CONCEPT
INVENTORY EXPERIMENTS
PORTFOLIO SELECTED WORK 2013 - 2018
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ORKO ROY
B.arch Name Orko Roy Nationality Indian Date of Birth 21 April 1995
About Me
Current Location Mumbai, India
Contact Me
Email orkoroy2104@gmail.com Phone +919867211281 +918850529827 Address Wing ‘B’, Cascade III, Kulupwadi, Borivali East, Mumbai - 400066
The portfolio is a compilation of my academic and professional experience. This portfolio is a lens to look at the evolution I have undergone over these five years. It illustrates my growth as an architect, a designer and overall as a person. Each project deals with different issues and an innovative stance to approach them. In each project the understanding of the process is more important to reach the resulting outcome. The work attempts to raise a vast range of questions regarding the relationship between the built and unbuilt, context and architecture, material and technology etc. I am an active listener, foodie and a traveler with good
communication and interpersonal skills.
PROFESSIONAL EXPERIENCE Flying Elephant Studio November 2016- April 2017
Architectural Intern Bangalore, Karnataka
Mad(e) in Mumbai December 2017
Architectural Intern Mumbai, Maharashtra
EDUCATION Kamla Raheja Institute for Architecture and Environmental Studies Kendriya Vidyalaya April 2001 - March 2013 Mumbai, Maharashtra
B.arch August 2013 - April 2018 Mumbai, Maharashtra CBSE Class XII : April 2012 - March 2013 ; 91% Class X : April 2010 - March 2011 ; CGPA - 9.6
WORKSHOPS AND ELECTIVES Thane Cycling Route 2013 Theater Workshop 2014
Sujay Saple Mumbai, Maharashtra
Museumology 2015
Cho Rao Mumbai, Maharashtra
City Walk 2015 - 2016
Hussain Indorewala Mumbai Maharashtra
NACTO 2017
Bloomberg Mumbai, Maharashtra
Simultaneous Modernity December 2013
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Anand Pendarkar Thane, Maharashtra
KRVIA Annuals Workshop Mumbai, Maharashtra
Contemporary History 2014
Supriyo Bhattacharaya Mumbai, Maharashtra
Project Management 2015 - 2016
Aarti Daga Mumbai, Maharashtra
UBC Exchange Program May 2017
UBC and KRVIA Mumbai, Maharashtra
WORK EXPERIENCE Student Council 2017 - 2018
Vice President Mumbai, Maharashtra
Design Dissertation Colloquium 2014 - 2017
Exhibition Organiser Mumbai, Maharashtra
State of Architecture - KRVIA 2015 - 2016
Designer and Curator Mumbai, Maharashtra
Archiving Allahabad Exhibition 2014 - 2015
Designer and Curator Mumbai, Maharashtra
Reflections and News Letter 2013 - 2015
Editorial Team Mumbai Maharashtra
KRVIA Annual Exhibition 2013 -2017
Exhibition Curator Mumbai, Maharashtra
Study Trip Committee 2013-2014 & 2016-2017
Committee Member Mumbai, Maharashtra
Football Tournament 2013 - 2017 Monsoon Internship Library 2004
University and Inter College Mumbai, Maharashtra Archiving Student’s Work Mumbai, Maharashtra
KRVIA Student Body 2015 - 2016
Class Representative Mumbai, Maharashtra
AWARDS AND COMPETITIONS Archasm 2018 2018
Participation Mumbai, Maharashtra
Design Dissertation Colloquium 2018
Participation Mumbai, Maharashtra
Vowels 2018
Participation Mumbai, Maharashtra
ICHA 2018 2018
Participation Delhi, India
120 Hours 2016
Participation Bangalore, Karnataka
Paris Peace Pavilion 2016
Participation Mumbai, Maharashtra
Heritage Awards INTACH 2015 B.arch Academic Year 2013 - 2014 Thinkquest International 2011 2010 - 2011 SOFTWARE Autocad Adobe Photoshop Adobe Indesign Sketch Up Revit
1st Position India 2nd Position India 1st Position (33000 Participants) India OTHER INTERESTS Model Making Hand Rendering Sketching Trekking/ Traveling Football 3
ACADEMICS
THE FACTORY Ci t i ze n Par t i c i p a ti o n Mumbai, Maharashtra LO S T A N D F O U N D Hy b r i d Pro g ra m s Mumbai, Maharashtra
I N S E A R C H O F O R D E R Astronomical Observatory Rann of Kutchh, Gujarat
S T E P P I N G AWAY Museum of Languages A l l a h a b a d Uttar Pradesh
I N T E G R A T O R Wo r k i n g Drawing Mumbai, Maharashtra
A R C H I V I N G ALLAHABAD Measured Drawing A l l a h a b a d Uttar Pradesh
I N T E G R A T O R Student’s Amenity Center Mumbai, Maharashtra
H O U S E F O R A T R A V E L E R Community Center Mandu, Madhya Pradesh I N T E R F A C E Community Center Mumbai, Maharashtra
PROFESSIONAL PRACTICES
M E G H A L A Y A LEGISLATIVE ASSEMBLY Shillong, Meghalaya BONJOUR HOTEL Yeshwa n t p u r, Ka r n a ta ka HOUSE IN COONOOR Co o n o o r, Ta m i l Na d u N C S C M Chennai, Tamil Nadu DISTRICT INSTITUTE AND SCHOOL FOR APF Gulbarga, Karnataka DIVYA SHANTI SCHOOL Bengaluru, Karnataka
COMPETITION E Y E A M S T E R D A M Public Bridge and Museum Am s te rd am , Net h er la n d s
EXHIBITION
TOILET MANIFESTO Mum b ai , Mah a ra s h tra
LIBRARY AND CANTEEN IN GUIYANG Puan City, China
2 0 2 0 M u m b a i Maharashtra K R V I A @ 2 5 Mumbai, Maharashtra
OTHER
N A C T O Mum b ai , Mah a ra s h tra
2 017 2 018 JAN - APR 4
BUILDING TECH. Mu m b a i , Ma h a ra s h tra
2 01 6 2 01 6 JUN - DEC
2 015 2 01 6 JUN - APR
2 013 2 015 JUN - APR
CONTENT 01. THE FACTORY
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02. LOST AND FOUND
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03. IN SEARCH OF ORDER
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04. INTEGRATOR
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05. INTEGRATOR - WORKING DRAWING
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06. STEPPING AWAY
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07. ARCHIVING ALLAHABAD
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08. HOUSE FOR A TRAVELER
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09. INTERFACE
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10. MLAC ( MEGHALAYA LEGISLATIVE ASSEMBLY COMPLEX )
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11. BONJOUR HOTEL
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12. HOUSE IN COONOOR
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13. NCSCM
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14. GULBARGA APF (DISTRICT INSTITUTE AND SCHOOL FOR APF)
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15. DIVYASHANTI CAMPUS
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16. EYE AMSTERDAM
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17. LIBRARY AND CANTEEN IN GUIYANG
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18. KRVIA @ 25
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19. 2020 KGAF
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20. TOILET MANIFESTO
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21. NACTO
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22. BUILDING TECH.
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ACADEMIC PROJECTS 7
01 T H E F A C T O R Y C I T I Z E N
P A RT I C I P A T I O N
Location: Mumbai, Mahahrashtra Guide: Rohan Shivkumar Year: 2017- 2018 This thesis looks at different practices involved with participatory designing, analyses the advantages, difficulties and practical implications of taking the user as a partner in the design process and tries to re-imagine the system of community participation in design. The thesis is based in Daarukhana, a group of three wharfs in the Eastern Waterfront of Mumbai. That area constitutes of numerous ship breaking yards and metal processing enterprises. The area deals with other materials like: wood, bamboo, terracotta tiles, gun powder etc. The group of people staying in Daarukhana are migrants from different states of India, who came here to work at the ship breaking yards. Based on the site study and the case studies a new method is developed for citizen participation and is applied on site to get a response from them. The thesis provides a platform onto which a broad community alliance can come together. These alliances can then help us tackle discourses on site. The thesis focuses on developing a method that gives a very site specific outcome. This project “The Factory� demonstrates how different user groups can come together as partners to re-imagine the system of community participation and construction by building a structure that builds itself over time. The architect being one of the active participant, designs the primary structure, circulation and services for the project. A factory (group of workshops) is added to the structure where people can produce their own flooring system, wall panels, fenestrations and roofing systems designed by the architect with the participation of people from the community. The project takes the user group as its context and will build itself based on their needs and requirements. When redevelopment happens in future and the context changes, the surrounding area can be designed responding to this structure. Hence the redeveloped area can anchor itself to the site. The project states how engineering is an integrated part of architecture and how infrastructure can be designed . The architecture of the project allows the flexibility to the user to create, remove or change spaces inside the larger framework. Even if the user group changes over time, the architecture can remain and adapt to the needs of the context.
Open spaces are used as storage and gathering points. Created as pockets in between the houses
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The houses are separated by material and colour. Not by different walls
The lanes are used to store water buckets and other goods. During evening time its used as gathering point.
The houses are attached to eachother due to lack of space and money.
Open warehouses are used to store metal goods. A lot of metal enterprises own these spaces
Houses are attached to the warehouses acting as boundary for these open yards.
Docks are used to openly store reti, cement and other goods. Residents have built their own infrastructure to store goods.
Public toilets are use and pay toilets.
Ship breaking yard has no proper infrastructure to it hence there’s no proper protective measure for the activity.
The ship repair yard is an informal setup and gets repair material from the ship breaking yard The houses near the water’s edge is built on wooden posts.
Workshops are of larger scale that can hold big machineries and goods
Material used to build these houses are locally available tin sheets and plastic sheets with waste wood pieces and brick.
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UNDERSTANDING THE CONTEXT
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Building Diagrams
Understanding Networks
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100MM THICK INSULATED PANELS
2000MM DEEP LATTICE GIRDER
2000MM DEEP TRIANGULAR STEEL COLUMN
SUSPENSION RODS TO HANG THE FLOOR
CLADDING INSULATED PANELS
Model View 1
1000MM DEEP CASTELLATED I-SECTIONS
Model View 2
600X600 DOUBLE I-SECTION COLUMN
GUTTER/ GRATING
RAMP TO LOADING/ UNLOADING AREA
Model
CONCRETE RAFT FOUNDATION
The building is kit of parts that are designed with the help of the people from the community. The people from the community can use these parts later to design their space and build the rest of the structures. The fenestrations are carefully detailed using their day to day materials.
The whole structure is suspended from the primary truss. Why do we use steel in compression during construction. Steel is good in tension, hence it gives thinner cross sections. It also saves a lot of material. There are primary I Sections establishing the grid which are suspended from the top using four cables acting as one column.
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The building multistory kitchen. The the center, ar there are stor along with fa let you grow them. The wh sits on top of seating space
There are ramps on the ground floor that ta through a market street (as seen in Section the building is made using concrete, a mate and easy to cast on site. Moreover the ma at the base whereas the steel above make
FLOORING DETAIL SUSPENSION CABLE
SUSPENSION CABLE HOLDERS WOODEN FLOOR PANELS
RAISED FLOOR SUPPORT SHEATHING
A 6m wide ramp from each side of the factory goes down to the loading/ unloading area. On one side of the factory we have the driver’s parking which opens up to a large ground
STEEL FRAMING STUD CEILING PANEL SUPPORT L- SECTION PRIMARY I-SECTION
Detail Model
The factory has a gantry crane in the center that helps in the loading unloading process. The factory doesn’t follow a linear pattern.
g holds a community kitchen is at round which rage spaces acades that w plants on hole kitchen the canteen e.
ake you inside the building n AA’). The bottom part of erial good in compression aterial gives a heavy mass es look floating.
The rear half of the structure has a huge factory that helps the people to produce the other half of the building. The factory is sunk into the ground. The sunk part holds the loading/unloading and the storage areas. A huge light and ventilation shaft acts as the buffer between the factory and other public functions.
A part of loading/unloading can also happen at the ground floor level. Till one floor above the ground the steel and and concrete is used to build a column beam structure. Above that, few floors of the factory are suspended for installation of light machines and bamboo work.
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Truss Detail
Flooring Detail
ARCHITECT THINKS THE BUILDING WILL LOOK LIKE THIS. LOL! FOOL!
Ground Floor Plan
Wall Panel 1
Wall Panel 2
Wall Panel 3 It
looks like at all point of time the building is under construction. This is because people will keep building and changing things according to their need. And the building will keep adapting according to how people design it. The ground floor of the building doesn’t follow the grid above and allows a free flowing movement through the spaces. The ground floor consists of a series of staircases and ramps that are connected through large gathering spaces.
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Steel on site is a re material, which c different parts o The building has primary structure the other uncerta hanging.
The ground the buildin permanent p building that most the pub The ground fl people thro ramps that straight to the building but series of pro are an inher the communi
WE SHOULD CHANGE THE FACTORY INTO A MUSEUM.
I SUGGESTED THE SCHOOL HERE!!
MY HUSBAND DESIGNED THE SECOND FLOOR.
The factory has a gantry crane in the center that helps in the loading unloading process. The factory doesnt follow a linear pattern. The unloading happens in the middle of the factory. Both the sides of the factory have storage and production lines. The factory will have the potential to build other smaller structures in that area too.
CAN I CALL MYSELF AN ARCHITECT NOW?
eadily available can be reused in of the building. s a permanent e from which all ain volumes are
d floor of ng is the part of the t deals with blic functions. floor accepts ough huge take you e core of the through a ograms that rent part of ity.
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02 R E - D E S I G N I N G WATSON’S HOTEL INTO A HYBRID INSTITUTION Location: Mumbai, Maharashtra Guide: Samira Rathod Year: 2017 The project was named ‘Lost and Found’. The idea of the studio was to study the existing Watson’s building and it’s precinct and make master plan inferences. The building on site was then studied to create an inventory of parts of the building that can be re-used in the new structure. Watson’s Hotel is the first cast iron building in Mumbai and was built as a lavish hotel for the rich Indians in the city. As years passed by the building kept on adapting to new programs to survive till the 21st Century. But now we have reached a point in time where we don’t know for how long can that historic structure be protected. If that building has to undergo redevelopment, then what are the possible ways of designing the new structure, what are the programs that can be introduced to the new building to revive the importance of the building. The existing Watson’s Hotel holds a special place in the memory of the people of Mumbai. How much of that memory can we retain after we design something new on site. The project looks at different formal approach using wax models. As wax is a very flexible material to work with, all the master plan models are made using wax. After the 16
initial site study, the programs were developed from the inferences. A program list and area statement was generated for the project. The next step was to come up with a form just based on the master plan inferences and see how the new building responds to site. Numerous iterations were made before reaching a final form. Then the programs were inserted into the building, designing each space internally and challenging the current idea of spaces for those programs. This process ensured that we don’t designing using the norms of ‘Form follows Function’. The major programs for the building was an Art Gallery, Court Rooms and Advocates Offices, a Law Institute. The challenge was to see how can these three programs co-exist in such a tight site. The orientation of the building introduced new public and semi public spaces on site
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The art district has few educational institutions like: • Elphinston College • Elphinston College NCC Wing • David Sassoon Library • Mumbai University The art district has few educational institutions like: • Elphinston College • Elphinston College NCC Wing • David Sassoon Library • Mumbai University
The settlement on the North East end of Watson’s Hotel is a mixed use area. It has hybrid functions like: Artist’s Studio and offices, Restaurants, Bars, Residential blocks and other commercial stores. e.g. Chumbak. The Army Navy Building beside Watson’s has been converted to Westside mall in the ground and the first floor. Above that there are offices of TATA in that building. Army Navy also houses an art gallery on the ground floor. The settlement on the North East end of Watson’s Hotel is a mixed use area. It has hybrid functions like: Artist’s Studio and offices, Restaurants, Bars, Residential blocks and other commercial stores. e.g. Chumbak. The Army Navy Building beside Watson’s has been converted to Westside mall in the ground and the first floor. Above that there are offices of TATA in that building. Army Navy also houses an art gallery on the ground floor.
This area has two very significant structures of the city i.e. The Prince of Wales Museum City Civil and Sessions Court sits next to Watson’s Hotel. A very tight security space which and National Gallery of Modern Art. At one end of the museum we can see Jahangir Art is almost impermiable. The roads around the court are 24 x 7 guarded by police and army Gallery. NGMA also acts as an incubation center, giving artists and professionals to display jawans. their work so that people in the city can see it. Prince of Wales apart from being a museum, It also houses extra activities and events.. This area has two very significant structures of the city i.e. The Prince of Wales Museum City Civil and Sessions Court sits next to Watson’s Hotel. A very tight security space which and National Gallery of Modern Art. At one end of the museum we can see Jahangir Art is almost impermiable. The roads around the court are 24 x 7 guarded by police and army Gallery. NGMA also acts as an incubation center, giving artists and professionals to display jawans. their work so that people in the city can see it. Prince of Wales apart from being a museum, It also houses extra activities and events..
The art district is filled with open to sky spaces. But the sad part is, all these spaces are restricted gardens and lawns. Only Mumbai Unoversity and David Sassoon Library allows people to access their garden and parks. People in David Sassoon library take books and sit in the garden to read, which is a very quite and peaceful place because of the court standing in the adjacent plot. People’s movement around that plot is quite low. The art district is filled with open to sky spaces. But the sad part is, all these spaces are restricted gardens and lawns. Only Mumbai Unoversity and David Sassoon Library allows people to access their garden and parks. People in David Sassoon library take books and sit in the garden to read, which is a very quite and peaceful place because of the court standing in the adjacent plot. People’s movement around that plot is quite low.
The art district alongwith green open spaces has a lot of trees in that area. Because the buildings are heritage buildings and are load bearing and colonial, they have large courtyards and gardens in them which allows for a nice interaction between the natural and the built environment.
1. 2. The paved area in that area are very important because they play a very important role in the art district. The paved sidewalks are used to exhibit work during exhibitions. A lot of local artists sit on these pavements and sell their work. The sidewalks in some part are covered with colonnade hence giving a proper setup for pedestrian walkway.
3. 4. This plan shows the figure ground of that entire area. The red patch is the plot of intervention i.e. Watson’s Hotel. On one side we can see how the footprint is so loose and open because of the type of heritage structures that are there. Whereas the other side has a very closely knit fabric which holds hybrid functions.
The art district alongwith green open spaces has a lot of trees in that area. Because the buildings are heritage buildings and are load bearing and colonial, they have large courtyards and gardens in them which allows for a nice interaction between the natural and the built environment.
The paved area in that area are very important because they play a very important role in the art district. The paved sidewalks are used to exhibit work during exhibitions. A lot of local artists sit on these pavements and sell their work. The sidewalks in some part are covered with colonnade hence giving a proper setup for pedestrian walkway.
This plan shows the figure ground of that entire area. The red patch is the plot of intervention i.e. Watson’s Hotel. On one side we can see how the footprint is so loose and open because of the type of heritage structures that are there. Whereas the other side has a very closely knit fabric which holds hybrid functions.
Hotel ExistingHotel Existing Watson'sWatson's Hotel Existing Watson's Program Program Program
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Watson's Hotel Existing Program
inference
Advocates Advocates Offices: Offices: Advocates Offices: 1500 sqm1500 sqm 1500 sqm
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1.corridor gallery. 2.veranda atrium re 3.low atriu 4.balconie unused.
Advocates Offices: 1500 sqm 5.
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Du Building of Footprint of David ba Footprint Building Army Footprint Building of David Footprint ofBuilding David Footprint of lding Footprint of Building of Building Footprint of Footprint Building sh Ma Sassoon Sassoon Library: Library: rg Sassoon Library: Watson's Hotel: atson'sWatson's Hotel: Watson's Hotel: Navy Building: Hotel: 2179 sqm652 sqm 652 sqm 652 sqm 00 sqm1800 sqm 1800 sqm 1800 sqm
Residential: Residential: Residential: 650 sqm 650 sqm 650 sqm
d Area of Ground Area ofFloor: Ground Area Floor: of Ground Floor: roa gh sin at 1800 sqm1800 sqm 1800 sqm ea of Ground of Ground Floor: Area ofFloor: Ground Floor: Area of Ground Floor: ag Area Bh id ah 00 sqm1800 sqm 1800 sqm 1800 sqm Sh Area of Ground Floor: nt Building Plots 2179 sqm
Area of First AreaFloor: of First Floor: Area of First Floor: 1800 sqm1800 sqm 1800 sqm
ea of First Area of First Floor: AreaFloor: of First Floor: 50 sqm1550 sqm 1550 sqm
Building Footprint of David 3. Sassoon Library: 652 sqm
4.
Residential: 650 sqm
Typical floor plan
Area of Ground Floor: 1800 sqm
Area of First Floor: Commercial: Commercial: 1800 sqm Commercial: Area of First Floor: 260 sqm 260 sqm 260 sqm 1550 sqm
Commercial: 260 sqm
Area of First Floor: 2179 sqm
M G Road
ea of Second Area of Second Floor: Area ofFloor: Second Floor: 38 sqm1438 sqm 1438 sqm
Area of Second Floor: 1438 sqm
Area of Second Floor: 2179 sqm Open Space Footprint : Open Space Footprint Open Space : Footprint : ea of Third AreaFloor: of Third Area Floor:of Third Floor: Area of Third Floor: 810 sqm 810 sqm 810 sqm 38 sqm1438 sqm 1438 sqm 1438 sqm
Open Space Footprint : Open Space Footprint Open Space : Footprint : Art Gallery: Art Gallery: Art Gallery: Area of Third ea of Fouth of Fouth Floor: Area Floor: of FouthArea Floor: Area of Fouth140 Floor: 810Floor: sqm 810 sqm 810 sqm sqm 140 sqm 140 sqm 2179 sqm 38 sqm1438 sqm 1438 sqm 1438 sqm
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Storage Spaces: 350 sqm
Storage Spaces: Storage Spaces: Storage Spaces: 350 sqm 350 sqm 350 sqm Open Space Footprint : 810 sqm
Open Space Footprint : 810 sqm 5054.72
SQ.M
Art Gallery: 140 sqm
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1.corridor space usedas art gallery. 2.verandahs opening to the atrium recieve natural light. 3.low atrium roof. 3. 2. 4.balconies are mostly unused.
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Sectional Model
Site Plan
Model
Sectional Perspective: Law Library and Law institute
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Diagrams
External View 1
External View 2
Sectional Perspective: Art Gallery
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03 IN SEARCH OF ORDER A NAKED EYE ASTRONOMICAL OBSERVATORY Location: Rann of Kutchh, Gujarat Guide: Vandana Ranjit Singh Year: 2015- 2016 Rann of Kutchh, long stretches of sand and land without trees. No place to take cover and protect yourself from the scorching heat of the sun. There are organisms who still survive in such harsh climate. Mostly they live under ground and have the capability to retain water in their body. What do you do in a place like Rann of Kutch, where there is no man made construction, no artificial context and scorching sun over your head. Any organism will try to dig into the earth and hide itself from the heat. The building attempts to do something similar. It looks like an organism trying to dig into the soil to save itself with few of its body parts sticking out of the ground. The intervention merges the landscape elements with functions like naked eye optical observatory. There are no set of rules or parameters to construct a structure in a desert, other than climate. So using all the possible clues on site along with few set of rules the building aligns itself to the functions. The building creates its own order using the grid, which is imagined as a grid that was always present under the layers of soil. 22
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Astrophotography Lab
Sci-fi Dome
Astronomical Observatory
Astronomical Library
Plans 24
Ground Floor Plan Model
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04 I N T E G R A T O R A
STUDENT’S
AMENITY
CENTER
Location: Mumbai, Maharashtra Guide: Sonal Sancheti Year: 2015 The site of the project is Bhavan’s School Campus, Andheri, Mumbai. The site has a rich interaction between architecture and nature. The campus has a central lake around which the whole ecosystem of architecture, nature and people is constructed. The project started with the study of buildings inside the campus and the history of the campus. The programs of the Student’s amenity center were listed down along with their area statements. The project looks at not disturbing the current balance in the ecosystem and tries to re-imagine the idea of a non- building in the campus. The intervention works as an integrator for the whole campus and tries to shift the main entrance of the campus to the rear end. The building is 3m underground and the roof plays a very integral role in showing the presence of the structure. In plan the structure looks like an undulating crack on the ground. The ground planes were shifted to create new public gathering spaces. The student’s amenity center works on a three courtyard system. First courtyard is surrounded by informal functions. The second courtyard is surrounded by formal functions like the welcome center, admission center etc. The third courtyard is used for receiving the public from the other side of the campus. A vehicular road goes over the building, dividing the formal and informal courtyards. The courtyards are used as a general meeting space for students, staff etc. One of the courtyards open up to the lake, giving the users a peaceful edge to sit and relax. The building is not constructed with the programs of the Amenity center, rather it is constructed using the open public spaces at different level with different levels of interaction with the campus.
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MOVEMENT PATTERNS TYPES OF PEDESTRIAN MOVEMENT ON CAMPUS
DISTANCE WALKED IN A DAY
SEASONAL MOVEMENT ON CAMPUS
DENSITY OF PEOPLE DURING DIFFERENT TIMES OF THE DAY
PLACES OF GATHERING
VEHICULAR MOVEMENT
MOVEMENT ON CAMPUS THROUGHOUT THE DAY
DISTANCES TRAVELLED BY STUDENTS WITHIN CAMPUS
SEASONAL DENSITY
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Model View
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Basement Plan
Section AA’ 29
05 I N T E G R A T O R A
STUDENT’S
AMENITY
CENTER
Location: Mumbai, Maharashtra Guide: Sonal Sancheti Year: 2015-2016 The working drawing portfolio of the Student’s Amnity Center at Bhavan’s Campus focused on exploring different materials and techniques of construction. The materials that can be used to build underground. Materials that are locally available and resolving the services for the same. The exercise zoomed into smaller intricate details and resolved ventilation requirements in the structure. The aim of the portfolio was to understand, how to convert ideas and designs into reality. The main challenge in this exercise was to resolve the tessellated roof so that it can be easily constructed on site.
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IC 9 Hydro-pneumatic Sump Pumps lvl: -4500mm 1.jpg 2.jpg 3.jpg 4.jpg 5.jpg 6.jpg
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Gully Trap Kajaria Vitrified Floor Tile 600mm x 600mm
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30 MM DIA. INLET
1650
INTERCEPTING TRAP, 1:10
NANHI TRAP, 1:5
300
RCC Retaining Wall 300mm
Door Panels
1500
2500
Water Proofing louvers
500
150 TH
METAL
Partition Wall
Benching
100MM PIPE 65MM W
Modesty Board
600
Wash Basin C.I. Cover 600 x 900mm
P.C.C.
Urinal Brick Wall 230mm Bottle Trap
SECTION OF GULLY TRAP, 1:20 230
970
2000
1000
2400
900
700
Lean to Concrete
400 600 2
I.C. C
INLE
Water Proofing
SECTION AA' SCALE 1:25
1
900
Brick Bat Coba 230mm thick
400
Floor Tiles 600 x 600mm Screed 25mm RCC Raft Foundation PCC Bed 100mm Thick
800
Kajaria Vitrified Tiles 600mm x 600mm Waste Water Pipe
230
1800
Health Faucet
1320
2200
Duct 1500mm wide
450
OUT SEP TAN
100MM
300x30
W.C.
3400
3400
100 100
1200
Wall Tiles 600 x 600mm
25002000
200 800 1000
2000 900
2000
1560
1900
500
1640
500 600 3000
WAT 100
OUTLET TO GULLY TRAP 25 MM WATER SEAL
Louvered Window
Soil Pipe 15mm dia
30
INLE
CLEAN OUT PLUG
1500
44
ROD ARM
15 MM WATER SEAL
BOTTLE TRAP, 1:5
Brick Wall 230mm thick Brick Bat Coba 200mm thick Brick Bat Coba 200mm thick
43
LID
30 MM DIA. OUTLET
3
2
1
2380
44
1100
43
150 M
C.I. C
BRIC LID
OUT
PCC Bed 100mm
SECTION OF DISCONNECTING CHAMBER SCALE 1:20
SECTION BB' SCALE 1:25
3
INTE
RA VEE
SS ) PRENICIPAL A D (MU P. R O M D.
18.30
NALA
D.P. R O A D
NALA
18.30 M
D.P. ROAD
30.50 M
, ENG S.V.P. E LEG COL
27.45
M
J.P. ROA
D
AR
NAG
I
HER
AND
ERT
GILB
HILL
AR
NAG
I (W)
HER
D MA 36.60
M.JUHU
LANE
A N D H E R I F L Y O V E R
AN
H
I (W)
HER
AND
AM
AND
RG
AND
I HER AND P&T
ERI
AN
ESIC
Gully Trap Kajaria Vitrified Floor Tile 600mm x 600mm
SUB WAY
T. GOV ICE OFF
15.25M STN. I RLY ANDHER
P.O.
BH
Y
Inspection Chamber 600 x 900mm
E
LEG
'S COL WAN BHA E LEG COL I HER AND
MRMPPING SHO
AR
D
P.G.
NAG D. N.
D. N.AR NAG D.N.
DAW
II I (W) S. HER T.P. AND
ROA
IND
AR
D. P. 27.45 M
Plaster 15mm thick
ROAD (60'-0")
CEASER
OAD
IR
AB
R O A D
AR NAG .M. IAN OIL M.R
EK
Kajaria Wall Tiles
A
SING
HOU
I VIV
Kajaria Vitrified Floor Tiles 300mm x 300mm
DU HIN
DES
Nahni Trap
D'S FRIEN
OA AI R
SOCIE
D
AD TY RO
1.jpg 2.jpg 3.jpg 4.jpg 5.jpg 6.jpg
R
A
I
L
SW
W
LOCATION PLAN SCALE 1:20000
R
N
Brick Wall 230mm thick
W
E
S
T
E
RCC BRICK
Domestic Pipe 30mm dia
SOIL PIPE
Flushing Pipe 30mm dia
WATER SUPPLY FLUSHING WATER SUPPLY DOMESTIC WASTE WATER PIPE
Handicap Toilet 2m x 1.5m
STORM WATER PIPE IC SITE FIRE HYDRANT FIRE EXTINGUISHER AND ALARM SITE LAMPS UPWARD POINTING HALOGEN LAMPS FEEDER PILLAR TO BUS BAR 1 PHASE 3 PHASE SWITCH BOARD TO SITE LAMPS
30 MM DIA. INLET
LID
30 MM DIA. OUTLET
RODDING ARM
15 MM WATER SEAL
INLET FROM 100
CLEAN OUT PLUG
WATER SEAL 100 MM
100
, 1:5 OUTLET TO GULLY TRAP 25 MM WATER SEAL
INTERCEPTING TRAP, 1:10
1:5
OUTLET TO SEPTIC TANK
100MM INLET PIPE 300x300 C I COVER 150 THK BRICK WALL METAL GRATING 100MM DIA OUTLET PIPE 65MM WATER SEAL P.C.C. Bed
970
230
00mm x 600mm
m thick
I.C. COVER 450 X 900 INLET FROM I.C. 150 MM P.C.C. BED
900
C.I. COVER BRICK MASONARY LID OUTLET
SECTION OF DISCONNECTING CHAMBER SCALE 1:20
4
1) ALL DIMENSIONS ARE TAKEN FROM UNFINISHED WALLS AND FLOORS. 2) ALL EXTERNAL PLASTER IS 25MM THK IN CM 1:4 IN 2 COATS. 3) ALL INTERNAL PLASTER IS 18MM THK IN CM 1:6 IN NEERU FINISH. 4) ALL CEILING PLASTER IS 12MM THK IN CM 1:4 IN SINGLE COAT FINISHED WITH NEERU. BHAVANS COLLEGE D.N.NAGAR ,ANDHERI (W), MUMBAI
SECTION OF GULLY TRAP, 1:20 230
COLLEGE STAMP: SPECIFIC NOTES:
INTERCEPTING TRAP
KAMLA RAHEJA VIDYANIDHI INSTITUTE FOR ARCHITECTURE AND ENVIRONMENTAL STUDIES SERVICES PUBLIC TOILET DETAIL NAME : ORKO ROY ROLL NO : 352 SCALE 28/04/16
6
5
SEAT NO. 6582
15
N
8
7
+3600MM
ROOF PARAPET LEVEL
(M
VENTILATOR LEVEL
4800
+150MM WINDOW SILL LEVEL 0.00MM GROUND LEVEL
2000
2100
+2400,,
+2100MM
5700
LINTEL LEVEL
1800
1800
1800
300 500 300
18.30
BASEMENT FLOOR LEVEL
-2000MM
RCC RAFT FOUNDATION LEVEL PCC BED LEVEL
4
6
7
8
-1700MM
-1400MM
SECTION AA' SCALE 1:50
31
06 S T E P P I N G A W A Y A
MUSEUM
OF
LANGUAGES
Location: Allahabad Guide: Rohan Shivkumar Year: 2014- 2015 The project is located in one of the busiest market streets of Allahabad. The program decided for this particular site was a ‘Museum of Languages’. The intervention deals with the idea of a museum in a busy market space. The major question was that the building is located at a very important node in the city and how architecture can create a pause point in such a busy street. The structure provides an open plaza at the terrace level, which lifts people away from the chaos of the market. From there, people can step away from the busy street and look at the scenario peacefully. The Ghantaghar (clock tower) is present in front of the site, an old colonial structure. The site used to have the old city bus stand which was later replaced by a Municipal market building. The intervention doesn’t overpower the colonial clock tower and it lies low on the ground. The outer facade of the building doesn’t have any fenestration, trying to stand like a fort and cuts off the market chaos completely. An open to sky courtyard punctures through the structure for light and ventilation. The two main functions, the library and the museum are situated on either sides of the courtyard. The structure lets the market dwellers to use its walls as a backdrop to set up their shops. One floor of the museum and the library is situated below the ground level, encapsulating the program away from the market.
Sketch Section
32
Site Plan
Basement Plan
Model View 1
Model View 2
Exploded Model
33
07 A R C H I V I N G A
L
L
A
H
A
B
A
D
Location: Allahabad, Uttar Pradesh Guide: Rohan Shivkumar, Shirish Joshi Year: 2014- 2015 Documentations of buildings and settlements play a seminal role in architecture education. Not only does it teach the student the physiology of the building, but it also prompts them to ask critical questions on the contemporary nature of architecture and the built environment. Buildings and spaces of Allahabad are ornate. Not merely with decorations and embellishments but also with their expressions of materials and history. They are a repository of architectural histrory spanning centuries.
34
The Allahabad Archive is an on-going project of documenting the rich architectural history of Allahabad by actively. The Tilohi Kothi is a single storey symmetrical structure situated in Daraganj, Allahabad having two courtyards and one verandah. It has many small rooms which are given on rent to the students of Allahabad University. There is a school on the ground floor of the kothi where children from the vicinity come to study. I-sections and T- sections are used for the construction of floors. It is a load-bearing structure with the main material used in its construction being brick.
First Floor Plan
Ground Floor Plan
Section AA
Section BB
Model 35
08 T H E A
HOUSE
FOR
H O M E A
TRAVELLER
Location: Mandu, Madhya Pradesh Guide: Rohan Shivkumar, George Jacob Year: 2014 Mandu is a site with very less locals. Mostly its filled with travelers and tourists. The house designed in this project is a home for a traveler. The attempt was to find a ruin and use architecture as plug ins to create more spaces in the house. This house is a complete journey from the outside to the inside and finally how the house takes you out to the nature. The intervention is an extension to the existing structure on site. The existing structure has one room with openings on 3 sides. The extensions consists of spaces like a kitchen, eating area, relaxing and viewing deck, toilet, terrace and an entrance route. Most of the structure is made using bamboo and wood along with concrete and brick. The house is built on a contoured site with road on one edge and never ending fields on the other. From the viewing deck, one can directly see some part of the Roopmati Palace. This house is designed for a voyager, and all the spaces are designed accordingly.
Plan
Model 36
North Elevation
Section 1
Structural Detail
37
09 T H E I N T E R F A C E A
C O M M U N I T Y
C E N T E R
Location: Mumbai, Maharashtra Guide: Shilpa Gore Shah, Shirirsh Joshi Year: 2014 The project is located in Govandi, Mumbai where a huge community covering an area of 1km x 1km stay alongside a huge dump yard. The concept for this project was arrived upon using a mythological character called Arachne. The concept developed for this project was weaving. Govandi has a huge hierarchy of weaving that can be mapped in that region, starting from very small scale i.e. interaction or the weave between family members and neighbours display a form of weaving. To a scale where weaving is interpreted through occupation and people woven together because of that. The attempt of this project was to weave these inter relations present in the community and if possible gather them at one place using this project as an interface between the community and the dump yard. The structure directly pulls people off the street into the building and then release them to the other side i.e. the public ground, which can be used for many occasions. The structure looks at the idea of weaving the whole community/settlement together by gathering them at one place i.e. the ground in front of the dump yard. The structure is made up of ramps that lift the pedestrians directly from the road and takes them into the structure. The building releases people on the other side using two ramps. The building has a library, amphitheater, park and one community gathering space.
38
Location Plan
Section DD’
Section CC’
Section BB’
Section EE’ 39
40
PROFESSIONAL PRACTICE 41
10 M
L
L E G I SL A T I V E
A
C
A S S E M B LY
Location: Shillong, Meghalaya Year: 2017 Meghalaya Legislative Assembly Complex was a competition entry regarding the upcoming legislative assembly and secretariat building coming up for meghalaya. The site is a steep contoured site covered with greenery from all four sides.
LIST OF DRAWINGS: 1) Designed different master plan and landscaping options 2) Worked out different options for secretariat program layout. 3) Drafted master plan and site sections. 4) Designed and drafted typical office block, structural system and roof. 5)Drafted wall sections and elevation for office block. 6) Drafted main assembly complex sections and axonometric diagram. 7) Water supply plan, Sewage treatment plan and electrical layout for the whole site. 8) Thermal study of secretariat block. 9) Updating seating layout and masterplan render 10) Study models Rendered By: Sabyasachi R. 42
43
AUDITORIUM COMPLEX
SHOPPING COMPLEX
INDOOR SPORTS + RECREATION
Masterplan- Option 1
AUDITORIUM COMPLEX
INDOOR SPORTS + RECREATION
SHOPPING COMPLEX
Masterplan- Option 2
Masterplan- Option 3
Masterplan- Option 4 44
45
Secretariat Layout- Option 1
Secretariat Layout- Option 2
Secretariat Layout- Option 3
46
Secretariat Layout- Option 4
47
48
49
11 B O N J O U R H O T E L RESIDENTIAL
AND
HOSPITALITY
Location: Bangalore, Karnataka Year: 2016 Bonjour hotel is a mixed use project where the front 1/3 part of the project is hotel and the rear part is residential. This project is located in Yeshwantpur, Karnataka.
50
51
1
2
C O O N O O R
A
I N
A.300
H O U S E
EL.4
A
3
12 COONOOR HOUSE
D08
W2 V8
CC
A.202
V5
CC
A.202
Location: Coonoor, Tamil Nadu Year: 2016-2017
D07 D09
B
BB
BB
A.201
A.201
Coonoor is a hilly site with very steep slopes. The site for this project falls exactly on top of a contoured land. The idea for this house was to keep it porous so that there is a large interaction between the human body and nature.
V4
D02
V7 D05 D05
C
NOTE · The drawing is the property of flying elephant studio Architects
V3
·
and unauthorised use or reproduction of the drawing is not permitted without the Architect's permission. The drawing is not to be scaled All dimensions are in millimetres and all levels are in metres unless otherwise indicated. Any discrepancy in the drawing is to be brought to the immediate notice of the Architect. The drawing is to be read in conjunction with all other relevant Architectural, Structural and Services drawings and specifications
D05
·
D02
· ·
V6
W3
V2
D
D07
A.302
EL.3
C
A.302
B
EL.1
A
OPENINGS SCHEDULE
W1 V6
OPENING W01 W02 W03 W04 W05 W06 V01 V02 V03 V04 V05 V06 V07 V08 V09 V10
SIZE (IN MM) 3200 x 2200 3700 x 2200 3400 x 1650 1133 x 2200 500 x 2200 3000 x 2200 3450 x 587 1800 x 587 1500 x 587 1900 x 587 3700 x 587 3450 x 1329 1900 x 1329 3700 x 1329 450 x 500 1900 x 500
V1
E
1500 x 2200 1100 x 2200 1100 x 2200 1200 x 2200 900 x 2200 1067 x 2200 1233 x 2200 1000 x 2200 900 x 2200 800 x 2200 1133 x 2200 1300 x 2200 1000 x 2200
D01
V6 V1
SIZE (IN MM)
D06
OPENING D01 D02 D03 D04 D05 D06 D07 D08 D09 D10 D11 D12 D13
D12
Rev No.
Details
Date
D03
AA
A.200
V06
D12
V1
W6
AA
A.200
W1
F
V1
D03
D02
W1 V6 Kunaal
Scale
1:50
D06
Drawn
Chkd
Iype
Date
15.12.2016
G
Cad Ref cr-a-gfc set.dwg
Stage
Drawing Title D04
SECTION AA
A.301
EL.2
Project
· ·
·
·
NOTE · The drawing is the property of flyi Architects and unauthorised use o is not permitted without the Archite · The drawing is not to be scaled · All dimensions are in millimetres a unless otherwise indicated. · Any discrepancy in the drawing is immediate notice of the Architect. · The drawing is to be read in conju Architectural, Structural and Servic specifications
and unauthorised use or reproduction of the drawing is not permitted without the Architect's permission. The drawing is not to be scaled All dimensions are in millimetres and all levels are in metres unless otherwise indicated. Any discrepancy in the drawing is to be brought to the immediate notice of the Architect. The drawing is to be read in conjunction with all other relevant Architectural, Structural and Services drawings and specifications
SIZE (IN MM)
Date
SIZE (IN MM) 3200 x 2200 3700 x 2200 3400 x 1650 1133 x 2200 500 x 2200 3000 x 2200
IYPE
OPENING W01 W02 W03 W04 W05 W06
GFC
15.12.2016
3450 x 587 1800 x 587 1500 x 587 1900 x 587 3700 x 587 3450 x 1329 1900 x 1329 3700 x 1329 450 x 500 1900 x 500
Date
Key Plan / Location V01 V02 V03 V04 V05 V06 V07 V08 V09 V10
Stage
Chkd
R0
Rev No.
DETAIL A SECTION ALONG TREAD
1500 x 2200 1100 x 2200 1100 x 2200 1200 x 2200 900 x 2200 1067 x 2200 1233 x 2200 1000 x 2200 900 x 2200 800 x 2200 1133 x 2200 1300 x 2200 1000 x 2200
Details
Rev No.
15-03
OPENINGS SCHEDULE
KUNAAL
Project No.
CR-A-200
OPENING D01 D02 D03 D04 D05 D06 D07 D08 D09 D10 D11 D12 D13
1:50
Drawing No.
Rev No.
Drawn
GROUND FLOOR PLAN
Scale
Cad Ref cr-a-gfc set.dwg
Drawing Title
Project
15-03
Project No.
RESIDENCE AT LAMB'S ROCK COONOOR
CR-A-101
Drawing No.
RESIDENCE AT LAMB'S ROCK COONOOR
DETAIL A ISOMETRIC - TYPICAL TREAD
SECTION
DETAIL B ISOMETRIC - M.S. WEDGE
GROUND FLOOR PLAN DETAIL A PLAN DETAIL C PLAN Rev No.
Details
Drawn : KUNAAL Scale
: As Specified
Cad Ref : Drawings.dwg
Chkd
Date
Stag
Drawing Title
STAIRCASE DETAILS
Project
HOUSE AT LAMB'S ROCK
DETAIL C SECTION
LOWER FLOOR PLAN
52
CONOOR HOUSE
DETAIL A SECTION ALONG STRINGER
Drawing No.
Proj
15
2
2
3
NOTE · T
3
a p T A o A n T A
· · ·
V4
V3
·
A
Key
D10
B
D10
D05
D02
Rev No
D02
3
Making base drawings, Set of GFC drawings. Toilet and Staircase details. Placement of supply and drainage pipes, toilet fixtures.
2
Drawn Scale
Cad R
Draw D05
D10
MAS
ROO
LAYO
Proje
RE CO
Draw
NO · · · · ·
A
B
B
V11
A
Ke
V11
Rev
D05
Dra
Sca
Cad
Dra
53MA
15 N
C
S
EDUCATIONAL
C
M
INSTITUTION
Location: Chennai, Tamil Nadu Year: 2016-2017 National Center for Sustainable Coastal Management is a research institute that is striving to promote sustainable coasts through scientific research and conservation practices. The institution is situated in the Anna University Campus Chennai, Tamil Nadu. As an intern my job was to deliver details for different finishes, fenestrations, gates and staircases. Setting out landscaping plan and adding necessary details to it. Redoing the door window schedule.
NOT
·
5'
4'
3'
2'
1'
0
1
2
3
4
5
6
7
· ·
8
·
C'
·
Ke
B'
A
B
LE C
D
E
F
G
H
R2 R1 R0 Rev
MAN
CONS #236, K.G. N BANG PH: (0 EMAI
J
Mc
follow L
Mc D
Green 3rd Flo 33rd M
Draw
Sca
Cad
K
Dra
MA
Pro
54
NA SU M
Notes
Notes
- THIS DRAWING IS A COPYRIGHT AND PROPERTY OF THE ARCHITECT,
IS NOT TO BE PROD
OR USED FOR ANY OTHER PURPOSE OTHER THAN FOR WHICH IT IS INTENDED. - ALL DIMENSIONS ARE IN MILLIMETER - ALL DIMENSIONS SHALL BE VERIFIED ON SITE PRIOR TO START OF WORK ANY DISCREPANCY SHALL BE BROUGHT TO THE NOTICE OF THE ARCHITECT.
DOOR CLOSURE OF APP. MAKE
FFL
28-09-16
PB
GJ
Date
Chk
Apd
50MM X 100MM APPROVED WOODEN DOOR FRAME
6MM TOLERANCE BETWEEN SHUTTER AND FFL
Date
FFL 1800
FFL
Scale
1500
6MM TOLERANCE BETWEEN SHUTTER AND FFL
IN-40-100 & 40F
Drawing No.
Drawn
28-09-2016 1:20
FFL
1100
PB
1050 2375
SS BEARING HINGES OF APP. MAKE
6MM TOLERANCE BETWEEN SHUTTER AND FFL, TO PROVIDE DROP DOWN SCREEN FOR THE SAME
DOUBLE LEAF FIRE RATED DOOR ((1000+500)mmx2375mm)
GD14, SD14
FFL
PROJECT :
NATIONAL COASTAL ANNA UNI TITLE :
1050
ALUMINUM POWDER COATED GRILL
DO
200
700 1100
Drawing N Date Scale
200
Drawn
Project Ar
Design Co
Project No
North Design Consultant
GFC
Des
ARCHITECT
6MM TOLERANCE BETWEEN SHUTTER AND FFL, TO PROVIDE DROP DOWN SCREEN FOR THE SAME
PB Design Consultant GJ Project No IN-13-1--
DOUBLE LEAF M.S GRILL DOOR ((1200+600)mmx2375mm)
R0
R#
50MM X 100MM APPROVED WOODEN DOOR FRAME
Project Architect
GD12A
Revisions
10MM THK GLASS VIEW PANEL WITH CONCEALED BEADING
MORTISE LOCK AS APP. BY THE ARCHITECT
MORTISE LOCK AS APP. BY THE ARCHITECT
1100
38MM FLUSH DOOR WITH 1MM APP. LAMINATE FINISHED ON BOTH SIDES
SS BEARING HINGES OF APP. MAKE
50MM X 100MM APPROVED WOODEN DOOR FRAME
MORTISE LOCK AS APP. BY THE ARCHITECT
1050
DOOR ELEVATION DETAILS
LOCK AS APP. BY THE ARCHITECT
1050
1050
1450
TITLE :
6MM THK TOLERANCE BETWEEN SHUTTER & FFL.
FFL
PROJECT :
NATIONAL CENTRE FOR SUSTAINABLE COASTAL MANAGEMENT ANNA UNIVERSITY, CHENNAI
10MM THK GLASS VIEW PANEL WITH CONCEALED BEADING
2375
D-TYPE PULL HANDLE-IN APP.MAKE
2375
300
SS BEARING HINGES IN APP.MAKE
2375
HANDLE IN APP.MAKE AS APP. BY ARCHITECT
LOCK AS PER MANUFACTURERS SPEC.
800
VISION PANNEL AS PER MANUFACTURERS SPEC.
GFC
Description
ARCHITECT :
THE CONTRACTORS
-EXTERNAL FINISHE ARE ONLY INDICATI BY APPOINTED CON -ALL OPENING SIZES
CONCEALED DOOR CLOSURE OF APPROVED MAKE
CONCEALED DOOR CLOSURE OF APPROVED MAKE
1050
200
R0
R#
THE ARCHITECTURA
AS PER ARCHITECT -ALL THE SERVICES
SINGLE LEAF FLUSH DOOR (900mm x 2375mm)
GD5,FD5,SD5,TD5
38MM FLUSH DOOR WITH 1MM APP. LAMINATE FINISHED ON BOTH SIDES
38MM FLUSH DOOR WITH 1MM APP. LAMINATE FINISHED ON BOTH SIDES
1050
2 HOURS FIRERATED DOOR AS PER MANUFACTURERS SPEC.
METAL DOOR PER MANUFACTURERS SPEC.
CONCEALED DOOR CLOSURE OF APPROVED MAKE Revisions
1050
EXPOSED DOOR CLOSER AS PER MANUFACTURERS SPEC.
SINGLE LEAF FLUSH DOOR (900mm x 2375mm)
TD4
1050
FRAME AS PER MANTFACTURERS SPEC.
FRAME AS PER MANTFACTURERS SPEC. CONCEALED TOWER BOLT 600MM LONG EXPOSED DOOR CLOSER AS PER MANUFACTURERS SPEC.
2375
SINGLE LEAF GLASS DOOR (900mm x 2375mm)
GD1,FD1,SD1,TD1
INTENT AND DOES N FULL RESPONSIBILI
- THE ABOVE NOTES PROVIDED IN THIS D CONSTITUTE TO TH
900
6MM TOLERANCE BETWEEN SHUTTER AND FFL
2375
SINGLE LEAF FIRE RATED DOOR (1100mmx2375mm)
GD13B
ANY DISCREPANCY
DETAILS AND BE RE BE BROUGHT TO TH
6MM TOLERANCE BETWEEN SHUTTER AND FFL FFL
900
900
1000
DOUBLE LEAF FIRE RATED DOOR ((750+750)mmx2375mm)
GD13A
OR USED FOR ANY O
- ALL DIMENSIONS A
- ALL DIMENSIONS SH
- THIS DRAWING IS T
- THIS DRAWING SHA ARCHITECTURAL, IN DISCREPANCY IF AN TO THE ATTENTION
MORTISE LOCK AS APP. BY THE ARCHITECT
ALUMINUM POWDER COATED GRILL
VENDORS TO PROVIDE SHOP DRAWINGS SINGLE LEAF FIRE RATED DOOR (1100mmx2375mm)
GD13,FD13, SD13,TD13
50MM X 100MM APPROVED WOODEN DOOR FRAME
1000
2375
DOOR FRAME AS PER MANUFACTURER'S SPECS.
FFL
1100
1500
MORTISE LOCK AS APP. BY THE ARCHITECT
1050
1050
6MM THK TOLERANCE BETWEEN SHUTTER & FFL.
FFL
1100
1400
2375
2 HOURS FIRERATED DOOR AS PER MANUFACTURERS SPEC.
300
1450
FFL
FFL
DOOR HINGES IN APP.MAKE
LOCK AS PER MANUFACTURERS SPEC.
6MM TOLERANCE BETWEEN SHUTTER AND FFL
50MM X 100MM APPROVED WOODEN DOOR FRAME
150
6MM THK TOLERANCE BETWEEN SHUTTER & FFL.
1050
LOCK AS APP. BY THE ARCHITECT
1050
2 HOURS FIRERATED DOOR AS PER MANUFACTURERS SPEC.
1050
MORTISE LOCK AS APP. BY THE ARCHITECT
-EXTERNAL FINISHES (CURTAIN WALL/ GRANITE CLADDING ETC.) ARE ONLY INDICATIVE, SUBJECT TO SUBMISSION OF SHOP DRAWINGS BY APPOINTED CONTRACTORS. -ALL OPENING SIZES ARE FINISHED DIMENSIONS
10MM THK GLASS VIEW PANEL WITH CONCEALED BEADING SS BEARING HINGES OF APP. MAKE
1000
300
PUSH BAR AS PER MANUFACTURERS SPEC.
300
(7) WORKING DAYS / EXECUTION OF WO
10MM THK GLASS VIEW PANEL WITH CONCEALED BEADING SS BEARING HINGES OF APP. MAKE
AS PER ARCHITECTURAL DRAWINGS.
800
2375
D-TYPE PULL HANDLE-IN APP.MAKE
200
- DRAWING APPROVA
10MM THK TOUGHENED GLASS DOOR
THE CONTRACTORS TO DEMOLISH ALL SUCH CONSTRUCTION AND REBUILD
-ALL THE SERVICES DUCTS/CUTOUTS ARE TO BE COVERED AFTER
LOCK AS PER MANUFACTURERS SPEC.
800
INTENT AND DOES NOT RELIEVE THE CONTRACTOR/SUBCONTRACTOR FROM FULL RESPONSIBILITY FOR THE ACCURACY, INTEGRATION AND FITNESS FOR - THE ABOVE NOTES FORM THE ESSENTIAL INSTRUCTIONS TO INFORMATION PROVIDED IN THIS DRAWING. THE NON CONFORMITY TO THESE WOULD CONSTITUTE TO THE CONSTRUCTION NOT BEING CARRIED OUT AS PER THE ARCHITECTURAL INTENT. THE ARCHITECT IS AT LIBERTY TO INSTRUCT
2375
300 2375
D-TYPE PULL HANDLE300MMX22MM(DORMA MAKE)
1450
VISION PANNEL AS PER MANUFACTURERS SPEC.
300
150
(7) WORKING DAYS OF ISSUE OF THIS DRAWING OR PRIOR TO PROCUREMENT / EXECUTION OF WORKS AT SITE WHICHEVER IS EARLIER
200
VISION PANNEL AS PER MANUFACTURERS SPEC.
38MM FLUSH DOOR WITH 1MM APP. LAMINATE FINISHED ON BOTH SIDES
38MM FLUSH DOOR WITH 1MM APP. LAMINATE FINISHED ON BOTH SIDES
300
2 HOURS FIRERATED DOOR AS PER MANUFACTURERS SPEC.
- THIS DRAWING IS TO BE READ AND NOT SCALED. - THIS DRAWING SHALL BE READ IN CONJUNCTION WITH ALL RELEVANT ARCHITECTURAL, INTERIOR, STRUCTURAL AND SERVICES DRAWINGS. DISCREPANCY IF ANY NOTICED BY THE CONTRACTOR SHALL BE BROUGHT TO THE ATTENTION OF THE ARCHITECT AND GOT RESOLVED WITHIN SEVEN
- DRAWING APPROVAL IS FOR THE CONFIRMITY WITH OUTLINE DESIGN
200
CONCEALED DOOR CLOSURE OF APPROVED MAKE
- THE CONTRACTOR/
DETAILS AND BE RESPONSIBLE FOR THE SAME. ANY DISCREPANCY SHALL BE BROUGHT TO THE NOTICE OF THE ARCHITECT.
EXPOSED DOOR CLOSER AS PER MANUFACTURERS SPEC.
CONCEALED DOOR CLOSURE OF APPROVED MAKE
- THE CONTRACTOR/PROJECT MANAGER MUST CHECK ALL DIMENSIONS AND
150
FRAME AS PER MANTFACTURERS SPEC.
EXPOSED DOOR CLOSER AS PER MANUFACTURERS SPEC.
EXPOSED DOOR CLOSER AS PER MANUFACTURERS SPEC.
- THIS DRAWING IS A
IS NOT TO BE PRODUCED, COPIED, HANDED OVER TO THIRD PARTY
FRAME AS PER MANTFACTURERS SPEC.
FRAME AS PER MANTFACTURERS SPEC.
SINGLE LEAF FLUSH DOOR (1100mm x 2375mm)
GD6,FD6,SD6,TD6
SINGLE LEAF FLUSH DOOR (1100mm x 2375mm)
GD7A,FD7A,SD7A, TD7A
SINGLE LEAF FLUSH DOOR (1100mm x 2375mm)
GD7,FD7,SD7,TD7
RC Architecture, #5, Myrtle Lane, Richmond Town, Banglore - 560 025
North
Design Consu
RC Architecture,
T: +91 80 22237751, F: +91 80 2225476, E: rapid@rapidcorpindia.com
T: +91 80 2223775
RC Architecture Pvt Ltd 2012
RC Architectu
Notes
Notes
- THIS DRAWING IS A COPYRIGHT AND PROPERTY OF THE ARCHITECT,
- THIS DRAWING IS A C
IS NOT TO BE PRODUCED, COPIED, HANDED OVER TO THIRD PARTY
FRAME AS PER MANTFACTURERS SPEC.
OR USED FOR ANY OTHER PURPOSE OTHER THAN FOR WHICH IT IS INTENDED.
CONCEALED DOOR CLOSURE OF APPROVED MAKE
- ALL DIMENSIONS ARE IN MILLIMETER - ALL DIMENSIONS SHALL BE VERIFIED ON SITE PRIOR TO START OF WORK ANY DISCREPANCY SHALL BE BROUGHT TO THE NOTICE OF THE ARCHITECT.
CONCEALED TOWER BOLT 600MM LONG EXPOSED DOOR CLOSER AS PER MANUFACTURERS SPEC.
- THE CONTRACTOR/PROJECT MANAGER MUST CHECK ALL DIMENSIONS AND
1950
1050
300
300
378
METAL DOOR PER MANUFACTURERS SPEC.
EXPOSED DOOR CLOSER AS PER MANUFACTURERS SPEC. VISION PANNEL AS PER MANUFACTURERS SPEC.
HANDLE IN APP.MAKE AS APP. BY ARCHITECT
6MM THK TOLERANCE BETWEEN SHUTTER & FFL.
TO THE ATTENTION O
(7) WORKING DAYS O / EXECUTION OF WOR
- DRAWING APPROVAL
INTENT AND DOES NO
FULL RESPONSIBILITY
- THE ABOVE NOTES FO PROVIDED IN THIS DR CONSTITUTE TO THE
THE ARCHITECTURAL
THE CONTRACTORS T
AS PER ARCHITECTU
-ALL THE SERVICES D
-EXTERNAL FINISHES ARE ONLY INDICATIVE BY APPOINTED CONT -ALL OPENING SIZES A
6MM THK TOLERANCE BETWEEN SHUTTER & FFL.
6MM TOLERANCE BETWEEN SHUTTER AND FFL FFL
2000
SINGLE LEAF FIRE RATED DOOR (1100mmx1950mm)
ANY DISCREPANCY S
DETAILS AND BE RES BE BROUGHT TO THE
- THIS DRAWING IS TO
- THIS DRAWING SHALL ARCHITECTURAL, INT DISCREPANCY IF ANY
LOCK AS PER MANUFACTURERS SPEC.
LOCK AS APP. BY THE ARCHITECT
1050
1450
200
FFL
BD13D
SINGLE LEAF FIRE RATED DOOR (900mmx2125mm)
SD13Z
378
D-TYPE PULL HANDLE-IN APP.MAKE 2 HOURS FIRERATED DOOR AS PER MANUFACTURERS SPEC.
1100
900
DOUBLE LEAF FLUSH DOOR ((500+500)mmx2375mm)
FD10C
2 HOURS FIRERATED DOOR AS PER MANUFACTURERS SPEC. 800
6MM THK TOLERANCE BETWEEN SHUTTER & FFL.
FFL
378
D-TYPE PULL HANDLE300MMX22MM(DORMA MAKE) LOCK AS PER MANUFACTURERS SPEC.
FFL
1100
200
1450
300 2125
AS PER ARCHITECTURAL DRAWINGS. -ALL THE SERVICES DUCTS/CUTOUTS ARE TO BE COVERED AFTER
2 HOURS FIRERATED DOOR AS PER MANUFACTURERS SPEC.
6MM TOLERANCE BETWEEN SHUTTER AND FFL
378
VISION PANNEL AS PER MANUFACTURERS SPEC.
-EXTERNAL FINISHES (CURTAIN WALL/ GRANITE CLADDING ETC.) ARE ONLY INDICATIVE, SUBJECT TO SUBMISSION OF SHOP DRAWINGS BY APPOINTED CONTRACTORS. -ALL OPENING SIZES ARE FINISHED DIMENSIONS
LOCK AS PER MANUFACTURERS SPEC. 1050
1050
THE CONTRACTORS TO DEMOLISH ALL SUCH CONSTRUCTION AND REBUILD
- ALL DIMENSIONS SHA
- THE CONTRACTOR/PR
1050
LOCK AS APP. BY THE ARCHITECT
FFL
EXPOSED DOOR CLOSER AS PER MANUFACTURERS SPEC.
200
INTENT AND DOES NOT RELIEVE THE CONTRACTOR/SUBCONTRACTOR FROM FULL RESPONSIBILITY FOR THE ACCURACY, INTEGRATION AND FITNESS FOR - THE ABOVE NOTES FORM THE ESSENTIAL INSTRUCTIONS TO INFORMATION PROVIDED IN THIS DRAWING. THE NON CONFORMITY TO THESE WOULD CONSTITUTE TO THE CONSTRUCTION NOT BEING CARRIED OUT AS PER
1450
1050 2375
- DRAWING APPROVAL IS FOR THE CONFIRMITY WITH OUTLINE DESIGN
THE ARCHITECTURAL INTENT. THE ARCHITECT IS AT LIBERTY TO INSTRUCT
D-TYPE PULL HANDLE300MMX22MM(DORMA MAKE)
FRAME AS PER MANTFACTURERS SPEC.
FRAME AS PER MANTFACTURERS SPEC.
(7) WORKING DAYS OF ISSUE OF THIS DRAWING OR PRIOR TO PROCUREMENT / EXECUTION OF WORKS AT SITE WHICHEVER IS EARLIER
2375
SS BEARING HINGES OF APP. MAKE
DETAILS AND BE RESPONSIBLE FOR THE SAME. ANY DISCREPANCY SHALL BE BROUGHT TO THE NOTICE OF THE ARCHITECT. - THIS DRAWING IS TO BE READ AND NOT SCALED. - THIS DRAWING SHALL BE READ IN CONJUNCTION WITH ALL RELEVANT ARCHITECTURAL, INTERIOR, STRUCTURAL AND SERVICES DRAWINGS. DISCREPANCY IF ANY NOTICED BY THE CONTRACTOR SHALL BE BROUGHT TO THE ATTENTION OF THE ARCHITECT AND GOT RESOLVED WITHIN SEVEN
1950
200
10MM THK GLASS VIEW PANEL WITH CONCEALED BEADING
D-TYPE PULL HANDLE-IN APP.MAKE MODULAR DOOR FRAME OF ANODIZED AL. AS PER MANUFACTURER'S SPECS. 1000
EXPOSED DOOR CLOSER AS PER MANUFACTURERS SPEC. VISION PANNEL AS PER MANUFACTURERS SPEC.
300
FRAME AS PER MANTFACTURERS SPEC.
38MM FLUSH DOOR WITH 1MM APP. LAMINATE FINISHED ON BOTH SIDES
800
EQ EQ EQ EQ EQ EQ
IS NOT TO BE PRODU
OR USED FOR ANY OT
- ALL DIMENSIONS ARE
1500
DOUBLE LEAF FIRE RATED DOOR ((962+962)mmx1950mm)
BD13E
DOUBLE LEAF M.S GRILL DOOR ((750+750)mmx2375mm)
CD11A
GJ
Chk
Apd
Revisions
SIGNAGE
6MM THK TOLERANCE BETWEEN SHUTTER & FFL.
FFL 625
1040
CORRUGATED CHANNEL
DOOR ELEVATION DETAILS Drawing No.
CONCEALED DOOR CLOSURE OF APPROVED MAKE
38MM FLUSH DOOR WITH 1MM APP. LAMINATE FINISHED ON BOTH SIDES
38MM FLUSH DOOR WITH 1MM APP. LAMINATE FINISHED ON BOTH SIDES
SS BEARING HINGES OF APP. MAKE
SS BEARING HINGES OF APP. MAKE 50MM X 100MM APPROVED WOODEN DOOR FRAME
MORTISE LOCK AS APP. BY THE ARCHITECT
20-10-2016
Scale
1:20
Drawn
PB
ALUMINUM POWDER COATED GRILL
FFL
900
ALUMINUM POWDER COATED GRILL FFL
6MM TOLERANCE BETWEEN SHUTTER AND FFL
SINGLE LEAF FIRE RATED DOOR (625mmx2125mm)
Design Consultant
PROJECT :
NATIONAL COASTAL M ANNA UNIV TITLE :
Scale
Project Arc
6MM TOLERANCE BETWEEN SHUTTER AND FFL
Design Co
Project No North
ROLLING SHUTTER (2800mmx3300mm)
CD17
SCD4B
SINGLE LEAF FLUSH DOOR (900mm x 2300mm)
SCD5A
SINGLE LEAF FLUSH DOOR (900mm x 2300mm)
Design Consult
RC Architecture, #5
RC Architecture, #5, Myrtle Lane, Richmond Town, Banglore - 560 025
T: +91 80 22237751
T: +91 80 22237751, F: +91 80 2225476, E: rapid@rapidcorpindia.com
RC Architecture
RC Architecture Pvt Ltd 2012
F'
H'
N'
NOTE · The
unau perm The All d unles Any imme The Arch spec
· ·
18
5A
DO
Date Drawn
900
North
SD13CZ,TD13CZ
GFC
Desc
ARCHITECT :
Drawing No
PB Design Consultant GJ Project No IN-13-1--
DOUBLE LEAF FLUSH DOOR ((520+520)mmx2125mm)
R0
R#
MORTISE LOCK AS APP. BY THE ARCHITECT
IN-40-100 & 40I
Date
Project Architect
SD10DZ
CONCEALED DOOR CLOSURE OF APPROVED MAKE
50MM X 100MM APPROVED WOODEN DOOR FRAME
1050
6MM TOLERANCE BETWEEN SHUTTER AND FFL FFL
TITLE :
2 HOURS FIRERATED DOOR AS PER MANUFACTURERS SPEC.
1050
LOCK AS APP. BY THE ARCHITECT
PROJECT :
NATIONAL CENTRE FOR SUSTAINABLE COASTAL MANAGEMENT ANNA UNIVERSITY, CHENNAI
300
LOCK AS PER MANUFACTURERS SPEC.
150
MODULAR DOOR FRAME OF ANODIZED AL. AS PER MANUFACTURER'S SPECS. 1050
PB
Date
2300
2125
2375
28-09-16
3300
D-TYPE PULL HANDLE300MMX22MM(DORMA MAKE)
D-TYPE PULL HANDLE-IN APP.MAKE
1000
GFC
Description
ARCHITECT :
100
800
1050
10MM THK GLASS VIEW PANEL WITH CONCEALED BEADING
R0
R#
1050
EXPOSED DOOR CLOSER AS PER MANUFACTURERS SPEC.
2300
2125
FRAME AS PER MANTFACTURERS SPEC.
38MM FLUSH DOOR WITH APP. VENEER FINISHED ON BOTH SIDES
Revisions
2900
EQ EQ EQ EQ EQ EQ
400
3000 2800
CONCEALED DOOR CLOSURE OF APPROVED MAKE
· · GD10C
Key
C3-008
20
7
PLAN
GD10C
5A
C3-009
Rev No.
23
Drawn O
Scale As Cad Ref
C3-006
Drawing Block
Works
Revis
25
ELEVATION 1
SECTION AA
Project
NAT SUS MAN
Drawing
SK-
DETAIL A - PLAN CONCRETE FOOTING DETAIL
DETAIL A - SECTION CONCRETE FOOTING DETAIL NOTE · The drawing is the property of flying elephant studio · · · ·
ELEVATION 2 Rev No.
unauthorised use or reproduction of the drawing is not permitted without the Architect's permission. The drawing is not to be scaled All dimensions are in millimetres and all levels are in metres Drawn Orko unless otherwise indicated. Drawing Title Any discrepancy in the drawing is to be brought to the immediate notice of the Architect. The drawing is to be read in conjunction with all other relevant Architectural, Structural and Services drawings and specifications
Project
Details
Date
Chkd Iype
Rev No.
Scale As Specified
BLOCK C1- TERRACE
Details
Date
Date
21.12.2016
Cad Ref 20160818_ladder.dwg
STAIRCASE HEADROOM TERRACE TO MACHINE
Stage
ROOM - LADDER
Drawing No.
GFC
NCSCM, CHENNAI Project No. Rev No.
SK-127 13-01 R0
55
13 G U L B A R G A D1
SCHOOL
AND
APF
D4
DISTRICT
NOTE · The drawing is the property and unauthorized use or re permitted without the Arch · The drawing is not to be sc · All dimensions are in millim unless otherwise indicated. · Any discrepancy in the draw immediate notice of the Arc · The drawing is to be read in Architectural, Structural and
D5
D
E
Key Plan / Location
INSTITUTE
DI SC
GD06
Location: Gulbarga, Karnataka Year: 2016-2017
N
G-301
G-301
GD06
Gulbarga is small town near Bangalore where Azim Premji Foundation had a proposal for a complex consisting of district Institute, school and a hostel facility.
G-302
G-201
G-201
GD01
G-203
G-202
G-202
G-203
G-101
G-101
GD01
G-103
G-102
G-102
G-103
G-006
G-006
GD01
Rev No.
G-004
G-003
G-003
Det
G-004
G-L01
G-L01
GD01 G-L03
G-L02
SECTION AT BB
G-L02
G-L03
SECTION AT PP R0
D1
D4
D1
D1
D4
D4
FOR
Structural Consultant MANJUNAT
CONSULTING E #236, 5TH CRO K.G. NAGAR, BA Phone: (080) 2 email: manjax
PP
PP
GW02
Services Consultant
PP
GW02
YASH CON
Ground Floor, # Behind M.S. Ram Ph: 080 2360753 Email: yashpal@
D
D
Drawn : Shreya Scale
GD06 G-006
G-101
G-201
Drawing Title
TYPICAL TREAD AND RAILING DETAIL SCALE 1:40 QQ
: 1:50
Cad Ref : gh-a.600.dwg
G-301
GUEST HOUSE STAIR
Project
PROPOSED GUEST H
FOR APFD, GULBARG
E
E PP
PP
PP
GROUND FLOOR LEVEL
TYPICAL PLAN
TYPICAL RAILING DETAIL SCALE 1:40
PLAN AT TERRACE LEVEL
GH-A-600
NOTE · The drawing is the property of Flying and unauthorized use or reproductio permitted without the Architect's per · The drawing is not to be scaled · All dimensions are in millimeters and unless otherwise indicated. · Any discrepancy in the drawing is to immediate notice of the Architect. · The drawing is to be read in conjunc Architectural, Structural and Services
COVERED CONNECTION S-030
L
C1
Drawing No.
C2
C3
Key Plan / Location
C4 C5
C6 C7 C8
UP
DI
C9 C10
SC
C11 C12
CA
C10
B2
SW11
CB
B6
N
B7
B9
B10
RAMP
SLOPE 1:8 UP
DD A200
CC
DINING HALL S-025
SW10
GAS BANK
KITCHEN
CD
S-027
S-026
SD09 SD05
RAMP UP
RAMP
SLOPE 1:16
AA
SD06
SW11
RAMP
UP
UP
SERVICE ENTRY SD06
SW02
AB
UTILITY ROOM
KITCHEN STORE
S-024
S-029
UP
PRIMARY CLASSROOM 5 S-016
SW01
SW16
S-028
SD05
SW16
SW16
SW16
HAND WASH S-019 TD01
TOILET
TOILET
TOILET
S-019
S-019
S-019
TD01
TD01
PRE-PRIMARY CLASSROOM 1 S-020
SD05
HAND WASH TOILET
S-018
ENTRY
DD A200
SLOPE 1:10
S-018
TD01
SW02 SW09
CORRIDOR 2
S-017
AC
SW01 UP
AD SW02
LIBRARY
UP
COURTYARD 1
Rev No.
Details
S-003
COURTYARD 2
AE SW01
PRIMARY CLASSROOM 4 S-016
SW02
AF
AA A200
PRE-PRIMARY CLASSROOM 2 S-020
UP
SW09
RAMP
SLOPE 1:10
SW01
CORRIDOR 2 S-017
SD01
SW08
RAMP
UP
STAIRCASE 1
SLOPE 1:9
S-002
AH
BB A200
SD05
LIFT SHAFT
SW02
AG
SD05
UP
UP
RAMP
UP
SLOPE 1:10
FHR 2
CORRIDOR
AJ
SD07
CORRIDOR 2 S-017
S-004
SD05
UP
UP
SD05
AK
SD05
DRINKING WATER FACILITY
SD05
SD02
SD02
SD07
SD06
S-012 FHR 1
R0
BOYS' TOILET
TOILET FOR DISABLED S-014
GIRLS' TOILET
SD06
VISITORS' TOILET S-008
SD04
SD06
200
SW07
CORRIDOR S-004
AL
SD04
S-015
PHE 1
FOR TENDER
Structural Consultant MANJUNATH & CO.
SW01
S-013
CONSULTING ENGINEERS #236, 5TH CROSS, K.G. NAGAR, BANGALORE Ph: 080 26616610, 26616611 Email: manjaxe2010@gmail.co
UP
AM ELE 1
ENTRANCE LOBBY SW06
S-001
PRIMARY CLASSROOM 1 S-009
AN
ADMIN ROOM S-005
CC A200
SD03
PRIMARY CLASSROOM 2 S-009
ELECTRICAL ROOM
PRIMARY CLASSROOM 3 S-009
SW04
STAIRCASE 2
TD01
Services Consultant
TD01
S-011
CRECHE
FUTURE EXPANSION 2 CLASSROOMS
TD01
MEDICAL ROOM S-007
TD01
TD01
LINE TO SHOW DIFF. IN FLOORING?
TD01
TD01
TD01
SECOND ENTRANCE TD01
CC A200
SW04
S-023
PHE 2
TD01
SW01
SW01
SW04
SW05
Date
: 1:100, as ind
Stage
GROUND FLOOR PLAN
SW05
SW04
Chkd
Scale
Drawing Title
SD08 SW01
Drawn : Sagar
Cad Ref : sc-a.100.dwg
PHE 3
AP SW03
YASH CONSULTAN
Ground Floor, # 434, 6th Main, Behind M.S. Ramaiah Hospital Ph: 080 23607531, 988031035 Email: yashpal@yashconsultan
S-021
TOILET S-022
TD01
S-010
STORE ROOM S-006
UP
Project RAMP
PROPOSED SCHOOL
SLOPE 1:10
FOR APET, GULBARGA, KAR A1
A2
A3
A4
A5
A6
A7
A8
ENTRY
56
GROUND FLOOR PLAN
A9
A10
AA A200
BB A200 A11
A12
A13
A14 B1
B2
B3
B5
B6
B7
B8
B9
B10
B11
B12
B13
B14
B15
B16
B17
ENTRY Drawing No.
Proje
SC - A - 100 15-
14 DIVYASHANTI CAMPUS SCHOOL
AND
RESIDENTIAL
Location: Bangalore, Karnataka Year: 2016-2017 The project looks at designing a school, a baby home and a house (for the owner) inside the campus, so that all these functions can co-exist. As an intern my job was to update the drawings of the school and add necessary details to it. In case of the house and baby home, I was involved from the design development to the working drawing stage.
57
58
COMPETITIONS 59
17
60
61
16 J U X T A P O S I N G STUD N E T ’ S
L IB R ARY
AN D
CAN TE EN
Location: Jiskun, China Guide: Year: 2015 Since the project sits within an underdeveloped region, a proposal has been made using traditional building methods. The site is also seen as a sacred one facing the entire valley. Attempt has been made to minimise the footprint and use maximum area as a landscape to reduce the hard paved surface. Since the space will be used during breaks, it is imagined as a free open space used by kids but also provides the library block some space at the top. A Banyan tree has been provided as a sacred corner to the site, anchoring the entire project. The materials used to construct this structure are local materials available in that locality. Stone, bamboo and wood are few of the locally available material. Stone is used to anchor the two functions i.e. The library and the canteen. The plinth of the structure is built using stone. The windows are covered using bamboo shutters which has operable louvers on them. The louvers allow light and ventilation to flow into the structure. The ground floor of the library uses stilt as a concept taken from the houses in the Buyi Community. The whole structure stands on a bamboo column grid supporting the slab using bamboo beams. The load bearing stone structure has small openings for light and air to enter the structure. The thick walls helps to Since the project sits within maintain a comfortable temperatureaninside the structureregion, as underdeveloped a proposal has of been inspired from the traditional building methods the made local using traditional building methods. community The site is also seen as a sacred one facing the entire valley. Attempt has been made to minimise the footprint and use mazimum area as a landscape to reduce the hard paved surface. Since the space will be used during breaks, it is imagined as a free open space used by kids but also provides the library block some space at the top. A Banyan tree has been provided as a sacred corner to the site, anchoring the entire project.
62
Since the project sits within an underdeveloped region, a proposal has been made using traditional building methods. The site is also seen as a sacred one facing the entire valley. Attempt has been made to minimise the footprint and use mazimum area as a landscape to reduce the hard paved surface. Since the space will be used during breaks, it is imagined as a free open space used by kids The Site sits at the The propo but also provides The Site sits at thethe library The proposed library The Canteen sits North-Eastern edge of and cantee block some space A canteen sits at the ground floor w North-Eastern edge atof the top. and the School facing the the corner Banyan treefacing has been the rest of the plot the School the provided the corner to have valley. maximum fa as a sacred corner to the site, the spill-out space valley. maximum faces facing the valley anchoring the entire project. the valley students.
osed library The Canteen sits at The library sits at the A slope is landscaped 1 x 1 x 0.35 m high at sits Theatlibrarythe sitsground at the floor Awith slope first is landscaped 1 x 1 x towards 0.35 m the high To tie the platforms site together, en floor level creating valley side. are added in with first floor level creating towards the valley side. platforms are added in a Banyan tree has r to have the rest of the plot as a stilt-area at the stone to the rest of the as a stilt-area at the stone to the rest of the been proposed at the aces facing the spill-out space for ground floor level. site which can be used for ground floor level. site which can be used Southern part of the students. as dining furniture. as dining furniture. site
Team 4820
To tie the site together, a Banyan tree has been proposed at the Southern part of the site
Team 4820
63
64
EXHIBITIONS 65
18 K R V I A THE
NARRATIVES
@ OF
25
LEARNING
Location: Mumbai, Maharashtra Kamla Raheja Vidyanidhi Institute for Architecture Year: 2017 The exhibition tried to show the 25 years of Kamla Raheja’s student work by raising few questions about Body, home, City and World. The three walls of the room became the main time line from where one can refer and go through the hanging projects in the center which were zoned according to body, home, city and world.
66
67
19 2 A
F U T URE
0 U NDE R
2
0
CON STRU CTIO N
Location: Kala Ghoda, Mumbai, Maharashtra Firm: aDRG Year: 2018 The follies are designed by a young firm from Mumbai aDRG for the group exhibition by 30 artists, film makers, theater artists and architects under the Kala Ghoda Art Festival 2018. The follies were designed to house the different works/ performances by various groups and individuals. It was a public work exhibition show under the KGAF 2018.
68
20 TOILET MANIFESTO T R A V E L L I N G
E X H IBIT I O N
Location: Mumbai, Maharashtra Firm: Mad(e) in Mumbai Year: 2018 A public exhibition that sets out a framework for holistic growth of our public sanitation infrastructure. It draws out a pool of various parameters such as sanitation technology, recycling systems, construction method, affordability, cost, delivery model etc. from which the agencies can choose their appropriate ‘Sanitation Typology’. It demonstrates this through ten comprehensive design solutions.
69
70
OTHER WORK 71
21 N
A
MITHCHOWKY
C
T
O
TRANSFORMATION
Location: Mithchowky, Mumbai, Maharashtra Firm: Bloomberg Philanthropies Year: 2017 The aim of this project was to show the citizens how traffic junctions can be redesigned with safety measures so as to make them user friendly. e.g. reducing the turning radius of the road can reduce the speed of the cars, introducing more traffic islands can help citizens cross the road safely. The exercise took mithchowky as an example and demonstrated the possibilities for a safe traffic junction.
72
22 B U I L D I N G T E C H . BUILDING
WITH
BAMBOO
Location: Mumbai, Maharashtra Guide: Apurva Parikh, George Jacob Year: 2013 The idea of this studio was to understand bamboo as a building material and construct structures of different scales. Studying the construction techniques and coming up with innovative methods to erect a structure was the aim of the studio.
Cantilever 2nd Semester Group: Danay Kamdar Amod Nargund Sanskaara Lalwani
War Machine 1st Semester Group: Kaushal Thakkar, Tanya Sachan, Tanmay Nawar.
Foldable Roof 2nd Semester Group: Danay Kamdar Siddharth Shewade Abhishek Sawadekar 73
74