FALSTAFF
GIUSEPPE
VERDI
MASQUE OF MIGHT
HENRY PURCELL LA RONDINE
GIACOMO PUCCINI
ALBERT HERRING
BENJAMIN BRITTEN
COSÌ FAN TUTTE
WOLFGANG AMADEUS MOZART
CAVALLERIA RUSTICANA
PIETRO MASCAGNI
ALEKO
SERGEI RACHMANINOV
WELCOME
RICHARD MANTLE General Director/CEOCreating a broad range of extraordinary musical and dramatic experiences presented to the highest possible standards is at the heart of what we do at Opera North. We are also a Company which constantly innovates and evolves in response to a changing world. No challenge is more urgent for us all than the climate crisis, and we are committed to the positive change that we – along with all our colleagues in the music and theatre sectors – must make in order to reduce our environmental impact and run our operation more sustainably.
We have already taken some important steps along this road, such as our sustainable main stage production of Handel’s Alcina in 2022. This autumn, we embark on an ambitious and progressive programme guided by the Theatre Green Book, an industry-wide initiative to facilitate sustainable ways of working across productions, buildings and operations.
Our Green Season consists of three new productions which use shared scenic elements to create three interlinked yet distinctive designs, enabling us to reduce our use of materials and in turn our carbon footprint. All sets, props and costumes in the season are sourced from previous productions or purchased secondhand. In addition, we have introduced more matinee performances to make it easier for our audiences to travel on public transport.
Our creative teams have embraced these challenges with imagination and invention, and I am confident that the resulting productions will bear all the hallmarks of excellence and innovation audiences expect from Opera North. Typical of the spirit of the season is Masque of Might, a new piece created by one of the world’s most eminent opera directors, Sir David Pountney. This recycles music by one of the greatest English theatre composers, Henry Purcell, and reimagines the 17th-century form of the
the masque with modern technology to create a biting yet humorous contemporary satire, billed as an ‘eco-entertainment’.
‘Life is a burst of laughter’. So begins the fugue that ends Verdi’s Falstaff. Life might not have felt much like a burst of laughter during the past few years, but perhaps that is all the more reason to thread three of the greatest of operatic comedies through the season: a new production of Falstaff, and revivals of Britten’s Albert Herring and Mozart’s Così fan tutte. All three are supremely entertaining masterpieces, yet truthful in their portrayal of human folly, which only makes them all the more profound.
We can also enjoy the lighter side of Puccini in a new production of his beautiful romantic opera La rondine, which many of us consider to be among his finest achievements; and there is full-blooded drama in an intriguing double bill which brings together two products
of youthful genius – Mascagni’s Cavalleria rusticana and Rachmaninov’s Aleko.
We’ll be joined throughout the year by guest artists with whom we have long-standing relationships, as well as newcomers to Opera North. Our Music Director Garry Walker conducts both Falstaff and Albert Herring, with Principal Guest Conductor Antony Hermus taking up the baton for the double bill. We’ll benefit from Harry Bicket’s renowned expertise in baroque repertoire in Masque of Might, and we’re excited to welcome a new generation of conductors to the Company, with Kerem Hasan (La rondine), and Clemens Schuldt and Chloe Rooke (Così fan tutte) joining us for the first time.
Elsewhere in this brochure you’ll find information about our season ticket packages which are designed to make your opera-going as convenient and affordable as possible. I do hope you will be able to join us often in the year ahead.
Music Giuseppe Verdi
Libretto Arrigo Boito
First performance Milan, 1893
FALSTAFF
With mountainous debts piling up, Sir John Falstaff resolves to relieve himself of financial embarrassment by seducing two wealthy wives of Windsor. But these powerful women are wise to the ways of men and so, after plots and counterplots, disguises, deception and confusion – not to mention a dunking in the Thames – Falstaff gets his comeuppance.
After a career in which he had composed some of opera’s greatest tragedies, Verdi turned to Shakespeare’s great comic rogue as inspiration for his final masterpiece. Director Jo Davies (Carousel, The Marriage of Figaro, Kiss Me, Kate) serves up a rich feast of an opera, fully worthy of the abundant personality of its hero.
Sung in English with English titles
Lasts approximately 2 hours 20 minutes
Cast includes:
Falstaff Henry Waddington
Meg Page Helen Évora
Nannetta Isabelle Peters
Fenton Egor Zhuravskii
Ford Richard Burkhard
Mistress Quickly Tichina Vaughn
Dr Caius Paul Nilon
Bardolph Colin Judson
Pistol Dean Robinson
Conductor Garry Walker
Director Jo Davies
Set Designer Leslie Travers
Costume Designer Gabrielle Dalton
Lighting Designer Paule Constable
Associate Lighting Designer Ben Pickersgill
Supported by the Falstaff Circle
AN ECO-ENTERTAINMENT
MASQUE OF MIGHT
Henry Purcell is arguably England’s finest composer of music for the stage before Benjamin Britten, yet he wrote only one opera, Dido and Aeneas. Immortal masterpiece though that undoubtedly is, much of Purcell’s greatest dramatic music is to be found in the ‘semi-operas’, masques and other entertainments that were popular in his time, such as The Fairy Queen.
Taking inspiration from the masque – the 17th-century equivalent of a variety show in its mix of song, dance and spectacle – Sir David Pountney has skilfully assembled a thoroughly modern entertainment that showcases some of Purcell’s best music written for – but now rarely heard in – the theatre. Drawing largely on the original texts set to music by Purcell, this witty, incisive and fantastical work addresses urgently topical themes – the abuses of a powerful political leader and the gathering climate crisis.
Music Henry Purcell
Libretto Adapted and assembled by Sir David Pountney
First performance Leeds, 2023
Sung in English with English titles
Lasts approximately 2 hours 30 minutes
Cast includes:
Nebulous / Activist / Wolf Andri Björn Róbertsson
Elena / Witch Anna Dennis
Tousel Blond / Fox James Laing
Strumpet Ginger Patrick Terry
Diktat Callum Thorpe
Scrofulous / Toady / Seer / Saul Xavier Hetherington
Sceptic / Samuel Matthew Brook
Conductor Harry Bicket
Director Sir David Pountney
Set Designer Leslie Travers
Costume Designer Marie-Jeanne Lecca
Lighting Designer Paule Constable
Video Designer David Haneke
Choreographer Denni Sayers
Associate Lighting Designer Ben Pickersgill
Supported by the Friends of Opera North
LA RONDINE
Set in Paris and on the Riviera, La rondine contrasts two bitter-sweet tales of love. Magda is the mistress of a rich banker, but she falls for the young, ardent Ruggero. Believing that she can, at last, live her dream of true love, Magda runs away with Ruggero to the South. Meanwhile, her maid Lisette takes up with the poet Prunier, who tries to put her on the stage. Can their relationship survive this disaster? And will Magda’s past stand between her and happiness?
James Hurley’s new production of this captivatingly beautiful opera transports us from the popular nightspots of 1930s Paris to the sun-drenched Mediterranean. Puccini’s music is as lush and tuneful as anything in La Bohème, Tosca or Madama Butterfly, with the much-loved ‘Che il bel sogno di Doretta’ among the highlights.
Music Giacomo Puccini
Libretto Giuseppe Adami
First performance Monte Carlo, 1917
Sung in Italian with English titles
Lasts approximately 2 hours
Cast includes:
Magda Galina Averina
Lisette Claire Lees
Ruggero Sébastien Guèze
Prunier Elgan Ll ŷr Thomas
Conductor Kerem Hasan
Director James Hurley
Set Designer Leslie Travers
Costume Designer Gabrielle Dalton
Lighting Designer Paule Constable
Associate Lighting Designer Ben Pickersgill
Music Benjamin Britten
Libretto Eric Crozier
First performance Glyndebourne, 1947
ALBERT HERRING
May Day is looming, and the small town of Loxford is in chaos. All the potential May Queens are deemed morally unsuitable. Desperate, the locals decide a May King will have to do instead. They choose the blameless
Albert Herring, from the greengrocers. He isn’t keen, but stuck firmly under his mother’s thumb, he’ll do what he is told. However, after one rum-laced lemonade at the May Day ceremony, Albert disappears, and even greater chaos ensues.
Sung in English
Lasts approximately 2 hours 45 minutes
The opera’s librettist Eric Crozier took a story by Maupassant and transformed it into a quintessentially English comedy. Britten’s music characterises the town’s inhabitants with a biting satirical wit – but there’s a touch of affection, too, for a vanished way of life. The intimacy of the Howard Assembly Room is the perfect environment for Giles Havergal’s delightfully immersive production.
Cast includes:
Dame Josephine Barstow, Katie Bray, William Dazeley, Amy Freston, Richard Mosley-Evans, Claire Pascoe, Dominic Sedgwick, Heather Shipp
Conductor Garry Walker
Director Giles Havergal
Associate Director Elaine Tyler-Hall
Set and Costume Designer Leslie Travers
Original Lighting Designer John Bishop
Movement Director Tim Claydon
Albert Herring will be streamed online via our partners at OperaVision. OperaVision is a streaming platform providing a window on the varied landscape of musical theatre for a connected world – all for free, live and on demand.
‘... buckets of energy and zestful acting.’
Richard Morrison, The Times
It starts with a casual bet. The wily cynic Don Alfonso wagers that the fiancées of two young men, complacent in their romantic notions of love, won’t stay faithful for a minute if put to the test. It sounds harmless enough and, anyway, the lovers are entirely sure of themselves. But there is cruelty in this game of love and chance.
It’s difficult to think of an opera that contains more music of sheer beauty than Così fan tutte – or has a libretto that is more unsettling. The plot is a work of supreme artifice, yet the opera charts the boundaries of real and feigned emotion, trust and deception, loyalty and desire, with unsparing accuracy and truthfulness. Tim Albery’s beautiful, thoughtful, 18th centurystyled production is set firmly in a pitiless Age of Reason.
‘Go to this production: there are lots of good Così s, but this is in a class apart.’
Michael Tanner, The SpectatorMusic Wolfgang Amadeus Mozart
Libretto Lorenzo da Ponte
First performance Vienna, 1790
Sung in English with English titles
Lasts approximately 3 hours
Cast includes:
Fiordiligi Alexandra Lowe
Dorabella Heather Lowe
Ferrando Anthony Gregory
Guglielmo Henry Neill
Don Alfonso Quirijn de Lang
Conductor Clemens Schuldt / Chloe Rooke
Director Tim Albery
Set and Costume Designer Tobias Hoheisel
Lighting Designer David Finn
IN A DOUBLE BILL WITH ALEKO
CAVALLERIA RUSTICANA
Turiddù and Lola were once lovers; but when he left to join the army, Lola married another man. Although Turridù finds consolation in the arms of Santuzza, his obsessive passion for Lola still burns fiercely. Thus the stage is set for a tale of faithlessness, jealousy and violence, set in a rural community where the church maintains an iron grip on the souls of its people.
A celebrated overnight success in its day, Cavalleria rusticana spearheaded the verismo movement which demonstrated that ordinary people can have opera-sized emotions too. Mascagni displays a masterly control of pacing, conveying a taut, gritty drama through a succession of gorgeously lyrical melodies. With a score that includes the famous Easter Hymn and Intermezzo, Cavalleria rusticana remains for many the very essence of Italian opera.
Music Pietro Mascagni
Libretto Giovanni Targioni-Tozzetti and Guido Menasci
First performance Rome, 1890
Sung in Italian with English titles
Lasts approximately 1 hour 15 mins
Cast includes:
Santuzza Giselle Allen
Turiddù Andrés Presno
Alfio Robert Hayward
Lucia Anne-Marie Owens
Conductor Antony Hermus
Director Karolina Sofulak
Set Designer Charles Edwards
Costume Designer Gabrielle Dalton
Lighting Designer Charles Edwards
‘... Sofulak creates a potent atmosphere that gives fresh impetus to the tragedy.’
Rupert Christiansen, Daily Telegraph
IN A DOUBLE BILL WITH CAVALLERIA RUSTICANA
ALEKO
Rachmaninov’s first opera is a story of emotion run riot. In the past, Aleko turned his back on the restrictions of conventional society and joined a marginalised community where he fell in love with a young woman, Zemfira. But her love for him has grown cold and she finds solace in the arms of a young lover. Driven on by the unforgiving code of honour he has inherited, Aleko exacts a bloody vengeance for this betrayal.
Composed when he was just 19 years old, Rachmaninov’s passionate score displays the rich orchestral palette familiar from his piano concertos and symphonies, as well as his unparalleled gift for melody – nowhere more so than in Aleko’s moving Cavatina. Karolina Sofulak’s new production shares the bill with Cavalleria rusticana, and is designed as a companion piece for Mascagni’s equally youthful masterpiece.
Music Sergei Rachmaninov
Libretto Vladimir Nemirovich-Danchenko
First performance Moscow, 1893
Lasts approximately 1 hour
Sung in Russian with English titles
Cast includes:
Aleko Robert Hayward
Zemfira Elin Pritchard
Young Lover Andrés Presno
Baboushka Anne-Marie Owens
Conductor Antony Hermus
Director Karolina Sofulak
Set Designer Charles Edwards
Costume Designer Gabrielle Dalton
Lighting Designer Charles Edwards
ACCESS
At Opera North we work hard to ensure everyone can enjoy our performances, both in Leeds and on tour. We offer the following:
English surtitles at most opera performances
Sign interpreted performances (for BSL users)
Audio-described performances
Touch tours (before audio-described performances)
Audio introductions available on our website
Large print, audio or braille programmes and brochures – please get in touch with us
Relaxed performances at Leeds Grand Theatre and the Howard Assembly Room
Photograph: Opera North audio-described performance at Leeds Grand Theatre (Tom Arber)FRIENDS OF OPERA NORTH
Experience even more extraordinary opera throughout the year by becoming a Friend of Opera North. Join from just £5 a month for access to exclusive insights, events and more …
Enjoy behind-the-scenes insights with invitations to exclusive Friends’ events
Secure your favourite seats early with priority booking for our opera productions in Leeds and on tour
Take an early look at our productions with access to dress rehearsals
Your support will enable us to create extraordinary experiences for audiences and communities across the north of England and transform even more lives through the power of music.
Join online today at operanorth.co.uk/friends or by calling 0113 223 3627
Photograph: Ariadne auf Naxos, 2023: production supported by the Friends of Opera North (Richard H Smith)OPERA NORTH PROJECTS
Opera North Projects creates a year-round festival of music, film, performance and spoken word. From our home in Leeds, the Howard Assembly Room, to festivals, outdoor spaces and in our communities, we break down barriers and challenge artists to push their creativity.
This year we will expand our work supporting global majority music creators to make new, genre-busting music theatre, through our Resonance artist residencies and our Resonance Connect film commissions with Sky Arts. We will complete our People’s Lullabies films, and commission a new artwork that brings together science and culture through the DARE partnership with the University of Leeds. Look out too for our Light Night sound installation, and annual Solstice concert with SAA-uk, both in the Howard Assembly Room.
Watch this space: operanorth.co.uk/projects
ORCHESTRA OF OPERA NORTH
From taking centre stage in Opera North’s legendary Ring cycle, to playing with 80s pop icons to an audience of thousands outdoors in Millennium Square in Leeds, to regular appearances in major concert series throughout the region, the Orchestra of Opera North is renowned for its adaptability and its artistry, and holds a unique place in British orchestral life.
Highlights of the 2023/24 orchestral season include:
Music Director Garry Walker conducting Dvořák’s New World Symphony and Mahler’s First Symphony
Scottish pianist Steven Osborne returning to the Kirklees Concert Season to perform Ravel’s Piano
Concerto in G Major
Internationally acclaimed guest conductors Joana
Carniero, Julia Jones and Andrew Grams
View our listings: operanorth.co.uk/orchestra
Photograph: Orchestra of Opera North at Huddersfield Town Hall (Justin Slee)OPERA NORTH EDUCATION
Opera North Education connects with communities and inspires people of all ages and walks of life to explore opera, music and the arts through an extensive performance and participatory programme in towns and cities across the north of England.
Each year we programme a wide range of workshops, performances and activities, both in person and online, for children, families, young people and adults. We also provide an annual creative arts offer to schools involving our Chorus and Orchestra, and deliver the widely admired In Harmony programme to over 2500 children each week in Leeds and Halifax. Structured vocal and instrumental training pathways are on offer to over 200 young people through our Young Performers Programme.
Discover what we do: operanorth.co.uk/participate
COMMUNITY PARTNERSHIPS
Opera North’s Community Partnerships scheme aims to strengthen relationships with the communities of Leeds and to open up music and opera to people who may have barriers that prevent them from engaging with the arts.
In 2018, Opera North became the first opera company in the UK to be awarded Theatre of Sanctuary status in recognition of an ongoing commitment to create a welcoming environment for refugees and people seeking asylum. Since it began in 2013, the Encore community scheme has welcomed more than 13,000 attendees to our performances.
Find out more operanorth.co.uk/about-us/
Photograph: Discover La traviata at Lychee Red, 2022 (Ernesto Rogata)PERFORMANCE DIARY
SEPTEMBER – NOVEMBER 2023
LEEDS GRAND THEATRE
Thu 28 Sep Falstaff
Thu 5 Oct Falstaff
Fri 6 Oct Masque of Might
Sat 7 Oct 2.00pm Falstaff
Sat 14 Oct 2.00pm Masque of Might
Sat 14 Oct Falstaff
Fri 20 Oct La rondine
Sat 21 Oct 2.00pm Masque of Might
Sat 21 Oct Falstaff
Tue 24 Oct La rondine
Wed 25 Oct 2.00pm Falstaff
Thu 26 Oct La rondine
Fri 27 Oct Masque of Might
Sat 28 Oct La rondine
THEATRE ROYAL, NEWCASTLE
Tue 31 Oct Falstaff
Wed 1 Nov La rondine
Thu 2 Nov Falstaff
Fri 3 Nov La rondine
All performances start at 7.00pm unless otherwise stated.
THE LOWRY, SALFORD QUAYS
Wed 15 Nov Falstaff
Thu 16 Nov Masque of Might
Fri 17 Nov La rondine
Sat 18 Nov 2.00pm Falstaff
Sat 4 Nov Masque of Might
THEATRE ROYAL, NOTTINGHAM
Tue 7 Nov Falstaff
Wed 8 Nov La rondine
Thu 9 Nov Masque of Might
Fri 10 Nov La rondine
Sat 11 Nov 2.00pm Falstaff
JANUARY – APRIL 2024
HOWARD ASSEMBLY ROOM, LEEDS
Fri 12 Jan Albert Herring
Sun 14 Jan 2.00pm Albert Herring
Tue 16 Jan Albert Herring
Thu 18 Jan Albert Herring
Sat 20 Jan 2.00pm Albert Herring
Thu 29 Feb Albert Herring
Sat 2 Mar 4.00pm Albert Herring
All performances start at 7.00pm unless otherwise stated.
LEEDS GRAND THEATRE
Fri 2 Feb Così fan tutte
Sat 10 Feb Così fan tutte
Wed 14 Feb Così fan tutte
Thu 15 Feb Cavalleria rusticana/Aleko
Fri 16 Feb Così fan tutte
Sat 17 Feb Cavalleria rusticana/Aleko
Tue 20 Feb Cavalleria rusticana/Aleko
Wed 21 Feb Così fan tutte
Thu 22 Feb Cavalleria rusticana/Aleko
Fri 23 Feb Così fan tutte
Sat 24 Feb Cavalleria rusticana/Aleko
THEATRE ROYAL, NOTTINGHAM
Wed 6 Mar Cavalleria rusticana/Aleko
Thu 7 Mar Così fan tutte
Fri 8 Mar Cavalleria rusticana/Aleko
Sat 9 Mar Così fan tutte
THEATRE ROYAL, NEWCASTLE
Wed 13 Mar Cavalleria rusticana/Aleko
Thu 14 Mar Così fan tutte
Fri 15 Mar Cavalleria rusticana/Aleko
Sat 16 Mar Così fan tutte
THE LOWRY, SALFORD QUAYS
Wed 20 Mar Cavalleria rusticana/Aleko
Thu 21 Mar Così fan tutte
Fri 22 Mar Cavalleria rusticana/Aleko
Sat 23 Mar Così fan tutte
HULL NEW THEATRE
Thu 4 Apr Così fan tutte
Sat 6 Apr 2.30pm Così fan tutte
Audio described performance
Sign interpreted performance for D/deaf and hard of hearing bookers
REL Relaxed performance for bookers who require a more relaxed environment
ENJOY A FULL SEASON OF OPERA
Book a Full Season Package at Leeds Grand Theatre and you can enjoy all 6 operas with 15% off!
Full Season Package benefits include:
Ultimate priority booking
Great savings – up to £68 off your ticket price
Your favourite seat secured each year
Payment in monthly instalments
10% off at our bar and restaurant Kino*
Advance programmes with free P&P
Free, flexible ticket exchange
An invitation to an exclusive event
An invitation to the 2024-2025 Season Preview
Bring a friend. Add single tickets when you book your package
For the easiest way to book, with maximum benefits, choose one of the following packages:
operanorth.co.uk/packages
Package A
Fri 6 Oct 7pm
Sat 14 Oct 7pm
Tue 24 Oct 7pm
Tue 16 Jan 7pm
Tue 20 Feb 7pm
Wed 21 Feb 7pm
Package B
Thu 5 Oct 7pm
Sat 21 Oct 2pm
Thu 26 Oct 7pm
Thu 18 Jan 7pm
Wed 14 Feb 7pm
Thu 22 Feb 7pm
Package C
Masque of Might
Falstaff
La rondine
Albert Herring
Cavalleria rusticana/
Aleko
Così fan tutte
Sat 7 Oct 2pm
Fri 20 Oct 7pm
Fri 27 Oct 7pm
Fri 12 Jan 7pm
Fri 16 Feb 7pm
Sat 24 Feb 7pm
Package D
Falstaff
La rondine
Masque of Might
Albert Herring
Così fan tutte
Cavalleria rusticana/ Aleko
Falstaff
Masque of Might
La rondine
Albert Herring
Così fan tutte
Cavalleria rusticana/
Aleko
Sat 14 Oct 2pm
Sat 21 Oct 7pm
Sat 28 Oct 7pm
Sat 20 Jan 2pm
Sat 10 Feb 7pm
Sat 17 Feb 7pm
Masque of Might
Falstaff
La rondine
Albert Herring
Così fan tutte
Cavalleria rusticana/ Aleko
CREATE YOUR OWN SEASON OF OPERA
The more you see, the more you save.
Our packages offer the chance to pick and choose the operas and dates that suit you. As a package booker you can enjoy:
Priority booking to secure your favourite seats
Payment in monthly instalments†
10% off at our bar and restaurant Kino*
Advance programmes with free P&P
Flexible ticket exchange
An invitation to the 2024-2025 Season Preview
Bring a friend. Add single tickets when you book your package†
Book your package even earlier by becoming a Friend of Opera North, see page 21 for more details.
Leeds Book 3 operas, get 10% off Book 4-5 operas, get 12.5% off Book 6 operas, get 15% off
Newcastle, Book 3 operas, get 10% off
Nottingham and Book 4 operas, get 12.5% off
Salford Quays Book 5 operas, get 15% off
operanorth.co.uk/packages
* Tue-Thu evenings from 5pm and Saturday until 5pm until Sat 24 Feb 2024
Not to be used in conjunction with additional offers. Subject to change.
† Leeds bookers only
HOW TO BOOK
For bookings in Leeds and general enquiries, please contact Opera North: Visit our website: operanorth.co.uk
Call us: 0113 223 3600 Email us: boxoffice@operanorth.co.uk
To book tickets or a package at one of our tour venues, please contact the relevant venue.
You can find detailed booking dates, including priority booking periods for all our venues at operanorth.co.uk/packages
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© Opera North Limited, 2023
The information in this brochure is published in good faith and is correct at the time of going to print, but changes may occasionally be necessary. In the event of unforeseen circumstances, Opera North reserves the right to change casts or performances.
This brochure is fully recyclable and printed on carbon balanced paper sourced from responsibly sustainable forest using vegetable-based inks.