The Orbital - Participation Issue by Jack Ratcliffe

Since 1982

o PARTICIPATION ISSUE

ELECTIONS WRESTLING

Q&A WITH SIMON PEGG KEANE ALBUM LAUNCH

LONDON FASHION WEEK

MANDATORY COMMUNITY SERVICE?

The | Orbital

PICS PAGE 25/28

We sent our photographer around the best union nights to take photos of you, available to view online on our facebook page, or, if you are not by a computer, right here.

Society COLLEGE WATCH 8/9 Stories from the College, including merger news.

Exlpore the wonders of Egham and beyond with our What’s On guide.

EDITORIAL 3 CONTRIBUTORS 4 FREE STUFF 29 46 COMIC/FUN

CURRENT AFFAIRS10/11

EYE ON THE UNION 5-7

COMM.CARD 26/27 Our nights out at the Union guide.

WHAT’S ON

Stories big and small from around the world.

OPINION WRESTLING

14/15

Local wrestler Maximum Voltage takes time out of his busy schedule of kicking ass to talk to The Orbital about why he wrestles, and where you can see him in bone-destroying action.

LIFESTYLE THEATRE-ING

30/31

Our correspondent looks at the way you can get involved in various theatrical activities.

Culture FASHION WEEK 40/41

The trends of London Fashion Week dissected, complete with pictures to allow you to make your own judgements.

UK SECURITY?

20-21

How involved is too involved when it comes to the Government, security, and people?

THE TENT VOLUNTEERING

16 17

BCUS and Nike team up to offer University teams a chance to win prizes for their clubs.

NOT INVOLVED

MI6 RECRUITING 19 CELEB GIVING? 20 GOLDEN KATE MOSS 21 INCLUDING:

MUSIC 36/37 FILM 34/35 THEATRE 30-32 FOOD 38/39 ART

42/43

The Tate Francis Bacon exhibition is looked at, coupled with oil works by our own Matt Tyler.

SINGAPORE

RIGHT TO PLAY

KEANE LAUNCH PARTY 36 HYPNOTISM EXPERIENCED 33 SIMON PEGG Q & A 34 REAL RECIPIES 38/39 AND MORE!

“THE READER “ BOOK REVIEW

The Score WIN £500 WORTH OF KIT WITH BCUS 49

Elections are the hot topic for the Union this issue, with an article from the Democracy Officer, and all the election info you need to know.

BCUS launches its new scheme to help sport efforts for those that need it.

The Score provides useful information regarding Sports and Societies at Royal Holloway. The Students’ Union provides it, therefore The Orbital takes no blame for any oﬀense caused, but are willing to take any credit given, like a stray dog around a dustbin.

Miranda Tennant Joely Chilcott Prudence Chamberlain Elizabeth Parker Sam Stern James Campbell Tim Stephens Russell Franklin Laura Jones Cat Kay

Dina Patel Keta Hunt Emma Ward Sarah Cowen Ollie Kerr Helen Berwick Tom Shore Michael Englefield Sadie Cook Rob Birks John Hunter

With thanks, Photographers, Models, The Copy Check Team Tristan Ellison

“

I’m not sure I am the best person to be JACK RATCLIFFE, EDITOR discussing participation with, having just “participated” for thirty-six of the last forty-eight hours in making this magazine. Therefore my participation-enthusiasm levels have ebbed away almost entirely. That said, sitting here, in my office, at just gone 02:00, with the deputy and my two key designers, the whole idea of needing to promote participation seems a bit trivial. Every issue of The Orbital is an exhibition of participation in itself, from the writers, to the copy checkers, photographers, designers, editors, those being written about, those okaying our decisions, even those who simply comment on each issue in passing - they have all participated in making this magazine what it is (...the bane of my existence). Of course, as much as I hate everything right now, I know that after a good (although I’d accept average) night’s sleep, what I’ve done, and the friends I have here, were well worth any sacrifices that I may have made. And I guess that is what participation is all about really; sacrifice, friendship, and reward.

Beth Rowley, Deputy EDITOR

Editor’s Letter

VPComServ Emilie Seager vpcomserv@su.rhul.ac.uk Editors Jack Ratcliffe orbital@su.rhul.ac.uk Beth Rowley deputyeditor@su.rhul.ac.uk Paul Wrench orbitalsociety@su.rhul.ac.uk Emma Cooper lifestyle@su.rhul.ac.uk Sophie Yates culture@su.rhul.ac.uk Designers Ejiro Ogboru artdirector@su.rhul.ac.uk Will Harry Branston designone@su.rhul.ac.uk Photography Kirstly Lucas k.lucas@rhul.ac.uk Publishing David Cummins publishingdirector@su.rhul.ac.uk Laura Jones marketingexec@su.rrhul.ac.uk Chief Subeditor Cath Nelms chiefsub@su.rhul.ac.uk Correspondants Nick Fogg nickfogg@hotmail.com Alex Turner a.j.turner@rhul.ac.uk Neil Thornton n.thornton@rhul.ac.uk Edmund Connolly e.connolley@rhul.ac.uk Contributors

Deputorial

”

Again I am here to provide nothing very wise or concise. This issue has been emotional – we’ve embraced it, we’ve loved it, it’s enriched us… Well maybe that’s a lie. We have, however had an in-depth discussion about the type of people our laptops would be if they, um, were people (mine is suffering from dementia, sad times) and realised that I’m not gangster, Jack is unclean (Jack contests this), EJ practises voodoo and Will looks like the Laughing Cow. It’s been a veritable voyage of self discovery. PS. This issue is all about my favourite (and very gap year-y) motto for life: GET INVOLVED! However you take this, just do it. Get involved.

This week, The Orbital likes

Anticipating Chinese food EOGHAN GETTING ON TO X-FACTOR “Sohpie” Yates Crosslands’ plastic knives and forks Abba Dyno-rod CHEESE SANDWICHES Apple Sourz When it

doesn’t rain.

But dislikes

Chinese food served when the place is closing Locking keys in the office, Lack of £10s in NatWest 9AMS Rain OUTLOOK EXPRESS ‘Heartbreakers’ on Heart Fm…

orbital

CONTRIBUTORS

Miranda Tennant

eld Michael Engleﬁ year Is in his second h at studying Englis music RHUL and likes likes far too much. He lf as to think of himse hates Conservative but Camthe way David exereron partakes in work. cise by cycling to ur is His favourite colo e an blue and if he wer be a animal, he would can seagull just so he n of mug small childre their ice cream.

04 theOrbital.co.uk

Also known as Miranda Mermaid, has a passion for the avant-garde as well as animals and can say ‘squirrel’ in five different languages. She has a cat named Marley and a rabbit named Nutmeg, who chews and wees on everything but is adorable. She enjoys stealing avocados and cheese from her friends’ fridges, watching Tom Cruise films and High School Musical (both only in an ironic way, maybe). She loves David Lynch, smoking, Tori Amos, Francis Bacon and Warhol. Miranda is a mature Media Arts student whose ambition is to marry The Joker and have lots of kittens.

Eleanor McAlister-D

ilks

Is a third yea r drama and music studen t. She HATES (capital H.A.T.E ) mushrooms and soup and h as an endless supply of safe ty pins. Her lifetime ambit ions are to be able to afford a Mulberry bag, see a blu e whale and to be generally happy!

society

t e g U O Y e t o v a

YOU get a vo te

USE IT! E

lections: are they worth it? Yes, is the answer. They make the union what it is, and are the only way a Sabbatical or Executive Officer (if you are yet to know what these are, have a look at the Students’ Union website or handbook, you’ll find out there) gets to where they are. They are also important for your club or society; none of the committees could be here without your vote. This is why this year we are going all out to improve the elections all across campus.

Students’ Union council First Year Representative (which begins in only a few weeks!). This position makes the person elected the voice for all freshers across campus, and you first years out there are the people who bring new, original ideas to the union, which will affect all students at the university. Without those fresh ideas, the Students’ Union will become stale: so it is essential for this position to be filled by the best person for the job, which could be you!

In the past few years, the university elections have become an under-advertised, unoriginal and tedious process, not only for the candidates, but for everyone on campus. The students who, as the voters are essential to the elections, are unaware of their existence. When we do finally encounter the candidates, we get bombarded by ﬂyers for three days. Unsurprisingly, this has put off the voters from voting: an obvious problem for a democratic election. But due to a new approach, this year shall be different!

A big issue with previous elections is that hardly any candidates ran for them. This didn’t give any voters much of a choice, as they had to settle for the only candidate running. Elections are a chance for you to get in a position of inﬂuence on the Students’ Union Council and if you don’t think that it’s run well at the moment, this is your chance to try and change it for yourself. The more candidates who run for a position the better for the voters and the candidates: who doesn’t enjoy a tad of rivalry?

The highest profile elections of the year are the Sabbatical and Media elections during February, but first is the very important election for our

The Sabbatical and Media elections are arguably the most exciting elections of the year, in which we can vote to elect next year’s president,

06 theOrbital.co.uk

vice-presidents, Insanity station manager, and the editor of this very magazine. A new way of running and carrying out these elections is being worked on as we speak, to allow more creativity in the candidate’s campaigns, and get voters interested in actually voting. As Democracy Officer this year, it falls to me to ensure that all this year’s elections run smoothly, and that I get as many of you involved as possible. It is really important for the Students’ Union that you, the student, get involved, and take part in an event and that this year will be the best it’s ever been, and will make the most difference it ever has. The Union offers much of the available entertainment for students in Egham, so why not make it the best it can be for yourself. Say goodbye to piles of leaﬂets and being hounded while eating your dinner in Founders’ dining hall; from now it’s all change. Look forward to creative and original elections with more choice! It’s all up to you!

Ollie Kerr

ELECTION SPIEL All the info you need about the elections for NUS delegates and First Year Rep and the Exec By-Election

Monday 13th

If you want to run for anything, this is your last chance as nominations cl ose at 5pm. So hu rry!

Wednesday 15th – Friday 17th, Monday 20th / Tuesday 21st

Canvassing and voting! This is where it gets really exciting – look out for candidates persuading you to vote for them. Especially look out for ‘soap boxing’ – a totally new initiative for elections this year where candidates get to ‘speak to the masses’ at strategic points round campus. Once you’ve decided who to vote for…go and vote! There’ll be a ballot box in the Students’ Union that will be open from 10am-5pm all these days, and voting stations will be open at certain points in Founders’ Dining Hall, The Hub and Kingswood.

Wedn seday 22nd Resul

ts day! You ha y o y u r votes a v d s r in if you e until 12 no Then, t Thu on to g haven’t he et done s new in votes will be o alrea c i o t i u a h d 16t Time (formerly and the r tive for this ele nted live (anoth y.

esu er ct s’ Question cation union that lts will be a ion) from 7p lo , m Candidate p 8 m n night a Hustings), sters s they’r nounced at t o p r fo t known as u o e relea he is sed rmed (look h fi T n ). o y c a e d b e o t th ception on m e r t a k s a to hear fro or y it n u t r o opp them any k is the best s a d n a ates the candid have. you questions

society

COLLEGE WATCH

unwanted items to every student’s room. Students donated books, CDs, kitchen equipment, electrical equipment, clothing, unopened nonperishable food, unopened cosmetics, and bric-a-brac.

End of term reuse project collects three tonnes of items for local charities

Student volunteers participating in the reuse project 08 theOrbital.co.uk

Royal Holloway’s end of term reuse project proved an overwhelming success for the third year running. The scheme resulted in students donating many unwanted items to good causes. Almost three tonnes of items in good condition, including 1.8 tonnes of clothing, were diverted from landfill and redistributed to local charities for reuse. The College distributed leaﬂets about the project along with plastic bags for

Several Egham-based charities were the recipients of the items: The Christian Book Stall was given most of the books, while text books were sent to the College Book Shop for resale, with the proceeds going to the Shooting Star Charity. Food, kitchen equipment, bric-a-brac, cosmetics and electrical equipment were donated to the Besom Trust, while the Princess Alice Trust, which raises money for a hospice, received all the clothing. The College’s Sustainability Officer, Andy Hix, said, “The project relies heavily on support from student volunteers to sort through the items that are donated. Our volunteers were really enthusiastic and enjoyed participating. After the end of term, we had received so many items that there was enough for two people to sort through for three or four days solidly.” Praising the initiative, he added, “It’s a great scheme which not only supports local vulnerable and disadvantaged people but also saves good quality items from being sent to landfill.”

Royal Holloway ‘preferred bidder’ for St. George’s On 30 September, the Council of St. George’s, University of London in Tooting awarded Royal Holloway, University of London ‘preferred bidder’ status after considering merger proposals. The Council of Royal Holloway will meet on 17 October to discuss the implications of this major development.

merger presents exciting opportunities for Royal Holloway and St George’s, both of whom bring great strengths in teaching and research across a wide range of disciplines. The combination and development of our strengths will create a new and internationally-recognised centre of excellence for pre-clinical, clinical and health sciences education, training and research. We hope to continue working closely with Kingston. I am sure that this will benefit the NHS in south west London as well as medical education.” For more information, please visit http://www. rhul.ac.uk/Restricted/SGUL-consultation/

The next step will consist of the analysis, consultation and due diligence work, which should be completed within around 20 months, sooner if at all possible. The second stage will involve launch of the new merged institution followed by implementation of the new administrative and management structures. Principal, Professor Stephen Hill, commented, “I am delighted that the Council of St George’s wants to discuss a merger with Royal Holloway. We have worked collaboratively with St George’s and Kingston University for several years in the South West London Academic Network. This

Life as a mature student at Royal Holloway

Students’ Union Postgraduate Representative, Harry Rowe

Beginning a university course can be a daunting time for any student, but particularly for mature students. A generational gap can make mature students feel isolated and lonely, while other commitments such as family and work can add more pressure during studies. These are concerns that the College is committed to alleviating.

A special Mature Student Coffee Morning is offered at the start of the academic year (10/10/2008 in the International Building at 11.00am). This gives information about the College’s support services and also gives mature students the opportunity to discuss study advice and meet other mature students. Ensuring that all students have equal accessibility to activities, clubs and societies is an imperative objective. Harry Rowe, the Students’ Union Postgraduate Representative, is a mature student studying for a PhD in Mathematics. He said, “A lot of sports societies are popular among mature students, such as hockey, whilst there is also a significant mature student presence in the football society. They are also quite active in the political societies. Ultimately, mature students are represented in all the clubs and societies, although

we’re always looking to improve our inclusion of mature students in student activities to make their time at Royal Holloway as memorable as it can be.” Speaking from personal experience, he recommended, “My best advice is to get as involved as possible. It can be quite intimidating to see lots of young students around campus, but jumping in and getting involved makes your whole university experience richer. This can also have a positive impact on your studies – a healthy balance between work and social life is crucial to achieving your optimum academic potential, as most tutors would reiterate.” For further information, Harry can be contacted at postgraduate@ su.rhul.ac.uk

society

CURRENT World:

As part of a campaign to find more of the “cream-of-the-crop” students, MI6 have now started advertising on Facebook. With slogans such as “MI6 can use your skills” or “Help inﬂuence world events”, the British Secret Intelligence Service apparently hopes to find their new recruits on the biggest student networking site in existence. Not exactly James Bond anymore… For more details turn to page 19.

Belgium:

The EU are apparently planning to create a “universal” broadband for its members. Current statistics state that 36% of EU households possess broadband access, and under EU rules, if a majority of EU members are using a telecoms service, it should become available for all. The new system is to be put into practise in 2010

USA: Former Democratic President Bill Clinton has campaigned for new Democratic candidate Barack Obama, claiming that Obama can “grow the economy from the ground up”. Clinton was speaking just as a series of polls suggested Obama to be gaining considerable popularity compared to his White House rival, John McCain. The McCain campaign, meanwhile, dismissed the polls as “laughable”.

Uganda:

The British Red Cross have launched an internet game in which players must help a Ugandan boy find his mother amidst the 20-year rebellion. The designers of “Traces of Hope” have placed clues and solutions across the internet so that players will have to visit real websites and use their detective skills to complete the game. All this is part of a campaign to make explicit the current conditions in war-torn Uganda.

10 theOrbital.co.uk

AFFAIRS

Participation & Campaigns Across the World

India:

Jerusalem:

About a dozen men took part in the twiceannual clean-up of The Kotel, an old wall in which thousands of Jews leave their prayers, hopes and wishes on scrap pieces of paper. The wall itself is the last remnant of the Second Temple, destroyed by the Romans in AD70, and it is therefore both venerated and mourned by Jews. Apparently, the first known note was placed approximately 300 years ago

Thousands of technicians and actors in the Bollywood community have been participating in a strike due to poor pay and conditions. According to various unions, pay has been withheld for up to six months, and many actors are driven to work for as long as 30 hours in one go. Film producers also say that discussions could last a long time, as protesters are unwilling to cease until their demands are met. For now, all Bollywood film production has been halted.

UK:

BBC footage

The BBC have recently obtained secret footage of a sports initiation ceremony at the University of Gloucester. The participating students are lined up with plastic bags over their heads, and told by an older student in a Nazi uniform to drink heavily- some are even seen to be vomiting. Following this, and three deaths linked to extreme initiation ceremonies, the National Union of Students have called for a campaign against these ceremonies in British Universities

Australia:

Kenya

: In the most impoverished areas of Kenya, even the most able-bodied struggle to find work. But a new charity named Computer Aid has been teaching the blind and partially sighted to use computers and hence improve their job prospects. Over 120,000 refurbished PC’s have been shipped over to the developing world. In one case study, a partially blind man is now running his own business selling wool and making trinkets.

12,500 Australians participated in a study titled “Challenging Racism” over almost a decade. The alarming results showed that one in ten Australians still believed that some races are superior to others, with a specific mistrust of Muslims and people from the Middle East. Even indigenous Australians were placed on the “Not Belonging” list and one in ten people said they do not approve of inter-cultural marriages.

opinion

The benefits system in Great Britain is clearly a laudable thing. People who are unable to provide for themselves are cared for by society, thus crippling poverty as seen in so many third world countries has been all but eradicated. People are provided for with enough money to live reasonably, if not to prosper. However, it is largely accepted that this system is abused and that people choose a life of low income with no work rather than a life of hard work and greater aﬄuence. If community service was obligatory for those on long term benefits, these sorts of people would be much less likely to abuse the system in this way. When we consider that the government is projected to spend £133,882,000 (more than is spent on health) on benefits this year, it is completely natural to want to ensure that this money is not wasted. If people who are out of work for longer than a month were made to do community service then the benefits for society would be great; it seems completely logical for society to get some return on its large expenditure in a way that could make a real difference in understaffed yet vital jobs such as part time hospital cleaners or work with charities.

DEBATE feel at the thought of taking without giving back. Furthering the previous point, community service could also allow people who are unemployed to gain jobs by giving them transferable skills or at the very least showing employers that their long unemployment has not left them unused to or unwilling to work.

scheme would not at all effect those who are on disability allowance or are generally unable to work for reasons not their own. It must be said for those who are not on disability allowances, but feel that they are unable to do community service, little leeway could be given. However, this is mainly because not all community service is physical, it is so varied that they could easily work in a role that is not physically intensive.

Is it discriminating to expect people to work for the money that would otherwise be given to them? It is true that people would be working hard for low wages, but this would be exactly their incentive not to stay in the benefit system. In this way everyone would have to work, and the economy would only benefit as a result, and the problem of people abusing the benefit

In conclusion, it seems clear to this writer, that it is a waste of the taxpayer’s resources to give away money, with no expected return, to those who are physically capable of working. Not only would community work provide communities with a cost effective resource, it would also encourage a sense of contribution and an ethos of hard work in those who are involved. Vitally, it would also help to stamp out the problem of benefit fraud and benefit abusers which is currently draining so much of the governments expenditure. When we consider all these things, how can enforced community service not be a good thing?

“How

can enforced community service not be a good thing?”

Russell Franklin

system would be resolved. It is also important to make clear that this

Long term unemployment leads to more unemployment. After an extended period without work apathy can set in and getting a job becomes increasingly unattractive until the benefited makes only token attempts to find work. Doing community service would make sure that even during long term unemployment the person receiving benefits stays used to working hard and contributing to society; this would also help to discourage the sense of despair and uselessness that many people

ORBITAL asked : Should people on long-term unemployment benefits do compulsory community work? 12 theOrbital.co.uk

70% YES 30% NO

People On Long Term Unemployment Beneﬁts Should Do Compulsory Community Work conditions and disabilities but bereavement or unfair dismissal from a previous job. Forcing people to do community work just because they claim unemployment benefits does not seem fair to me. Not only would there be a high proportion of people who were physically incapable of doing community service, but the ones who were able to would grow to resent the government for pushing them into this service just because they claim benefits. It could be seen as a persecution of those who are unemployed, regardless of whether they are actively seeking a new job or not. Since the benefits system is inherently ﬂawed, it does not seem right to force those using it correctly to suffer on the account of those who abuse it. The system of benefits is there for a reason; in a government that believe in protecting people “from the cradle to the grave”, it only seems

“Enforcing

community service is like charging people for

using the NHS”

There can be no doubt that the benefits system in Britain - like in any country - is abused; there are loopholes (both legal and illegal) that are exploited, but without them there would be thousands of people honestly claiming benefits who would have to go without. Long term unemployment could be brought about for a number of reasons, not only medical

“It depends. Why are they on benefits?” Ben 4th year Physics

right to give financial aid to those in need of it. Enforcing community service is like saying “close, but no cigar”. It’s giving people aid, but only in return for something from them. Also, it is nearly impossible to tell if someone claiming benefits is actually entitled to receive them; there are hundreds of cases of benefit fraud every year, yet there are thousands more people out there still illegally claiming benefits. Therefore, until a foolproof method for seeking out benefit fraud is created, the government would be

“It depends, I think the unemployed are unfairly blamed for a lot of things.” Bianca 2nd Year PIR

enforcing community service on people who genuinely deserves benefits. When “community service” is mentioned, an image is conjured of convicts on parole in orange jumpsuits, picking up litter or trimming roadside verges with strimmers. Not exactly the sort of thing you would make people who are legitimately claiming unemployment benefits do. Community service is a way of reimbursing the world for something that you have done wrong. Of course, there are volunteers who choose to give up time to do some good, but more often than not it is used as a way for people who have done wrong, such as criminals to make up for their mistakes. It hardly seems like the right thing to do (although I am sure there are those who would say my opinion is wrong) to classify benefit claimers in the same category as convicted criminals I am in favour of forcing those who claim benefits, but cannot be bothered to work, to give something back to the community. However, enforcing service on those who have a right to benefits is like charging people for using the NHS. It is not until you are in a position to actually claim benefits that you could really make a judgement on whether you deserve them or not. But think how you would feel if you legitimately needed some sort of financial aid donated by the government, only to be told that you had to do something in return for it (beyond just paying your taxes and providing evidence that you deserve the benefits); forced to become what is defined as a “productive member of society”, regardless of who you were before and who would may become after. Laura Jones

“If they’re unemployed then they have the time, but they should also allocate the time to find work.”

Rodrigo 3rd Year Economics

opinion

Man W

beh

hen I was told I would be interviewing RHUL’s resident pro-wrestler, I admit that I unconsciously set myself some expectations. I expected to spend an hour communicating with my fists – not a great talent of mine I’ll admit - and found myself wishing for a pensive to stiﬂe the thought of moulding whatever information I did gather into an article. Only one thing remained certain: the dictaphone would be staying home today. But when I arrived at Tommy’s, I found a 3rd year Drama and Creative Writing student eating sandwiches quietly in the corner. It was becoming steadily clearer that I was going to have to do something about those pesky preconceptions. On show nights, he is known as Maximum Voltage, but this afternoon Max Olesker was approachable and eloquent – perhaps not something that will win him many fights in the ring. However, thankfully for him and I, there’s more to wrestling than winning fights, and more to Max than wrestling (the stand-up-duo he fronts half of were rated 4* at this summer’s Edinburgh Fringe).

He got into the sport by “pure ﬂuke” he says. “One of the biggest wrestling schools in Europe just so happened to open up near my house. I banged on the door a 14 theOrbital.co.uk lot until they let me in...

Ind the Mask

a year early too.” An intensive training regime followed for the next few years (reaching three full sessions a week), during which time he met his long term tag-team partner Dan Head (together they form the “subtly suggestive” duo: Maximum Head). Since then, he’s gained much experience performing at numerous venues all over the place – even as far as South Africa during his gap year. He met me talk about Wrestlemania: an event that Olesker is organising single-handedly in the SU, Friday 17th October. “It’s a night of wrestling, but aimed at nonwrestling fans,” he explains, “fun for the whole family.” As we get talking, I begin to see how well supported it is – all over campus. It’s already attracted the attention of RHUL’s TomCats – who’ve confirmed their attendance, and offered their services to keep the SU roof raised all night. It follows on from a similar event last term which, though a total hoot, is sure to be spoken of as nothing but the 17th’s younger brother when things kick off in two weeks. Olesker has taken time to improve his design and enlisted some help along the way. There’s promise of a multimedia experience with light shows and cinema screens galore; Insanity Radio providing

live coverage all night (that includes punterviews in Tommy’s before, don’t miss out on your fifteen seconds!), and in-house DJs to have you ripping up the dance ﬂoor after the festivities are over (wrestling attire: optional but encouraged). He hopes that the success of last term’s prequel will encourage everyone who came last time to return. After all, the main event – a six-man tagteam street fight – is a conﬂict fuelled by history that was left unresolved at the end of the previous show. Didn’t make it last time? Newcomers have no fear: all will become crystal clear on the night. Wrestling is obviously a dangerous past time, but it appears Mr. Olesker is quite bouncy: “I’ve broken my wrist a couple of times, and had a few back injuries, but not too much else,” he says. “There have however been a few people taken to hospital straight after matches”. Who knows what could happen in the SU. I’m to reassure you however that spectators should have no fear. Security will be on hand to at least try and keep the wrestlers from extending their wrath too far from the ring. And what’s more? A cheeky question about the nature of wrestling-dramatics is the only question met by a stern complexion. “It’s all real,” I am assured, “When you’re in the ring, anything

can happen.” Which brings the no-holds barred street fight to mind again (Max being one of the combatants). In such a match, anything in the surrounding environment can become a weapon, so expect the unexpected. Now as I push that queasy feeling to the back of my stomach, I ask Max to tell me a little more about his own individual style. Does he have any signature moves? Unsurprisingly he does: the 450 Splash and something called ‘The Max Factor’. I ask him to explain the first. “When I was younger, I thought I was invincible. One day I just had a go!” Unfortunately, I’m unable to appreciate the complexity and daring required for this move simply from its supposedly descriptive name (my fault not his). That is... until Max demonstrates with my biro. He has it front somersaulting fully off a bake n’ bite sandwich box in slow motion, only to ﬂip an extra 90 degrees and land (rather practically in a pinning position) onto an unsuspecting “rather obese opponent” (in this case, his half-filled tea-cup). Max has been practising the move for years and now reckons he’s pretty good at it. A crowd pleaser to watch out for on the 17th then. Next I ask about his wrestling persona, expecting that his Drama department roots have encouraged a lot of getting into character. However, it’s a little simpler than that. “It’s really just an extension of my personality... the other half.” And the other wrestlers? “Some guys really get into the swing of things. Yeah... head-butting walls gets people quite pumped up.” And if you feel like you need to get pumped up a bit before the actual night, Medicine is hosting a launch party on Monday 13th October for just that fix. Again, a lot of thought has gone into the night and the greatest effort has been made to cater for all those student wants and needs. There will be Wrestling-themed cocktails at the bar (it’s unlikely that drinking them will give you any attributes associated with the names, but they certainly won’t harm your wallet); and there are Facebook rumours about an “almost semiprofessional facepainter” too. Not to be missed. But to get really into the swing of things, you’ll need to open your fancy dress boxes for the highlight: a ‘Dress as a Wrestler Contest’ for boys and girls. There are many fantastic prizes on offer (free drinks anyone?), just remember: the more effort, the more ingenuity the better. It’s the thought that counts, not your pride, and does anything attract more street-cred than strapping yourself into a full-body suit of spandex? But if you want to get involved a little on the inside-action, there’s talk of trying to get a street team together to promote the festivities a week or two before. If you’re interested, contact Max at: maxolesker@gmail.com

Tom Shore WRESTLEMANIA will be held in the SU from 7.45pm on Friday 17th Oct. Tickets go on sale at the launch party: MANIA AT MEDICINE, on Monday 13th October.

opinion

ast year some of you may have noticed the appearance of a white tent outside the SU on a Tuesday afternoon. Some of you may even have noticed long before then, a group of random students standing outside offering free cakes, a smile, a listening ear and sporting a banner bearing the words ‘Love Royal Holloway’. Well, if you benefitted from one of their cakes last year, the good news is that they’re back this year! The project is called ‘The Tent’ – but what is it? ‘The Tent’ is a space for anyone to come and relax, chat, eat, drink, listen to music and just generally unwind on one of the busiest days on campus. Every Tuesday from 11am till 4pm, there will be a little white tent outside the union filled with a group of volunteers giving out free (yes - completely free!) food, drink and having a bit of a natter. They’re not professional counsellors or anything, but they are students who care about their university and want to offer a listening ear for anyone who needs support, or has any problems that they just want to oﬄoad. So, if you’re having a stressful day, go and tell them about it! On the other hand, if you just fancy a bit of free food, go along and grab

some! What’s more, there’s a space for you to get creative with some paints, pens, paper and glitter, along with a bit of music to chill with. So why are they doing this? Well, at ‘The Tent’ they just believe that everyone, whoever they are and wherever they’re from, should be shown that they’re loved no matter what, asking nothing in return. ‘The Tent’ is inspired by a national initiative called ‘Love Your Uni’, which encourages students to show others at their university that they are loved and cared for, in both practical and relational ways. They understand that university can be a stressful and emotional experience at times, and really want to help students with any difficulties they may be going through, whether that be just through a smile and some free cake or through a listening ear and friendship. Andy McNeil, one of the team members, said, “We feel convicted do to something because we’re becoming more and more aware of God’s love for the students at our university and that motivates us to take some time out and do something, even something small like giving

out cake. We’re doing this because of Jesus, but for students. We believe that God’s love is unconditional and it’s from that place that we’re doing this. We don’t have a secret agenda, we don’t want to preach or tell people what to do. We just want to serve people because they have value in God’s eyes and so in ours. We ask nothing in return – we won’t try and get you to sign up to a society or a church! – we would just love to give you some cake, listen if you need to talk, and hopefully put a smile on your face!” Sometimes we all just need to stop, take a break and be reminded that someone cares. Sometimes, we just really want a cake or a biscuit! So why not pop along for as little or long as you like on a Tuesday, they’d love to see you!

For more information, check out their Facebook group: ‘The Tent’.

16 theOrbital.co.uk

By Emma Ward and Sarah Cowen

Volunteering I

came to university to have great experiences. To try new things, explore who I am and find out what I want to do with my life. On a Saturday morning, when I arrive at the Disability Sports Club in Staines, I smile knowing there’s this guy who’s going to be there, bright eyed and bushy tailed every Saturday, waiting to kick a ball about. I met him roughly a year ago, he has Down’s Syndrome and that’s what he enjoys doing. There are lots of children at the club and I’m so lucky to have met every single one of them. Volunteering has given me memories that will stay with me forever, like helping teach a child how to catch. It’s not something you’ll ever forget. Through volunteering at Royal Holloway I have been part of some fantastic teams, met people I would never have had the chance to meet, learned a range of new skills (including how to get out of bed early on a Saturday morning) and seen a lot of fences painted! Community Action, led by Phil Simcock, coordinates volunteering at Royal Holloway. There are hundreds of students from Royal Holloway who have currently registered to volunteer, and Community Action are always looking for new volunteers who want to get involved with a project that excites them. Every student has a passion; something they love doing, and Community Action wants to find a project that will leave you absolutely buzzing. There are a wide range of

volunteering projects running across the local community, covering everything from working with people with disabilities, teaching IT skills to refugees, protecting the environment, tutoring and mentoring schemes and charity work. And that’s just a tiny fraction of the projects available. In addition to the wide range of local projects you can involved in, Community Action also organise special event days, such as the summer term’s annual Volunteering Week. Sports clubs such as Men and Women’s Rugby, Cricket and American Football (to name but a few!) have shown fantastic support in these events over the years. You can also watch out for the student event MADD (Make A Difference Day) on Friday 24th October. This is a really rewarding day where students team up and throw themselves at the local community, aiming to make the biggest possible difference in just one day. Community Action’s combination of special event days, such as MADD, and long-term projects, such as the Disability Sports Club in Staines, allow all students with varying commitments the opportunity to make a difference to someone’s life. You can find more information about volunteering at Royal Holloway at www.rhul. ac.uk/services/volunteering. The website is packed with information covering the

various volunteering opportunities at Royal Holloway, and will tell you all you need to know about the whats, whens, wheres and hows of volunteering locally. If you’re curious about any aspect of volunteering, feel free to swing by the Volunteering Fair on Wednesday 15th October, 12-2:30pm in the SU, and have a chat with the Community Action student team. There will also be a range of stalls with representatives from organisations such as the British Heart Foundation, who can tell you more about the volunteering initiatives they are involved in. If you want to make a difference and can’t wait, you’re welcome to pay a visit to Phil Simcock, Community Action’s Co-ordinator. You’ll find his office upstairs in the Student’s Union opposite Bake and Bite. If you want to do something you enjoy and change someone’s life at the same time, volunteering could be for you.

Rob Birks (Community Action Student Team) r.d.s.birks@rhul.ac.uk

opinion

Why I’m NOT getting involved Confessions of a lazy student

ts 3:00 pm and Jayni’s moving slowly around her kitchen in her pyjamas, trying to force her eyes open and make me a cup of tea. Who knows how long she would have gone on sleeping if I hadn’t interrupted her beauty sleep to find out what it’s like to be Holloway’s laziest student! Okay, I am exaggerating slightly, I’m sure there are people much worse than Jayni, and as you’ll see, she defends her inaction quite well. Sitting down amongst the pizza boxes in her bedroom, I ask my first question. “Did you go to Freshers’ Fayre?” From Amnesty International to our very own Orbital stand, surely anyone wandering round the fayre would be inspired to join one of the many societies and get involved. But alas, Jayni didn’t go – and she didn’t even go in her first year either. Why? Because she couldn’t be bothered. Although, she quite rightly adds to this that the reason last year was because she was one of the many left without on-campus accommodation, and was a bit estranged from campus activities in the first week. So onto our next area, volunteering. “Jayni are you going to get involved in RAG this year? Maybe help out on RAG day, coming up soon?” This time I’m even more surprised when she replies, “What’s that?” For those of you who

18 theOrbital.co.uk

don’t know, RAG stands for Raise and Give. It holds a number of events throughout the year, including RAG week. It’s great for anyone (like Jayni) who didn’t get involved in anything at the Freshers’ Fayre and wants to feel like they’ve done something worthwhile at uni.

“

many , have mweht o are I, for onceia lites” er “SU sod in SU jobs, othu e involv ering and campmes volunte s just to beco activitie! k n ow n

“

“University is about your degree!” Jayni says. She explains that she loves her course, and has come to Royal Holloway to study, and aim for a first. I have to admit, I’d rather have a CV that displayed a first rather than a 2:1 or 2:2 and some “Volunteering at RHUL” – in any case, would employers care if you helped Freshers lug their suitcases about for a couple of days? “Oh, uni’s also about drinking,” she adds – claiming she’s not studying, she’s too busy being hungover to get involved in anything. You can’t blame her for wanting to make the most of the party side of student life.

One thing I do have a problem with however is how a lot of people at RHUL only get involved to put it on their CV. Not that there’s anything wrong with it, especially if it’s helping others at the same time – but it’s just a bit fake. I, for one, have met many “SU socialites” who are involved in SU jobs, other volunteering and campus activities just to become known. Obviously, again there’s nothing wrong with this, but I’ve found a few of them totally false and the type who would stab you in the back if it benefited them. What happened to becoming popular because you’re genuinely nice?! At the end of our meeting, I’ve finished my tea and Jayni still looks half asleep. Maybe next year I’ll drag her to Freshers’ Fayre and she’ll see what she’s missing out on. Still, I love her ending comment of “Hey, maybe I have M.E?”

Sophie Yates on Jayni Shah, second year Maths student

MI6 Recruitment Drive – All applicants please refer to Facebook. Despite our ever diversifying multicultural society, it seems that the national desire to participate or volunteer couldn’t be stronger: from training for the 2012 Olympics, or participating in the X Factor in a bid to entertain the nation with a terrible rendition of a 1990s one hit wonder, to volunteering for the TA. Largely, this sense of participation has been fuelled by television, with adverts tempting you to “Be the Best,” and reminding potential applicants that, “You don’t need to be a pilot to ﬂy in the RAF”. However, Britain’s Secret Intelligence Services (aka MI6) has turned its attentions to Facebook in an attempt to recruit the next generation of the country’s elite, publishing three adverts encouraging people to apply, alongside having their own ‘Group’ profile (although it is difficult to say whether the profile is official). Whether this is a stroke of pure genius, or whether the SIS’s leading figures are several deadly gadgets short of a Bond Film is yet to be seen, but early reports from a Foreign Office spokeswoman have suggested that, “there has been a very good response so far.” According to the same spokeswoman, the Facebook campaign has been introduced in the hope of targeting “wide pools of talent representative of British society today.” With more than 110 million active members, Facebook is potentially an ideal platform from which people can be encouraged to involve themselves in an organisation which would ordinarily seem out of reach, but is it a step too far? In their attempts to involve the entire nation, is it possible that the SIS have simply advertised a ‘weakness’ to the rest of the world? After all, Facebook is an international site, so it is arguable that admitting to the world MI6 is somewhat desperate for recruits by placing adverts on Facebook is a far cry from running a few adverts on British TV, which pop-up somewhere between Gok Wan’s Fashion Fix and Emmerdale.Having perused the Wall on the SIS Group, the international attention which it was bound to attract has been confirmed, as a large majority of the posts seem to be from those living outside Britain. Nonetheless, I also saw many

posts from eager fifteen year olds, suggesting that the campaign may encourage young people to achieve their potential. Whether the selfconfessed ex-convict or the forty-four year old gentleman whose shining attributes are that he is “over the hill, overweight and lazy”, really have a future as the next James Bond is questionable… With this in mind, we students have to query whether this new advertising ploy is detracting value from the degrees that we are studying so hard for (between society socials and shopping trips of course). In previous years the SIS have scoured Britain’s universities for the country’s sharpest graduate minds for recruitment, but why should we bother graduating when we can simply log on to Facebook? OK, so maybe I’m exaggerating a little, but when I’m studying for Finals in the small hours of the morning, I’m sure this thought will haunt me. Some may argue that the traditional method was elitist, but candidates were also hand picked from those enduring rigorous aptitude tests with the hopes of joining the army, offering those pro-active members of society with an interest in the forces but no degree, the same opportunities as those with one. So, have the monopolising effects of Facebook and the desire of the government to ensure that everyone can participate in all aspects of society gone too far, or should all recruitment for Britain’s elite be run through Facebook from now on? Of course, the group could just be a big hoax and the adverts as innocent an attempt at recruitment as the army’s TV campaign, but it’s up to you to log on and debate that point with the 2,849 members of the MI6 Group! P.S. If anyone sees an advert informing the world that the British Cabinet are recruiting, let me know - I may be interested…

Keta Hunt

The Orbital Needs You! Come and join our fun and friendly design team and see you work read by thousands. contact: artdirector@su.rhul.ac.uk

opinion

How involved is too involved in National Security?

n recent months we have seen child protection laws change drastically. The government has announced that they would like everyone who comes into contact with a child in a professional way, to have full liability for the child under their care. Teachers, doctors, social workers and many others in professions that come into close contact with children will be affected by this bill. Parents will gain from this bill as they will be allowed to exercise their concern about any professional who comes into contact with their child. The bill seems to focus on trying to achieve early intervention. Though some may see the bill as a lack of respect for one’s privacy, the bill is there to ensure complete protection for children. Surely no one could argue against this bill when it protects children in places where they have been taught to feel naturally safe?

20 theOrbital.co.uk

Doctors, teachers and social workers especially, work closely with children and it is our duty to make sure that they can be trusted with young children. I personally would argue that if one has nothing to hide then they should have no problem with these new laws. Young children are vulnerable and the government has stressed that parents too should learn of their rights and responsibilities as parents. Most people would place blind trust in doctors especially as they are educated individuals who are there to help those in need. The new child protection laws ensure that anyone who professionally comes into contact with a child does not take advantage of the power and responsibilities they have. However, when is it time to say no to the government when it comes to invading our privacy? There has been much debate over the

introduction of ID cards which would, according to the Home Office website, ‘provide an easy and secure way for legal UK residents to prove who they are when they apply for services at private businesses, or for government benefits’. The card can be linked to its owner through biometric identifiers such as finger prints and facial scans and as a result the government claims that the cards will lower the rate of identity theft. If you are aged 16 or older and are a UK resident then you would qualify for an ID card. The issue of these ID cards however is constantly being postponed. This may be due to the heavy costs of distribution and the fact that many feel quite negatively about the introduction of ID cards. Though the government is trying to focus more on getting across the benefits of having an ID card to the public, rather than forcing it on people, the public still feels unsure about how far the government is delving into their personal

lives. A voluntary scheme will take place and the outcome of this will decide whether or not the government will start a full scale distribution with the ID cards. Those who are opposed to the idea of ID cards are worried that the cost of issuing these cards could be spent on better things. The Conservatives and Liberal Democrats have on many occasions voiced their doubts over the ID card issue. The problem most would have with ID cards is the not knowing who has access to your information. Despite the government’s claims that the ID cards will help reduce theft and try and fight terrorism, there is no evidence that the ID cards will help with this. Is it possible that ID cards could have stopped 9/11? or the terrorist attacks here in London? Would ID cards really stop terrorists living in our own country? It is hard to see how ID cards could possibly

help with terrorism or identity theft. Surely the information that will be stored on an ID card will make people want to forge them even more. After paying roughly thirty pounds or more on these cards (the government has not yet released an official price) do we really want to be held responsible for the safety of a card that will probably end up costing us even more money when it either gets lost or stolen? With the constant need to update photos and new information, these cards could end up costing us a lot more than the initial price the government is enticing us with. It is quite clever of the government to introduce these money making ID cards. Recently there have also been plans to introduce retinal eye scan technology in schools. One can’t help but wonder if the money spent on all this new technology couldn’t be spent elsewhere in

the schools. Do we really need children’s eyes scanned when they check out a book from the library? What’s wrong with the good old fashioned library card? Do we all really need this state of the art technology, especially for young children who will bring back a book if you threaten them with detention? Retinal scans, finger print identification, it’s as if some James Bond fanatic is behind all these plans. At the end of the day one must ask the question: is it necessary? Could the money be better spent? What exactly would the country gain from this? Would you sign up for an ID card and give away some very personal details about yourself to the government not knowing who would have access to it? I’m not too sure I would.

Dina Patel

opinion

From the mass musical collaboration of Live8 to the celebs pounding the pavements in Race for Life, it seems that many a resident of celeb-land is seeking to do their bit for those worse off than themselves. Whether the donation is of time or money, it seems charitable giving is certainly à la mode. But in the realm of the rich and famous, how can we know how honourable celebs’ intentions actually are? Do these film, fashion and music icons truly care about the world and all it s problems or are they just trying to boost their own public image? Let us first remind ourselves of the origins of high profile giving. Arguably, July 13th, 1985, saw the beginning of this phenomenon with the worldwide music fundraiser, Live Aid. Organised by Bob Geldof and Midge Ure, the event drew crowds of around 82,000 at the old Wembley Stadium, London and around 99,000 at the JFK Stadium, Philadelphia and then millions more across the globe. Let us not forget however, that Live Aid was founded on the success of the Christmas record, “Do they know it’s Christmas?” It played on the Christmas theme of giving

being extended around the world and through the year. Live Aid boasted acts such as Status Quo, Queen, Elvis Costello, U2, The Who, Phil Collins and Paul McCartney. With acts so high profile, surely the natural follow on is that the charities gain much more high attention and support? Indeed, this was the case. Live Aid raised millions and played a huge role in helping those in famine in Ethiopia out of a desperate situation, not only by raising money, but awareness too. With communication and travel not nearly so fast nor so advanced as they are today, people simply were not so conscious of the problems which plague some of the world’s most poverty stricken people.

Celebritites’ charitable endeavours can be seen in two ways. Either, we can deduce that celebrities can be affected by knowledge of the suffering of others just as much as you or I can, and therefore feel obliged to use their power and empty their pockets to help. It could even be argued that the average citizen in celebsville would feel even more responsible than the average citizen, as they have so much wealth, live in so much comfort, feel so far removed from the world where poverty exists that they feel compelled to try to pull others out of that miserable world. Or, however, we can take a pessimistic view of celebs- yes, they are supporting very worthy causes, but for very selfish reasons- to further their own careers.

Of course, not only were the profiles of the needy and the charities who helped them raised, but the celebrities who facilitated this too. What the real question, though, is- what was driving the celebrities? A worldly conscience? Or further fame, fortune and a rosy image in the public eye? Does it even matter, so long as charities are benefiting?

Of course, the two above interpretations are not mutually exclusive. Celebrities may want to help others and themselves, therefore ensuring a sound future for themselves and also ensuring they hold public influence in the future. A higher profile for them means a higher profile, and therefore more money and support, for the charities.

Cat Kay

22 theOrbital.co.uk

Not Everything

That Glitters Is

GOLD T

he British Museum. A house of fine arts, culture and countless priceless antiquities. A place to experience a glimpse of British history. Also where you’ll be able to catch sight of a solid gold Kate Moss contorted into a rather bizarre position. I believe Marc Quinn (the sculptor) is calling it a “yoga pose”. Sources close to me say it’s actually position number thirtyseven in the Karma Sutra. Whatever Ms Moss is doing there, in solid gold, on that plinth, the motivation baﬄes me. Quinn’s sculpture is believed to be the biggest solid gold statue made since Ancient Egypt. That’s the biggest solid gold statue made in four thousand years. Rameses II is spinning in his sarcophagus so fast that his bandages are unraveling. Although the statue is hollow and therefore has a comparably small weight, it is insured for ten million pounds. One million was spent just on the gold to cast it. I expect the Bank of England is eying it greedily and salivating, poring over schematics of the museum so they can crawl in through a vent and steal the statue, melt it into bullion and plug one of the many leaks in our failing economy. Kate Moss was chosen for this ‘honour’ (apparently it is an honour to be cast in eighteencarat gold wearing a revealing, skintight leotard with your eighteen-carat feet wrapped around your eighteen-carat ears - who

knew?) because she is supposed to be the “ideal beauty of modern times”. She looks good, so let’s make her out of precious metal and stick her on a plinth for all to see seems to be the philosophy behind this stunt. The question we need to ask is if we, the British people, want Kate Moss on display in our museum (it is the British Museum after all). She sits there for visitors of every nationality to view and discover that this is what we, the British, consider to be ultimate beauty. A woman who has done nothing but burst onto the catwalk scene in Calvin Kleins at fourteen, date a drugaddled rock star, and fall out of London taxi cabs at all hours whilst allegedly embroiled in a cocaine scandal.* Yes she dumped the pasty-faced singer, went to rehab, approved some clothing designs and then appeared in the window of H&M Oxford Street for a two minute pouting (sorry, photo) session. Yes, she managed to turn her life around, but despite her remarkable ability to seemingly do no wrong, is she what we want to be considered the pinnacle of achievements in this country, purely because she looks fantastic on the cover of Vogue? Are we a superficial enough society to want someone immortalized in gold because of their admittedly stunning good looks? That is what this statue tells us. Besides, it’s not even true to life; it weighs much more than Ms Moss ever will. *I believe ‘allegedly’ is the key word here to avoid being sued. Ms Moss never admitted anything, no charges were made and nothing could be proved. That white powder could have been anything. It’s perfectly plausible she was just powdering her nose. On the inside.

Michael Englefield

orbital

WHAT’S | ON

THE TIMES BFI LONDON FILM FESTIVAL 15TH-30TH OCTOBER. Join the film stars and industry pros as they gather to see the best new cinema from around the world - including the first public screening of the new James Bond movie, Quantum of Solace. www.bfi.org.uk/lff

DISNEY ON ICE: FINDING NEMO 23RD OCTOBER-2ND NOVEMBER, THE O2 Digital projection and clever choreography work together to transform the O2 into Disney’s captivating aquatic adventure. The breathtaking props also add to the illusion- including a 43ft long whale! www.theo2.co.uk

DIWALI ON THE SQUARE 08 19TH OCTOBER, TRAFALGAR SQUARE Known as the Festival of Light, Diwali is a significant event for Hindus, Sikhs and Jains and attracted 30,000 visitors last year. It involves magical light displays and music and dance performances to symbolise the triumph of good over evil. www.diwaliinlondon.com

FRENCH AND SAUNDERS: STILL ALIVE 15TH OCTOBER-8TH NOVEMBER, THEATRE ROYAL DRURY LANE. Featuring the best of the comic duo’s characters and sketches from their 3 decades of working together, Dawn and Jennifer’s return to the stage promises to be lively, upbeat and fun. For more information call 0871 230 2200

ROTHKO: UNTIL 1ST FEBRUARY 2009, TATE MODERN Mark Rothko is one of America’s most significant post-war painters, and this is the first exhibition of his work in the UK for 20 years. Come and see some of the most enduring and mysterious artistic pieces of the 20th century. www.tate.org.uk

BLACK HISTORY MONTH UNTIL 31ST OCTOBER, VARIOUS VENUES A celebration of the history and culture of Britain’s African and Caribbean communities, as well as other ethnic groups. Featuring a varied program of art, entertainment and exhibitions to bring it to life. www.blackhistorymonth.co.uk

THE WINE SHOW 2008: 24TH-26TH OCTOBER, BUSINESS DESIGN CENTRE Take a tour of wines from around the world, meet and talk to hundreds of wine lovers and suppliers and generally celebrate London’s booziest show. www.wineshow.co.uk. 24 theOrbital.co.uk

JACK THE RIPPER EXHIBITION: UNTIL 2ND NOVEMBER 2008, MUSEUM IN DOCKLANDS An exhibition exploring the most notorious, and most sought-after figure in England’s history. Including never-before-seen documents and exhibits, the event is a dark and fascinating insight into a sensational tale of bloody murder. www.museumindocklands.org.uk

LONDON GAMES FESTIVAL: UNTIL 2ND NOVEMBER 2008, VARIOUS VENUES For all you gaming geeks out there, London Games Festival features over 50 action-packed events across the capital, exploring everything to do with computer and video games. Expect to see Sonic the Hedgehog and Crash Bandicoot gate-crashing the party! www.londongamesfestival.co.uk

ALL TOGETHER NOW 23/09/08

FRUITY 26/09/08

orbital

NON RES BUS SCHEDULE

26 theOrbital.co.uk

WINNER!

E-MAIL TO COLLECT YOUR UNION TICKET ORBITAL@SU.RHUL.AC.UK

FRUITY 3/10/08 28 theOrbital.co.uk

“ ”

Free Stuff

Another issue, another page of things that you can win for absolutely no cost - and that’s good economics in the current world climate.

Teeth DVD

Flip to page 35 to see our Teeth competition, where you have the chance to sink your teeth into one of two copies of the DVD and an extra special bonus prize.

Skinwalkers DVD

We also have two copies of another teeth-based film to give away - Skinwalkers, in which two packs of werewolves, divided by the moral principles of ‘good’ and ‘evil’, are signaled by a red moon of the coming of the ancient prophecy ofNavajos’. A young half-blood boy named Timothy (Matthew Knight; The Grudge 2)) approaches his 13th birthday, unaware that this date marks a transformation as he inherits unearthly powers to end the ancient curse. On the third night of the red moon, a bloody, vengeful war erupts between the two factions, the outcome will decide whether the curse ceases or continues. Check out theorbital.co.uk for our full review.

Sam Stern’s CookBook

If you have had the pleasure of reading this issue’s Coop’s Kitchen, you will have seen the reciepes of Sam Stern. I haven’t yet tried them, but the pictures make me really want those doughnuts. For a chance to win copy of the book, head to page 38 for details.

lifestyle

THEATR E

OF PART I C I - P A T I ON As this issue of The Orbital is participation themed, what better chance than to write a kind of participation themed article about theatre? And no, not that dreaded audience participation, but ways you can participate in theatre events or schemes that are fun, exciting, educational, inspirational, and most importantly – cheap… We’re all aware that going to the theatre can be expensive, and as we’re cash strapped students, it’s important we know about the bargains and deals out there… Did you know for example that most West End theatres offer Student Standby Tickets? If you turn up to a West End Show with your NUS card, an hour (times vary according to theatre) before the show starts, they’ll sell you the best seats they have available at a discounted price.

30 theOrbital.co.uk

Lots of West End theatres offer day tickets – where every morning when the box office opens they sell the whole front row of the stalls at a discounted rate – see Hairspray or Wicked for £25 front row! You can only buy your ticket and one other and it’s worth arriving early and braving the queue for at least an hour for these, for which you’ll be battling with tourists, but it’s definitely worth it.

Other theatre offer bargain tickets, such as The Royal Court Theatre, where every Monday all tickets are £10; The National Theatre who offer £10 day seats, available for every show from 9.30am on the day of performance (4pm on bank holidays and 12pm on Sundays when the theatre is open) and £5 standing seats, after all seats have sold out (available either in person or by phone); Keep your eye out for the bargains on Ticketmaster where you can often find great last minute deals. Discounted tickets can also be bought from tkts in Leister Square, run by the Society of London Theatre, located in the clocktower building on the south side of the garden in the Square. They display noticeboards giving details of discount theatre tickets for matinee and evening performances for which you can purchase tickets. There are two fantastic theatre projects run in the West End that any student can participate in and should definitely be aware of.

Masterclass is an initiative set up in association with the Theatre Royal Haymarket ten years ago. Back in the mid-1990s its chairman, Arnold Crook, suggested that they do something with the magnificent theatre that is left empty during the day before a performance, and why not open it up and welcome another audience. With Sir Peter Hall as the founding patron, the programme was launched with the first Masterclass event taking place on the 10 February 2008, given by Steven Berkoff on physical theatre to an audience from schools and colleges. Since its initiation, Masterclass has moved from strength to strength, and now offers regular inspiring and educational events with the crème de la crème of theatre professionals.

afternoon event lead by a master from the theatre industry. This might be a question and answer event with the master, or they might work on a scene with several participants on stage, or at an even smaller Masterclass, 20 applicants might participate in a private workshop with a master. A huge amount of famous actors, actresses, directors, writers and musical theatre performers have led events, including, Simon Callow, David Haige, Alan Ayckbourn, Jeremy Irons, Jonathan Kent, Samuel West, Imelda Staunton, Helen Mirren, Ewan McGregor and Prunella Scales to name but a few.

Queen and Joanna Lumley, award winning British Actress, most famous for her role as Patsy in Absolutely Fabulous. Masterclass is an invaluable resource for drama students, due to the huge insight into the professional world of stage, film, television and writing, and every event is an insightful and fun afternoon out. Events are absolutely free to attend and run at the Theatre Royal, Haymarket. Sign up and find out more at www.masterclass. org.uk

Currently announced are Masterclasses with Richard Eyre, one of the country’s most respected directors of stage and screen, Michael Sheen, a television and film actor who has starred in The

Alex Turner

As one of the privileges of being Secretary on the Student Workshop committee this year, I was invited with Alex to attend the launch event for a new discounted theatre tickets scheme run by Mousetrap Theatre Projects. Hosted at the Royal Court Theatre, the event aimed to provide information about their new project West End 4 £10, which explained simply means that young people can see great London theatre for very little money. The evening was a great success and I came away feeling greatly encouraged that a company was willing to dedicate its work to making sure that we students can afford to go to the theatre. I felt so encouraged in fact, that I felt the need to write this article and tell everyone on campus how they can get involved! So here’s a little more information…

people as possible to experience theatre at a low cost, in order to educate and entertain whilst ensuring that the legacy of theatre-going continues. As a charitable foundation the company is in a unique position in that it is able to select appropriate, relevant theatre productions in and beyond the West End that stimulate and inspire young people and encourage them to get involved. They devise programmes that use theatre as a catalyst to explore ideas, learn new skills, develop creativity and offer new perspectives. They endeavor to open doors to young people who might otherwise feel shut out from London’s rich cultural heritage, as well as ensuring that people who are already interested and aware can continue to be so.

gives you the chance to see a wide range of professional theatre in London at the cost of no more than £10 per ticket, with the added opportunity to participate in behind the scenes activities, including, for example, Q&A sessions with the cast or production team of the show you have just seen. The programme is free to join, so to sign up all you need to do is go to www. mousetrap.org.uk or email westend@mousetrap. org.uk with your details. Their next trip is to see Chekov’s Ivanov, starring Kenneth Branagh, at the Wyndham’s Theatre, Donmar West End on Wednesday 22nd October. So sign up and get your tickets while you can!

Mousetrap Theatre Projects are an independent, London based, theatre access and education charity. Their aim is to allow as many young

So what can they offer students at Royal Holloway? Mousetrap’s new scheme West End 4 £10 is specifically designed for people aged 19-23 (or any student until they graduate). The project

Masterclass aims to offer young people exceptional creative opportunities and experiences with leaders of the theatre industry, and that they do. At least once a month they run a Friday

Eleanor McAlister-Dilks

theatre GUIDE

lifestyle

you should see: Now or Later

Hairspray

Of all London’s theatres the Royal Court is the one that is renowned for its presentation of new writing; plays performed at this venue are famous for their focus on current affairs, the problems today’s society faces and the possibilities that life can throw at us. It is no wonder then that Christopher Shinn’s new play Now or Later was premiered at the Royal Court this September. Set on the night of the general election in the U.S, the play deals with the reality of being the President-elect’s son, and the mistakes, or rather naïvely purposeful jokes, which could cost your father the support of the American public. It couldn’t have been performed at a more appropriate time. The play was acted superbly by each individual but it was Eddie Redmayne, who plays John Jr. the troubled homosexual son who the story revolves around, that stood out for me. Throughout his struggle to defend his presentation of the Islamic figure Mohammed, Redmayne is thoroughly believable and has such presence that you can hardly take your eyes off him. His sense of urgency brings the play to life, whilst

Thinking back over my reactions to the play, I can say that it was also very educational. For someone who doesn’t always have time to follow politics, I found the play very accessible and an intelligent portrayal of how political correctness affects today’s society. The simplicity of the set, a typical American hotel suite, in particular the cleverly reﬂective windows, added perfectly to the overall atmosphere; hearing the deafening cheers of the democratic supporters when the window opens seems to put the play in perspective and leaves the audience wondering just how much trouble there will be in the morning. A play to exemplify the problems in modern politics, Now or Later is a political story of our time, which I would very much recommend to anyone.

With the popularity of the highly publicised film starring John Travolta as an overweight mother in drag, the West End production of Hairspray was always going to be a success. Opening with critical acclaim, and scooping the musical theatre categories at the Olivier Awards of 2008, winning Best New Musical, Best Actress, Best Actor and Best Supporting Actress, Hairspray definitely lives up to the hype. Based on John Water’s 1988 cult movie and set in 1960s Baltimore, it tells the story of the plump Tracy Turnblatt (played by the marvelous Leanne Jones) who, with her talent for jiving, defies the odds to become a regular on the Corny Collins Show. She uses her status to speak out for her causes and the show revolves around her campaign for integration. Hairspray works brilliantly on stage and it is the production’s attention to detail that makes it a winner. The star of the show is, without a doubt, Michael Ball. Dressed in a pinny with a dinky gold wrist watch and pink lipstick, Ball’s comic timing is impeccable, and throughout has the audience (and himself ) in hysterics, especially during his duet “You’re Timeless To Me” with husband Wilbur, played by Ian Talbot. This high energy production is a feel good show that will have you dancing in the aisles and is guaranteed to leave a smile on your face.

Eleanor McAlister-Dilks

ALEX TURNER

the vulnerability he portrays adds a level of insecurity, enabling the audience to empathise with his moral dilemma.

and this might be good:

Othello by Frantic Assembly

Breaking away from their work with devised and new writing, Frantic Assembly’s new production of Shakespeare’s Othello takes place around a pool table in a dimly lit northern pub. Using the original text and taking the themes of jealousy, rage, betrayal and sex, Frantic Assembly will demonstrate the ever relevant nature of the 17th century play. In a world of broken glass, car park brawls, bouncers and loud music, Frantic’s 32 theOrbital.co.uk

physical and movement based approach to the piece will not fail to be dynamic and exciting; the content of which looks like the sort of material to be sprawled across the front page of The Sun in the morning. ALEX TURNER

PRESENTED BY:

Neil’s Gym explores...

HYPNOTISM Nowadays many people spend so much time, effort and money on fad diets, diet pills and other crazy ventures in the effort to maintain weight or loose it that have no long lasting guarantees and can also have negative effects on the body. So for this issue, I wanted to try something different. I began thinking... is there another way? Is there a way that to control your eating habits without too much exercise or literally locking your fridge? Is there a way that is more permanent and less harsh on the body than diet pills and living on milkshakes? I think I may have found something... Hypnotherapy! I have always been curious of this practice as well, I suppose, a little sceptical. But after hearing of people effective quitting smoking using this method, I thought, could it help people control their eating habits and quell those cravings? So I set off on my mission to become more informed of the practice that is Hypnotherapy. Keith Hodge was the man that came to my aid. Keith is a local practicing hypnotherapist and he offered to help me with my quest. Our first meeting began in a room in a house in Egham. We began discussing the processes of hypnotherapy. Keith explains hypnotherapy as a treatment; it takes you to a place you can’t get to by yourself. The therapist doesn’t take you there; he guides you to a state of relaxation where the subconscious works. In hypnotherapy you access your storehouse of experiences, which is embedded in our subconscious. Any issues people have are sourced form their subconscious. Hypnotherapy works to change how peo-

ple perceive what’s going on around them and their thoughts and emotions, in this case, from the connections to food. “We find a space which is in-between being awake and in a dream, you can hear things going on whilst you’re under but you’re so relaxed you’re only focused on one this, yourself, and my voice guides you“. I have to admit, I had fears about the treatment. I was worried about my control and how far I would go under – if I would even go under. Keith assured me I would be in complete control he said that any suggestions that make me uncomfortable would cause me wake up. Very unlike stage hypnotherapy (for all those who saw Tony Lee at the Union) where the people who are there and go up are there expecting to do crazy things. With regards to the fear of actually going under, if you’re open to it, it will work - the smoker who comes in and says “my wife wants me to quit, can you help?” then the answer is going to be no, you need to do it for yourself. My first session began with Keith asking me questions about my eating habits and styles. As well as questions about my personal life as we had to see if there was a link between my emotions and my bad eating habits, which there was and it was something which we would address in our sessions. After my first session I had mixed feeling, I was wondering whether or not it would work on me. We had chosen chocolate as my control food that I was going to try and cut out as well as controlling the amount of sugary foods I eat. The session was really interesting and I remember fragments of what Keith was saying to me, I began going under and I went in and out of being able to hear him. I wondered if it

was I falling asleep, as I had never felt so relaxed! So I went home after and had a chocolate milkshake... I was beginning to wonder if it was working, but for me having a milkshake isn’t my problem as it’s not what I binge on. Its solid bars of chocolate that are my vice. In my subconscious I knew that I was ok with these items – just not the chocolate bars. I would have to wait till my next session to find out. By the evening, I was nervous. I’m an awful person when it comes to eating at night, especially when I’m at work. Usually, I can’t stay off the coke (as its free) and I eat chocolate as its available. I always go into the Union saying to myself, “I’m just going to have water tonight and no chocolate” and not once has this happened. Plus, after my therapy session I was working the Freshers’ Ball where there was a chocolate fountain! It was only at the end of the night that I suddenly realised that I hadn’t had a single coke or a bit of chocolate the whole night, and I hadn’t wanted them. For the first time in two years of working security somehow I was able to control myself and I didn’t touch it! It had actually worked! I’m looking forward to the week ahead now to see if my good luck and success continues. Keith Hodge works in Egham and has given us a great offer for our readers: anyone who quotes The Orbital when contacting him can receive a 10% discount per session! Keith can help with many other problems that students have such as, esteem issues, quitting smoking, exam nerves, addiction to drugs and alcohol, sports performance, fatigue, phobias and panic attacks. Over the next four issues, you can follow my progress both here in the Orbital and online at theorbital.co.uk

NEIL THORNTON

For more information, and to recieve a 10% Orbital discountm contact our hypnotist, on: Keith Hodge http://www.intuity.org.uk 01273 242345 07792 263822

lifestyle

HOW TO

QUESTIONS AND ANSWERS WITH SIMON PEGG After the viewing of the premiere of How to Lose Friends and Alienate People, The Orbital gained an insight into the making of the film by attending a question and answer session with Simon Pegg, Robert Weide (Director) and Stephen Wooley (Producer). Orbital: Assuming that it is not Conair, what is the best film ever made? Simon: I was going to say Monkey Trouble! It’s a tough one - I don’t think you can have an absolute like that. There are so many great films for me, but I suppose Raising Arizona is high on my list. Simon, how did you prepare to play such a failure of an individual? I hung out with Toby Young! Actually, I made a decision quite early on not to play him, seeing as Peter Straughan had fictionalised the script already, I figured I had to play the part from the page rather than from the man. Were you trying to make a big break in America with this film and did this help you relate to 34 theOrbital.co.uk

the character of Sydney, as a small fish in a big pond? I’m not “trying to make it in America”, I’m just trying to work – I want to do good stuff and work with good people. Inevitably, with their prolific film industry, as an actor or a writer, you gravitate towards the ‘states. What was the worst thing the media have ever said about you? The Independent on Sunday had clearly had just read my Wikipedia page which is full of nonsense and says something about me having a black pony tail. I can honestly say, fortunately for me, that that’s the worst thing I’ve ever read about myself! Stephen, could you please tell us about how you and Robert both get appearances in this movie? Stephen: We shot a portion of the film in the UK and relied very much on American actors and I said, “Hmmm, how much do we have in the budget – Bob why don’t you just do this!?” Bob’s acted before in Curb Your Enthusiasm and I thought we could rely on him for those couple of lines... and he was great! The reason I’m in the film is because when we shot the airport scene

we only had a certain amount of actors. Bob shot the film one way and then when he turned round I realised we didn’t have any extras to shoot from that direction. Not only am I in that scene, I’m actually talking to Peter Straughan (the writer) and half our crew are in it, too. Toby Young has said in print that he had a go at adapting the book himself but it was rejected, to what extent is this true? When we first got involved in the project I needed Toby’s support to persuade Film4 to let us take it on. He did that and once we had secured the rights I read his treatment for the film and it was absolutely… Well it wasn’t very good! We agreed that we needed a proper writer to come on board. Tony is fantastic; he’ll say “no you’re right, let’s get someone like a professional screen writer.” Then you’ll read about it as if we’ve fired him and kicked him out on the street… But it wasn’t quite like that! Yeah, but in effect, we did use him to get the rights and then fire him! How to Lose Friends and Alienate People is in the cinemas now. To see our review of it, head totheorbital.co.uk. EMMA COOPER

film GUIDE

in cinemas:

free dvd? (no need to download!)

MISS PETTIGREW LIVES FOR A DAY

So many movie genre spoofs have been made over the years, from Blazing Saddles to Scary Movie. Tropic Thunder could just have easily been named “Not Another War Movie”, yet a deliciously macabre sense of humour lurks beneath the fart and decapitation jokes. Ben Stiller is just as expected: sweet and amusing; Robert Downey Jnr does well as a wannabe black dude and even the bland Matthew McConaughey is decent as Stiller’s PA as well as being the only real eye candy in the film. But it is the one-time Hollywood ‘golden boy’ turned mad raving loony; Tom Cruise, that steals the show. He is unrecognisable as the hideously hirsute mogul, Jeff Portnoy, inexplicably dancing to T-Pain’s Low (low, low, low) on two occasions. He may well have even redeemed himself from the laughing stock status he established during his sofa-jumping stint on Oprah! Other hilarious moments include the opening spoof trailer, including a teaser for a gay monk film starring Tobey Maguire and Stiller’s shameful ‘retard’ picture, Simple Jack. The film drags considerably for the middle part, but suddenly picks up with some hilarious slapstick involving a Vietnamese infant. Overall, if there is any rivalry between Stiller and Adam Sandler, this year the latter won the battle for laughs with You Don’t Mess With the Zohan. Tropic Thunder is nonetheless a satisfying and fairly witty bit of popcorn fodder.

‘Miss who lives for a what-now?’ Yes - this was rather my reaction. One of those films that seem to appear only in that obscure seaside cinema that you always passed by and thought was someone’s misplaced basement. For the multitudes who haven’t stumbled across it, it’s probably not worth too much time and effort spent searching. Whilst certainly it’s a joy to see Amy Adams (Enchanted) once more gracing the big screen, this perhaps misplaced pleasure comes only from recognising the virtually interchangeable character. Set against a notentirely-convincing Second World War backdrop, the film focuses on the ﬂamboyant love lives of seemingly over-privileged English society through the eyes of the contrastingly downtrodden Miss Pettigrew. The script in places can seem a little two-dimensional and limited in gripping attention immediately, but for the first twenty minutes or so does offer some reward in mild amusement. Clearly aimed at fans of the period drama, it does, however, capture the interesting prospect of the extent to which an encounter with one other person in the short space of a day can impact on one’s life. This encounter is not of the overdone romantic kind, but rather between a young beauty and an older woman who deems herself ‘an expert in the lack of love’. This relationship, though at times quite poignant, is a little undercut by the film’s insistence upon a “happy ending” with no possible loose ends. The overall sense as one comes away is one of disbelief of the contentment found, and perhaps a little impatience at the time it took to be achieved.

MIRANDA TENNANT

Elizabeth Parker

TROPIC THUNDER

coming out soon(ish):

SISTERHOOD Sisterhood is a light British comedy about long lost siblings who, once reunited, realise that they have nothing in common. It tells the tale of Catherine, an uptight British businesswoman and her hairy-legged Kiwi sister, Shirley. Unknowing she had a sister, Catherine is highly surprised when Shirley turns up at her apartment, turns her world upside down and leads her on a mission to uncover their embezzling father. Full of slapstick and visual comedy, this is a pleasing yet touching film. Opens 17th October.

TEETH Jess Weixler A lot attention surrounded the cinema release of this film - not every day is a motion picture released concerning a girl (or woman) with teeth in her vagina, and even rarer is one released where the teeth are malevolent. Perhaps the lack of films with similar themes is what caused such confusion over the genre of this film, and as such, the expectations given to the audience. Having been banded around as a horror, thriller, black comedy and many other not-quiteright titles, perhaps the only safe judgement of this film is that it is hard to tuck away into a neat little box. The film grabs the viewers attention with a horrorable subject, portrays itself through black comedy (who doesn’t enjoy watching a dog eating a servered penis?) to tell the very ordinary story of a girl’s sexual awakening in a world that is not able to decide on sexuality itself, let alone teach teenagers about it - the covered picture of a vagina in the schoolbooks is just one example of the film tackling a more serious social problem. Teeth can be viewed as simply a gruesome, over-the-top horror movie if needs be. However, if one wants to take a close look at the issues the film addresses, the messages Teeth gives can keep coming back to haunt you - much like the fear of teeth inside a vagina often comes back to me, usually at inopportune times.

THEY SAY: “Sexy, nasty and bitingly funny.” WE SAY: “A razor-sharp, comedy commentary concerning female sexual-awakening.”

WIN IT! To win one of two DVD’s and two bonus prizes, just e-mail in your name, contact details and the words, TEETH BITES to the usual address. Which is: orbital@su.rhul.ac.uk

lifestyle

hat can you say about Keane? Okay, so they’re not exactly considered the coolest or the most innovative band around. However, you have to hand it to them - between their 2004 debut, Hopes and Fears and the follow-up, Under The Iron Sea in 2006, they’ve sold over eight million albums, so they must be doing something right, surely? Still, when it comes to the most exciting albums of the past ten years, these are unlikely to make the list.

So what about their new effort, Perfect Symmetry? The band themselves claim that, following the controversy and near-split that plagued them thanks to a drug scandal in 2006, this is a completely new beginning for them with lead singer, Tom describing it as their “re-birth” and “an adventure”. The songs were put to the test to see if they could live up to this hype at the album launch on Tuesday 30th September. The venue, the Flower Cellars in Covent Garden, with its underground web of hideaways, each displaying unusual artistic sculptures and images, promised something interesting, something we’d perhaps never seen before. However, the attention-grabbing venue did worryingly seem to overshadow the music slightly. 36 theOrbital.co.uk

There’s no arguing that, on the night, the band really did put the effort into the set and gave it their all to convince those gathered in the intimate location that this really is going to be their stand-out album. Unfortunately though this came across as a little too try-hard at times. Mixed with the on-stage comments about the difficulties they faced as a band two years ago, it almost felt like they were pleading with people to like them.

“not a complete disaster. “ Continuing along the same lines, the songs played, whilst not a complete disaster by any stretch of the imagination, did not stand out as being anything new or exciting. In fact, as with lead single, Spiralling, the only notable difference between these songs and those on the last two albums is that they appear to have all been mixed with any typical pop song from the

1980s in an attempt to create something more up-beat. Again, you could argue the band to be pleading with the British public to truly love them and, to be honest Perfect Symmetry will no doubt sell to many people. People just wanting to stay in their music safety zone and hear from a familiar band that won’t throw anything truly horrific at them. Equally though, they’re unlikely to throw anything truly inspirational either. It may seem, as you’ve read this review, that it doesn’t really make any bold statements and has remained quite subdued and, well, average. This is how Perfect Symmetry would be best described. If you enjoyed Hopes and Fears and Under The Iron Sea, but want something more cheerful, you won’t be disappointed. Despite the efforts to disguise their former sound with the aid of synthesisers, this, with its brand of inoffensive melodic pop, is essentially just another Keane album.

OOO.. BEN BROWN & KIRSTY LUCAS

music GUIDE good band:

gig to be at:

Tally Hall Once you’ve seen them, you won’t mistake them for anyone else. This is mostly because of the various coloured ties they all wear for each performance; but it’s also because their bouncy melodies and playful lyrics are probably only comparable to the likes of the Beach Boys; and it’s unlikely we’ll see them wearing coloured coordinated ties on stage any time soon. Their on-stage manner matches the whimsicality of their songs and they seem to enjoy playing to a live audience.

making the big step of signing to a bigger record label, and it seems to have boosted their success after appearing on a number of U.S talk shows to promote themselves. The band are not the next Radiohead or Oasis.

Their debut album, Marvin’s Marvelous Mechanical Museum, was re-released in April 2008 after

NICK FOGG

album reviews:

album: Glasvegas artist: Glasvegas They have for quite some time now been the apple of the critics’ eye, the next big thing, and in one critic’s words; “the most important British

Their brand of alternative rock is much more easy listening than some of the heavier tracks from, say, Ok Computer, but unlike a lot of other bands, they know it, and this allows them to be a lot more playful in their ventures.

Pivot 100 Club, 7pm Tuesday 8th October

I first saw this band in Brighton during the great escape festival. For fans of Battles and Foals, this act cannot be missed. A three piece outfit from Perth signed to Warp records (made famous by Aphex Twin and Maximo Park) that play drums, laptop, guitar and a wide variety of keyboards are pushing their new album, O Soundtrack My Heart, and are touring over here for a limited time. The album has a few stand out tracks but is nothing compared to these guys live. The drums, seemingly all over the place, and are held together brilliantly by the electronic clicks and beats coming from the laptop. The guitar is strongly inﬂuenced by Battles and further adds to the angular progressive feel of this band live. Go see them: you won’t be disappointed. TIM STEPHENS

band of [our] generation.” Perhaps that’s a bit much, but Glasvegas have certainly enjoyed an Arctic Monkeys-esque buzz surrounding the release of their début album, the ingeniously titled Glasvegas. And the general consensus of the album comes as no surprise: 5 stars, 9 out of 10, 95%. It’s almost as if the music critics of the world are all of a sudden afraid to go against the grain and give a bad review; well not this one. If I was reviewing the album as a collective of individual songs then it would probably fare better, however, an album must be judged on its overall feel rather than the individuality of its tracks, and the overall feel is a little, how can I put it without making up words, samey. A relatively short album length of 40 minutes demands a wider variety than it offers, and differentiating between songs is often difficult as one guitar-driven chord moves on to the next and then the next... and then the next.

True, the soaring guitar riffs are beautifully arranged and the production of the record is above standard, but listening to the album doesn’t fill me with any sense of fulfilment, and it certainly doesn’t make me want to listen to it again. For those out there who are already fans of Glasvegas this review isn’t going to make much of a difference. For everyone else however, I offer a few words so eloquently expressed by one Alex Turner in response to a similar focus of attention tuned into Arctic Monkey’s debut: Don’t believe the hype.

OOO.. NICK FOGG REVIEW? GIG PREVIEW? FAVOURITE BAND? SEND IT TO US: EMMA.COOPER@RHUL.AC.UK

Sunﬂower oil for

Sprinkle Caster sugar Ground cinnamon

lifestyle

Coop’s Kitchen This issue’s “kitchen” is brought to you by professional Sam Stern; a fellow student who has brought out a book on what he knows best – how to keep students happy and healthy in the kitchen. To do this, he has suggested a couple of his favourite recipes from his latest book to set your taste buds tingling…

Cott age Pie (the Beef )

Originated in the north sometime in the 18th century as a cheap meal to feed huge families, apparently – so then, perfect for your house.Try varying the basics every time you do it. Makes it interesting.Tasty comfort food.

FEEDS

4–6 ££ 1 tbsp light olive/sunflower oil 1 large onion, very finely chopped Pinch salt 2–3 cloves garlic, crushed 1–2 carrots, very finely diced 450g/1lb best minced steak 1 tbsp plain white flour 275g/10oz stock/water/bit of red wine 1 x 400g/14oz can chopped tomatoes 2–3 tbsps tomato purée Pinch sugar 2 tsps Worcestershire sauce Herbs of choice, chopped Salt and black pepper Topping 900g/2lb floury potatoes (e.g. King Edward, Maris Piper) 2 tbsps milk Dollop butter 1 tsp mustard Salt and pepper

140

38 theOrbital.co.uk

1. Put oil into a big pan. Heat gently. Add onion with pinch of salt. Cook for 5 minutes till soft. Add garlic, carrot. Cover. Sweat very gently for 5 minutes or till the carrot softens. 2. Increase heat. Add meat. Stir briskly till well browned up. Stir flour in. Add stock/water/wine, tomatoes, purée, sugar, sauce, herbs, seasoning. Boil 2–3 minutes. 3. Reduce heat. Simmer, lid on, for 30 minutes. Meantime make mash topping (pg 215). 4. Preheat oven to 200ºC/400ºF/gas 6.Taste meat and adjust seasoning.Tip into 1 large pie/ ovenproof dish or 4 small ones (freeze uneaten extras). Cover with well-flavoured-up fluffed-up mash. 5. Cook for 30–40 minutes or till golden, hot and bubbling. YOU CAN � add grated Cheddar to mash � use a bit of mashed sweet potato/parsnip in topping � do shepherd’s pie: good minced lamb instead of beef � do spicy keema. At step 1 omit carrots, grate in a 3cm/11⁄ 2 in chunk ginger. At step 4 add 1 finely chopped de-seeded chilli, 1 tsp garam masala. Cook till step 5. Add defrosted peas, lemon or lime juice, fresh coriander. Eat with rice or chapattis (pg 196), yogurt (pg 46). � make moussaka. At step 2 add 2 pinches cinnamon, dried oregano, more red wine. At step 3 fry slices of aubergine in oil till browned/soft. At step 4 layer meat sauce, grated cheese, aubergine. Repeat layers. Finish with aubergine.Top with cheese sauce (pg 90). Awesome.

frying

d 3. Whis n to coat them for prepared fruit. Tur a spoon. Add bits of ng pan/saucepan till 1⁄ 2in of oil in a deep fryi /3 9cm rox app t breadcrumb 4. Hea crisps instantly. 5. Fry doughnuts in hot oil, a few at FEEDS a time, turning EXPRESS once, for 2–3 minutes or till p. bananas, peeled, chopped golden, cris1–2

1–2

Drain on 1–2 apples, peeled, chopped kitchen paper. mix of 6. Roll in Batter sugar and50g/2oz plain white ﬂour Eat ﬁne salt cinnamon.Pinch immediately.

1 tsp icing sugar 2 tsps butter, melted 4 tbsps warm water 1 egg white Sunﬂower oil for frying

FEEDS

Having a movie marathon/poker night/party? Sort this out. Make it a couple of days ahead if that helps. Let the flavours develop. Chuck loads of chilli in (maybe a bit of chocolate, Mexican-style). Pile on the extras and get the beers in. 1. Heat olive oil gently in a big pot. Fling in onions, garlic. Cook gently till soft, not coloured (5–10 minutes). 2. Add the chilli or chilli flakes, cumin, coriander, red peppers. Increase the heat and stir. Chuck the beef in. Stir briskly till it’s browned up. 3. Add tomatoes, ketchup, purée, sugar, cinnamon, beans, stock or water, lemon/lime juice, salt and pepper. Stir well. 4. Bring slowly to boil. Reduce heat. Simmer very gently, covered, for 1–2 hours. Stir occasionally.Taste, adjust seasoning. Add coriander and Tabasco. YOU CAN � make traditional cornbread or muffins. Mix 110g/4oz plain flour, 1 level tbsp baking powder, 110g/4oz polenta, 75g/3oz grated Cheddar. Add 300ml/10fl oz milk, 2 beaten eggs, 50g/2oz melted butter. Bake in greased muffin tin (12–15 minutes) or 900g/2lb loaf tin (40–50 minutes) at 200ºC/400ºF/gas 6.

Turn out a batch of innocent doughnuts. Dunk bits of healthy fruit in batter then roll in cinnamon sugar. Makes a great snack or finger-food pudding. 1. For batter: sift flour, salt, icing sugar into a bowl. 2. Melt butter. Add water. Mix liquid gradually into the flour, beating constantly with a balloon whisk/wooden spoon till smooth and thick. 3. Whisk egg white till stiff. Fold gently into the batter with a metal spoon. Add bits of prepared fruit. Turn to coat them for doughnuts. 4. Heat approx 9cm/3 1⁄ 2in of oil in a deep frying pan/saucepan till a

Sprinkle Caster sugar Ground cinnamon

Best Beef Chill i

Appl e & Bana na Hot Suga red Doug hnut s

££

2 tbsps olive oil 2 big onions, finely chopped 2 cloves garlic, crushed 2 chillies, de-seeded, finely chopped, or 1 tsp chilli flakes 1 tsp cumin 1 tsp coriander 2 red peppers, de-seeded, chopped small 900g/2lb best minced beef 2 x 400g/14oz cans chopped tomatoes 4 tbsps ketchup 4 tbsps tomato purée 1 tsp sugar 1 pinch cinnamon 1 x 400g/14oz can red kidney beans 1 x 400g/14oz can haricot beans 200ml/7fl oz stock/water Juice of 1 lemon/lime Salt and pepper 1 tbsp coriander, chopped Hot pepper sauce or Tabasco (optional) Extras Guacamole (pg 18) Sour cream Grated Cheddar Nachos Cornbread or muffins

breadcrumb crisps instantly. 5. Fry doughnuts in hot oil, a few at a time, turning once, for 2–3 minutes or till golden, crisp. Drain on kitchen paper. 6. Roll in mix of sugar and cinnamon. Eat immediately.

WIN! Gordon Ramsay says “don’t enter the kitchen without it”. This truly is a delightful book written by a student for students, so make sure you get yourself a copy. Or if you’d rather try your luck at our competition, you could win one of Sam Stern’s cookbooks.

What is Sam’s surname? Send your answer, name and contact details to: orbital@su.rhul.ac.uk We’d like to credit Walker Books for the rights to these delicious recipes!

culture

LONDON FASHION WEEK A

s many of you fashion-conscious students will already know, London Fashion Week took place last month, acting as the pinnacle for elite style and couture designs. However, at the £400 a seat price tag, it is not practical for the ‘average Joe’ – no matter how desperate you are to view the new Spring/ Summer trends! That’s where London Fashion Weekend steps in. Located in large marquees outside the Natural History Museum in South Kensington, the fashion weekend combines the high-end designer atmosphere with the more accessible (and discounted!) products. Rows of stalls lined the space in which 150 designers created walk-in wardrobes to promote their items. Accessories, shoes and clothes from famous labels such as Juicy Couture, Ben de Lisi and Felder Felder appeared everywhere you looked, with many of the items at special discounted prices. A fashionista’s paradise? True, 40 theOrbital.co.uk

yet when £20 is considered a bit pricey on a student’s budget the day was more of a window shop than shopping splurge! A particular gorgeous patent bag caught my eye which was reduced from £335 to £160 – a huge saving! However, when I came to my senses, I realised that if I bought it I would not be able to buy food for about a month. For a few more pounds added to the ticket, a free goodie bag was offered containing a facial skin renovator, hairspray, catalogues and chocolate with the actual bag having been designed by Tanya Ling – listed as one of Vogue’s main trendsetters in Britain. Overall, not too bad for a day out. As well as clothes and accessories being on offer, hair and beauty were significant too. Elizabeth Arden had their own consultation stand in which beauty advice was given and the new season colour palette was revealed as a mix of berries and smoky colours. Toni and Guy also

owned a ‘blow out’ section offering to shape, cut and advise those who fancied a different hairstyle. With a total makeover and wardrobe available, London Fashion Weekend gives the opportunity for a whole fresh new outlook for the coming season. The main feature of the Fashion Weekend was the catwalk; a mini runway inspired by the theatrical nature of the show stopping Fashion Week shows. Its aim was to advertise the key looks of this year’s Autumn/Winter season using items on sale in the stalls. The emphasis on the current trends sparked the audience into instantly wanting to re-vamp their wardrobes in order to mark their own individuality on the four main looks exposed on the catwalk. The styles are all key to looking ‘hot’ this season, and word has it that many of the themes continue into next year’s Spring/ Summer wardrobe. Now if that’s not an excuse to go shopping, I don’t know what is!

lONDON FASHION WEEKTHE LOOK

LOOK 1: Pioneer Plaid

Look 2: Folkhemian

Look 3: Seductive Sculpture

Look 4: Gothic Glam

This is primarily a daywear look where checks and tartan rule each item. Tweed is the key material with a warm colour palette of golds and browns. Think country girl with attitude.

There was an emphasis on ‘Russian Folklore’ at London Fashion Weekend for this look. The paisley prints including intricate detailing make this trend perfect day or night. Think hippy style with a folklore twist.

A refreshing take on tailoring leads this style to a new sleek and sexy level. It’s all about structure, minimal fuss and slender lines. High sheen black is vital. Think sophisticated chic power dressing.

A theatrical, yet accessible look aimed for eveningwear. It’s all about lace, frills and regal detail. The billowing fabrics combined with dramatic structure create an impressive appearance. Think dark, edgy romantic.

Joely Chilcott

culture

Francis Bacon Retrospective -Tate Britain-

rancis Bacon, one of the most inﬂuential artists of the twentieth century has been an inspiration for artists, musicians and filmmakers. His unique, grotesque style is visible in examples such as David Lynch’s Blue Velvet, Radiohead’s macabre Soundscapes and mirrored in the work of contemporary artists such as Cindy Sherman, Paul McCarthy (and even aspiring artists here at RHUL, such as Wil Musgrave). Earlier this year, Bacon’s masterpieces arrived at the Tate Britain, and the exhibition was widely anticipated as a major art highlight of the year in Britain. Irish-born artist Bacon, widely regarded as one of the greatest painters of the twentieth century, is known for his giant canvasses spilling out nightmarish visions and contorted bodies in their raw and ﬂeshy glory. The Tate retrospective, arranged broadly chronologically as well as thematically, brings together around seventy of the most important paintings from the artist’s turbulent life, including his portraits of Pope Innocent X and celebrated triptychs such as Three Studies for a Crucifixion. From the infamous Screaming Pope in the Zone room, to the beautifully bestial Study of a Dog in the 42 theOrbital.co.uk

Animal room, the Tate’s exhibition is as varied as it is unique. I have to admit, however, I was less impressed with a room devoted to archive material found in Bacon’s studio. This collection of source material - including preparatory sketches, photographs of close friends, film stills and images of violence, animals, athletes and medical examinations - was revealed posthumously when Bacon’s studio was painstakingly dismantled and relocated piece by piece to a Dublin gallery. It now sheds light on some of his working methods and dramatically dispels Bacon’s self-mythologies about the spontaneous nature of his own work. Another aspect which could taint the exhibition is Bacon’s monumental legacy and fame. It could be said that there are almost “too many great paintings” on show, making Bacon look simply like an icon of general British culture. However much this has been picked up by the media and art critics, I don’t think it should necessarily change the way someone views the exhibition all together. If you’re unfamiliar with Bacon’s work, don’t go just to see the “famous” pieces. Although

the more popular pieces are so for good reasons, look closely at his smaller, unknown works, and you may see the same brilliance, if not more. As expected, this gem of an exhibition really is a treat for fans of Bacon’s paintings, and the perfect introduction for people less familiar with his work. His pieces convey a powerful sense of paranoia, self-hate, mutilation and despair, yet use playful textures and vivid colours. Bacon’s paintings both invite the viewer to gaze at and touch, with their tactile surfaces, but also ward you away with their terrifying images of decay. Chilling to the bone, and wonderfully exhilarating at the same time, this exhibition really is a must. Tickets with valid student ID cost £10.50 or are free for Tate Members. The exhibition is at the Tate Britain until 4th January. Special events in the exhibition also run throughout October and November. Visit www.tate.org.uk/britain for more information and tickets.

Miranda Tennant

Matt Tyler

culture

hat do you think of when someone mentions Singapore? In all honesty, unless you’re involved in a large, moneymaking company which, let’s face it, does not include the general population of Royal Holloway, you probably don’t have that strong an opinion about this tiny country in Southeast Asia. I know that, before I visited the place my knowledge was fairly limited. However, despite its miniature size and youthful nature, having only been an independent country since 9th August 1965, Singapore stands as one of the most inﬂuential countries in the world today, not only playing host to international events such as the recent Grand Prix but also standing as one of the top ten richest countries in the world. So how has a nation which has only officially existed for forty-eight years managed to build itself into the powerhouse of both business and tourism that it is today? The answer to this question was provided for me as I spent time there during the 2008 National Day Parade; a celebration of what is referred to as the “Singapore spirit” and the sense of the whole nation coming together and getting involved. Bearing in mind what an ethnically diverse country Singapore is, with its people originating from all over the world, the Parade itself focused on making sure all could be involved. This is an attitude relevant not only on that one day of the year but something that remains of continuous importance. According to Mr Teo Ser, Parliamentary Secretary for Community Development, “Singaporeans will band together and stand up against any odds to pursue their dreams”. This statement was wholly supported by the backing the populace gave to the country winning its first ever Olympic medal this summer and also the level of involvement by the whole nation in the organisation and realisation of events such as the Grand Prix and the development of the new sports hub, a one-ofa-kind national stadium designed to encourage the whole nation to immerse themselves in various sporting ventures. However, what seems to set Singapore apart from other countries is its passion for joining the whole nation together and that this is not limited to times of nationwide celebration, but instead continues into the citizens’ day-to-day lives. Many constantly involve themselves in the development of the country and the people around them. The Peoples Association, just one group devoted to the community and well being of its residents, consists of 1,800 grass roots organisations, showing that it really is the ordinary people, just like you or I who allow the country to develop at such an incredible rate. So, as annoying as it might seem that we have devoted an issue of The Orbital to getting involved and how great that is (would we just get over that and leave you all alone?), maybe we do actually have a point. I’m not suggesting we suddenly become complete fanatics and all constantly walk around in various combinations of purple, green and white, but, following Singapore’s example, the key to rapid success does appear to be, as cheesy and clichéd as it may seem, to just get involved.

44 theOrbital.co.uk

Kirsty Lucas

BOOK REVIEW:

The Reader by Bernhard Schlink W

e’ve been inundated with Nazi literature and abominable histories of eugenics by authors who delve into the wealth of 1940s German resources because they are incapable of forming an original idea. Many of us are sick of the moralistic writings produced by second or third generation war survivors, and even further revolted by those who have exploited the vast literary genre with the fabrication of experiences, packaged out to the waiting masses as autobiography. But before you consign this one to the slagheap, I shall explain why it deserves closer scrutiny. Michael, a fifteen-year-old boy, meets Hanna, thirty-eight, when he collapses outside her flat. A tempestuous love affair begins between the two, which augments in intensity and intimacy until Hanna disappears one day, without a word. Michael continues his daily life, goes to university and immerses himself in his law studies in an attempt to alleviate the overwhelming depression that her absence provokes. As part of his degree,

he is dispatched to observe a trial, and it is here that he sees Hanna again, accused of a most heinous crime. The portrayal of a love affair between an adolescent and an older woman, stoically cold, as a result of working as a guard in a concentration camp, may strike you as being beyond the realms of plausibility. However, the interactions between the two are written so beautifully and with a real delicacy that never descends into romanticism or idealism. Schlink disregards chronology in order to bind the novel together with strands of desperation, bitingly bitter from the past. Michael is so fixated on Hannah that she permeates all elements of his being, until she becomes timeless, impossible to surmount, impossible to forget. The fluidity of movement between past and present conveys enduring obsession, and the loneliness of a man who was destroyed by an amorous encounter long before he was emotionally prepared for it.

Holocaust themes juxtaposed with the devouring love, against a backdrop of acts of blistering intimacy, makes this one of the most riveting love stories I have ever encountered. Having read the book for the second time this summer, it occurred to me that it would make a compelling play. The images, described with searing clarity and intricate detail, would translate well to any visual medium. I decided that when, and if, I ever had the time, money and talent, I would get onto it. It emerges, however, that someone else has got there first, somebody influential enough to pull both Kate Winslet and Ralph Fiennes into their scheme. I know when I am beaten. You should read this book, but if you’re not a reader, I implore you, go to see the film when it is released, in December.

OOOOO PRUDENCE CHAMDERLAIN

score

FUN PAGES

ics

Spoonboy com

46 theOrbital.co.uk

Sudok u

PINBOARD

The Orbital’s classified ads page. Contact d.t.cummins@rhul.ac.uk, to see your business here. Students, send a shout-out on here for £10!

WILL DESIGN:

Hatha Yoga

Tel: 0785468684

Multi-level Classes, discount with Student Union Card.

For all your designing needs, big or small, please call!

Linda Kearney

9:30 am - 10:30 am Monday & Wednesday at The Martial Arts and Wellness Centre 1a The Precinct, The High Street, Egham, Surrey.

Contact: 07518913052 lindamkearney@yahoo. *also dance shoes and clothes available* co.uk

To my laughing cow, you know who you are and how I feel, love, your tall brother

BETH’S TYPIN’

Need your wordcount EXPLODED?! Let me know! Tel: 07954243817

48 theOrbital.co.uk

WIN

Fancy meeting David Strettle, watching a game at Aston Villa, winning £500 worth of kit or spending the day with the Newcastle Eagles?

Together with Nike, our official kit supplier, we’re celebrating the start of the British Universities & Colleges Sport (BUCS) sporting season by offering university teams and athletes exclusive sporting promotions and competitions when buying this year’s official team kits. By buying team kits or individual training wear across the rugby, football and basketball product ranges from www.bucsniketeamwear.co.uk students and teams will have the chance to enter the following fantastic competitions. Win a training session with England International and Harlequins rugby star David Strettle Win tickets for your rugby squad to an England home Six Nations match at Twickenham Win a pair of tickets to Arsenal, Villa, Man Utd or Celtic Win £500 to spend on BUCS Nike training wear Win a VIP day with the Newcastle Eagles Full details of each competition are available below and full terms and conditions are available from www.bucs.org.uk/nike Photo Competition: Win a training session with England International and Harlequins rugby star David Strettle We’re looking for the best photographs of squads playing or training in the first term of the BUCS rugby programme. To be in with the chance of winning a training session with David Strettle you must send in a photo of your squad playing or training in your BUCS Nike kit. We want to see rugby in action, so make sure your photograph captures the essence of your team and shows your passion for your sport. To purchase your Rugby team kit or training wear from the BUCS Nike range visit www.bucsniketeamwear.co.uk or contact our official supplier Just Sport Pro Club on 01388 814800 or bucs@pro-club.net). All photographs will be displayed on the BUCS website and the winning entry will feature in the next edition of the BUCS magazine. Win tickets for your rugby squad to an England home Six Nations match at Twickenham Any Rugby team competing in the BUCS rugby programme or BUCS member university Intra-Mural competition that purchases Nike rugby team kits, training wear or Nike Pro Base Layers via Just Sport Pro, either online at www.bucsniketeamwear.co.uk or by contacting Just Sport Pro directly on 01388 814800 or bucs@pro-club.net, will be entered into the prize draw to win 15 tickets to an England home Six Nations match. Win a pair of tickets to Arsenal, Villa, Man Utd or Celtic Five pairs of tickets are on offer to students who place an order for BUCS Nike football team wear or training wear before 31 November 2008. Five entries will be drawn at random and offered the opportunity to receive a pair of tickets for a home game of Arsenal, Aston Villa, Manchester United or Celtic.To purchase your Football team kit or training wear from the BUCS Nike range visit www.bucsniketeamwear.co.uk or contact our official supplier Just Sport Pro Club on 01388 814800 or bucs@pro-club.net) Football photo competition: Win £500 to spend on BUCS Nike training wear We’re looking for the best photographs of squads playing or training in the first term of the BUCS football programme. To be in with the chance of winning £500 to spend on BUCS Nike training wear you must send in a photo of your squad playing or training in your BUCS Nike kit. We want to see football in action, so make sure your photograph captures the essence of your team and shows your passion for your sport. The competition is only open to teams who have purchased their playing or training kit through Just Sport Pro, either online at www. bucsniketeamwear.co.uk or by contacting Just Sport Pro directly on 01388 814800 or bucs@pro-club.net. All photographs will be displayed on the BUCS website and the winning entry will feature in the next edition of the BUCS magazine. Win a VIP day with the Newcastle Eagles Every team who buys a basketball BUCS Nike kit will be entered into a draw to win a VIP day with the Newcastle Eagles. This will include a training session with the Eagles coach, a meet and greet the players and tickets to a game. Up to 12 people from the winning university basketball team will take part in a coaching session at the Newcastle Metro Radio Arena, home of BBL Champions the Newcastle Eagles, to be taken by the Eagles coaches. On the same day the winners will then be invited as special guests of the Club, and sponsors Nike, to attend their BBL game in the Arena, with an opportunity to meet with the Eagles players. All teams who purchase their full Basketball team kit through Just Sport Pro, either online at www.bucsniketeamwear.co.uk or through Just Sport Pro on 01388 814800 or bucs@pro-club.net will be entered into the prize draw. The winner will be drawn at random from all entries received. For further information or photographs please contact Jenni Anderson, Head of Communications at BUCS on jenni.anderson@bucs.org.uk or 020 7633 5088. Nike is the official team wear supplier to BUCS. The deal gives student teams and athletes 20% off recommended retail prices. The relationship was launched in June 2008 and will run for three years. British Universities & Colleges Sport (BUCS) was formed on Friday 13 June 2008. British Universities & Colleges Sport (BUCS) draws together expertise and experience from two former representative bodies – British Universities Sports Association (BUSA) and University College Sport (UCS) – to provide a unified voice for sport, fitness and physical activity on university campuses. The new organisation offers a comprehensive, multi-sport competition structure and manages the development of programmes, services and facilities for participative, grass-roots sports through to elite, high-performance athletes.

score

RIGHT TO PLAY – AT A GLANCE Creating a healthier and safer world through the power of sport and play Right To Play is an international humanitarian organization that uses sport and play programs to improve health, develop life skills, and foster peace

for children and communities in the most disadvantaged areas of the world. Working in both the humanitarian and development context, Right to Play trains local community leaders as Coaches to deliver our programs in more than 20 countries aﬀected by war, poverty, and disease in Africa, Asia and the Middle East. The United Nations Convention on the Rights of the Child, guides our work. Right To Play programs target the most marginalized including girls, the disabled, children aﬀected by HIV and AIDS, street children, former child combatants, and refugees. Right To Play is supported by an international team of top athletes from over 40 countries. As role models, these athletes inspire children, raise

awareness and promote opportunities for funding for Right To Play projects. Currently Right To Play works in: Azerbaijan, Benin, Chad, China, Ethiopia, Ghana, Indonesia, Jordan, Lebanon, Liberia, Mali, Mozambique, Pakistan, occupied Palestinian territory, Rwanda, Sierra Leone, Sri Lanka, Sudan, Tanzania, Thailand, Uganda, United Arab Emirates, and Zambia. Right To Play is headquartered in Toronto, Canada and has national oﬃces in Canada, China, The Netherlands, Norway, Switzerland, United Arab Emirates, the United Kingdom and the United States. The national oﬃces raise funds, build awareness for Right To Play programs and advocate for sport for development.

Right To Play builds local capacity in four strategic areas: 1. Basic Education and Child Development: Right To Play’s sport and play programs foster the physical, cognitive and social development of children to teach important values and life skills. 2. Health Promotion and Disease Prevention: Right To Play sport and play programs are used to educate and mobilize communities around national health and disease prevention priorities, including HIV and AIDS, malaria and immunization. 3. Conflict Resolution and Peace Education: Right To Play programs are used as tools for teaching conflict resolution and peace building skills. Participation in regular activities encourages and facilitates the healing of communities and the reintegration of children affected by war. 4. Community Development: In order to create change and have a sustainable impact, Right To Play works in partnership with local organizations to build community infrastructure through the engagement of local staff and local and international volunteers.

WHEN CHILDREN PLAY, THE WORLD WINS

50 theOrbital.co.uk