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UNIVERSITY OF OXFORD, BODLEIAN LIBRARIES, RARE BOOKS DEPARTMENT
Constanta Burlacu, Merton College, DPhil Medieval and Modern Languages, A mixture of in person and remote working
Work Projects
During my internship at the Rare Books
Department, I have been working with both
rare books (printed material from the 15th to
the 19th century) and artists' books. One of
my projects has been to work on an old
Slavonic chapbook (Arch. B b.4), the only
surviving copy of a 17th century liturgical calendar printed in Kiev. Besides conducing
bibliographical research on the book, I have also analysed its iconography and provenance.
When it comes to artists' books, I have been involved in identifying the material which is
already part of Bodleian's collection and needs some cataloguing improvement on SOLO for
better identification. I have often had the chance to see these books and to think in which
way their record on SOLO can explain more explicitly what they are. For example, the
Bodleian recently acquired a concrete poem composed by Stephen Emmerson, 'Endless
Sleep', the leaves of which are made from a wasp nest. In front of such an object, it is often
not easy to describe in words something which ultimately has a highly visual impact.
Besides working on these two long-term projects, I have been involved in shorter research,
cataloguing, shelving jobs, which gave me a better understanding of the wide variety of
activities the Rare Books librarians are involved in.
Daily Life
Before starting my placement at the Bodleian, we decided with Francesca Galligan, the
librarian coordinating the internship, that it will have a mixed format - some days would be
in-person and others remote working, and these would be decided on a weekly basis.
For my days at home, I focused mainly on my artists' books project, which meant working
my way through a catalogue of early 1960s to 1980s artists' books and see which of these
the Bodleian already has. Other days I would work on my 'treasure project', the Russian
calendar, which meant pure research. While remote working would resemble what I usually
do for my doctorate research, in-person working was completely different.
While on site, I would learn about how new and old books are processed and which tasks
the librarians carry out daily. Some days I would help putting barcodes on newly acquired
books, other days to place bookplates in these, and others to shuffle things around so that
there might be space for other books. While doing this, you see many curious books and
objects related to library management. At times very fragile, 19th century newsletters
would come in, other times a librarian would show you a wonderful jewellery chest, which
has old, printed material glued inside.
It is hard to describe my daily routine while working for the Bodleian, for it varied so much
on a daily basis. Nonetheless, books were involved in every activity, and so it happened that
there were incredible books!
Lasting Impressions
I have enjoyed every single moment of my internship at the Bodleian. Besides being
surrounded by incredible objects, I have mainly appreciated interacting with the librarians
working in the Rare Books departments, as well as across the Weston more in general. Every
single one of them has been extremely available in showing what their job consists of and in
answering the many questions I had for them.
Additionally, besides working side by side with the members of the Rare Books office,
Francesca Galligan very kindly organised a series of meeting with other librarians across the
Weston, who are involved in conservation, education, events, exhibitions, curatorial work,
manuscript and ephemera collections, etc. These meetings gave me the chance to
understand better all the many paths which can unfold for someone interested in
librarianship, and so it confirmed my interest for this career sector.
The aspect I liked the most was to realise how in order to run a library, or even just part of
it, teamwork is fundamental, and indeed the Rare Books team is a great one!