Spring 2018 Continuing Education Programs Catalog by Pennsylvania Academy of the Fine Arts

CONTINUING EDUCATION PROGRAMS A R T C l A S S E S f O R A D U lT S A N D hIGh SChOOl STUDENTS Spring 2018

Pennsylvania Academy of the Fine Arts

CONTINUING EDUCATION PROGRAMS

CE PREVIEW SATURDAY

Join our community of dedicated artists of all ages and skill levels

SATURDAY, JANUARY 6 | 10 A.M. – 1 P.M. Interested in taking a class or trying something new? Join us on Saturday, January 6, for a free mini course and ﬁnd out what PAFA CE has to oﬀer! Experience hands-on instruction from expert CE faculty in PAFA’s studio classrooms. All courses are FREE with a $10 materials fee, with all materials provided! New students will receive a 10% discount on a Spring 2018 class.*

fOUNDED IN 1805 AS ThE NATION’S fIRST SChOOl AND MUSEUM Of fINE ARTS, the Pennsylvania Academy of the Fine Arts (PAFA) promotes the transformative power of art and art making. As part of this mission, PAFA Continuing Education (CE) programs oﬀer a diverse array of studio art courses, workshops and programs for adults and high school students, open to all levels of ability, from absolute beginner through advanced artist. Whether you’ve never taken an art class before, are returning after a long absence, or are preparing a portfolio for applying to art school, PAFA CE has something for you!

TAblE Of CONTENTS School Programs.......................................................4 CE Certiﬁcate Programs........................................5 PAFA & the Barnes Foundation..........................5 Master Classes...........................................................6 Pre-College Programs ..........................................10 Online Courses........................................................12 Painting ......................................................................13 Drawing .....................................................................19 Printmaking.............................................................22 Sculpture...................................................................24 Digital & Mixed Media.........................................26 Other Media, Lecture/ Seminar & Wellness ........................................28 Landscape .................................................................31 Schedule At-A-Glance .........................................33 Registration Information ...................................36

Ron Wyffels lithography

MINI COURSES fOR ADUlTS ■

ART AS ThERAPY: MINDfUl MEDITATION PAINTING WITh DONA DUNCAN Practice mindful painting with registered art therapist and artist, Dona Duncan. Learn to combine creativity with light meditation so you can paint with a calm mind. Open to all ages.

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ANATOMICAl DRAWING WITh RObERTO OSTI PAFA faculty and author Roberto Osti will guide you through the basics of human anatomy, and discuss his online course, Essential Human Anatomy (see page 12).

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ANIMAl SCUlPTURE WITh DIANE COllINS Learn to capture the unique character of animals in clay, with CE faculty and PAFA alum Diane Collins.

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OIl PAINTING bASICS WITh AllISON SYVERTSEN Learn the basics of oil painting with CE faculty member Allison Syvertsen. Get started with an overview of materials and techniques, then paint your own still life!

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lIThOGRAPhY WITh RON WYffElS Lithography is the ideal printmaking medium for those who love to draw! PAFA faculty Ron Wyﬀels will guide you through all aspects of the crayon-stone lithography process as you make your own print!

ON ThE Eileen Goodman, Roses in Front COVER watercolor, 20 3/4 x 29 1/2 in.

Courtesy Gross McCleaf Gallery, Philadelphia

CONTINUING EDUCATION PROGRAMS 128 North Broad Street Philadelphia, PA 19102 t 215-972-7632 f 215-569-0153 e continuinged@pafa.edu

PRE-REGISTRATION IS REQUIRED – SPACE IS lIMITED For more information and to register, visit: www.pafa.edu/cepreview or call 215-972-7632. *Excluding Master Classes

www.pafa.edu/CE

DON’T MISS OUR ONE-DAY ACADEMY ON SATURDAY, APRIl 7 Visit pafa.edu/onedayacademy for the complete course line-up and opportunity to register.

C O N T I N U I N G E D U C AT I O N

SChOOl PROGRAMS

CERTIfICATE PROGRAMS – NEW! For the serious student-artist, PAFA Continuing Education now presents Certiﬁcate Programs to enhance your technical skills and professional presence through a curriculum of focused study under the guidance of expert faculty-artists. Whether seeking to boost your personal or professional studio practice, build a foundation for undergraduate or graduate arts study, or lay the groundwork for a variety of artsrelated occupations, PAFA's unparalleled ﬁne arts instruction will propel you toward your artistic goals.

NOW INTRODUCING: The CE Core Curriculum Certiﬁcate ■ The CE Certiﬁcate in Figure Studies: The Eakins Legacy ■

bENEfITS Individually tailored assistance in course selection. ■ Individual guidance and feedback on your progress from instructors and an assigned Faculty Advisor ■ A ﬂexible timeframe. Requirements can be completed in 1 - 5 years. ■ Access to PAFA Open Academy classes. First-time Open Academy application requirements will be waived. ■ Access to student support services including career workshops and counseling through PAFA’s Career Services. ■ A Certiﬁcate of Completion to commemorate your achievement. ■ Online Exhibition at the conclusion of the program and recognition at the CE Annual Juried Student Exhibition. ■ Complementary One-Year Alumni Membership. ■

OPEN ACADEMY PAFA Continuing Education and non-matriculated students have the opportunity to take PAFA School courses for credit or non-credit through the new Open Academy. For more information on spring courses and an application, visit pafa.edu/openacademy. Application deadline: December 11

DEGREE PROGRAMS PAFA offers a variety of programs to help you meet your artistic goals including: ■ PAFA BFA offering majors in Painting, Drawing, ■ Post-Baccalaureate Certificate Sculpture, Printmaking and Illustration in Graduate Studies ■ PAFA/Penn BFA offered in conjunction ■ Master of Fine Arts with the University of Pennsylvania ■ Low Residency Master of Fine Arts fOR MORE INfORMATION, contact the Office of Admissions at admissions@pafa.edu or 215-972-7625.

MEMbERShIP AT PAfA

lEARN MORE AND APPlY NOW!

Support our mission and enjoy a variety of great membership beneﬁts by joining PAFA today!

Visit pafa.edu/CEcertiﬁcates for more information and application requirements. Your membership will help us strengthen PAFA’s collections and special exhibitions, expand programming, and promote greater arts education outreach to the Philadelphia community. PAFA Members at the Friend level and above receive a 10% tuition discount on CE courses, workshops and Master Classes.

PAFA & THE BARNES FOUNDATION

fOR MORE INfORMATION AND TO JOIN call 215-972-2077 or visit pafa.org/membership

MEMbERS WORKShOP: fIGURE SCUlPTURE WITh COllEEN O’DONNEll

The Barnes-de Mazia Education Program uses an inquirybased method to encourage students of all ages to develop their visual and analytical skills. PAFA is proud to partner with the Barnes and oﬀer credit for these courses. Courses take place at the Barnes Foundation. For more information, visit www.barnesfoundation.org or call 215-278-7200.

CE faculty Colleen O’Donnell will guide you through the tools and techniques of sculpting the ﬁgure in terra cotta clay. Saturday, March 10 | 10 a.m. – 1 p.m. FREE with $10 materials fee Open to new and existing PAFA Members of all levels. Register by: February 23 To become a member or to register, visit pafa.org/memberevents or call 215-972-2077.

Colleen O’Donnell

AllA PRIMA PAINTING WITh ChRISTINE lAfUENTE: INTERIOR WITh STIll lIfE AND fIGURE

MASTER ClASSES AND WORKShOPS

For Intermediate/Advanced Artists ■ ■

Visit pafa.edu/MasterClasses for extended course descriptions, materials lists and upcoming classes. PAFA Members at the Friend level and above receive a 10% tuition discount on CE courses, workshops and Master Classes! See page 37.

MASTER ClASS WITh STUART ShIlS: ThE lIfE STUDIO AS PAINTED AND PERCEPTUAl SPACE For Intermediate/Advanced Artists Join acclaimed painter Stuart Shils for a three-day painting intensive, focusing on pictorial structure, composition and color. Paint the life model focusing on close-looking, improvisational shorthand and editorial intervention to establish perceptual hierarchy. Work from reproductions of old and modern masters to interpret their construction and organization of painted space. Acrylic painting will be supplemented by drawing with graphite, crayons and cut-paper collage. Friday – Sunday, February 23 – 25 (Snow dates: March 2 – 4) 9 a.m. – 5 p.m. IN 609PS | $795 non-credit Register by: February 9

Christine lafuente

Saturday and Sunday, March 17 & 18 (Snow dates: March 24 & 25) 9 a.m. – 5 p.m. IN 609SF | $595 non-credit Register by: March 2 See Christine’s work on view at Gross McCleaf Gallery, March 6 – 30

Work with renowned painter and PAFA alum, Christine Lafuente, and learn how translate your visual experience into painterly form while responding to a visually rich still life and life model arrangement. Instruction will guide you through composing a painting with gestural and tonal relationships, achieving harmony, palette organization, mixing and applying color masses, and using principles of oil viscosity to build form into wet-intowet painting. fREE PUblIC lECTURE: Only as Far as the Eye Can See: A Life in Perceptual Painting Friday, March 16 | 6 – 7:30 p.m. Hamilton Auditorium/Historic Landmark Building RSVP to the CE oﬃce, 215-972-7632 or pafa.edu/ce

WATERCOlOR WORKShOP WITh EIlEEN GOODMAN Open to All Levels

Photo: Stuart Shils

Eileen Goodman, Roses and Clementines, 2000, 40 1/4 x 60 in. (102.235 x 152.4 cm.) Courtesy of the Pennsylvania Academy of the Fine Arts, PhiladelphiaFunds provided by Jan C. Baltzell, Sally D. Garr and Charles W. Brodhead, Penelope Harris, Susan B. Howard, Diana Kingman, Janice Wilke and Scott Noel, Bill Scott, and Towers and Miller Architects. Accession Number 2003.5

WOODCUT WORKShOP WITh DAN MIllER Open to All Levels Don’t miss the opportunity to work with Dan Miller, a member of the PAFA faculty for over 50 years and a master of woodblock printing. Beginning with a printing demonstration and a slide lecture illustrating woodcut’s past history, Miller will lead students through designing an image, cutting the woodblock, and printing in black and-white and color. Attention will be given to equipment usage, paper selection and hand-printing techniques. Saturday and Sunday, March 3 & 4 (Snow dates: March 10 & 11) 9 a.m. – 5 p.m. IN 609DM | $395 non-credit + $20 lab fee Register by: February 16

Known for their large scale and lush surfaces, Goodman’s remarkable watercolor still lifes achieve the saturated color, nuanced tonal ranges, and complex textures usually associated with oil painting. Be guided by this recognized master while working from an array of inspiring arrangements in PAFA’s dedicated still life room. Instruction will emphasize combining drawing with watercolor and pushing your work for maximum visual impact. Saturday and Sunday, April 14 & 15 9 a.m. – 5 p.m. PT 609EG | $395 non-credit Register by: March 30

Dan Miller, Mountain Strata, color woodcut, 11 1/2 x 11 in.

MASTER ClASSES AND WORKShOPS continued

PlEIN AIR PAINTING IN bERMUDA WITh JAMES TOOGOOD

MONOTYPE WORKShOP WITh STUART ShIlS

Open to all Levels

Open to Intermediate Artists of all Media

Join PAFA faculty member and author of Incredible Light and Texture in Watercolor James Toogood for an engaging plein air painting expedition to the beautiful island of Bermuda. Learn to paint eﬃciently outdoors with tips capturing the weather, light, and location. While instruction will focus on watercolor, all media are welcome. Paint the island’s charm and beauty at diverse locations, visit the Masterworks Museum of Bermuda Art to be inspired by the work of master artists, and explore the island or relax on the beach! Students are responsible for their own travel arrangements. May 16 - 20 Times Variable IN 609JS | $750 non-credit or $1,425 for 1.5 undergraduate credits Register by: April 20 For more information and recommended accommodations, email jtoogood1409@gmail.com

Explore monotype printmaking with an emphasis on color, design and mood as keys to visual coherence and graphic strength. Working from window views and in-studio drawings, students will employ graphic shorthand and visual memory to generate imagery that captures the essence of places and moments through color and form, exploring the intimate relationship between observation and abstract structure. Instruction will encourage personal voice and expression. Friday, Saturday & Sunday, May 18, 19 & 20 9 a.m. – 5 p.m. IN 609SM | $950 non-credit Register by: April 27 (Space is limited to 10 students)

James Toogood, Morning, Harrington Sound 14 x 11 in., watercolor on paper

Stuart Shils Photo: Lynn Hoﬀman

ThE RENAISSANCE fIGURE: ROME AND flORENCE WITh RObERTO OSTI Open to all Levels

PlEIN AIR PAINTING IN IRElAND WITh JOE SWEENEY

Hone your own figure drawing skills in the region where the Italian Renaissance redefined the depiction of the human body in this study-abroad course in Rome and Florence! Explore the history of how the depiction of the human body evolved and developed in Italy from the 14th to the 17th centuries at museums and architectural sites of area. Further enrich your knowledge in the studio through figure drawing sessions and anatomy lectures at select ateliers. Note: Students are responsible for their own travel and lodging. For a complete itinerary and information on discounted group accommodations, visit www.pafa.edu/masterclasses. May 28 – June 9 IN 609RF | $1,950 non-credit or $2,850 for 3.0 undergraduate credits (requires additional projects after the workshop). Tuition includes museum admissions and studio & model fees Registration deadline: April 27

Open to all Levels Join Joseph Sweeney on a plein air painting getaway in scenic Donegal, Ireland, homeland of Joe’s ancestors, the Mac Sweeneys! Located along the breathtaking, unspoiled northwest coast of Ireland, Donegal’s high sea cliffs offer sweeping vistas ideal for plein air painting! Draw and paint historic Donegal Castle, the spectacular Slieve League Cliffs, and St. John’s Point Lighthouse with instruction focusing on oil, acrylic, and pastel; experienced watercolorists also welcome. Students are responsible for their own travel arrangements.

COMING ThIS SUMMER:

May 21 – 25 Times Variable PT 605CM | $750 non-credit or $1,425 for 1.0 undergraduate credits Register by: April 20 For more information and recommended accommodations, email joesweeney5@gmail.com

PlEIN AIR PAINTING IN CAPE MAY, NEW JERSEY WITh JOE SWEENEY, June 7– 10 ClASSICAl fIGURE DRAWING AND PAINTING WITh JUlIETTE ARISTIDES, June 18 – 22 AllA PRIMA PAINTING WITh ChRISTINE lAfUENTE, June 18 – 22 PAINTING IN ThE DARK WITh NEYSA GRASSI, July 14 & 15

PRE-COllEGE PROGRAMS SATURDAY ClASSES Saturday classes oﬀer teens a valuable opportunity to develop and hone their skills under the guidance of PAFA faculty. Classes include a visit by PAFA Admissions representatives to provide advice on selecting and documenting work for a portfolio and an optional portfolio review. All levels welcome.

SCHOLARSHIPS AVAILABLE – See page 37 hIGh SChOOl PORTfOlIO PREPARATION: DRAWING Lisa Sylvester Ideal for teens who want to further their drawing skills and develop a strong body of work for their portfolios. Students will work in drawing media from the still life, PAFA’s historic cast collection and the human ﬁgure/portrait to learn principles of composition, value, perspective, and drawing techniques. Note: This class will utilize nude models. 10 weeks, Saturdays, February 3 – April 7 10 a.m. – 1 p.m. DR 710PP | $425 for 1.0 undergraduate credit or non-credit Register by: January 26 hIGh SChOOl PORTfOlIO PREPARATION: PAINTING Sean Hildreth Add color and variety to your portfolio by developing your painting skills in oil or acrylic. Students will work from direct observation using the still life and human ﬁgure/portrait models to explore the fundamentals of painting, including the selection and care of materials, painting techniques, and color mixing. Instruction will emphasize principles of composition, the modeling of forms through values ,and color relationships. Note: This class will utilize nude models. 10 weeks, Saturdays, February 3 – April 7 10 a.m. – 1 p.m. DR 710PT | $425 for 1.0 undergraduate credit or non-credit + $10 lab fee Register by: January 26

DRAWING fOR COMICS: ThE GRAPhIC NOVEl STRIKES bACK! NEW! Matt McKnight Learn the art of visual storytelling by combining text and imagery to create your own graphic novel. Topics to be covered include: creating characters, using pencils and inks, designing color schemes and covers, creating page layouts, and more! Includes a ﬁeld trip to a local comics shop. All levels welcome. 10 weeks, Saturdays, February 3 – April 7 10 a.m. – 1 p.m. DR 723EC | $425 for 1.0 undergraduate credit or non-credit + $10 lab fee Register by: January 26

SUMMER ACADEMY fOR hIGh SChOOl STUDENTS 2018

ART AS EXPRESSION fOR TEENS Dona Duncan, Registered Art Therapist and Artist Being a teenager in the world today presents many challenges: bullying in schools, social media overload, being over-scheduled, communicating eﬀectively with family and friends, not to mention anxiety from the news and politics. Find freedom and release your frustrations through creative expression, whether making an abstract painting or a comic strip - anything that brings you joy! Join our little group, share your story, feel safe, create, and make new friends. Guided by Dona Duncan, registered Art Therapist and artist. 8 weeks, Saturdays, February 10 – March 31 1:30 – 3:30 p.m. IN 752WW | $150 non-credit Register by: February 2

JUlY 2 – AUGUST 3, 2018 PAFA’s Summer Academy is the definitive program for talented and motivated high school students: a five-week, college-level art making experience in the nation’s first and premier school of fine art. ■

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Rigorous courses in drawing, painting, sculpture, and printmaking taught by PAFA’s exceptional faculty Commuter and residential options Field trips to the museums and galleries of Philadelphia, New York and Washington, D.C. A culminating student exhibition, including a reception and awards ceremony A head start on preparing your portfolio for applying to art school

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The opportunity to earn four college credits The option for an Admissions portfolio review for pre-approval of your PAFA college application (additional materials required) A Next Step Scholarship of $4,000 over four years issued to all Summer Academy alums who enroll in PAFA’s BFA programs.

SCHOLARSHIPS AVAILABLE Application period begins February 1. For more information, visit pafa.edu/summeracademy.

COURSES & WORKShOPS

ONlINE COURSES

PAINTING

ART hISTORY: MODERN ART SINCE 1945 ONlINE Dr. Kevin Richards Examine the development of art in America and Europe from the end of World War II to the end of the twentieth-century, including Abstract Expressionism, Pop Art, Minimalism, Land-Based art, and other signiﬁcant artistic movements. Analyze the aesthetic ideas that have informed the narrative and contested terrain around art since 1945, including the challenges to the ideals of modernism. Online instruction will provide weekly video lectures, readings, and instructor-moderated discussion boards. 10 weeks, February 5 – April 9 IN 670RS_ON | $495 non-credit or $950 for 1.5 undergraduate credits Register by: January 19 ACADEMIC fIGURE DRAWING ONlINE/IN-STUDIO Roger Chavez Experience the convenience of web-based learning with hands-on studio practice in this online/ in-studio ﬁgure drawing course. Modeled after the historic 19th century Charles Bargue drawing course that was utilized by such iconic artists as Vincent Van Gogh and Pablo Picasso, this instruction will be supported by weekly instructor feedback, a history of drawing materials and techniques, and a forum for group interaction. Life-model drawing sessions in the PAFA studios will supplement online course work. 10 weeks, February 5 – April 9, with 4 Saturday in-class sessions, 10 a.m. – 4 p.m. DR 650EF_ON | $395 non-credit or $525 for 1.0 undergraduate credit Register by: January 19

ESSENTIAl hUMAN ANATOMY ONlINE Roberto Osti The human body is one of the most fascinating subjects an artist can depict, but its anatomical complexity can make it intimidating. Roberto Osti, artist, teacher and author of Basic Human Anatomy: An Essential Visual Guide, makes anatomy approachable and enjoyable. Study the structural aspects of the human form: basic landmarks, essential volumes, and proportional relationships. Progress to the main muscle groups to identify their surface eﬀects and aesthetic characteristics. Includes videos, lectures and assignments with regular instructor feedback. 10 weeks, March 5 – May 7 DR 604EE_ON | $395 non-credit or $525 for 1.0 undergraduate credit Register by: January 26

SUPER REAlISM NEW! Robert Waddington Create hyper realistic paintings in the tradition of 60s and 70s greats Chuck Close, Robert Bechtel and Audrey Flack. Learn photo-realistic oil painting techniques of image projection, depth of ﬁeld, soft and sharp focus edges, and selective enhancement while working from your own photo references. Drawing and painting experience is required for this advanced painting class. Includes a visit to Chuck Close Photographs, on view in the PAFA museum through April 8. 12 weeks, Mondays, January 22 – April 16 (no class on March 5) 12:30 – 3:30 p.m. PT 622ES | $495 non-credit or $625 for 1.0 undergraduate credit Register by: January 12

bUIlD YOUR OWN lAbYRINTh: USING CONSTRAINTS TO ChAllENGE AND SURPRISE YOURSElf ONlINE Matt Madden “Constraints” – the idea of setting yourself arbitrary, game-like rules – are a great motivational tool both to propel work forward in creative directions and to jumpstart a new project. Invigorate your own narrative work in this online laboratory for artists of all media. Develop an original comic, illustrated story, or narrative series of images generated from a constraint. Enjoy the balance of independent work and community support from the instructor and classmates through this online forum. 10 weeks, March 5 – May 7 IN 609MM_ON | $395 non-credit or $525 for 1.0 undergraduate credit Register by: February 16

lIfE PAINTING AND DRAWING Douglas Martenson Join PAFA’s celebrated ﬁgurative tradition, combining Eakins-inﬂuenced historical techniques with contemporary approaches. Master the drawing elements of gesture, proportion, volume, anatomy, tone, and composition in charcoal and colored chalk on toned paper. Progress to oil painting materials and techniques, expanding from limited colors to a full palette. Ideal for all levels, with options to draw- or paint-only based on experience. 12 weeks, Mondays, January 22 – April 16 (no class on March 5) 9 a.m. – 12 p.m. PT 600E | $495 non-credit or $625 for 1.0 undergraduate credit Register by: January 12

OIl PAINTING TOOlS & TEChNIQUES Frederic Kaplan An encyclopedia of painting information for the beginning or advanced oil painter! Examine the techniques of blending, glazing, scumbling, and s’graﬃto. Materials instruction includes demonstrations on preparing mediums and surfaces, and an overview of paint colors and brands. Color theory and mixing, and methods of realistic painting will be addressed. Drawing experience recommended. 12 weeks, Mondays, January 22 – April 16 (no class on March 5) 6 – 9 p.m. PT 616ET | $495 non-credit or $625 for 1.0 undergraduate credit Register by: January 12

PAINTING continued

ThE bASICS Of COlOR NEW! Jill A. Rupinski Mixing too much paint, for too long, with poor results? Learn to use color eﬀectively! Explore color mixing, value, temperature and pigment variations through exercises and observational painting. Instruction covers oil color palettes, painting methods, grounds, materials, and terminology. Apply this visual vocabulary of color to all painting media. All levels welcome. 8 weeks, Tuesdays, March 13 – May 1 9 a.m. – 12 p.m. IN 604ES | $295 non-credit Register by: March 2 NIGhT PAINTING NEW! Michelle Oosterbaan Paint the urban landscape at night from PAFA’s windows. Simplify space through passages of light and shadow in order to convey architectural geometry and atmospheric mood. Perspective, composition, line, tone, light, and color will be addressed. The evening landscapes of Monet, Hopper, Van Gogh and others will serve as inspiration. Drawing and painting experience required. 5 weeks, Tuesdays, March 27 – April 24 6 – 9 p.m PT 605EN | $195 non-credit Register by: March 16

PAINTING OVER ThE lINE Kassem Amoudi Advance toward a more liberated way of painting in this open studio environment. Paint from personal subject matter to ﬁnd your own visual language, informed by examples from contemporary and modern art. Painting experience recommended. All media welcome. 12 weeks, Wednesdays, January 24 – April 18 (no class on March 7) 12:30 – 3:30 p.m. PT 703EL | $495 non-credit or $625 for 1.0 undergraduate credit Register by: January 12 PORTRAIT PAINTING Theodore Xaras This class covers all aspects of painting a traditional portrait. Learn how to achieve a likeness, model light and shade, mix ﬂesh tones, and apply paint. Includes demonstrations and insights into the history of portraiture. Valuable information for all levels. Drawing experience required. 12 weeks, Thursdays, January 25 – April 19 (no class on March 8 ) 12:30 – 3:30 p.m. PT 602E | $495 non-credit or $625 for 1.0 undergraduate credit Register by: January 12

THE PAFA ATELIER: DRAWING & PAINTING NEW! Peter Van Dyck A combination instructed class and open studio for students interested in advancing their representational drawing and painting. Work from the cast collection, ﬁgure/portrait, still life or interior spaces, with independent work sessions in the mornings followed by tailored instruction and critique in the afternoons, with visits from guest PAFA faculty-critics to oﬀer additional feedback. 14 weeks, Wednesdays, January 17 – April 25 (no class on March 7) 9 a.m. – 4 p.m. DR 607PA | $695 non-credit or $950 for 1.5 undergraduate credits Register by: January 5 (space is limited)

OIl PAINTING MATERIAlS & TEChNIQUES Anthony Ciambella Examine painting materials and techniques used by artists from the Pre-Renaissance to the present. Explore underpainting techniques, glazing and scumbling layering methods, and wet-into-wet alla prima painting. Supply selection and care, historical palettes and pigments, varnishes, framing, storage, and health issues will be discussed. 10 weeks, Thursdays, February 8 – April 19 (no class on March 8 ) 12:30 – 3:30 p.m. IN 601EA | $395 non-credit or $525 for 1.0 undergraduate credit + $25 materials fee Register by: January 26

ACRYlIC PAINTING NEW! Frederic Kaplan Create engaging and colorful paintings in fast-drying, easy-to-clean-up acrylic paints. Learn to manage color, capture the eﬀects of light, and create depth while painting the still life and other subjects. Blending, layering, and glazing techniques will be demonstrated with a variety of acrylic materials. Previous painting experience is not required, but drawing experience is recommended. 8 weeks, Wednesdays, January 31 – March 21 9 a.m. – 12 p.m. PT 608E | $295 non-credit Register by: January 19

PORTRAIT PAINTING: hEAD STRUCTURE NEW! Patrick Connors Explore the fundamentals of classic, illusionistic oil portraiture. Rather than a “how-to” course, instruction aims to support students’ personal work through the investigation of essential concepts, including modeling through spatial, planar, volumetric, tonal, chromatic, and anatomical principles; as well as utilizing light as subject matter. Previous drawing and painting experience required. 12 weeks, Thursdays, January 25 – April 19 (no class on March 8) 6 – 9 p.m. PT 607ES | $495 non-credit or $625 for 1.0 undergraduate credit + $25 materials fee (covers painting supports) Register by: January 12 ThE EXTENDED POSE NEW! Jill A. Rupinski Draw or paint the life model in a single pose for the entire length of the course, and gain an understanding of what it takes to produce a ﬁnished artwork. Students will be guided in initiating an individual project using drawn/painted studies before embarking on a single, larger-scaled work. Instruction will involve accurate measurement, value, color, composition and narrative content. Lecture and demonstration will address historical and contemporary methods and materials. All levels and all media are welcome. 10 weeks, Thursdays, February 8 – April 19 (no class on March 8) DR 710E | $395 non-credit or $525 for 1.0 undergraduate credit Register by: January 25

Anthony Ciambella

PAINTING continued

ClASSICAl TEChNIQUES IN STIll lIfE PAINTING NEW! Frederic Kaplan Create a compelling sense of realism in your paintings using timeless, classical techniques. Paint the still life from direct observation using opaque scumbles and translucent glazes over a tonal underpainting to produce a rich and luminous surface, in the style of the Old Masters. Excellent for all levels. Basic drawing experience required. 10 weeks, Fridays, February 2 – April 6 9 a.m. – 12 p.m. PT 601CT | $395 non-credit or $525 for 1.0 undergraduate credit Register by: January 26 IN-DEPTh WATERCOlOR James Toogood Enrich your knowledge of painting with an in-depth look at watercolor. Thoroughly investigate a wide range of watercolor materials and techniques from your choice of landscape, still life, portrait, and ﬁgure subjects. Excellent for watercolorists of all levels and acrylic/oil painters looking to broaden their skills. ■ Section 1: 10 weeks, Fridays, February 2 – April 6 ■ Section 2: 10 weeks, Mondays, February 5 – April 9 9 a.m. – 1:30 p.m. PT 604ED | $595 non-credit; $950 for 1.5 undergraduate credits Register by: January 26

bEGINNING PAINTING II Allison Syvertsen Build upon your basic oil painting skills to develop more complex compositions and personal style. Work from still life subjects to explore color mixing and relationships, as well as surface preparations and presentation. Ideal for students with limited painting experience seeking to improve their understanding of essential concepts; open to ﬁrsttime painters. 10 weeks, Saturdays, February 3 – April 7 9 a.m. – 12 p.m. PT 616ES | $395 non-credit or $525 for 1.0 undergraduate credit Register by: January 26

SPONTANEOUS fIGURE PAINTING Kassem Amoudi Tired of getting lost in the details of traditional ﬁgure painting? Then this workshop is for you! Learn expressive painting techniques to render the life model in a looser and more contemporary manner, creating a lively surface while boosting your creativity, technique and skill. All levels welcome. Saturday & Sunday, February 3 & 4 9 a.m. – 5 p.m. PT 705EF | $195 non-credit Register by: January 26

WATERCOlOR PlUNGE NEW! Tony Rosati If you have little or no experience in watercolor, now is the time to take the plunge! Acquire a thorough grounding in basic watercolor techniques and materials, including papers, pigments, and transparent and opaque painting methods. 6 weeks, Saturdays, March 17 – April 21 12:30 – 3:30 p.m. PT 604EP | $225 non-credit Register by: March 9

ENCAUSTIC PAINTING WORKShOP Clarissa Shanahan Encaustic painting is the technique of painting with hot tinted beeswax, seen in ancient Egyptian portraiture as well as the work of modern/ contemporary artists. Learn all aspects of this fascinating process. Open to all levels, and a versatile adjacent medium for oil/acrylic painters seeking to explore texture and layering. Saturday and Sunday, February 10 & 11 9 a.m. – 5 p.m. IN 613E | $195 + $35 materials fee (includes beeswax, basic pigments and use of hot plates) Register by: February 2

EGG TEMPERA PAINTING NEW! Anthony Ciambella Learn traditional egg yolk tempera painting in the spirit of George Tooker and Andrew Wyeth, as well as contemporary mixed media techniques. Create luminous still life paintings through transparent and translucent methods. Incorporate contemporary mixed media techniques using linseed oil, watercolor, gum Arabic and pen & ink for unique eﬀects. 5 weeks, Sundays, January 28 – February 25 9 a.m. – 1 p.m. IN 601EA | $295 non-credit + $25 materials fee (includes pigments and basic materials) Register by: January 19

WATERCOlOR WORKShOP James Toogood Interested in learning or improving your watercolor skills? All materials and techniques will be discussed, including the selection of papers, brushes, and pigments, as well as transparent and opaque painting methods. Students will work from still-life, portrait models and/or their own source material. All levels welcome. Saturday and Sunday, February 17 & 18 9 a.m. – 5 p.m. PT 604WW | $195 non-credit Register by: February 9 ThE PAINTING KNIfE: CREATING TEXTURE & DETAIl NEW! Shushana Rucker The painting knife is an important accompaniment to the brush for creating textural eﬀects, expressive marks, and broad planes of color. Learn how to use the painting knife to get crisp edges and ﬁne details while painting landscape and architectural subjects. Explore color, texture and painterly application in this fun, one-day workshop. Saturday, March 3 9 a.m. – 5 p.m. PT 617EP | $95 non-credit Register by: February 23

COURSES & WORKShOPS

PAINTING continued

DRAWING

ClASSICAl fIGURE PAINTING Ernie Norcia Create luminous ﬁgure paintings using traditional painting materials and procedures established during the Renaissance. Through step-by-step instruction, learn how to create an underpainting and then glaze and scumble transparent and opaque layers to achieve a rich sense of color, volume and space. Basic drawing experience recommended. 6 weeks, Sundays, March 11 – April 22 (no class on April 1) 9 a.m. – 4 p.m. PT 600EC | $495 non-credit or $625 for 1.0 undergraduate credit Register by: March 2

AVIAN DRAWING Patricia Traub Don’t miss this unique bird-drawing class with renowned artist and esteemed PAFA faculty member Patricia Traub! Work from live avian subjects, both seed-eating varieties and birds of prey, provided by the Academy of Natural Sciences. Further hone your understanding through focused studies of bird anatomy and feather structure. Work in graphite, charcoal, colored chalk, and pastel on toned papers, referencing Old Master techniques. Includes a history of animal drawing and painting. 4 weeks, Tuesdays, March 13 – April 3 9 a.m. – 12:30 p.m. IN 609PT | $495 non-credit Register by: March 2 (space is limited to 12 people)

GOUAChE PAINTING Allison Syvertsen Learn the fundamentals of painting with gouache, an opaque watercolor paint. Painters of all levels will fall in love with it as a portable, fast-drying, and easyto-clean-up alternative to oils – great for travel or limited working time and space. Explore color and painting techniques through still life and outdoor views. Saturday and Sunday, April 21 & 22 9 a.m. – 5 p.m. PT 630EW | $195 + $20 materials fee (includes most materials) Register by: April 13

Joe Sweeney

PASSION fOR ThE PAlETTE Michelle Oosterbaan Explore how the science and psychology of color play key roles in composing dynamic visual narratives, and learn how to tailor your palette to support your work’s message. Work from still life arrangements with colored lights for brilliant optical eﬀects with emotional resonance. Open to all media. Saturday and Sunday, April 28 & 29 9 a.m. – 5 p.m. IN 604PW | $195 non-credit Register by: April 20

PASTEl DRAWING AND PAINTING Joseph Sweeney Learn everything you need to know about soft pastels while working from the still life, figure models, and cityscape views. Instruction will cover technique, use of light and its effect on color, types of pastels, paper selection to create various effects, fixing and transporting finished drawings, and important safety issues. 12 weeks, Tuesdays, January 23 – April 17 (no class on March 6) 12:30 – 3:30 p.m. Dr 603ED | $495 non-credit or $625 for 1.0 undergraduate credit Register by: January 12

Patricia Traub, Burrowing Owl with Injured Wing, 2016, charcoal & white pastel, 10 x 11 1/2 in.

CAST DRAWING Phyllis Laver Drawing in the Academic manner from plaster casts is a traditional and effective way to learn to draw accurately from observation. PAFA’s beautiful and historic Cast Hall contains life-size copies of antique and Renaissance sculpture – a unique resource that has been part of PAFA’s curriculum for over 200 years. All levels welcome. 12 weeks, Tuesdays, January 23 – April 17 (no class on March 6) 12:30 – 3:30 p.m. DR 607E | $495 non-credit or $625 for 1.0 undergraduate credit Register by: January 12 DRAWING fUNDAMENTAlS Phyllis Laver If you’ve never drawn before, or your skills are a little rusty, then this class is for you. Learn to draw what you see with confidence. Study the still life, interior spaces, and human figure to master the drawing elements – shape, contour line, composition, light and shadow, texture and perspective. 12 weeks, Tuesdays, January 23 – April 17 (no class on March 6) 6 – 9 p.m. DR 600EB | $495 non-credit or $625 for 1.0 undergraduate credit Register by: January 12

DRAWING continued STUDIO ANATOMY NEW! Patrick Connors This drawing course is designed for the intermediate to advanced artist with an interest in the study of proportion, form, skeletal and musculature structure of the human body. Work from lectures and demonstrations, reference material, PAFA anatomical casts and the life model. Use this knowledge to create accurate and dynamic ﬁgure drawings! 12 weeks, Wednesdays, January 24 – April 18 (no class on March 7) 6 - 9 p.m. DR 604SA | $495 non-credit or $625 for 1.0 undergraduate credit Register by: January 12

PORTRAIT DRAWING Phyllis Laver Learn to draw the human portrait, one of art’s most compelling subjects. Work in a variety of media including graphite, charcoal and conté and gain a comprehensive understanding of head structure, proportions and features toward achieving both a likeness and aesthetic eﬀect. Suitable for both beginners and those with experience seeking to reﬁne their skills. 12 weeks, Thursdays, January 25 – April 12 (no class on March 8) 9 a.m. – 12 p.m. DR 609E | $495 non-credit or $625 for 1.0 undergraduate credit Register by: January 12

DRAWING fROM PhOTOGRAPhS NEW! Clarissa Shanahan The photograph can be a helpful resource to the artist, not only for capturing fleeting subjects, but also for creating varied visual and optical effects. Learn to incorporate photographic elements including depth of field, distortion, focus and contrast into drawing from life and your own source material. Includes discussions about photo-based art, and a visit to Chuck Close Photographs, on view in the PAFA museum through April 8. All levels welcome. 5 weeks, Wednesdays, January 31 – February 28 6 – 9 p.m. DR 702ES | $195 non-credit Register by: January 19

ClASSICAl fIGURE DRAWING NEW! Ernie Norcia Explore the classical ideal through drawing from both sculpture in PAFA’s Cast Hall and the life model. Learn to comprehend and appreciate the diﬀerences between an idealized form and a living model. Students will work in charcoal and chalk on toned paper, with emphasis on line, value, shape, size, and texture. 10 weeks, Fridays, February 2 – April 6 12:30 – 3:30 p.m. DR 605EC | $395 non-credit or $525 for 1.0 undergraduate credit Register by: January 26

CONTINUING EDUCATION PROGRAMS

ANNUAl JURIED STUDENT EXhIbITION March 22 – April 14, 2018 See page 34

MIXED MEDIA DRAWING NEW! Sherif Habashi Explore the dynamic possibilities for your drawings by mixing materials and techniques, guided by traditional and contemporary methods. Combine pastel, chalk, ink and watercolor to create harmonious compositions that promote the subtle contrasting qualities of each medium, while drawing from the still life and ﬁgure models. Prior drawing experience recommended. 10 weeks, Saturdays, February 3 – April 7 12:30 – 3:30 p.m. DR 618ES | $395 non-credit or $525 for 1.0 undergraduate credit Register by: January 26

lIfE DRAWING II John Horn Improve your ability to draw the human form with anatomical and spatial accuracy through lectures and demonstrations on proportions, skeletal framework, surface form, and movement. Designed to advance the skills of students who have studied drawing previously. 12 weeks, Saturdays, January 27 – April 21 (no class on March 10) 9 a.m. – 12 p.m. DR 605E2 | $495 non-credit or $625 for 1.0 undergraduate credit Register by: January 12

PAINlESS PERSPECTIVE NEW! Frederic Kaplan Perspective is at the heart of good drawing and painting, allowing us to translate the observable world into a believable two-dimensional image. Learn its basic principles and methods in clear, easyto-understand language, without special tools or complex geometry. Apply these principles to still life, interiors and cityscape views. Basic drawing experience recommended. Saturday and Sunday, March 10 & 11 9 a.m. – 5 p.m. DR 716EW | $195 non-credit Register by: March 2

bOTANICAl AllA PRIMA Linda Gist Spring is here! Learn to capture the essence of a living, botanical subject quickly and spontaneously in pencil and watercolor, to create fresh and immediate work. This method can be used for preparatory studies for sustained paintings, compiling a ﬁeld sketchbook, or as an end in itself. All levels welcome. Saturday and Sunday, April 7 & 8 9 a.m. – 5 p.m. PT 615EP | $195 non-credit + $10 materials fee Register by: March 30

linda Gist

COURSES & WORKShOPS

PRINTMAKING SCREENPRINTING AND bEYOND TBA The versatile nature of screenprinting lends itself to printing on paper, fabric and other surfaces. For the beginner, this course will cover all aspects of the process including screen preparation, image development, and printing techniques. Printmakers with experience may propose independent projects. 12 weeks, Fridays, January 26 – April 20 (no class on March 9) 9 a.m. – 12 p.m. PR 620E2 | $495 non-credit or $625 for 1.0 undergraduate credit + $20 lab fee Register by: January 12

Shushana Rucker

WOODCUT AND RElIEf PRINTMAKING Ronald Wyﬀels Printing from a drawing carved into wood or a linoleum block is the oldest and most straightforward form of printmaking. All aspects of the process will be covered, including drawing on the block, carving your design and printing black-andwhite and color prints. Open to all levels. 12 weeks, Tuesdays, January 23 – April 17 (no class on March 6) 9 a.m. – 12 p.m. PR 600E | $495 non-credit or $625 for 1.0 undergraduate credit + $20 lab fee Register by: January 12

Ron Wyffels

SOlAR ETChING Lesa Chittenden-Lim Celebrate spring with this versatile, simple and environmentally-friendly way to make painterly prints without using chemicals or acid. Transfer your drawings, paintings and/or computer generated images to a light-sensitized plate which then can be developed with water and printed. A safe and direct way to make images! 4 weeks, Saturdays, February 24 – March 17 9 a.m. – 12 p.m. PR 615EW | $150 non-credit + $10 lab fee Register by: February 2

lIThOGRAPhY Ronald Wyﬀels The ideal printmaking medium for those who love to draw! Design and draw your choice of image with a variety of lithographic drawing materials on traditional stone or lightweight aluminum plates. All aspects of the process will be demonstrated, from creating a drawing to printing in black-and-white and color. All levels welcome. 12 weeks, Wednesdays, January 24 – April 18 (no class on March 7) 6 –9 p.m. PR 602E | $495 non-credit or $625 for 1.0 undergraduate credit + $20 lab fee Register by: January 12 MONOPRINT/ETChING Tony Rosati This course presents basic intaglio and monotype printing techniques including monoprint, drypoint, etching, aquatint, collograph and polymer plate methods. Image embellishments will include embossing, chine collé, collage, paper plates and mixed media techniques. All levels welcome; experienced students may continue independent work. 12 weeks, Thursdays, January 25 – April 19 (no class on March 8) 5:30 – 8:30 p.m. PR 604EM | $495 non-credit or $625 for 1.0 undergraduate credit + $20 lab fee Register by: January 12

lesa Chittenden-lim

hAND-PRINTED MONOTYPE WORKShOP Shushana Rucker An introduction to quick and easy monotype printmaking methods that do not require a press or fully-equipped shop. These techniques are easily transportable for use outside for plein air work, on a table at home or in the classroom. Learn oil-based, dark ﬁeld, water-based and Gauguin monotype processes. Saturday, February 24 9 a.m. – 5 p.m. PR 604EH | $95 + $35 materials fee (includes most materials) Register by: February 16

COURSES & WORKShOPS

SCUlPTURE

STONE CARVING Steve Nocella Explore the possibilities of stone carving by using traditional and nontraditional methods. All processes from rough carving to polishing will be covered, and various tools and techniques will be demonstrated. Open to all levels. 12 weeks, Saturdays, January 27 – April 21 (no class on March 10) 9 a.m. – 12 p.m. SC 602E | $495 non-credit or $625 for 1.0 undergraduate credit + $25 lab fee Register by: January 12

TERRA COTTA fIGURE SCUlPTURE Colleen O’Donnell Explore the versatility of terra cotta clay, which requires neither an armature nor casting. Learn various techniques and tools through demonstration and hands-on sculpting from the life model or imagination. Anatomy, proportion, design, and personal growth will be emphasized, as well as both representational and abstract approaches. All levels welcome. 12 weeks, Wednesdays, January 24 – April 18 (no class on March 7) 12:30 – 3:30 p.m. SC 605EA | $495 non-credit or $625 for 1.0 undergraduate credit + $10 lab fee Register by: January 12

ANIMAl PORTRAITURE NEW! Diane Collins Capture the anatomy, gesture and unique character of the canine in clay, utilizing a live dog model. Instruction will address comparative anatomy, armature construction, modeling in oil clay, and imbuing personality. Beginning students will begin with a life-size head study; intermediate to advanced students will construct a full ﬁgure at minimum 1/3 scale. All levels welcome. 12 weeks, Tuesdays, January 23 – April 17 (no class on March 6) 6 – 9 p.m. SC 610EA | $495 non-credit or $625 for 1.0 undergraduate credit + $20 lab fee Register by: January 26

METAl SCUlPTURE Steve Nocella This course focuses on metal sculpture fabrication and construction, gas and arc welding, brazing, and forging. Basic equipment will be provided, and all techniques will be demonstrated. All levels welcome. 12 weeks, Saturdays, January 27 – April 21 (no class on March 10) 12:30 – 3:30 p.m. SC 601E | $495 non-credit or $625 for 1.0 undergraduate credit + $65 lab fee Register by: January 12

fOUNDRY: AN INTRODUCTION Pavel Efremoﬀ This course will cover all aspects of the foundry process. Demonstrations and hands-on instruction will be given in wax modeling and casting, ceramic shell techniques, bronze pouring, metal chasing, TIG welding and patination. All levels welcome. 12 weeks, Thursdays, January 25 – April 19 (no class on March 8) 6 – 9:30 p.m. SC 711E | $595 non-credit or $950 for 1.5 undergraduate credit + $65 lab fee Register by: January 12

fIGURE AND PORTRAIT MODElING John Horn Learn to sculpt the human figure in clay on an armature from direct observation. Experienced students will model a 24-inch figure based on volume, proportion, architectonic construction, and spatial displacement of form. Beginning students will sculpt a life-size portrait first. Instruction will cover armature construction, clay-modeling, and tool usage. All levels welcome. 12 weeks, Saturdays, January 27 – April 21 (no class on March 10) 12:30 – 3:30 p.m. SC 600E | $495 non-credit or $625 for 1.0 undergraduate credit + $10 lab fee Register by: January 12

The Continuing Education Program at PAFA brings together people who share the same passion for the arts. The stellar faculty is dedicated to making each student ﬁnd his/her own voice independently of previous experience or personal style. My experience at PAFA over the years has opened doors that I did not even realize were in front of me. PAFA is also a great place to connect with the regional arts community. PATRICIA CONNELLY CE student since 2010

COURSES & WORKShOPS

DIGITAl & MIXED MEDIA PORTRAIT PhOTOGRAPhY NEW! Julia Staples Experiment with a variety of styles of portrait photography, including street, studio, family, candid, narrative, and staged. Use both historical and contemporary methods to explore a personal theme or interest. Learn how to think creatively about how lighting and composition can change the meaning of a photograph. Includes a visit to Chuck Close Photographs, on view in the PAFA museum through April 8. 10 weeks, Tuesdays, February 6 – April 10 6 – 9 p.m. IN660PP | $395 non-credit or $525 for 1.0 undergraduate credit + $20 lab fee Register by: January 26

IMPROVISATIONAl STITChING Sheryl Kessler Stitching is a uniquely textural and versatile form of mark-making. Explore its potential as textile art in a welcoming community environment. Learn over twenty basic embroidery stitches, fabric collage, and techniques for drawing with needle and thread. Create embroideries for display on their own or incorporation into sewing projects and multimedia artworks. 4 Saturdays, March 24 & 31, April 7 & 14 9 a.m. – 1 p.m. IN 651ES | $195 + $25 materials fee (includes most materials) Register by: March 16

ANAlOG PhOTOGRAPhY fOR ThE DIGITAl AGE NEW! RA Friedman Hand-crafted, thoughtful and a bit magical: all these describe the process of traditional film photography. Explore its tools and techniques, including film-todigital methods of creating imagery without a darkroom. Working hands-on, learn how to best promote the strengths of this fascinating medium in a way that complements your time, budget and vision. No experience necessary. 6 weeks, Thursdays, March 1 – April 5 6 – 9 p.m. IN 661AP | $225 non-credit Register by: February 16 RA Friedman is a figurative artist who works with drawing and analog photography. His studio practice is informed by a background in science, theatre set design, and painting. A regular contributor to The Laboratory Arts Collective Magazine and faculty member at Pratt Manhattan, he is currently working on a suite of ten multi-figure pinhole photographs. Visit rafriedman.com.

INTRODUCTION TO ART JOURNAlING: JUST fOR A SEASON NEW! Dressler Smith Art journaling is a personally expressive form of record-keeping. Learn how to transfer your creative ideas on paper through engaging prompts and practical tips. Complement your writing with drawing and other media, including watercolor. Using the four seasons as a starting point, draw from your life and memories to create a unique record. Saturday, April 14 10 a.m. – 4 p.m. DR 616EW | $75 non-credit Register by: April 6

CRASH COURSE

CRASH COURSE IN DSlR CAMERAS NEW! Julia Staples Get the most out of your camera and take better pictures! Learn all the functions of your camera in automatic and manual modes including aperture, shutter speed, ISO, and depth of ﬁeld, while exploring composition, lighting and color. Walk away with the ability to use your camera with conﬁdence after this hands-on workshop. Saturday, February 17 9 a.m. – 5 p.m. IN 660CD | $95 non-credit Register by: February 9

INTRODUCTION TO PhOTOShOP: fROM STUDIO TO COMPUTER NEW! Julia Staples Photoshop editing opens a world of photographic possibilities. In this workshop, photograph in the studio and outside, and then combine multiple photos into a single image in PAFA’s digital lab. Pre-visualize and achieve your vision with an understanding of workﬂow, color proﬁles, color and contrast correction, retouching, layers and masking. 2 Saturdays, April 14 & 21 9 a.m. – 5 p.m. IN 635IW | $195 non-credit + $10 lab fee Register by: April 6

IN VIDEO EDITING: SMART PhONE AND bEYOND NEW! Ian Wagner Take those smart phone videos to the next level, and turn them into works of art! Learn basic editing techniques, including adding transitions, music, and more! Basic computer skills required. Saturday, March 17 9 a.m. – 5 p.m. IN 660CP | $95 non-credit Register by: March 9

PhOTOGRAPhING YOUR ARTWORK NEW! Julia Staples The ability to document artwork is an important skill for any artist pursuing exhibition, professional or academic opportunities. Learn basic lighting and photography techniques to document twodimensional drawings and paintings as well as threedimensional sculptural works. Bring 2 - 3 pieces of art and your digital camera for hands-on experience. Saturday, March 31 9 a.m. – 5 p.m. IN 660AP | $95 non-credit + $10 lab fee Register by: March 23

Dressler Smith

COURSES & WORKShOPS

OThER MEDIA, lECTURE/SEMINAR & WEllNESS YOGA IN ThE CAST hAll WITh JENNIfER SChElTER NEW! Study inspirational, mindfulness-based yoga under Jennifer Schelter, one of Philadelphia’s premier yoga instructors and PAFA Alumna. Amidst the inspiring beauty and peaceful ambiance of PAFA’s historic Cast Hall, learn and practice the basics of yoga: breathing, mindfulness meditation, balance, strength, flexibility, core awareness, and deep relaxation. Experience a greater sense of your body, vital movement and intuition, Jennifer Schelter as well as reduced anxiety, increased energy, and a sense of community. Learn more about Jennifer Schelter at www.jenniferschelter.com. 10 weeks, Monday, January 22 – April 16 (no class on February 19, March 19 & March 26) 6 – 7:30 p.m. IN 635E | $200 for ten sessions, $25 per session, walk-ins (payable by cash or check only) Register by: January 12 (full session) MATTING AND fRAMING WORKS ON PAPER James Toogood View a complete demonstration of all the procedures required to properly prepare your work for framing, from cutting and hinging mats, to fitting and final assembly including glazing. Employ these procedures on your own framing project under the supervision of the instructor. Saturday, February 3 (snow date: February 10) 9 a.m. – 5 p.m. IN 605EM | $95 + $10 materials fee Register by: January 26

PREPARE YOUR ARTWORK fOR ThE CE ANNUAl JURIED STUDENT EXhIbITION March 22 – April 14, 2018! For a detailed prospectus, visit pafa.edu/ce-show

fROM DüRER TO ARTSChWAGER: MORE hIGhlIGhTS Of PRINTMAKING hISTORY NEW! Tony Rosati This class presents an overview of important prints spanning the 15th to the 21st centuries, with emphasis on their context and the evolution of various printmaking mediums. View and discuss examples of traditional and contemporary milestone prints in the print study rooms of both PAFA and the Philadelphia Museum of Art. 5 weeks, Wednesdays, February 21 – March 28 (no class on March 7) 10 a.m. – 12 p.m. PR 620EH | $125 Register by: February 9

MINDfUl MEDITATION PAINTING NEW! Dona Duncan Are you afraid to paint because you think it’s too late in life? Are you struggling with memory loss or anxiety? Mindful Painting consists of combining creativity with a light form of meditation to promote a sense of relaxation. Applying a calm mind while painting releases you to express your thoughts and feelings on canvas while discovering gifts of creativity that can carry through to your daily life. Make an original artwork to take home, whether a large modern painting, still life, or pet portrait – whatever you choose. Share stories and listen to music while painting freely in this welcoming small group environment led by Dona Duncan, registered Art Therapist. No experience necessary. 10 weeks, Thursdays, February 8 – April 12 12:30 – 3:30 p.m. IN 750EH | $195 or $25 per session (Free to accompanying caregivers) Register by: January 26 (full course)

Tony Rosati

A STROll ThROUGh ThE GAllERIES: bRAIN hEAlTh AND ThE POWER Of ART Dona Duncan Viewing and discussing art stimulates the brain to build new pathways and help with memory loss. Dona Duncan, registered Art Therapist, will facilitate small group discussions about artworks in the PAFA museum, as well as participants’ thoughts and feelings, in a comfortable, homey atmosphere. Learn about the artists’ life stories and painting styles, as you practice mindfulness and relaxation techniques. Feel free to sketch if you wish! Continue the conversion in the PAFA Café over a coﬀee or snack – like an art club! 4 Thursdays, February 1, March 1, April 5 & May 3 10:30 – 11:30 a.m. IN 751ED | $10 per session or $25 for all 4 (Free to accompanying caregivers) Register by: One week prior to each session See page 10 for ART AS EXPRESSION FOR TEENS

Dona Duncan

ART AND fIlM lECTURE SERIES NEW! Clarissa Shanahan Explore the relationship between ﬁlm, photography and painting. Examine how ﬁlm stills relate to painting through composition, tone, value/lighting, symbolic color, and visual cues. Learn to recognize elements that convey information and drive visual narrative in order to build critical skills for viewing images in all media and for developing compositions in your own artwork. 5 weeks, Wednesdays, March 14 – April 11 6 – 8:30 p.m. IN 708EF | $150 non-credit Register by: March 2

ShODO: ChINESE AND JAPANESE CAllIGRAPhY Mayumi Tomii Shodo originated in China 3,500 years ago and has developed as a ﬁne art using simple tools: brush, ink and paper. Learn the various styles and techniques of Shodo along with its history and appreciation. Urauchi – the Japanese traditional paper-backing/mounting methods – will be used to enhance ﬁnished work. 6 weeks, Wednesdays, March 14 – April 18 6 – 9 p.m. DR 724ES | $225 non-credit + $20 materials fee (includes most materials) Register by: March 2

COURSES & WORKShOPS

OThER MEDIA, lECTURE/SEMINAR & WEllNESS continued

lANDSCAPE

CREATIVE fOCUS WITh JESSICA AbEl Jessica Abel is a cartoonist, author, educator and Chair of the PAFA Illustration Department. She helps creative people get past procrastination and anxiety, and get on with the business of making their creative work real in the world. SElf-COMPASSION AS A PRODUCTIVITY TOOl: hOW TO GET YOUR CREATIVE PROJECTS fINIShED It happens all the time: your creative work gets sidelined when other things jostle for your time and attention. But being severe with yourself is exactly how you DON’T regain momentum. What’s the alternative? Come to this talk and find out. FREE Public Lecture Saturday, March 24 | 1 – 2 p.m. Hamilton Auditorium/Historic Landmark Building RSVP to the CE office: 215-972-7632 or pafa.edu/ce ChART YOUR TRUE COURSE WORKShOP Do continual new ideas, indecision, and lack of focus distract you from the real business of getting down to work? Just thinking about your creative work will get you nowhere, and approaching tasks without a clear direction will likewise result in anxiety and lack of accomplishment. Learn to prioritize, plan and focus in order to achieve your goals – and a more creatively fulfilled version of yourself along the way. Saturday, March 24 2:30 – 5 p.m. IN 750CC | $150 (Space is limited) Register by: March 16

PlEIN AIR PAINTING ON ThE DElAWARE Joseph Sweeney Paint the spectacular views of the Delaware River from the Independence Seaport Museum at Penn’s Landing. Museum access oﬀers the opportunity to tour the collection, see boat builders in action, and access the facilities. Includes a session on the river in the museum’s excursion boat, à la Claude Monet! Parking/transportation available. 6 weeks, Wednesdays, April 11 – May 16 10 a.m. – 3 p.m. PT 606ED | $395 non-credit; $525 for 1.0 undergraduate credit (includes museum admission) Register by: April 6

Image: Jessica Abel

GAllERY-GOING Lisa Sylvester Interested in visiting galleries or collecting art, but don’t know where to start? Explore Philadelphia’s diverse gallery scene with PAFA faculty-artist Lisa Sylvester for an insider’s view of the artist/ gallery relationship. Visit artist-run, commercial, and alternative exhibition spaces, as well as local artists’ studios, for the latest art in the city. (See online course description for itineraries at www.pafa.edu/ce) 3 weeks, Fridays, April 20, April 27, and May 4 12:30 – 3:30 p.m. IN 715EG | $30 per session or $75 for all three Register by: April 13 (space is limited)

PlEIN AIR PAINTING AT bARTRAM’S GARDEN Larry Francis Work en plein air at historic Bartram’s Garden, home of America’s ﬁrst botanist, John Bartram. Learn to capture light and shadow; create a convincing sense of space; and depict trees, ﬂowers and buildings. Drawing and painting techniques will be demonstrated for oil and gouache. Free parking and restrooms available. 6 weeks, Thursdays, April 19 – May 24 12:30 – 3:30 p.m. PT 605BG | $225 non-credit Register by: April 13

A GIfT CERTIfICATE fOR A COURSE OR WORKShOP MAKES A GREAT GIfT! Call 215-972-7632 for more details.

SPRING 2018

l ANDSCAPE continued

SChEDUlE-AT-A-GlANCE

SKETCh ON ThE GO Frederic Kaplan Capture the active life of the city and its rich architecture. This is an excellent workshop for anyone who wants to learn to sketch on the bus or train, in cafés and public parks, or while traveling abroad. Topics include perspective, gauging proportions by eye, gesture ﬁgure drawing, and methods for simplifying form. All levels welcome. Saturday, May 12 9 a.m. – 5 p.m. DR 620EW | $95 non-credit Register by: May 4

ThE PhIlADElPhIA lANDSCAPE Larry Francis Craft your personal vision of Philadelphia’s picturesque landscape. Learn to build form, mix color, and create space with perspective, light and shadow. Instruction will address tips for working on-site and the history of painting the city. Locations in North Broad, Roxborough, and West Philadelphia will oﬀer parking, shade, provisions and facilities. All media welcome. 5 weeks, Sundays, April 22 – May 20 9 a.m. - 2 p.m. PT 703EL | $295 non-credit Register by: April 13 PAINTING ON ThE bRANDYWINE Frederic Kaplan Brandywine River Museum Portray the spring landscape en plein air in the medium of your choice along the banks of the picturesque Brandywine River. Bring a packed lunch or eat at Hank’s, a longtime haunt of Andrew Wyeth’s. The day concludes with a visit to the Brandywine River Museum (free admission on the ﬁrst Sunday of the month). Free parking, restrooms and sheltered locations available. Sunday, May 6 9 a.m. – 5 p.m. PT 605EB | $95 non-credit Register by: April 27

TITLE

DATES

TIME

INSTRUCTOR

LOCATION

2/5 – 4/9 2/5 – 4/9 3/5 – 5/7 3/5 – 5/7

Variable Variable Variable Variable

Chavez Richards Osti Madden

Online & St. 4/HLB Online Online Online

1/22 – 4/16 2/5 – 4/9 1/22 – 4/16 1/22 – 4/16 1/22 – 4/16

9 a.m. – 12 p.m. 9 a.m. – 1:30 p.m. 12:30 – 3:30 p.m. 6 – 9 p.m. 6 – 7:30 p.m.

Martenson Toogood Waddington Kaplan Schelter

Studio 6/HLB 610/Hamilton 1023/Hamilton 1010/Hamilton Cast Hall/HLB

1/23 – 4/17 3/13 – 5/1 3/13 – 4/3 1/23 – 4/17 1/23 – 4/17 1/23 – 4/17 1/23 – 4/17 2/6 – 4/10 3/27 – 4/24

9 a.m. – 12 p.m. 9 a.m. – 12 p.m. 9 a.m. – 12:30 p.m. 12:30 – 3:30 p.m. 12:30 – 3:30 p.m. 6 – 9 p.m. 6 – 9 p.m. 6 – 9 p.m. 6 – 9 p.m.

Wyﬀels Rupinski Traub Sweeney Laver Laver Collins Staples Oosterbaan

Print Shop/Hamilton 1010/Hamilton 610/Hamilton 610/Hamilton Cast Hall/HLB Studio 6/HLB 740/Hamilton 514/Hamilton 1021/Hamilton

1/17 – 4/25 1/31 – 3/21 2/21 – 3/28 4/11 – 5/16 1/24 – 4/18 1/24 – 4/18 1/24 – 4/18 1/31 – 2/28 1/24 – 4/18 3/14 – 4/11 3/14 – 4/18

9 a.m. – 4 p.m. 9 a.m. – 12 p.m. 10 a.m. – 12 p.m. 10 a.m. – 3 p.m. 12:30 – 3:30 p.m. 12:30 – 3:30 p.m. 6 – 9 p.m. 6 – 9 p.m. 6 – 9 p.m. 6 – 8:30 p.m. 6 – 9 p.m.

Van Dyck Kaplan Rosati Sweeney Amoudi O’Donnell Connors Shanahan Wyﬀels Shanahan Tomii

Cast Hall & St. 6/HLB 1010/Hamilton Print Shop/Hamilton Ind. Seaport Museum 1023/Hamilton 740/Hamilton Studio 4/HLB 610/Hamilton Print Shop/Hamilton 503/Hamilton 513/Hamilton

1/25 – 4/12 1/25 – 4/19 2/8 – 4/19 2/8 – 4/12 4/19 – 5/24 1/25 – 4/19 1/25 – 4/19 1/25 – 4/19 2/8 – 4/19 3/1 – 4/5

9 a.m. – 12 p.m. 12:30 – 3:30 p.m. 12:30 – 3:30 p.m. 12:30 – 3:30 p.m. 12:30 – 3:30 p.m. 6 – 9 p.m. 5:30 – 8:30 p.m. 6 – 9:30 p.m. 6 – 9 p.m. 6 – 9 p.m.

Laver Ted Xaras Ciambella Duncan Francis Connors Rosati Efremoﬀ Rupinski Friedman

465/Hamilton 461/Hamilton 1021/Hamilton 610/Hamilton Bartram’s Garden Studio 4/HLB Print Shop/Hamilton 781/Hamilton 1021/Hamilton 514/Hamilton

ONlINE COURSES Academic Figure Drawing Art History: Modern Art Since 1945 Essential Human Anatomy Build Your Own Labyrinth

MONDAYS Life Painting & Drawing In-Depth Watercolor (Section 2) Super Realism Oil Painting: Tools & Techniques Yoga in the Cast Hall

ThE OIl SKETCh: lANDSCAPE Patrick Connors The oil sketch is a traditional way for painters to execute preparatory ideas, quickly capture initial impressions, or enjoy a fresh and instinctive approach to painting! Learn useful techniques for rapidly encapsulating color and form while working directly from observation. Held on Kelly Drive, along the Schuylkill River. Saturday, May 19 9 a.m. – 4 p.m. PT 600S |$95 each + $20 materials fee (includes oil paint and surfaces) Register by: May 11

TUESDAYS Woodcut & Relief Printmaking The Basics of Color Avian Drawing Pastel Drawing & Painting Cast Drawing Drawing Fundamentals Animal Portraiture Portrait Photography Night Painting

WEDNESDAYS The PAFA Atelier: Drawing & Painting Acrylic Painting More Highlights of Print History Plein Air Painting on the Delaware Painting Over the Line Terra Cotta Sculpture Studio Anatomy Drawing from Photographs Lithography Art & Film Lecture Series Shodo: Chinese & Japanese Calligraphy

ThURSDAYS Portrait Drawing Portrait Painting Oil Painting Materials and Techniques Mindful Meditation Painting Plein Air Painting at Bartram’s Garden Portrait Painting: Head Structure Monoprint/Etching Foundry: An Introduction The Extended Pose Analog Photography for the Digital Age Patrick Connors

continued on next page

SChEDUlE-AT-A-Gl ANCE continued WORKShOPS & MASTER ClASSES TITLE

DATES

TIME

INSTRUCTOR

LOCATION

TITLE

1/26 – 4/20 2/2 – 4/6 2/2 – 4/6 2/2 – 4/6 4/20 – 5/4

9 a.m. – 12 p.m. 9 a.m. – 12 p.m. 9 a.m. – 1:30 p.m. 12:30 – 3:30 p.m. 12:30 – 3:30 p.m.

TBA Kaplan Toogood Norcia Sylvester

Print Shop/Hamilton 1010/Hamilton 610/Hamilton Cast Hall & St. 2/HLB Philadelphia Galleries

CE Preview Saturday

1/27 – 4/21 1/27 – 4/21 2/3 – 4/7 2/24– 3/17 2/3 – 4/7 2/3 – 4/7 2/3 – 4/7 1/27 – 4/21 1/27 – 4/21 2/3 – 4/7 2/10 – 3/31 3/17 – 4/21 3/24 – 4/7

9 a.m. – 12 p.m. 9 a.m. – 12 p.m. 9 a.m. – 12 p.m. 9 a.m. – 12 p.m. 10 a.m. – 1 p.m. 10 a.m. – 1 p.m. 10 a.m. – 1 p.m. 12:30 – 3:30 p.m. 12:30 – 3:30 p.m. 12:30 – 3:30 p.m. 1:30 – 3:30 p.m. 12:30 – 3:30 p.m. 9 a.m. – 1 p.m.

Nocella Horn Syvertsen Chittenden-Lim Sylvester Hildreth McKnight Horn Nocella Habashi Duncan Rosati Kessler

760/Hamilton 1021/Hamilton 465/Hamilton Print Shop/Hamilton 1010/Hamilton Studio 1/HLB 513/Hamilton 740/Hamilton 720/Hamilton 461/Hamilton 465/Hamilton Print Shop/Hamilton 503/Hamilton

1/28 – 2/25 3/11 – 4/22 4/22 – 5/20

9 a.m. – 1 p.m. 9 a.m. – 4 p.m. 9 a.m. – 2 p.m.

Ciambella Norcia Francis

610/Hamilton Studio 1/HLB Outdoor Locations

fRIDAYS Screenprinting & Beyond Classical Still Life In-Depth Watercolor (Section 1) Classical Figure Drawing Gallery Going

SUNDAYS Egg Tempera Painting Classical Figure Painting The Philadelphia Landscape

TIME

INSTRUCTOR

LOCATION

Saturday, 1/6

10 a.m. – 1 p.m.

Various

Thursday, 2/1 Saturday, 2/3 Sat. & Sun., 2/3 & 4 Sat. & Sun., 2/10 & 11 Saturday, 2/17 Sat. & Sun., 2/17 & 18 Fri. – Sun., 2/23 – 25 Saturday, 2/24

10:30 – 11:30 a.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m.

Duncan Toogood Amoudi Shanahan Staples Toogood Shils Rucker

Museum Galleries 611/Ham 1023/Hamilton 610/Hamilton 514/Hamilton 610/Hamilton 461/Hamilton Print Shop/Hamilton

Thursday, 3/1 Saturday, 3/3 Sat. & Sun., 3/3 & 4 Saturday, 3/10 Sat. & Sun., 3/10 & 11 Friday, March 16 Saturday, 3/17 Sat. & Sun., 3/17 & 18 Saturday, 3/24 Saturday, 3/24 Saturday, 3/31

10:30 – 11:30 a.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 10 a.m. – 1 p.m. 9 a.m. – 5 p.m. 6 – 7:30 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 1 – 2 p.m. 2:30 – 5 p.m. 9 a.m. – 5 p.m.

Duncan Rucker Miller O’Donnell Kaplan Lafuente Wagner Lafuente Abel Abel Staples

Museum Galleries 610/Hamilton Print Shop/Hamilton 740/Hamilton 610/Hamilton Hamilton Audit./HLB 514/Hamilton 461/Hamilton Hamilton Audit./HLB 513/Hamilton 512/Hamilton

Thursday, 4/5 Sat. & Sun., 4/7 & 8 Saturday, 4/14 Sat. & Sun., 4/14 & 15 2 Saturdays, 4/14 & 21 Sat. & Sun., 4/21 & 22 Sat. & Sun., 4/28 & 29

10:30 – 11:30 a.m. 9 a.m. – 5 p.m. 10 a.m. – 4 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m.

Duncan Gist Smith Goodman Staples Syvertsen Oosterbaan

Museum Galleries 610/Hamilton 610/Hamilton 1010/Hamilton 514/Hamilton 465/Hamilton 610/Hamilton

Thursday, 5/3 Sunday, 5/6 Saturday, 5/12 5/16 – 20 Fri. – Sun., 5/18 – 20 Saturday, 5/19 5/21 -25 5/28 – 6/9

10:30 – 11:30 a.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m. Variable 9 a.m. – 5 p.m. 9 a.m. – 4p.m. Variable Variable

Duncan Kaplan Kaplan Toogood Shils Connors Sweeney Osti

Museum Galleries Brandywine River Outdoor Locations Bermuda Print Shop/Hamilton Kelly Drive Ireland Florence & Rome, Italy

JANUARY

SATURDAYS Stone Carving Life Drawing II Beginning Painting II Solar Etching High School Portfolio Prep.: Drawing High School Portfolio Prep.: Painting The Graphic Novel Strikes Back! Figure & Portrait Modeling Metal Sculpture Mixed Media Drawing Art as Expression for Teens Watercolor Plunge Improvisational Stitching

DATES

fEbRUARY Stroll through the Galleries Matting & Framing Spontaneous Figure Painting Encaustic Painting Crash Course in DSLR Cameras Watercolor Workshop The Life Studio Hand-Printed Monotype

MARCh Stroll through the Galleries The Painting Knife Woodcut Workshop Members Workshop: Sculpture Painless Perspective Lecture with Christine Lafuente Crash Course in Video Editing Alla Prima Painting Creative Focus Lecture Creative Focus Workshop Photographing Your Artwork

APRIl Stroll through the Galleries Botanical Alla Prima Intro to Art Journaling Watercolor Workshop Intro to Photoshop Gouache Painting Passion for the Palette

CONTINUING EDUCATION PROGRAMS

ANNUAl JURIED STUDENT EXhIbITION March 22 – April 14, 2018

MAY Stroll through the Galleries Painting on the Brandywine Sketch on the Go Plein Air Painting in Bermuda Monotype Workshop The Oil Sketch: Landscape Plein Air Painting in Ireland The Renaissance Figure

Students enrolled in CE classes during the Spring 2017 through Spring 2018 semesters are eligible to enter. For a detailed prospectus visit: pafa.edu/ce-show.

REGISTRATION INfORMATION Spring 2018

REGISTRATION DEADlINES ■

4 WAYS TO REGISTER

CREDIT

REGISTRATION BEGINS DECEMBER 4

PAFA is accredited through the National Association of Schools of Art and Design (NASAD) and the Middle States Commission on Higher Education (MSCHE). PAFA is a member of the Association of Independent Colleges of Art and Design (AICAD).

Register early to guarantee enrollment and prevent course cancellations. 1. ONLINE: www.pafa.edu/ce 2. PHONE: 215-972-7632 3. MAIL*:

Continuing Education Programs Pennsylvania Academy of the Fine Arts 128 North Broad Street Philadelphia, PA 19102

4. IN PERSON: Visit the Continuing Education oﬃce on the 3rd Floor of the Samuel M.V. Hamilton Building * Please mail a completed registration form with check, money order, or credit card information. We accept VISA, MasterCard, American Express and Discover. Make checks or money orders payable to “PAFA.”

STUDENT ADVISING We are here to help! For assistance in course selection or to make an appointment, call 215-972-7632 or email continuinged@pafa.edu.

Continuing Education Programs Oﬃce Hours Monday – Thursday..............9 a.m. – 6:30 p.m. Friday ................................................9 a.m. – 4 p.m. Saturday...............................8:30 a.m. – 1:30 p.m. During school vacations and when evening/ weekend classes are not in session, the oﬃce will be open Monday through Friday, 9 a.m. – 5 p.m.

■

Undergraduate Credit Courses meeting contact hour requirements (30 hours minimum, not including lunch breaks) are available for 1.0, 1.5 or 3.0 undergraduate credit, not including lunch breaks. If taken for credit, you may incur additional coursework, and will receive a course grade and appropriate credit that will appear on an oﬃcial PAFA transcript, if requested (see below). Changes in credit status must be arranged through the CE oﬃce prior to the third class for courses that run 12 or more week or the second class for courses that run 10 weeks or fewer. No refunds can be issued for changes from credit to non-credit.

January 12 for classes beginning January 22 – 28 Registration deadlines vary for Short and Condensed Courses, Online Courses, High School Portfolio Preparation Courses, Workshops, Lectures, Seminars and Master Classes. Please refer to individual course descriptions.

COURSE TUITION AND fEES ■

■

30 contact hours: $395 non-credit; $525 for 1.0 undergraduate credit 36 contact hours: $495 non-credit; $625 for 1.0 undergraduate credit 45 contact hours: $595 non-credit; $950 for 1.5 undergraduate credits

Tuition varies for Short and Condensed Courses, Online Courses, High School Portfolio Preparation Courses, Workshops, Lectures, Seminars, and Master Classes. Please refer to individual descriptions.

Transcripts To request an oﬃcial transcript, visit pafa.edu/ transcript to download a transcript request form.

Full payment is due at the time of registration. PAFA cannot prorate courses for late registration, withdrawals or missed classes.

For Pennsylvania & New Jersey K-12 Educators PAFA is approved to provide Pennsylvania Act 48 hours and New Jersey Department of Education Professional Development Credit for its courses and workshops. Courses and workshops are eligible for the number of contact hours for which they meet (excluding lunch breaks). Educators electing to receive PA Act 48 or NJ Professional Development Credit should notify the Continuing Education Programs oﬃce when registering. Please note, Pennsylvania educators must provide their 6-digit Professional Educator Identiﬁcation Number.

Lab and Material Fees Please consult individual course descriptions for any applicable lab or materials fees. Late Fee Registrations received after 5 p.m. on their deadline date may be assessed a late fee of $25. Locker Rental Lockers are available on a ﬁrst-come, ﬁrst-served basis for $25. Locker rental is not available for weekend workshops.

DISCOUNTS* Membership Discount PAFA Members at the Friend level and above receive a 10% tuition discount on all CE courses, workshops and Master Classes. Referral Discount If you are a current CE student and refer a ﬁrst-time Continuing Education student, you both will receive a 10% tuition discount on one course or workshop within the current semester (excludes Master Classes). *Lab, materials and locker fees are not eligible for discount. Some restrictions apply. Call 215-972-7632 for more information.

SChOlARShIPS PAFA Continuing Education is pleased to present the “CE Community Scholarship” to assist students who demonstrate dedication to their art. Requirements: ■ Completed application form ■ Completed CE registration form ■ Personal statement (one page) ■ Application deadline: Friday, January 5 Application will be available to download from pafa.edu/ce after December 4. Please call 215-972-7632 for more information. The CE Community Scholarship is made possible in part by a generous contribution from the Dry Family Foundation. For information about making a gift to support the CE Community Scholarship, please contact the Development Department at 215-972-2077 or use the attached registration form.

High School Student Scholarship Visit pafa.edu/highschool for more information and to download an application. Application Deadline: Friday, January 19

REGISTRATION fORM Spring 2018

REGISTRATION INfORMATION continued

■ REGISTRATION BEGINS DECEMBER 4 ■ See page 37 for registration deadlines ■ Late registrations may incur a $25 late fee

A GIfT CERTIfICATE fOR A COURSE OR WORKShOP MAKES A GREAT GIfT! Call 215-972-7632 for more details.

REfUND POlICY Withdrawals must be made in writing via letter or email to the Continuing Education Programs oﬃce. A $50 administrative fee will be assessed per dropped course, $50 per master class and $15 per workshop. Tuition refunds will be adjusted according to the following schedule (less the administrative fee), unless otherwise indicated: 12- and 14-week Courses Prior to one week before the 1st class ..................100% After the above, prior to the 2nd class .................. 75% After the above, prior to the 3rd class .................. 50% After the above ................................................................0% Condensed/Short Courses (10 or fewer weeks) Prior to one week before the 1st class...................100% After the above, prior to the 2nd class ..................50% After the above ................................................................0% Workshops Prior to one week before the 1st day .....................100% After the above, prior to the 1st day........................50% After the above ................................................................0% Master Classes and Workshops No refunds after registration deadline Members Workshop and CE Preview Courses No refunds

WEAThER/ EMERGENCY ClOSING

Date

Date of Birth

Last Name

First Name

Middle Initial

The closing, delayed opening, or early dismissal of PAFA will be determined jointly by the Dean of the School and the Museum Director, with approval of the President. Such closing or delay would include the School, galleries and administrative oﬃces. Decisions regarding the cancellation of special events and evening classes may be made later in the day. To ﬁnd out if PAFA is closed or delayed you should check one of the following: ■ Our website – messages will be updated on the PAFA homepage, pafa.org ■ PAFA’s main number, 215-972-7600 – An outgoing message advising of a close or delay will be recorded by 6:30 a.m. ■ KYW-TV (CBS 3) – Lists the school by name ■ WPVI-TV (ABC 6) – Lists the school by name ■ WCAU (NBC 10) – Lists the school by name

Address

City

State

Phone – home/primary

Phone – other

Zip

COURSE # TITlE DAY/TIME INSTRUCTOR TUITION lAb/MAT fEE TOTAl

Tuition Total

METhOD Of PAYMENT ■ VISA ■ Mastercard ■ AmEx ■ Discover ■ Check* #__________ ■ Cash

Sub Total

Name on Credit Card

TRANSPORTATION AND PARKING

Credit Card Number

Expiration Date

I agree to abide by the policies and regulations in printed materials and on the website of Continuing Education Programs at PAfA. I have read and understand policies regarding credits, withdrawals, refunds and course cancellations (pages 36 – 38).

Signature (required)

have you taken a class here before? ■ Yes ■ No how did you ﬁnd out about us? ■ Internet (What site?) ____________________________ ■ Radio (What station?) ____________________________ ■ Newspaper/magazine ____________________________ ■ Other (Please specify) ____________________________

Photo: Jeﬀ Fusco

COURSE CANCEllATIONS If minimum enrollment is not met, a class will be cancelled on, or shortly after, its registration deadline. Students will be notiﬁed by phone and/ or email and may choose to transfer into another class or receive a full tuition and fee refund. Early registration helps prevent course cancellation!

how did you receive this catalogue? ■ Mailed to me ■ Picked it up at: ____________________

Discount* CE Community Scholarship Donation**

Signature

PAFA is conveniently located near the SEPTA Jeﬀerson and Suburban train stations, bus and trolley stops and PATCO Hi-Speed Line station stops. For SEPTA information, call 215-580-7800 or visit septa.org. For PATCO information, visit ridepatco.org. For New Jersey Transit information, visit njtransit.com. Discounted parking is available at adjacent Parkway Corporation Parking garage and surface lot. Tickets must be validated by Security staﬀ.

locker

Date

T O T A l * PAfA Members at the friends level and above receive a 10% tuition discount **See page 37 for details

for K-12 educators ■ I am taking a course for PA Act 48 credit or New Jersey Dept of Ed Professional Development Credit. See page 36. PA Professional Educator I.D.# ____________________ Please check if you would like more information about PAfA academic programs ■ Bachelor of Fine Arts ■ Post-Baccalaureate ■ Master of Fine Arts ■ Low Res MFA

Are you an PAfA member? ■ Yes ■ No PAFA Membership Level ________________________________ Expiration Date __________________________________________

for Office Use: Book ______________ Materials ______________ Enrolled ______________ Billed ______________

Please enclose the address to the right.

■ I am receiving duplicates.

■ Please remove my name from the mailing list.

■ Please change my address as indicated.

ADDRESS UPDATE:

IMPORTANT: DATED MATERIAl – DElIVER IMMEDIATElY

www.pafa.edu/ce

CONTINUING EDUCATION PROGRAMS 128 North broad Street Philadelphia, PA 19102 t 215-972-7632 f 215-569-0153 e continuinged@pafa.edu

Philadelphia, PA Permit No. 2879

P A I D

Non-Proﬁt Org U.S. Postage