P O
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vol. 01
OF ARCHITECTURE, DESIGN AND PHOTOGRAPHY
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ÖYKÜ DEMİRYOL selected works 2015 18
ÖYKÜ DEMİRYOL İstanbul Technical University Architecture student
ABOUT ME I am a third year architecture student in a four year school Istanbul Technical University.
SOFTWARE ADOBE PROGRAMS: ADOBE PHOTOSHOP ADOBE ILLUSTRATOR ADOBE PREMIERE
AUTODESK: AUTOCAD 3DS MAX
EDUCATION 30 AGUSTOS PRIMARY SCHOOL ÜSKÜDAR ANATOLIAN HIGH SCHOOL
BALLET PART TIME SCHOOL
2009 - 2013
SCHOOL OF FOREIGN LANGUAGES
İSTANBUL UNIVERSITY STATE CONSERVATORY
İSTANBUL TECHNICAL UNIVERSITY 2013 - 2014
2004 - 2008
RHINOCEROS GRASSHOPPER GOOGLE SKETCHUP
URBAN AND REGIONAL PLANNING (%30 Eng)
CIZGI BALLET 2008 - 2013
BİM:
ARCHITECTURE (%30 Eng)
MODELLING:
REVIT
RENDERING: LUMION V-RAY
MS OFFICE
LANGUAGES
Turkish ( Native ) English ( Fluent ) Spanish ( A2 )
İSTANBUL TECHNICAL UNIVERSITY
Playing piano Reading
2015 - 2018 General Grade Average : 3.63 High Honor List
CERTIFICATION Autocad
3ds Max
Revit
Photoshop
Autodesk user certificate
Autodesk user certificate
Bilişim Certificate
Bilişim Certificate
INTERNSHIP
KURYAP İnşaat Müh.Ltd. Şti.
I completed my field internship here. I had observations of construction and fine work.
EVENTS Rönesans Holding : Sürdürülebilir Geleceği Tasarla Ytong : Şehirden uzakta (Ongoing) Fab Fest ( International Fabrication Festival) (Ongoing) Betonik Fikirler (Ongoing)
CONTACT 0538 690 65 20
Sketching
odemiryol@gmail.com
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June28- July26
www.kuryap.com
HANDS-ON
Photography
ROYAL ACADEMY OF DANCE (ENGLAND) 2008 - 2013
İSTANBUL TECHNICAL UNIVERSITY
Cycling
Model making
BALLET
2014 - 2015
INTERESTS Ballet
BALLET
Türkali mahallesi Nüzhetiye caddesi Nüzhetiye apt.No: 8 Daire: 6 Beşiktaş / İstanbul
P EP R E SROS NOANLA SL TSATTAETME EMNETNST S Throughout my education I have develoed varıous assorted interests in architecture given the variety of themes the discipline can involve. In the process of starting a new project, I refer to variety of sources beyond architecture including literature, art, music, dance or film to reveal the feelings of those moments. I produce design ideas with what they feel for me and these ideasWhenever I start a new project I take inspiration from a huge variety of sources beyond architecture including literarture, art and films. For this reason, even if the project is over, it continues on one corner of my mind and enters an endless procession. That’s why I think the design process of something never ends, It always continues in the somewhere in our mind. Finally, I often use the contrasts which comes from the feelings that bring tension in design
“When experiencing a work of art, a curious exchange takes place; the work projects its aura, and we project our own emotions and precepts on the work. The melancholy in Michelangelo's architecture is fundamentally the viewer's sense of his/her own melancholy enticed by the authority of the work. Enigmatically, we encounter ourselves in the work.” Juhani Pallasmaa
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CON C TOENNTTESN T S
02.5 Water thing
This portfolio shows some of the works I have been engaged in over the tree years. These projects display my beliefs about how one can make pieces which have a sense of personal identity. Hovewer it still continues to travel on the path to the architecture.
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01
CONTINUAL LIFE CENTER FOR SILE
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COLLECTIVE IMAGINATIONS
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BLURRING THE BOUNDARIES
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SUSTAINABLE YOUTH CENTER
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LINK
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LINK PARAMETRIC DESIGN
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A SLIT IN BOSPHORUS
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NEGENTROPI
REHABILITATION OF TRABZON PORT ongoing
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Architectural Project 3 ... Master plan Housing Dilek YÄąldÄąz Studio
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Continual life center aims to be a design that appeals to different user proďŹ les who are parents with one or two children and business people.The main intention of the design is rising from the GROUND and maintaining a sustainable life for the purpose of rising from the ground.By producing and selling their own products, the community becomes independent in the means of needs, education.
CONTINUAL LIFE CENTER FOR SILE
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CONTINUAL LIFE CENTER FOR SILE
MASTER PLAN
DIYAGRAMLAR
Forest
Housing Unit 1
Housing units Road Cliff Black sea
Housing Unit 2
Housing Unit 3
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CONTINUAL LIFE CENTER FOR SILE
DIAGRAMS
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CONTINUAL LIFE CENTER FOR SILE
SECTION AND PLANS Housing Unit 1
Plan
Green roof is the main idea of the design, It gives people a feeling of nature and due to being easily adapted to the topography.
Elevation
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CONTINUAL LIFE CENTER FOR SILE
MODEL PHOTOS Due to providing continuity of the green roof design with topography curvilinearity is a vital factor.
Housing Unit 3
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Architectural Project 4 ... Collective imaginations Aslıhan Şenel’s Studio
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Content :
2.1
Excavation
2.2
If one day the sea
2.3
Topography
2.4
Tracing water
2.5
Water thing
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02.1
... Excavation
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found / invented make a drawing of an ‘’invented’’
site with attention to the dynamic properties of the ‘’found’’ materials, objects, structures and landscapes. being + becoming De-scribe possible existances, beings, and in-scribe imagined periodical changes, ‘’becomings’’. excavating-placing-choreographing finds existing structures by excavating the imagine, place the structures on the cartographic surface and scenographic i mageries, and choreograpgh the movements of the structure, surface, scene in relation to each other.
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EXCAVATION
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02.3
... If one day the sea
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If one day the sea... Two distopia stories about removed and polluted water are given us in order to ease thinking how a world can be occur if these distopias come true. In these stoires it is described how the water is polluted in Haliรง ; how it evaporates in Bosphoruous and what happens after these incidents.Starting from these stories, it is anticipated from us to choose one of these two areas, create our own distopias and find some sollutions to handle the problems we created. Moreover, it is expected to think and show how architecture integrates into these distopias and how it helps us.
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IF ONE DAY THE SEA
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02.3
... Topography
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Water topographies How can we perceive 2d dimensions as 3d dimensions? Water is crucial for the living, makes the majority of our body mass. Water was carried over lands to make life in the big cities possible. Water has been a matter of conflict and wars. Water caused disasters, it has been an issue of engineering for control, harvest, distribution. For its importance, water has been a protagonist in many myths. Myths make any water ‘’a certain water’’ they are ‘’told memorials’’. Create a 3d model and 2d sketches of water that questions the notion . Does your topography make us commemorate, celebrate, remember, forget, re-live the past or just live for the present?
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TOPOGRAPHY
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TOPOGRAPHY
Topography dialogs, the crowd and the chaos at the meeting points of the sea and the land
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02.4
... Tracing water
Routes following the water 23
tracing water taking advantage of living a city like İstanbul that the water is everywhere in life, we arranged two excursions to Haliç and Bosphorous. We experienced the water, in different ways: we watched it closely, from far away, maybe from above it. We examined how water shped the city and how city shaped the water especially by taking into consider ation the time and its effect on this subject ;and we drew what we saw. Some of these areas in the routes will was our project areas, in the next steps.
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TRACING WATER
do not let water to pass some penetrates
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water is covered water is regressed the land occupies
TRACING WATER
layers..
no water exists anymore
just the trace of it
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02.5
Architectural Project 4 ... Water thing as an Collective imagination
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If a cheese mold feeds from its host’s moist and nutrition and protects it from further deterioration, then can we imagine the mold without its host, and its host without the mold? If a human-being is made of %60 water, can we think of water and human as separate entities? we will take inspiration from these commonalities and we will imagine ways of common living through the water-thing. In another line of thought,water has been an object of consumption, where resources are exploited irresponsively; through which social and spatial organisations are made to priviledge some over others. For example, some live in water-side mansions, others live in flood-basins. Through the water-thing we will question the discriminative and segregatory practices that are developed through the objectification of water. Some of the questions are, can we imagine a water-thing, where water becomes a subject rather than an object, where new relations may be suggested among water-site-the living, where commoning practices may flourish.
WATER THING ALIBEYKÖY SENSITIVE PARK
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WATER THING
‘ALL THE SENSES İNCLUDING VISION, ARE EXTENSIONS OF THE SENSE OF TOUCH.’ JUHANİ PALLASMAA
Site plan
How to bridge between two ideas? The aim of the structure is connecting people, river and land by making collective imagination for design, using the topography, interactivity of people.
First, the discovery of the body movements are provided in the site (body as a movable placement)) has united with linearity and transformed into an experiment addressing the senses of physical architecture.
Alibeyköy River
Kağıthane River
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WATER THING
Plans Structure consists of areas that appeal to different senses. By bringing these areas together, various spaces are formed in the upper and lower parts of the structure, especially the parts formed by stretching the towers. (foyer, activity hall, chatting area, resting areas, observing areas)
Public to Private
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WATER THING
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WATER THING
Movement of Body Diagram
The net structure, is designed according to the human body movement. In some places body is climbing while in other spaces walking.
System structure It is not a finished structure, but rather that the people who come here will perhaps change the journey of the body by bringing ropes with them and connecting more ropes from various places... The nets were fixed by pulling the ropes from the walls of the buildings. For making these nets as walkÄąng areas thick ropes are connected to the ropes by knotting nodes from various points.
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WATER THING
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WATER THING
Experimental works on tensile and string architecture
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Architectural Project 5 ... Wine production center and accommodation Alper DerinboÄ&#x;az Studio
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DENEYimsel SINIR(sÄąz)lar
Information sharing center During certain periods of the year, vineyard owners from different regions, even countries, come together in this place and do experimental works on wine making. These studies are researches that deals with many areas such as architecture, food, grapes, because it is about researching how to produce better quality wine. At the same time, the goal is to believe that we can improve the quality of the wine by experiencing not just with the experiments. The idea of the vineyard comes from an in-between situation in architecture. Does it always have to be limited spaces while talking about production of something. Can production not turn into an experience they have experimented? This rich experience can be a factor that makes the place blurred.
Is it possible to produce limited spaces that create limitlessness?
BLURRING THE BOUNDARIES URLA 36
BLURRING THE BOUNDARIES
MASTER PLAN
Points as data
Spaces created by repetition of a generated module
Circles, Triangulations connecting lines
View from restaurant
Circulation
Afternoon sun in the entrance
Ac
co
ad
Pr od
uc
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mm
tio
n
tio
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Experiment and discussion
Morning sun in the restaurant
BLURRING THE BOUNDARIES
PLANS
Ground floor plan
The development of the design is based on the transformation of the boundary into the limitlessness. The spatial solution of the breakdowns is in the areas such as the lack of production, office entry, etc.
The triangles created in plans are a result of the thoughts on the concept of breaking boundaries. Enlargement of the ground and enlargement of the entrance areas, topography and geomorphic efforts to spread. First floor plan 38
BLURRING THE BOUNDARIES
COLLAGE Modüler alanlara bakış
The spaces defined as modular have a structure that changes according to the request of the user. It has a passive and interactive structure. Some areas are fixed, some are shaped according to the time of day in the movement of the user. Sometimes a piece of furniture, sometimes a closed area, sometimes only a point of view, can be transformed into a sun-breaking element, or even the walls.
Modern tent idea Interactive spaces created in specific places at specific times of the day, at the time of need. Converting, intertwined spaces, could the structures be a reflection of being in the middle? With this structure and the living things in it, Does the state of reconciliation create a conflict, or is it both a conflict and a compromise? Is it possible to produce limited spaces that create limitlessness? Modular units and their combination fields
Bağda dinlenme alanları
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Deney alanları
Can alternative spaces be created in the limit?
Tartışma alanları
Konaklama
Tadım
BLURRING THE BOUNDARIES
SYSTEM MODEL
PANEL 1
2
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3
3
Construction detail In the structure moving and fixed joints cylindrical section steel is used. In general, these joints are used constantly, and in modular spaces, moving joints are used to make the field interactive.
With the movable joint, the units that can move independently of each other are folded and made suitable for creating new spaces.
From various points of construction, the structure is fixed by anchorage.
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BLURRING THE BOUNDARIES
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BLURRING THE BOUNDARIES
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04
... Sustainable Youth Center Project
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Nature is as pure and clean as a child. An advanced city with various facilities is an adult with all its experiences. This youth center, connecting the river and the city, is a reflection of the youth who has a transitional nature between children and adulthood. The aim of the project is to establish a communication between the nature and the city, ie river and urban texture, through the energy axis, to encourage people to use this axis to produce energy and to contribute to nature.
YOUTH CENTER
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SUSTAINABLE YOUTH CENTER
With its self-sufficient structural units with nature friendly and regenerative systems, this youth center with its energy axis extending from the city to the east; a large square, intersection and recreation areas designed for special activities, and a low-capacity parking lot that prevents the use of the vehicle. The intersection areas are defined as permanent and temporary areas of activity where people from all generations come together to share and produce.
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SUSTAINABLE YOUTH CENTER
Sport center Ground floor 4
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2 1 SPOR BINASI 1.Engelli erkek wc 2.Erkek wc 3.Öğretmenler odası 4.Hazırlık odası 5.Depo 6.Büfe 7.Dinlenme alanı 8.Teknik alan 9.Kadın wc 10.Engelli kadın wc
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The youth center is designed as 3 main buildings as sports, art and exhibition according to the functions of the buildings. Restaurant and Energy buildings are designed as separate and additional buildings.
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Sport center First floor
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Restaurant 1.Çocuk oyun odası 2.Kadın wc 3.Bebek bakım odası 4.Erkek wc 5.Teknik alan 6.Mutfak 7.Depo 8.Oturma alanı
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Art center Ground floor
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Exhibition center Ground floor
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SANAT BINASI 1.Müzik odası 2.Dans hazırlık odası 3.Depo 4.Dans salonu 5.internet odası 6.Çevre koruma odası 7.Edebiyat odası 8.Satranç odası 9.Atölye(ahşap boyama, vitray,karikatür) 10.Heykel 11.Resim 12.Fotoğraf atölyesi 13.Karanlık oda 14.Teknik alan 15.Büfe 16.Kütüphane
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10 9 8 SERGI BINASI 1.Fuaye 2.Erkek wc 3.Kadın wc 4.Çok amaçlı salon 5.Sahne 6.Prova odası 7.Kadın hazırlık odası 8.Erkek hazırlık odası 9.Depo 10.Teknik alan 11.Geçici sergi 12.Kalıcı sergi 13.Reji 14.Yönetim
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Art center First floor 46
SUSTAINABLE YOUTH CENTER
The technical volume to be used to generate electricity from the flow velocity of the river water on the ground floor of the energy building, and the volume to be collected and distributed in a center of the energy to be obtained from the solar collectors. On the top floor of the building, the warehouse location is considered for the waste materials of the youth center and recyclable materials collected from the surrounding buildings.
Through the energy axis, the electricity of the lighting to be used in the upper structure of the axle is produced by the piezoelectric system which is in the upright position (the application of the mechanical pressure end result) and the intensity of the light is changed and the color is changed as the pressure on it is increased and the human density in the center is also perceived .
Bitki Yetiştirme Ortamı (20 cm) Filtre Örtü (0.5 cm) Drenaj ve Su Hazneleri (6 cm) Koruyucu ve Kök Tutucu Örtü (0.5 cm) Su Yalıtım (0.5cm) Isı Yalıtım (5 cm) Ayırıcı Katman (2*1 cm) Eğim Şapı (5 cm) Betonarme (20 cm) Asman Tavan Boşluğu Asma Tavan Profili (4cm)
Fibercement Panel (3 cm ) Havalandırma Açıklığı (3 cm) T Profil Su Yalıtım Örtüsü (0.5 cm) Isı Yalıtım (6 cm) Dış Sıva (2 cm) Grobeton (20 cm) Karo Zemin Kaplama 60*60 (2cm) Yapıştırıcı (0.5cm) Şap (8cm) Isı Yalıtım (6cm) Su Yalıtım (0.8cm) Eğim Şapı (3cm) Donatısız Beton (20cm) Blokaj (15cm) Toprak
SYSTEM SECTION MODEL
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SUSTAINABLE YOUTH CENTER
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... Link An Utopia for a Distopia ... A proposal for new cities generated by Grasshopper
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Distopia... Over time, urbanization has advanced so much that urban areas have spread and destroyed the concept of rural areas, which covered each side of the world. Once upon a time, cultures that lived in rural areas slowly disappeared into the city. Declining water levels and new climates caused by globalization have emerged as the new continents have become areas of urbanization spread. Utopia...
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LINK
Utopia... Urban texture emerged from the control and continued in the chaos, while ongoing scientific research emerged from the sources of nature and a material produced by human hands in the laboratory environment was developed. Ă–Z( THE CORE)
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LINK
Imagınary map of İstanbul and the relationships between the spaces of ÖZ (core)
Intensive urbanization
Transition to the integrated form with the city 52
LINK
Video of link project
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LINK
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... Link Parametric Design Using Grasshopper
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Is it possible to produce limited spaces that create limitlessness? The form of the structure comes from the nature, nature inspiration from the proliferation of the cells existing in nature, form of the unit by multiplication of a unit and application to the desired surface, Idea of being from the ground In order to question the concept of "in between," triangle modules were created to allow the production of foldable spaces. These modular foldable spaces created the link pavillion.
MODULAR FOLDABLE SPACES
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LINK PARAMETRIC PAVILLION
The idea of the form of the pavillion
nature
Folding by creating modules adaptation of form
Duplication of modules
Application of modules to the surface Pavillion is designed in Grasshopper with the parameters of lines and node points.
Trials for the main pavillion
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LINK PARAMETRIC PAVILLION
3D PRINTED MODEL PHOTO
Main model
Support material
Mafsal detayÄą
Ankraj detayÄą
In the project phase, a pavilion was designed as a continuation of the structure and shell of the bond structure produced. This is why the structure details are preserved and produced from this system. The pavilion represents a moment of the collapsed spaces. These spaces are places that can be moved by human hands.
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07
... Parametric Pavillion ร engelkรถy ... A slit in Bosphorus
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The cleft opening to the Bosphorus Cities which are located near sea are an opportunity for the people who want to escape from the complex of the city. Nowadays, the most of coastline districts started to change by being residental area.These publicly owned areas began to become more and more privatized day by day. The problems as coastal road and social distinction of the area emerged as a result of the analyzes have been brought together to create parametric design aimed at encouraging people to live collectively. The design has been envisaged where people can come together and have activities.
A SLIT IN BOSPHORUS VINEYARD PAVILLION 60
A SLIT IN BOSPHORUS
Using parametric design for creating public spaces in master plan
The analysis and Master plan diagrams for ร engelkรถy
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A SLIT IN BOSPHORUS
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... Negentropi An Installation for Taşkışla Stairs
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According to the second law of thermodynamics, "heat always flows from hot to cold bodies." The application of this law to the state changes has revealed the concept of entropy and it has been described that the dynamics in our world are in the direction of disorder. Over time, social sciences have ried to understand humanity by considering entropy. Hovewer, it is in a cycle of people, order and chaos. Historyand tried to build systems-structures on the one hand, and destroyed them on the other. Negentropi arises from the question of how it would be if the mentioned event described a space.
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NEGENTROPI
With the placement, consciously approaching the technology romantically, only a defined and dispersed space is created. It has been attempted to make the function of the staircase which is passed unintentionally in Taşkışla a little dysfunctional.
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NEGENTROPI
Section 1 Plan
Section 2
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NEGENTROPI
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