Seismic Pavilion
Digital rendering November, 2022 ARC 107 Fayyad, Iman 96’x96’x43’
This was the first project assigned to me with the task to design a pavilion to show case 7-12 pieces by British sculpture Bar bra Hepworth. Her pieces were meant to not only blend in with nature, but be enhanced by it. This pavilion emulates tectonic movements of the Earth’s crust, giving it the appearance of a mountain range with caverns. The central space not only connects different sections of the pavilion, but also functions as an amphatheatre to host small events.
Digital rendering November, 2022
ARC 107 Fayyad, Iman 96’x96’x43’
From left to right: evolution of the plan of the pavilion
Left: early section of pavilion
“Arch” Museum Board, Foam Core October, 2022 ARC 107 Fayyad, Iman 6”x6”x6”
The aim of this assignment was to design a 3d structure from 2d collections of shapes as the plan or sections
“Hoof” (1) Digital rendering September, 2022 ARC 107 Fayyad, Iman 6”x6”x4”
“Phineas” (2) Digital rendering September, 2022 ARC 107 Fayyad, Iman 3”x6”x9”
“Wave” (3) Digital rendering September, 2022 ARC 107 Fayyad, Iman 6”x6”x6”
“Arch” (4) Museum Board, Foam Core September, 2022 ARC 107 Fayyad, Iman 6”x6”x4”
“Pound” (left) Digital rendering September, 2022 ARC 107 Fayyad, Iman 6”x4”x6”
“Cube” (Left) Bristol paper, Basswood sticks September, 2022 ARC 107 Fayyad, Iman 9”x9”x9”
“Unrolled Surface” (Above)
Bristol paper, Graphite pencils, Color pencils September, 2022 ARC 107 Fayyad, Iman 18”x24”
The assignment was to create a continous loop across all faces of an unrolled cube. As visible in my early drafts shown above, the trans-facial gash was a primary as pect I kept from the beginning. The intorior was designed to seamlessly flow with the exterior from a perpendicular view.
“Car Animation”
Graphite pencils, Color pencils, Bristol paper, Velum paper August, 2022 ARC 107 Fayyad, Iman 18”x24”
This animation is a representation of a car driving around the hairpin in Monaco. The top images layered ontop of each other, left to right, left being the base. The positions of the car are based on the passage of time, each position being equal to one second. This was done to show the acceleration and deceleration of the car to get around the limitations of representing movement staticly.