Spring 2017 Continuing Education Programs by Pennsylvania Academy of the Fine Arts

CONTINUING EDUCATION PROGRAMS ART CLASSES FOR ADULTS AND HIGH SCHOOL STUDENTS

Spring 2017

WE MAKE ARTISTS pafa.edu

LANDSCAPE CLASSES & WORKSHOPS

See page 28

Pennsylvania Academy of the Fine Arts

CONTINUING EDUCATION PROGRAMS

CE PREVIEW SATURDAY Free by rsVp! Interested in taking a class or trying something new, but don’t know where to start? Join us on Saturday, January 7, for free mini courses and find out what PAFA CE has to offer! CE staff will be on hand to answer questions and give tours of the campus. New students will receive a 10% discount on a Spring 2017 class or workshop.

Join our community of dedicated artists of all ages and skill levels

MONOTYPE PRINTMAKING Join Tony Rosati, Chair of the PAFA Printmaking Department, and make your own one-of-a-kind prints! Learn both hand and printing press methods, with step-by-step instruction.

OIL PAINTING BASICS Learn the basics of oil painting with CE faculty member Allison Syvertsen. Get started with an overview of materials and techniques, then paint your own still life!

DRAWING FUNDAMENTALS CE faculty member Phyllis Laver will guide you through the basics of drawing what you see including techniques and materials plus tour you through the historic PAFA Cast hall. courses are Free with a $10 Materials Fee saturday, January 7 10 – 1 p.m. with optional campus tours at 9 a.m. pre-registration required: 215-972-7632 or pafa.edu/ce Photo: Tom Crane

Founded in 1805 as the nation’s first school and museum of fine arts, the Pennsylvania Academy of the Fine Arts (PAFA) promotes the transformative power of art and art making. For over 200 years, our close-knit community of faculty, critics, scholars, curators, museum professionals, and alumni have created a home for contemporary artists to reinvent tradition and make their own mark on the future. As part of this mission, PAFA Continuing Education (CE) programs offer a diverse array of studio art courses, workshops and programs for adults and high school students, open to all levels of ability, from absolute beginner through advanced artist. Whether you’ve never taken an art class before, are returning after a long absence, or are preparing a portfolio for applying to art school, PAFA CE has something for you!

CONTINUING EDUCATION PROGRAMS

ANNUAL STUDENT EXHIBITION March 23 – April 16, 2017 Students enrolled in CE classes during the Spring 2016 through Spring 2017 semesters are eligible to enter. For a detailed prospectus visit: pafa.edu/ce.

Don’t Miss our one-DAy AcADeMy on sAturDAy, April 8! Visit pafa.edu/onedayacademy for the complete course line-up, and the opportunity to register.

TABLE OF CONTENTS ce & school programs................................................4 Master classes ................................................................7 pre-college programs...............................................10 painting.............................................................................12 Drawing ............................................................................16 printmaking ...................................................................19 sculpture.........................................................................20 Mixed/Alternative Media & practical skills.........................................................22 illustration/Digital Media .....................................24 pAFA & the Barnes Foundation...........................25 Art Appreciation/seminar/Wellness ..............26 landscape classes & Workshops .......................28 schedule At-A-Glance..............................................30 registration information .......................................32 On the cover: Larry Francis, Red Building, Morning, Gorgas Park (detail), 2016, Oil on canvas, 24 x 20 in., courtesy of Gross-McCleaf Gallery, Philadelphia.

WE’RE HERE TO HELP! Please call 215-972-7632 or write continuinged@pafa.edu for more information or assistance in course selection.

CONTINUING EDUCATION PROGRAMS 128 North Broad Street Philadelphia, PA 19102 t 215-972-7632 f 215-569-0153 e continuinged@pafa.edu

www.pafa.edu/CE

CE & SCHOOL PROGRAMS

MEMBERSHIP AT PAFA

create a more immersive approach to your experience through certiﬁcate and degree programs and new academic course options.

support our mission and enjoy a variety of great membership beneﬁts by joining pAFA today!

PAFA OPEN ACADEMY PAFA Continuing Education and non-matriculated students have the opportunity to take PAFA School courses for credit or non-credit through the new Open Academy. For more information, and an application, visit pafa.edu/openacademy

The Open Academy has given me an opportunity to work with a PAFA faculty member who is a great ﬁt for me and my work. We originally met in a CE Saturday Critique, and I’m very happy to have been able to keep that conversation going. BEVERLY KEEFER CE & Open Academy student

CONTINUING EDUCATION (CE) CORE CURRICULUM PROGRAM If you are new to art, taking classes but unsure of your artistic direction, or returning to art after a long absence, the CE Core Curriculum Program is for you. Composed of eight CE classes spanning PAFA’s core disciplines, this structured curriculum will build your basic skills and the conﬁdence necessary to move forward in any artistic direction. Visit pafa.edu/corecurriculum for eligible classes and more information. call the continuing education oﬃce at 215-972-7632 to discuss what the core curriculum program can do for you.

DEGREE PROGRAMS PAFA offers a variety of programs to help you meet your artistic goals including: ■ PAFA BFA and PAFA/Penn BFA offered in conjunction with the University of Pennsylvania ■ Certificate Program, offering majors in Painting, Drawing, Sculpture, Printmaking and Illustration ■ Post-Baccalaureate Certificate in Graduate Studies ■ Master of Fine Arts and Low Residency Master of Fine Arts For more information, contact the office of Admissions at admissions@pafa.edu or 215-972-7625.

Your membership will help us strengthen PAFA’s collections and special exhibitions, expand programming, and promote greater arts education outreach to the Philadelphia community. PAFA Members at the Friend level and above receive a 10% tuition discount on CE courses, workshops and Master Classes. For more information and to join, call 215-972-2077 or visit pafa.org/membership.

MEMBERS WORKSHOP: WATERCOLOR WITH JAMES TOOGOOD Artist, author and CE faculty member James Toogood will present a hands-on demonstration on the basics of watercolor painting including the selection of papers, brushes, and pigments, as well as transparent and opaque painting methods. saturday, March 4 | 10 a.m. – 1 p.m. Free with $10 materials fee open to new and existing pAFA Members of all levels. register by: February 17 James toogood

For details about becoming a member or to register, visit pafa.org/membernews or call 215-972-2077.

MASTER CLASSES AND WORKSHOPS ■

Visit pafa.edu/MasterClasses for extended course descriptions, materials lists and upcoming classes.

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pAFA Members at the Friend level and above receive a 10% tuition discount on ce courses, workshops and Master classes! See page 33.

WOODCUT WORKSHOP WITH DAN MILLER PRINTMAKING open to All leVels Don’t miss the opportunity to work with Dan Miller, a member of the PAFA faculty for over 50 years and a master of woodblock printing. Held in PAFA’s state-of-the art Print Shop, this workshop will begin with a printing demonstration and a slide lecture illustrating the vast historical variety within the woodcut experience. Studio activity will focus on designing an image, cutting the woodblock, and printing in blackand-white and color. Attention will be given to equipment usage and to paper selection and employment, with an emphasis on hand-printing. saturday and sunday, March 4 & 5 (snow dates: March 11 & 12) 9 a.m. – 5 p.m. in 609DM | $495 non-credit + $20 lab fee register by: February 17 (space is limited)

Matt Madden, A History of American Comics in Six Panels, 2012

DRAWING WORDS & PICTURES: FUNDAMENTALS OF COMICS STORYTELLING WITH MATT MADDEN ILLUSTRATION open to All leVels Comics is a kind of alchemy, blending words and images on the page to tell stories that make powerful impressions. Words and images play oﬀ of each other and swap roles in ways that give great power and expressive range to the author. Learn how to master the basics of this rich visual language through a series of short exercises and slideshows. Investigate the principles of panel-to-panel storytelling, view examples of page and book design, and survey the traditional tools of the trade: India ink, pens and brushes, and bristol board. Matt Madden (NYC 1968) is a cartoonist, teacher, and translator. His work includes 99 Ways to Tell a Story: Exercises in Style, his comics adaptation of Raymond Queneau’s Exercises in Style, as well as two comics textbooks written in collaboration with his wife, Jessica Abel. The couple were also series editors of The Best American Comics for six years. He recently moved to Philadelphia, after living in Angoulême, France, for four years.

Dan Miller, Many Eyes, woodcut, 10 ½ x 15 in.

saturday and sunday, March 18 & 19 (snow dates: March 25 & 26) 9 a.m. – 5 p.m. in 609MM | $495 non-credit + $15 materials fee (includes most materials) register by: March 3

lecture With MAtt MADDen: hear the artist speak about his life in comics Free and open to the public* Wednesday, March 15 | 6 – 7:30 p.m. hamilton Auditorium/historic landmark Building *rsVp to the ce oﬃce: 215-972-7632

MASTER CLASSES AND WORKSHOPS

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PAINTING IN THE DARK WITH NEYSA GRASSI MIXED MEDIA ON PAPER open to All leVels Paint your way through the mystery and uncertainty of the art-making process through this intuitive, practical and empowering workshop with acclaimed artist and PAFA graduate faculty member, Neysa Grassi. Dispel the voices of criticism in your head, and learn to perceive doubt as a valid means of investigation rather than a destructive force. Work in gouache and mixed media on paper to discover the freedom that comes from making imagery without preconceived outcomes. Discussion of painting practices and critiques of students’ previous work will supplement studio activity. All instruction is presented on an artist-to-artist basis, whether participants are beginners or seasoned artists. References will include Phillip Guston, Alberto Giacometti, Outsider Art and other artists/movements. Photo: Joe Sweeney

saturday and sunday, April 1 & 2 9 a.m. – 5 p.m. in 609nG | $495 non-credit register by: March 17

Neysa Grassi, Untitled, Main Summer 029, 2009, gouache and gum arabic on paper, 5 5/8 x 4 in., courtesy of Locks Gallery, Philadelphia

MONOTYPE WORKSHOP WITH STUART SHILS PRINTMAKING open to interMeDiAte Artists oF All MeDiA Experience the joys and possibilities of monotype printmaking with an emphasis on color and abstraction in the shaping of the visual image. Through the monotype process, students will understand pictorial structure (design) and mood as the keys to visual coherence and graphic strength. Working from window views and in-studio drawings, students will employ graphic shorthand and visual memory to generate imagery that captures the essence of places and moments through color and form, exploring the intimate relationship between observation and abstract structure. Rather than enforcing Shils’ style, instruction will encourage artists to create prints that promote their personal voice and expression. Friday, saturday & sunday, May 19, 20 & 21 9 a.m. – 5 p.m. in 609sM | $950 non-credit register by: May 5 (space is limited to 10 students)

PLEIN AIR PAINTING IN CAPE MAY, NEW JERSEY ALL MEDIA open to All leVels Join plein air painter Joe Sweeney for a painting retreat in beautiful Cape May. Experience small town hospitality while painting the landscape/seascape of Cape May, including Cape May Point, the Cove with sweeping vistas, Cape May Lighthouse, and Sunset Beach. Paint eﬃciently outdoors with tips on choosing a prime location, reading the weather and light at a particular time of day, and setting up a landscape palette. Instruction includes demonstrations and lectures on painting surfaces, materials, compositional drawing and color studies. Morning and evening painting times will leave the afternoons free to relax on the beach – the perfect artist’s getaway. Instruction geared towards oil, acrylic and pastel, but experienced watercolorists are welcome. thursday – sunday, May 18 – 21 pt 605cM | $595 register by: May 5 For more information and recommended accommodations, visit joesweeneyart.com.

COMING SUMMER 2017! ■

MASTER CLASS WITH BILL SCOTT, June 3 & 4

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THE PLEIN AIR LANDSCAPE WITH JOHN MACDONALD, June 9 – 11

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AVIAN DRAWING WITH PATRICIA TRAUB, June 14 – 16

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STILL LIFE PAINTING WITH CHRISTINE LAFUENTE, June 19 – 23

now open for registration! Visit pafa.edu/MasterClasses for more information. John MacDonald

PRE-COLLEGE PROGRAMS Pre-college programs oﬀer teens a valuable opportunity to develop and hone their skills under the guidance of PAFA faculty. All levels welcome. Studio classes include a visit by PAFA Admissions representatives to provide advice on selecting and documenting work for a portfolio and an optional portfolio review. Visit pafa.edu/HighSchool for more information and materials lists.

SCHOLARSHIPS AVAILABLE! Visit pafa.edu/HighSchool for more information and to download an application. Application Deadline: Friday, January 20.

SATURDAY CLASSES HIGH SCHOOL PORTFOLIO PREPARATION: DRAWING Lisa Sylvester Ideal for teens who want to further their drawing skills and develop a strong body of work for their portfolios. Students will work in drawing media from the still life, PAFA’s historic cast collection and the human figure/portrait to learn principles of composition, value, perspective, and drawing techniques. Note: This class will utilize nude figure models. 10 weeks, saturdays, February 4 – April 8 10 a.m. – 1 p.m. Dr 710pp | $425 for 1.0 undergraduate credit or non-credit register by: January 27 HIGH SCHOOL PORTFOLIO PREPARATION: PAINTING David Wilson Add color and variety to your portfolio by developing your painting skills in oil or acrylic. Students will work from direct observation using the still life and human figure/portrait models to explore the fundamentals of painting including the selection and care of materials, painting techniques, and color mixing. Instruction will emphasize principles of composition, the modeling of forms through values and color relationships. Note: This class will utilize nude figure models. 10 weeks, saturdays, February 4 – April 8 10 a.m. – 1 p.m. Dr 710pt | $425 for 1.0 undergraduate credit or non-credit register by: september 23

HIGH SCHOOL PORTFOLIO PREPARATION: PRINTMAKING – NEW! Megan Webb Printmaking enhances drawing/painting skills and can contribute striking additions to a college portfolio. Explore the exciting possibilities of several printmaking processes including traditional line etching, screenprinting on t-shirts or other materials, and the painterly possibilities of monotype. Students will be guided through the preparation and steps of each process, learn how to safely handle all materials, and explore the journey of image development and printing. 10 weeks, saturdays, February 4 – April 8 10 a.m. – 1 p.m. pr 710e | $425 for 1.0 undergraduate credit or non-credit register by: January 27 CREATIVE COPING: ART AS EXPRESSION FOR TEENS – NEW! Dona Duncan, Registered Art Therapist Finally, a class that focuses on the issues of being a teenager! Learn to improve your communication skills for better relationships with friends, parents, teachers and others through expressive drawing and painting, group discussion, and optional role-playing. Issues of bullying in schools, feeling diﬀerent, repressed anxiety, and anger management will also be addressed. Open to anyone seeking a comfortable, creative means of building conﬁdence and selfexpression – no prior art experience required. 4 week session 1: February 11 – March 4 4 week session 2: March 18 – April 8 1:30 – 3:30 p.m. in 752WW | $195 per session or $350 for both register by: February 3 (session 1) or March 10 (session 2)

SUMMER ACADEMY FOR HIGH SCHOOL STUDENTS 2017 pAFA’s summer Academy is the definitive program for talented and motivated high school students: a five week, college-level art making experience in the nation’s first and premier school of fine art. ■

Rigorous courses in drawing, painting, sculpture, and printmaking taught by PAFA’s exceptional faculty

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Field trips to the museums and galleries of Philadelphia, New York and Washington, D.C.

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A culminating student exhibition in PAFA’s museum, including a reception and awards ceremony

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A head start on preparing your portfolio for applying to art school

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The opportunity to earn four college credits

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The option for an Admissions portfolio review for pre-approval for your PAFA college application (additional materials required)

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A $5,000 Next Step Scholarship issued to all Summer Academy alums who enroll in PAFA’s Certiﬁcate or BFA programs.

Application period begins February 1. For more information, visit pafa.edu/summeracademy.

COURSES AND WORKSHOPS ■

Visit pafa.edu/CE for extended course descriptions and materials lists.

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pAFA Members at the Friend level and above receive a 10% tuition discount on ce courses, workshops and Master classes! See page 33.

PAINTING see lAnDscApe on page 28 for additional painting courses see page 22 for Mixed/Alternative Media & Practical Skills for painting related workshops OIL PAINTING TOOLS & TECHNIQUES Frederic Kaplan An encyclopedia of painting information for the beginning or advanced oil painter! Examine the techniques of blending, glazing, scumbling, and s’graﬃto. Materials instruction includes demonstrations on preparing mediums and surfaces, and an overview of paint colors and brands. Color theory and mixing, and methods of realistic painting will be addressed. Drawing experience recommended. 12 weeks, Mondays, January 23 – April 17 (no class on March 6) 6 – 9 p.m. pt 616et | $495 non-credit or $625 for 1.0 undergraduate credit register by: January 13

ENCAUSTIC PAINTING – NEW! Clarissa Shanahan Encaustic painting is the technique of painting with hot tinted beeswax, seen in ancient Egyptian portraiture as well as the work of modern/ contemporary artists. Learn all aspects of this fascinating process. Open to all levels, and a versatile adjacent medium for oil/acrylic painters seeking to explore texture and layering. 5 weeks, Mondays, January 30 – February 27 10 a.m. – 3 p.m. in 613e | $350 + $65 materials fee (includes most materials) register by: January 20

LIFE PAINTING AND DRAWING Douglas Martenson Explore contemporary and traditional realism in drawing and oil painting. Learn fundamental elements of ﬁgure drawing including anatomy, quality of line, tone, composition, design, proportion and space. Students will work from nude models, starting with short poses and continuing to extended poses to develop ﬁnished paintings. Open to all levels. 12 weeks, tuesdays, January 24 – April 18 (no class on March 7) 9 a.m. – 12 p.m. pt 600e | $495 non-credit or $625 for 1.0 undergraduate credit register by: January 13

PAINTING SECRETS OF THE RENAISSANCE MASTERS – NEW! Robert Waddington Learn the painting secrets of the Renaissance masters! Based on the historic treatises of Giorgio Vasari and others, learn traditional methods for preparing canvases and panels, the nature of ancient pigments and their modern equivalents, the use of brushes and tools, and transparent and opaque painting techniques in tempera and oil. Drawing/ painting experience recommended 12 weeks, Wednesdays, January 25 – April 19 (no class on March 8) 9 a.m. – 12 p.m. pt 623e | $495 non-credit; $625 for 1.0 undergraduate credit register by: January 13 PAINTING OVER THE LINE Kassem Amoudi Advance beyond confined lines and hard edges to a more liberated way of painting in this open studio environment. Paint from personal subject matter to find your own visual language. Work intuitively and discover new possibilities through unforeseen occurrences. Examples from contemporary and modern art will broaden your understanding of innovative painting. Painting experience recommended. 12 weeks, Wednesdays, January 25 – April 19 (no class on March 8) 12:30 – 3:30 p.m. pt 703el | $495 non-credit or $625 for 1.0 undergraduate credit register by: January 13 CLASSIC EGG TEMPERA – NEW! Ernie Norcia Master the fundamentals of egg tempera painting, practiced by Renaissance artists to recent masters such as Andrew Wyeth and George Tooker. Learn to prepare a wooden panel, make your own fresh egg tempera, and build paint layers toward a finished work. Experiment with both traditional and expressive applications. All levels welcome. 6 weeks, Wednesdays, March 15 – April 19 12:30 – 3:30 p.m. in 601ee | $250 non-credit + $20 materials fee (includes basic materials) register by: March 3

DRAWING AND PAINTING ATELIER – NEW! Peter Van Dyck Designed for students interested in advancing their representational drawing and painting. Choose from the cast collection, human ﬁgure/portrait, still life and interior spaces as subject. Individual instruction and critique will be supplemented by presentations on design, perspective, light and color and more. 12 weeks, thursdays, January 26 – April 20 (no class on March 9) 9 a.m. – 12 p.m. pt 607eA | $495 non-credit or $625 for 1.5 undergraduate credits register by: January 13 ■

Bonus! students may continue to work during the afternoon, 12:30 – 4 p.m. and receive regular critiques for an additional $150. call 215-972-7632 to register.

Peter Van Dyck

PORTRAIT PAINTING Theodore Xaras This class covers all aspects of painting a traditional portrait. Learn how to achieve a likeness, model light and shade, mix ﬂesh tones, and apply paint. Includes demonstrations, and insights into the history of portraiture. Valuable information for all levels. Drawing experience required. 12 weeks, thursdays, January 26 – April 20 (no class on March 9 ) 12:30 – 3:30 p.m. pt 602e | $495 non-credit or $625 for 1.0 undergraduate credit register by: January 13

COURSES & WORKSHOPS PAINTING continued PORTRAIT DRAWING & PAINTING Theodore Xaras Learn to draw or paint the portrait with confidence. Drawing instruction will address head structure, proportions and features. Students have the option to progress to oil painting, focusing on value, flesh tones, and paint application. Students may work in the medium of their choice, including watercolor and pastel. All levels welcome. 12 weeks, thursdays, January 26 – April 20 (no class on March 9) 6 – 9 p.m. pt 714e | $495 non-credit or $625 for 1.0 undergraduate credit register by: January 13 IN-DEPTH WATERCOLOR James Toogood Enrich your knowledge of painting with an in-depth look at watercolor. Thoroughly investigate a wide range of watercolor materials and techniques from your choice of landscape, still life, portrait, and figure subjects. Open to watercolorists of all levels and to acrylic/oil painters looking to broaden their skills. 10 weeks, Fridays, February 3 – April 7 9 a.m. – 1:30 p.m. pt 604eD | $595 non-credit; $950 for 1.5 undergraduate credits register by: January 27 EXPLORING ABSTRACT PAINTING – NEW! Lisa Sylvester Broaden your understanding of the history and possibilities of abstraction, through a variety of stimulating projects. Learn to find inspiration in the natural world, artworks, symbolic abstraction, and gesture. Oil/acrylic painting will be supported by drawing and sketchbook studies. Drawing and painting experience required. 10 weeks, Fridays, February 3 – April 7 9 a.m. – 12 p.m. pt 701ei | $395 non-credit or $525 for 1.0 undergraduate credit register by: January 27

BEGINNING PAINTING Allison Syvertsen A practical introduction to the materials and techniques of oil painting. Learn palette layout, color mixing, methods of paint application, and the selection, handling and clean-up of materials. Investigate issues of color and composition through the still life and portrait. Suitable for absolute beginners and those with limited painting experience. 10 weeks, saturdays, February 4 – April 8 9 a.m. – 12 p.m. pt 616es | $395 non-credit or $525 for 1.0 undergraduate credit register by: January 27

FIGURE PAINTING Frederic Kaplan Paint in oil from the life model to make full-ﬁgure, head, and torso studies. Anatomy, composition, proportion, light and shadow, color, painting technique and history will be covered through lecture and demonstration. Basic drawing experience recommended. 6 weeks, sundays, March 19 – April 30 (no class on April 16) 9:30 a.m. – 4 p.m. pt 600e | $495 non-credit or $625 for 1.0 undergraduate credit register by: March 10

THE AMERICAN WATERCOLOR TRADITION – NEW! Richard Estell Learn the painting techniques of the masters who pioneered the 19th and 20th century American watercolor movement, including Winslow Homer, John Singer Sargent, Edward Hopper, and Charles Demuth. Paint the still life and master copies and visit the Philadelphia Museum of Art’s exhibition, American Watercolor in the Age of Homer and Sargent. 6 weeks, saturdays, March 25 – April 29 12:30 – 3:30 p.m. pt 604et | $275 non-credit (includes museum admission) register by: March 17

ACRYLIC PAINTING WORKSHOP Frederick Kaplan Experience the vibrancy and versatility of acrylic painting! Learn the basic techniques of this watersoluble, solvent-free and easy to clean-up medium including blending and layering, impasto, and use of painting mediums. Previous painting experience is not required, but drawing experience is recommended. saturday and sunday, February 11 & 12 9 a.m. – 5 p.m. pt 608eW | $215 non-credit register by: February 3

CLASSICAL PORTRAIT PAINTING Ernie Norcia Create luminous portraits using time-tested materials and traditional painting procedures established during the Renaissance. Step-by-step instruction will demonstrate how to begin and develop a portrait painting from start to ﬁnish. Open to all levels and an excellent choice for students wishing to learn glazing techniques. 10 weeks, sundays, February 5 – April 9 10 a.m. – 1 p.m. pt 605cl | $395 non-credit or $525 for 1.0 undergraduate credit register by: January 27

WATERCOLOR WORKSHOP James Toogood Designed for those who wish to acquire or improve their basic watercolor painting skills. All materials and techniques will be discussed, including the selection of papers, brushes, and pigments, as well as transparent and opaque painting methods. Students will work from still-life, portrait models or their own source material. All levels welcome. saturday and sunday, February 18 & 19 9 a.m. – 5 p.m. pt 604WW | $215 non-credit register by: February 10

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PASSION FOR THE PALETTE Michelle Oosterbaan Explore how the science and psychology of color play key roles in composing dynamic visual narratives, and learn how to tailor your palette to support your work’s message. Work from still life arrangements with colored lights for brilliant optical eﬀects with emotional resonance. Open to all media. saturday and sunday, March 11 & 12 9 a.m. – 5 p.m. in 604pW | $215 non-credit register by: March 3 BOTANICAL ALLA PRIMA Linda Gist Spring is here! Learn to capture the essence of a living, botanical subject quickly and spontaneously in pencil and watercolor, to create fresh and immediate work. This method can be used for preparatory studies for sustained paintings, compiling a ﬁeld sketchbook, or as an end in itself. All levels welcome. saturday and sunday, April 1 & 2 9 a.m. – 5 p.m. pt 615ep | $215 non-credit + $5 materials fee register by: March 24 GOUACHE PAINTING Allison Syvertsen Learn the fundamentals of painting with gouache, an opaque watercolor paint. Painters of all levels will fall in love with it as a portable, fast-drying, and easy to- clean-up alternative to oils – great for travel or limited working time and space. Explore color and painting techniques through still life and outdoor views. saturday and sunday, April 22 & 23 9 a.m. – 5 p.m. pt 630eW | $215 + $20 materials fee (includes most materials) register by: April 14

pAFA Members at the Friend level and above receive a 10% tuition discount on ce courses, workshops and Master classes! See page 33.

COURSES & WORKSHOPS

DRAWING see lAnDscApe on page 28 for additional drawing courses. FIGURE AND PORTRAIT DRAWING IN INK Phyllis Laver From the Renaissance to the present, artists have favored the expressive qualities of drawing with ink. Experience both the ﬂuid gestural brush applications and detailed reed pen drawing techniques. Focus on head studies and full ﬁgure work using both clothed and life models. All levels welcome. 6 weeks, Mondays, March 13 – April 17 6 – 9 p.m. Dr 725eA | $250 non-credit register by: March 3

DRAWING WITH COLOR PENCIL – NEW! Michelle Oosterbaan Discover the vibrancy and realism of color pencil! Topics include descriptive and expressive line quality, use of value to describe light and volume, cross-hatching and layering, color relationships, and working on colored and textured surfaces. Subjects include still life, live animals, master copies, and the self-portrait. Drawing experience required. 10 weeks, Mondays, February 13 – April 17 6 – 9 p.m. Dr 619ec | $395 non-credit or $525 for 1.0 undergraduate credit register by: February 3

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pAFA Members at the Friend level and above receive a 10% tuition discount on ce courses, workshops and Master classes! See page 33.

ANIMAL DRAWING Diane Collins Working from life in the PAFA studios and at off-site locations, explore animal subjects in a variety of approaches using dry and wet media. Use the underlying architecture to represent the form through contour drawing, wipeouts and more. Instruction will cover anatomy, effective representation of the figure, and emotional expression. Van transportation from PAFA available. 6 weeks, tuesdays, March 14 – April 18 9 a.m. – 1 p.m. Dr 610eA | $350 non-credit register by: March 3 CAST DRAWING Phyllis Laver Drawing in the Academic manner from plaster casts is a traditional and effective way to learn to draw accurately from observation. PAFA’s beautiful and historic Cast Hall contains life-size copies of antique and Renaissance sculpture – a unique resource that has been part of PAFA’s curriculum for over 200 years. All levels welcome. 12 weeks, tuesdays, January 24 – April 18 (no class on March 7) 12:30 – 3:30 p.m. Dr 607e | $495 non-credit or $625 for 1.0 undergraduate credit register by: January 13

PASTEL DRAWING AND PAINTING Joseph Sweeney Learn everything you need to know about soft pastels while working from the still life, figure models, and cityscape views. Instruction will cover technique, use of light and its effect on color, types of pastels, paper selection to create various effects, fixing and transporting finished drawings, and important safety issues. 12 weeks, tuesdays, January 24 – April 18 (no class on March 7) 12:30 – 3:30 p.m. Dr 603eD | $495 non-credit or $625 for 1.0 undergraduate credit register by: January 13

STUDIO ANATOMY – NEW! Patrick Connors This drawing course is designed for the intermediate to advanced artist with an interest in the study of proportion, form, skeletal and musculature structure of the human body. Work from lectures and demonstrations, reference material, PAFA anatomical casts and the life model. Use this knowledge to create accurate and dynamic ﬁgure drawings! 12 weeks, Wednesdays, January 25 – April 19 (no class on March 8) 6 - 9 p.m. Dr 604sA | $495 non-credit or $625 for 1.0 undergraduate credit register by: January 13

DRAWING FUNDAMENTALS Phyllis Laver If you’ve never drawn before, or your skills are a little rusty, then this class is for you. Learn to draw what you see with conﬁdence. Study the still life, interior spaces, and human ﬁgure to master the drawing elements – shape, contour line, composition, light and shadow, texture and perspective. 12 weeks, tuesdays, January 24 – April 18 (no class on March 7) 6 – 9 p.m. Dr 600eB | $495 non-credit or $625 for 1.0 undergraduate credit register by: January 13

DRAWING MEDIA ON PAPER – NEW! Anthony Ciambella Learn everything you need to know about the wide variety of materials artists use on paper. Work in charcoal, pastel, pencil, ink, watercolor, tempera, acrylic, and collage from models, still life, and your own references. Framing, storage, materials’ care, and health concerns will be covered. Optional museum trips available. All levels welcome. 12 weeks, Wednesdays, January 25 – April 19 (no class on March 8) 6 – 9 p.m. Dr 711ep | $495 non-credit or $625 for 1.0 undergraduate credit + $35 materials fee (includes basic materials) register by: January 13

COURSES & WORKSHOPS DRAWING continued

COURSES & WORKSHOPS

ANATOMICAL DRAWING: THE SKELETON Robert Waddington Draw from full size, medical school-grade adult skeletons for focused anatomical study. Students will draw bones from multiple views, undertaking the limbs, pelvis, rib cage and spine before culminating in the skull. This class is ideal for those interested in anatomy and medical illustration. 12 weeks, saturdays, January 28 – April 22 (no class on March 11) 12:30 – 3:30 p.m. Dr 604es | $495 non-credit or $625 for 1.0 undergraduate credit register by: January 13

PRINTMAKING

LARGE-SCALE FIGURE DRAWING John Horn Learn to create detailed and expressive large-scale ﬁgure drawings using sketches and enlarging with a grid. Drawing demonstrations on scale, proportions, skeletal framework, surface form, and movement of the ﬁgure will help students develop the human form on a larger scale with spatial accuracy. All media welcome. Drawing experience required. 12 weeks, saturdays, January 28 – April 22 (no class on March 11) 9 a.m. – 12 p.m. Dr 605el | $495 non-credit or $625 for 1.0 undergraduate credit register by: January 13

Robert Waddington

PORTRAIT DRAWING WORKSHOP Jill A. Rupinski Learn to create ﬁnished portraits in pencil and charcoal that capture likeness and convey expressive eﬀect. The workshop will begin with a structural approach to the head and its features and progress to the study of anatomy, composition and value. Excellent for all levels. saturday and sunday, April 1 & 2 9 a.m. – 5 p.m. Dr 609eW | $215 non-credit register by: March 24

Shushana Rucker

WOODCUT AND RELIEF PRINTMAKING Ronald Wyﬀels Printing from a drawing carved into wood or a linoleum block is the oldest and most straightforward form of printmaking. All aspects of the process will be covered, including drawing on the block, carving your design and printing black-andwhite and color prints. Open to all levels. 12 weeks, thursdays, January 26 – April 20 (no class on March 9) 12:30 – 3:30 p.m. pr 600el | $495 non-credit or $625 for 1.0 undergraduate credit + $20 lab fee register by: January 13 ETCHING, MONOPRINT AND MORE Tony Rosati This course presents intaglio and monotype printing techniques including monotype, monoprint, drypoint, etching, aquatint, collograph and polymer plate methods. Image embellishments will include embossing, chine collé, collage, paper plates and mixed media techniques. All levels welcome; experienced students may continue independent work. 12 weeks, thursdays, January 26 – April 20 (no class on March 9) 5:30 – 8:30 p.m. pr 604eM | $495 non-credit or $625 for 1.0 undergraduate credit + $20 lab fee register by: January 13 SCREENPRINTING AND BEYOND Lisa Hamilton The versatile nature of screenprinting lends itself to printing on paper, fabric and other surfaces. For the beginner, this course will cover all aspects of the process including screen preparation, image development, and printing techniques. Printmakers with experience may propose independent projects. 12 weeks, Fridays, January 27 – April 21 (no class on March 10) 9 a.m. – 12 p.m. pr 620e2 | $495 non-credit or $625 for 1.0 undergraduate credit + $20 lab fee register by: January 13

LITHOGRAPHY Ronald Wyﬀels The ideal printmaking medium for those who love to draw! Design and draw your choice of image with a variety of lithographic drawing materials on traditional stone or lightweight aluminum plates. All aspects of the process will be demonstrated from creating a drawing, to printing in black-and-white and color. All levels welcome. 8 weeks, saturdays, February 11 – April 8 (no class on March 11) 9 a.m. – 1:30 p.m. pr 602e | 495 non-credit or $625 for 1.0 undergraduate credit + $20 lab fee register by: February 3 HAND-PRINTED MONOTYPE WORKSHOP Shushana Rucker An introduction to quick and easy monotype printmaking methods that do not require a press or fully-equipped shop. These techniques are easily transportable for use outside for plein air work, on a table at home or in the classroom. Learn oil-based, dark ﬁeld, water-based and Gauguin monotype processes. saturday, February 25 9 a.m. – 5 p.m. pr 604eh | $115 + $35 materials fee (includes most materials) register by: February 17 SOLAR ETCHING WORKSHOP Lesa Chittenden-Lim Celebrate spring with this versatile, simple and environmentally-friendly way to make painterly prints without using chemicals or acid. Transfer your drawings, paintings and/or computer generated images to a light-sensitized plate which then can be developed with water and printed. A safe and direct way to make images! 2 saturdays, March 25 & April 1 9 a.m. – 5 p.m. pr 615eW | $215 non-credit + $10 lab fee register by: March 17

COURSES & WORKSHOPS

SCULPTURE ÉCORCHÉ: HEAD STRUCTURE AND FACIAL EXPRESSION John Horn Écorché is the three-dimensional study of human form by developing the bone and muscle structures beneath the skin – a method of study dating back to the Renaissance. Learn the anatomy of the head by constructing a 3/4 life-size portrait in plasteline. Sculpture experience recommended. 12 weeks, thursdays, January 26 – April 20 (no class on March 9) 9 a.m. – 12 p.m. sc 615e | $495 non-credit or $625 for 1.0 undergraduate credit + $10 lab fee register by: January 13 CERAMIC SCULPTURE – NEW! Colleen O’Donnell Investigate the potential of ceramic sculpture! Develop hand-building skills, such as hollowing forms (pinch pots), coiling construction, and slab-building, as well as mixed media techniques, glazing, and ﬁring. Explore the conceptual and narrative possibilities of the medium. Open to all levels. 6 weeks, tuesdays, March 14 – April 18 6 – 9 p.m. sc 605ec | $295 non-credit + $10 lab fee register by: March 3 TERRA COTTA SCULPTURE Colleen O’Donnell Explore the versatility of terra cotta clay, which requires neither an armature nor casting. Learn various techniques and tools through demonstration and hands-on sculpting from the life model or imagination. Anatomy, proportion, design, and personal growth will be emphasized, as well as both representational and abstract approaches. All levels welcome. 12 weeks, Wednesdays, January 25 – April 19 (no class on March 8) 12:30 – 3:30 p.m. sc 605eA | $495 non-credit or $625 for 1.0 undergraduate credit + $10 lab fee register by: January 13

FOUNDRY: AN INTRODUCTION Pavel Efremoﬀ This course will cover all aspects of the foundry process. Demonstrations and hands-on instruction will be given in wax modeling and casting, ceramic shell techniques, bronze pouring, metal chasing, TIG welding and patination. All levels welcome. 12 weeks, thursdays, January 26 – April 20 (no class on March 9) 6 – 9:30 p.m. sc 711e | $595 non-credit or $950 for 1.5 undergraduate credit + $65 lab fee register by: January 13 STONE CARVING Steve Nocella Explore the possibilities of stone carving by using traditional and nontraditional methods. All processes from rough carving to polishing will be covered, and various tools and techniques will be demonstrated. Open to all levels. 12 weeks, saturdays, January 28 – April 22 (no class on March 11) 9 a.m. – 12 p.m. sc 602e | $495 non-credit or $625 for 1.0 undergraduate credit + $25 lab fee register by: January 13

METAL SCULPTURE Steve Nocella This course focuses on metal sculpture fabrication and construction, gas and arc welding, brazing, and forging. Basic equipment will be provided, and specific techniques will be demonstrated. All levels welcome. 12 weeks, saturdays, January 28 – April 22 (no class on March 11) 12:30 – 3:30 p.m. sc 615e | $495 non-credit or $625 for 1.0 undergraduate credit + $65 lab fee register by: January 13 FIGURE AND PORTRAIT MODELING John Horn Learn to sculpt the human figure in clay on an armature from direct observation. Experienced students will model a 24-inch figure based on volume, proportion, architectonic construction, and spatial displacement of form. Beginning students will sculpt a life-size portrait first. Instruction will cover armature construction, clay-modeling, and tool usage. All levels welcome. 12 weeks, saturdays, January 28 – April 22 (no class on March 11) 12:30 – 3:30 p.m. sc 600e | $495 non-credit or $625 for 1.0 undergraduate credit + $10 lab fee register by: January 13

TERRA COTTA FIGURE SCULPTURE WORKSHOP Colleen O’Donnell Explore the versatility of terra cotta clay, which requires neither an armature nor casting. Learn various techniques and tools through demonstration and hands-on sculpting from the life model. Sculptures will be ﬁred at the end of the workshop. saturday and sunday, March 11 & 12 9 a.m. – 5 p.m. sc 605eW | $215 non-credit + $10 lab fee register by: March 3 ANIMAL MAQUETTE WORKSHOP – NEW! Diane Collins Sculptors use maquettes to describe essence and action in fast-paced, three-dimensional sketches in clay, similar to croquis in drawing. Learn to capture the unique character of animal movement and form by rapidly identifying key anatomical landmarks. Work from live animal models, both in-studio and at the Philadelphia Zoo. saturday and sunday, April 29 & 30 9 a.m. – 5 p.m. sc 610eW | $215 non-credit + $10 lab fee register by: April 21

COURSES & WORKSHOPS

MIXED/ALTERNATIVE MEDIA & PRACTICAL SKILLS MATTING AND FRAMING WORKS ON PAPER James Toogood View a complete demonstration of all the procedures required to properly prepare your work for framing, from cutting and hinging mats, to ﬁtting and ﬁnal assembly including glazing. Employ these procedures on your own framing project under the supervision of the instructor. saturday, February 4 (snow date: February 11) 9 a.m. – 5 p.m. in 605eM | $115 + $10 materials fee register by: January 27 ■

Bettina Nelson, Untitled (detail), 2012, acrylic and paper collage on paper, 8 ¼ x 5 in. (sketch book)

WOODWORKING FOR THE ARTIST – NEW! Roger Chavez Develop your woodworking skills to build your own artist gear: a tabouret, paint box, and wet canvas carrier. Design plans and materials will be provided for each project. Instruction will cover the uses, features and safety measures for each woodworking took and machine used. 4 weeks, saturdays, January 28, February 4, February 18 & March 4 9 a.m. – 4 p.m. in 620e | $395 non-credit + $60 materials fee (includes most materials) register by: January 13

prepare your artwork for the CE Annual Juried Student Exhibition March 23 – April 16, 2017! For a detailed prospectus, visit pafa.edu/ce

BOOKBINDING FOR BEGINNERS – NEW! Shushana Rucker Learn how to turn your prints and drawings into sculptural works of art. This workshop will introduce three simple bookbinding techniques: pamphlet, accordion and long stitch. Bookbinding requires only simple tools, is easily portable, and does not require a shop or studio, making it ideal for artists of any level. saturday, March 4 9 a.m. – 5 p.m. in 615eW | $115 + $35 materials fee (includes basic materials) register by: February 24 COLLOGRAPH: THE PRINTED COLLAGE – NEW! Christine Stoughton Transform the tactile beauty of collage into a printed image. Print your collage using both press and handprinting techniques with non-toxic, soy based inks. The printed image can serve as a ﬁnished art object or the beginnings of a mixed media piece. Open to all levels. Adaptable for home or the classroom. 6 weeks, tuesdays, March 14 – April 18 6 – 9 p.m. Dr 724es | $250 + $50 materials fee register by: March 3

EMBRACING INTUITION: BOOK COLLAGE – NEW! Bettina Nelson Strengthen your ability to work intuitively: invite the unexpected by immersing yourself in each moment of color and shape. Work in a personal book with watercolor, gouache, paint pens, highlighters, crayons, pencils, pens and cut-paper collage to ﬂuidly create and react to marks, and recognize when to move on. Learn to embrace trust, play, looking, and ﬂexibility in your art-making. saturday & sunday, March 25 & 26 9 a.m. – 5 p.m. in 610Bc | $215 non-credit + $20 materials fee register by: March 17

PREPARING SUPPORTS FOR PAINTING – NEW! Anthony Ciambella Learn the correct methods to prepare stable, archival supports for painting in oil or acrylics. Stretching canvas, preparing wood panels, and applying size and ground layers will be demonstrated. Alternative supports such a metal and plastics will be explored. Useful information for all levels. saturday, April 15 1 – 4 p.m. in 603es | $50 non-credit register by: April 7

SHODO: CHINESE AND JAPANESE CALLIGRAPHY – NEW! Mayumi Tomii Shodo originated in China 3,500 years ago and has developed as a fine art using simple tools: brush, ink and paper. Learn the various styles and techniques of Shodo along with its history and appreciation. Urauchi – the Japanese traditional paper-backing/ mounting methods – will be used to enhance finished work. 6 weeks, Wednesdays, March 15 – April 19 6 – 9 p.m. Dr 724es | $250 + $20 materials fee (includes most materials) register by: March 3 THE HOME STUDIO – NEW! Anthony Ciambella Setting up an art studio in your home or apartment can be challenging, but a lot can be accomplished in a small space. Topics include efficiency, lighting, ventilation, storage, safety and waste disposal. Includes demonstrations on brush care, paint storage, varnishing and framing. Useful information for artists of all levels. saturday, April 15 9 a.m. – 12 p.m. in 603eh | $35 non-credit register by: April 7

CERAMIC DECAL PRINTING – NEW! André Fransen Van de Putte Learn to prepare photo silkscreened ceramic decals, used to aﬃx permanent images onto glazed ceramic, tile, or glass. Learn methods to create images, print transparencies, coat and expose a screen, mix china paints, and print decals. Students will come away from this workshop with ﬁnished decals ready for transfer. 2 saturdays, May 6 & 13 9 a.m. – 5 p.m. pr 623ec | $215 + $35 materials fee register by: April 28

COURSES & WORKSHOPS

ILLUSTRATION/DIGITAL MEDIA

PAFA & THE BARNES FOUNDATION

INTRODUCTION TO VIDEO EDITING – NEW! Ian Wagner Master the video editing process from media preparation through publishing a ﬁnal video. Learn to make basic and advanced edits using your own video clips and add transitions, overlays, animations and audio. Explore color management and learn how to upload your work to the internet. Basic computer skills required. 10 weeks, Wednesdays, February 15 – April 19 6 – 9 p.m. in 660Ve | $395 non-credit + $20 lab fee register by: February 3

INTRODUCTION TO DIGITAL PHOTOGRAPHY – NEW! Sharon Koelblinger Learn the basics of digital photography, including camera functions, image editing in Photoshop, and creating digital prints. Instruction will focus on ﬁne art aesthetics, compositional strategies, conceptual framework, individual expression and historical/ contemporary context.Students should have access to a DSLR camera or a compact camera with manual functions. 10 weeks, Mondays, February 27 – May 1 6 – 9 p.m. in 660ph | $395 non-credit + $20 lab fee register by: February 17 DIGITAL PORTRAITURE – NEW! Ryan Muldowney Learn to create your own unique, digitally-painted portraits. Topics covered include researching and collecting reference, combining reference material in Adobe Photoshop to form a digital underpainting, and using a Wacom tablet to digitally draw and paint a ﬁnished image over your underpainting. 2 saturdays, February 25 & March 4 9 a.m. –5 p.m. in 602Ds | $215 non-credit + $10 lab fee register by: February 17

PHOTOGRAPHING YOUR ARTWORK – NEW! Sharon Koelblinger The ability to document artwork is an important skill for any artist pursuing exhibition, professional or academic opportunities. Learn basic lighting and photography techniques to document twodimensional drawings and paintings as well as threedimensional sculptural works. Bring 2 - 3 pieces of art and your digital camera for hands-on experience. saturday, March 25 9 a.m. – 5 p.m. in 660Ap | $115 non-credit + $10 lab fee register by: March 17 INTRODUCTION TO PHOTOSHOP – NEW! Sharon Koelblinger Adobe Photoshop is an essential program for promoting the visual impact of digital artwork and documented images. Gain a basic understanding of its editing tools and techniques. Workflow, color profiles, color and contrast correction, retouching, and other enhancements will be explored. Bring your own images on a flash drive to edit in class. 2 saturdays, April 8 & 15 9 a.m. – 5 p.m. in 635iW | $215 non-credit + $10 lab fee register by: March 31

Ryan Muldowney, Saint, 2015, digital print, 30 x 24 in. (projected scale)

The Barnes-de Mazia Education Program uses an inquiry-based method to encourage students of all ages to develop their visual and analytical skills. Students debate, exchange ideas, and discover new ways of seeing and thinking. Using the collection as their guide, Barnes instructors lead students through an engaging exploration of the elements and traditions of Western Art. PAFA is proud to partner with the Barnes and oﬀer credit for these courses. Courses take place at the Barnes Foundation. THE ELEMENTS OF ART William Perthes Learn the Barnes-de Mazia method of analyzing and appreciating visual art, and explore the relationship between art and daily life. Hone your power of perception and learn to better communicate your visual experiences. 14 weeks, tuesdays, January 24 – May 2 (no class on April 11) 12 – 3 p.m. $500 non-credit for $1,475 for 3.0 pAFA credits

THE TRADITIONS OF ART William Perthes Art is a visual record of the perceptions of artists throughout time. Focusing primarily on developments in Western European art, this class explores how traditions inﬂuence and aﬀect one another, how artists learn from and adapt the traditions, and how modern art evolved in the 19th and 20th centuries. 14 weeks, tuesdays, January 24 – May 2 (no class on April 11) 6 – 9 p.m. $500 non-credit for $1,475 for 3.0 pAFA credits

Visit www.barnesfoundation.org or call 215-278-7200 to register.

COURSES & WORKSHOPS

ART APPRECIATION/SEMINAR/WELLNESS THURSDAYS IN THE MUSEUM WITH DONA – NEW! Dona Duncan Stroll the beautiful PAFA museum galleries with artist, teacher, PAFA docent and registered art therapist Dona Duncan. Discover new ways to view paintings and gain insight into the thoughts and emotions communicated by the artist. Examine the use of color and brushwork along with other interesting aspects of the painting process. Meet in café afterwards to continue the conversation. 4 thursdays, February 2, March 2, April 6 & May 4 10:30 - 11:30 a.m. in751eD | $25 per session or $75 for all four register by: one week prior to each session

THE HEALING POWER OF ART Dona Duncan Discover the restorative power of art with Dona Duncan, registered art therapist. Art-making can beneﬁt those suﬀering from memory loss, depression, PTSD, or the frustrations of daily life by reducing stress, improving communication skills, and unlocking creative blocks. Includes light meditation and relaxation techniques, viewing and discussing works in the PAFA galleries, and in-studio drawing and painting. No experience necessary. 10 weeks, thursdays, February 9 – April 13 12:30 – 3:30 p.m. in 750eh | $395 non-credit register by: February 3 ■

■

see also “Creative Coping: Art as Expression for Teens” on page 10.

A GIFT CERTIFICATE FOR A COURSE OR WORKSHOP MAKES A GREAT GIFT!

Call 215-972-7632 for more details.

GALLERY-GOING Lisa Sylvester Interested in visiting galleries or collecting art, but don’t know where to start? Explore Philadelphia’s diverse gallery scene with PAFA faculty-artist Lisa Sylvester for an insider’s view of the artist/ gallery relationship. Visit artist-run, commercial, and alternative exhibition spaces, as well as local artists’ studios, for the latest art in the city. 3 weeks, Fridays: April 21, April 28, and May 5 12:30 a.m. – 3:30 p.m. in 715eG | $50 per session or $125 for all three register by: october 2 (space is limited) ■

Bonus! young Friends of pAFA receive a 10% discount on this class. Visit pafa.org/youngfriends for more information.

GROUP CRITIQUE WITH PATRICIA TRAUB

Dona Duncan

HIGHLIGHTS OF PRINTMAKING HISTORY – NEW! Tony Rosati A history of prints and printed illustration work from the 15th to the 21st centuries, presented by Tony Rosati, Chair of the PAFA Printmaking Department. Printmaking will be presented in the context of art history and its relevance to the cultural, religious and political climate of the times. Vocabulary associated with methods, materials, artists, and the many isms of art history will also be covered. 5 weeks, Wednesdays, March 15 – April 12 10 a.m. – 12 p.m. pr 620eh | $175 register by: March 3

PAFA oﬀers a vibrant community of faculty-artists and students who can stimulate your art-making with advice and new perspectives. A group critique is an excellent means of both dispelling feelings of artistic isolation or uncertainty and ﬁnding inspiration in the ideas and artwork of others in a supportive, non-judgemental environment. saturday, March 18 Begins at 9 a.m. in 747pt | $100 register by: March 10 (space is limited)

Patricia Traub is an Associate Professor at PAFA, teaching drawing and painting. A PAFA alumna, her interest in animal painting and conservation led her to studies in zoology and taxonomy at the University of Pennsylvania, ornithology at Cornell University, and primatology with Dr. Birute Galdikas at Camp Leakey, Indonesia. She is represented by Gallery Henoch, New York, where her work was featured in a November 2016 solo exhibition. Patricia Traub, The Caregiver, Oil on linen, 55 ½ x 89 ½ in. Private collection

COURSES & WORKSHOPS

LANDSCAPE CLASSES & WORKSHOPS THE PENNSYLVANIA LANDSCAPE TRADITION Joseph Sweeney Learn the essentials of landscape painting in the New Hope countryside, the area made famous by Daniel Garber, Edward Redﬁeld, Fern Coppedge, and other masters of Pennsylvania Impressionism. Topics include color mixing to achieve a sense of light and air, capturing time of day, compositional fundamentals, and sound painting practices. 6 weeks, Wednesdays, April 12 – May 24 (no class on May 17) 10 a.m. – 4 p.m. pt 605eB | $495 non-credit; $625 for 1.0 undergraduate credit register by: March 31

Photo: Frederic Kaplan

LANDSCAPE FROM THE MASTERS – NEW! Roger Chavez Artists from the Renaissance through today have shaped and transformed their craft through copying works of their predecessors. Apply this timehonored tradition to landscape painting in order to gain a better understanding of mark-making, composition, space and color. Explore your discoveries outside in an excursion to paint the surrounding landscape. 6 weeks, Mondays, March 13 – April 17 12:30 – 3:30 p.m. pt 605eM | $295 non-credit register by: March 3

PLEIN AIR PAINTING AT BARTRAM’S GARDEN Larry Francis Work en plein air at historic Bartram’s Garden, home of America’s first botanist, John Bartram. Learn to capture light and shadow; create a convincing sense of space; and depict trees, flowers and buildings. Drawing and painting techniques will be demonstrated for oil and gouache. Free parking and restrooms available. 6 weeks, thursdays, April 13 – May 18 12:30 – 3:30 p.m. pt 605BG | $250 register by: March 31 THE PHILADELPHIA LANDSCAPE Larry Francis Craft your personal vision of Philadelphia’s picturesque landscape. Learn to build form, mix color, and create space with perspective, light and shadow. Instruction will address tips for working onsite and the history of painting the city. Locations in North Broad, Northern Liberties, Roxborough, and West Philadelphia will offer parking, provisions and facilities. All media welcome. 5 weeks, sundays, April 2 – May 7 (no class on April 16) 9 a.m. – 2 p.m. pt 612ep | $350 non-credit register by: March 24

LANDSCAPE PAINTING: METHODS, APPROACHES AND STRATEGIES – NEW! Charles Muldowney This workshop oﬀers a concise exploration of landscape painting from a variety of approaches: alla prima and plein air vs. indirect painting; academic vs. conceptual. Experience a variety of materials, equipment, design ideas, techniques and styles. Includes a visit the PAFA museum to view historic examples and an outdoor painting session (weather permitting). saturday, April 29 9 a.m. – 5 p.m. pt 605MW | $125 non-credit register by: April 21 PLEIN AIR PASTEL AND WATERCOLOR Keith A. Leitner Learn the basics of drawing with pastel and watercolor, ideal for plein air, as you work along the picturesque Benjamin Franklin Parkway. The instructor will demonstrate techniques, reference art historical examples, and encourage personal expression. Amenities will be available along the way. All levels welcome. sunday, April 30 9 a.m. – 5 p.m. Dr 605Wp | $115 + $10 materials fee (includes basic materials) register by: April 21 THE SCHUYLKILL LANDSCAPE – NEW! Patrick Connors Investigate the delightful practice of painting outdoors, or en plein air, on the grounds of beautiful Laurel Hill Cemetery, a National Historic Landmark that features terraced grounds, Victorian monument sculpture, and wonderful views of the Schuylkill River. Receive instruction in classic plein air oil painting techniques and complete paintings depicting morning and afternoon light. Oil colors, painting supports, solvent and medium will be provided by the instructor. saturday and sunday, May 6 & 7 9 a.m. – 4 p.m. pt 605Ws | $225 non-credit + $25 materials fee register by: April 28

SKETCH ON THE GO Frederic Kaplan Capture the active life of the city and its rich architecture. This is an excellent workshop for anyone who wants to learn to sketch on the bus or train, in cafés and public parks, or while traveling abroad. Topics include perspective, gauging proportions by eye, gesture ﬁgure drawing, and methods for simplifying form. All levels welcome. saturday, May 13 9 a.m. – 5 p.m. Dr 620eW | $115 non-credit register by: May 5 THE LANDSCAPE SKETCH – NEW! Celia Reisman Learn to transform plein air drawings to studio paintings. On Saturday, draw outdoors from direct observation in Philadelphia’s historic district. On Sunday, use your plein air studies and memory to create one or more studio paintings with emphasis on composition, color structure, painting technique and ﬁnding your personal voice. saturday and sunday, May 20 & 21 9 a.m. – 5 p.m. Dr 615ep | $215 non-credit register by: May 12

Celia Reisman, Broadway Vista, 2014 Oil on canvas, 30 x 40 in.

See the artist’s work on view “Celia Reisman: New Paintings”, at Gross-McCleaf Gallery, May 5 – 27. For more information, visit www.grossmccleaf.com.

SCHEDULE-AT-A-GLANCE TITLE

DATES

TIME

INSTRUCTOR

LOCATION

1/30 – 2/17 3/13 – 4/17 1/23 – 4/17 2/13 – 4/17 2/27 – 5/1 3/13 – 4/17

10 a.m. – 3 p.m. 12:30 – 3:30 p.m. 6 – 9 p.m. 6 – 9 p.m. 6 – 9 p.m. 6 – 9 p.m.

Shanahan Chavez Kaplan Oosterbaan Koelblinger Laver

610/Hamilton 465/Hamilton 1021/Hamilton 610/Hamilton 514/Hamilton 461/Hamilton

1/24 – 4/18 3/14 – 4/18 1/24 – 4/18 1/24 – 4/18 1/24 – 4/18 3/14 – 4/18 3/14 – 4/18

9 a.m. – 12 p.m. 9 a.m. – 1 p.m. 12:30 – 3:30 p.m. 12:30 – 3:30 p.m. 6 – 9 p.m. 6 – 9 p.m. 6 – 9 p.m.

Martenson Collins Sweeney Laver Laver O’Donnell Stoughton

Studio 6/HLB 610/Hamilton & Van 610/Hamilton Cast Hall/HLB 461/Hamilton 740/Hamilton Print Shop/Hamilton

1/25 – 4/19 3/15 – 4/12 4/12 – 5/24 1/25 – 4/19 1/25 – 4/19 3/15 – 4/19 1/25 – 4/19 1/25 – 4/19 2/15 – 4/19 3/15 – 4/19

9 a.m. – 12 p.m. 10 a.m. – 12 p.m. 10 a.m. – 4 p.m. 12:30 – 3:30 p.m. 12:30 – 3:30 p.m. 12:30 – 3:30 p.m. 6 – 9 p.m. 6 – 9 p.m. 6 – 9 p.m. 6 – 9 p.m.

Waddington Rosati Sweeney O’Donnell Amoudi Norcia Connors Ciambella Wagner Tomii

Studio 6/HLB Print Shop/Hamilton New Hope, Pa. 740/Hamilton 1023/Hamilton 610/Hamilton Cast Hall/HLB 1021/Hamilton 514/Hamilton 610/Hamilton

1/26 – 4/20

9 a.m. – 12 p.m.

Van Dyck

Cast Hall & St. 6/HLB

1/26 – 4/20 1/26 – 4/20 1/26 – 4/20 2/9 – 4/13 4/13 – 5/18 1/26 – 4/20 1/26 – 4/20 1/26 – 4/20

9 a.m. – 12 p.m. 9 a.m. – 12 p.m. 12:30 – 3:30 p.m. 12:30 – 3:30 p.m. 12:30 – 3:30 p.m. 5:30 – 8:30 p.m. 6 – 9 p.m. 6 – 9:30 p.m.

Horn Wyﬀels Ted Xaras Duncan Francis Rosati Xaras Efremoﬀ

740/Hamilton Print Shop/Hamilton 461/Hamilton 610/Hamilton Bartram’s Garden Print Shop/Hamilton 461/Hamilton 781/Hamilton

1/27 – 4/21 2/3 – 4/7 2/3 – 4/7 4/21, 4/28 & 5/2

9 a.m. – 12 p.m. 9 a.m. – 1:30 p.m. 9 a.m. – 12 p.m. 12:30 – 3:30 p.m.

Hamilton Toogood Sylvester Sylvester

Print Shop/Hamilton 610/Hamilton 461/Hamilton Philadelphia Galleries

1/28 – 4/22 1/28 – 4/22 2/4 – 4/8 2/11 – 4/8 1/28 – 3/4 2/4 – 4/8 2/4 – 4/8 2/4 – 4/8 1/28 – 4/22 1/28 – 4/22

9 a.m. – 12 p.m. 9 a.m. – 12 p.m. 9 a.m. – 12 p.m. 9 a.m. – 1:30 p.m. 9 a.m. – 4 p.m. 10 a.m. – 1 p.m. 10 a.m. – 1 p.m. 10 a.m. – 1 p.m. 12:30 – 3:30 p.m. 12:30 – 3:30 p.m.

Nocella Horn Syvertsen Wyﬀels Chavez Sylvester Wilson Webb Horn Nocella

760/Hamilton 1021/Hamilton 465/Hamilton Print Shop/Hamilton Sculpture Shop/Hamilton 1023/Hamilton Studio 1/HLB Print Shop/Hamilton 740/Hamilton 720/Hamilton

MONDAYS encaustic painting landscape from the Masters oil painting: tools & techniques Drawing with color pencil introduction to Digital photography Figure & portrait Drawing in ink

TUESDAYS life painting & Drawing Animal Drawing pastel Drawing & painting cast Drawing Drawing Fundamentals ceramic sculpture collograph: the printed collage

THURSDAYS Drawing & painting Atelier Écorché: head structure and Facial expression Woodcut & relief printmaking portrait painting the healing power of Art plein Air painting at Bartram’s Garden etching, Monoprint & More portrait Drawing & painting Foundry: An introduction

FRIDAYS screenprinting & Beyond in-Depth Watercolor exploring Abstract painting Gallery-Going

SATURDAYS stone carving large scale Figure Drawing Beginning painting lithography Woodworking for the Artist high school portfolio prep: Drawing high school portfolio prep: painting high school portfolio prep: printmaking Figure & portrait Modeling Metal sculpture

TITLE

DATES

TIME

INSTRUCTOR

LOCATION

Anatomical Drawing: The Skeleton The American Watercolor Tradition Creative Coping: Art as Expression for Teens Creative Coping: Art as Expression for Teens

1/28 – 4/22 3/25 – 4/29 2/11 – 3/4 3/18 – 4/8

12:30 – 3:30 p.m. 12:30 – 3:30 p.m. 1:30 – 3:30 p.m. 1:30 – 3:30 p.m.

Waddington Estell Duncan Duncan

461/Hamilton 512/Hamilton 465/Hamilton 465/Hamilton

2/5 – 4/9 3/19 – 4/30 4/2 – 5/7

10 a.m. – 1 p.m. 9:30 a.m. – 4 p.m. 9 a.m. – 2 p.m.

Norcia Kaplan Francis

Studio 1/HLB 1021/Hamilton Outdoor Locations

TIME

INSTRUCTOR

LOCATION

10 a.m. – 1 p.m. 10 a.m. – 1 p.m. 10 a.m. – 1 p.m.

Laver Rosati Syvertsen

Studio 1/HLB Print Shop/Hamilton 465/Hamilton

Thurs., 2/2 Sat., 2/4 Sat. & Sun., 2/11 & 2/12 Sat. & Sun., 2/18 & 2/19 Sat., 2/25 Sat., 2/25 & 3/4

10 a.m. – 12 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m.

Duncan Toogood Kaplan Toogood Rucker Muldowney

Museum Galleries 611/Hamilton 610/Hamilton 610/Hamilton Print Shop/Hamilton 514/Hamilton

Thurs., 3/2 Sat., 3/4 Sat. & Sun., 3/4 & 3/5 Sat., 3/4 Sat. & Sun., 3/11 & 3/12 Sat. & Sun., 3/11 & 3/12 Wed., 3/15 Sat. & Sun., 3/18 & 3/19 Sat., 3/18 Sat., 3/25 Sat. & Sun., 3/25 & 3/26 Sat., 3/25 & 4/1

10 a.m. – 12 p.m. 10 a.m. - 1 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 6 – 7:30 p.m. 9 a.m. – 5 p.m. Starts at 9 a.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m.

Duncan Toogood Miller Rucker O’Donnell Oosterbaan Madden Madden Traub Koelblinger Nelson Chittenden-Lim

Museum Galleries 610/Hamilton Print Shop/Hamilton 610/Hamilton 740/Hamilton 610/Hamilton Auditorium/HLB 513/Hamilton 463/Hamilton 512/Hamilton 610/Hamilton Print Shop/Hamilton

Sat. & Sun., 4/1 & 4/2 Sat. & Sun., 4/1 & 4/2 Sat. & Sun., 4/1 & 4/2 Thurs., 4/6 Sat., 4/8 Sat., 4/8 & 4/15 Sat., 4/15 Sat., 4/15 Sat. & Sun., 4/22 & 4/23 Sat. & Sun., 4/28 & 4/29 Sat., 4/29 Sun., 4/30

9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 10 a.m. – 12 p.m. 9 a.m. – 4 p.m. 9 a.m. – 5 p.m. 9 a.m. – 12 p.m. 1 – 4 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m.

Grassi Rupinski Gist Duncan Various Koelblinger Ciambella Ciambella Syvertsen Collins Muldowney Leitner

610/Hamilton 461/Hamilton 610/Hamilton Museum Galleries Various 512/Hamilton 610/Hamilton 610/Hamilton 610/Hamilton 740/Hamilton 610/Hamilton Outdoors

Thurs., 5/4 Thurs. – Sun., 5/18 – 5/21 Sat. & Sun., 5/6 & 5/7 Sat., 5/6 & 5/13 Sat., 5/13 Fri. – Sun., 5/19 – 5/21 Sat. & Sun., 5/20 & 5/21

10 a.m. – 12 p.m. Variable 9 a.m. – 4 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m. 9 a.m. – 5 p.m.

Duncan Sweeney Connors Van de Putte Kaplan Shils Reisman

Museum Galleries Cape May, NJ Outdoors Print Shop/Hamilton Outdoors Print Shop/Hamilton Outdoors & 461/Hamilton

SUNDAYS Classical Portrait Painting Figure Painting The Philadelphia Landscape

MASTER CLASSES & WORKSHOPS TITLE

DATES

JANUARY

WEDNESDAYS painting secrets of the renaissance Masters printmaking history the pennsylvania landscape tradition terra cotta sculpture painting over the line classic egg tempera studio Anatomy Drawing Media on paper introduction to Video editing shodo: chinese & Japanese calligraphy

ce preview: Drawing Fundamentals Sat., 1/7 ce preview: Monotype printmaking Sat., 1/7 ce preview: oil painting Basics Sat., 1/7

FEBRUARY thursdays in the Museum Matting & Framing Acrylic painting Watercolor Workshop hand-printed Monotype Digital portraiture

MARCH thursdays in the Museum Members Workshop: Watercolor Woodcut Workshop Bookbinding for Beginners terra cotta Figure sculpture passion for the palette slide lecture with Matt Madden comics storytelling critique with patricia traub photographing your Artwork embracing intuition: Book collage solar etching

APRIL painting in the Dark portrait Drawing Workshop Botanical Alla prima thursdays in the Museum one-Day Academy intro to photoshop preparing supports for painting the home studio Gouache painting Animal Maquette sculpture landscape painting Methods plein Air pastel & Watercolor

MAY thursdays in the Museum plein Air in cape May, nJ schuylkill landscape ceramic Decal printing sketch on the Go Monotype Workshop the landscape sketch

REGISTRATION INFORMATION

REGISTRATION DEADLINES

Spring 2017

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January 13 for classes beginning January 23 – 29 Registration deadlines vary for Short and Condensed Courses, Workshops, Lectures and Seminars and Master Classes. Please refer to individual course descriptions.

4 WAYS TO REGISTER

CREDIT

REGISTRATION BEGINS DECEMBER 5

PAFA is accredited through the National Association of Schools of Art and Design (NASAD) and the Middle States Commission on Higher Education (MSCHE). PAFA is a member of the Association of Independent Colleges of Art and Design (AICAD).

COURSE TUITION AND FEES

undergraduate credit Courses meeting contact hour requirements (30 hours minimum) are available for 1.0, 1.5 or 3.0 undergraduate credit, not including lunch breaks. If taken for credit, you may incur additional coursework, and will receive a course grade and appropriate credit that will appear on an official PAFA transcript, if requested. To request an official transcript, visit CE Registration and Policy Information at pafa.org/transcript to download a transcript request form. Changes in credit status must be arranged through the CE office prior to the second class. No refunds can be issued for changes from credit to non-credit.

■

Register early to guarantee enrollment and prevent course cancellations. 1. online: www.pafa.edu/ce 2. phone: 215-972-7632 3. MAil*:

Continuing Education Programs Pennsylvania Academy of the Fine Arts 128 North Broad Street Philadelphia, PA 19102

4. in person: Visit the Continuing Education oﬃce on the 3rd Floor of the Samuel M.V. Hamilton Building * Please mail a completed registration form with check, money order, or credit card information. We accept VISA, MasterCard, American Express and Discover Card. Make checks or money orders payable to “PAFA.”

STUDENT ADVISING We are here to help! For assistance in course selection or to make an appointment, call 215-972-7632 or email continuinged@pafa.edu.

continuing education programs oﬃce hours Monday – Thursday..............9 a.m. – 6:30 p.m. Friday ................................................9 a.m. – 4 p.m. Saturday...............................8:30 a.m. – 1:30 p.m. During school vacations and when evening/ weekend classes are not in session, the oﬃce will be open Monday through Friday, 9 a.m. – 5 p.m.

For pennsylvania & new Jersey K-12 educators PAFA is approved to provide Pennsylvania Act 48 hours and New Jersey Department of Education Professional Development Credit for its courses and workshops. Courses and workshops are eligible for the number of contact hours for which they meet (excluding lunch breaks). Educators electing to receive PA Act 48 or NJ Professional Development Credit should notify the Continuing Education Programs oﬃce when registering. Please note, Pennsylvania educators must provide their 6-digit Professional Educator Identiﬁcation Number.

■

30 contact hours: $395 non-credit; $525 for 1.0 undergraduate credit 36 contact hours: $495 non-credit; $625 for 1.0 undergraduate credit 45 contact hours: $595 non-credit; $950 for 1.5 undergraduate credits

Tuition varies for Short Courses, High School Portfolio Preparation, Workshops, Lectures, Seminars, Master Classes and Special Programs. Please refer individual course/workshop descriptions.

DISCOUNTS* Membership Discount PAFA Members at the Friend level and above receive a 10% tuition discount on all CE courses, workshops and Master Classes. referral Discount If you are a current CE student and refer a ﬁrst-time Continuing Education student, you both will receive a 10% tuition discount on one course or workshop within the current semester (excludes Master Classes and Special Programs). *Lab, materials and locker fees are not eligible for discount. Some restrictions apply. Call 215-972-7632 for more information.

SCHOLARSHIPS PAFA Continuing Education is pleased to present the “ce community scholarship” to assist students who demonstrate dedication to their art.

Full payment is due at the time of registration. PAFA cannot prorate courses for late registration, withdrawals or missed classes.

Requirements: Completed application form ■ Completed CE registration form ■ Personal statement (one page) ■ Application deadline: Friday, January 6

lab and Material Fees Please consult individual course descriptions for any applicable lab or materials fees.

Application will be available to download from pafa.edu/ce by December 5. Please call 215-972-7632 for more information.

late Fee Registrations received after 5 p.m. on their deadline date may be assessed a late fee of $25.

The CE Community Scholarship is made possible in part by a generous contribution from the Dry Family Foundation. For information about making a gift to support the CE Community Scholarship, please contact the Development Department at 215-972-2077 or use the attached registration form.

locker rental Lockers are available on a ﬁrst-come, ﬁrst-served basis for $25. Locker rental is not available for weekend workshops.

CONTINUING EDUCATION PROGRAMS

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high school student scholarship Visit pafa.edu/highschool for more information and to download an application. Application Deadline: Friday, January 13

A GIFT CERTIFICATE FOR A COURSE OR WORKSHOP MAKES A GREAT GIFT! Call 215-972-7632 for more details.

REGISTRATION INFORMATION

REGISTRATION FORM Spring 2017

continued

■ REGISTRATION BEGINS DECEMBER 5

REFUND POLICY Withdrawals must be made in writing via letter or email to the Continuing Education Programs oﬃce. A $30 administrative fee will be assessed per dropped course, $50 per master class and $15 per workshop. Tuition refunds will be adjusted according to the following schedule (less the administrative fee), unless otherwise indicated: 12-week courses Prior to one week before the 1st class ..................100% After the above, prior to the 2nd class .................. 75% After the above, prior to 3rd class .......................... 50% After the above ................................................................0% condensed/short courses (10 or fewer weeks) Prior to one week before the 1st class ..................100% After the above, prior to the 2nd class ..................50% After the above ................................................................0% Workshops & Group critique Prior to one week before the 1st day .....................100% After the above, prior to the 1st day........................50% After the above ................................................................0% Master classes and Workshops No refunds after registration deadline Members Workshop and ce preview courses No refunds

COURSE CANCELLATIONS If minimum enrollment is not met, a class will be cancelled on, or shortly after, its registration deadline. Students will be notiﬁed by phone and/or email may choose to transfer into another class or receive a full tuition and fee refund. early registration helps prevent course cancellation!

■ See page 33 for registration deadlines ■ Late registrations may incur a $25 late fee

Date

Date of Birth

Last Name

First Name

Middle Initial

Address

City

State

Phone – home/primary

Phone – other

Course #

Title

Day/Time

Instructor

Tuition

Zip

Lab/Mat Fee

Total

WEATHER/ EMERGENCY CLOSING The closing, delayed opening, or early dismissal of PAFA will be determined jointly by the Dean of the School and the Museum Director, with approval of the President. Such closing or delay would include the School, galleries and administrative oﬃces. Decisions regarding the cancellation of special events and evening classes may be made later in the day. To ﬁnd out if PAFA is closed or delayed you should check one of the following: ■ Our website – messages will be updated on the PAFA homepage, pafa.org ■ PAFA’s main number, 215-972-7600 – An outgoing message advising of a close or delay will be recorded by 6:30 a.m. ■ KYW (1060AM) – Listen for PAFA’s code 150 (Continuing Education’s code is 2150) ■ WPVI-TV 6ABC – Lists the school by name ■ NBC 10 – Lists the school by name

TRANSPORTATION AND PARKING PAFA is conveniently located near the SEPTA Jeﬀerson and Suburban train stations, bus and trolley stops and PATCO Hi-Speed Line station stops. For SEPTA information, call 215 580-7800 or visit septa.org. For PATCO information, visit ridepatco.org. Discounted parking is available at adjacent Parkway Corporation Parking garage and surface lot. Tickets must be validated by Security staﬀ.

Tuition Total

METHOD OF PAYMENT ■ VISA ■ Mastercard ■ AmEx ■ Discover ■ Check* #_______ ■ Cash

Sub Total

Name on Credit Card Credit Card Number

Locker

Expiration Date

Discount* CE Community Scholarship Donation**

Signature

I agree to abide by the policies and regulations in printed materials and on the website of Continuing Education Programs at PAFA. I have read and understand policies regarding credits,

T O T A L

withdrawals, refunds and course cancellations (pages 32 – 34).

Signature (required)

Have you taken a class here before? ■ Yes ■ No How did you find out about us? ■ Internet (What site?) ________________________ ■ Radio (What station?) ________________________ ■ Newspaper/magazine ________________________ ■ Other (Please specify)________________________ How did you receive this catalogue? ■ Mailed to me ■ Picked it up at: ________________ Are you an PAFA member? ■ Yes ■ No PAFA Membership Level ____________________________

Date

* PAFA Members at the Friends level and above receive a 10% tuition discount **See page 33 for details

For K-12 educators ■ I am taking a course for Act 48 credit or New Jersey Dept of Ed Professional Development Credit. See page 32. PA Professional Educator I.D.# ____________________ Please check if you would like more information about PAFA academic programs ■ Certificate ■ Bachelor of Fine Arts ■ Master of Fine Arts ■ Post-Baccalaureate ■ I wish to enroll in the CE Core Curriculum Program See page 4 or visit pafa.edu/corecurriculum.

Expiration Date ____________________________________ ■

Etching, Monoprint & More, see page 19. For Office Use: Book ______________ Materials ______________ Enrolled ______________ Billed ______________

Please enclose the address to the right.

■ I am receiving duplicates.

■ Please remove my name from the mailing list.

■ Please change my address as indicated.

ADDRESS UPDATE:

IMPORTANT: DATED MATERIAL – DELIVER IMMEDIATELY

www.pafa.edu/ce

CONTINUING EDUCATION PROGRAMS 128 North Broad Street Philadelphia, PA 19102 t 215-972-7632 f 215-569-0153 e continuinged@pafa.edu

Philadelphia, PA Permit No. 2879

P A I D

Non-Proﬁt Org U.S. Postage