2nd and 3rd year other works
Victoria Baths Rainy Garden Repetition Pavilion Biped- Built Pavilion Kayakers’ Gazebo Parallel Galleries Mitosis Installation Technology Case Study Degree Show Exhibition
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Victoria Baths Rainy Garden
water b lab to bubble vinyl toilets
b lab bubble vinyl flooring
flooring
food grade plastic WATER STORAGE TANK
THERMAL THERMALMASS MASS
food grade plastic WATER STORAGE TANK
SO SOUTHERN MANCHESTER PARK TRAIL PA
RAINY GARDEN
rainwater ‘water’ above ‘water’path pathpipe abovethe thestorage storage mist sprinkler gutter mist sprinkler tank distributing tank pipe wood flooring water to distributing toilets
flooring
MIDDLE MIDDLEVOLUME VOLUME LOWER LOWERTREES TREES
SS PP AA CC EE
ROOTS, ROOTS,SOIL, SOIL,POND POND
SOUTHERN SOUTHERNMA MA VB PARK TRAIL PARK TRAIL
rainwater rainwater gutter gutter wood woodflooring flooring
pipe pipe distributing distributing water watertoto toilets toilets
bblab lab bubble bubblevinyl vinyl flooring flooring
mist mistsprinkler sprinkler
RAIN WATER STORAGE UNIT FOR TROPICAL GARDEN IN VICTORIA BATHS
food foodgrade gradeplastic plastic WATER WATERSTORAGE STORAGETANK TANK
RAINY GARDEN
tropical botanical garden turkish baths rain water storage additional tanksthe storage ‘water’ water path above tropical tropicalbotanical botanicalgarden garden entrance tank baths RAIN WATERturkish STORAGE turkish baths UNIT
rainwater rainwater
USAGE OF THE FEMALE POOL lower plants area c a f s i c & s a h d e
ants plants plants
toilets toilets
higher plants area
rain water storage tropical botanical FOR TROPICAL rainGARDEN water storage garden additional additional watertanks tanks IN VICTORIA BATHS water
turkish baths entrance entrance rain water storage USAGE USAGEOF OFTHE THEFEMALE FEMALEPOOL POOL lower lowerplants plantsarea area additional waterrainwater tanks gutter wood flooring entrance ‘water’ path above the storage higher plants area cc aa f f ss i i c c&&s s a a hh dd ee
e n t r a n c e
higher plants area
USAGE OF THE FEMALE POOL plant area lower plants area pathway c a f s i c & s a h d e
pipe distributing water to toilets
e
e THERMAL n MASS
rest area
higher plants area
pond
tank
e n t r a n c e
n tt rr aa nn cc ee
mist sprinkler
b lab bubble vinyl flooringspaces food grade plastic Activating green WATER TANK relating Victoria Baths with the STORAGE city
plant plantarea area pathway pathway
THERMAL MASS
rest restarea area pond pond
rainwater gutter wood flooring
pipe distributing water to toilets
b lab bubble vinyl flooring
Activating Activatinggreen greenspaces spaces relating relatingVictoria VictoriaBaths Bathswith wit
mist sprinkler
food grade plastic WATER STORAGE TANK
KAYAKERS’ GAZEBO Ironbridge touristic, very active and picturesque town situated in a valley, surrounded by hills. Architecture is frozen within similar colours, materials, masked by trees and bushes. Still everything is affected by flood. This kayaking centre is focused on kayakers, canoers that use the river all year round. Building forms a path between the car park and water and aims to create a flow of people through space, contemplating what can already be observed on site. Moreover allows observing surrounding greenery and highlighting the local relief.
Poole Quay
4days
Shrewsbury
Atcham
9h
Cressage
6h
easy
Ironbridge Jackfield
difficult 4h
Bridgenorth
2days
Brewdley
Poole Quay
4days
Shrewsbury
Atcham
9h
Cressage
6h
easy
Ironbridge Jackfield
difficult 4h
Bridgenorth
2days
Brewdley
RIVER SEVERN TRIBUTARY AND KAYAKING TRIPS ORGANIZED FROM IRONBRIDGE
KAYAKERS’ GAZEBO IRONBRIDGE TOURISTIC, VERY ACTIVE AND PICTURESQUE TOWN SITUATED IN A VALLEY, SURROUNDED BY HILLS.
ARCHITECTURE IS FROZEN WITHIN SIMILAR
COLOURS, MATERIALS, MASKED BY TREES AND BUSHES. STILL EVERYTHING IS AFFECTED BY FLOOD. THIS KAYAKING CENTRE IS FOCUSED ON KAYAKERS, CANOERS THAT USE THE RIVER ALL YEAR ROUND. BUILDING FORMS A PATH BETWEEN THE CAR PARK AND WATER AND AIMS TO CREATE A FLOW OF PEOPLE THROUGH SPACE, CONTEMPLATING WHAT CAN ALREADY BE OBSERVED ON SITE. MOREOVER ALLOWS OBSERVING SURROUNDING GREENERY AND HIGHLIGHTING THE LOCAL RELIEF.
TOILETS
THE CLUB
RACE OFFICE EXTERNAL STAIR OFFICE MEETING ROOMS CHANGING ROOMS OUTSIDE SITTING AREA
FIRST FLOO
STORAGE AND SERVICE
Parallel Galleries
location of Manchester
1820-30
location of site within the urban fabric scales of buildings differ greatly
1860-70
1900
light and shadow around the site throughout the year
1930-40 1850
1950
2010
buildings with stone cladding
brick buildings the end of walknoisy Market street
deep retreat of the building forms dark dump spot
rounded, glazed corners of buildings on the crossing reflected the light around A walk along the Clarence Street about 1 pm has revealed interesting, tactile experiences formed by the sunlight and shadows, the quietness of narrow, empty streets with majestic buildings and rumble of the Market Street.
The Lloyds Street has its own character- detailed walls, over hanged corridors, sunken basements, iron street lamps. The photomontage shows the impressions. Still the pavement of cracked concrete somehow does not fit to the place.
RELIGION
MEMORY
PAST
MONUMENT The UNCONSCIOUS TACTILE INGREDIENT IN VISION is particularly important and strongly present in historical architecture. Pallasmaa, J., The eyes of the skin
geometry difficult
of
space
is
external skin of the building, the interior is badly damaged, does not need to be saved
can be seen as a rectangle with additions
formal stair lead through the whole building
but only on the internal wall
journey through the sites inspired by the bombed roof
the cross section of the Lloyds street also reveals changes of levels
working with heights
interior type- installed and space usage
flow of people through the Memorial Hall
Instead of reinforcing the EROSION OF EXISTENTIAL MEANING, we must reflect on the multitude of secret ways in which THE ART OF ARCHITECTURE IS TIED TO THE CULTURAL AND MENTAL REALITY OF THIS TIME’ Pallasmaa, J., The eyes of the skin
working with interiors
N
N 6
6
1
5 13
3
2
4
2nd Mezzanine floor
2nd floor
6
11 5
5
6
6 ground floor 7
1 Mezzanine gallery 2 Installed ‘scaffolding’ stairs 3 Main gallery 4 Back stairs
8b
5 Lift 6 Front stairs 9
8
7 Reception area
11
8 Temporary exhibition gallery 8a Exhibition entrance 8b Exit
10
9 Staff room 8a
10 Storage 11 Toilets
4
12 Cloak room 1st floor
II
I
1:100 longitudal section
1:200 cross section with surroundings
I 1:10 front stair details
1
6
9
7
2
10
1 60/34mm handrail 2 50mm magnesite screed 120 mm reinforced concrete 3 steel I- beam 300mm deep 4 2x13 mm plaster board 5 60/27 mm steel U-section 6 22 mm ash riser 7 22 mm ash tread, 6 mm steel sheet 8 accoustic plaster on 25 mm sheeting 2 x 13 mm plaster board 9 10,5 mm composite ash boarding 45 mm mineral wool 55 mm cavity 10 mm steel sheet 20 mm trapezoidal section steel 2x 13 mm plaster board 10 100/ 250/10 mm hollow sheet-steel beam
3
8 3
II 1:10 scaffolding stair details
2
1
1 225/ 750/55 mm galvanised tread 75/750/55 mm nosing bolted to an angle 2 steel balustrade beam open grid infill panel bolted to the U-profile
circulation scheme
2nd mezzanine floor 2nd mezzanine floor
1st floor
lift to the first and second floor journey up journey down
ground floor with restaurant
impression on the scaffolding platform, looking temporary rises questions about the place of the visitor in the gallery
2nd floor permanent exposition gallery
working on the form and materials
urban elements and landscaping
interiordecision point gallery or the cafe
change of scale from garden to the building, exterior and the interior cafe
N 1:100 upper floor plan
10 2
8
3
7
2
2
9
1
5
PARALLEL REALITIES,
URBAN FUTURES GALLERY IN PEACE GARDEN
4
projecting rooms with temporary programmes about possible future of the world parallel rooms alternating with glazed corridors showing the street exit on the busy, noisy street from the dark interior intensifies the perception of the reality building provides a wall for adding value to the forgotten memorials located in the Peace Garden
6
10 1
5
2
3
7
1 reception area 2 projection rooms 3 glazed rooms 4 cafe 5 toilets 6 bar storage 7 exit 8 staff stairs to the lower floor 9 storage 10 memorial wall with important plaques
street view
lighting scheme during projections in the gallery
rainwater harvesting scheme when there is a projection going on no one should walk inside the closed gallery zone, once the projection is finished the room is changed, new people can come in
daytime occupancy
during the day both the cafe and the gallery are open evening occupancy
the cafe can be rented for parties or meetings and be open after the gallery closure due to its internal doors location of the water storage tank connected to the Lloyd Street piping and the green roof stores water for flushing toilets
building closed
once the building is closed the park can still be used
A B
permeable paving enables water harvesting changed surface of Lloyd Street and added lights to add mystery and underground level A grated panels above lowered B block paving on laying course pavement drainage layers spotlights installed to expose impermeable membrane depth drainage pipe
building up a form from repeated elements
Mitosis Installation
rigid form influencing movement of the surrounding elements strongly
flexible form passing the force to other elements
shots from the short development video model was built up through experiments and checking how the joints will work and what shape will result from that
flexible form passing the force to other elements
case study_1 | paulina kowalska
The Netherland’s Institute for Sound and Vision, Hilversum
Neutelings Riedijk Architects
ORGANISATION AND STRUCTURE
Case Study
case study_1 | paulina kowalska
DETAIL STUDY flat roof
offices behind a wall of fame
exhibition cascade enclosed in concrete shell
IMAGE
steel coping
Neutelings Riedijk Architects has won a competition to build an archive for audio visual materials owned by the national television company with studios in Hilversum. The Netherland’s Institute for Sound and Vision creates not only storage, but also visitors spaces, with functions like paid exhibition area, offices, archives, research centre and a lecture theatre. Architects have decided to create a monumental glazed form with iconic images that can be associated with a glowing TV screen.
waterproof layer
offices external wall
second facade
mineral wool insulation 180 mm relief overflow for roof drainage
SPATIAL ARRANGEMENTS
aluminium grills
The interior is divided programmatically even though everything is enclosed by a simple shape which is a 54 on 54 m cube pushed 5 floors downwards, due to building regulations in the area. Different functions are pushed into separate areas. The shape is broken inside crating an open, naturally lighten public space which is a point of decision. Cascade divides it to exhibition spaces on one side and a perpendicular canyon reveals archives below. They have been pushed below the ground, due to more stable climatic conditions which are important for storage of fragile material. The ground floor finishes with descending, lecture type sitting area for restaurant, opening towards a pond.
vapour barrier
waterproof layer
REASONS FOR SELECTION I have chosen the Institute of sound and vision for its use of steel structure with concrete, together with an importance programmatic decisions, as it is what I try to achieve in my studio project. Furthermore, the building involves many structural decisions that challenge the concept created by it architects eg. pushing it 20 m under ground involves building separate retaining walls to deal with the water table pressure below 10m.
steel channels 120 mm I-section 140 mm bolted I-beam
public atrium
STRUCTURE
archive
retaining walls slurry walls built to take loads from water pressure
Building is a mixture of concrete and steel components depending on the structural performance. Buiding technology differs depending on the part of the building. Basement has structural walls, from precast panels and in-situ, reinforced, concrete in between, together with in-situ floor slabs. Offices have in-situ concrete cores and slabs with addition of secondary steel structure to hold the glazed facades. The main attention is on the exhibition which creates the atrium space as well. To have support-free atrium the loads are based on the perimeter of building- 3 in-situ facades from self-compacting concrete support inverted-T, bridge type beams spanning for 23m from the core and transfer them to the V shaped colums on the East and West side. A concrete wall balances cantilevered cascade with its weight. Roof is supported on T-T beams hold by primary beam and double space height truss spanning 54m. Floors are composite and did not required scaffolding.
150/150mm SHS column bolted to the slab and I-beam
double glazing 6 mm ,15mm cavity 4 mm thermally divided frame
exploded view organisation of programme
linoleum 4mm screed 80mm electrical and data services space
long span inverted-T beams transfer dead and live loads to the core and facade reaching the ground through big V-shaped columns secondary 18m T-T beams are supported by the truss and I beam and transfer roof and skylight loads
220 mm concrete slab suspended heating/cooling beams with light and 200 mm serviced space
concrete cores and slabs are primary structure in the office part, loads from cores are transferred to the ground
second facade is hung from the main walls by a system of transoms on steel rods it acts as a rain screen and takes environmental loads
precast concrete 150mm vapour barrier mineral wool insulation 90mm
loads
gap 18mm
primary structure
firbe-cement sheeting, coated 15mm
secondary structure facade glazing
view loads on the structure mineral wool insulation 180 mm wood studs 44/108mm
ENVIRONMENT AND SERVICES
cores and technical installations
ventilation, heating/cooling and data cables
ventilation, heating/cooling and data cables
roof drainage and grey water
axonometry 1:20 western facade steel suspension rod 24 mm single glazing
ventilation data
steel RHS rail 160/80 mm
roof units
relief printed glass 10 mm in steel pivoting frame 35mm
water sprinklers boiler
FACADE
flow in channels roof slope drainage grey water
The second skin facade applied in this building has a range of functions. Apart from a distinctive iconic appearance and gothic-like feel inside, it shades the windows from excess of sun, takes environmental loads and transfers the to the secondary structure and mediates the temperature between interior and exterior.
tank plant takes half of the -2 floor as it normally take 6% of building’s floor area, technical installations are then distributed through technical rooms in the basement and risers next to the cores
plant takes half of the -2 floor as it normally take 6% of building’s floor area, technical installations are then distributed through technical rooms in the basement and risers next to the cores
water is distributed from boiler to the toilets in the building using two risers archives have intensive sprinkler system in case of fire, that uses the pond as a source of water
large roof surface drainage is based on channels that lead water to risers and feed it in the pond through a tank. In case of fault the slope of the roof releases water through valves, over the second skin facade
REFLECTIONS The Institute of Sound and Vision demonstrates the importance of the idea and its translation into a built form, in order to create best performance with an iconic appearance. Complex structure and construction technology enabled architects to face the demands of clients choosing faster construction times. At the same time, additional value has been embedded in the building by a creation of public spaces. Due to this reason the building may attract visitors more often and appeal to local residents that can benefit from a restaurant, while workers in the building can experience attractive and comfortable offices. Last, but not least the design includes both understanding of both permanence and flexibility of the building making it more probable to last for longer.
Degree Show Exhibition
section through an exhibition area
initial proposition
developed function of the shelving