The Politics of Design

Page 15

INTRODUCTION

Privilege and Prejudice

Federico Freschi, Jane Venis and Farieda Nazier

Although design totally infuses the material fabric of the world around us, it is almost always rendered invisible by the very thing(s) it brings into being. Tony Fry, 2011 In Design as Politics, Tony Fry argues that in “giv[ing] material form and directionality to the ideological embodiment of a particular politics,” design must be understood as “profoundly political.”1 He argues further that all aspects of design that shape social and cultural experience – built environment, transport systems, information systems, infrastructure and so on – are by their nature ideologically loaded and “predicated on how human beings should be viewed and treated.”2 The longer arc of Fry’s argument is concerned with the urgent need to harness the political power of design to effect positive environmental change, a political transformation that he terms “Sustainment.” Nonetheless, his notion that “design expresses power materially and in ways that shape how people interact and ontologically prefigure their material culture”3 raises provocative questions about how design has historically served to distribute and exercise power. In seeking to understand the causes and ongoing effects of global inequality, the relationship between design and politics deserves particular scrutiny in the postcolonial context. Despite being the product of deliberate political and social intentions, successful design appears ‘natural,’ its ideological biases effectively hidden in plain sight. In former settler-colonial societies, this ‘invisibility’ begs the questions of the historical complicity of design in imposing and maintaining racialised hierarchies of privilege, access, identity and notions of ‘belonging.’ While the former dominions of the British Empire in the southern hemisphere – Aotearoa New Zealand, Australia and South Africa – followed different paths to sovereignty, they are united by several common factors. Not least, as Annie E Coombes argues, the ways in which white settlers dealt with Indigenous4 peoples “is the historical factor which has ultimately shaped the cultural and political Privilege and Prejudice

15


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Chapter 16: "Towards Design Sovereignty" by Jason De Santolo and Nadeena Dixon

30min
pages 361-377

Chapter 15: "Whiria te Whiri – Bringing the Strands Together" by Donna Campbell

30min
pages 341-356

Chapter 14: "‘The Boeing’s great, the going’s great’" by Federico Freschi

34min
pages 315-334

Chapter 13: "He moko kanohi, he tohu aroha" by Jani Katarina Taituha Wilson (Ngāti Awa, Ngā Puhi, Mātaatua)

34min
pages 293-308

Chapter 12: "Art Over Nature Over Art" by Matthew Galloway

29min
pages 275-290

Chapter 11: “Do Something New, New Zealand” by Caroline McCaw & Megan Brassell-Jones

28min
pages 255-270

Chapter 10: "‘It’s Fun In South Africa’" by Harriet McKay

31min
pages 231-249

Chapter 9: "Whakawhanaungatanga – Making Families" by Suzanne Miller and Teresa Krishnan

28min
pages 211-224

Chapter 8: "Remnants of Apartheid in Ponte City, Johannesburg" by Denise L Lim

35min
pages 189-206

Chapter 7: "Reconciling the Australian Square" by Fiona Johnson and Jillian Walliss

34min
pages 163-182

Chapter 6: "Un-designing the ‘Black City’" by Pfunzo Sidogi

39min
pages 137-157

Chapter 5: "White Childhoods During Apartheid" by Leana van der Merwe

37min
pages 113-132

Chapter 4: "Marikana" by Sue Jean Taylor

32min
pages 91-107

Chapter 3: "Australian Indigenous Knowledges and Voices in Country" by Lynette Riley, Tarunna Sebastian and Ben Bowen

39min
pages 65-86

Chapter 2: "Singing the Land" by Lynette Carter

19min
pages 53-62

Chapter 1: "Beyond Landscape" by Rod Barnett and Hannah Hopewell

31min
pages 35-50

Introduction: "Privilege and Prejudice" by Federico Freschi, Jane Venis and Farieda Nazier

32min
pages 15-32
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