Fall 2017 Continuing Education Programs Catalog by Pennsylvania Academy of the Fine Arts

CONTINUING EDUCATION PROGRAMS A R T C l A S S E S f O R A D U lT S A N D hIGh SChOOl STUDENTS Fall 2017

Pennsylvania Academy of the Fine Arts

CONTINUING EDUCATION PROGRAMS

CE PREVIEW NIGhT

Join our community of dedicated artists of all ages and skill levels

WEDNESDAy, SEPTEMbER 6 | 6 – 9 P.M. Interested in taking a class or trying something new, but don’t know where to start? Join us on Wednesday, September 6, for a free mini course and ﬁnd out what PAFA CE has to oﬀer! Experience hands-on instruction from expert CE faculty in PAFA’s studio classrooms.

Photo: Tom Crane

All courses are FREE with a $10 materials fee, with all materials provided! New students will receive a 10% discount on a Fall 2017 class.*

fOUNDED IN 1805 AS ThE NATION’S fIRST SChOOl AND MUSEUM Of fINE ARTS, the Pennsylvania Academy of the Fine Arts (PAFA) promotes the transformative power of art and art making. For over 200 years, our close-knit community of faculty, critics, scholars, curators, museum professionals, and alumni have created a home for contemporary artists to reinvent tradition and make their own mark on the future. As part of this mission, PAFA Continuing Education (CE) programs oﬀer a diverse array of studio art courses, workshops and programs for adults and high school students, open to all levels of ability, from absolute beginner through advanced artist. Whether you’ve never taken an art class before, are returning after a long absence, or are preparing a portfolio for applying to art school, PAFA CE has something for you!

TAblE Of CONTENTS

ON ThE David Wiesner, illus. Detail from COVER Art and Max. By David Wiesner.

Houghton Miﬄin Harcourt, 2010.

John horn

MINI COURSES fOR ADUlTS ■

ShODO: ChINESE & JAPANESE CAllIGRAPhy Shodo originated in China 3,500 years ago and has developed as a ﬁne art using simple tools: brush, ink and paper. Learn the various styles and techniques of Shodo along with its history with CE faculty Mayumi Tomii.

■

lIfE DRAWING Join PAFA Professor and CE faculty John Horn for the basics of drawing the human ﬁgure considering proportions, the skeletal framework, anatomy, surface form and movement.

■

MIxED MEDIA DRAWING Explore the dynamic possibilities for your drawings by mixing materials and techniques, including pastel, chalk, ink and watercolor with CE faculty Sherif Habashi.

Master Classes...........................................................6 Pre-College Programs.............................................8 CE & School Programs.........................................10 Painting.......................................................................11 Drawing .....................................................................16 Printmaking..............................................................19 Sculpture...................................................................20 Other Media, Lectures, and Seminar.............22 Schedule At-A-Glance.........................................26 Registration Information ...................................28

CONTINUING EDUCATION PROGRAMS 128 North Broad Street Philadelphia, PA 19102 t 215-972-7632 f 215-569-0153 e continuinged@pafa.edu

www.pafa.edu/CE

PRE-REGISTRATION IS REQUIRED. Space is limited. For more information and to register, visit: www.pafa.edu/cepreviewnight or call 215-972-7632. *Excluding Master Classes

MASTER ClASSES AND WORKShOPS ■ ■

ThE PERCEPTUAl MOMENT WITh STUART ShIlS: NOT JUST ANOThER “lANDSCAPE”

Visit pafa.edu/MasterClasses for extended course descriptions, materials lists and upcoming classes. PAFA Members at the Friend level and above receive a 10% tuition discount on CE courses, workshops and Master Classes! See page 29.

PlEIN AIR PAINTING IN CAPE MAy, NEW JERSEy Open to All Levels Join Joe Sweeney for a plein air painting retreat in beautiful Cape May! Experience small town hospitality while painting Cape May Point, the Cove with sweeping vistas, Cape May Lighthouse, and Sunset Beach. Includes tips on choosing a prime location, reading the weather and light at a particular time of day, and setting up a landscape palette. Morning and evening painting times will leave the afternoons free to relax on the beach – the perfect artist’s getaway! Instruction geared towards oil, acrylic and pastel, but experienced watercolorists are welcome. Thursday – Sunday, September 14 – 17 PT 605CM | $595 Register by: August 18 For more information and recommended accommodations, email joesweeney5@gmail.com

Stuart Shils, Reconstructing Distant Adventures, acrylic on panel, 15 x 30 in.

For Intermediate/Advanced Artists Photo: Joe Sweeney

Embrace the concerns of making a painting rather than the conventional notion of painting a landscape. Experience the vitality of working outdoors while painting on location at a variety of Philadelphia sites. Explore the intersection between the internal perceptual moment and the design of the working surface as the fundamental concern of painting. Drawing, as the engine of thought and means of informing the brush, will be emphasized in a variety of media. Friday, Saturday and Sunday, October 13 – 15 9 a.m. – 5 p.m. IN 609EP | $950 non-credit Register by: September 15

PASTEl PORTRAITURE WITh EllEN EAGlE Open to All Levels

Ellen Eagle, Asha, pastel on paper, 6 ½ x 5 3/8 in.

Learn everything you need to know about pastel portraiture with Ellen Eagle, noted author of Pastel Painting Atelier and instructor at the Art Students League in New York. Be inspired by the artist’s passion, and extensive knowledge of the medium’s history and applications. Instruction will address methods of executing a successful portrait, studio set-up, pastel varieties, tools, and surfaces. The workshop will include a visit to PAFA’s Center for the Study of the American Artist, where Eagle will discuss rarely-exhibited pastel works from PAFA’s collection. Ideal for the dedicated portraitist or those seeking to enhance their knowledge of pastel and color. Friday – Sunday, October 6, 7 & 8 9 a.m. – 5 p.m. IN 609EP | $595 non-credit Register by: September 8

fREE PUblIC lECTURE: Visiting Villages Where Children Can Stay Up Late and Play Outside Thursday, October 12 | 6 – 7:30 p.m. Hamilton Auditorium/ Historic Landmark Building RSVP to the CE oﬃce, 215-972-7632 Stuart Shils, visiting villages where children can stay up late and play outside, 2017, digital photograph of paper and tape collage on LED light screen.

MASTER ClASSES AND WORKShOPS continued

PlEIN AIR PAINTING IN NEWPORT, RhODE ISlAND WITh JOE SWEENEy

ChIlDREN’S bOOK IllUSTRATION WITh DAVID WIESNER Open to all Levels Explore the visual language of picture books in this hands-on illustration workshop with Caldecott Medal-winning book creator, David Wiesner. Picture books are about how images work together, relate to each other, and convey information to create a whole that is greater than the individual elements. Learn how images move the reader through the book and create a compelling visual rhythm; how information and emotion are transmitted through the size, shape and number of images; and how design aﬀects not only the look of the book, but the story elements as well. Drawing will be the primary focus of the class; a choice of stories will be available, but students may bring their own – original or public domain. Saturday and Sunday, November 4 & 5 9 a.m. – 5 p.m. IN 609DW | $650 non-credit Register by: October 6

William Trost Richards, South Shore, Newport, 1881, watercolor on paper, 3 3/16 x 5 1/16 in., Collection of the Pennsylvania Academy of the Fine Arts, 67.5.2008, Promised gift of Dorrance H. Hamilton in memory of Samuel M. V. Hamilton.

Open to all Levels Don’t miss this opportunity to paint on location at one of the east coast’s premier sailing ports, led by plein air painter extraordinaire Joseph Sweeney and area architect and watercolorist John Grosvenor. Capture the breathtaking seascapes, sailing ships, cliff walks, and historic architecture that captivated Childe Hassam, William Trost Richards and numerous others throughout art history. Learn to paint efficiently out-of-doors, in your choice of oil, acrylic, pastel, watercolor, or other media. The course features visits to great cliff-side estates of Newport including Castle Hill, the Vanderbilt Grace Hotel, and private residences by special arrangement. Between painting sessions, explore the picturesque town of Newport and its environs. Students are responsible for their own accommodations. Limited discount-rate room reservations available. Email joesweeney5@gmail.com for more information. Monday – Friday, October 16 – 20 Times Variable PT 605ER | $695 non-credit or $875 for 1.0 undergraduate credit Register by: August 18

David Wiesner, illus. Detail from Mr. Wuﬄes. By David Wiesner. Houghton Miﬄin Harcourt, 2013.

fREE PUblIC lECTURE: Thursday, November 2 | 6 – 7:30 p.m. Hamilton Auditorium/Historic Landmark Building RSVP to the CE oﬃce, 215-972-7632

DRAWING WORDS & PICTURES: fUNDAMENTAlS Of COMICS STORyTEllING WITh MATT MADDEN Open to all Levels

ANATOMICAl DRAWING WITh RObERTO OSTI

Comics are a kind of alchemy, blending text and images on the page to tell stories that make powerful impressions. Words and pictures play oﬀ of each other and swap roles in ways that provide the author a powerful range of expression. Learn how to master the basics of this rich visual language through a series of short exercises and slideshows. Investigate the principles of panel-to-panel storytelling, view examples of page and book design, and survey the traditional tools of the trade: India ink, pens and brushes, and bristol board. Saturday & Sunday, December 2 & 3 9 a.m. – 5 p.m. IN 609MM | $495 non-credit + $15 materials fee (includes basic materials) Register by: November 3

Open to all Levels

Roberto Osti

The human body is one of the most fascinating and inspiring subjects an artist can depict, but its complexity can make it intimidating. Join Roberto Osti, artist, teacher and author of Basic Human Anatomy: An Essential Visual Guide to gain the conﬁdence to understand and enjoy drawing the beautiful forms of the ﬁgure. Study the human form from a structural point of view: basic landmarks, essential volumes, and proportions and proportional relationships of body and its segments. Then focus on the main muscle groups and the aesthetic aspects they produce in the body. Each day will be divided into a lecture and then drawing from the model, with individual assistance from Mr. Osti. Saturday and Sunday, October 28 & 29 9 a.m. – 5 p.m. IN 609RS | $495 non-credit Register by: September 29

Matt Madden, illus. Detail from 99 Ways to Tell a Story: Exercises in Style. By Matt Madden. Chamberlin Bros., 2005.

PRE-COllEGE PROGRAMS SATURDAy ClASSES Saturday classes offer teens a valuable opportunity to develop and hone their skills under the guidance of PAFA faculty. All levels welcome. Portfolio preparation classes include a visit by PAFA Admissions representatives to provide advice on selecting and documenting work for a portfolio and an optional portfolio review. Visit pafa.edu/HighSchool for more information. SCHOLARSHIPS AVAILABLE! – see page 29. hIGh SChOOl PORTfOlIO PREPARATION: DRAWING Sean Hildreth Ideal for teens who want to further their drawing skills and develop a strong body of work for their portfolios. Students will work in drawing media from the still life, PAFA’s historic cast collection and the human figure/portrait to learn principles of composition, value, perspective, and drawing techniques. Note: This class will utilize nude models. 10 weeks, Saturdays, September 30 – December 9 (no class on November 25) 10 a.m. – 1 p.m. DR 710PP | $425 for 1.0 undergraduate credit or non-credit Register by: September 22 hIGh SChOOl PORTfOlIO PREPARATION: PAINTING David Wilson Add color and variety to your portfolio by developing your painting skills in oil or acrylic. Students will work from direct observation using the still life and human figure/portrait models to explore the fundamentals of painting, including the selection and care of materials, painting techniques, and color mixing. Instruction will emphasize principles of composition, the modeling of forms through values and color relationships. Note: This class will utilize nude models. 10 weeks, Saturdays, September 30 – December 9 (no class on November 25) 10 a.m. – 1 p.m. DR 710PT | $425 for 1.0 undergraduate credit or non-credit + $10 lab fee Register by: September 22

hIGh SChOOl PORTfOlIO PREPARATION: PRINTMAKING NEW! Megan Webb Printmaking enhances drawing/painting skills and can contribute striking additions to a college portfolio. Explore the exciting possibilities of several printmaking processes including traditional line etching, screenprinting on t-shirts or other materials, and the painterly possibilities of monotype. Students will be guided through the preparation and steps of each process, learn how to safely handle all materials, and explore the journey of image development and printing. 10 weeks, Saturdays, September 30 – December 9 1 – 4 p.m. PR 710E | $425 for 1.0 undergraduate credit or non-credit + $10 lab fee Register by: September 22

SUMMER ACADEMy fOR hIGh SChOOl STUDENTS 2018 JUly 2 – AUGUST 3, 2018 PAFA’s Summer Academy is the definitive program for talented and motivated high school students: a five-week, college-level art making experience in the nation’s first and premier school of fine art.

CREATIVE COPING: ART AS ExPRESSION fOR TEENS Dona Duncan, Registered Art Therapist Finally, a class that focuses on the issues of being a teenager! Learn to improve your communication skills for better relationships with friends, parents, teachers and others through expressive drawing and painting, group discussion, and optional roleplaying. Issues of bullying in schools, feeling diﬀerent, repressed anxiety, and anger management will also be addressed. Open to anyone seeking a comfortable, creative means of building conﬁdence and selfexpression – no prior art experience required. 8 weeks, Saturdays, October 14 – December 9 (no class on November 25) 1:30 – 3:30 p.m. IN 752WW | $350 non-credit Register by: October 6

■

■ ■

■

Rigorous courses in drawing, painting, sculpture, and printmaking taught by PAFA’s exceptional faculty Commuter and residential options Field trips to the museums and galleries of Philadelphia, New York and Washington, D.C. A culminating student exhibition, including a reception and awards ceremony A head start on preparing your portfolio for applying to art school

■ ■

■

The opportunity to earn four college credits The option for an Admissions portfolio review for pre-approval of your PAFA college application (additional materials required) A Next Step Scholarship of $4,000 over four years issued to all Summer Academy alums who enroll in PAFA’s BFA programs.

Application period begins February 1. Scholarships available. For more information, visit pafa.edu/summeracademy.

COURSES & WORKShOPS

CE & SChOOl PROGRAMS

PAINTING PAlETTES Of ThE MASTERS NEW! Clarissa Shanahan Artists throughout history have employed the complex language and symbolism of color. Learn from their examples to eﬀectively use color to convey feeling, tone, atmosphere, geographical location, or narrative in your own work. Explore the palettes of Wyeth, Van Gogh, Matisse, Bellows and Rothko via lecture, discussions, slide presentations, and oil painting projects. 6 weeks, Mondays, September 18 – October 23 12:30 – 3:30 p.m. IN 604EM | $275 non-credit Register by: September 8

OPEN ACADEMy PAFA Continuing Education and non-matriculated students have the opportunity to take PAFA School courses for credit or non-credit through the new Open Academy. For more information on fall courses and an application, visit pafa.edu/openacademy.

DEGREE PROGRAMS PAFA offers a variety of programs to help you meet your artistic goals including: ■ PAFA BFA offering majors in Painting, Drawing, Sculpture, Printmaking and Illustration ■ PAFA/Penn BFA offered in conjunction with the University of Pennsylvania ■ Post-Baccalaureate Certificate in Graduate Studies ■ Master of Fine Arts ■ Low Residency Master of Fine Arts fOR MORE INfORMATION, contact the Office of Admissions at admissions@pafa.edu or 215-972-7625.

CE CERTIfICATE PROGRAMS COMING SOON! Visit pafa.edu/CECertificates for more information.

MEMbERShIP AT PAfA Support our mission and enjoy a variety of great membership beneﬁts by joining PAFA today! Your membership will help us strengthen PAFA’s collections and special exhibitions, expand programming, and promote greater arts education outreach to the Philadelphia community. PAFA Members at the Friend level and above receive a 10% tuition discount on CE courses, workshops and Master Classes.

OIl PAINTING TOOlS & TEChNIQUES Frederic Kaplan An encyclopedia of painting information for the beginning or advanced oil painter! Examine the techniques of blending, glazing, scumbling, and s’graﬃto. Materials instruction includes demonstrations on preparing mediums and surfaces, and an overview of paint colors and brands. Color theory and mixing, and methods of realistic painting will be addressed. Drawing experience recommended. 12 weeks, Mondays, September 18 – December 4 6 – 9 p.m. PT 616ET | $495 non-credit or $625 for 1.0 undergraduate credit Register by: September 8

fOR MORE INfORMATION AND TO JOIN call 215-972-2077 or visit pafa.org/membership Tony Rosati

MEMbERS WORKShOP: MONOTyPE PRINTMAKING WITh TONy ROSATI Join Tony Rosati, Chair of the PAFA Printmaking Department, and make your own one-of-a-kind prints! Learn both hand and printing press methods, with step-by-step instruction. Saturday, September 16 | 10 a.m. – 1 p.m. FREE with $10 materials fee Open to new and existing PAFA Members of all levels. Register by: September 1 For details about becoming a member or to register, visit pafa.org/membernews or call 215-972-2077.

MODERN PRACTICES IN PERCEPTUAl PAINTING NEW! Sherif Habashi Unlock your imagination by examining the pictorial and perceptual concerns of notable modern and contemporary artists including Henri Matisse, Pierre Bonnard, Georgia O’Keefe and Marlene Dumas. Learn to apply expressive and cohesive concepts in your own works while painting from observation. Designed for those with previous painting experience who wish to explore a nonclassical approach. 12 weeks, Tuesdays, September 19 – December 5 9 a.m. – 12 p.m. PT 703EP | $495 non-credit or $625 for 1.0 undergraduate credit Register by: September 8

THE PAFA ATELIER: DRAWING & PAINTING NEW! Peter Van Dyck A combination instructed class and open studio for students interested in advancing their representational drawing and painting. Work from the cast collection, ﬁgure/portrait, still life or interior spaces, with tailored instruction and critique in the mornings followed by independent work sessions in the afternoons, with visits from guest PAFA faculty-critics to oﬀer additional feedback. 14 weeks, Wednesdays, September 6 – December 13 9 a.m. – 4 p.m. DR 607PA | $695 non-credit or $950 for 1.5 undergraduate credits Register by: August 18 (space is limited)

Peter Van Dyck

PAINTING continued

PAINTING OVER ThE lINE Kassem Amoudi Advance toward a more liberated way of painting in this open studio environment. Paint from personal subject matter to ﬁnd your own visual language, informed by examples from contemporary and modern art. Painting experience recommended. 12 weeks, Wednesdays, September 20 – December 6 12:30 – 3:30 p.m. PT 703EL | $495 non-credit or $625 for 1.0 undergraduate credit Register by: September 8 ThE PENNSylVANIA lANDSCAPE TRADITION Joseph Sweeney Learn the essentials of landscape painting in the New Hope countryside, the area made famous by Daniel Garber, Edward Redﬁeld, Fern Coppedge, and other masters of Pennsylvania Impressionism. Topics include color mixing to achieve a sense of light and air, capturing time of day, compositional fundamentals, and sound painting practices. 6 weeks, Wednesdays, September 20 – November 1 (no class on October 18) 10 a.m. – 4 p.m. PT 605EB | $495 non-credit; $625 for 1.0 undergraduate credit Register by: September 15 WATERCOlOR PlUNGE NEW! Tony Rosati If you have little or no experience in watercolor, now is the time to take the plunge! Acquire a thorough grounding in basic watercolor techniques and materials, including papers, pigments, and transparent and opaque painting methods. 5 weeks, Wednesdays, September 27 – October 25 12:30 – 3:30 p.m. PT 604EP | $250 non-credit Register by: September 29

PORTRAIT PAINTING Theodore Xaras This class covers all aspects of painting a traditional portrait. Learn how to achieve a likeness, model light and shade, mix ﬂesh tones, and apply paint. Includes demonstrations and insights into the history of portraiture. Valuable information for all levels. Drawing experience required. 12 weeks, Thursdays, September 14 – December 7 (no class on November 23 ) 12:30 – 3:30 p.m. PT 602E | $495 non-credit or $625 for 1.0 undergraduate credit Register by: September 8

lIfE PAINTING AND DRAWING Douglas Martenson Explore contemporary and traditional realism in drawing and oil painting. Learn fundamental elements of ﬁgure drawing including anatomy, line quality, tone, composition, proportion and space. Work from nude models, starting with short studies and continuing to extended paintings. Open to all levels. 12 weeks, Thursdays, September 14 – December 7 (no class on November 23) 9 a.m. – 12 p.m. PT 600E | $495 non-credit or $625 for 1.0 undergraduate credit Register by: September 8

PlEIN AIR PAINTING AT bARTRAM’S GARDEN Larry Francis Work en plein air at historic Bartram’s Garden, home of America’s ﬁrst botanist, John Bartram. Learn to capture light and shadow; create a convincing sense of space; and depict trees, ﬂowers and buildings. Drawing and painting techniques will be demonstrated for oil and gouache. Free parking and restrooms available. 6 weeks, Thursdays, September 28 – November 2 12:30 – 3:30 p.m. PT 605BG | $275 non-credit Register by: September 22

ThE hEAlING POWER Of ART Dona Duncan Engage your creative spirit with Dona Duncan, registered art therapist. Art-making can help reduce stress, improve communication skills, and unlock creative blocks. Enjoy a welcoming environment while you paint, draw and write. Includes light meditation and relaxation techniques, and visits to the PAFA galleries. Open to all levels; no experience necessary. 10 weeks, Thursdays, September 28 – December 7 (no class on November 23) 12:30 – 3:30 p.m. IN 750EH | $395 non-credit Register by: September 8

EGG TEMPERA PAINTING NEW! Anthony Ciambella Learn traditional egg yolk tempera painting in the spirit of George Tooker and Andrew Wyeth, as well as contemporary mixed media techniques. Create luminous still life paintings through transparent and translucent methods. Incorporate contemporary mixed media techniques using linseed oil, watercolor, gum Arabic and pen & ink for unique eﬀects. 8 weeks, Thursdays, October 5 – November 30 (no class on November 23 ) 12:30 – 3:30 p.m. IN 601EA | $325 non-credit + $25 materials fee (includes pigments and basic materials) Register by: September 22

ThE ExTENDED POSE NEW! Jill A. Rupinski Draw or paint the life model in a single pose for the entire length of the course, and gain an understanding of what it takes to produce a ﬁnished artwork. Students will be guided in initiating an individual project using drawn/painted studies before embarking on a single, larger-scaled work. Instruction will involve accurate measurement, value, color, composition and narrative content. Lecture and demonstration will address historical and contemporary methods and materials. All levels and all media are welcome. 10 weeks, Thursdays, September 28 – December 7 (no class on November 23) DR 710E | $395 non-credit or $525 for 1.0 undergraduate credit Register by: September 15 ClASSICAl TEChNIQUES IN STIll lIfE PAINTING NEW! Frederic Kaplan Create a compelling sense of realism in your paintings using timeless, classical techniques. Paint the still life from direct observation using opaque scumbles and translucent glazes over a tonal underpainting to produce a rich and luminous surface, in the style of the Old Masters. Excellent for all levels. Basic drawing experience required. 10 weeks, Fridays, September 29 – December 8 9 a.m. – 12 p.m. (no class on November 24) PT 601CT | $395 non-credit or $525 for 1.0 undergraduate credit Register by: September 22 IN-DEPTh WATERCOlOR James Toogood Enrich your knowledge of painting with an in-depth look at watercolor. Thoroughly investigate a wide range of watercolor materials and techniques from your choice of landscape, still life, portrait, and ﬁgure subjects. Open to watercolorists of all levels and to acrylic/oil painters looking to broaden their skills. 10 weeks, Fridays, September 29 – December 8 (no class on November 24) 9 a.m. – 1:30 p.m. PT 604ED | $595 non-credit; $950 for 1.5 undergraduate credits Register by: September 22

PAINTING continued

bEGINNING OIl PAINTING Allison Syvertsen A practical introduction to the materials and techniques of oil painting. Learn palette layout, color mixing, methods of paint application, and the selection, handling and clean-up of materials. Investigate issues of color and composition through the still life and portrait. Suitable for absolute beginners and those with limited painting experience. 10 weeks, Saturdays, September 23 – December 2 (no class on November 25) 9 a.m. – 12 p.m. PT 616ES | $395 non-credit or $525 for 1.0 undergraduate credit Register by: September 15 ClASSICAl PORTRAIT PAINTING Ernie Norcia Create luminous portraits using time-tested materials and traditional painting procedures established during the Renaissance. Step-by-step instruction will demonstrate how to develop a portrait painting from start to ﬁnish. Open to all levels and an excellent choice for artists wishing to learn glazing techniques. 10 weeks, Sundays, October 1 – December 10 (no class on November 26) 10 a.m. – 1 p.m. PT 602CP | $395 non-credit or $525 for 1.0 undergraduate credit Register by: September 8

PAINTING ON ThE bRANDyWINE Frederic Kaplan Brandywine River Museum Portray the autumn landscape en plein air in the medium of your choice along the banks of the picturesque Brandywine River. Bring a packed lunch or eat at Hank’s, a longtime haunt of Andrew Wyeth’s. The day concludes with a visit to the Brandywine River Museum (free admission on the ﬁrst Sunday of the month). Free parking, restrooms and sheltered locations available. Sunday, October 1 9 a.m. – 5 p.m. PT 605EB | $115 Register by: September 22

ACRylIC PAINTING NEW! Frederic Kaplan Create engaging and colorful paintings in fast-drying easy-to-clean-up acrylic paints. Learn to manage color, capture the eﬀects of light, and create depth while painting the still life and other subjects. Blending, layering, and glazing techniques will be demonstrated with a variety of acrylic materials. Previous painting experience is not required, but drawing experience is recommended. 8 weeks, Sundays, October 8 – December 3 (no class on November 26) 1 – 4 p.m. PT 608E | $325 non-credit Register by: October 6

WATERCOlOR WORKShOP James Toogood Interested in learning or improving your watercolor skills? All materials and techniques will be discussed, including the selection of papers, brushes, and pigments, as well as transparent and opaque painting methods. Students will work from still-life, portrait models and/or their own source material. All levels welcome. Saturday and Sunday, November 18 & 19 9 a.m. – 5 p.m. PT 604WW | $215 non-credit Register by: November 10

ThE OIl SKETCh: lANDSCAPE, fIGURE AND PORTRAIT NEW! Patrick Connors The oil sketch is a traditional way for painters to execute preparatory ideas, quickly capture initial impressions, or enjoy a fresh and instinctive approach to painting! Learn useful techniques for rapidly encapsulating color and form while working directly from observation. Held in conjunction with exhibition The Loaded Brush, on view in the School of Fine Arts Gallery through February 4, 2018. (See page 15) 3 Saturdays: ■ September 30: PT 600SI | LANDSCAPE (Kelly Drive, along the Schuylkill River) ■ October 21: PT 600SF | FIGuRE ■ November 11: PT 600SP | PORTRAIT 9 am. – 4 p.m. $105 each plus $20 materials fee (includes oil paint and surfaces) or $275 for all three + $40 materials fee Register by: September 22, October 13 and November 3

James Toogood

SPONTANEOUS AbSTRACTION Kassem Amoudi Feeling frustrated in front of a blank canvas, unsure of how to start or what to paint? This workshop will focus on techniques to enable you to start painting with conﬁdence by tapping into your intuitive process and ﬁnding inspiration more easily. Demonstration and critique will enhance your knowledge of the painting process. Saturday and Sunday, December 9 & 10 9 a.m. – 5 p.m. PT 705EW | $215 non-credit Register by: December 1

ON VIEW: ThE lOADED bRUSh: ThE OIl SKETCh AND ThE PhIlADElPhIA SChOOl Of PAINTING School of Fine Arts Gallery Gift of the Women’s Board September 23, 2017 through February 4, 2018 An exhibition of oil sketches by artists associated with the Philadelphia School of Painting, organized by Patrick Connors, artist and PAFA faculty. Connors oﬀers his personal perspective on the importance and delight of this generally non-public artwork. Featuring work by historic and contemporary painters including Thomas Eakins, Cecilia Beaux, Thomas Anshutz, Henry Ossawa Tanner, Louis B. Sloan, Stuart Shils, Vincent Desiderio, and Renée Foulks. Thomas Eakins (1844 – 1916), Spinning: Sketch, ca. 1881, oil on wooden panel, 14 1/8 x 10 3/8 in., 1985.68.38.6, Collection of the Pennsylvania Academy of the Fine Arts, Charles Bregler’s Thomas Eakins Collection, purchased with the partial support of the Pew Memorial Trust and the Henry S. McNeil Fund.

COURSES & WORKShOPS

DRAWING

ONLINE/IN-STUDIO: NEW! ThE PAfA fIGURE DRAWING TRADITION Roger Chavez Grounded in PAFA’s philosophy that observational drawing skills are fundamental to all artistic endeavors, this online/in-studio ﬁgure drawing course combines the convenience of web-based learning with hands-on studio practice. Modeled after the historic 19th century Charles Bargue drawing course that was utilized by such iconic artists as Vincent Van Gogh and Pablo Picasso, this step-by-step instruction will be supported by weekly instructor feedback, a history of drawing materials and techniques, and a forum for group interaction. Life-model drawing sessions in the PAFA studios will supplement online coursework. 10 weeks, Saturdays, October 7 – December 16, with 4 in-class sessions on Saturdays, October 7 & 28, November 18 and December 9 9 a.m. – 4 p.m. DR 650EF_ON | $495 non-credit or $625 for 1.0 undergraduate credit Register by: September 29

DRAWING fUNDAMENTAlS Phyllis Laver If you’ve never drawn before, or your skills are a little rusty, then this class is for you. Learn to draw what you see with conﬁdence. Study the still life, interior spaces, and human ﬁgure to master the drawing elements – shape, contour line, composition, light and shadow, texture and perspective. 12 weeks, Tuesdays, September 19 – December 5 9 a.m. – 12 p.m. DR 600EB | $495 non-credit or $625 for 1.0 undergraduate credit Register by: September 8

PASTEl DRAWING AND PAINTING Joseph Sweeney Learn everything you need to know about soft pastels while working from the still life, figure models, and cityscape views. Instruction will cover technique, use of light and its effect on color, types of pastels, paper selection to create various effects, fixing and transporting finished drawings, and important safety issues. 12 weeks, Tuesdays, September 19 – December 5 12:30 – 3:30 p.m. DR 603ED | $495 non-credit or $625 for 1.0 undergraduate credit Register by: September 8

ClASSICAl fIGURE DRAWING NEW! Ernie Norcia Explore the classical ideal through drawing from both sculpture in PAFA’s Cast Hall and the life model. Learn to comprehend and appreciate the diﬀerences between an idealized form and a living model. Students will work in charcoal and chalk on toned paper, with emphasis on line, value, shape, size, and texture. 10 weeks, Fridays, September 29 – December 8 (no class on November 24) 12:30 – 3:30 p.m. DR 605EC | $395 non-credit or $525 for 1.0 undergraduate credit Register by: September 22

PENCIl DRAWING WITh WATERCOlOR AND INK Hiro Sakaguchi Elevate your drawings with washes of tone and color in watercolor and ink in order to produce vibrant mixed media work in the tradition of Cézanne and Rodin. Learn graphite and pen-and-ink drawing techniques as well as watercolor and wash painting methods, referencing historical and contemporary examples. Basic drawing experience required. 10 weeks, Tuesdays, October 3 – December 5 6 – 9 p.m. DR 619EI | $395 non-credit or $525 for 1.0 undergraduate credit Register by: September 22

lIfE DRAWING II John Horn Improve your ability to draw the human form with anatomical and spatial accuracy through lectures and demonstrations on proportions, skeletal framework, surface form, and movement. Designed to advance the skills of students who have studied drawing previously. 12 weeks, Saturdays, September 16 – December 9 (no class on November 25) 9 a.m. – 12 p.m. DR 605E2 | $495 non-credit or $625 for 1.0 undergraduate credit Register by: September 8

CAST DRAWING Patrick Conners Drawing in the Academic manner from plaster casts is a traditional and eﬀective way to learn to draw accurately from observation. PAFA’s beautiful and historic Cast Hall contains life-size copies of antique and Renaissance sculpture – a unique resource that has been part of PAFA’s curriculum for over 200 years. All levels welcome. 12 weeks, Wednesdays, September 20 – December 13 (no class on November 22) 6 – 9 p.m. DR 607E | $495 non-credit or $625 for 1.0 undergraduate credit Register by: September 8

bOTANICAl DRAWING AND PAINTING Linda Gist Explore ﬂowers and other natural forms, beginning with line and value drawing and progressing to full-color rendering in watercolor and mixed media. Topics will include sighting techniques, line quality, tone and value, creation of depth, composition, texture, and basic color. All levels welcome. 12 weeks, Tuesdays, September 19 – December 5 12:30 – 3:30 p.m. DR 615EP | $495 non-credit or $625 for 1.0 undergraduate credit Register by: September 8

Hiro Sakaguchi, Crocus, 2013, watercolor, ink and graphite on paper, 9 x 11 in.

COURSES & WORKShOPS

DRAWING continued

PRINTMAKING MIxED MEDIA DRAWING NEW! Sherif Habashi Explore the dynamic possibilities for your drawings by mixing materials and techniques, guided by traditional and contemporary methods. Combine pastel, chalk, ink and watercolor to create harmonious compositions that promote the subtle contrasting qualities of each medium, while drawing from the still life and ﬁgure models. Prior drawing experience required. 10 weeks, Saturdays, September 23 – December 2 (No class on November 25) 12:30 – 3:30 p.m. DR 618ES | $395 non-credit or $525 for 1.0 undergraduate credit Register by: September 8

EVERyThING AbOUT GRAPhITE NEW! Jill A. Rupinski Move beyond sketching with your No. 2 pencil to fully appreciate the variety of techniques and eﬀects possible to achieve with graphite. Explore various forms of graphite, compatible surfaces, and methods of building tone through traditional and contemporary means, both dry and wet, while working from still life subjects. Saturday and Sunday, November 11 & 12 9 a.m. – 5 p.m. DR 742EG | $215 non-credit + $10 materials fee (includes basic materials) Register by: November 3

lisa hamilton

WOODCUT AND RElIEf PRINTMAKING Ronald Wyﬀels Printing from a drawing carved into wood or a linoleum block is the oldest and most straightforward form of printmaking. All aspects of the process will be covered, including drawing on the block, carving your design and printing black-andwhite and color prints. Open to all levels. 12 weeks, Thursdays, September 14 – December 7 (no class on November 23) 12:30 – 3:30 p.m. PR 600EI | $495 non-credit or $625 for 1.0 undergraduate credit + $20 lab fee Register by: September 8

SKETCh ON ThE GO Frederic Kaplan Capture the active life of the city and its rich architecture. This is an excellent workshop for anyone who wants to learn to sketch on the bus or train, in cafés and public parks, or while traveling abroad. Topics include perspective, gauging proportions by eye, gesture ﬁgure drawing, and methods for simplifying form. All levels welcome. Saturday, September 23 (Rain date: September 30) 9 a.m. – 5 p.m. DR 620EW | $115 non-credit Register by: September 15

Photo: Frederic Kaplan

A GIfT CERTIfICATE fOR A COURSE OR WORKShOP MAKES A GREAT GIfT! Call 215-972-7632 for more details.

ETChING, MONOPRINT AND MORE Tony Rosati This course presents basic intaglio and monotype printing techniques including monoprint, drypoint, etching, aquatint, collograph and polymer plate methods. Image embellishments will include embossing, chine collé, collage, paper plates and mixed media techniques. All levels welcome; experienced students may continue independent work. 12 weeks, Thursdays, September 14 – December 7 (no class on November 23) 5:30 – 8:30 p.m. PR 604EM | $495 non-credit or $625 for 1.0 undergraduate credit + $20 lab fee Register by: September 8

SCREENPRINTING AND bEyOND Lisa Hamilton The versatile nature of screenprinting lends itself to printing on paper, fabric and other surfaces. For the beginner, this course will cover all aspects of the process including screen preparation, image development, and printing techniques. Printmakers with experience may propose independent projects. 12 weeks, Fridays, September 15 – December 8 (no class on November 24) 9 a.m. – 12 p.m. PR 620E2 | $495 non-credit or $625 for 1.0 undergraduate credit + $20 lab fee Register by: September 8 lIThOGRAPhy Ronald Wyﬀels The ideal printmaking medium for those who love to draw! Design and draw your choice of image with a variety of lithographic drawing materials on traditional stone or lightweight aluminum plates. All aspects of the process will be demonstrated, from creating a drawing to printing in black-and-white and color. All levels welcome. 12 weeks, Saturdays, September 16 – December 9 (no class on November 25) 9 a.m. – 12 p.m. PR 602E | $495 non-credit or $625 for 1.0 undergraduate credit + $20 lab fee Register by: September 8

COURSES & WORKShOPS

SCUlPTURE

STONE CARVING Steve Nocella Explore the possibilities of stone carving by using traditional and nontraditional methods. All processes from rough carving to polishing will be covered, and various tools and techniques will be demonstrated. Open to all levels. 12 weeks, Saturdays, September 16 – December 9 (no class on November 25) 9 a.m. – 12 p.m. SC 602E | $495 non-credit or $625 for 1.0 undergraduate credit + $25 lab fee Register by: September 8

TERRA COTTA fIGURE SCUlPTURE Colleen O’Donnell Explore the versatility of terra cotta clay, which requires neither an armature nor casting. Learn various techniques and tools through demonstration and hands-on sculpting from the life model or imagination. Anatomy, proportion, design, and personal growth will be emphasized, as well as both representational and abstract approaches. All levels welcome. 12 weeks, Wednesdays, September 20 – December 6 12:30 – 3:30 p.m. SC 605EA | $495 non-credit or $625 for 1.0 undergraduate credit + $10 lab fee Register by: September 8

Colleen O’Donnell

ÉCORChÉ Colleen O’Donnell Écorché is the three-dimensional study of human form by developing the bone and muscle structures beneath the skin. Working from the skeleton, students will model the underlying forms in clay on an armature. Excellent for both draftspersons and sculptors interested in a detailed study of human anatomy. 12 weeks, Tuesdays, September 19 – December 5 6 – 9 p.m. SC 615E | $495 non-credit or $625 for 1.0 undergraduate credit + $10 lab fee Register by: September 8

METAl SCUlPTURE Steve Nocella This course focuses on metal sculpture fabrication and construction, gas and arc welding, brazing, and forging. Basic equipment will be provided, and all techniques will be demonstrated. All levels welcome. 12 weeks, Saturdays, September 16 – December 9 (no class on November 25) 12:30 – 3:30 p.m. SC 615E | $495 non-credit or $625 for 1.0 undergraduate credit + $65 lab fee Register by: September 8

fOUNDRy: AN INTRODUCTION Pavel Efremoﬀ This course will cover all aspects of the foundry process. Demonstrations and hands-on instruction will be given in wax modeling and casting, ceramic shell techniques, bronze pouring, metal chasing, TIG welding and patination. All levels welcome. 12 weeks, Thursdays, September 14 – December 7 (no class on November 23) 6 – 9:30 p.m. SC 711E | $595 non-credit or $950 for 1.5 undergraduate credit + $65 lab fee Register by: September 8

fIGURE AND PORTRAIT MODElING John Horn Learn to sculpt the human figure in clay on an armature from direct observation. Experienced students will model a 24-inch figure based on volume, proportion, architectonic construction, and spatial displacement of form. Beginning students will sculpt a life-size portrait first. Instruction will cover armature construction, clay-modeling, and tool usage. All levels welcome. 12 weeks, Saturdays, September 16 – December 9 (no class on November 25) 12:30 – 3:30 p.m. SC 600E | $495 non-credit or $625 for 1.0 undergraduate credit + $10 lab fee Register by: September 8 CERAMIC SCUlPTURE WORKShOP NEW! Colleen O’Donnell Investigate the potential of ceramics as sculpture! Develop hand-building skills, such as hollowing forms (pinch pots), coiling construction, and slabbuilding, as well as mixed media techniques, while exploring the conceptual and narrative possibilities of the medium. Basic glazing will be addressed. Open to all levels. Saturday and Sunday, October 14 & 15 9 a.m. – 5 p.m. SC 605EC | $215 non-credit + $10 lab fee Register by: October 6

COURSES & WORKShOPS

OThER MEDIA, lECTURES AND SEMINAR ONLINE: NEW! MODERNISM AND MODERNITy: ART AND CUlTURE, 1900-1945 Dr. Kevin Richards Examine the artists and artistic movements of the ﬁrst half of the 20th century, focusing on the development of modernism in Europe before World War II. View an array of work from historical and art historical perspectives, and analyze the world views and material conditions that contributed to the transformation of art during this era. Online instruction will provide weekly video lectures, readings, and instructor-moderated discussion boards. Note: Part 2, Modern Art since 1945, will take place in Spring 2018. 10 weeks, Mondays, October 9 – December 11 IN 670EM_ON | $495 non-credit or $625 for 1.5 undergraduate credits Register by: September 8

PORTRAIT PhOTOGRAPhy NEW! Julia Staples Experiment with a variety of styles of portrait photography, including street, studio, family, candid, narrative, and staged. Use both historical and contemporary methods to explore a personal theme or interest. Learn how to think creatively about how lighting and composition can change the meaning of a photograph. Includes a visit to Chuck Close Photographs, on view in the PAFA museum, October 6 – April 8, 2018. 10 weeks, Wednesdays, September 27 – December 6 (No class on November 22) 6 – 9 p.m. IN660PP | $395 non-credit or $525 for 1.0 undergraduate credit + $20 lab fee Register by: September 15

ShODO: ChINESE AND JAPANESE CAllIGRAPhy Mayumi Tomii Shodo originated in China 3,500 years ago and has developed as a ﬁne art using simple tools: brush, ink and paper. Learn the various styles and techniques of Shodo along with its history and appreciation. Urauchi – the Japanese traditional paper-backing/mounting methods – will be used to enhance ﬁnished work. 6 weeks, Wednesdays, October 11 – November 15 6 – 9 p.m. DR 724ES | $275 non-credit + $20 materials fee (includes most materials) Register by: September 29

ART AND fIlM lECTURE SERIES NEW! Clarissa Shanahan Explore the relationship between ﬁlm, photography and painting. Examine how ﬁlm stills relate to painting through composition, tone, value/lighting, symbolic color, and visual cues. Learn to recognize elements that convey information and drive visual narrative in order to build critical skills for viewing images in all media and for developing compositions in your own artwork. 5 weeks, Tuesdays, September 26 – October 24 6 – 8:30 p.m. IN 708EF | $150 non-credit Register by: September 15

INTRODUCTION TO fRAME MAKING NEW! Sherif Habashi Experience hands-on instruction through all the steps of frame-making for works on paper, panel or canvas. Create a traditional handcrafted frame from scratch, using only hand tools and square lumber, and then incorporate modern techniques of custom framing and matting. Includes discussion of historical framing styles, including gilding and conservation methods. 10 weeks, Thursdays, September 28 – December 7 (No class on November 23) 6 – 9 p.m. IN 605EF | $395 non-credit + $100 materials fee (includes basic materials) Register by: September 15

fROM DüRER TO ARTSChWAGER: MORE hIGhlIGhTS Of PRINTMAKING hISTORy NEW! Tony Rosati This class presents an overview of important prints spanning the 15th to the 21st centuries, with emphasis on their context and the evolution of various printmaking mediums. View and discuss examples of traditional and contemporary milestone prints in the print study rooms of both PAFA and the Philadelphia Museum of Art. 5 weeks, Fridays, October 20 – November 17 10 a.m. – 12 p.m. IN 620E2 | $150 Register by: October 13

PAFA & THE BARNES FOUNDATION The Barnes-de Mazia Education Program uses an inquiry-based method to encourage students of all ages to develop their visual and analytical skills. PAFA is proud to partner with the Barnes and oﬀer credit for these courses. Courses take place at the Barnes Foundation. For more information, visit www.barnesfoundation.org or call 215-278-7200.

Will Brown, One-armed Boy, photograph, 1976/2014, 5 5/8 x 5 5/8 in., 2014.40.2, Collection of the Pennsylvania Academy of the Fine Arts, Museum Purchase, © Will Brown

OThER MEDIA, lECTURES AND SEMINAR continued

CRASH COURSE

IN DSlR CAMERAS NEW! Julia Staples Get the most out of your camera and take better pictures! Learn all the functions of your camera in automatic and manual modes including aperture, shutter speed, ISO, and depth of ﬁeld, while exploring composition, lighting and color. Walk away with the ability to use your DSLR with conﬁdence after this hands-on workshop. Saturday, October 21 9 a.m. – 5 p.m. IN 660CD | $115 non-credit Register by: October 13

IN VIDEO EDITING NEW! Ian Wagner Move beyond mere recording to create ﬁnished videos – to document events, convey a message, or create artworks. Learn the basics of video editing including making transitions, overlays, animations and audio, and learn how to upload your work to the internet. Basic computer skills required. Saturday, October 28 9 a.m. – 5 p.m. IN 660CV | $115 non-credit Register by: October 20

IMPROVISATIONAl STITChING Sheryl Kessler Stitching is a uniquely textural and versatile form of mark-making. Explore its potential as textile art in a welcoming community environment. Learn over twenty basic embroidery stitches, fabric collage, and techniques for drawing with needle and thread. Create embroideries for display on their own or incorporation into sewing projects and multimedia artworks. 2 Saturdays, November 11 & 18 9 a.m. – 5 p.m. IN 651ES | $215 + $25 materials fee (includes most materials) Register by: November 3

bONUS! Register for both “Crash Courses” and receive a 10% discount!

Nancy Bea Miller, Smallest Act, ink and watercolor on paper, 4 x 6 in.

GROUP CRITIQUE

MANUSCRIPT IllUMINATION Clarissa Shanahan Historically, religious texts were adorned with magniﬁcent illuminations to enhance their message. Learn the pre-Medieval tradition of illuminating manuscripts, including the traditional processes of raised and ﬂat gilded lettering and ornamentation. Produce your own illumination based on traditional and contemporary designs. Sunday, December 3 9 a.m. – 5 p.m. IN 612MS | $115 + $35 materials fee (includes most materials) Register by: November 17

WITh NEySA GRASSI AND bRUCE SAMUElSON

Neysa Grassi

PAFA oﬀers a vibrant community of faculty-artists and students who can stimulate your art-making with advice and new perspectives. A group critique is an excellent means of both dispelling feelings of artistic isolation or uncertainty and ﬁnding inspiration in the ideas and artwork of others in a supportive, non-judgmental environment. Saturday, November 4 Starts at 9 a.m. IN 747NB | $75 non-credit Register by: October 27

Natalie Anderson, Fox Face, 2016, silk embroidery thread on cotton.

ETEGAMI WORKShOP NEW! Nancy Bea Miller Etegami is a Japanese-inspired folk art that combines words with ink and watercolor painting on postcards, to send or cherish as a visual diary. With the motto “Clumsy is ﬁne. It is good to be clumsy,” Etegami allows both novices and experienced artists to experience a fun and refreshing form of image-making. Saturday, December 2 10 a.m. – 4 p.m. DR 724EE | $105 + $10 materials fee (includes basic materials) Register by: November 17

Clarissa Shanahan

Bruce Samuelson

fA l l 2 0 1 7

TITLE

SChEDUlE-AT-A-GlANCE TITLE

DATES

TIME

INSTRUCTOR

LOCATION

10/7 – 12/16

Variable

Chavez

Online & St. 4/HLB

10/9 – 12/11

Variable

Richards

Online

High School Portfolio Preparation: Drawing High School Portfolio Preparation: Painting Figure & Portrait Modeling Metal Sculpture Mixed Media Drawing High School Portfolio Preparation: Printmaking Creative Coping: Art as Expression for Teens

ONlINE COURSES The PAFA Figure Drawing Tradition Modernism and Modernity: Art & Culture, 1900 – 1945

MONDAyS Palettes of the Masters Oil Painting: Tools & Techniques

9/18 – 10/23 9/18 – 12/4

12:30 – 3:30 p.m. 6 – 9 p.m.

Shanahan Kaplan

610/Hamilton 1010/Hamilton

9/19 – 12/5

9 a.m. – 12 p.m.

Laver

Studio 6/HLB

9/19 – 12/5 9/19 – 12/5 9/19 – 12/5 10/3 – 12/5 9/19 – 12/5 9/26 – 10/24

9 a.m. – 12 p.m. 12:30 – 3:30 p.m. 12:30 – 3:30 p.m. 6 – 9 p.m. 6 – 9 p.m. 6 – 8:30 p.m.

Habashi Gist Sweeney Sakaguchi O’Donnell Shanahan

1021/Hamilton 610/Hamilton 461/Hamilton 610/Hamilton 740/Hamilton 503/Hamilton

9/6 – 12/13 9/20 – 12/6 9/20 – 12/6 9/27 – 10/25 9/20 – 11/1 9/20 – 12/13 9/27 – 12/6 10/11 – 11/15

9 a.m. – 4 p.m. 12:30 – 3:30 p.m. 12:30 – 3:30 p.m. 12:30 – 3:30 p.m. 10 a.m. – 4 p.m. 6 – 9 p.m. 6 – 9 p.m. 6 – 9 p.m.

Van Dyck Amoudi O’Donnell Rosati Sweeney Connors Staples Tomii

Cast Hall & St. 6/HLB 1021/Hamilton 740/Hamilton Print Shop/Hamilton New Hope, Pa. Cast Hall/HLB 514/Hamilton 513/Hamilton

9/14 – 12/7 9/14 – 12/7 9/14 – 12/7 9/28 – 12/7 9/28 – 11/2 10/5 – 11/30 9/14 – 12/7 9/28 – 12/7 9/14 – 12/7 9/28 – 12/7

9 a.m. – 12 p.m. 9 a.m. – 12 p.m. 12:30 – 3:30 p.m. 12:30 – 3:30 p.m. 12:30 – 3:30 p.m. 12:30 – 3:30 p.m. 5:30 – 8:30 p.m. 6 – 9 p.m. 6 – 9:30 p.m. 6 – 9 p.m.

Martenson Wyﬀels Xaras Duncan Francis Ciambella Rosati Rupinski Efremoﬀ Habashi

Studio 6/HLB Print Shop/Hamilton 461/Hamilton 517/Hamilton Bartram’s Garden 610/Hamilton Print Shop/Hamilton 1021/Hamilton 781/Hamilton 610/Hamilton

9/15 – 12/8 9/29 – 12/8

9 a.m. – 12 p.m. 9 a.m. – 1:30 p.m.

Hamilton Toogood

Print Shop/Hamilton 610/Hamilton

9/29 – 12/8 9/29 – 12/8 10/20 – 11/17

9 a.m. – 12 p.m. 12:30 – 3:30 p.m. 10 a.m. – 12 p.m.

Kaplan Norcia Rosati

1010/Hamilton Cast Hall & St. 6/HLB Print Shop/Hamilton

DATES

TIME

INSTRUCTOR

LOCATION

9/30 – 12/9

10 a.m. – 1 p.m.

Hildreth

1010/Hamilton

9/30 – 12/9 9/16 – 12/9 9/16 – 12/9 9/23 – 12/2

10 a.m. – 1 p.m. 12:30 – 3:30 p.m. 12:30 – 3:30 p.m. 12:30 – 3:30 p.m.

Wilson Horn Nocella Habashi

Studio 1/HLB 740/Hamilton 720/Hamilton 517/Hamilton

9/30 – 12/9

1 – 4 p.m.

Webb

Print Shop/Hamilton

10/14 – 12/9

1:30 – 3:30 p.m.

Duncan

465/Hamilton

10/1 – 12/10 10/8 – 12/3

10 a.m. – 1 p.m. 1 – 4 p.m.

Norcia Kaplan

Cast Hall & St. 1/HLB 1010/Hamilton

DATES

TIME

INSTRUCTOR

LOCATION

Wednesday, 9/6 Wednesday, 9/6

6 – 9 p.m. 6 – 9 p.m.

Tomii Horn

513/Hamilton 1021/Hamilton

Wednesday, 9/6

6 – 9 p.m.

Habashi

610/Hamilton

Thurs. – Sun., 9/14 – 17 Saturday, 9/16 Saturday, 9/23 Saturday, 9/30

Variable 10 a.m. – 1 p.m. 9 a.m. – 5 p.m. 9 a.m. – 4 p.m.

Sweeney Rosati Kaplan Connors

Cape May, N.J. Print Shop/Hamilton Outdoor Locations Kelly Drive

Sunday, 10/1 Fri. – Sun., 10/6 – 8 Thursday, 10/12 Fri. – Sun., 10/13 – 15 Sat. & Sun., 10/14 & 15 Mon. – Fri., 10/16 – 20 Saturday, 10/21 Saturday, 10/21 Saturday, 10/28 Sat. & Sun., 10/28 & 29

9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 6 – 7:30 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m. Variable 9 a.m. – 4 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m.

Kaplan Eagle Shils Shils O’Donnell Sweeney Connors Staples Wagner Osti

Brandywine River Museum Cast Hall & St. 6/HLB Hamilton Auditorium/HLB Various 740/Hamilton Newport, R.I. Studio 4/Hamilton 514/Hamilton 514/Hamilton Cast Hall & St. 4/HLB

6 – 7:30 p.m. 9 a.m.

Hamilton Auditorium/HLB 463/Hamilton

Sat. & Sun., 11/4 & 5 9 a.m. – 5 p.m. Saturday, 11/11 9 a.m. – 4 p.m. Sat. & Sun., 11/11 & 11/12 9 a.m. – 5 p.m. 2 Sats., 11/11 & 11/18 9 a.m. – 5 p.m. Sat. & Sun., 11/18 & 19 9 a.m. – 5 p.m.

Wiesner Grassi, Samuelson Wiesner Connors Rupinski Kessler Toogood

513/Hamilton Studio 4/HLB 610/Hamilton 3rd Floor/Hamilton 610/Hamilton

Sa. & Sun., 12/2 & 3 Saturday, 12/2 Sunday, 12/3 Sat. & Sun., 12/9 & 10

Madden Miller Shanahan Amoudi

513/Hamilton 610/Hamilton 610/Hamilton 461/Hamilton

SUNDAyS Classical Portrait Painting Acrylic Painting

TUESDAyS Drawing Fundamentals Modern Approaches to Perceptual Painting Botanical Drawing & Painting Pastel Drawing & Painting Pencil Drawing with Watercolor & Ink Écorché Art & Film Lecture Series

WORKShOPS & MASTER ClASSES TITLE

SEPTEMbER CE Preview: Shodo CE Preview: Life Drawing CE Preview: Mixed Media Drawing Plein Air Painting in Cape May, N.J. Members Workshop: Monotype Sketch on the Go The Oil Sketch: Landscape

WEDNESDAyS The PAFA Atelier: Drawing & Painting Painting Over the Line Terra Cotta Sculpture Watercolor Plunge The Pennsylvania Landscape Tradition Cast Drawing Portrait Photography Shodo: Chinese & Japanese Calligraphy

OCTObER Painting on the Brandywine Pastel Portraiture Public Lecture with Stuart Shils The Perceptual Moment Ceramic Sculpture Plein Air Painting in Newport, R.I. The Oil Sketch: Figure Crash Course in DSLR Cameras Crash Course in Video Editing Anatomical Drawing

ThURSDAyS Life Painting & Drawing Woodcut & Relief Printmaking Portrait Painting The Healing Power of Art Plein Air Painting at Bartram’s Garden Egg Tempera Painting Etching, Monoprint & More The Extended Pose Foundry: An Introduction Intro to Frame Making

NOVEMbER Public Lecture with David Wiesner Thursday, 11/2 Group Critique Saturday, 11/4

fRIDAyS Screenprinting & Beyond In-Depth Watercolor Classical Techniques in Still Life Painting Classical Figure Drawing More Highlights of Printmaking History

Children’s Book Illustration The Oil Sketch: Portrait Everything About Graphite Improvisational Stitching Watercolor Workshop

DECEMbER

SATURDAyS Stone Carving Life Drawing II Beginning Oil Painting Lithography

9/16 – 12/9 9/16 – 12/9 9/23 – 12/2 9/16 – 12/9

9 a.m. – 12 p.m. 9 a.m. – 12 p.m. 9 a.m. – 12 p.m. 9 a.m. – 12 p.m.

Nocella Horn Syvertsen Wyﬀels

Comics Storytelling Etegami Workshop Manuscript Illumination Spontaneous Abstraction

760/Hamilton 1021/Hamilton 465/Hamilton Print Shop/Hamilton

9 a.m. – 5 p.m. 10 a.m. – 4 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m.

REGISTRATION INfORMATION Fall 2017

REGISTRATION DEADlINES ■

4 WAyS TO REGISTER

CREDIT

REGISTRATION BEGINS AUGUST 7

PAFA is accredited through the National Association of Schools of Art and Design (NASAD) and the Middle States Commission on Higher Education (MSCHE). PAFA is a member of the Association of Independent Colleges of Art and Design (AICAD).

Register early to guarantee enrollment and prevent course cancellations. 1. ONLINE: www.pafa.edu/ce 2. PHONE: 215-972-7632 3. MAIL*:

Continuing Education Programs Pennsylvania Academy of the Fine Arts 128 North Broad Street Philadelphia, PA 19102

4. IN PERSON: Visit the Continuing Education oﬃce on the 3rd Floor of the Samuel M.V. Hamilton Building * Please mail a completed registration form with check, money order, or credit card information. We accept VISA, MasterCard, American Express and Discover Card. Make checks or money orders payable to “PAFA.”

STUDENT ADVISING We are here to help! For assistance in course selection or to make an appointment, call 215-972-7632 or email continuinged@pafa.edu.

Continuing Education Programs Oﬃce Hours Monday – Thursday..............9 a.m. – 6:30 p.m. Friday ................................................9 a.m. – 4 p.m. Saturday...............................8:30 a.m. – 1:30 p.m. During school vacations and when evening/ weekend classes are not in session, the oﬃce will be open Monday through Friday, 9 a.m. – 5 p.m.

■

undergraduate Credit Courses meeting contact hour requirements (30 hours minimum, not including lunch breaks) are available for 1.0 or 1.5 undergraduate credits. If taken for credit, you may incur additional coursework, and will receive a course grade and appropriate credit that will appear on an oﬃcial PAFA transcript, if requested (see below). Changes in credit status must be arranged through the CE oﬃce prior to the third class for courses that run 12 or more weeks or the second class for courses that run 10 weeks or fewer. No refunds can be issued for changes from credit to non-credit.

September 8 for classes beginning September 14 – 20 Registration deadlines vary for Short and Condensed Courses, Online Courses, High School Portfolio Preparation Courses, Workshops, Lectures, Seminars and Master Classes. Please refer to individual course descriptions.

COURSE TUITION AND fEES ■

■

30 contact hours: $395 non-credit; $525 for 1.0 undergraduate credit 36 contact hours: $495 non-credit; $625 for 1.0 undergraduate credit 45 contact hours: $595 non-credit; $950 for 1.5 undergraduate credits

Tuition varies for Short and Condensed Courses, Online Courses, High School Portfolio Preparation Courses, Workshops, Lectures, Seminars, and Master Classes. Please refer to individual descriptions.

Transcripts To request an oﬃcial transcript, visit pafa.edu/ transcript to download a transcript request form.

Full payment is due at the time of registration. PAFA cannot prorate courses for late registration, withdrawals or missed classes.

For Pennsylvania & New Jersey K-12 Educators PAFA is approved to provide Pennsylvania Act 48 hours and New Jersey Department of Education Professional Development Credit for its courses and workshops. Courses and workshops are eligible for the number of contact hours for which they meet (excluding lunch breaks). Educators electing to receive PA Act 48 or NJ Professional Development Credit should notify the Continuing Education Programs oﬃce when registering. Please note, Pennsylvania educators must provide their 6-digit Professional Educator Identiﬁcation Number.

Lab and Material Fees Please consult individual course descriptions for any applicable lab or materials fees. Late Fee Registrations received after 5 p.m. on their deadline date may be assessed a late fee of $25. Locker Rental Lockers are available on a ﬁrst-come, ﬁrst-served basis for $25. Locker rental is not available for weekend workshops or Master Classes.

DISCOUNTS* Membership Discount PAFA Members at the Friend level and above receive a 10% tuition discount on all CE courses, workshops and Master Classes. Referral Discount If you are a current CE student and refer a ﬁrst-time Continuing Education student, you both will receive a 10% tuition discount on one course or workshop within the current semester (excludes Master Classes). *Lab, materials and locker fees are not eligible for discount. Some restrictions apply. Call 215-972-7632 for more information.

SChOlARShIPS PAFA Continuing Education is pleased to present the “CE Community Scholarship” to assist students who demonstrate dedication to their art. Requirements: ■ Completed application form ■ Completed CE registration form ■ Personal statement (one page) ■ Application deadline: Friday, September 1 Application will be available to download from pafa.edu/ce by August 7. Please call 215-972-7632 for more information. The CE Community Scholarship is made possible in part by a generous contribution from the Dry Family Foundation. For information about making a gift to support the CE Community Scholarship, please contact the Development Department at 215-972-2077 or use the attached registration form.

High School Student Scholarship Visit pafa.edu/highschool for more information and to download an application. Application Deadline: Friday, September 15

REGISTRATION fORM Fall 2017

REGISTRATION INfORMATION continued

■ REGISTRATION BEGINS AUGUST 7 ■ See page 29 for registration deadlines ■ Late registrations may incur a $25 late fee

A GIfT CERTIfICATE fOR A COURSE OR WORKShOP MAKES A GREAT GIfT! Call 215-972-7632 for more details.

REfUND POlICy Withdrawals must be made in writing via letter or email to the Continuing Education Programs oﬃce. A $50 administrative fee will be assessed per dropped course, $50 per master class and $15 per workshop. Tuition refunds will be adjusted according to the following schedule (less the administrative fee), unless otherwise indicated: 12- and 14-week Courses Prior to one week before the 1st class ..................100% After the above, prior to the 2nd class .................. 75% After the above, prior to the 3rd class .................. 50% After the above ................................................................0% Condensed/Short Courses (10 or fewer weeks) Prior to one week before the 1st class...................100% After the above, prior to the 2nd class ..................50% After the above ................................................................0% Workshops & Critique Prior to one week before the 1st day .....................100% After the above, prior to the 1st day........................50% After the above ................................................................0% Master Classes and Workshops No refunds after registration deadline Members Workshop and CE Preview Courses No refunds

WEAThER/ EMERGENCy ClOSING

Date

Date of Birth

Last Name

First Name

Middle Initial

The closing, delayed opening, or early dismissal of PAFA will be determined jointly by the Dean of the School and the Museum Director, with approval of the President. Such closing or delay would include the School, galleries and administrative oﬃces. Decisions regarding the cancellation of special events and evening classes may be made later in the day. To ﬁnd out if PAFA is closed or delayed you should check one of the following: ■ Our website – messages will be updated on the PAFA homepage, pafa.org ■ PAFA’s main number, 215-972-7600 – An outgoing message advising of a close or delay will be recorded by 6:30 a.m. ■ KYW-TV (CBS 3) – Lists the school by name ■ WPVI-TV (ABC 6) – Lists the school by name ■ WCAU (NBC 10) – Lists the school by name

Address

City

State

Phone – home/primary

Phone – other

Zip

COURSE # TITlE DAy/TIME INSTRUCTOR TUITION lAb/MAT fEE TOTAl

Tuition Total

METhOD Of PAyMENT ■ VISA ■ Mastercard ■ AmEx ■ Discover ■ Check* #__________ ■ Cash

Sub Total

Name on Credit Card

TRANSPORTATION AND PARKING

Credit Card Number

Expiration Date

I agree to abide by the policies and regulations in printed materials and on the website of Continuing Education Programs at PAfA. I have read and understand policies regarding credits, withdrawals, refunds and course cancellations (pages 28 – 30).

Signature (required)

have you taken a class here before? ■ Yes ■ No how did you ﬁnd out about us? ■ Internet (What site?) ____________________________ ■ Radio (What station?) ____________________________ ■ Newspaper/magazine ____________________________ ■ Other (Please specify) ____________________________

Photo: Jeff Fusco

COURSE CANCEllATIONS If minimum enrollment is not met, a class will be cancelled on, or shortly after, its registration deadline. Students will be notiﬁed by phone and/ or email and may choose to transfer into another class or receive a full tuition and fee refund. Early registration helps prevent course cancellation!

how did you receive this catalogue? ■ Mailed to me ■ Picked it up at: ____________________

Discount* CE Community Scholarship Donation**

Signature

PAFA is conveniently located near the SEPTA Jeﬀerson and Suburban train stations, bus and trolley stops and PATCO Hi-Speed Line station stops. For SEPTA information, call 215-580-7800 or visit septa.org. For PATCO information, visit ridepatco.org. For New Jersey Transit information, visit njtransit.com. Discounted parking is available at adjacent Parkway Corporation Parking garage and surface lot. Tickets must be validated by Security staﬀ.

locker

Date

T O T A l * PAfA Members at the friends level and above receive a 10% tuition discount **See page 29 for details

for K-12 educators ■ I am taking a course for PA Act 48 credit or New Jersey Dept of Ed Professional Development Credit. See page 28. PA Professional Educator I.D.# ____________________ Please check if you would like more information about PAfA academic programs ■ Bachelor of Fine Arts ■ Post-Baccalaureate ■ Master of Fine Arts ■ Low Res MFA

Are you an PAfA member? ■ Yes ■ No PAFA Membership Level ________________________________ Expiration Date __________________________________________

for Office Use: Book ______________ Materials ______________ Enrolled ______________ Billed ______________

Please enclose the address to the right.

■ I am receiving duplicates.

■ Please remove my name from the mailing list.

■ Please change my address as indicated.

ADDRESS UPDATE:

IMPORTANT: DATED MATERIAl – DElIVER IMMEDIATEly

www.pafa.edu/ce

CONTINUING EDUCATION PROGRAMS 128 North broad Street Philadelphia, PA 19102 t 215-972-7632 f 215-569-0153 e continuinged@pafa.edu

Philadelphia, PA Permit No. 2879

P A I D

Non-Proﬁt Org U.S. Postage