Silver Jubilee Year Brochure 2023

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CONCERTS

January - December 2023

Silver

Jubilee Year

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Welcome from Marios Papadopoulos Music Director

This season we pass a major milestone: 25 years since the dream of a world-class symphony orchestra for Oxford became a reality. Over the last quarter of a century, our musicians and leadership have worked tirelessly and passionately to ensure that all the distinction, tradition, excellence and innovation associated with the University of Oxford is also reflected in the Oxford Philharmonic Orchestra’s approach to music – playing it, sharing it and coaching it.

There can be no better way to celebrate than with some of the most lifeenhancing music ever written, played by some of our closest friends and collaborators who just happen to be world-famous musicians. We look forward to welcoming Martha Argerich, Maxim Vengerov, Sir András Schiff, Nigel Kennedy, Janine Jansen, Evgeny Kissin and Anne-Sophie Mutter back to our concert series in Oxford, London and elsewhere.

‘Elsewhere’, in fact, includes some of the most distinguished international venues in classical music, among them home of the Vienna Philharmonic, the Musikverein. We are also delighted to start the year in the hotbed of creativity that is Dubai, and on tour in Germany.

Wherever you may be, I hope you are looking forward to hearing these concerts as much as I am to conducting and playing in some of them. No matter how renowned our soloists and conductors – and how prestigious the venue – it’s our very own players, the backbone of everything we do, that are the real stars. Here’s to the next 25 years!

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The Genius of Mozart

Saturday 14 January 2023 Sheldonian Theatre, 19:30

Mozart Divertimento in D major, K. 136 Mozart Piano Concerto No. 25 in C major, K. 503 Mozart Symphony No. 35 in D major, K. 385, ‘Haffner’

Alim Beisembayev  piano Marios Papadopoulos  conductor

Mozart’s piano concertos trace the rapid development of his genius. The example numbered 25 was the last in an extraordinary batch in which Mozart’s quest to wed beauty and nobility, entertainment and innovation, reached new heights. Under the fingers of Alim Beisembayev, winner of the 2021 Leeds

Young Artists’ Platform

Pre-concert recital 18:30 Kevin Zhang  piano

International Piano Competition, Mozart’s majestic, mercurial piano concerto follows the composer’s joyous Divertimento in D major and precedes his symphony in the form of a swaggering, boisterous serenade − in the same bright, blazing key.

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Tickets £48 £38 £28 £15 (students from £5)

Tchaikovsky and Brahms

Sunday 5 February 2023

Sheldonian Theatre, 18:00

Dvořák In Nature’s Realm Op. 91* Side-by-Side Tchaikovsky Violin Concerto in D major, Op. 35 Brahms Symphony No. 2 in D major, Op. 73

Overlooking a lake in the Austrian resort of Pörtschach, Johannes Brahms wrote a symphony that captured all he saw: the beauty of the sunset, the stillness of the night, a new day awakening. Brahms’s symphony of light and shadows tells of the magnificence of creation, but with a ribbon of mourning tied around its arm. Before Marios Papadopoulos conducts what is surely the composer’s best-loved symphony, the astonishing prodigy Leia Zhu takes on Tchaikovsky’s powerful and poetic Violin Concerto coming after Dvořák’s idyllic orchestral walk in the countryside.

Tickets £48 £38 £28 £15 (students from £5)

Young Artists’ Platform

Pre-concert recital 17:00 Sophie Costa  harp

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Leia Zhu  violin Cayenna Ponchione-Bailey  conductor* Marios Papadopoulos  conductor

Maxim

Vengerov

Monday 6 February 2023

and

the Oxford Philharmonic at the Barbican Silver Jubilee Celebration

Barbican Hall, London, 19:30

John Rutter A birthday greeting to celebrate the OPO’s 25th Anniversary world premiere Mendelssohn Violin Concerto in E minor, Op. 64 Brahms Symphony No. 2 in D major, Op. 73

London calls for this special appearance at the Barbican Centre, opening with a new work celebrating the Orchestra’s 25th birthday by the nation’s favourite composer, John Rutter. After that, our longstanding friend Maxim Vengerov joins us, bringing with him a work all about companionship and deep musical relationships:

Tickets £60 £45 £32 £22 £15

Supported by Alfiya Askar

Booking fees: £4 online, £4 by phone (020 7870 2500). There is no fee when tickets are booked in person from the Barbican Box Office

the radiant violin concerto that Felix Mendelssohn conceived as a gift for his own close musical confidante, Joseph Joachim. Marios Papadopoulos closes the concert with Brahms’s irresistible second symphony − a beauteous, undulating orchestral journey through shadows towards light.

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Maxim Vengerov  violin Marios Papadopoulos  conductor
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Sir András Schiff in Recital

Wednesday 15 February 2023

Sheldonian Theatre, 19:30

Programme to be announced from the stage

Sir András Schiff piano

As a prelude to the 25th anniversary of the Oxford Piano Festival we present the Festival’s President Sir András Schiff in recital in the Sheldonian Theatre. Having collaborated with the world’s leading orchestras and conductors, Sir András Schiff now focuses primarily on solo recitals, play-directing and conducting. Since 2004 he has performed the complete Beethoven Piano Sonatas in over twenty cities, including Zurich

Tickets £48 £38 £28 £15 (students from £5)

Supported

where the cycle was recorded live for ECM. Other acclaimed recordings for the label include solo recitals of Schubert, Schumann and Bach.

In recent years his Bach has become an annual highlight of the BBC Proms. Elsewhere, he regularly performs at the Verbier, Salzburg and Baden-Baden festivals; the Wigmore Hall, Musikverein and Philharmonie de Paris; and on tour in North America and Asia.

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by Dr Michael Peagram

Brahms Violin Sonatas

Saturday 18 February 2023

Holywell Music Room, 19:30

Brahms Violin Sonata No. 1 in G major, Op. 78

Brahms Violin Sonata No. 2 in A major, Op. 100

Brahms Violin Sonata No. 3 in D minor, Op. 108

Fiona Khuong-Huu  violin Hina Khuong-Huu  violin Marios Papadopoulos  piano

The beauteous violin playing of Joseph Joachim and the radiant personality of Clara Schuman lie behind Brahms’s Violin Sonatas − works in which his first priority was to make the violin sing. The three sonatas chart a journey from lyrical intimacy to stormy, grand expressions, No. 3’s D minor key

Tickets £30 (students £5)

plumbing the depths before transcending into glory. Rising star violinists (and sisters) Fiona and Hina Khuong-Huu join Marios Papadopoulos at the piano for this traversal of Brahms’s piano− violin works at the Holywell Music Room.

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Mission Earth FUNomusica Family Concert

Sunday 19 February 2023

Oxford Town Hall, 15:00

Alasdair Malloy  presenter

Join Mission Earth Tour Guide Alasdair Malloy and the Oxford Philharmonic on a school trip from another galaxy to approach and orbit the Earth. Their mission is to discover what the four colours which can be seen from space represent.

Tickets adults £10 children £4 Most suitable for ages 4−8

Pre-concert craft activities at 14:00

We hear fantastic music which reveals what the blue, red, white, and green areas are on the planet, as well as discovering amazing wonders of nature such as animal and insect life, weather and a beautiful sunset.

In partnership with

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Saturday 25 February 2023

Wednesday 1 March 2023

Friday 3 March 2023

Monday 27 February 2023

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Dubai Coca-Cola Arena, Dubai, 20:00 Mozart Overture to Don Giovanni, K. 527 Alexey Shor Violin Concerto No. 4 in B minor* Weber Overture to Oberon, J. 306 Alexey Shor Violin Concerto No. 5 in C minor ** Itamar Zorman violin* Giuseppe Gibboni violin** Daniel Raiskin conductor Tchaikovsky Polonaise and Waltz from Eugene Onegin, Op. 24 Alexey Shor Carpe Diem Tchaikovsky Symphony No. 4 in F minor, Op. 36 Andrey Baranov violin Marios Papadopoulos conductor Alexey Shor Crystal Palace Suite Rimsky-Korsakov Scheherazade, Op. 35 Danielle de Niese soprano Marios Papadopoulos conductor Alexey Shor Childhood Memories Beethoven Symphony No. 3 in E flat major, Op. 55, ‘Eroica’ Anna Ulaieva piano Marios Papadopoulos conductor

Germany

Wednesday 8 March 2023

Graf-Zeppelin-Haus, Friedrichshafen, 19:30

Beethoven Leonore Overture No. 3, Op. 72b

Mendelssohn Violin Concerto in E minor, Op. 64 Dvořák Symphony No. 9 in E minor, Op. 95, ‘From the New World’

Bomsori Kim violin

Marios Papadopoulos conductor

Austria

Thursday 9 March 2023

Musikverein, Vienna, 19:30

Beethoven Leonore Overture No. 3, Op. 72b

Mendelssohn Violin Concerto in E minor, Op. 64 Schumann Symphony No. 4 in D minor, Op. 120

Bomsori Kim violin

Marios Papadopoulos conductor

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Germany

Friday

10 March 2023

Audimax, Regensburg, 20:00

Beethoven Leonore Overture No. 3, Op. 72b

Schumann Piano Concerto in A minor, Op. 54 Schumann Symphony No. 4 in D minor, Op. 120

Fazil Say piano

Sunday 12 March 2023

Philharmonie, Essen, 17:00

Beethoven Leonore Overture No. 3, Op. 72b

Mendelssohn Violin Concerto in E minor, Op. 64 Schumann Symphony No. 4 in D minor, Op. 120

Bomsori Kim violin Marios Papadopoulos conductor

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Marios Papadopoulos conductor

Martha Argerich

Friday 31 March 2023

Oxford Town Hall, 19:30

Mendelssohn The Hebrides, Op. 26

Beethoven Piano Concerto No. 1 in C major, Op. 15 Mozart Symphony No. 41 in C major, K. 551, ‘Jupiter’

Mozart may not have known the ‘Jupiter’ symphony would become his last, but it’s hard to imagine how he could have followed it. Mozart’s last symphony is a work of majestic intensity and liberation but also a continuous stream of musical joy that wears its brilliance lightly. Before it, titan of the piano Martha Argerich joins Marios Papadopoulos and the Orchestra for a score Beethoven wrote to showcase his own virtuosity. The C major Piano Concerto portrays the influence of Mozart, but shows signs of Beethoven’s unmistakable heroic brilliance too.

Tickets £60 £42 £32 £20 (students from £5)

Germany

Sunday 2 April 2023

Isarphilharmonie, Munich, 20:00

Supported by BMW UK

Monday 3 April 2023

Konzert- und Kongresszentrum Harmonie, Heilbronn, 19:30

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Martha Argerich piano Marios Papadopoulos conductor
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St Matthew Passion

Thursday 6 April 2023

Sheldonian Theatre, 19:00

Bach St Matthew Passion, BWV 244

Robert Murray  Evangelist

Tristan Hambleton  Christ

Keri Fuge  soprano

Helen Charlston  mezzo-soprano

Mark Wilde  tenor

William Thomas  bass

The Choir of The Queen’s College

The Boys of Radley College Choir Owen Rees  conductor

Bach’s great depiction of Jesus’s arrest and crucifixion, the St Matthew Passion, was unprecedented when it was first performed on Good Friday 1727. All that could have prepared the congregation at St Thomas’s Church in Leipzig was their own Lutheran belief in importance of reliving the suffering

and transcendence of Christ. Bach’s music, though, speaks to the whole of humanity in its monumental depth and drama. The Orchestra is joined by Oxfordshire choirs and front-rank soloists for this Passiontide performance under The Queen’s College’s Owen Rees.

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Tickets £48 £38 £28 £15 (students from £5)

American Journey

Saturday 22 April 2023

Sheldonian

Theatre, 19:30

Still Wood Notes Price Piano Concerto Barber Adagio for Strings, Op. 11 Copland Appalachian Spring Suite

Samantha Ege piano Cayenna Ponchione-Bailey conductor

Between them, Aaron Copland and Samuel Barber defined the orchestral sound of America in the first half of the 20th century. From Copland’s simple sounds of the open prairie to the emotional depths of Samuel Barber’s heart-rending harmonies, this is music that could have come from no other time or place - but plenty of gems of American music remain undiscovered. Cayenna Ponchione-Bailey also brings us Florence Price’s astonishing Piano Concerto of 1934, played by Samantha Ege, and William Grant Still’s idyllic pastoral, Wood Notes

Tickets £48 £38 £28 £15 (students from £5)

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Maxim Vengerov

Tuesday 25 April 2023

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Royal Albert Hall, 19:30 Beethoven Violin Concerto in D major, Op. 61 Beethoven Concerto for Violin, Cello, and Piano in C major, Op. 56, ‘Triple’ Sarasate Navarra for Two Violins and Orchestra, Op. 33* Maxim Vengerov violin Mischa Maisky cello Simon Trpčeski piano With Violinists from the Royal College of Music* Marios Papadopoulos conductor Promoted by BERIN IGLESIAS ART Tickets from www.royalalberthall.com

Not one, not two, but three concertante works fill this celebration of virtuosity at the iconic Royal Albert Hall in London. Maxim Vengerov, Marios Papadopoulos and the Orchestra are joined by Simon Trpčeski and Mischa Maisky for this concert pivoting on Beethoven’s ‘Triple’ Concerto, a score of Apollonian balance and beauty that still makes room for joie de vivre. Either side of it we hear Pablo de Sarasate’s firecracker for two violins where we are joined by the stars of tomorrow, and the great violin concerto by Beethoven that is both serious and sentimental.

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The Creation

Saturday 29 April 2023

Sheldonian Theatre, 19:30

Haydn The Creation

In 1791, Joseph Haydn was overwhelmed by a performance of Handel’s Messiah in London. As he prepared to return home, Haydn was slipped a libretto on the subject of the creation of the universe originally conceived for Handel. When The Creation was first performed seven years later, Haydn was overcome yet again − this time by his own achievements. In representing chaos and the creation of light, the oratorio’s elemental inspiration transcends the boundaries of its era. In the building where Haydn received his Oxford doctorate, we are joined by soloists and the Choir of Merton College for Haydn’s most inspired ‘creation’.

Tickets £48 £38 £28 £15 (students from £5)

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Mhairi Lawson  soprano Thomas Elwin  tenor Jonathan Brown  bass The Choir of Merton College Marios Papadopoulos  conductor

Death and the Maiden

Saturday 13 May 2023

Holywell Music Room, 18:30

Schubert String Quartet No. 14 in D minor, D. 810, ‘Death and the Maiden’ Schubert Piano Quintet in A major, D. 667, ‘Trout’

Soloists

of the Oxford Philharmonic Marios Papadopoulos  piano

Franz Schubert was unusually aware of his own mortality, but even Schubert was at a low ebb in March 1824 – sick, tired and unable to find peace. Then one day, he reached for one of his own songs, in which Death asks a young maiden innocently for her hand, offering eternal sleep.

Tickets £30 (students £5)

Supported

It provided the tune on which Schubert would hang a string quartet wracked with despair but filled with spirit. Soloists of the Oxford Philharmonic come together for Schubert’s most profound quartet and, in contrast, his unfailingly heartwarming ‘Trout’ quintet.

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by John and Ruth Deech

French Pastoral

Thursday 18 May 2023

Sheldonian Theatre, 19:30

Fauré Pelléas et Mélisande Suite, Op. 80

Britten Les Illuminations, Op. 18

Debussy Prélude à l’après-midi d’un faune Ravel Ma mère l’Oye (Mother Goose Suite)

It was quite the gift: in 1910, Ravel wrote a set of five pieces for piano depicting classic fairytales for two children he babysat. But these little stories, from Tom Thumb to Beauty and the Beast, proved far more significant when augmented and orchestrated. The result was a

Tickets £48 £38 £28 £15 (students from £5)

present to Ravel from himself: a musical magic garden that allowed the composer to escape into a world of childlike wonder. Nicolò Foron conducts it here alongside more beauteous music from France and Britten’s sparkling setting of French poetry, Les Illuminations

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Ruby Hughes  soprano Nicolò Foron  conductor

Oxford Philharmonic at the Cadogan

Tuesday 23 May 2023

Cadogan Hall, London, 19:30

Mozart Piano Concerto No. 20 in D minor, K. 466 Beethoven Symphony No. 7 in A major, Op. 92

Marios Papadopoulos  piano/conductor

The seventh is Beethoven’s most fascinating symphony – a work whose new vision of rhythm’s relationship with harmony produced the most physical, compelling music that had ever been created. Beethoven wasn’t just exploring new techniques, he was giving voice to a wave of joy that had swept into his life and filled him with

Tickets £45 £42 £35 £25 £15

Supported by Simon and Alison Ryde

Box Office 020 7730 4500 www.cadoganhall.com

determination and optimism. Before it, we hear Mozart’s Piano Concerto No. 20, which sees the composer begin his transformation of the piano concerto from entertaining diversion to engrossing narrative experience. Marios Papadopoulos is conductor and soloist for this visit to London’s Cadogan Hall.

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Pirates Ahoy! FUNomusica Family Concert

Sunday 28 May 2023

Oxford Town Hall, 15:00

Alasdair Malloy  presenter

Calling all pirates! Dress up in your sea-faring finery and hurry aboard our Pirate ship, the Barnacle Bill, for an action-packed adventure on the Seven Seas with nautical nonsense and amazing maritime music.

With Cap’n Alasdair ‘Awesome Al’ Malloy at

Tickets adults £10 children £4 Most suitable for ages 4−8

Pre-concert craft activities at 14:00

In partnership with

the helm and the fearless crew of the Oxford Philharmonic Orchestra, we’ll be setting sail over the waves into uncharted waters in search of a treasure trove of music including a Pirate March, a Pirate Song or two, some Pirates of the Caribbean and of course, the Sailor’s Hornpipe.

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Enigma Variations

Saturday 3 June 2023

Sheldonian Theatre, 19:30

Morfydd Llwyn Owen Nocturne* Side-by-Side Elgar Cello Concerto in E minor, Op. 85 Elgar Variations on an Original Theme, Op. 36, ‘Enigma’

When Edward Elgar started to improvise a little tune at his piano one day, considering how a group of his closest friends might play that tune, he gave birth to one of the greatest masterpieces of English music. The ‘Enigma’ variations are uplifting and resigned, humorous and profound. Elgar’s dazzling, virtuosic orchestral showpiece comes after his acerbic, embittered and sorrowful Cello Concerto written in less happy times, and the rediscovered gem Nocturne by the Welsh composer who died tragically young, Morfydd Llwyn Owen.

Tickets £54 £40 £30 £18 (students from £5)

Alban Gerhardt cello Cayenna Ponchione-Bailey conductor* Marios Papadopoulos conductor
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Piano Trios

Saturday 10 June 2023

Holywell Music Room 19:30

Brahms Piano Trio No. 1 in B major, Op. 8 Shostakovich Piano Trio No. 1 in C minor, Op. 8

Many of Shostakovich’s chamber works are characterised by acerbic anger and biting satire. Not the composer’s Piano Trio No. 1, which is coloured instead by the love the composer felt for his fellow student Tatiana Glivenko. That love brought longing, yearning music from Shostakovich and a cello melody of radiant beauty. Brahms’s Piano Trio No. 1 is also flushed with the buoyance of youth – or was, at least. The composer revised this trio 35 years after he wrote it, tempering his adventurous self-confidence with the sense of Apollonian perfection with which he made his name. Musicians from the Oxford Philharmonic present these fresh-faced trios in the intimate surroundings of the Holywell Music Room.

Tickets £30 (students £5)

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Ruth Rogers violin Peter Adams cello Russell Hirshfield piano

The Orchestral Music of Afghanistan

Thursday 15 June 2023

Sheldonian Theatre, 19:30

Cayenna Ponchione-Bailey conductor

Featuring new works by Afghan composers living in exile, this concert celebrates the rich history of traditional Afghan music and explores how that tradition can be maintained and expanded globally at a time when making music in Afghanistan is forbidden. Curated and conducted by Oxford Philharmonic’s Conducting Fellow Cayenna Ponchione-Bailey, the Orchestra will be joined by guest musicians on traditional Afghan instruments to give performances of recent works by composers Elaha Soroor, Milad Yousufi, Arson Fahim, Meena Karimi, Mohsen Saifi, Qambar Nawshad, Ghafar Maliknezhad, Qudrat Wasefi and Zalai Pakta.

‘Moving, sublime, broadened my cultural and intellectual experience’ ‘Haunting. Emotional. Exhilarating.’ ‘I felt at home. A good mix of East and West.’ – London audience members

Tickets £30 £22 £16 £10 (students from £5)

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Bruckner Seven

Thursday 29 June 2023

Sheldonian Theatre, 19:30

Beethoven Piano Concerto No. 2 in B flat major, Op. 19 Bruckner Symphony No. 7 in E major, WAB 107

None of his works brought Anton Bruckner the joy and pride of his seventh symphony. This is the composer’s most delicately etched orchestral creation and his most instantly beautiful –a symphony that enshrines a heartfelt eulogy for Richard Wagner but thrusts with excitement

Tickets £54 £40 £30 £18 (students from £5)

and changeability too. For this culmination of our season at the Sheldonian Theatre, Marios Papadopoulos conducts Bruckner’s symphony after Beethoven’s Piano Concerto No. 2 – the composer’s first full-length orchestral work, and an imposingly assertive one at that.

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Paul Lewis piano Marios Papadopoulos conductor

Shakespeare in Music

Friday 7 July 2023

Sheldonian Theatre, 19:30

Tickets £38 £28 £22 £15 (students £5)

Saturday 8 July 2023

St Martin-in-the-Fields, London, 19:30

Tickets £35 £30 £25 £16 £10 Tickets are subject to a £2.75 transaction fee when ordered over the telephone (020 7766 1100) or online.

Cayenna Ponchione-Bailey conductor

Interspersed with readings by Shakespearian actors from the bard’s most beloved plays, we trace Shakespeare’s influence across 400 years of music history. Follow along from the songs of Shakespeare’s contemporary Francesca Caccini (1587–1641); to the incidental music written by Henry Purcell (1659–1695) for Timon of Athens and The Fairy Queen; to William Walton’s

(1902–1983) music for Henry V; to the first live performance of the incidental music composed by Guy Woolfenden (1937–2016) for the Royal Shakespeare Company’s production of The Tempest since the 1978 acclaimed production. Suite Nos 2 & 3 from Handel’s Water Music add joyous closure to this summer concert.

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Serenade for Strings

Friday 14 July 2023

University Church of St Mary the Virgin, Oxford, 19:30

Tickets £38 £28 £22 £15 (students £5)

Supported by Prof. Paul Davies and Dr Saphié Ashtiany

Saturday 15 July 2023

St Martin-in-the-Fields, London, 19:30

Tickets £35 £30 £25 £16 £10 Tickets are subject to a £2.75 transaction fee when ordered over the telephone (020 7766 1100) or online. Mozart

There can be no better evidence that Francis Poulenc was the ‘half monk, half rascal’ of reputation than the composer’s wickedly disciplined Organ Concerto, a knockabout game of chase and tag for orchestra and organ that one moment plays havoc with Bach and another finds deep spirituality. Former Christ Church Oxford organist Stephen Darlington joins the Orchestra

and conductor John Lubbock for Poulenc’s piquant concerto – first on the Metzler organ of the University Church, then on the mighty Walker organ of St Martin-in-the-Fields – surrounded by music of bustling charm by Mozart and a melodious serenade from Tchaikovsky that ‘poured from the heart’ of the composer.

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Serenade No. 6 in D major, K. 239, ‘Serenata Notturna’ Poulenc Organ Concerto in G minor Tchaikovsky Serenade for Strings in C major, Op. 48 Stephen Darlington organ John Lubbock conductor

Music from Amadeus

Saturday 22 July 2023

St Martin-in-the-Fields, London, 19:30

Mozart Symphony No. 25 in G minor, K. 183

Tickets £35 £30 £25 £16 £10 Tickets are subject to a £2.75 transaction fee when ordered over the telephone (020 7766 1100) or online.

Sunday 23 July 2023

Sheldonian Theatre, 19:30

Haydn Symphony No. 44 in E minor, Hob. I:44 Haydn Cello Concerto No. 1 in C major, Hob. VIIb/1 Mozart Symphony No. 25 in G minor, K. 183

Tickets £38 £28 £22 £15 (students £5)

Miloš Forman’s 1984 movie Amadeus is a masterpiece from beginning to end, telling of the ambition, obsession and jealousy that nearly thwarted the career of Wolfgang Amadeus Mozart and of the sublime music that poured out of a genius whose foibles and vulgarity were all too human. Mozart’s volatile Symphony No. 25 pays homage to the ‘father of the symphony’ himself, Joseph Haydn, who is represented by his more doleful Symphony No. 44 in the Sheldonian Theatre, as well as his frolicking Cello Concerto No. 1 featuring soloist Oliver Simpson – winner of the Oxford Philharmonic Orchestra’s 2022 Oxfordshire Senior Concerto Competition.

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Salieri Sinfonia Veneziana Mozart Concerto for Flute and Harp in C major, K. 299 Anthony Robb flute Sally Pryce harp Marios Papadopoulos conductor Oliver Simpson cello Marios Papadopoulos conductor
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Holywell Music Room, 20:00 Mozart Fantasia No. 3 in D minor, K. 397/385g Mozart Adagio in B minor, K. 540 Schubert Four Impromptus, D. 899 Chopin Four Mazurkas, Op. 24 Franck Prélude, Choral et Fugue, FWV 21 Tickets £30 (students £5)
Saturday 29 July 2023
2023 St John the Evangelist Church, 20:00 Beethoven Bagatelles Op. 119, Nos 6–11 Beethoven Piano Sonata No. 30 in E major, Op. 109 Beethoven Diabelli Variations, Op. 120 Tickets £30 £24 £16 £12 (students from £5)
Christian Blackshaw Sunday 30 July
Richard Goode

Kirill Gerstein

Monday 31 July 2023

Sheldonian Theatre, 20:00

Stravinsky Piano Sonata

Schubert Piano Sonata No. 19 in C minor, D. 958

Ligeti Etude No. 13, ‘The Devil’s Staircase’

Liszt Piano Sonata in B minor, S. 178

Tickets £38 £28 £22 £15 (students from £5)

Kanneh-Mason Trio

Tuesday 1 August 2023

Sheldonian Theatre, 20:00

Mendelssohn Excerpts from Songs Without Words

Mendelssohn ‘On Wings of Song’ from Six Songs for Voice and Piano, Op. 34 No. 2 (tr. Joseph Achron)

Beethoven Piano Trio in G major, Op. 1 No. 2

Brahms Piano Trio No. 2 in C major, Op. 87

Braimah Kanneh-Mason violin

Sheku Kanneh-Mason cello

Jeneba Kanneh-Mason  piano

Tickets £38 £28 £22 £15 (students from £5)

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Anna Fedorova and the Oxford Philharmonic Orchestra

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20:00 Rachmaninov Six moments musicaux, Op. 16 Rachmaninov Piano Sonata No. 2, Op. 36 Rachmaninov Études-tableaux, Op. 39 Tickets £30 £12 (unsighted)
Wednesday 2 August 2023 Christ Church Cathedral,
Nikolai Lugansky
Piano
A minor, Op. 16 Sibelius
No. 5 in E flat major, Op. 82
Marios
Tickets £48 £38 £28 £15 (students from £5) Supported by an anonymous donor
Thursday 3 August 2023 Sheldonian Theatre, 20:00 Grieg
Concerto in
Symphony
Anna Fedorova piano
Papadopoulos conductor

Friday 4 August 2023

JdP Music Building, 20:00

The Festival’s participants take to the stage with fresh guidance from the world’s most esteemed pianists echoing in their ears.

Be sure not to miss this showcase of outstanding talent from rising stars of the piano world.

Tickets £12 (students £5)

University Church of St Mary the Virgin, 20:00

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Participants’ Recital Saturday 5 August 2023
Complete Partitas Tickets £30 £22 £18 £12 (unsighted)
Bach
Jeremy Denk

Evgeny Kissin

Thursday 21 September 2023

Oxford Town Hall, 19:30

Prokofiev Symphony No. 1 in D major, Op. 25, ‘Classical’

Prokofiev Piano Concerto No. 1 in D flat major, Op. 10

Shostakovich Symphony No. 5 in D minor, Op. 47

Evgeny Kissin piano Marios Papadopoulos conductor

Under the greatest pressure, Shostakovich delivered his most supreme masterpiece. Condemned by the Soviet powers after his satirical opera Lady Macbeth, Shostakovich was ordered to write a symphony rejoicing in Stalin’s reign of terror. The result was a score poetic, sardonic and climactic that ends with a forced smile that proves the most shattering of climaxes. Before it, giant of the Russian piano school Evgeny Kissin joins Marios Papadopoulos for Prokofiev’s rhythmically audacious Piano Concerto No. 1 and his perfectly poised ‘Classical’ symphony – music that betrays few signs of the darkness of later Soviet times.

Tickets £60 £42 £32 £20 (students from £5)

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Mozart Masterpieces

Thursday 12 October 2023

Sheldonian Theatre, 19:30

Mozart Overture to Die Entführung aus dem Serail, K. 384 Mozart Violin Concerto No. 3 in G major, K. 216 Mozart Symphony No. 39 in E flat major, K. 543

Charlotte Scott violin Marios Papadopoulos conductor

Nobody knows why Mozart decided to write three final symphonies in the summer of 1788, but they turned out to be his supreme orchestral masterpieces nonetheless. The first of them heralds just what had changed in Mozart’s symphonic imagination: more bustle, more tension, more substance and more flair – a sit-

Tickets £48 £38 £28 £15 (students from £5)

up-and-listen piece that still has the capacity to shock and thrill. Before it, we hear the most charming of Mozart’s violin concertos. Associate Concertmaster of the Oxford Philharmonic, Charlotte Scott joins Marios Papadopoulos and the Orchestra here for the concerto Mozart conceived for his own beloved father.

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Nigel Kennedy: The Bach Concertos

39
BWV
Bach Violin Concerto No. 1 in A minor,
1041
BWV
for Two
BWV
and
BWV
Bach Violin Concerto No. 2 in E major,
1042 Bach Concerto
Violins in D minor,
1043 Bach Concerto for Violin
Oboe in C minor,
1060R
7 November 2023 Malvern
Malvern Wednesday 8 November 2023 Malvern
Malvern Friday 10 November 2023 Olivier Hall, St Edward’s School, Oxford Tickets £60 £42 £32 £20 (students from £5)
12
Saffron
Saffron
Barbican
Tuesday
Theatre,
Theatre,
Sunday
November 2023
Hall,
Walden Tuesday 14 November 2023
Hall, London
Nigel Kennedy  violin/director Anna-Liisa Bezrodny  violin Clara Dent  oboe

Rachmaninov Two

Thursday 23 November 2023

Sheldonian Theatre, 19:30

Bacewicz Overture* Side-by-Side

Rachmaninov Piano Concerto No. 2 in C minor, Op. 18 Rachmaninov Symphony No. 2 in E minor, Op. 27

Lise

la Salle piano

There’s a reason Rachmaninov’s Piano Concerto No. 2 is the most popular work of its kind ever written. From lonely chords, the iconic score hurtles towards a thundering climax via a succession of irresistible melodies – athletic one moment and heart-rending the next. Six years after it was written, the composer freed himself from political turmoil with a stretch in Dresden that would become one of the most productive of his career. The standout result was a second symphony powered by melody that encompasses infernal whirlwinds, passionate declarations of love and heartfelt reflections of peace. Wonderfully gifted pianist Lise de la Salle joins us for this feast of peak Rachmaninov.

Tickets £54 £40 £30 £18 (students from £5)

Young Artists’ Platform

Pre-concert recital 18:30

40
de Cayenna Ponchione-Bailey conductor* Marios Papadopoulos  conductor

World Party FUNomusica Family Concert

Sunday 26 November 2023

Oxford Town Hall, 15:00

Alasdair Malloy presenter

It’s party time! To celebrate the 25th birthday of the Oxford Philharmonic, Alasdair Malloy takes us to some of the best parties on the planet for fun at fiestas, carnivals, festivals and celebrations.

Tickets adults £10 children £4

Most suitable for ages 4−8

Pre-concert craft activities at 14:00

We’ll travel far and wide from Oxford to Europe, North America to South America! Wear your brightest party clothes and your dancing shoes!

In partnership with

41

Anne-Sophie Mutter

Thursday 7 December 2023

Sheldonian Theatre, 19:30

Kern Overture to Show Boat Gershwin Catfish Row: Symphonic Suite from Porgy and Bess Previn

Gershwin’s gritty and inspiring tale of life, death and injustice, Porgy and Bess contains too much brilliant music to be confined to a three-hour evening in the theatre. Gershwin knew that, which explains the existence of his captivating symphonic suite Catfish Row. It weaves together the tunes of some of the opera’s best-loved songs including Summertime and I got plenty o’ nuttin –the perfect prelude to a violin concerto by another indefinable musical polymath. André Previn wrote his Violin Concerto No. 1 for his former wife and this concert’s soloist Anne-Sophie Mutter. It is a musical love letter both virtuosic and intimate that casts a spell of its own.

Tickets £60 £42 £32 £20 (students from £5)

42
Violin Concerto No. 1, ‘Anne-Sophie’ Anne-Sophie Mutter violin Marios Papadopoulos conductor

Janine Jansen

Friday 15 December 2023

Sheldonian Theatre, 19:30

Mendelssohn Violin Concerto in E minor, Op. 64 Schubert Symphony No. 9 in C major, D. 944, ‘The Great’

Janine Jansen violin Marios Papadopoulos conductor

For months, Franz Schubert was referring in letters to the ‘Great’ symphony that was taking shape inside his head. The C major symphony that eventually materialised was indeed great, prompting the score’s great champion Robert Schumann to claim that it transports listeners into ‘a whole new world’. This musical marriage of exuberance and order, momentum and mystery, had its first performance in 1828 under the leadership of Felix Mendelssohn, whose airborne Violin Concerto is played here by one of its most distinguished exponents: Janine Jansen.

Tickets £60 £42 £32 £20 (students from £5)

43

Oxford Philharmonic Orchestra

Since 1998, the Oxford Philharmonic has brought inspirational performances to Oxford and beyond. The Orchestra prides itself on creating unique musical experiences, bringing new and engaging interpretations to well-loved works in the classical repertoire. Its continual search for excellence is underpinned by the uncompromising standards of its Founder and Music Director Marios Papadopoulos, who with some of the UK’s and Europe’s finest instrumental musicians has shaped the Orchestra’s distinctive sound.

The Oxford Philharmonic works regularly with some of the world’s greatest classical artists, among them Maxim Vengerov, Anne-Sophie Mutter, Martha Argerich, Sir András Schiff, Evgeny Kissin and Sir Bryn Terfel. Violinist Maxim Vengerov became the Oxford Philharmonic’s first ever Artist in Residence following his remarkable debut with the Orchestra in 2013. Over an unprecedented four-season collaboration, Vengerov performed with the Orchestra across the UK and recorded the violin concertos of Brahms and Sibelius as well as Mendelssohn’s Octet with members of the Orchestra.

In addition to its annual concert season in Oxford, its performances across the UK, its family concerts and its annual Piano Festival and Chamber Music Series, the Oxford Philharmonic is in growing demand internationally. It appeared for the first time at the Tivoli Festival in Copenhagen in June 2019 and, in June 2022, made its critically acclaimed US debut at Carnegie Hall. In February 2023, the Orchestra celebrates its 25th anniversary with a gala concert at the Barbican in which Maxim Vengerov will play Mendelssohn’s Violin Concerto. Upcoming engagements during the Orchestra’s Silver Jubilee year include concerts in Dubai in February 2023, and in the spring a tour of Germany and Austria, including the Orchestra’s debut at Musikverein, Vienna and Isarphilharmonie, Munich.

In December 2020, the Orchestra recorded a concert in a tribute to all those working on developing a vaccine for Covid-19 at the University of Oxford, including the world premiere of John Rutter’s Joseph’s Carol, commissioned for the occasion. The Orchestra was joined in its tribute by Sir Bryn Terfel and by the Choir of Merton College, Oxford. The film included a bespoke performance

44

by Maxim Vengerov alongside tributes from AnneSophie Mutter, Vice-Chancellor of the University of Oxford Louise Richardson, and the Orchestra’s Royal Patron HRH Princess Alexandra. Since its founding the Oxford Philharmonic has been firmly committed to outreach work, with projects taking music to areas of social and economic disadvantage including hospitals and special schools, in partnerships with Oxford City Council and Oxfordshire County Council. In December 2021 the Orchestra’s Sub-Principal Violin Jamie Hutchinson was awarded the prestigious Salomon Prize, a joint prize between the Royal Philharmonic Society (RPS) and Association of British Orchestras (ABO), in recognition of the educational initiatives she spearheaded with the Orchestra during the pandemic.

The Oxford Philharmonic was appointed Orchestra in Residence at the University of Oxford in 2002, the first relationship of its kind between a symphony orchestra and a higher education institution. In this capacity, the Oxford Philharmonic offers tuition and performance opportunities to University students, including the Side-by-Side scheme, which provides

an opportunity for young musicians to perform within the ranks of a professional orchestra.

The Oxford Philharmonic has appeared on several recordings including albums of works by Nimrod Borenstein for Chandos and cello concertos by Shostakovich and principal cello Mats Lidström on BIS Records (both conducted by Vladimir Ashkenazy); A Merton Christmas with the Choir of Merton College; Haydn’s The Creation with the Choir of New College, and the Handel/ Mendelssohn Acis and Galatea with Christ Church Cathedral Choir. The Orchestra’s most recent disc The Enlightened Trumpet with soloist Paul Merkelo was released on Sony Classical.

A partnership with J & A Beare provides the Oxford Philharmonic’s distinguished members with opportunities to play on Stradivari instruments, adding a new dimension to the sound of the Orchestra.

The Orchestra and its Music Director were awarded the City of Oxford’s Certificate of Honour in 2013, in recognition of their contribution to education and performance in Oxford.

45

Support the Orchestra

(Charity No. 1084256)

We are excited to present our 2023 season celebrating our 25th anniversary. With a full schedule of concerts as well as ongoing education and community projects, the Orchestra has a lot of activities to fund which would be impossible to deliver without the generosity of our supporters.

Friends and Patrons

Our Friends and Patrons are the backbone of the Orchestra. As a member of the Oxford Phil family, your subscription allows you to enjoy benefits including priority booking, interval hospitality and more. Visit our website at oxfordphil.com for further details.

Support our Concerts

Why not support a specific aspect of an individual concert? Your support will be acknowledged in printed programmes and online.

• £100 provides programme notes

• £250 provides the printed programme

• £500 supports an orchestral musician

• £1,000 supports the concertmaster

• £2,500 supports the participation of a choir

• £5,000 supports a soloist

General Support

If you would like the Oxford Philharmonic Orchestra to thrive in every aspect please consider making an unrestricted gift. To donate or learn more about how to support, please contact Mollie Lewis on 01865 987 222 or at mollie@oxfordphil.com.

46

The Oxford Philharmonic Education and Community Work

Education and outreach is at the heart of the work of the Oxford Philharmonic Orchestra. We are ambassadors for music education, nurturing and cultivating young talent, and helping children and young adults of all backgrounds to become involved in music. Our educational programmes cover the full spectrum, from primary to tertiary level education, with an emphasis on Special Schools for children with severe learning, behavioural and emotional issues. Family concerts held in conjunction with the Oxford City Council foster a love of music in young children and their families. Over the years, our programmes have won awards for their quality and beneficial impact. During the pandemic we devised inventive new ways to reach children isolated at home, and many of these new techniques will be incorporated in our programmes going forward. The excellence of our streamed programmes during lockdown was recognised nationally by the award of the prestigious Salomon Prize of the Royal Philharmonic Society and the Association of British Orchestras to our SubPrincipal Violin Jamie Hutchinson.

Primary Schools and Special Schools at Primary Level

We are actively involved in bringing music to disadvantaged communities with high levels of unemployment, crime and social service intervention where there is little or no music education. We run in-house programmes with Special Schools and primary schools in ethnically diverse areas of the city, and we host days of music-making and learning for children from across Oxfordshire.

Secondary Schools and University

As lead members of the Oxfordshire Music Education Partnership, we collaborate with the Oxfordshire County Music Service to offer special opportunities to talented young musicians.

Our unique Residency Programme at the University of Oxford offers a wide range of special benefits to the most gifted young musicians. Our annual Oxford Piano Festival provides high-level tuition and performance opportunities to gifted young pianists at a critical stage in their budding careers. Our principal players and visiting international artists offer tuition opportunities for students at all levels.

Hospitals

Over the years we have been very active in local hospitals and have established special relationships with a number of units, such as the Nuffield Orthopaedic Centre, the renal wards of the Churchill Hospital, the City Community Hospital, and the Cherwell and Sandford wards of the Fulbrook Centre. Our workshops for patients of all ages, with physical and mental conditions continue to be recognised for their significant therapeutic results.

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Booking Information for Concerts in Oxford

Box Office

Online: oxfordphil.com

Telephone: 01865 980 980 (Mon–Fri 09:00–17:00)

Email: boxoffice@oxfordphil.com

The box office at the Sheldonian Theatre opens 4 hours before each concert. The box office at all other venues opens 1 hour before each concert.

Opening Times

Doors open 30 minutes before the advertised concert start time and 10 minutes before a pre-concert event.

Booking Dates for Newly Announced Concerts

Friday 13 January 2023, 13:00 – Priority booking for Patrons and multi-buy purchases of 10+ concerts

Monday 16 January 2023, 13:00 – Priority booking for Friends and multi-buy purchases of 6–9 concerts

Friday 20 January 2023, 13:00 – General booking

Priority booking for multi-buy purchases by telephone only

Multi-buy and Group Bookings

Book 6–9 concerts and save 10%.

Book 10+ concerts and save 15%.

Book 10+ tickets for one concert and save 10%.

Discounts cannot be combined and must be booked in one transaction. Multi-buy tickets cannot be refunded and can only be exchanged for events within the same season.

Concessions

Full-time students receive a £5 ticket in the lowest price band or a £5 discount for all other price bands through generous contributions to our Concert Ticket Access Fund for Students.

Under 18s, registered disabled and wheelchair users with one companion save 50%. Unemployment benefit claimants save £5 on full-price tickets.

Special Requirements

All our venues have disabled access and facilities. If you require a wheelchair space or have specific access or seating requirements, please call the box office so that we can advise you on the best seating arrangement for your needs.

Latecomers

We will do our best to admit latecomers whenever possible at an appropriate point in the performance. Latecomers will be seated in a designated area until the interval, when they can take their allocated seat.

Unreserved Seating

Unreserved seating entitles you to a seat within your chosen area rather than a specific seat. Sponsors and those with disabilities are entitled to reserved seating in these areas, allocated at the Orchestra’s discretion.

48

Refunds and Conditions of Sale

Tickets may be exchanged for another concert or a credit voucher (valid for six months) if returned at least two weeks before the concert. Refunds can only be given if a concert is sold out or cancelled; an administration fee of £2 per ticket will apply. Ticket holders who have tested positive for COVID-19 must not attend events. They can request a full refund or exchange their ticket(s) for a gift voucher by contacting our box office. Please note that children under the age of 6 cannot be admitted to OPO concerts, with the exception of FUNomusica family concerts. Children over the age of 2 years require a ticket for family concerts.

We reserve the right to refuse admission and to change the date, time, artist, programme or venue of any event where unavoidable.

Please see our website for full T&Cs and FAQs.

Privacy Policy

The Oxford Philharmonic Orchestra is committed to ensuring that your personal data is protected. We use the information that we collect about you in accordance with the General Data Protection Regulation 2018 and the Privacy and Electronic Communications Regulations 2003. This privacy policy sets out how we use and protect any information that you share with us.

Venue Information

Barbican Hall

Silk Street, London EC2Y 8DS

Cadogan Hall

5 Sloane Terrace, London SW1X 9DQ

Christ Church Cathedral St Aldate’s, Oxford OX1 1DP

Holywell Music Room

Holywell Street, Oxford OX1 3SD

JdP Music Building

St Hilda’s College, Cowley Place, Oxford OX4 1DY

Malvern Theatre Grange Rd, Great Malvern, Malvern WR14 3HB

Olivier Hall, St Edward’s School

Woodstock Road, Oxford OX2 7BG

Oxford Town Hall

St Aldate’s, Oxford OX1 1BX

Royal Albert Hall

Kensington Gore, South Kensington, London SW7 2AP

Saffron Hall

Audley End Rd, Saffron Walden CB11 4UH

Sheldonian Theatre Broad Street, Oxford OX1 3AZ

St John the Evangelist Church Iffley Road, Oxford OX4 1EH

St Martin-in-the-Fields

Trafalgar Square, London WC2N 4JJ

University Church of St Mary the Virgin High Street, Oxford OX1 4BJ

49
50 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 1 6 PERFORMANCE AREA DOOR E DOOR D DOOR A DOOR B E D C B B C D E F B C D E F G H J K L A A F G H J K L G H J K L G H J K L G H J K L G H J K L 16 15 14 13 12 11 72 71 70 69 68 67 66 65 64 63 26 27 28 29 30 31 32 26 26 27 28 29 30 31 32 31 30 29 27 26 28 29 30 31 32 26 27 28 29 30 31 32 33 34 36 35 37 33 34 35 36 33 34 36 35 37 33 34 36 35 37 33 34 36 35 37 38 39 40 42 41 43 42 41 40 39 39 40 42 41 44 43 39 40 42 41 43 39 40 42 41 43 45 46 48 47 49 45 46 48 47 45 46 48 47 45 46 48 47 45 46 48 47 5049 51 52 54 53 55 56 57 51 52 53 56 51 52 54 53 55 56 57 51 52 54 53 55 56 57 52 54 53 55 56 57 2 3 4 5 6 7 8 9 10 11 1312 1514 16 17 18 1 2 3 4 5 6 7 8 9 1110 141312 15 16 17 18 1 2 3 4 5 6 7 8 9 1413121110 15 16 17 1 2 3 4 5 6 7 8 9 10 11 1 2 3 4 5 6 7 8 9 10 11 19 20 21 22 23 246225 27 28 29 30 31 32 33 34 35 19 20 21 22 2726252423 28 29 30 31 32 33 34 35 36 20 21 272625242322 28 29 30 31 32 3 3 34 35 19 19 20 2221 23 24 25 26 27 28 29 19 20 21 222423 25 26 27 28 29 1 36 16 15 14 13 12 11 16 15 14 13 12 11 15 14 13 12 11 15 14 13 12 11 20 19 18 17 20 19 18 17 20 19 18 17 18 17 16 72 71 70 69 68 67 72 71 70 69 68 67 70 69 68 67 66 69 68 67 66 65 66 65 64 63 66 65 64 63 64 63 62 51 49 49 Sheldonian Theatre Seating Plan Chairs (unreserved, cushioned chair with cushioned backrest) Row A (cushioned bench with wooden backrest) Lower Gallery (cushioned bench with cushioned backrest) Semi-Circle (cushioned bench with no backrest) Upper Gallery (unreserved, cushioned bench with wooden backrest) Area Balcony (unreserved, cushioned bench with no backrest) Stewards Gallery (unsighted & unreserved, cushioned bench with cushioned backrest) The Sheldonian Theatre was constructed between 1664 and 1669, and is a Grade I listed building. Please note that there are no lift facilities and that the majority of seats are benches, some without backrests. If you require a wheelchair space, have any access requirements or questions about seating, please contact the Box Office on 01865 980 980.

Oxford Philharmonic Orchestra

Royal Patron

HRH Princess Alexandra Life Presidents

Geoffrey de Jager Harry Leventis Menahem Pressler

Honorary President

The Rt Hon the Lord Patten of Barnes, CH Vice President

Sir Victor Blank Patron

Vladimir Ashkenazy

Piano Festival Patron Alfred Brendel KBE Piano Festival President Sir András Schiff

Patron for New Music Marina, Lady Marks Music Director Marios Papadopoulos MBE

Conducting Fellow Cayenna Ponchione-Bailey

Oxford Philharmonic Orchestra Trust

Registered Charity No. 1084256

Sir Ivor Roberts KCMG (Chair) Geoffrey de Jager (Deputy Chair)

Dr Saphié Ashtiany

Alfiya Askar

Marco Assetto

Raymond Blanc OBE Prof. Michael Earl David Haenlein

Lord Hall

Dr Russell Hirshfield

Bianca Jagger Rasha Khawaja

Dr Marios Papadopoulos MBE

Sir Jonathan Phillips Prof. Sir Andrew Pollard

Advisory Council

Dr Saphié Ashtiany (Chair) Emma Chamberlain OBE

John Caunt

Prof. Michael Earl Joanna Foster CBE

Peggotty Graham

Jeff Hewitt

Robert Jackson Lord Krebs

Dr Jill Pellew

Sir Jonathan Phillips Bob Price Hilary Reid-Evans Lady Stewart Prof. Irene Tracey Prof. Sir John Vickers Angela Wade David Whelton

Finance and Risk Committee

Prof. Michael Earl (Chair) David Haenlein

Jeff Hewitt Colin Maund Tom Purves

Honorary Members

Lord Butler of Brockwell

Sir Jeremy Greenstock Lady Heseltine John Leighfield CBE

Margarita Louis-Dreyfus

Sir Michael Parkinson CBE

Dr Michael Peagram Prof. Reinhard Strohm Francesca Schwarzenbach George Tsavliris

Bruno Wang

Oxford Philharmonic

Orchestra Productions Ltd

Company No. 03592323

VAT No. 208 4077 20

Directors

Dr Saphié Ashtiany

Marco Assetto David Haenlein Anthi Papadopoulos Dr Marios Papadopoulos MBE

Board Members, American Friends of the Oxford Philharmonic

Joshua M Berman Russell Hirshfield Marios Papadopoulos MBE Faanya Rose Saundra Whitney Christopher Wright

Advisory Council, American Friends of the Oxford Philharmonic

Alex Gorsky Sir John Hood Leila Larijani Aviad Meitar Antony Phillipson HE Mr Matthew Rycroft CBE James Sherwood†, Chairman Emeritus

Executive Management

Music Director

Dr Marios Papadopoulos MBE

Chief Operating Officer

Anthi Papadopoulos

Education and Community Director

David Haenlein

Administration

Design/Office Manager

Larisa Afrić

Planning Manager

Janet Marsden

Orchestra Personnel Manager

Ellie McCowan

Development Officer Mollie Lewis

Logistics Officer Ellie Rayfield Marketing Administrator Megan Cunnington

Ticketing and Events Officer

Lydia Skrentny Education Officer William Emery Associate Stephen Browning Philanthropic Consultancy Support Global Philanthropic Press and PR Nicky Thomas Media

Friends & Patrons Liaison John Caunt

Librarian Helen Harris Stage Manager Max Howard

51

Donors and Benefactors

Oxford Philharmonic Orchestra Trust (charity No. 1084256) acknowledges with deep gratitude the financial contributions made over the last twelve months by the following:

Individuals

Platinum Benefactors

Alfiya Askar Abulkhair & Timur Kuanyshev, Geoffrey & Caroline de Jager, Sir Howard & Lady Stringer

Gold Benefactors

Prof. Paul Davies & Dr Saphié Ashtiany, Marco & Francesca Assetto, Andrew & Celia Curran, Prof. & Mrs Raymond Dwek CBE, David Haenlein, Michael & Susan Pragnell, Simon & Alison Ryde

Silver Benefactors

Jon & Julia Aisbitt, Sir David Davies, Dr John & Baroness Ruth Deech, Anita Higham OBE, Lady Horton, Lord Laidlaw, Sir Sydney Lipworth KC & Lady Lipworth CBE, Colin & Rosemary Maund, Dr Michael Peagram, Jorge & Catharina Pereira, Lady Wolfson

Benefactors

Henry & Ruth Amar, Mark & Linda Barrett, Sir Win Bischoff, Di Bresciani, Dr Peter Collins, Michael & Heather Dalgleish, Sir David Davies, Alun Evans & Hilary Reid Evans, Peggotty & Andrew Graham, Robert & Caroline Jackson, Mr & Mrs John Leighfield CBE, Anthony & Jenny Loehnis, Pierre & Estera Lussato, Erik Penser & Birgitta Härenstam, Bjarne & Yvonne Rieber, Sir Ivor & Lady Roberts, Dr Pål Voltersvik & Mrs Liv Høgvold, David & Elizabeth Ure

Members

Aeonian Circle

Prof. Paul Davies & Dr Saphié Ashtiany, Maggie Copus, Hellios Information Ltd, Anita Higham OBE, David & Elizabeth Ure

Patrons

John & Hilary Bach, Angela Beatson Wood, Mary Beattie, Igor Blinov, Stephanie Butcher, Dr Karen & Dr Eric Caines, John & Christine Caunt, Prof. David Coleman, Peter Coleman, Charles & Gisela Cooper, Eric Coutts, Neville & Christine Dalton, Patricia Donnelly, Jack Edmondson, Svetlana Egorova, Blair Eldridge, Lord & Lady Esher, Christopher & Marian French, David & Elizabeth French, David Golding, Ron & Penny Gulliver, Jeff & Pauline Hewitt, Peter & Valerie Hill, Elizabeth Holliday, Sir John & Lady Hood, Dr Sally Hope, Dr Chris Hornby, Keith Jackson, Glen & Mandy James, Prof. Richard Jenkyns, Dr Peter & Mrs Juliet Johnson, Christina Kautzky, Sir David & Lady Keene, Prof. Martin Kemp, Sir Anthony & Lady Kenny, Mr Michael Leech OBE & Dr Joyce Leech, Kaye & David Lillycrop, Prof. Peter Mackridge, J C Miller, Amanda & David Milne

KC, Joy Morning, Amanda Nicholson, Neil Pearson, Mark & Jill Pellew, Dr David Pick, Derek & Muriel Pilkington, Prof. Sir Andrew Pollard, Tom & Hilde Purves, John Pool, Michael Rouse CBE, Christine Sandall, Sander Schakelaar, Alan Smith, William Smith, Gregory & Susan Spence, Prof. Paul Trayhurn, Stephen Turner, Angela Wade, Michael & Christine Warburton, Dr Trudy Watt, Sam & Suzanne Webber, Charles Young

Trusts, Foundations, Institutions and Public Sector

Diamond Benefactors

A.G. Leventis Foundation, The Sackler Trust

Platinum Benefactors

The Michael Bishop Foundation, Garfield Weston Foundation, H.K. Leventis Foundation

Gold Benefactors

Foyle Foundation, Bernard Morris Charitable Trust, The James & Shirley Sherwood Foundation, Michael Marks Charitable Trust, Thompson Family Charitable Trust

Silver Benefactors

Dorset Foundation, Lord Leonard & Lady Estelle Wolfson Foundation, Tolkien Trust, David Ure 2013 Trust, Miss V L Clore’s 1967 Charitable Trust, Thriplow Charitable Trust

Benefactors

Aird Charitable Trust, Calleva Foundation, The D’Oyly Carte Charitable Trust, Dalgleish Trust, Clore Duffield Foundation, Doris Field Charitable Trust, Finzi Trust, Oxford City Council, The Polonsky Foundation, 29th May 1961 Charitable Trust

Patrons

Peter Cadbury Charitable Trust, JFR Charitable Trust, Souldern Charitable Trust

Corporates

Silver Benefactors

BMW UK, Hellios Information Ltd Benefactor

John & Arthur Beare

52

American Supporters

Diamond Benefactors

Dr Russell Hirshfield & Leila Larijani, Pfizer, Inc, Rosenblatt Charitable Trust

Platinum Benefactor

Thomas A Barron, Barclays, Ruth & Joshua M Berman, Mary Jaharis, JP Morgan, Kallinikeion Foundation, Faanya Rose, Saundra Whitney, Christopher Wright

Gold Benefactors

Anonymous, Sir Ronald & Lady Cohen, Elena & John Coumantaros, Zvi & Ofra Meitar Family Fund, Ruth Gjessing-Newman, Mr & Mrs Blake Samuels, Dee Schwab

Silver Benefactors

BofA Securities, Paula Begoun, CeCe & Lee Black, Roger & Paula Butler, Samantha & Nabil Chartouni, Lilli Forouraghi Charitable Trust, The Lowell, Mary Mochary Management Trust, Roy & Jenny Niederhoffer, Natalie Pray, Adam Zoia

Benefactors

Afsaneh Beschloss, Noreen Buckfire, Mr & Mrs Peter M Faulkner, Gavin Garrett, Mrs John Gutfreund, Lucy & Nicholas Kourides, Geraldine Kunstadter, Helen Little, MAI VILMS Charitable Foundation, Aniko Gaal Schott, Robert Shaw, Daisy M Soros, Kari Jonassen Tiedemann, Peter & Anna Tscherpine, Marianne Wyman

Patrons

Layla Diba, Rick Donner, Barbara Grewe, Antonia K Milonas, Vernon Palmer, Nigel Travis, Peter & Mary Jeanne Tufano

Contact us

Oxford Philharmonic Orchestra, 29a Teignmouth Road, London NW2 4EB 01865 987 222 (general) | 01865 980 980 (box office) | info@oxfordphil.com | oxfordphil.com

American Friends of the Oxford Philharmonic Orchestra Email: camilla@oxfordphil.org | Tel: + 212 729 0127 864 Lexington Avenue, 2nd floor, New York, NY 10065

The Oxford Philharmonic Orchestra is a member of the Association of British Orchestras.

This brochure is published by Oxford Philharmonic Orchestra Productions Ltd. Information is correct at time of going to print (December 2022).

Brochure design by Larisa Afrić.

Photography credits: Marco Borggreve, Richard Cave, Jason Dodd, Benjamin Ealovega, Chris Gloag, Andrej Grilc, Kaupo Kikkas, Mariotta Mendez/IDAGIO, MidAmerica Productions, Inc., Nick Rutter, Jake Turney, Zhutek.

The University of Oxford logo is the registered trademark of the University of Oxford. The Oxford Philharmonic Orchestra is licensed to use the mark in the branding of events in the United Kingdom. The Oxford Philharmonic Orchestra is run by the Oxford Philharmonic Orchestra Trust. Neither the Oxford Philharmonic Orchestra nor the Oxford Philharmonic Orchestra Trust are part of the University of Oxford.

53
54 January Saturday 14 * Sheldonian Theatre The
of
4 February Sunday 5 * Sheldonian
Tchaikovsky and
5 Monday 6 Barbican
Maxim
and the
the
6 Wednesday 15 Sheldonian
Sir
8 Saturday 18 Holywell Music Room Brahms Violin
9 Sunday 19 Oxford Town Hall FUNomusica Family Concert 10 Saturday 25 Coca-Cola Arena, Dubai OPO on Tour 11 Monday 27 Coca-Cola Arena, Dubai OPO on Tour 11 March Wednesday 1 Coca-Cola Arena, Dubai OPO on Tour 11 Friday 3 Coca-Cola Arena, Dubai OPO on Tour 11 Wednesday 8 Friedrichshafen OPO on Tour 12 Thursday 9 Musikverein, Vienna OPO on Tour 12 Friday 10 Audimax,
OPO on Tour 13 Sunday 12 Philharmonie, Essen OPO on Tour 13 Friday 31 Oxford
Martha
14 April Sunday 2 Isarphilharmonie,
Martha
14 Monday 3 Heilbronn Martha
14 Thursday 6
St
16 Saturday 22
American
17 Tuesday 25
Maxim
18 Saturday 29
The
20 May Saturday 13 Holywell Music Room Death and the
21 Thursday 18 Sheldonian
French
22 Tuesday 23 Cadogan
Oxford
the
23 Sunday 28 Oxford
Hall FUNomusica Family
24 June Saturday 3
Enigma
25 Saturday 10 Holywell
Room Piano
26
Genius
Mozart
Theatre
Brahms
Hall
Vengerov
Oxford Philharmonic at
Barbican
Theatre
András Schiff in Recital
Sonatas
Regensburg
Town Hall
Argerich
Munich
Argerich
Argerich
Sheldonian Theatre
Matthew Passion
Sheldonian Theatre
Journey
Royal Albert Hall
Vengerov
Sheldonian Theatre
Creation
Maiden
Theatre
Pastoral
Hall
Philharmonic at
Cadogan
Town
Concert
Sheldonian Theatre
Variations
Music
Trios
55 Thursday 15 Sheldonian Theatre The Orchestral Music of Afghanistan 27 Thursday 29 Sheldonian Theatre Bruckner Seven 28 July Friday 7 Sheldonian Theatre Shakespeare in Music 29 Saturday 8 St Martin-in-the-Fields Shakespeare in Music 29 Friday 14 UniversityChurchofStMarytheVirgin Serenade for Strings 30 Saturday 15 St Martin-in-the-Fields Serenade for Strings 30 Saturday 22 St Martin-in-the-Fields Music from Amadeus 31 Sunday 23 Sheldonian Theatre Music from Amadeus 31 Saturday 29 Holywell Music Room Christian Blackshaw 32 Sunday 30 St John the Evangelist Church Richard Goode 32 Monday 31 Sheldonian Theatre Kirill Gerstein 33 August Tuesday 1 Sheldonian Theatre Kanneh-Mason Trio 33 Wednesday 2 Christ Church Cathedral Nikolai Lugansky 34 Thursday 3 Sheldonian Theatre Anna Fedorova 34 Friday 4 JdP Music Building Participants’ Recital 35 Saturday 5 UniversityChurchofStMarytheVirgin Jeremy Denk 35 September Thursday 21 Oxford Town Hall Evgeny Kissin 36 October Thursday 12 Sheldonian Theatre Mozart Masterpieces 38 November Tuesday 7 - Tuesday 14 Various venues Nigel Kennedy : The Bach Concertos 39 Thursday 23 * Sheldonian Theatre Rachmaninov Two 40 Sunday 26 Oxford Town Hall FUNomusica Family Concert 41 December Thursday 7 Sheldonian Theatre Anne-Sophie Mutter 42 Friday 15 Sheldonian Theatre Janine Jansen 43 *Young Artists’ Platform

‘The Oxford Philharmonic is a superb ensemble … some of the finest musicians I have ever heard. And when solo moments popped up, the individual players played like gods and goddesses.’

Oberon’s Grove

‘world-class quality is what beamed from the stage at the Orchestra’s New York debut’

Blogcritics

‘The music, so melancholy and passionate, had orchestra and soloist enmeshed in soul-enriching playing of the finest quality.’

Oberon’s Grove

‘the soloist and orchestra were simply mesmeric’

oxfordphil.com

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