The Politics of Design

Page 163

CHAPTER SEVEN

Reconciling the Australian Square

Fiona Johnson and Jillian Walliss

The urban square is one of most enduring colonial imports into Australian cities, culturally and politically. Adelaide, Australia’s celebrated colonial planned city, features five public squares, with the largest, named Victoria Square (until 2002), occupying the centre of Colonel Light’s 1837 grid. Conceived without a square, Melbourne is considered to have lacked a civic heart until the competition for Federation Square in 1997. It is therefore not surprisingly that the political intent to enact processes of Reconciliation in the urban domain has drawn designers, planners and politicians towards the re-conceptualisation of the square in the Australian city. This chapter explores how Adelaide and Perth, two capital cities with a strong contemporary Indigenous presence, have reconceived the role of civic squares. Adelaide’s Victoria Square/Tarntanyangga Square, dissected and bounded by major roads, has struggled for decades to perform as a vibrant civic space. This is despite the square being significant to both Indigenous and non-Indigenous people. It is notable, for instance, as the first place in Australia to fly an Aboriginal flag in recognition of land rights for Aboriginal people. In 2009 landscape architects Taylor Cullity Lethlean (TCL), in collaboration with architects Tonkin Zulaikha Greer, led the development of a revitalising masterplan which aimed to enable “a new civic life reflective of our 21st century culture to emerge.”1 In contrast to Adelaide, the Metropolitan Redevelopment Authority (MRA) sought to develop a new civic square for Perth as part of a city-wide plan to better connect the central railway precinct to surrounding suburbs and introduce an entertainment precinct, public open space and commercial redevelopment. Opened in 2018, Yagan Square was designed as a collaboration between Lyons Reconciling the Australian Square

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Chapter 16: "Towards Design Sovereignty" by Jason De Santolo and Nadeena Dixon

30min
pages 361-377

Chapter 15: "Whiria te Whiri – Bringing the Strands Together" by Donna Campbell

30min
pages 341-356

Chapter 14: "‘The Boeing’s great, the going’s great’" by Federico Freschi

34min
pages 315-334

Chapter 13: "He moko kanohi, he tohu aroha" by Jani Katarina Taituha Wilson (Ngāti Awa, Ngā Puhi, Mātaatua)

34min
pages 293-308

Chapter 12: "Art Over Nature Over Art" by Matthew Galloway

29min
pages 275-290

Chapter 11: “Do Something New, New Zealand” by Caroline McCaw & Megan Brassell-Jones

28min
pages 255-270

Chapter 10: "‘It’s Fun In South Africa’" by Harriet McKay

31min
pages 231-249

Chapter 9: "Whakawhanaungatanga – Making Families" by Suzanne Miller and Teresa Krishnan

28min
pages 211-224

Chapter 8: "Remnants of Apartheid in Ponte City, Johannesburg" by Denise L Lim

35min
pages 189-206

Chapter 7: "Reconciling the Australian Square" by Fiona Johnson and Jillian Walliss

34min
pages 163-182

Chapter 6: "Un-designing the ‘Black City’" by Pfunzo Sidogi

39min
pages 137-157

Chapter 5: "White Childhoods During Apartheid" by Leana van der Merwe

37min
pages 113-132

Chapter 4: "Marikana" by Sue Jean Taylor

32min
pages 91-107

Chapter 3: "Australian Indigenous Knowledges and Voices in Country" by Lynette Riley, Tarunna Sebastian and Ben Bowen

39min
pages 65-86

Chapter 2: "Singing the Land" by Lynette Carter

19min
pages 53-62

Chapter 1: "Beyond Landscape" by Rod Barnett and Hannah Hopewell

31min
pages 35-50

Introduction: "Privilege and Prejudice" by Federico Freschi, Jane Venis and Farieda Nazier

32min
pages 15-32
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