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PHOTOGRAPHY CIED
Contents
BLIND CONTOUR AND SUPER IMPOSING
03
WAYS OF SEEING SUMMARY
09
COMPOSED PICTURES
11
UNDERSTANDING COLOURS
17
EXPLORING LIGHTROOM
27
PRODUCT PHOTOGRAPHY
35
PRODUCT PHOTOGRAPHY - LIGHT BOX
51
FACETIME PHOTOGRAPHY
57
SELF - PORTRAIT PHOTGRAPHY
63
ARCHITECTURAL PHOTOGRAPHY
75
BLIND CONTOUR AND SUPER IMPOSING
03
04
05
06
07
08
WAYS OF SEEING SUMMARY
09
Ways of seeing is a series of episodes which draws the attention on several topics, such as, how we perceive art in our daily lives, how the perception of seeing art has changed in 20th century due to the invention of the camera, questioning the advantages and disadvantages of technological advancement, discussing about the mysterious aspects related to paintings which according to him is deliberately created by art historians as an attempt to create a significant distinction between the authentic work and the replica and so on. Art has become a daily part of our lives and as result we don’t put much emphasis on it, but it was not so before the invention of the camera.The invention of the camera has presented us with a fresh perspective, efficiency, relatability and comfort but it has somehow diminished the individuality, the experience and the consolidated meaning of it. So, how to protect it became a big question. John Berger, highlights how creating mystery has helped maintaining the value of the original piece of art, which might be misleading. Not only that, he identifies aspects that affect affects the art we see, such as background music and information we see beside, before or after it. The video comes out to be strong and persuasive, because of the techniques it uses, such as, using humor, using examples to prove the point, the setting and so on. In a border picture the clip encourages the viewer to think and to question each and every aspect, before believing in something.
10
COMPOSED PICTURES
11
12
13
14
15
16
UNDERSTANDING COLOURS
17
18
19
20
21
22
23
24
25
26
EXPLORING LIGHTROOM
27
28
29
30
31
32
33
34
PRODUCT PHOTOGRAPHY
35
36
FLATLAY WITH DAYLIGHT
FLATLAY WITH COMPOSITION
37
FLATLAY WITH COMPOSITION
38
FLATLAY WITH COMPOSITION
39
FLATLAY WITH COMPOSITION
40
FLATLAY WITH COMPOSITION
41
FLATLAY WITH COMPOSITION
42
FLATLAY WITH COMPOSITION
43
FLATLAY WITH COMPOSITION
44
SEAMELESS WITH DAYLIGHT
SEAMELESS WITHOUT COMPOSITION
45
SEAMELESS WITH COMPOSITION
46
SEAMELESS WITH COMPOSITION
47
SEAMELESS WITH COMPOSITION
48
SEAMELESS WITHOUT COMPOSITION
49
SEAMELESS WITHOUT COMPOSITION
50
PRODUCT PHOTOGRAPHY
LIGHTBOX 51
52
SUNLIGHT
SUNLIGHT
DIFFUSED LIGHT
DIFFUSED LIGHT
ARTIFICIAL LIGHT
53
ARTIFICIAL LIGHT
54
ARTIFICIAL LIGHT WITH WHITE BACKGROUND
55
ARTIFICIAL LIGHT WITH BLACK BACKGROUND
56
FACETIME PHOTOGRAPHY
57
58
59
60
61
62
SELFPORTRAIT
63
64
65
66
67
68
69
70
71
72
73
74
ARCHITECTURAL PHOTOGRAPHY
75
76
77
78
79
80
81
82
83
82
85
86
87
88
89
90
91
92
93
94
PALAK BAJAJ bajajpalak3317@gmail.com