud 2004) (Fig.4.2.4.4) Tree column supporting Folded Roof (Archdaily 2017) (Fig.4.2.4.5)Force diagram to show load distribution
Chapter 5 : Environmental o o o o o o o o o o o o
Fig 5.2.1.1 Summer solstice Fig 5.2.1.2 After applying protrusion and depth on the masses located in the south Fig 5.2.2.1 air filtration brick with Reinforcemnet . Fig 5.2.2.2 The use of breathe Brick in the southern elevation Fig 5.2.2.4 air filtration brick Collecting air particles . Fig 5.2.2.4 air filtration brick Elevation . Fig 5.2.2.5 air filtration brick DEATILED SECTION with the double skin façade Fig 5.4.1 Increase in the quality of the interior spaces where the use Of AC is decreased by using a more environmental friendly technique
o Fig 5.4.2 Fiber glass material
Chapter 6 : Sustainability o Figure (6.1.1 ) Economic sustainability sketch increase development and productivity by using local labors o Figure (6.1.2 ) high-tech responsive daylight systems. Institut du Monde Arabe / Enrique Jan + Jean Nouvel + Architecture-Studio o Figure (6.1.3) inspired use of FRP material in roofs SAMAN SAFFARIAN
o Figure (6.2.4) Diagram showing how social sustainability increase awareness communication and job opportunities through the project Figure (6.3.1) Showing breathe brick in some parts of the façade Figure 6.3.3.) Showing the high summer sun and how the self shading mass resist it Figure (6.3.2) Showing the low winter sun and how it's allowed Figure (6.3.4) Showing the high summer sun and how the self shading mass resist it inspired from institute Arab de monde by jean nouvel. o Figure (6.3.5)) Showing the masses orientation o Figure (6.3.6) Showing the integration between outdoor and masses ) o o o o o
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