Portrait of a Lady

Portrait of a Lady

Portrait of a Lady

Portrait of a Lady 1 3 th S e p t e m b e r t o 2 4 th O c t o b e r , 2 0 1 8

Ya s m i n a A l a o u i ( b. 1 9 7 7 ) & M a r c o G u e r r a ( b. 1 9 6 5 )

Pink 1, 2009 S ig ned an d n u mb e re d o n re v e rs e C- p r int on d i a s e c , e d i ti o n o f 5 127 x 127 c m | 5 0 x 5 0 i n P r ov enan c e A r t is t ’s s t u d i o

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7

Gr een 1, 2009 Signed a n d n u mbe re d o n t h e re v e rs e C-prin t o n dia s e c , e dit io n o f 3 9 4 x 1 1 2 c m | 3 7 x 4 4 in Pro v e n a n c e A rt is t ’s s t u dio

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Pa u l A l e x i s ( b. 1 9 4 7 )

Le Regard de Liz, 2015 S ig ned on th e l o w e r l e ft O il on s t e e l w i re o n c a n v a s 140 x 115 c m | 5 5 .1 x 4 5 .3 i n P r ov enan c e A r t is t ’s s tu d i o

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Cecilia, hommage à Vinci, 2014 Sign e d o n t h e lo we r le f t O il o n s t e e l wire o n c a n v a s 14 0 x 1 1 5 c m | 5 5 . 1 x 4 5 . 3 in Pro v e n a n c e A rt is t ’s s t u dio

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BB (Rose) (Du nid d’abeille au pixel), 2012 S ig ned on th e l o w e r l e ft O il on s t e e l w i re o n c a n v a s 140 x 115 c m | 5 5 .1 x 4 5 .3 i n P r ov enan c e A r t is t ’s s t u d i o

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Ro b e r t o B e r n a r d i ( b. 1 9 7 4 )

Marilyn, 2016 S ig ned on th e l o w e r ri g h t O il on can v a s 120 x 120 c m | 4 7 .2 x 4 7 .2 i n P r ov enan c e A r t is t ’s s tu d i o

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Jo e B l a ck ( b. 1 9 7 3 )

(detail)

The Gift, 2016 S ig ned , da te d a n d ti tl e d o n th e re v e rse 9, 100 s p r a y -p a i n te d u p h o l s te ry ta c ks pi nned on foam, mounted al umi ni um & fi ni shed w i t h r es in & hi g h g l o s s l a c q u e r c o a ti n g 140 x 140 x 1 2 .5 c m

| 5 5 .1 x 5 5 .1 x 4.9 i n

P r ov enan c e A r t is t ’s s tu d i o

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(detail)

Beat Goes On / Militar y Girl, 2016 7,140 hand-painted plastic toy soldiers on aluminium with resin coating 192 x 144 cm | 75.6 x 56.7 in Pro v e n a n c e A rt is t ’s s t u dio

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Fe r n a n d o B o t e r o ( b. 1 9 3 2 )

Woman with L ipstick, 2016 S ig ned an d d a te d o n th e l o w e r ri g h t O il on can v a s 98 x 78 c m | 3 8 .6 x 3 0 .7 i n P r ov enan c e P r iv at e co l l e c ti o n , M i a mi Cer t if icate The ar t is t h a s c o n fi rme d th e a u th e nti ci ty of thi s w ork

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L o u i s B o u d r e a u l t ( b. 1 9 5 6 )

Sophia Lor en, 2013 S ig ned , d a te d a n d ti tl e d o n th e re v e rse M ix ed m e d i a 214 x 153 c m | 8 4 .3 x 6 0 .2 i n P r ov enan c e A r t is t ’s s t u d i o

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A n d r ĂŠ B r a s i l i e r ( b. 1 9 2 9 )

Jardin de vant la mer, 1993 S ig ned on th e l o w e r l e ft O il on ca n v a s 162 x 114 c m | 6 3 .8 x 4 4 .9 i n P r ov enan c e P r iv at e co l l e c ti o n Cer t if icat e A lex is B r a s i l i e r h a s c o n fi rme d th e authenti ci ty of thi s artw ork

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L’Été bleu, 2015 Sign e d o n t h e lo we r righ t O il o n c a n v a s 1 4 6 x 8 9 c m | 5 7 . 5 x 3 5 in Pro v e n a n c e A rt is t ’s s t u dio Ce rt if ic a t e Alexis Br asilier has conf ir m ed t he a u t h e n t ic it y o f t h is a rt wo rk

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Vision, 1985 S ig ned on th e l o w e r ri g h t O il on can v a s 114 x 146 c m | 4 4 .9 x 5 7 .5 i n P r ov enan c e P r iv at e co l l e c ti o n Cer t if icate A lex is B r a s i l i e r h a s c o n fi rm e d th e a uthenti ci ty of thi s artw ork

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L i t a C a b e l l u t ( b. 1 9 6 1 )

Coco 42, 2011 S ig ned , da te d a n d ti tl e d o n th e re v e rse M ix ed m e d i a o n c a n v a s 280 x 200 c m | 1 1 0 .2 x 7 8 .7 i n P r ov enan c e A r t is t ’s s tu d i o

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Coral Flow ers 04, 2015 Signed, da t e d a n d t it le d o n t h e re v e rs e Mix e d me dia o n c a n v a s 20 0 x 1 8 0 c m | 7 8 . 7 x 7 0 . 9 in Pro v e n a n c e A rt is t ’s s t u dio

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U m b e r t o C i c e r i ( b. 1 9 6 1 )

Human Tics n° 686, 2014 S ig ned on th e re v e rs e Hand m ade l e n ti c u l a r 80 x 80 c m | 3 1 .5 x 3 1 .5 i n P r ov enan c e A r t is t ’s s t u d i o

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M a u r o C o r d a ( b. 1 9 6 0 )

Eve, 2002 S ig ned an d n u mb e re d S ilv er - coa te d b ro n z e , e d i ti o n o f 8 41 x 30 x 2 0 c m | 1 6 .1 x 1 1 .8 x 7 .9 i n P r ov enan c e A r t is t ’s s t u d i o

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L’Escalier, 2001 S ign e d a n d n u mbe re d B ro n z e , e dit io n o f 8 80 x 32 x 1 5 c m | 3 1 . 5 x 1 2 . 5 x 6 in Pro v e n a n c e A rt is t ’s s t u dio

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Contorsionniste XXIV, 2013 S ig ned an d n u mb e re d o n th e b a c k o f the ri ght hand Whit e b r o n z e , e d i ti o n o f 8 28 x 75 x 2 5 c m | 1 1 x 2 9 .5 x 9 .8 i n P r ov enan c e A r t is t ’s s t u d i o

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Niki de Saint Phalle (1930 - 2002)

La Femme au sac Ă main, 1969-1970 P aint ed p o l y e s te r re s i n re l i e f 124. 5 x 9 8 c m | 4 9 x 3 8 .6 i n P r ov enan c e G aler ie B o n n i e r, Ge n e v a P r iv at e co l l e c ti o n , U S A

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C l ive H e a d ( b. 1 9 6 5 )

The Milliner’s Dr eam, 2017 S ig ned on th e re v e rs e O il on can v a s 76. 2 x 68 .6 c m | 3 0 x 2 7 i n P r ov enan c e A r t is t ’s s tu d i o

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M a r i K i m ( b. 1 9 7 9 )

Jasmine H, 2010 C p r int 102 x 102 c m | 4 0 .2 x 4 0 .2 i n P r ov enan c e A r t is t ’s s tu d i o

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D o u g l a s K i r k l a n d ( b. 1 9 3 4 )

Sophia Lor en, 1972 S ig ned an d n u mb e re d o n th e l o w e r ri ght, dated and ti tl ed on the l ow er l eft P hot og r ap h y , e d i ti o n o f 2 5 101. 6 x 1 5 2 .4 c m | 4 0 x 6 0 i n P r ov enan c e A r t is t ’s s t u d i o

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D av i d L a C h a p e l l e ( b. 1 9 6 3 )

Madonna: T ime L apse Photograph Spiritual Value, 1998 Chr om og e n i c p ri n t, e d i ti o n o f 7 73. 7 x 10 1 .5 c m | 2 9 x 4 0 i n P r ov enan c e A r t is t ’s s t u d i o

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Bjork: Visible Vir tues, 2001 Sign e d a n d n u mbe re d C prin t , e dit io n o f 3 11 2 x 1 5 2 . 5 c m | 4 4 . 1 x 6 0 in Pro v e n a n c e A rt is t ’s s t u dio

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D av i d M a ch ( b. 1 9 5 6 )

Matisse, 2012 M ix ed m e d i a p o s tc a rd s o n w o o d 100 x 100 c m | 3 9 .4 x 3 9 .4 i n P r ov enan c e A r t is t ’s s t u d i o

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Henri Matisse (1869-1954)

Femme et bouquets, 1940 S ig ned an d d a te d o n th e l o w e r l e ft P encil on p a p e r 52. 5 x 40 .5 c m | 2 0 .7 x 1 5 .9 i n P r ov enan c e Ly nn G . E p s te e n , N e w Y o rk P r iv at e co l l e c ti o n (1 9 8 1 ) Lit er at ur e P ier r e S c h n e i d e r, Ma ti s s e , L o n d o n , Fl ammari on, 1984, p. 148, i l l . p. 149 Cer t if icat e M s . Dut hu i s h a s c o n fi rme d th e a u th enti ci ty of thi s w ork

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A n d r ĂŠ M o n e t ( b. 1 9 6 5 )

Angelina, 2016 S ig ned on th e l o w e r ri g h t a n d ti tl e d on the reverse M ix ed m e d i a 122 x 91.5 c m | 4 8 x 3 6 i n P r ov enan c e A r t is t ’s s t u d i o

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Coco, 2015 Signed on t he lower le f t a n d t it le d o n t h e re v e rs e Mix e d me dia 9 6 . 5 x 7 6 c m | 3 8 x 3 0 in Pro v e n a n c e A rt is t ’s s t u dio

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Br eakfast at Tif fany’s, 2015 S ig ned on th e l o w e r ri g h t a n d ti tl e d on the reverse M ix ed m e d i a 137 x 101 .5 c m | 5 4 x 4 0 i n P r ov enan c e A r t is t ’s s t u d i o

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M r. B r a i n wa s h ( b. 1 9 6 6 )

Kate Moss, 2009 S ig ned on th e ri g h t s i d e , s i g n e d , d a ted, ti tl ed and numbered on the reverse S ilk s cr ee n a n d a c ry l i c p a i n t o n c a n vas 106. 7 x 1 0 6 .7 c m | 4 2 x 4 2 i n P r ov enan c e A r t is t ’s s t u d i o

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67

Ju l i a n O p i e ( b. 1 9 5 8 )

Fiona, Ar tist 3, 2001 S ig ned on th e re v e rs e V iny l on w o o d e n s tre tc h e r 192 x 142 c m | 7 5 .6 x 5 5 .9 i n P r ov enan c e A r t is t ’s s t u d i o

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M a r c Q u i n n ( b. 1 9 6 4 )

Big Girl, 2006 S ig ned , d a te d a n d ti tl e d o n th e l o w er l eft Wat er colo u r o n p a p e r 153 x 101 .5 c m | 6 0 .2 x 4 0 i n P r ov enan c e A r t is t ’s s t u d i o

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Sphinx, 2006 Signed, dat ed a n d t it le d o n t h e lo we r righ t W a t e rc o lo u r o n pa pe r 15 3 x 1 0 1 c m | 6 0 . 2 x 3 9 . 8 in Pro v e n a n c e A rt is t ’s s t u dio

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Endless Column (Micr o Cosmos), 2008 S ig ned , d a te d a n d n u mb e re d u n d e r the base P aint ed b ro n z e , e d i ti o n o f 7 69 x 21 x 2 3 c m | 2 7 .2 x 8 .3 x 9 .1 i n P r ov enan c e A r t is t ’s s t u d i o P r iv at e co l l e c ti o n

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G ĂŠ r a r d R a n c i n a n ( b. 1 9 5 3 )

Monica VanitÊ II, 2006 S ig ned an d n u mb e re d o n th e re v e rs e A r g ent ic p ri n t m o u n te d o n P l e x i g l a s , edi ti on of 8 100 x 81 c m | 3 9 .4 x 3 1 .9 i n P r ov enan c e A r t is t ’s s tu d i o

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Je a n - P i e r r e Ro c - Ro u s s e y ( b. 1 9 5 1 )

Fête coréenne, 2008 S ig ned on th e ri g h t s i d e O il on can v a s 190 x 70 c m | 7 4 .8 x 2 7 .6 i n P r ov enan c e A r t is t ’s s tu d i o

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Mogador, 2017 Sign e d o n t h e u ppe r righ t O il o n c a n v a s 17 8 x 1 7 8 c m | 7 0 . 1 x 7 0 . 1 in Pro v e n a n c e A rt is t ’s s t u dio

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84

O m a r Ro n d a ( 1 9 4 7 - 2 0 1 7 )

Marilyn Fr oz en 9, 2009 S ig ned , d a te d a n d ti l tl e d o n th e re v erse M ix ed m e d i a 100 x 100 c m | 3 9 .4 x 3 9 .4 i n P r ov enan c e A r t is t ’s s t u d i o

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Marilyn Fr oz en 12, 2008 Signed, da t e d a n d t it le d o n t h e re v e rs e Mix e d me dia 10 0 x 1 0 0 c m | 3 9 . 4 x 3 9 . 4 in Pro v e n a n c e A rt is t ’s s t u dio

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Pa t r i ck Ru b i n s t e i n ( b. 1 9 6 0 )

(left view)

(right view)

Eyes Taylor, 2015 S ig ned on th e l o w e r ri g h t Dig it al d e s i g n p l e a te d 130 x 93 c m | 5 1 .2 x 3 6 .6 i n P r ov enan c e A r t is t ’s s tu d i o

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Ke n n y S ch a r f ( b. 1 9 5 8 )

The Thr ee Faces of Jackie the American, 1997 S ilk s cr ee n p ri n t, e d i ti o n o f 1 5 0 114. 5 x 8 9 c m | 4 5 x 3 5 i n P r ov enan c e P r iv at e co l l e c ti o n

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S E E N ( b. 1 9 6 1 )

Black Cat, 2008 S ig ned an d d a te d o n th e re v e rs e A er os ol o n c a n v a s 195 x 130 c m | 7 6 .8 x 5 1 .2 i n P r ov enan c e P r iv at e co l l e c ti o n

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L a u r e n t S e g r e t i e r ( b. 1 9 7 8 )

Fragments 34, 2011-2012 S ig ned an d n u mb e re d o n th e re v e rs e Fine ar t p ri n t o n a c i d fre e w a te rc o l o ur paper, edi ti on of 5 140 x 117 c m | 5 1 .1 x 4 6 .1 i n P r ov enan c e P r iv at e co l l e c ti o n

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S e o Yo u n g - D e o k ( b. 1 9 8 3 )

Nir vana 37, 2018 S ig ned , d a te d a n d ti tl e d o n th e b a se S t ainles s c h a i n , e d i ti o n o f 2 0 55 x 31 x 4 0 c m | 2 1 .7 x 1 2 .2 x 1 5 .7 i n P r ov enan c e A r t is t 's s t u d i o

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98

M a n o l o Va l d ĂŠ s ( b. 1 9 4 2 )

Dor othy I, 2017 S ig ned an d d a te d o n th e re v e rs e O il and c o l l a g e o n b o a rd 173 x 152 c m | 6 8 .1 x 5 9 .8 i n P r ov enan c e A r t is t 's s t u d i o

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100

Fiori, 2015 Signed and num be re d o n t h e ba c k o f t h e n e c k B ro n z e , u n iqu e pie c e 124 x 180 x 7 1 c m | 4 8 . 8 x 7 0 . 9 x 2 8 in Pro v e n a n c e A rt is t ’s s t u dio F o rs blo m G a lle ry , He ls in k i Priv a t e c o lle c t io n , Eu ro pe

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102

E l l e n vo n U n we r t h ( b. 1 9 5 4 )

Naomi's Roller, L os Angeles, 1991, f o r I n ter v i ew mag az i n e S ig ned , d a te d a n d ti tl e d o n th e re v erse B lack & w h i te p ri n t o n B a ry th ĂŠ p a p er, edi ti on of 7 100 x 70 c m | 3 9 .4 x 2 7 .6 i n P r ov enan c e A r t is t 's s t u d i o

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Claudia Schif f er, Mor occo, 1989, for a G u es s cam paign Signed, da t e d a n d t it le d o n t h e re v e rs e Black & whit e pr int on B a ry t h Ê pa pe r, e dit io n o f 3 18 0 x 1 2 0 c m | 7 0 . 9 x 4 7 . 2 in Pro v e n a n c e A rt is t ’s s t u dio

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Spy De vice, Ba varia, 2015, from th e b o o k H ei mat, 2 0 1 7 S ig ned , d a te d a n d ti tl e d o n th e re v e rse C- p r int on F u j i fl e x p a p e r, e d i ti o n o f 7 100 x 70 c m | 3 9 .4 x 2 7 .6 i n P r ov enan c e A r t is t 's s t u d i o

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F l o r e Z o ĂŠ ( b. 1 9 7 5 )

Por celain: L ara, 2014 S ig ned , d a te d , n u m b e re d a n d ti tl e d on the reverse P hot og r ap h y , e d i ti o n o f 5 140 x 140 c m | 5 5 .1 x 5 5 .1 i n P r ov enan c e A r t is t 's s t u d i o

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Published by Opera Gallery to coincide with exhibition Portrait of a Lady,13 th September to 24 th October, 2018 All rights reserved. Except for the purposes of review, no part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers.

Cover detail: AndrÊ Monet, Breakfast at Tiffany’s, 2015

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