1983 Coffee and Toast

Page 1


The Circles of Life

The circle is a profound, transcendent symbol. It is said to represent wholeness, completion, inclusion, the life cycle, heaven, eternity, and the universe. Yet circles are not just symbolic. They are a natural, physical phenomena that invites, attracts attention, provides emphasis, and sets things apart. Within those Circles, 1983 - Coffee & Toast brand arises to tell its oriental story. 圆代表整体,包容,和永恒。用在1983咖啡与 吐司视別系统,超越了象征性,它诉说了亜洲南 洋风味哲学和䣓入大众生活圈丰富形态。


CORPORATE IDENTITY


THE LOGO Variations

PRIMARY

Nanyang, or “South China Sea” refers to Chinese migrants to South East Asia. Nanyang is also the culture created due to the migrations. It is the fusion of Chinese culture and the local’s. The logo is inspired from the era of those unsettled migrations. It was raw, it was harsh, it was a hard time, it was pure and it is nostalgic. The coffee mark enhances that essence.

南洋咖啡: 从南下华人移民结合南海附近的东南亚各国当 地化后所产生的独特风味. 1983粗广的笔触代表了当时南洋独特原始浓郁口味,南洋 咖啡的圆形也带入华人对圆满人生的期待. The logo is strictly used in Black & White only.

HORIZONTAL

The version is prepared to enable the logo to be able to adapt to more limit space, without losing its identity.


THE LOGO Usage

Exclusive space

An exclusive clear space around the logo is requires in order to communicate well its identity. The space around each logo equals to the width of number “1� in the logo.

Minimum size

The logo is required not to be presented smaller than the widths shown.

28mm

30mm


THE LOGO Misuse

COFFEE & TOAST

Do not retype the logo

Do not stretch or shear the logo

Do not delete the outer circle

Do not use any colors other than Black & White

Do not put the logo on any color background other than Black

Do not put the logo on messy background that compromises its clarity

Do not compromise the logo’s clarity over graphics

Do not mix the primary and horizontal logo


COLORS

Color Palette

As the objective of the brand is to create a simple, modern essence to our consumers. The colors should express this objective in order to make a better connection.

BLACK C0 M0 Y0 K100

75%

60%

Pantone 150C C0 M35 Y74 K0 Avoid

One simple rules to avoid when using the color palette is that never let the solid black and pantone 150C overlap each other.

40%

20% 65%

40%


TYPO Primary

EXO 2.0 Pro

EXO 2.0 Pro is a contemporary geometric sans serif typeface that tries to convey a technological / futuristic feeling while keeping an elegant design. Exo is a very versatile font and has a more organic look that will perform much better at small text sizes and in long texts.

Light | Roman | Medium | Bold | Black

Secondary Fertigo Pro is our secondary typeface that serves better as a header, title rather than body texts. Its decorative, humanist and calligraphy stroke will make a good contrast to our contemporary main typeface.

Essunti voluptae volendae cum reicid ulparumquas min et exerit ex estorem quiatur, nobis aperiae culparum exerit aliqui ressiti asitem alibus as sin ratur sint incipid quas aperferum et opta que sa volorrum aturias acea nita comnis ium ulparum et lacide volupta tectusciatem eos as dolut maximi, officid quiatur adignat. Meni resequia sum doluptatem illitionsed quatus, volorere consequos doluptum voluptati te vollaccaecus in cullupt

Fertigo Pro Essunti voluptae volendae EOS AS DOLUT Illitionsed Quatus


SECONDARY ELEMENTS


CIRCLES The Motif

Inspiration

Circles are commonly used in all cultures in Asia as a medium to communicate variety aspects and phenomenon of life. By using these similar images as the brand motif, the brand will build a better connection through an unconscious awareness. In Islamic art the geometric figure of the circle represents the primordial symbol of unity and the ultimate source of all diversity in creation. The natural division of the circle into regular divisions is the ritual starting point for many traditional Islamic patterns, as demonstrated in the drawings below. In Sanskrit, Mandala literally means circle and center or Holy Circle, and is essentially a vehicle for concentrating the mind. Carl Jung says that the circle symbolizes the processes of nature or of the cosmos as a whole; the square refers to the universe as conceived and projected by man. In Chinese Culture, among the ancient artifacts found by archaeologists are the round ‘bi’ (璧 , commonly translated ‘jade disc’), representing Heaven and the square ‘cong’ (琮), representing Earth. The bi is a flat, doughnut-shaped disk while the cong is a hollow jade tube, squared or octagonal on the outside. Jade was often a substance sacrificed— round blue pieces were offered to Heaven and square yellow pieces to Earth. The coin motif is a typical porcelain decorative motif that has a round shape with a rounded square hole in the middle. The pattern of the motif is mainly composed by two-directions or four-direction consecutive graphics. It is a popular decorative motif in plates, bowls and cans. 寿 The round and narrow motif stands for the Chinese character shou which means longevity. This motif is commonly used in Mandarin garment carrying a wish for long life. 福 means happiness and fortune in the Chinese langauge. 喜 means happiness and the motif is commonly used on the Mandarin garment making to declare a particularly joyous occasion. The double 喜 means double joyful occasions.


CIRCLES The Pattern

Inspiration

The objective of the patterns is to add in a cultural touch, and soften the brand essence. There re no strict rules of the pattern. It can be circle, solid, or open ring. However, always be aware of the balance of each culture the pattern represents. It should always be a well mixture of Malay, Indian and Chinese culture. The patterns below are for references.


CIRCLES Images

Objective

Images play important roles in 1983 Brand Identity. They helps to capture the essence of the brand, which is crucial in the competitive and chaotic F&B brands landscape. The brand essence help the consumer to easier relate the foods to their origins and culture.

Topics

The topics of 1983 images are widely varied from F&B, human, texture, architecture, street scene, art pieces ect., as long as the images have a certain touch of Asian culture. On the right are some samples.

Arrangement

As the objective is to capture the Asian essence only, the images are recommended to be cropped in a more abstract and artistic manner. A formula of 70% Black & White and 30% Colored images are suggested on our signature Saffron Orange background.


CIRCLE Wall Mural Samples

Mural Layout Samples

Objective

The brand Wall Mural is one of the most important visual element in 1983 Brand identity. The objective of the mural is to capture the attention of the viewers and create an essence of the food cultures and its original influences. In order to successfully create a memorable mural, there are certain suggestions:

Long Wall with Pattern Square Wall with Motif

Circle Size

Because our purpose is only capture the essence of the images, not the details of its. So the images size recommended not larger than 30cm.

Colour Combination

As the images will be placed on our signature Saffron Orange, it is recommended to have major (70%) of the images are in black and white finishing. So that it will create a more comfortable arrangement instead of overcolorful combination.

Flexible Finishing

In order to create more dynamic brand experience, the finishing of the mural can be flexible and creative. They can be combined together with the pattern and motif as long as the motif and pattern do not overpower the images. They can be simple images on wood panel, or silkscreen on cloths, printed on round porcelains, or acrylic sandwich frame ect.

Rectangle Wall

Images finishing Samples

Print on Porcelain

Acrylic Sandwich

Canvas printing


STORY Nasi Lemak Story

Nasi Lemak

Nasi Lemak

THE CULTURAL BRIDGE FOR TOMORROW

THE CULTURAL BRIDGE FOR TOMORROW

In 1983, Ah Goh set up a nasi lemak stall at Malacca Street. It was a little rented stall in an

In 1983, Ah Goh set up a nasi lemak stall at Malacca Street. It was a little rented stall in an

shop. Together with his Malay buddy Hassan, they meticulously formulated the special sweet and spicy sambal and aromatic pandan coconut rice. As word got around, Ah Goh’s nasi lemak became the most famous dish in the area. People would just come and shout for ‘ 椰 香饭‘, which means ‘fragrant coconut rice’. Now, that same pandan nasi lemak has become our signature dish here at 1983.

shop. Together with his Malay buddy Hassan, they meticulously formulated the special sweet and spicy sambal and aromatic pandan coconut rice. As word got around, Ah Goh’s nasi lemak became the most famous dish in the area. People would just come and shout for ‘ 椰 香饭‘, which means ‘fragrant coconut rice’. Now, that same pandan nasi lemak has become our signature dish here at 1983.

We aim to preserve the tradition and flavor of the past to build a cultural bridge for tomorrow. Be it the freshness of ingredients, the fragrance of the rice or the texture of the sambal, we continue to maintain that ‘nostalgic taste’ that was almost lost over the decades.

We aim to preserve the tradition and flavor of the past to build a cultural bridge for tomorrow. Be it the freshness of ingredients, the fragrance of the rice or the texture of the sambal, we continue to maintain that ‘nostalgic taste’ that was almost lost over the decades.


PACKAGING


PACKAGING Lunch Box

KF3298 1983 Coffee & Toast

KF3298 1983 Coffee & Toast

Lunch Box Medium Open Size: Colour:

320mm(W) x 377mm(H) Medium BlackSize : Pantone 150C

Color:

Pantone Black Pantone 150C

Key line Fold line

Glue Area

Lunch Box Small Open Size: Colour:

270mm(W) x Size 323.5mm(H) Key line : Small Fold line Black Pantone 150C Color: Pantone Black

Pantone 150C

Glue Area


PACKAGING Cake Box

KF3298 1983 Coffee & Toast

Lunch Box Medium Size : Open Size: Colour:

KF3298 1983 Coffee & Toast Large

Color: Pantone Black 13inch (W) x 14.75inch(H) Key line Fold line Black Pantone 150C Pantone 150C

Lunch Box Medium Size : Open Size: Colour:

Small

10.5inch(W) x 14.75inch(H) Key line Color: Pantone Black Fold line Black Pantone 150C Pantone 150C


KF3298 PACKAGING 1983 Coffee & Toast Cold Drinks

Lunch Box Small

Size: Open Size: Color: Colour:

270mm(W) x 323.5mm(H) Black Pantone 150C

270mm(W) x 323.5mm (H) Pantone Black Pantone 150C

Key line


KF3298 1983 Coffee & Toast

PACKAGING

Hot Cup 12oz Hot Drinks

12oz Wrap Hot Cup BLEED LINE

PRACTICAL TEXT LIMIT

DIE LINE

PRINT CENTRAL LINE

GRID LINE

TECHNICAL DEPARTMENT INDONESIA

GLU

EA

REA

Open Size: 265mm(W) x 118mm(H) Hot Drinks Cup Pantone Black Colour: Color: White Pantone 150C Pantone 150C


PACKAGING

KF3298 1983 Coffee & Toast Soup Bowl

Soup Bowl

Color: Pantone Black Soup Bowl 850cc Pantone 150C

Open Size: Colour:

417mm(W) x 123.5mm(H) Black Pantone 150C

Key line


PACKAGING Plastic Bag

KF3298 1983 Coffee & Toast

Plastic Carrier Large

Plastic Bag Large 11inch(W) x 19inch(H) x 6inch(B) Black Pantone 116C Color: Pantone Black Pantone 150C

Open Size: Colour:

KF3298 1983 Coffee & Toast

Plastic Carrier Medium Open Size: Colour:

8.5inch(W) x 16inch(H) x 5.5inch(B) Black Pantone 116C

Plastic Bag Small Color: Pantone Black Pantone 150C


KF3298 PACKAGING 1983 Coffee & Toast Water Bottle

Diamond Water Bottle 500ml Water Bottle Color: Pantone Black Pantone 150C

Open Size: Colour:

217mm(W) x 41mm(H) Black Pantone 150C

6mm 217mm

2.5mm

500ml

41mm

2.5mm Plastic Label Design Template for 500ml Diamond Bottle

Transparent


MENU & LIVERY


MENU

Short Version

Long Version


UNIFORM

Half-tone image

Friendly & Modern

The uniform objective is to create a modern, friendly approach so that 1983 staffs will make a better connection with the consumers. Original idea is to create a series of uniforms with different oriental images, executed in half-tone effect for different sizes of T-shirt. The half-tone images can be positioned freely within the T-shirt. Be aware of awkward area like armpit. With more variety of finishing, the uniforms will give a more dynamic and contemporary touch to the brand.

FRONT

BACK

SIDE


INTERIOR DESIGN CONCEPT


MATERIAL

Pantone 150C

Material Board

C0 M35 Y72 K0

HAFARY: PERUGIA ROSSO INSERT

EVERSHINE

HAFARY: CONCRETE or NATURAL

HAFARY: PERUGIA BLUE INSERT

EVERSHINE


FURNITURE Chair & Lighting

Chair

It is recommended to fully use of the Tolix furniture system. It will give a very contemporary punch in the contrast of the brand oriental essence. Tolix has a wide range variety of form and type, that allows to have more creative usage.

Lighting

Lighting should be in simple, modern design language. On the right hand side is some of the lighting usage examples.


INTERIOR 3D Rendering


INTERIOR 3D Rendering (contd)


INTERIOR 3D Rendering (contd)


INTERIOR 3D Rendering (contd)



Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.