PALM technology May-June 2017 by PALM AV-ICN Expo Magazine

PALM technology ™

DJ TECHNOLOGY

SOUND & STAGE

EXPO PUBLICATION

A Note from the Editor: Live entertainment – waiting to happen 17th consecutive successful Pro

Justin Bieber Sound Reinforcement

Systems Engineering Interview with Warren D’souza

11 Questions

Product Focus: Line Arrays - Tour Stars Touring Consoles Large-Format Digital Consoles PART II

Features: In Conversation with Neale Murray PALM Showcase: People at PALM Market: Top 35 Rental Companies The Top 10 EVENT Companies Purpose Tour Lighting by Star Dimensions, Mumbai

Roland Stenz, CEO of Eve Audio and Kerstin Mischke, Sales & Marketing Director of Eve Audio

LIVE ISSUE

To talk about your sonic goals, get in touch with Mr. Mehul Ranka, meheul@vmt.in. +918080822198

Your Club Sound deserves

British Luxury Standards

ohm.co.uk

note

from the editor

Anil Shiv Raj Chopra

Live entertainment – waiting to happen 17th consecutive successful Pro Sound and Light expo – PALM 2017 After the rains India’s entertainment season begins, peak stage show season is November–February, four months for the global big acts to hit the tour circuit in India, which is Mumbai, Benguluru and Dilli. Second line of defense is Hyderabad, Goa, Pune. We are all waiting for a big season to happen. News at this point isn’t as promising as one would like to believe. This, our Live Issue, has listings of the movers and shakers of live business - the event guys [page 48] rental guys [page 74]. Rental list has 35 big boys. Event listing has 10 recognizable event companies, with White Fox joining top league hosting Justin Beiber in Mumbai. Nice work. PT team headed by Smita and Somya went back stage for set-up. Sound Reinforcement article on page 34 reveals Warren D’souza’s practise perfect system engineering. Bieber’s FOH tweeted “Great sound team in India”. Also this was the largest Rig for a single artist - Kudos. Check out the flicks too of both teams getting the act together. This piece is fully technical benefitting rental community tremendously. The immediacy of information PT delivers I likes. PT’s mantra is to get industry moving and motivated to better itself and keep the local scene on par with world levels. PALM Sound & Light Award for System Engineering professional this year is Mark Thomas - one of Warren’s protégées. PALM Sound & Light Award winner for Lighting Rental is Star Dimensions, headed by Ashish Mehta and Jay Mathuria who did an equally great job for Beiber’s gig. Log on to www.palmtechnology.in and www.palmexpo.in for the full list of PALM Sound & light 2017 Awards. PT’s Live Issue; we all look forward to; as once in a year opportunity to showcase the big shows and event companies who set it up. Neil Murray, co-

Meticulous planning is Warren’s Mantra; with Warren Dsouza at Sound.com

Good ‘mix’ of vision and passion for IRAA; with IRAA Award Director Pramod Chandorkar at Sound IdeaZ Studio

founder, Fountainhead, met PT for an interview on what makes for large rental business in light and sound with the big shows. Instead, we learn its corporate launches which hog up loads of lighting and sound. Ticket driven mainstream stage shows ain’t workin. Local shows though with local acts do drive business in most state capitals. PT team organise PALM Conference as well the prestigious IRAA Awards, and PALM Sound & Light Awards. PALM Conference features high calibre top notch speakers covering a range of topics curated by Conference Director Smita Rai. People at PALM [page 86] will make you head straight for the Conference. The last few months have been very rewarding indeed in preparing the conference program. Working with Recording & Mixing Engineers, music producers, and untiring Pramod, Award Director, IRAA, alongwith Jury, has been redeeming to say the least. Defining moment for IRAA, it will set professionals ready to deliver award winning work in the next 12 months. Go to www.iraa.in for award winners in 36 categories. Wow! PT columns: Upstage; Unequal Music; Bright Spark; Studio Analogue gather you to speed month on month. 11 Questions with Roland Stenz, CEO, Eve Audio and Kerstin Mischke, Director, highly specialised studio monitors, anechoic and echo chamber measured R&D, focused and devoted to one single application, which meets PT criteria for the privilege of 11 Questions. [page 112] Live is Line Array and Large Format Live Digital Consoles product focus. PT does the hard work in selecting what pleases the eye, so to speak. [page 66 and page 96] See you at 17th consecutive successive PALM 2017, the biggest ever, covering 27,00 sqm, all set to welcome 25,000+ visitors, over three days, to engage over 200 exhibits, displaying over 1500 products, from over 500 brands. The phantasmagoria extravaganza with all the sound and light of a vibrant and robust market, built with love by PT alongwith thousands of professionals and daring entrepreneurs is yours to enjoy. Have a good show! Anil Shiv Raj Chopra - Editor

Cheers! May - June 2017

PROFESSIONAL

With DeltaQ technology, new ShowMatch array loudspeakers more precisely direct sound to the audience in both installed and portable applications. Each array module offers field-changeable waveguides that can vary coverage and even create asymmetrical patterns. The result is unmatched sound quality and vocal clarity for every seat in the house. Learn more at SHOWMATCH.BOSE.COM

NEXT-GENERATION ARRAY TECHNOLOGY

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The Mahindra Blues Festival - One of the major shows from the Fountainhead-Oranjuice portfolio

To say it is a good sounding speaker because of the used tweeter etc. is not helpful. To find a very good balance between all technical parameters is most important Roland Stenz, CEO of Eve Audio

Features

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A Note from the Editor

Justin Bieber Sound Reinforcement

TOP 10 Event Companies

The Fountainhead of Superlative Experiences

Interview with Warren D’souza who presented complete confidence in setting up a world class professional system

Highlighting the top 10 Event companies who conceptualize and execute the biggest live entertainment shows in the country

Interview with Neale Murray, Co-Founder & Group COO of Fountainhead MKTG, a Dentsu Aegis Network company

Product Focus

Top 35 Rental Companies

People at PALM

Product Focus on Touring Consoles

Product Focus on Large Format Digital Consoles: The Yamaha Rivage pm10

Tour Stars: Line-up of Line Arrays

PT has done a crucial exercise of surveying the market for identifying 35 audio/video/lighting rental companies

This feature highlights People at PALM. These are the accomplished technology leaders in their field of activity and PALM is engaging them at the show in various content features

Large Format Digital Consoles Part II: Line-up of Touring Consoles

112

May - June 2017

Live Entertainment waiting to happen

11 Questions With Roland Stenz, CEO of Eve Audio and Kerstin Mischke, Sales and Marketing Director of Eve

CONTENTS 06

CONTENTS News 12

116

Sound & Stage YSoundeffects.Com Adds JBL Professional VTX V25-II To Its Inventory; Big Sales For Allen & Heath S7000; Harman Live Arena Unveil Loudest Loudspeaker System Ever By JBL; Cas-Ant Entertainers Premiers Goa’s First D&B Audiotechnik; V-Series Loudspeaker System At Viva Carnival; Martin Audio Announces Bold New Product Line Up; Dynatech rocks Namchi Sikkim with DD Sound; HARMAN Professional Solutions Drives Tour Audio Innovation with JBL Array Link App and Key Soft ware Updates; Audiofocus announces partnership with Sun Infonet; NJ Sound Machine invests in AVID S6L – 24D; Krystals Cables to Introduce Interlockable Aluminium Sta ge and Lockable Mojo Barriers; BOSS - GT-1 and dBTechnologies VIO debut in India; LED Solutions showcases proficiency with d&b Audiotechnik Inventory; EM Acoustics launches new ESP Series; Outline releases OpenArray2; QSC Introduces K.2 Series Loudspeakers; AudioCore chooses JTS for its microphone inventory; B&C introduces new 18DS115 subwoofer

Experiences: In conversation with Neale Murray

Columns

Audio and Music Production Antelope Audio Releases Powerful Refresh to Orion Studio Interface; Genelec introduces Ultimate Point Source monitoring - The Ones; Audio Technica announces SKE AUDIOTECH as New Professional segment Distribution Par tner for India; HARMAN Professional Solutions Introduces New Soundcraft Notepad Mixers; Antelope Audio names exclusive distributor for India; Samson’s MixPa d Series Mixer offers Smart Solutions for all Mixing situations; Celestion Introduces the G12H-150 Redback Guitar Speaker Impulse Responses; Audio Academy purchases Avid S6L

Install Sound Audio-Technica Appoints Green Sources; Bose Professional Introduces the ControlSpace EX Audio Conferencing System; RTS Introduces ROAMEO; Amaazia Water Park Surat – India’s First Integrated Amusement Park; Amate Audio provides sound solutions at Whisky Samba

Lighting Ayrton launches new line of luminaires; Modern Stage Services pvt. ltd. provides Technical Splendor; HARMAN Professional Solutions’ VDO Fa tron 20 and VDO Dotron; Solaris Flare debuts Flare Q+ Rayzr and Flare Q+ Dynamic White; Robert Juliat introduces OZ and Alice

Corporate Guest

102

Studio Analogue

104

Upstaged

108

An Unequal Music

110

The Bright Spark

‘How to become a leading Sound Engineer’ by Prashant Govindan, Sr. Director, India & Sri Lanka, Harman Professional

Recording & Microphones: In this Studio Analogue - SoundIdeaz column, Pramod Chandorkar offers expert tips on achieving a good recording

Event Industry Embraces Expansion: Sift through live events with information on artists line-up, equipment list and technical support provided by companies.

Copyright Woes: PT’s take on copyright issues; also featured is this month’s list of top 10 tracks on online music charts

Bijiness: Viraf Pocha talks about the important element that makes business and careers thrive - Investment.

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DJ Technology

While recording solo vocals, ‘Distance’ is one factor, partly because of the proximity effect of the cardoid microphones typically used for vocal recording

CDJ-2000NXS2 and CDJ-TOUR1 now support djay PRO with USBHID Control; Numark Launches NS6II A 4-Channel Serato DJ Controller; Serato Launches Serato Sample DAW Plugin; Ableton Launches Beat Tools Pack

102 May - June 2017

The Fountainhead of Superlative

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Pramod Chandorkar, Soundideaz Academy

Advertisers Index ADVERTISEMENTS

PAGE NO.

Aerons India Pvt. Ltd., New Delhi

120

Ahuja Radios, New Delhi

Alphatec Audio Video Pvt. Ltd., Kolkata

115

EDITOR

Ansata, Bangalore

23, 37, 71, 87 & 118

Anil Shiv Raj Chopra

A-Plus, New Delhi

achopra@palmexpo.in

Asia LED Events, Mumbai

Audioplus, Mumbai

Bose Corporation India Pvt. Ltd., New Delhi

Circle Pro LLP, Mumbai

Delhi Light & Music Centre, New Delhi

119

MANAGING EDITOR Smita Rai srai@palmexpo.in Mob: +91 98209 43398

Dev Electronics, Mumbai

Falcon Cables, New Delhi

Finlabs Audio Pvt. Ltd., Mohali

Five Core Electronics Ltd., New Delhi

IFC

Global Pro Audio Management, New Delhi

skedia@palmexpo.in

Harman Interantional (India) Pvt. Ltd., Bengaluru

Mob: +91 96194 05202

Hi - Tech Audio, Noida

Integrated Entertainment Solution, Mumbai

Kiran Sales Corporation, Mumbai

ADVERTISING MANAGER

Kripa Electronics India Pvt. Ltd., Mumbai

Karan Bhardwaj

Krystal Cables India Pvt. Ltd., Haryana

60 - 61

LBT Electronics Pvt. Ltd., New Delhi

Messe Frankfurt (Prolight & Sound, Sanghai)

Modern Stage Service Pvt. Ltd., New Delhi

Modern Stage Service, New Delhi

Narain Pro Audio Lighting Pvt. Ltd., Mumbai

29 & 95

Neutrik India Pvt. Ltd., Mumbai

Pope Professional Acoustics Ltd., Tamil Nadu

Premiere Industrial Importers, Mumbai

20 - 21

Pro Audio Connects, Noida

Pro Musicals, Chennai

31 & 111

Rivera Digitec, Mumbai

EDITORIAL MANAGER Somya Kedia

kbhardwaj@palmexpo.in Mob: +91 91673 23756

DTP maNAGER Peter Pereira: ppereira@palmexpo.in Lalita Tengle: ltengle@palmexpo.in

Circulation & Subscription Vaishali Teli vaishali.t@abec.asia

25, 65 & 93

Sennheiser Electronics India Pvt. Ltd., Haryana

IBC

PRINTED BY

Sharp Traders, Nagpur

109

ABEC Exhibitions & Conferences Pvt. Ltd.

Shiva Systems, Mumbai

530, Laxmi Plaza, 5th Floor,

Sonotone Audio Ltd. Liablity Partnership / JTS, Mumbai

33 & 67

Star Megatech, Ahmedabad

Stonewater Professional Audio, Pune

Sun Broadcast Equipments Pvt. Ltd., Delhi

Laxmi Industrial Estate, New Link Road, Andheri (W), Mumbai – 400 053.

105

Sun Infonet Pvt. Ltd., New Delhi

Printed at:

TOA Electronics India Pvt Ltd, Haryana

M/s. Dhote Offset Technokrafts Pvt. Ltd.

Trimac Products Pvt. Ltd., New Delhi

2nd Floor, Paramount Etstate, Plot No-5a,

Ultraacoustic, Mumbai

Vardhman Electronic Stores, Mumbai

Video Wall India Pvt. Ltd., Mumbai

Yamaha Music India Pvt. Ltd., Haryana

3, 101 & Back Cover

HALF PAGE Calibre Sound Systems Pvt. Ltd., Mumbai

53 & 117

Deepjyot Electronics, New Delhi

Himalayan Acoustics, Solan

H V & Company, Mahuva

Mumbai Music Institute, Mumbai

Pro Sound Inc, New Delhi

113

Victory Devices Pvt. Ltd., New Delhi

103

May - June 2017

Off Aarey Road, Near Kotkar Estate, Dindoshi Village, Goregaon (E), Mumbai-400063

Line Array Speakers TOA’s line array speaker systems are designed to perform optimally with ideal sound dispersion characteristics in spaces that pose difficulties for more conventional speaker systems. Available in different configurations and with a wide range of mounting possibilities to suit particular requirements precisely, the slim tower-configured speakers and modular speaker systems offer perfect solutions for difficult sound reinforcement problems that require effective coverage. Our line array speaker systems are designed for permanent installations and available in slim, to be configured or steereable active types. A wide range of mounting brackets enables flexible speaker mounting options for the best sound coverage characteristics.

We supply sound, not equipment. www.toa.co.in

TOAINDIA

Sound & Stage

SUN INFONET ANNOUNCES BIG SALES FOR ALLEN & HEATH S7000 Allen&Heath Indian distributor, Sun Infonet has announced the sale of S7000 to sound rental companies, broadcast audio solutions providers and others. S7000 is the largest control Surface in the dLive family, with a whopping 216 assignable fader strips. It features 36 faders

Bhadra of Audio Core, who served as the mix engineer. “We had deployed L-Acoustics Arcs as the main PA with multiple delay stacks of Nexo PS15s,” he added. Mr. Bhadra also noted that this system was powered by a mixture of Nexo, Camco and Lab.gruppen

Roshni Audiomatics used S7000 at the live telecast of “Rising Star” over 6 layers, dual 12″capacitive touchscreens and the innovative Harmony UI for the fastest workflow in the industry.

amplifiers, while vocals and music was captured by six Shure microphones. “The artist and the client were very happy,” confirmed Bhadra.

AUDIO CORE

DEUTSCHE BANK’S ‘TOWN HALL’

Rental company- Audio Core who purchased a S7000 surface deployed it at a large wedding ceremony, held at the NSCI Dome in Mumbai with performance by local artist, Sarosh Nanavaty. “We suggested that the artist go with the S7000 console,’ said Bijon

The S7000 was also utilised at the NSE Nesco Complex in Goregaon, Mumbai for Deutsche Bank’s ‘Town Hall’ event that brought together staff members from the banks offices around India and abroad. “Audio was running both ways

for video conferencing with many dignitaries on stage. The S7000 allowed us to run 128 inputs with minimal set up time,” said Mr Bhadra. Sound reinforcement at this event called upon a Nexo Geo S12 system with RS18 subs as the main PA, once again supplemented by delays of

comprising DM64 Rack from Delhi based distributor Sun Infonet. It was used at the live telecast of Singing Show “Rising Star” on Colors Channel. Roshni Audiomatics is into this business since last 20 years and has been catering to all the major channels and production houses. In this show, 60 output and 108 inputs were required. Mr. Ahuja used this console as it was tried and tested by Mr. Mahesh Amberkar, sound engineer of the channel, to cover such an event. Mahesh said, “I am happy with the console as it fulfils all the requirements needed for any live telecast show. Audio Core deploys S7000 at a number of events Being user friendly, the accuracy level and PS15s. All power was via Nexo amps equalization part of this console and a variety of Shure mics and is superb. He also stated that he lavaliers were used. used this console mainly for floor “We have partnered with Deutsche monitoring and was controlling the Bank for the last four years. The entire floor with one console.” client was happy with the new dLive console and satisfied that we continue to upgrade,” added Mr Bhadra.

ROSHNI AUDIOMATICS Prakash Ahuja, owner of Roshni Audiomatics, Mumbai recently purchased Allen & Heath S7000

According to Mr. Ahuja, this mixer is game changer as it gives flexibility to route-out audio, ample headroom and easy operation than other mixers which don’t have such facilities. He also appreciated another prominent feature of the dLive - multiple touch screens that helps to select userfriendly routing of audio operation.

SOUNDEFFECTS.COM ADDS JBL PROFESSIONAL VTX V25-II TO ITS INVENTORY Pune based Soundeffects.com became the first touring company in India to purchase the stateof-the-art line array system by HARMAN Professional JBL - the VTX V25-II, along with G-28. With this purchase, Soundeffects.com has strengthened its position as the largest sound rental company

with an inventory of four line array systems in the city of Pune. Soundeffects.com has purchased 18 JBL VTX V25-II full-size line array elements, 18 G28 ground-stackable subwoofers, 2 VTX-V25-AF and VTXV25-AF-EB extension bar along with accessory kits for transporting and covering the speakers. The company

also added Crown I-Tech 12000HD series amplifiers to power the loudspeakers and subs. The VTX V25-II is the successor to the V25 line array loudspeaker featuring a brand-new waveguide for improved long-throw performance and improved wave front control. Mr. Uday Shah, Owner of Soundeffets.com said, “We were the first company in Maharashtra to introduce the JBL Vertec VT4888 elements, a decade ago. We have strengthened our commitment of introducing the best in its class with the JBL VTX V25-II. With the addition of VTX V25-II, Soundeffects.com has established another milestone in providing cutting-edge standardsetting performance elements in the country.” Soundeffets.com purchased the

Uday Shah, Owner of Soundeffets.com with his team

May - June 2017

entire inventory from Cinetekk, based in Chennai. On his association with Cinetekk, Mr. Shah stated “My association with Mr. K. Varathan Swamy of Cinetekk has been since over a decade now. My purchase of all power amplifiers - QSC Power Light, Powersoft, Crown and all JBL products have been from them. Swamy sir is more like a family to me for the immense support, guidance and the belief he has shown over the years.” This association is a well-planned and logical move, considering the demand in the market for the most advanced international standards in line arrays. “After more than a decade of association

(Continued on page 16)

Sound & Stage

HARMAN LIVE ARENA AT PALM EXPO 2017 TO UNFOLD AN ECLECTIC MIX OF GENRES WITH THE UNVEILING OF THE LOUDEST LOUDSPEAKER SYSTEM EVER BY JBL Harman Live Arena, the biggest IP of Harman Professional India enters in its 8th year with Palm expo 2017. Conducted at Bombay exhibition center, Mumbai every year, HLA is the only stage in India which showcases the most advanced technology of an end – to – end LIVE solution by Harman. It is a three day music

microphone system along IVM 4500 in-ear monitoring system will be used on the stage along with D7 and D5 Dynamic vocal microphones. Lighting effects will be created by Martin Professional’s Mac Quantum washes, Mac Aura XB, Mac Quantum Profile, Atomic 3000 LED and VDO Sceptron linear outdoor rated LED video

Ranjit Barot (top) and Sivamani (below) performing at the HARMAN Live Arena at PALM expo 2016

The JBL VTX series A12 - the Next Generation Dual 12” Line Array Loudspeaker system from HARMAN festival which brings together top of the line/ newly launched products & solutions from all the Harman brands in the LIVE domain, culminating in an audio-visual feast for the senses. Every year there is a new product feature at the Live Arena and this year HARMAN proudly announces the unveiling of the latest from JBL VTX series A12, the Next Generation Dual 12” Line Array Loudspeaker systems. VTX A12 is designed from scratch to address the unique challenges of rental companies, FOH engineers and tour sound production crews. It isn’t just a superior line array—it’s a completely new way to approach tour sound. The PA and subs will be powered by Crown IT12000HD and IT4X3500, The AKG digital wireless

fixtures. The command of the FOH will be in the hands of Soundcraft Vi7000 (launched at Palm expo 2016) & Vi3000 digital live mixing consoles along with Martin Professional M6 Lighting Controller. The Harman endorsees who will be debuting at the Live Arena will include “Liquid Bass Project” by Sherrin Varghese and a young energetic band from True School of Music “Aankh Micholi”. TSM will also be featuring its “All Stars” band which features the foreign faculty at the school. Other first timers at the HLA stage will include: The Ska Vengers, Viveick Rajagopalan, Anand Bhaskar Collective, Sanah Moidutty, The Kush Upadhyay Group, and Paradigm Shift. Tejas Menon and

Voctronica make a re-entry to the line up with some of the all time favorites and legendary musicians like Sivamani, Ranjit Barot, and Niladari Kumar. “As Harman Live Arena enters its 8th year of existence, we welcome the visitors to experience the extravaganza of sound and Lighting as created all these years. This year the audience will witness an eclectic mix of genres that will unfold form near classical music, to folk, to beat-boxing, to punk with a mix of Bollywood thrown in. This year Harman Live Arena will also debut the latest and the loudest box ever produced by JBL – The VTX A12 line array system. the system delivers exceptionally accurate sound even at very high SPL. We will also have the most advanced digital live mixing console by Soundcraft Vi7000 at the FOH. The Live Arena content will be showcased at the Harman booth using 4K video transmission over LAN

by AMX SVSi system”, said Prashant Govindan, Senior Director at Harman Professional India. This year Harman Live Arena will be spread in a 800 sq. mtr enclosed space which will give an ultimate experience to the senses with great sound, visually ecstatic lighting and a dream team of artists performing live every day. Visit HARMAN Live Arena on 1st June to witness the launch of VTX A12 line array system and on 1, 2, 3 June from 12pm – 7pm at Hall no.6 to get immersed in an experience like never before.

Log on to : http://palmexpo.in/live_arena.aspx for updated schedule May - June 2017

Sound & Stage

CAS-ANT ENTERTAINERS PREMIERS GOA’S FIRST D&B AUDIOTECHNIK V-SERIES LOUDSPEAKER SYSTEM AT VIVA CARNIVAL Cas-Ant Entertainer, one of Goa’s leading live event rental solutions company delivered high quality festivity experience at the Viva Carnival 2017, through their recently acquired state-ofthe-art V Series line array system from International niche audio manufacturers d&b Audiotechnik. Viva Carnival 2017 or Goa Carnival as it is popularly known proved to be a special edition, as the four day celebration witnessed a staggering turnout, many of whom were enamoured by all the wonderful performances that took place across the span of the event. Cassiano and Anthony Fernandes of Cas-Ant Entertainers exclaimed, “The audiences and the organizers were absolutely blown away with the quality of sound. We’d set up the rig at the Panjim Samba Square, and the atmosphere was absolutely electric. With crystal clear sound being experienced by the crowds across the entire landscape of the arena, the artists had an absolutely rocking time on stage since they could see for themselves how much the audiences were enjoying the performances. By the end of the show, we had several of the artists complimenting us on the great quality of sound that we’d put together, and these positive

(Continued from page 12) with JBL through STX, SRX, VRX and the Vertec, the VTX V25-II has been our finest decision to support business growth and industry standards. The team of Soundeffect.com is eagerly looking forward to deploy the system once the training is complete,” said Mr. Shah. Headquartered in Pune, Soundeffects.com is one of India’s leading audio rental companies. Under the guidance of Mr. Uday Shah, Soundeffects.com has provided live enforcement and other services for a large number of big events, international concerts and music festivals across the country. Soundeffects. com has been providing admirable services in the industry since 1988.

May - June 2017

sentiments were echoed by the events producers as well. All thanks to the brilliance and perfection of our new d&b Audiotechnik V-Series rig!” In a move that does complete justice to its reputation, Cas-Ant Entertainers reinforced its existing inventory with a truly comprehensive d&b Audiotechnik rig that encompassed a total of eight units of the V8 and four units of the V12 line array available in abundance. elements, along Our focus was superior with six units of quality engineering the B22 subwoofers, and superior quality and a total of three performance and we units of the D80 found that in the d&b amplifiers to power Audiotechnik V-Series. the loudspeakers The system is simply and subs. The world-class be it the purchase was sound quality or the facilitated through Ansata provides vital technical knowledge and active on-field supbuild quality of the Ansata, who are port at Viva Carnival products, or even if you the official distribution were to consider the system in partners for d&b Audiotechnik in and R1 remote control software terms of logistics. Everything about India. conducted by Neil Lean from team the system was just perfect. That Leslie Lean, director of Ansata, Ansata on 31 January 2017. Anthony apart, doing business with Ansata, shared “Goa finally has its first d&b shared that this extensive exercise who are the official distribution Audiotechnik rig and we couldn’t be of training sessions is what helped partners for d&b Audiotechnik in more pleased or excited! We’re stoked prepare the sound engineers of CasIndia, was just such a simple and to welcome Cas-Ant Entertainers into Ant Entertainers to explore deeper pleasant experience. No hassles the ever growing family of happy working potential of the V-Series and whatsoever; absolutely smooth and d&b Audiotechnik users in India. It improved the team’s efficiency and clear. Leslie, Neil and the entire is heartening that highly respected productivity. team at Ansata were fabulous as industry professionals like Anthony Anthony commented, “Neil’s style usual, leaving no stone unturned in and his team have partnered with of training and approach to the helping us finalize on the V-Series d&b Audiotechnik – a brand that technology is so precise and flawless rig; and even after we confirmed is recognized the world over for that all our team members at Cas-Ant the purchase, they continued to its unbeatable quality of products, Entertainers have taken to the system extend top quality support to us, and with the purchase of their new easier and smoother than we ever be it in terms of ensuring that the V-series system, I believe Cas-Ant expected. The Viva Carnival is proof delivery was absolutely spot on Entertainers have introduced the of this, wherein our team experienced and in time, or the fact that Neil market in Goa to a new breed of first-hand, how simple it was to rig personally came over to extend superior quality world class sound. the system and align + tune it, and a vital and thorough training In my mind, that have asserted their the eventual outcome was nothing session on the new system which presence as an undisputed leader in less than spectacular sonic brilliance. actually did a world of good for delivering niche live audio solutions, A great big word of appreciation to our entire team of engineers and and our best wishes are with Neil for his presence and support technicians. Plus, Jacob Payyapilli Anthony and his entire team. We towards team Cas-Ant.” from Ansata was also present at look forward to working with them in Speaking about the factors that the Viva Carnival 2017 to assist the future too.” prompted him to purchase the d&b our team with crucial on-site Cas-Ant Entertainers purchased Audiotechnik V-Series rig, Anthony support that helped us pull off their new d&b Audiotechnik V-Series shared, “We wanted a system that an extremely successful event on rig along with a complete set of was a regular name on all tech-riders the whole. That’s the hallmark of VDC cabling solutions from Ansata especially on the tech riders of those great customer service really and on 26th January 2017, which was several international artists who visit we’re so happy to have had the followed by a comprehensive training the city ever so often. At the same opportunity to experience this.” in the workflow of the system, time, we did not want to choose Arraycalc system design software a brand that was wide-spread and

Sound & Stage

MARTIN AUDIO ANNOUNCES BOLD NEW PRODUCT LINE UP In April, Martin Audio unveiled an ambitious line up of ten new products across multiple categories including Line Arrays, Stage Monitors and Amplifiers.

WAVEFRONT PRECISION A new generation of multipurpose line arrays designed to bring Martin Audio’s signature sound, coverage consistency and control to a broader range of touring applications, installations and budgets. Comprising the WPC (2 x 10” LF) and WPM (2 x 6.5” LF), Wavefront Precision line arrays are designed as complete systems with the newly announced external iKON multichannel amplifiers optimised by Martin Audio’s automated DISPLAY software. Adopting the principle of scalable resolution, with external, dedicated multi-channel amplifiers, Wavefront Precision line arrays are designed to be uniquely flexible, upgradeable and financially accessible. Dom Harter, Managing Director, explained: “Martin Audio’s MLA Series remains the definitive optimised array technology in the market place today, offering customers both the hard avoid feature, the ability to limit coverage in a zone by as much as 30dB and the patented ability to optimise against multiple target functions — such as frequency response, SPL

gradient and leakage.” “But the MLA family consists of fixed resolution systems and what we wanted to do with Wavefront Precision was to introduce a solution whereby customers could have a flexible and scalable approach to resolution and control of coverage,” he added.

with a defined coverage pattern that allows the artist freedom of movement, while reducing overlap with adjacent monitors. The XE series is designed as a complete system and is partnered with the new iKON 4 channel amplifier. Jason Baird, R&D Director, commented, “The world of stage

Martin Audio unveiled an impressive line up of new products across multiple categories including Line Arrays, Stage Monitors and Amplifiers. To accompany the new Wavefront Precision, two new subwoofers were unveiled the SX118 and SX218, a single 18” and double 18” respectively.

XE SERIES Developed in consultation with leading monitor engineers and combining sleek, low-profile enclosures with unique Coaxial Differential Dispersion technology and a patent pending third static waveguide, the XE300 (1 x 12” LF) and XE500 (1 x 15” LF) are designed to deliver perfect monitor sound

monitoring has been stagnating for far too long with much of today’s monitor technology based on decade old solutions. XE changes the game with the introduction of high performance Coaxial Differential Dispersion drivers with an additional contour-moulded static third waveguide that increases the size of the HF horn mouth to maintain pattern control over a wide frequency band and avoid spill outside the coverage area. Its rolled contour reduces diffraction and further improves pattern consistency at the lower end of the HF passband.

DYNATECH ROCKS NAMCHI SIKKIM WITH DD SOUND DD Sound has created a steady reputation for reinforcing some of the most famous events to have graced the region of Namchi in Sikkim. They’ve come to be recognized as a trusted source for top quality sound reinforcement in the area, and the secret behind the amazing audio performance that drives their success is the comprehensive Dynatech DVA212LA line array system, powered and controlled by the incomparable Dynatech V-Series power amplifiers and Dynatech DPA260 processor, all of which forms the heart of their pro audio inventory. DD Sound confirms that the purchase was made through The Sound Control – a key dealer of

May - June 2017

Dynatech products in the region, in addition to other market leader brands like P.Audio, Mackie and JTS. Mr Dorjee Bhutia of DD Sound shared, “We are extremely pleased with our new Dynatech DVA212LA line array system, V-Series power amplifiers and the DPA260 processor. All of the equipment are absolutely rock solid and built like a tank. Adding to that is the quality of sound and performance which is positively fantastic and unbeatable, and it is extremely easy to use and maintain. Even when we deployed this system on field, we found that it delivered even coverage across the entire venue, that too with the same high quality tonality and maximum

impact experienced across every seat. Total value for money! Absolutely love this system!” Atanu Mal of The Sound Control said, “Dynatech products are known for their top quality performance, efficiency and reliability and we at The Sound Control are happy to be of service to the entire team at DD Sound. To know that they’ve found everything that they were looking for in their new Dynatech systemDVA212LA line array, V-Series power amplifiers and DPA260 with amazing tonal quality, performance output, ease of use and maintenance; is a great feeling. We wish the entire team at DD Sound the very best for the future with their trusted Dynatech system.”

LE SERIES Complementing Martin Audio’s high-performance XE Series monitors, are the latest LE Series. Both the LE100 (1 x 12” LF”) and the LE200 (1 x 15” LF) are designed for a wide range of users and applications — from up-andcoming bands and regional rental houses, to corporate AV events, HoW and fixed installations. With extremely compact enclosures and the same Coaxial Differential Dispersion drivers as the CDD-LIVE range, the LE Series monitors deliver cutthrough sound with a coverage pattern that allows performers greater freedom of movement compared to conventional monitors. Instead of the typical ‘hot-spot’, they produce a nearrectangular coverage pattern over a listening plane at head height— with a wide horizontal coverage close to the monitor that reduces gradually as distance increases to maintain consistent SPL and tonal balance. Summing up on all the launches Dom Harter said, “This is a bold new line up of product offering customers innovation and value throughout. While some manufacturers are maybe asleep at the wheel, or are obsessed with revenue generation only, we are happy to be ones that overperform in bringing market leading solutions.”

Sound & Stage

HARMAN PROFESSIONAL SOLUTIONS DRIVES TOUR AUDIO INNOVATION WITH JBL ARRAY LINK APP AND KEY SOFTWARE UPDATES HARMAN Professional Solutions announced at Prolight + Sound, Frankfurt, the new JBL Array Link app for iOS and Android, plus key updates to the Performance Manager and Line Array Calculator software applications. Designed from the ground up, JBL Array Link is an innovative app that enables systems engineers to quickly share array suspension information and inventory data, streamline the deployment process, and save valuable time and expense. Along with the official launch of the highly anticipated new JBL VTX A12 line array loudspeakers, these new software tools underscore HARMAN’s ongoing commitment to meeting the needs of modern live sound professionals. “With any large-scale production, there comes a point where key array prediction information needs to be disseminated quickly and accurately to crew members,” said George Georgallis, Product Manager, Tour Sound Systems, HARMAN Professional Solutions. “Information about array weight, dimensions and inter-enclosure suspension angles must be shared with the individuals putting the arrays together, and any mistakes made in sharing this information can be costly and time consuming. The JBL Array Link app is designed to eliminate

technicians better manage the LF response of VTX systems, and tailor the array starting point to better meet their needs. Additionally, the single-parameter adjustment aspect of this filter set gives systems engineers a streamlined path towards proper system balance.

NEW VIRTUAL VENUE ALIGNMENT ASSIST

JBL Performance Manager 2.3 is the next-generation software application designed to configure networked audio systems for corporate and live concert events these mistakes, enabling systems technicians to take critical information points for VTX arrays and quickly share them with other crew members who also have the app,” he added. The JBL Array Link app can receive array information in a number of ways, including reading a QR code generated by Line Array Calculator 3 using the camera on an Android or iOS mobile device. The Array Link app automatically scans the code and uploads the LAC3 data, which is then displayed in an intuitive fashion across the different pages of the Array Link app. This enables users to quickly see at a glance what their array size, weight and interenclosure angles are. Additionally,

file information saved on the user’s phone can be shared instantly with other Array Link users via QR code or text message. JBL Performance Manager 2.4 builds off the significant progress of Performance Manager 2.3, which included updated VTX presets and multi-touch support, and offers complete support for VTX A12. The release includes further code optimizations to speed file loading, as well as many other key features and enhancements.

NEW ARRAY SIZE COMPENSATION FILTER This new filter is designed to help front of house engineers and systems

This new tool helps to align and organize virtual systems, enabling users to more quickly build a visual representation of their system for effective monitoring and control. In offline mode, new guidelines automatically appear and help align and organize arrays and amp racks in the venue file. Coupled with more complete support for touch-enabled devices, this new alignment assistance will further speed the process of system design and deployment.

JBL LINE ARRAY CALCULATOR 3 Featuring a completely redesigned, more intuitive UI and a fully resizable, zoom-enabled display window, JBL Line Array Calculator 3 delivers precise acoustic predictions for the response of VTX systems and offers updated mechanical reports for physical array predictions. The venue prediction window now offers an unlimited

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AUDIOFOCUS ANNOUNCES PARTNERSHIP WITH SUN INFONET Audiofocus has announced announced ambitious plans for the Asia Pacific region at this year’s Pro Light & Sound. Based in Hong Kong, newly appointed Asian business director Nicolas Kirsch is in the process of creating a distributor network in the region and Neeraj Chandra with the Audiofocus team delegated responsibility of the Belgian brand to I learned that Nexo was working a company he knows well - Sun directly with Yamaha I knew what I Infonet in India. Kirsch has an had to do,” explained Mr Kirsch. invaluable experience as Nexo’s “As the distributor for brands such Asian sales manager since 2005. as Allen & Heath, Camco, Quest and “I appointed Sun Infonet as Shure they make an ideal partner for Nexo’s distributor in 2009, so when Audiofocus,” he added.

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Sun Infonet operations director, Neeraj Chandra recently travelled to Pro Light & Sound in Frankfurt and there he finalised the deal with CEO Philippe Leroy and Co-Founder Xavier Marchal. “We were looking for an active speaker brand that would offer excellent priceperformance features and easy set up for our customers,” said Mr Chandra. “Series such as the FR-X, CM, MT and ARES will allow us to better penetrate the live sound and fixed installation markets in India from bars and retail outlets all the way to

stadiums,” he added. Sun Infonet had bagged the runner up award in Allen & Heath’s 2016 global distributor of the year and is looking to gain rapid market penetration through its extensive dealer network. ‘Audiofocus’ loudspeakers represent a great return on investment with great versatility of use,’ added Mr Chandra. ‘Just as importantly, we will maintain high volumes of stocks and spares together with expert sales support for our customers,’ he further stated. Audiofocus is currently represented in China with Hawks Pro, Philippines with Modular Display and South Korea with A-Works.

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Sound & Stage

NJ SOUND MACHINE INVESTS IN AVID S6L – 24D NJ Sound Machine has invested in the latest revolution of AVIDthe S6L – 24D with 192 Engine boasting 64 on stage inputs and 32 Outputs, the sale of which was supported by Ansata Computer Systems. The company for a long time was looking for a change to a bigger board that could quench the thirst of the ever-growing need for Inputs and Outputs and at the same time be a rider friendly board. In mid 2017 the core team of NJ’s Sound Machine, comprising of Sancheth Suvarna the Chief Sound Engineer and Sachit Subramanian who handles the core strategy for the company decided to go for a complete rebranding exercise both technically and from the brand management perspective. They renamed the company to NJSM and went for a complete logo revamp. The company also decided to go for technical upgradation and training for their employees so that the brand could stand to their commitment towards their clients. “NJSM has been growing their inventory in the right direction and we are very happy that they took a decision on the S6L at the

(Continued from page 22) number of planes additional virtual measurement probes, as well as enhanced prediction tools to support frequency response averaging of multiple virtual measurements. Another key update for Line Array Calculator 3 is the addition of a new subwoofer prediction mode. Users can enter multiple subwoofer clusters into the display window and predict the broadband polar response of the entire array, with variable adjustments for container spacing, size, and arc opening angle if the user wants to calculate delay times for arc-delaying a single or spaced array. The response of the entire subwoofer array can be predicted via a broadband frequency average, or by looking at the polar response of the array at specific frequencies. This enables system designers to make more informed decisions about how subwoofer arrays should be placed in venues, and aids in optimizing the arrays for peak performance.

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right time, they have definitely made a decision that would help them in the coming decade” says Leslie Lean of Ansata. “As a Strategy Advisor my job is to make sure the company is making the right decisions on the gear and at the same time there is a plan in place for the corresponding investments to make the money back, both our decisions on d&b and Avid fits this bill and we are very confident on not just growing the shows but also growing the quality of the shows that we execute” says Sachit Subramanian. The Team of NJSM has grown to various arms in the last five years, with Circle Pro Audio being one of the major home grown Pro Audio developments and manufacturing brand that is widely accepted to 360 Pro Solutions which is their distribution brand along with Kiran Sales Corporation. “I saw a dream years ago to provide not just audio but good quality audio to the market, my team today stands by me and helps me achieve that goal” says Nixon Johnny, director of NJ’s Sound Machine.

NJ Sound Machine team with AVID- the S6L- 24D NJ’s Sound Machine was a start of an era for Nixon in the live sound rental business. He started his journey in the year 1998 with a small set of PA system and soon became one of the key players in the Rental business of that time across the central suburbs of Mumbai. In the year 2008 he purchased his first Line Array System by DB Technology and since then there has been no looking back. The first investment by them was to purchase the d&bAudiotechnik V Series. d&b being one of the most recognized and accepted brand across

the globe was a perfect option for the company commercially and technically. This purchase was supported by Ansata Computer Systems the official distributer for d&b in India. “NJSM is a growing rental company with a lot of potential, their team has the technical expertise and the vision to grow; we are very glad to have them as a part of the d&b family” says Leslie Lean of Ansata.

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KRYSTALS CABLES TO INTRODUCE INTERLOCKABLE ALUMINIUM STAGE AND LOCKABLE MOJO BARRIERS Krystals Cables India Pvt. Ltd to launch their premium range of Interlockable aluminium stage and Lockable mojo barriers at PALM 2017 along with their latest addition to the Microphone cable family- BETA Digital Cable. The company claims that it has been able to achieve 110 ohms impedance with a larger conductor size.

ALUMINIUM STAGE For outdoor stage or concert stage, aluminium and portable stages are the preferred options. They are available in different frame sizes with affordable price range - 8 x 4 feet and 4 x 4 feet. Aluminium stage has a higher load bearing capacity and stage formation is quick and stringer. The user can dismantle the structural elements easily and store them conveniently with less space

requirement.

MOJO BARRIERS Mojo Barriers range includes special pieces compatible with the aluminium barrier system, with all the features and benefits of the aluminium barriers. The specials give flexibility to create shaped barriers and enable practical barrier configurations at events.

WINCH STANDS The heavy duty winch stand with ultra durable construction highlights 17 feet height for flexible lifting options and it is capable of cantilever load of 180 kg, straight load of 250 kg. It also features collapsible construction with wheels that enables easy transportation.

BETA DIGITAL CABLE The advantages claimed by Krystals for the new launched

BETA Digital cable are larger conductor size for better transmission of signals. The ATC strands and lapping for low wear and tear cables enable higher flexibility with better protection against interferences. The special moisture proof polymer ensures higher shield and grip for the inter twist lengths of the cores. Earlier in the year they also launched an economy version of Digital Cable by the name of ECODigital Mic Cable, which is a value based balanced digital cable. Krystals will be exhibiting the latest range of Microphone and Speaker cables for System Integrators, Consultants, and Hirers apart from their regular range of Audio / Video Cables. The company has developed few new cables in the Video and

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Orion32 HD 64 channel HDX & USB3 Audio Interface

Orion32 HD is the newest addition to the Orion family. Compatible with any DAW on the market via HDX port or USB3, this new Pro Tools HD and Native interface offers everything Antelope Audio stands for. Zero latency Monitoring, I/O streaming of 64 channels 192 kHz audio, Antelope’s industry-leading clocking, and pristine AD/DA conversion. Orion32 HD’s analog I/O is handled by 8 DB25 connectors, accompanied by MADI, ADAT and S/PDIF connectivity.

Zen Studio+

Portable Thunderbolt™ & USB Audio Interface with 12 mic pres Zen Studio+ is the successor to Antelope’s first of a kind professional portable interface Zen Studio. It’s extensive analog and digital connectivity, 12 world-class mic preamps and Antelope’s signature clocking are now accompanied by an evolving library of hardware-based vintage effects. With both Thunderbolt™ and USB connectivity, Zen Studio+ is a the most versatile high-end mobile recording system and capable of turning any location into a professional recording studio.

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Sound & Stage

BOSS - GT-1 AND DBTECHNOLOGIES VIO DEBUT IN INDIA The Mumbai-based Rivera Digitec has exclusive distribution rights for a number of leading brands in the Music Industry. The company has announced the Indian debut of products like BOSS - GT-1 and dBTechnologies VIO Line Array and Sub series. BOSS - GT-1 is ultra-portable and easy to use and delivers pro-level tones everywhere. Driven by the powerful BOSS GT-series engine, it gives the user access to a huge selection of world-class amps and effects for all types of music. A streamlined interface enables quick and intuitive sound creation, while an assignable control switch and expression pedal provide dynamic real-time effects adjustment; and by connecting to BOSS TONE CENTRAL, the user can download free pro patches, editing software, and more. Equally suited

(Continued from page 24) the networking sector. The new skewed Cat 5 and Cat 6E Cables will also be on display. Krystals ensure superior quality for its customers with Technology, Research, Knowledge and experience of its team workers, as the key backbone to a good quality product. Delivering consistent quality, Krystals puts in efforts for both forward and backward integration. Its in-house copper drawing and annealing ensure that they the purest of copper and in-house PVC compounding ensure quality and high flexibility for Krystals cables. Krystals Cables India Pvt. Ltd, one of the leading brands for the Audio / Video industry covers Professional AV integrator, Concert Tour Hires, Broadcast Industry and others. It is the one of the first companies to manufacture aluminium trusses in India, and KRSYATLS have been servicing the Indian customers with durable and value for money in aluminium trusses under their brand – KWIK TRUSS. The company is also having one of the largest ranges of Cables and connectors.

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for beginners, weekend warriors, and traveling players, the GT-1 packs premium sound in a compact and rugged package.

QUALITY SOUND As a result of its flagship-class GT sound engine, the GT-1 provides tone quality and sound-shaping ability that exceeds most of the typical compact multi-effects. A history of BOSS processing is at the users’ fingers, from classics such as the OD-1 Overdrive to modern

effects powered by innovative MDP technology. There’s a huge selection of COSM amp tones on tap too, including vintage legends and BOSS original amps optimized for ideal tone and response. Specialized effects like Acoustic Simulator, Guitar Simulator, and others provide numerous tonal options, and there’s even a looper to enhance practice sessions and stage performances.

PORTABLE TONE PARTNER The GT-1 was designed for musicians on the move. It’s lightweight and compact and still delivers the rugged durability. AC or battery power provides flexibility for any performing situation, and up to seven hours of battery life is available for street performing and other mobile gigs.

EASY PATCH SELECTION AND SOUND CREATION The Easy Select function allow the users to choose patches by genre, distortion, or effect type, while Easy Edit allows them to tweak drive, modulation, and echo tones. Dedicated panel buttons provide quick on/off switches for effect groups, and also unlock deep-dive parameters for microscopic fine-tuning.

BOSS TONE CENTRAL AND BOSS TONE STUDIO At BOSS Tone Central, the user will

find tons of free patch collections for playing all types of music with the GT-1. Created by pro guitarists, these patches are dialed-in and ready to use, and make great starting points for advanced players who like to create their own custom sounds. The free BOSS Tone Studio software provides a full-featured editor/librarian for the GT-1, as well as integrated access to all the patch collections at BOSS Tone Central.

MAXIMUM CONTROL IN A SMALL SPACE The GT-1’s three footswitches are smartly designed to provide patch selection, tuner access, looper control, and more in a minimal footprint. The dedicated CTL1 switch is freely assignable to functions like tap tempo, effects on/off, and numerous others, while the expression pedal and toe switch are assignable to volume, and various effects parameters. If the users crave for more control then there’s a jack for connecting up to two external footswitches or an expression pedal. And in addition to providing access to BOSS Tone Central and BOSS Tone Studio, the GT-1’s USB jack lets the user to record and re-amp tones with their favorite DAW. dBTechnologies VIO is a fully powered line array and sub series intended for large sound reinforcement applications. A unique design and advanced DSP programming come together to deliver imposing sound pressure levels, a superior control of dispersion and a detailed audio

looking for a reliable and professional line array system.

CONFIGURATION The new VIO series consists of the VIO L210 speaker with two 10-inch woofers and a 1.4-inch HF driver, As a result of many years’ experience, VIO L210 reaches the next level among dBtechnologies’ speaker range aimed at larger sound reinforcement applications. A unique internal acoustic design and advanced sound processing merge to deliver superior performances in terms of sound pressure, coverage coherence, intelligibility and sound definition. VIO S318 subwoofer has powerful triple 18” woofer system. Both models are easy to install and configure and are ideal for small to medium-sized stages; and they deliver a balanced sound.

SETUP The L210s can be connected together easily using the integrated 3-point rigging system. The DRK 210 Flybar can then be fixed to the top for mounting on a truss so that the speaker set can be adjusted to superior performance. Another option would be to mount the speakers on top of the S318 subwoofer with the Flybar in between.

EFFICIENT AMPLIFICATION The VIO L210 has a maximum sound pressure level of 135 dB and is fitted with an efficient class D amplifier that delivers 900 watts RMS. It’s no problem to power up to ten L210s on one 230 V/16 A group or to optimize the sound dispersion. The internal DSP processor can be accurately controlled via RDNet (with standard network cables). That goes for the VIO S318 subwoofer too.

TRANSPORT

performance. With the combination of freshly designed cabinets, top-quality components, the latest amplification technology and DSP functionality, dB’s VIO series is ideal for those

Apart from the Flybar, there are other accessories available for the VIO line array system to make setups as easy as possible. There are dollies available for both models, the DT VIOL210 and DO VIOS318 respectively. dB Technologies also offers a set of wheels (the SWK-18) as an alternative to the subwoofer dolly.

Sound & Stage

LED SOLUTIONS SHOWCASES PROFICIENCY WITH D&B AUDIOTECHNIK INVENTORY Providing solutions for audio-visual reinforcement transcending live event applications across North India has empowered New Delhi based LED Solutions, the certainty to stamp its authority as one of the key players in the live AV reinforcement solutions market in India today. LED Solutions has commissioned some of the largest and most prestigious events in New Delhi and surrounding areas, with key services mainly including the provision of high quality technical reinforcement services including projection systems, pro audio systems, staging equipment etc. for events of all scales. Vikrant Jain, Director of LED Solutions said, “Quality is everything to us and it’s been this way since the start. This is probably why we’ve always invested in top quality gear, even when we were just a minor rental company off the ropes. While the world was busy advising us to purchase products and rigs from the more ‘mass accepted’ brands, we chose to partner with d&b Audiotechnik because we knew that none of the other brands could even come close to the kind of dexterity and sonic purity that these products deliver. Plus, almost every d&b product has always been far superior and way ahead of its time. That’s why we started off with the Q-Series rig. And ever since the first time we deployed it on the field, there’s been no looking elsewhere. We progressed on to adding a V-Series rig a little while later; and consequent to that, we also added the plush and inimitable J-Series rig to our arsenal. I believe doing so only had a largely positive effect on our business, as we further reinforced our commitment to provide clients with nothing less than the very best in the sphere of professional audio.” Pramod Chandorkar, personal engineer to superstar Sonu Nigam, shared, “First off, I’ve always been a fan of systems that sound great, and hence by default, have always loved the sound of d&b Audiotechnik products. The fact that Vikrant and his team at LED Solutions sport an all d&b Audiotechnik inventory is an absolutely show stealer to even begin with. You know with a comprehensive system like that, you’ve got yourself equipped to pull off nothing less than magic every single time. And that’s what they always do – an amazing job. Their quality of work is always

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spot-on, and they always deliver a truly world-class audio experience every single time. As an artist, your only concern is making sure that the audience experiences your performance and sound the way it’s meant to be, and with LED Solutions that is always a certainty.” “I believe we’re the first company in all of the northern region and possibly all of India to own a complete end-to-end niche audio inventory from d&b Audiotechnik, and that’s a matter of great pride!” exclaimed Vikrant. As the lead engineer at LED Solutions, Mr. Sandeep Gangwal,

the event organizers as well, were absolutely blown away with the quality of the aural experience. That, we believe, is the hallmark of a great system!” Ashish Saksena, a personal engineer to Farhan Akhtar and ShankarEhsaan-Loy said, “d&b line-arrays are superlative. The tonality is spot on, the throw is mind-blowing and the dispersion is absolutely brilliant; be it in the J-Series or any other product in the lineage for that matter. I know for a fact that the audience will get to experience the true ‘Farhan Live’ or SEL sound whenever I’m working with a d&b system, and as a personal

LED Solutions asserts its prowess as North India’s preferred rental solution for top music acts with d&bAudiotechnik inventory commented on the key factors that influenced LED Solutions’ loyalty towards d&b Audiotechnik as a brand and said, “Power, efficiency, reliability, ease of use, and great sonic quality – d&b Audiotechnik products have it all. Rigging the systems is super quick and easy, and aligning + tuning it is beyond precise thanks to the arraycalc software. And the kind of power and output that these boxes deliver is phenomenal, be it the Q-Series or the V or the J. The fact that you can tune them to deliver picture-perfect sound for any kind of music genre be it classical, Bollywood or EDM, is simply beyond amazing. We experienced this for ourselves when we deployed the rig for several different shows in and around New Delhi, for artists like Tiesto, Afrojack, Sonu Nigam, Shankar-Ehsaan-Loy, Farhan Akhtar, Vishal-Shekhar and many others, and the results were nothing short of astounding. Not only were the artist’s engineers extremely impressed with the aural delivery; the artists themselves in addition to

engineer, I believe that’s more important when you want to put up a great show.” Farhad Daruwalla, engineer to Vishal-Shekhar, shared, “Always a pleasure to work with Vikrant and his team – the d&b systems that they use are always a joy to work on, since you can always expect great quality sound, no matter what; and the fact that the entire team at LED

(Continued from page 24) The company has been doing various shows on this system ranging from corporate gigs to live shows and electronic music events. The company has been trained on using the Arraycalc which is the backbone of the d&bAudiotechnik’s workflow, they believe that with the use of the workflow makes the whole rigging process not just easy and efficient but is also the correct way to make the boxes sound good. “We went a step ahead to use the ArrayProcessing which is a

Solutions is as passionate about great quality audio as anyone else in the world.” LED Solutions shared that a key aspect of choosing d&b over the competition is its representation in India through Bengaluru based Ansata who are official distribution partners for d&b Audiotechnik products in the country. Delving details on this, Vikrant shared, “Once you lock in on the system you want to purchase, the next most crucial step is ensuring that you purchase from a source that is trustworthy and pro-customer. Other aspects like great knowledge support, and of course, prompt and precise after-sales service/technical support also adds to the vendor’s credibility. In this case, Ansata’s reputation for all of the aforementioned points has been nothing less than stellar. So needless to say, the experience we had in doing business with Ansata was absolutely flawless. Leslie and his team are thorough professionals with an inimitable passion for great quality sound, and it really is such a wonderful thing that we share this in common with them.” Leslie Lean of Ansata said, “In this day and age, it is rare to find a rental company that is so conscious about delivering a constant and consistent high quality sound performance to all its clients that they prefer to partner with just one brand. LED Solutions is that company! Their decision to invest into an all d&b inventory has displayed the kind of genuine and unshakable trust that top quality industry veterans have for d&b, and how they can only rely on a d&b system to effectively translate and portray their signature sound to the world. We’re extremely honoured to have been of service to LED Solutions!”

brilliant way to put all your d&b boxes to use in the most optimum way, the overall audio quality changes and gives an amazing experience to the audience” says SanchethSuvarna the Chief Sound Engineer of the company. The company has executed various events with this system including the Kingfisher Indian Derby, Seawoods Grand Central Launchand various other shows for A List Bollywood acts including, Ankit Tiwari, Papon, Jonita Gandhi and others.

Sound & Stage

EM ACOUSTICS LAUNCHES NEW ESP SERIES Earlier this year, EM Acoustics launched its new ESP Series of compact, self-powered and multipurpose loudspeakers for live applications. The range currently comprises three models: the ESP-8 and ESP12 loudspeakers, both with coaxial designs for true point-source performance, and the ESP-15S compact reflex subwoofer.

transducer and a 2” (51mm) diaphragm 1” (25mm) exit coaxiallyloaded high frequency transducer. The coaxial drive unit arrangement provides a uniform 100-degree conical dispersion pattern, with very smooth off-axis response and no parallax effects that would be present with separate LF and HF drive units. The result is a compact loudspeaker that provides excellent performance in a wide range of applications from compact FOH use to powerful stage monitoring. The ESP-8 utilises the latest in Class D amplifier technology with a compact and

for both performance as well as reliable limiting. The amplifier power supply is a universal voltage designthe ESP-8 will operate happily across the globe

ESP-12

The ESP-12 delivers an impressive output from a space-saving coaxial configuration. The ESP-12 is a twoway loudspeaker using a 3” voice coil 12” (305mm) neodymium low ESP-8 frequency transducer and a 1.3” The ESP-8 is a compact and (33mm) exit coaxially-loaded high versatile self-powered loudspeaker frequency transducer. The coaxial drive unit arrangement provides a uniform 80-degree conical dispersion pattern with very smooth off-axis response and no parallax effects that would be present with separate LF and HF drive units. The ESP12 has a ESP-8 and ESP-12 Two-way coaxial powered loudspeaker ESP-15S Compact powered subwoofer combination XLR/1/4” jack input and a male XLR link output. which is small enough to be discreet lightweight module delivering a total LED indicators for power, status and in use, yet with an output that defies power of 1200W RMS between the preset are provided on the rear its diminutive size. two drive units. Separate channels panel, along with preset selection The ESP-8 is a two-way drive the low and high frequency controls and a level control and loudspeaker, using a 2” voice coil 8” transducers allowing the ESP-8 to mains supply is handled by Neutrik (203mm) neodymium low frequency make efficient use of the latest DSP

PowerCON True1 inlet and link output connectors. The ESP-12 also comes supplied with a 3m True1 power cable as well as the loose link output connector for assembling link mains cables.

ESP-15S ESP-15S is a versatile self-powered subwoofer designed to complement the ESP-8 and ESP-12 self-powered loudspeakers for applications ranging from live music to corporate and audio-visual. The onboard amplification and DSP package make the ESP-15S completely selfcontained. ESP-15S uses a single 4” (101.6mm) voice coil 15” (381mm) low frequency transducer and is designed to complement and provide extended low frequency response for the ESP-8 and ESP-12 compact coaxial powered loudspeakers. It has a combination XLR/1/4” jack input and a male XLR link output. LED indicators for power, status and preset are provided on the rear panel along with preset selection controls and a level control, and mains supply is handled by Neutrik PowerCON True1 inlet and link output connectors. The ESP-15S also comes supplied with a 3m True1 power cable as well as the loose link output connector for assembling link mains cables.

OUTLINE RELEASES OPENARRAY2 Prediction and simulation software is acknowledged by today’s audio pros as being a vital tool in getting the best out of modern loudspeaker systems. Some of the world’s most authoritative sound designers and acoustic consultants have already praised Outline’s OpenArray1 software for its “surgical’ precision” when designing loudspeaker systems for venues throughout the world but, following the on-going fine-tuned research by its inhouse team and valuable feedback on behalf of its distributors, the company has just released the new version of its free simulation software- OpenArray2. One of the users described it as, “The easiest, fastest and most accurate prediction software out there.” This fundamental tool, which

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predicts the results expected from either live performances or installations involving Outline’s wide range of loudspeaker systems- line arrays, subwoofers and point source systems, enabling users to cover every position in a listening space with even the most unusual configuration, is in fact a software package consisting of just a single installation file requiring a Windows 64-bit OS. OpenArray2 employs a proprietary calculation technique that greatly accelerates the calculation process and maintains prediction accuracy, its highly reliable simulations are in fact accomplished in seconds. While maintaining the previous version’s incredibly fast calculation speed, rendering time and operating stability, OpenArray2 puts numerous additional functions at PA system engineers’ and sound designers’

disposal. These include multiple selection and dragging, enabling multiple objects to be selected rapidly, the possibility of creating complex solids very quickly, extruding solids from flat surfaces, create multiple surfaces from a section view- highly useful when designing balconies, tiers and corners in sport arenas, and much more. When line arrays are to be deployed, it is now possible to

obtain a quick 2D simulation on the array’s plane. The microphone function now allows to choose multiple measurement points and show multiple frequency responses in the same graph. OpenArray2’s new features and user-friendly GUI streamline technicians’ work even further and a handy utility is at their disposal to convert their OpenArray1 projects to OpenArray2.

Sound & Stage

QSC INTRODUCES K.2 SERIES LOUDSPEAKERS QSC, LLC has introduced the K.2 Series which is an addition to the K Family line of powered loudspeakers. The new K.2 Series is comprised of the 8-inch K8.2, 10-inch K10.2 and 12-inch K12.2 full-range loudspeakers and offers a number of significant feature upgrades, establishing an entirely new standard in powered loudspeaker technology. QSC has also announced the introduction of the KS212C, a single-box powered cardioid subwoofer. Each loudspeaker model in the K.2 Series is equipped with a 2000-watt power module carefully matched to high-performance woofers and compression drivers. DMT (DirectivityMatched Transition) ensures smooth coverage across the entire listening area. On-board DSP provides Intrinsic Correction voicing and advanced system management to further optimize performance. Superbly flexible, K.2 Series models additionally provide operators with a library of preset contours for common applications such as Stage Monitor, Dance Music, Musical Instrument Amplification, Hand-held Microphone

and more, while also offering storable Scenes to recall user-configurable settings such as input type, delay, EQ, cross-over and selected contour via the loudspeakers’ LCD screen and control panel. All three models can be operated as either main PA or as a floor monitor. Each model can also be flown, wall- or truss-mounted, or placed on a speaker pole, either straight-firing or with 7.5-degree downtilt utilizing the new dual pole cup. “The phenomenal success of the K Series is unprecedented in the pro audio industry and a testament to the values of great design, high performance, steadfast quality and long-term reliability,” says Ray van Straten, Sr. Director of Marketing, QSC Professional. “This next-generation product raises the bar yet again for the category and will most certainly further reinforce the reputation of the K Family brand for many years to come,” he added. The ideal complement to both the new K.2 loudspeaker line as well as legacy K Series full-range models, the new KS212C Cardioid Subwoofer represents a breakthrough

The new K.2 Series offers a number of significant feature upgrades in innovation and design, uniquely providing all the benefits of a cardioid subwoofer array in a single, compact enclosure. “Keeping bass in its place” for mobile entertainers, AV production and rental professionals, as well as modestly-sized performance venues, the KS212C cardioid subwoofer is unparalleled in its ability to manage low frequencies on the stage, or any application where undesirable low frequency energy needs to be minimized. Dual 12-inch long-excursion drivers, each arranged in a 6th order bandpass chamber, are powered by a 3,600 Watt amplifier and controlled by the system’s DSP to produce a staggering 15 dB more output at the front of the cabinet

than at the rear. Like the K.2 Series, the KS212C provides advanced DSP with on-board user-controllable and recallable Scenes via the LCD screen and control panel. Highly portable, the cabinet features comfortable, aluminum handles and four, rearmounted casters. Two M20 sockets are provided to accept a 35mm speaker pole in either vertical or horizontal deployment of the sub. Additionally, QSC has also announced the K.2 Series models as well as the KS212C Cardioid Subwoofer that feature a global 6-Year Warranty with product registration. The K.2 Series will be available in selected markets in mid-May 2017.

AUDIOCORE CHOOSES JTS FOR ITS MICROPHONE INVENTORY AudioCore, a popular premium live audio rental company based out of Mahim in Mumbai, has recently invested into reinforcing its microphone inventory with the purchase of the efficient, reliable and state-of-the-art JTS FGM-170 Carbon Boom microphones. Audio Core is almost always on the road for gigs, events and parties and the JTS FGM170 forms an integral part of the rental company’s audio capturing and delivery infrastructure. The products were sourced through and facilitated by Sonotone Electronics – the official distributors of JTS products in India. Bijon Bhadra – Director of AudioCore commented, “The JTS FGM-170 is brilliant microphone – it’s elegant yet sturdy, extremely sleek yet super efficient, and impressively high on performance yet low on maintenance. It’s basically the complete package. We’ve used the FGM-170 recently at the prestigious Standard Chartered Marathon Honorary Awards, and everyone from organizers to the performers to the technicians, and everyone else in between – were absolutely

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astounded by the performance of these mics. First off, the fact that these mics were so discreet on-stage basically blew everyone away, and to add to it, the phenomenal tonal quality just added brownie points to it. The amount of compliments

we received about the quality of sound at the end of the show, and especially for the look and quality of these microphones, proved to be the perfect reaffirmation of our decision to choose JTS over the others. Absolutely pleased!”

B&C INTRODUCES NEW 18DS115 SUBWOOFER B&C introduced the new Copper Clad Aluminum Wire 18DS115 subwoofer. “This next voice coil. With a 1700watt AES evolution subwoofer uses a new, power rating, 98db sensitivity, longer, four-layer aluminum and over 16.5mm of voice coil,” said Ron Tizzard, Xmax, this high-energy Director of Sales for B&C subwoofer is a Speakers. “The result significant step is more energy in forward from the gap, higher similar sensitivity, models lower in the distortion and B&C better overall range. performance.” First The 18DS115 samples will features a 40mm be available “The 18DS115 subwoofer’s fourlong, 4.5 inch from Italy in layer aluminum coil offers more output, in all the right places.” diameter (116mm) early May.

PROFESSIONAL FOCUS - SYSTEMS ENGINEER

Justin Bieber Sound Reinforcement Systems Engineering interview with Warren Dsouza

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The Justin Bieber Concert motivated our editorial team to learn, how it is going to be done. The sheer capacity of deployment and state of the art delivery would mean the audio system engineering would have been ingenious and display of the classic Indian Jugaad, which in this instance would need to be disapproved. PALM technology met Warren D’Souza who presented with complete confidence planning, design, technique and expertise in setting up a world-class professional turnkey audio system. This issue being a LIVE Issue and stage sound being all about alignments and calibration, Warren’s role as a Systems Engineer, for the show has been highlighted. His acumen together with Co-Systems Engineer Sunil Karanjikar’s expertise has ensured smooth execution of the massive project. Somya Kedia reports.

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The Sound Guys (from l to r): Ken “Pooch” Van Druten - FOH Engineer, Sunil Karanjikar - Systems Engineer, John Kaylor - Systems Engineer and Warren Dsouza - Audio Director

A lot of companies will mostly have engineers who will use software but few and far between will be using instrumentation with such surgical precision.

The SOUND.COM crew (from l to r): Ranjeet Singh - Systems Tech, Yasin Shaikh - Chief Rigger, Warren Dsouza, Prem Bhoir - Production Manager

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A new breed of line array The V-Series comprises both line array solutions and point source systems; both offer minimal size and weight in combination with outstanding control of dispersion behaviour and convincing high sound pressure levels. The quality of performance, particularly in the vocal range is what set these loudspeakers apart.

livesound@ansata.net +91 98202 31537 www.ansata.net

At a Glance MAIN PA L

VTX V25II

MAIN PA R

VTX V25II

Amplifiers

IT12000HD

Electric Hoists

CM Lodestar

OUTER L

VTX V25II

OUTER R

VTX V25II

Amplifiers

IT12000HD

Electric Hoists

CM Lodestar

FLOWN SUB L

VTX S28

FLOWN SUB R

VTX S28

Array Frames

VT4889-AF

Amplifiers

IT12000HD

Electric Hoists

Verlinde SM10

GROUND SUBS

VTX G28

Amplifiers

IT12000HD

FRONT FILLS

VTX V20

Amplifiers

IT4X3500HD

Side Fills LR

VT4888

Amplifiers

IT4x3500HD

Electric Hoists

Prolyft

DELAY L

VT4889

DELAY R

VT4889

Amplifiers

IT12000HD

DELAY LL

VT4889

DELAY RR

VT4889

Amplifiers

IT12000HD

Electric Hoists

Prolyft

For the first time ever in India, witnessed on this concert, was a 12 a side flown subwoofer rig of S28’s in “Cardioid”

Ken “Pooch” Van Druten at the FOH console

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Audio & Music Production

Genelec introduces Ultimate Point Source monitoring - The Ones Genelec, one of the leading companies in active monitoring technology for four decades, w Ultimate Point Source monitoring with The Ones. The award-winning 8351 is joined by the 8331 and 8341, the world’s smallest threeway coaxial monitors, to create a complete compact coaxial range that redefines near-field monitoring. These two compact active studio monitors was unveiled to a VIP audience at London’s Metropolis Studios on 4 May, 2017 and witnessed a global online launch with a 45-minute presentation to press. The 8331 and 8341 immediately defy expectations; housed in enclosures no larger than a traditional twoway 8030 or 8040, they wipe away the previous constraints of coaxial point source setups. Long considered the standard for critical listening, point source overcomes the off-axis colouration associated with traditional loudspeaker designs, giving the user more freedom of movement rather than confining them to a narrow sweet spot. But point source has also presented its own set of limitations when combined with superior

coaxial designs, including limited frequency range, low SPL and uneven dispersion. Using Genelec’s acclaimed Minimum Diffraction Coaxial (MDC) driver, The Ones eliminate these issues to create the Ultimate Point Source.

The Ones deliver precise imaging both on- and off-axis, coupled with absolutely neutral reproduction, meaning users can make mix decisions with confidence while also listening for longer – the dramatic reduction in unnatural imaging means listener fatigue is a fraction of that experienced with other systems. In addition, Genelec’s famous Directivity Control Waveguide (DCW),

is combined with the precision of The Ones’ concealed dual woofer design, resulting in less coloured reflections. Like the 8351, both the 8331 and 8341 can be orientated horizontally or vertically using an adjustable IsoPod base for isolation, with absolutely no compromise in performance, offering maximum flexibility to fit even the tightest of working environments. But while the 8331 and 8341 both echo the 8351 in form and function, the new models have been entirely reengineered to meet the challenges of their ultra-compact dimensions (just 299mm x 189mm x 212mm for the 8331, and 350mm x 237mm x 243mm for the 8341). Innovations include a motor assembly that sees both the midrange and the tweeter share the same compact magnet system, reducing size and weight with no reduction in response. The unique midrange coaxial driver cone is now comprised of concentric sections,

Audio Technica announces ABC as New Professional segment Distribution Partner for India Audio Technica has announced SKE AUDIOTECH as its new Professional segment Distribution Partner for India. Established in 1962, AudioTechnica is a worldwide group of companies devoted to the

SKE AUDIOTECH design, manufacture, marketing and distribution of problem-solving audio equipment. A-T now creates high-performance microphones, headphones, wireless systems, mixers and electronic products for home and professional use.

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Mr. Lovely Arora, SKE AudiotechBusiness Head said, “SKE Audiotech is a new company under SKE Group, which has vast legacy in distribution business with more than 25 years of experience in MI, PA market. Utilizing our extensive dealer network, we are able to rightly justify Audio Technica positioning in the Indian market. Our unified policies and rapport with our dealers leads to continuous growth of the distributed brands and Audio Technica was right in conjunction to our brand requirement for MI, PA, Broadcast markets.

Pleased with the partnership, Mr. Rahul Gulati, Director- SKE Group commented, “We are proud to be associated with Audio Technica for Professional Audio market and catering to MI, PA, Studio and Broadcast market in India. The brand itself is among the top microphone/headphone brands worldwide and we are extremely excited to work for the growth of Audio Technica business in India.” “The new partnership with SKE Audio Tech will mark a strong presence of Audio Technica in India. There is immense scope with this partnership and we will be also launching AT One wirless system for MI,PA market through SKE Audiotech,” added Vinoy Prem, Business Development Manager, Audio Technica (Pro-India Region).

optimising midrange linearity – as does the DCW which covers the entire front face of the enclosure. Despite the size of the 8331 and 8341, each unit incorporates three stages of dedicated Class D amplification, developed in-house by Genelec and including eco-friendly Intelligent Signal Sensing (ISS) energy saving technology. Small but mighty, The Ones are also powerful. The short-term maximum output capacities for each of the models is 104 dB SPL for the 8331 (at 1m), and 110 dB SPL for the 8341 (at 1m), with accuracy better than ±1.5 dB, and respective frequency responses starting at 45 Hz and 38 Hz (-6 dB) and extending beyond 40 kHz both for the analogue and digital inputs. The coaxial design allows for ultra-near-field listening, creating a dramatic improvement in the direct sound-to-reverberant sound ratio and further reducing the room’s influence while monitoring. The listening distance may be as short as 40 cm, with no loss of precision. At a listening distance of just 50 cm, the maximum SPL capability (headroom) is raised by more than 5 dB. With SAM, The Ones take their place in a larger family of smart monitors from across the Genelec range, all of which can be used to create smart networks of up to 40 monitors and subwoofers per network, covering instantly recallable configurations from traditional stereo to immersive audio. GLM makes it simple to create optimal monitoring set-ups even in challenging environments, automatically compensating for detrimental room influences by calibrating levels, distance delays, phase and room equalisation to create a consistent, optimised listening environment. “The number of big ideas contained within these small monitors is truly remarkable, but no list of features can ever match up to the experience of simply listening to them,” commented Genelec Managing Director, Siamäk Naghian. “For professionals worldwide, the 8351 has already become the trusted standard for its neutrality, and its smooth frequency response both on- and off-axis. Now that same precision and three-way performance is available to everyone. With the 8331 and 8341, the size of your studio is no longer a barrier to the size of your ambition.”

Audio & Music Production

Harman Professional Solutions Introduces New Soundcraft Notepad Mixers HARMAN Professional Solutions

Soundcraft Notepad mixers include

more. USB I/O connectivity enables

Lexicon reverbs, chorus and delay

has introduced three new

professional microphone preamps

easy recording and playback with

with tap tempo control.

Soundcraft Notepad mixers at

with superior audio quality for a

digital audio workstations or video

Prolight + Sound in Frankfurt.

variety of uses, XLR combination jack

audio workstations. In addition, users

designed for convenience and

The Notepad-5, -8FX and -12FX

mic/line inputs for easy connection

of the Notepad-8FX and Notepad-

ease of use. A traditional channel

Soundcraft Notepad mixers are

are desktop

strip layout provides fast and

analog mixing

efficient access to desired channels

surfaces that

and sends. Up to three EQ’s per

include HARMAN

channel are ideal for simple audio

signal processing,

shaping on incoming audio signals.

and USB I/O

An Aux/FX send makes it easy

connectivity.

to feed audio signals to external

Streamlined to

effects send or built in Lexicon

meet today’s

digital processing. A master fader

audio workflow

with LED metering provides XLR

challenges, the new Soundcraft Notepad surfaces

New streamlined mixing surfaces offer Lexicon digital signal processing, and USB I/O connectivity for computer-based music recording and playback

stereo output level control. A rotary headphone level provides simple control for master mix or

offer exceptional value and

with professional audio gear, and

12FX can also enhance their audio

aux output levels. The Notepad-5,

performance for podcasters, singer-

1/4” balanced inputs for connecting

using renowned HARMAN Digital

-8FX and -12FX are expected to be

songwriters and audio professionals

keyboards, playback devices and

Signal Processing (DSP), including

available in July 2017.

who require small format mixing solutions. “Soundcraft Notepad mixers have a long history with musicians and audio professionals who need high-quality, small-format desktop mixing solutions,” said Scott Wood, Mixers Solutions Manager, HARMAN Professional Solutions. “The new Notepad generation maintains that trusted history, while adding legendary Lexicon signal processing and USB I/O connectivity, all at an entry-level price,” he added. Featuring trustworthy designs with high-quality components,

Antelope Audio names exclusive distributor for India Antelope Audio named Rivera Digitec as its first exclusive distributor for India. The Mumbaibased Rivera Digitec was established in 1997 with exclusive distribution rights for a number of leading brands in the Music Industry. “Antelope Audio has packed more than 20 years of experience in digital audio

clocking, conversion and analog circuit design. The team at Antelope is dedicated in helping people achieve high-definition sound both in the recording studio and home environment.We’re really pleased to be associated with Antelope Audio,” said spokesperson at Rivera Digitec. In India, Rivera has a wide network of sales offices that is in

Mumbai, Delhi, Kolkata, Chennai, Bengaluru, Hyderabad and Indore. The company is also the authorized distributor of brands like Roland, Shure, DB technologies and Samson. With a dynamic team and strong service platform and financial foundation, the company aims high with the distribution of Antelope in India.

Samson’s MixPad Series Mixer offers Smart Solutions for all Mixing situations Samson MixPad MXP Mixers represents a whole new value in compact mixers.At the heart of the MixPad is Samson’s MDR (Maximum Dynamic Range) Mic Preamps, which provide wide frequency range, definitive channel separation and natural response. Its four MDR mic preamp channels feature a 3-band EQ, Gain trim, high pass filter and pre-fader Aux send. The MXP series boasts a 24-bit, low noise, studio-quality effects processor with 100 effects, from the lushest of reverbs to head-spinning flangers and delays. Mic channels offer single-knob compression to easily tame dynamic ranges during performances and recordings, while the bidirectional USB connectivity

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equates to pain free PC/Mac interfacing and recording to your DAW. Samson MixPad’s MXP combines sonic quality with roadworthy durability and is jam-packed with features that ensure optimal control over performance. Its features are low-noise, high-headroom MDR (Maximum Dynamic Range) mic preamps, 100

24-bit Digital Effects built in, High integrity Bi-directional USB, Stacked

Stereo Channels for increased versatility and portability, Studio quality dynamic control with single knob compressors and Multi-segment level metering for efficient operation. The Models areMXP124 Compact, 12-Input Analog Stereo Mixer; MXP124FX Compact, 12-Input Analog Stereo Mixer with Effects and USB; MXP144 14-Input Analog Stereo Mixer and MXP144FX 14-Input Analog Stereo Mixer with Effects and USB.

Audio & Music Production

Celestion Introduces the G12H-150 Redback Guitar Speaker Impulse Responses Celestion introduces G12H-150 Redback Guitar speaker tones as new additions to their celebrated line of Impulse Reponses. As one of the premier manufacturer of guitar and bass loudspeakers, Celestion created their line of IRs using state-of-the art gear, so that the tones are the definitive digital representations of the company’s renowned classis guitar speaker tones. The Celestion G12H-150 Redback is a guitar speaker of contrasts, built to deliver towering slabs of frightening, monstrous tone, while still delivering marked detail and clarity. The new G12H-150 Impulse Responses allow players to now get this gargantuan tone direct to their modeling amp or audio workstation, and dial in balance, responsiveness and the superior playability of the Redback with ease. Five different Impulse Responses are available for the G12H-150 Redback speaker, representing five distinct cabinet types, including: 1×12 (open back,) 1×12 (closed back,) 2×12 (open back,) 2×12 (closed back) and 4×12 (closed back.) The responses from every one of the cabinets have been recorded with three high quality,

professional, studio-standard recording microphones, with each one placed in six distinct positions (the result being 18 IRs for every cabinet type). In addition further eight IRs per cab are included, which have been created by mixing a selection of single IRs, for additional tonal options.

“Celestion have enjoyed an overwhelmingly positive reception to our new Impulse Responses since their introduction just a few months ago, so adding the acclaimed Redback to our line of IRs was a natural fit,” said Nigel Wood, Celestion CEO. “We will continue to make more original, authentic Celestion Impulse Responses available as a natural extension of our product range- providing the authentic speaker tone our customers want, in

a convenient digitally downloadable format,” he added. The new G12H-150 Redback Impulse Responses join the original set list of Celestion IRs available for purchase including the G12M Greenback, G12M-65 Creamback, G12M-75 Creamback, G12H Anniversary, G12-65, Celestion Blue and Vintage 30 models mounted in 1x12 and 2x12 open and closed back and 4x12 cabinets. Celestion IRs, which capture the essential behavior of the cabinet in the specific space in which it was recorded, including the frequency and phase response of single drivers as well as the interaction of multiple speakers, offer the user significant benefits. In both recording and live production, Celestion IRs enable the desired tone to be precisely and consistently reproduced regardless of the music recording or live sound environment. And IR users can escape the limitations of a single mic and cabinet setup and explore a universe of possibilities to create the ideal tone. The tone can be precisely recreated, in the studio or on the road, time after time. And the IRs allows Celestion customers to audition specific models before purchasing one

or more physical speakers. Celestion IR digital downloads are available in uncompressed, industry standard .WAV format at 44.1 kHz, 48 kHz, 88.2 kHz and 96 kHz sample rates at 24 bit depth, in lengths of 200 and 500 milliseconds Once the files are downloaded and unzipped, users simply load the IRs into a convolution plug-in in their DAW or into other processing hardware. These formats will work in all known hardware capable of loading IRs, and for the most popular hardware Celestion have already grouped together the correct formats. Guitar processor manufacturers supported include Atomic Amps, Fractal Audio Systems, Kemper, Line 6, Logidy, Positive Grid, Two Notes, Headrush and Yamaha. The Celestion IR files may be downloaded in the sample rate and length appropriate for the hardware being used or as a complete package of all rates and lengths. Certain third party hardware requires the files to be converted into a proprietary format before use. The new G12-H 150 Redback Impulse Responses are available both as an individual single cabinet-type IR as well as a collection which includes all five cabinet.

Sound & Stage

Audio Academy purchases Avid S6L Audio Academy, an audio school and state-of-the-art recording studio recently purchased an Avid S6L control surface from the manufacturer’s Indian distributor, Ansata. The Bangalorebased live sound school already uses an S3L. In its commitment to give training to its students using the latest technology and as a result of the support provided by Avid, Audio Academy decided to acquire an S6L. S6L is reportedly the first to be installed at an educational facility in India. Niranjan Shivaram, CTO, Audio Academy said, “‘Training students will be the primary use of the S6L, and additionally it will be also used to support touring engineers. The live sound engineers who want to familiarise themselves with it before taking it on tour, they can look forward to workshops that we will

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conduct to enable this.” “Today’s bands and musical acts demand the best is the business and the S6L would cater to every one of them with its exceptional sounding preamps with a sampling rate of 96kHz, and its high channel and bus count,” added Vauhini Venugopal, CEO, Audio Academy. “Having had it for over two weeks now, the current batch of students are beginning to familiarise themselves with it. The ease of the layouts and the brilliant feature of every switch being programmable are highlights for them,” she added. The academy’s live sound engineer, Ashwin Shetty, is also very impressed with the new console. ‘The S6L is capable of handling 144 channels with 64 busses,’ he said. ‘It is undoubtedly one of the best sounding consoles I have come across and is highly customisable.’

Ashwin Shetty and Gautham Pattani of Audio Academy with S6L Ansata CEO Leslie Lean noted that the S6L purchase highlights Audio Academy’s commitment in ensuring future-proofed engineers. ‘Niranjan and Audio Academy have been working hard to equip the next generation of sound engineers with knowledge and a good ear for

sound,’ he said. Audio Academy provides government-accredited training and AVID certification in live sound (Venue certified) studio recording, mixing and mastering (Protools certified) and music production programs.

Audio & Music Production

Antelope Audio Releases Powerful Refresh to Orion Studio Interface Antelope Audio, one of the leading interface companies with advanced software control and real time FX technology, has announced a refresh of its popular Orion Studio that takes the audio conversion to the next level. In addition to a sleek new carbon grey faceplate, Orion Studio 2017 sports brand new analog to digital converters, enabling it to achieve 124 decibels of dynamic range, along with Antelope’s trademark extremely low-latency performance. The updated interface continues its predecessor’s penchant for extensive connectivity, including 12 high-quality microphone preamps and 16 analog outputs.

Acoustically Focused Clocking (AFC) jitter-management technology means that Orion Studio 2017 is poised to deliver industry-leading fidelity in just about any recording application. “Sound quality has been our primary focus in all our product designs, and we are pleased to launch this significant update to our popular Orion Studio,” says Antelope Audio CEO Igor Levin. “With these updates, customers are able to realize an even higher degree of audio quality in real time, while employing our other new innovations such as Session Presets and intuitive routing capabilities,” he added.

New Updates for A Dynamic World

In addition to its far-reaching dynamic sound, the new Orion Studio 2017 offers extensive connectivity options, making it suitable for just about any recording assignment. The 12 built-in preamps

Sonically Connected Universe

easily accommodate complex multi-microphone setups, while 16 analog outputs offer plenty of signal distribution capabilities for outboard gear integration or summing. Dual mastering-grade monitor outputs maintain signal integrity all the way to the monitoring stage, while also allowing easy switching between two speaker pairs. ADAT and S/ PDIF digital I/O meantime, allows for additional channels to be delivered via Thunderbolt or USB. Built-in talkback, four Instrument DI’s, two transformer-based reamp outputs, dual headphone outs, and WC in and out ensures that Orion Studio 2017 is able to integrate ideally into any studio or live recording ecosystem.

Satellite Processing

Orion Studio 2017, boasts a brand Antelope offers the industry new A/D conversion chips capable of with its comprehensive offerings of 124 decibels of dynamic range when real-time hardware-based effects, converting audio. For users, this the launch of Orion Studio 2017 translates to capturing every sonic nuance of a performance as faithfully as possible. The combination of these new innovations with Antelope’s legendary 64-bit Orion Studio 2017 delivers up to 124 Decibels of Dynamic Range

coincides with the addition of several new compressors to its growing library of FPGA-based FX. Orion Studio 2017 allows simultaneous use of up to 32 compressors without sacrificing the generous 40 EQ instances the hardware offers. Ideal for tracking or mixing, these ultrarealistic real-time FX are handled within the interface itself and do not tax the host DAW system, vastly expanding the sonic palette on any laptop or desktop. Controllable via a desktop app for Mac or PC, Antelope’s session preset and routing software also allows provides users with complete control over signal flow, enabling powerful FX chains, faithful monitor mixes, and easy outboard hardware integration. The new Matrix View, available in Orion Studio 2017, offers a detailed alternative to Antelope’s classic dragand-drop routing interface. The new Session Presets feature allow users to instantaneous recall settings at any time, speeding up sessions and enabling sharing across multiple studio rooms or facilities. The Orion Studio 2017 will be shipping in May.

MARKET FOCUS - EVENT INDUSTRY

The TOP 10

EVENT

COMPANIES

The Event Management industry has grown exponentially over the last decade with a host of varied events encompassing festivals, concerts, conference, corporate events and even marathons. This issue being the “Live” issue, we highlight the top 10 Event companies conceptualizing and executing the biggest live entertainment shows in the country. We have left out some of the bigger event companies whose focus is more into corporate or sports events and have highliighted only the ones organising the live entertainment and music events.

Cineyug Entertainment Cineyug is a Mumbai-based premier entertainment company engaged in Commercial Movie Production, Live Concerts and Arena Events, Large scale Award functions, Brand Management and Networking Events, Production of Television Software, Live TV shows etc. The company was founded by the Moranis, along with late Bunty Soorma. The company has grown to service allied businesses in the entertainment value chain with its ventures in Artist Management, Celebrity Endorsements, Pyrotechnics and Special Effects. Cineyug has directed, scripted and produced some of

the biggest Award functions for the entertainment industry. Over the last 25 years, Cineyug has been taking Indian events and experiences global, by organizing extravagant star studded World Tours across the globe like Temptations, Temptations Reloaded, Rockstars, Heartthrob and many more. The company is also behind more than 2500 LIVE events and concerts, some of which have been the largest produced by any Indian company. Sonu Nigam Live in Concert, Now or Never Live in Concert, The New Age Friendship Concert in South Africa are just to name a few. Cineyug has tied up with The Walt Disney Company, for live entertainment.

Ferriswheel Entertainment Ferriswheel Entertainment Pvt. Ltd. (FEPL) is an established Mumbai based event agency specializing in conceptualizing, producing & directing live events, shows, exhibitions & festivals for cultural, sports & entertainment platforms at both national & international levels. Shubhra Bhardwaj, Founder and Creative Director, Ferriswheel Entertainment, comes with an expansive experience of over 2 decades in the industry. She has successfully delivered over 25 large scale stadium events and 11 game ceremonies. Her in-depth understanding and experience of the diverse international and domestic performing arts markets and entertainment industries has helped establish Ferriswheel as a dynamic, dependable and competent

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brand in a brief span of time. A young, hip brand, Ferriswheel is an end to end solutions agency in the spectrum of Sport and Entertainment alike. From conceptualization to evaluation and implementation, FEPL produces and directs shows, live events, exhibitions and festivals all the while promoting Arts and Culture on both National and International platform. The grand launch of the Indian edition of the world’s biggest party, ‘Don’t Let Daddy Know’ was brought to the country by Ferriswheel Entertainment. The India debut last year at NSCI Dome had an attendance of more than 10,000 fans to witness the biggest global names in electronic music curate 7 hours of nonstop mayhem catering to diverse genres of electronic dance music.

Only Much Louder Only Much Louder is a new media organisation which hosts large sized events and owns properties like the NH-7 Weekender, also known as “India’s answer to Glastonbury”. The festival, held between October and December, travels five cities and sees an annual attendance of over 1,00,00,000 fans across the editions. Founder and CEO Vijay Nair’s career started at the age of 15, when he worked with Procter & Gamble’s web portal Masti.com, and the only bustling indie music web zine in the country back then, Gigpad.com. As an 18 year old college dropout he then started managing leading Indian indie bands like Pentagram, Zero, Pin Drop Violence etc., eventually leading to the beginning of OML – India’s first artist management firm for Indian indie bands. Today, OML Entertainment co-founded by Bobby Talwar, comprises live events in music, comedy and alternative

Fountainhead MKTG Oranjuice Entertainment A Dentsu Aegis Network company, Fountainhead Mktg is one of India’s leading experiential marketing agencies having successfully conceptualized and executed several corporate and entertainment events. The glorious journey began in 1995 with the vision of three young men Neale Murray, Brian Tellis and Otis D’Souza of building brands with delightful experiences.Today Fountainhead’s business divisions range from Events, Activation, MICE, Digital, Intellectual Properties, In-film branding, Rural Marketing, In-stadia advertising and PR. Fountainhead has conceptualized some large-scale events like the One Tree Music Festival, Celebrate Bandra, and small scale events like the Corporate Sports Buzz. Fountainhead’s entertainment vertical - Oran-

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juice Entertainment was founded together with Owen Roncon and V.G. Jairam with the aim of creating cultural movements that could align consumers with brands using Indian and International live entertainment as the key platform of engagement. Johnnie Walker ‘The Journey’, Live from the Console, The One Tree Music Festival, Aadyam, and The Mahindra Blues Festival are some of the intellectual properties that Oranjuice has created for coveted brands. The Mahindra Blues Festival has today become Asia’s largest and finest Blues phenomenon, bringing together some of the best Blues musicians in the world.

culture, digital and TV content, artist management across music, comedy, storytelling, and much more. Apart from this, OML also runs its own ticketing and technology platform, Insider.in, that gives access to a handpicked selection of events. In 2015 OML announced a brand new festival called Stage 42 with a handpicked selection of artists, performing stand-up comedy acts and exciting musicals at different outdoor and indoor venues in 7 cities through the course of the festival. The festival was in the past headlined by the likes of Russell Peters, Bill Burr, AIB, Nucleya, and Bhayanak Maut. Last year Los Angeles based Insomniac events and OML in partnership with Budweiser India brought Electric Daisy Carnival (EDC), one of the biggest electronic music festivals in the world, to India. Held at the Buddh International Circuit EDC India gave Indian EDM fans a flavor of Vegas with stages designed at par with any top notch EDM festival anywhere in the world.

Percept Limited Founded in 1984 by Harinder Singh and joined by Shailendra Singh as an equal partner in 1987, Percept Limited, an entertainment, media and communications company, is today at an enviable leadership position, with a team of over 700 people and 42 offices in India and the Middle East. Their main Claim to Fame is of course Percept’s own IP and the first and one of the coolest large-scale EDM festivals in India – Sunburn! Started in 2007 as a 3-day music festival with an eclectic mix of music, entertainment, experiences, celebration and lifestyle, Sunburn has grown multi-fold during this decade long journey. It was in 2009 that the festival grew phenomenally as Percept managed to book one of world’s leading DJs Armin Van Buuren (who was no. 1 at that time). And then,

there was no looking back, as with each passing year, Percept managed to scale up the festival to greater heights, add more stages, and improve the caliber of the artists that came in. Sunburn boasts of international artists like Above & Beyond, Axwell, Paul Van Dyk and is recognized among the top 3 music festivals in the world by the international music summit alongside Tomorrowland and Ultra. Sunburn today has two sub-brands – Sunburn Arena and Sunburn Campus. Percept operates in 2 core business domains - Percept One - Marketing Communication Services and Content and Intellectual Properties. Percept’s other Live Entertainment IPs in the Entertainment, Sports and Media domain include Sunburn, Bollyboom, Windsong etc.

Submerge Entertainment Submerge is a powerhouses that has been responsible for the birth of the EDM scene in India. Founded in 2003 by Nikhil Chinapa, Pearl, and Hermit Sethi, Submerge’s goal is simple: to connect Indian dance music fans with the best DJs from around the world. As a booking agency, artist management company, and concert promoter, Submerge works to grow the Indian

music scene at all levels. The Company’s landmark events include Trance Around the World, Therapy 001 with Above & Beyond and A State of Trance 600: Mumbai with Armin van Buuren. Ultra Worldwide’s debut in India was also hosted by Submerge. The India gig was part of Nic Fanciulli’s 10-day world tour, spread across multiple continents. Their IP’s include besides others, the annual festival Submerge Supernova held

in Bangalore and the Submerge Annual - The Annual Party, held on December 30th, featuring some of India’s most exciting talents and headlined by international DJs.

Viacom 18 INS Founded in November 2007, Viacom 18 Media Pvt. Limited is a 50/50 joint venture operation in India between American media conglomerate Viacom and the Network 18 Group based in Mumbai spearheaded today by Chairman Mukesh Ambani and CEO Sudhanshu Vats. Viacom18, has fast grown to become one of India’s fastest growing media and entertainment companies and its Integrated Network Solutions (INS) unit created to monetise global IPs from Viacom has been instrumental in developing brand solutions for consumers and live properties across music and entertainment genres. INS headed by Saugato Bhowmik brings a unique & impactful experience to brands through a revolutionary combination of multi-dimensional marketing platforms which encompasses 13 IPS, 200+ events and 250+ artists. The two units under INS are Live Viacom 18 which is focused on

Twisted Entertainment Twisted Entertainment Pvt. Ltd specializes in setting up and producing festivals and large format events in the music space. The company was established in the year 2013 by Shoven Shah and since then it has been a fast growing entertainment enterprise in India which specializes in creating & producing one of India’s large format events. One of the most popular IP’s conceived by TEPL is – India’s Largest Camping and Multi Genre Music Festival - Enchanted Valley Carnival (EVC) which is a unique festival property which was introduced to the Indian audiences in 2013. Enchanted Valley Carnival is the first-ever music festival in Asia to have a fully-fledged campsite, famously known as the Enchanted Village, alongside professional adventure sports and other dis-

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tinctive experiences like Culinarium and other Music Properties within – Cosmos, Terra, Akva etc. In the year 2015, Universal Music Group, the world’s leading music company, announced a new partnership with TEPL as TEMPL, under which both the companies co-own - Enchanted Valley Carnival. The joint venture marked Universal Music Group South Asia’s debut in the experiential marketing space as the first label to participate in a venture of this kind. TEMPL is working on building & implementing various Intellectual Properties in the Live Entertainment & Special Events space & primarily focuses on creating Live Entertainment and Music concepts.

getting the IPs to India, while the second unit BE Viacom 18 creates content from the properties for network channels. Live Viacom18 engages with consumers through large format live properties such as Vh1 Supersonic, MTV VMAI, Nickelodeon KCA, Emerge, MTV Xtreme, and Comedy Central Chuckle Festival, among others. Conceptualized together with Festival Director Nikhil Chinapa, Vh1 Supersonic has become India’s most premium beach music EDM destination with an array of Indian and International artists performing live, creating a superior beach festival experience. Emerge is another unique property conceptualised by LIVE Viacom 18 in association with Vh1. Emerge is an innovative music and art platform that bridges the gap between India and the global music scenario, showcasing some of the best sculptures, art installations and live art by talented artistes across the country.

White Fox India White Fox is an experienceoriented & quality-driven event production & management venture. An event agency established in the year 2013 by Arjun Jain, White Fox focuses on experience-oriented and quality-driven event production & management. Having brought down some of the biggest names in the electronic music realm down to the country, including David Guetta, Hardwell, Tiesto, Above & Beyond, Axwell, Steve Aoki and many more, they set high standards of entertainment with Justin Bieber’s Purpose World Tour with an overall investment of almost USD 4 Million, making it one of the biggest ticketed music concerts to be ever hosted in the Indian sub-continent.

Music fans across the country had a reason to celebrate when White Fox India confirmed that it would bring the 22-year-old Canadian megastar to the country. White Fox India is a subsidiary corporation of London headquartered Nine Capital, a recently incorporated media and entertainment entity with 5 other subsidiary corporations besides White Fox India. The Directors of Nine Capital, Arjun Jain, Aman Kumar, Mani Singh Cheema along with co-founnder Chaitanya Mathur also created ‘The Grub Fest’- one of India’s biggest food festivals. White Fox India currently is focused on worldwide concert and entertainment show promotions and is evaluated at INR 20 crores.

Wizcraft International Ent. Definitely the pioneers, Wizcraft has been instrumental in shaping the event management industry in India. Started as a dream of three very different, yet extremely enterprising men - Andre Timmins, Sabbas Joseph & Viraf Sarkari, Wizcraft is today no less than a phenomenon in the event industry. Headquartered in Mumbai, Wizcraft has offices in Delhi, Bangalore, Hyderabad, Chennai and Ahmedabad in India, with international liaison offices and associates across the world and boasts of having in its client portfolio more than 500 leading MNCs and corporate houses. Wizcraft is today a forerunner in organizing extravagant and mesmerizing events, exhibitions, activations, television, PR and have successfully conceptualized, organized and executed large

scale events such as the Opening and Closing ceremonies at the 19th Commonwealth Games, 50 years of Indian Independence Day Celebrations and Opening Ceremony at the Hannover Messe (2015), The Global Citizen Concert (2016), to name a few. But what the company is really synonymous with are their own larger than life extravaganzas - IIFA, GiMA, StarGuild Awards and Kingdom of Dreams. These Wizcraft Brands have been conceptualized, owned and nurtured over time by Wizcraft and in a short period of time, these properties have earned respect for the sheer magnitude of the events and the unparalleled star power that endorses these events, giving audiences around the globe a never-before experience.

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Audio-Technica Appoints Green Sources as distributor for Installation Segment Products in India Audio-Technica Corporation announced the appointment of Green Sources Pvt. Ltd. as their professional installation product distributor for India. “The appointment of Green Sources is in line with our commitment to the Indian market and is one of the initiatives from the bouquet of investments AudioTechnica is making towards this important market. I look forward to the further development of a strong and co-operative strategic alliance strengthening AudioTechnica’s profile in India,” said Manabu Aoki, Audio-Technica Corporation Japan’s General Manger for the International Division. Robin Ghose, Business Development Manager for AudioTechnica in India added “An organized and well positioned partner such as Green Sources,

with its significant assets in terms of people, systems as well as pan-India presence will help us address the Indian customer needs effectively, using our high quality and technically innovative products.” “We at Green Sources are excited to be associated with Audio-Technica,” said Swadesh Khetawat, Managing Director of Green Sources and added “With our Pan India presence and long experience catering to the AV domain, we will add great value and bring synergy to our esteemed partners and AudioTechnica,” he added. Founded Robin Ghose, Business Development Manager for Audio-Technica in India (cenin 2009, Green Sources distributes tre) with the Green Sources team premium brands of Audio Visual, Conferencing and Mounting the entire range of installation wired System 10 Professional Wireless products in India by maintaining and wireless Microphones and the award a strong commitment to service, microphones, including the winning AT-UC50 Digital Discussion marketing, logistics and technical renowned UniPoint and Engineered System and ATCS-60 Infrared support. Green Sources will distribute Sound microphones, the 2.4GHz Discussion System.

Bose Professional Introduces the ControlSpace EX Audio Conferencing System The system includes the new ControlSpace EX-1280C conferencing signal processor and three new Dante-based ControlSpace undertable endpoints (EX-4ML, EX-8ML and EX-UH). Designed with input from leading integrators, the system features connectivity for various types of audio conferencing, including USB, VoIP, PSTN, analog, and phone headset audio. “We focused on creating one audio conferencing DSP that includes everything an integrator might

need – Dante, USB, VoIP, PSTN and analog audio – all in a single 1RU box. We also recognized the growing need to reduce wiring, locate equipment remotely, and address retrofit applications. Bose under-

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table endpoints are microphoneagnostic and use PoE and Dante to provide a ‘one cable from the table’ microphone and BYOD ATC solution,” said Arun Kumar, Divisional Manager, Bose Professional - SAARC. The ControlSpace EX-1280C processor features include: • Advanced AEC- 12 routable acoustic echo cancellers (AEC) with adaptable noise cancellation, non-linear processing and comfort noise to enhance the clarity and intelligibility of the meeting;

conferencing microphones. • All-in-one connectivity- 12 mic/ line analog inputs, eight analog outputs, eight Bose AmpLink digital outputs, USB (stereo in/out), VoIP (2 lines) and PSTN. • Open-architecture signal processingprovides the flexibility needed for any conferencing application. • SIP 2.0 compliant VoIP: Includes a web-configurable interface, two independent lines with multiple call appearances, and support for popular codecs including G.722 HD, G.726, & G.711. • Front-Panel Display: Large 256 x 64 element OLED display and rotary knob for metering, viewing/ changing IP settings and more. • All three EX Dante under-table end points feature PoE, daisychainable power and networking, multiple mounting options and a slim, high-density form factor that makes them suitable for mounting under conference tables. The two under-table microphone interfaces, the EX-4ML and EX-8ML (4 and 8 channels respectively), feature 48V

multiple AEC references support multiple rooms and zones. • Dante audio networking- 64x64 Dante audio networking for digital audio connectivity with any Dantebased product, including newer

phantom power as well as +12V LED power and three logicIO per channel (1 in, 2 out), to interface with most types of analog conferencing microphones. The EX-UH Dante under-table endpoint extends conferencing versatility for BYOD applications such as connecting mobile phones, laptops and telephone headsets using the built-in 3.5 mm TRRS analog jack, stereo-audio USB, and RJ-9 connector. • All components are configured and controlled with Bose ControlSpaceDesigner5.0 software. ControlSpace Remote 2.1 has been upgraded to support the new EX and includes a dialer for creating a complete tablet-based user interface for conference rooms. Drivers for popular control systems are also available. In addition, Bose Professional’s wide portfolio of amplifiers and loudspeakers can be seamlessly integrated using convenient presets and audio connections.

ACOUSTIC CONSULTANTS YOU SHOULD KNOW

Ultracoustic ONE-STOP-SHOP FOR COMPLETE ACOUSTIC SOLUTIONS the application if it is an orchestral space then the rt60 would be way longer around 2 seconds as classical music sound optimum with longer natural reverb time and gives an extraordinary experience. For speech dominant for example where drama would be conducted a reverb time of 0.8 seconds is required as speech sound needs to be crisp and clear.

CHALLENGES – SPACES & GEAR For a great acoustic environment there maybe a lot more issues while dealing with spaces and type of gear used in it. Majority problems occur in home studios or rooms which are smaller in size. Due to construction constraint we are limited to improve that space as par as a good brand studio. Typically in home studio the construction of building matters a lot, an old construction would be made of bricks. Bricks being porous in nature could cause lesser problem in low frequencies that is resonance of room whereas new construction i.e. RCC construction are very solid and hence pose a greater problem with resonance the energy is difficult to control as there is not much margin for it to dissipate. A room acts like a filter according to its dimension it can boost some and cut off some frequencies. Whereas, a good room would be like good microphone or stu-

Ravi Iyer’s Studio, Mumbai

dio quality monitors should be uniform at all frequency bands. This is difficult to achieve but could be brought to almost ideal studio.

In India, acoustics is a subject which is rarely known and generally disregarded in engineering of any sorts. Awarness needs to be created in this subject so that one understands the basic concept and reap the benefits at the earliest stage.

MANUFACTURED FOR PERFORMANCE, DESIGNED FOR EXPRESSION

CREATING AWARNESS ON ACOUSTICS

Ultracoustic manufactures bass traps catering to different frequency bands Modal Trap goes as low as 40 Hz and the Ultra Trap as low as 80 Hz. Usually a combination of both bass traps are required when treating small spaces. Horizon Corner Trap which is mounted in the corner and works in low mid frequencies. For bringing down reverberation ranging from mid and high frequencies Ultracoustic manufactures various products such as the Horizon range of high quality fabric finish panels available in different shapes, sizes & thickness.Ultracoustic has multiple solutions for ceilings, in typical studios or home theaters the horizontally hanging “Cirrus Cloud” are apt, but for spaces with high ceilings we offer the “Neptune Baffle” which suspends vertically providing dual sides absorption. Ultracoustic also manufactures high density foam acoustic panels such as the Ultra Square, which are very popular because for its efficiency at absorbing lower frequencies than a regular foam panel. The Ultra Square reaps the benefit of the Helmholtz principle. The company also manufactures various diffusers for various applications - pure wooden one dimensional diffusers like the “Primo 7” which diffuses frequencies

Everything done practically in acoustics is to satisfy our hearing, in industrial spaces it is mostly related to reducing sound level (isolation) so that ear fatigue is not caused as it can cause headaches and or loss of hearing. In studios, auditoriums and other listening spaces it is about creating a perfect listening condition so that one can enjoy music to its fullest. In commercial spaces, offices, restaurants etc. it’s about quietness so people are not disturbed. In audio, loudspeaker, headphones manufacturing and research, digital audio workstations, audio consoles for recording etc. all are heavily invested to achieve maximum pleasure in hearing. An environment where sound satisfies our hearing is very beneficial for our physical and mental health. We conclude that practical acoustics is done to benefit us. Our ears are one of the most complex and beautiful organ of our body not many know that manufacturing speakers, headphones and microphones is solely based on principle of how our ear works. Three energy conversions takes place, acoustical energy is converted to mechanical energy and finally to electrical energy for our brain to interpret the signals. Due to such complexity in nature of acoustics, it is difficult to establish basic procedure for treatment.

down to 700 Hz and upto 8000 Hz, two dimensional “Ultra Fuser” diffuser which diffuses sound in two dimensions, that is left to right and top to bottom giving a sense that the room sound acoustically large than it actually is, our poly diffusers “Polycustic and Gaussian wave designed “Ripple” hybrid absorber/diffuser panel for adding acoustical brightness to any room. The hybrid range of panels that act both as an absorber and a diffuser such as “Ultra Wood and the “Ultra Square Pro”. The company’s products are deisgned not only for its principle working but keeping aesthetics & interiors in mind esp. for Home Theatres, Conference Room, Auditoriums etc. Ultracoustic is very proud to announce many more designs launching at the Palm expo, 2017. Apart from manufacturing we also provide noise solutions as well as sound proofing, noise insulation, consultation and custom solutions.

UNDERSTANDING “RT60” In simple terms, reverberation is defined as prolongation of sound due to reflections in an enclosed environment and “RT60” is defined as time taken for original sound level to drop by 60dB. Longer the reverberation time more muffled the sound would be and difficult to interpret the information. Different applications call for different reverberation time, for e.g a control room in a studio would require the RT to be anywhere from 0.2-0.3 seconds depending upon your taste. A general idea is to completely make the room absorbent and hence making it acoustically dead. Unfortunately, this is a myth and a dead room is not an ideal condition for editing, mixing or mastering spaces. A dead room gives a much closed image of sound, it may make it seem as sound is very dry and hence editing would be according to that room which when played outside in a normal condition would sound completely different. For a listening environment such as a Home Theatre a good rt60 would be between 0.6-0.4 seconds. For an auditorium it depends on

Get in Touch Email: info@ultracousticin.com | Phone: +9122 6560 6002 ; +91 99673 04749 Web: www.ultracousticin.com

May - June 2017

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RTS Introduces ROAMEO ROAMEO from RTS is a professional, easy-to-use and future-proof wireless intercom solution based on the license-free DECT- Digital Enhanced Cordless Telecommunications, standard with a protected frequency band. It provides high-quality audio over a seamlessly integrated digital wireless beltpack and associated access points. Featuring a modern, rugged design, ROAMEO is suitable for a wide range of professional intercom applications where wireless communication is critical, including theater and sport event productions, houses of worship and others. Operating like a wireless keypanel, ROAMEO can be fully integrated into all existing wired digital RTS matrices. The system allows users to address either individuals or specified groups. The system consists of the TR-1800 beltpack, the AP-1800 access

point and accessories including charger, holster and pole-mount kit. Connection to a digital matrix is easily established via a single Ethernet cable. In addition, the system can use standard IT infrastructure, which ensures easy installation and low maintenance costs; the access points can be daisy-chained. ROAMEO’s cellular structure can cover a wide area with superior audio and seamless roaming between the individual cells. Users can easily expand the coverage area by adding further access points, while additional wireless beltpacks can be directly addressed as part of a wired RTS matrix intercom system. Depending on the audio codec used, users can select between a higher emphasis on voice quality (G.722 full bandwidth) or a more efficient use of the radio spectrum with a higher number of

ROAMEO wireless intercom system combines user-friendly operation and seamless communication in large areas beltpacks (G.726 narrow-band). ROAMEO also provides a superior user experience – the system can be easily configured in a multi-language set-up via scroll lists on the beltpacks or using the control software, which allows users to configure the complete intercom system on one screen. As a result of its large color LED-display and intuitive icon-based menu structure, the beltpack is easy to set up and operate. The four talk/ listen buttons are shaped differently

and provide users with a tactile feedback; the operation of the device is thus possible also in low light conditions and without the need to look at it. With its lightweight, durable housing, the beltpack features the smallest enclosure in its class and is protected against dust and light rain. The ROAMEO system is an environmentally friendly system without any dangerous emissions at low radiation. It is compliant with the US environmental regulation N33.6.

Hi-Tech Audio Spruces Up India’s First Integrated Amusement Park WITH BOSE SPEAKERS Fairytale dreams come true not only for children but for adults too. Delight in world class rides imported from Italy, Switzerland and Germany to this whimsical land spread over 16 acres in Surat, designed by the creators of Sea World (Canada), Warner Brother Movie Studio (Australia) and many more, The Sanderson Group. At Amaazia, a project by Rajgreen group and India’s first indoor integrated amusement park fantasy becomes a reality as you explore the tidal wave of fun to a tropical paradise in the water park, experience the thrill of the world class theme park rides and various entertainment joints under one single roof. Stories, not only come alive, but stay alive. From serene to extreme, there’s an experience for everyone at Amaazia. Apart from the rides and the excited tidal waves, audio plays a very important role in making the thrill park rides more real. Hi-Tech Audio Systems Pvt. Ltd., New Delhi got the opportunity to design & install the Complete Audio system all over in a 16 acres area. The complete park was divided in 11 Audio Zones for different

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pipe music in each zone with varied audio levels. The challenge in designing the system was that there was no such acoustic partition between zones and speaker selection and their locations were to be chosen such that there is minimal spill over. Moreover the speakers were to be IP55 rated or better. Also, due to the size of the park, two control rooms connected over Fiber optics to minimize copper cable losses were chosen. This also helped to eliminate central routing matrix to avoid single point of failure. “We had to choose the speakers such that to create the right atmosphere and emotion, whether

for an adrenaline-pumping ride or a relaxed ambience throughout the parks and attractions, with a particular emphasis on camouflaging the speakers to avoid tampering and disturbing the ambience of the place,” said a spokesperson from Bose. Complete range of Bose Professional Products were deployed to achieve the above. For Wave pool area Bose Flagship Point & shoot LT Range of weatherized speakers and subwoofers with 3 Nos. LT 9702WR and 2 Nos. of dual 12 inch MB24WR subwoofers were used. This systems was deployed to produce high SPL pumping music during wave generation to play EDM style music

and to overcome high Noise levels of water babbles, and public cheer. The complete park is surrounded by a free flowing Lazy river where people can get in a tube and relax and hence needed a system with rich ambience music. The complete Lazy river was covered with Bose Garden speakers Freespace 360P which were camouflaged with a unique design by architects. These speakers have a 360 Degree coverage and hence covered both walking pathways and lazy river. Rain Dance Area is another big attraction of the park. This indoor area is like a night club with a

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Manufacturers of acoustic ceiling, wall tiles and sound proofing solutions

INSULATION, ISOLATION & TOTAL ACOUSTICAL SOLUTIONS FOR AUDITORIUMS, RESTAURANTS, HOME THEATRES, OFFICES, BARS, LOUNGES, CONFERENCE HALLS, DISCOS/ CINEMAS, COLLEGES, BANKS, WORSHIP PLACES & LOTS MORE....

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EMAIL: sales@kpaiindia.com WEBSITE: himalyanacoustics.com Ph.: +91-1792-264028, +91-9816044049, +91-9779512233 Install Sound unique design of sprinklers from ceiling, sides and Floor. Speakers to be proposed were again to be weather proof/sprinkle proof so 4 Nos. iconic IP55 Bose Panarray 802 speakers with IP56 MB12WR Subwoofers to produce thumping loud music through DJ were used. “So from King Cobra rides to kiddies’ areas, indoors and out, in queue lines and eating areas, we created a sound that is just the right atmosphere for a fun-packed day. At the heart of the sound system is our engineered backend system which is a combination of products from Bose and Bi-Amp processors and call stations to make zone-wise Announcements.” Complete system is sitting on park’s LAN network and can be monitored from multiple locations as desired. The backend provided has shifted the paradigm from the traditional system with a centralized processing and central routing matrix into a new future i.e. networked future. Logging and system monitoring information is stored locally. The complete system is expandable and can be linked

to other new facilities coming up the premises of the park i.e a world Class Club House, premium Mall and Multiplex etc. Project Director of Amaazia – Mr. Rajesh Taylor expressed- “We are extremely glad to be the first ones in India to create a World Class Integrated Amusement Park which caters to audiences of all ages. We wanted to create a facility of international level and chose to go with Brand Bose for Audio System and a system integrator which has an expertise and experience to integrate such systems professionally so we chose Hi-Tech Audio Systems. We are very happy with this new system and look forward to extend the same in new upcoming facilities also.” Director Sales (Projects) Hi-tech Audio Systems Pvt. Ltd., New Delhi – Mr. Manik Gupta also expressed his cheer – “ We are extremely glad to be a part of such a prestigious project. It surely is another milestone in our journey towards becoming India’s largest Systems Integration company. We thank the owner of Raj Greens Group Mr. Manoj Bapu and projects director Mr. Rajesh Taylor for giving us this unique opportunity”

Mr. Arun Kumar - Divisional Manager - Bose Professional India said – “Bose professional are pioneers in Professional Install Audio system worldwide. We thank the team at Raj

greens for trusting us and giving us this wonderful opportunity and our premium partners Hitech Audio Systems for a world class integration”

Amate Audio provides sound solutions at Whisky Samba Amate Audio sound solutions provided a fascinating experience at Whisky Samba, Gurgaon, India.

quality and exquisite selection of worldwide dance music makes for a remarkable venue with an elegant atmosphere. Inside the venue, several double 6” JK26 point source systems, from the Joker series, in combination with 18” KEY18W subwoofers, have been installed with a KEY8 point source system for DJ monitors, while several B6 multipoint systems extend the complete Amate Audio sound solutions complement the experience onto the outdoor fascinating experience at Whisky Sambha terrace. The entire system Whisky Samba provides fun is processed and amplified by the and pleasure of drinking whisky, DSP206 loudspeaker management accompanied by dishes from its system and HD800, HD2000 and modern kitchen. The superior sound HD3200 power amplifiers.

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EVENT INDUSTRY FOCUS

The Fountainhead of superlative experiences Interview with Neale Murray, Co-Founder & Group COO of Fountainhead MKTG, a Dentsu Aegis Network company In a career spanning nearly 22 years, the quality of Neale’s wins have been exceptional. With the vision of building brands he creates delightful experiences with events. In an exclusive with PALM technology, Neale talks about his journey and work and truly believes that the core essence lies in valuing the right talent! Smita Rai and Somya Kedia report.

he Story

Fountainhead today enjoys the pre-eminent status of being one of India’s leading experiential marketing companies having successfully conceptualized and executed several corporate and entertainment events, but the seeds of Fountainhead were officially sown in a small office in Juhu way back in1995 by Neale Murray, BrianTellis and Otis D’Souza. Talking about the beginnings and the roots from where Fountainhead stemmed Murray says, “I was working with Singapore Airlines from 19871995as a sales representative and Brian was in Air France. It was a great and prestigious job but I soon realized the job was not challenging enough and there was no scope for further growth. Both Brian and I wanted bigger challenges and we wanted to do something on our own, so we decided to quit our jobs and do something different. Both of us being musicians and actors during our academic days and being well versed with the event industry, experiential events were a natural progression for us.” The company expanded and in 1997 they shifted to Pali Village in Bandra, Mumbai where they rented an office and later bought it. It was in 2002 that they bought a nice bungalow there for

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their operations and since then there was no looking back. “For the first year or two, we were still finding our way, but we pursued it, because we were passionate about it and a business like this can’t work unless you are really passionate. It’s a tough business to be in. We were certainly very ethical about the way we did things and I think this is one of the hallmarks of this company that we are still known for. The company was laid by getting the right kind of talent on board and we created delightful experiences while retaining our core values of professionalism, creativity, integrity and innovation which makes Fountainheadone of India’s leading experiential marketing agencies today!“

The Dentsu pull factor

Fountainhead MKTG is today a part of Dentsu Aegis Network, a multinational media and digital marketing communications company headquartered in London, and a wholly owned subsidiary of the Japanese advertising and public relations firm Dentsu. Its principal services are communications strategy through digital creative execution, media planning and buying, sports marketing and content creation, brand tracking and marketing analytics delivered through network brands which include Carat, Dentsu media, Story Lab, iProspect,

Fountainhead MKTG is the only experiential company in the Dentsu Aegis network in India” – Neale Murray Isobar, Taproot, to name just a few. “We are the only experiential company in the Dentsu Aegis network in India. We became a part of it in November 2015 and being a part of a large network like has a great effect. It boosts the morale of the staff as they are now considered to being a part of the global organization which in turn attracts talent. It really works wonders because it has given us access to a lot of brands and other companies in the network. We have the

advantages of best practices followed internationally, great processes and softwares they have an access to.” Today Fountainhead’s business divisions range from Events, Activation, MICE, Digital, Intellectual Properties, Infilm branding, Rural Marketing, In-stadia advertising and PR. Fountainhead has conceptualized some large-scale events like the One Tree Music Festival, Celebrate Bandra, Mahindra Blues Festival and small scale events like the Corpo-

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rate Sports Buzz - a sports quiz that was hosted by Harsha Bhogle along with an Inter Corporate Olympics. “Most of our events are created for the customers/ clients who include Aditya Birla Group, Idea cellular, Blue Star, Hindustan Unilever Limited, UltraTech Cement to name a few. We conceptualize for all; there is a creative thought for everything,” says Murray.

Key to success Commenting on one of the key factors for the success of Fountainhead he says, “We created a really good working environment and gave people lot of opportunity. We were sincere, committed and not control freaks. We value the expertise of the employees we have with us and have given them the freedom, to actually blossom as professionals, without us, completely controlling everything. I Fountainhead Digital MKTG drives participation at Goafest 2017 also believe in motivating them to explore and giving them incentives so Mumbai. artists are definitely listening because that they can go out and explore, see Since its inception in 2011, the Mahinthey are aware that it takes a company other International shows I also believe dra Blues Festival has been instrumental like ours who knows what and how to in motivating them to explore and givin bringing down not only international engage audiences, and create great ing them incentives so that they can go Blues legends but has also become a experiences. I think we have all of that in out and explore, see other International great platform for Indian Blues bands to place with some really good teams.” shows. Owen Roncon and VG Jairam perform alongside the best Blues musiNeale believes that Mahindra Blues who are a part of the Fountainhead cians in the world. Festival is one of their most satisfactoboard now, used to earlier work for us “What it takes to put a show like this ryprojects which he is very proud of, as Creative Head and Business Developon the road is definitely a good patron because today the audiences come ment Head respectively. People have irrespective of who the artists are; they stayed with us for long period of time come there for the experience created and that really has really been the secret by the company. “We know people from to our success. Jairam started in early overseas and outside Mumbai who have The government 1996 and Owen started in 1997 but by been coming to the festival since day needs to change their 2003 they wanted to do something of one. People are coming from Singapore, whole perspective on their own and it was then we all decided lots many are making the journey from to get together to form our entertainthings. They need to down South and also from Delhi. It’s ment vertical - Oranjuice Entertainment. collaborate with us now a festival in the World’s Blues.” ” and make our lives Alongside Mahindra Blues Festival in Mumbai, there is also a Mahindra Blues easier instead of Concocting Oranjuice Weekend at Buddy Guy’s Legends in working against us. Oranjuice was founded with the aim Chicago which takes place over two of creating cultural movements that days where local brands get promicould align consumers with brands nence in the U.S. using Indian and International live and in that we have Mr. Mahindra. He is Neale shares that initially Goa was entertainment as the key platform the one with a vision, which is why he the planned venue for the Blues but Mr. of engagement. Johnnie Walker ‘The supported us since seven long years. Mahindra felt that the Blues is about a Journey’, Live from the Console, The Lot of people sometimes pick up a lot feel, a struggle, and he felt Mumbai had One Tree Music Festival, Aadyam, and of events, support it for 2-3 years and all of that. “I am so glad we didn’t do it The Mahindra Blues Festival are some of then quit, but Mr. Mahindra is commitin Goa. The reason being the audience the intellectual properties that Oranjuice ted to this, because he understands the here in Mumbai is great on two scores has created for coveted brands. music, he understands the blues and -one is that we get a matured audience he himself is a blues lover. Secondly it who can pay and secondly the audience Creating Mahindra Blues Festineeds a company that has obviously is very well informed. In today’s era val Magic got a certain level of leverage in having where entertainment is gaining a lot of The Mahindra Blues Festival has today contacts with artists and management traction, there are newer music festivals become Asia’s largest and finest Blues companies overseas. There are many and concerts pouring in, but with Blues, phenomenon, bringing together some people in India who approach people there is no competition.” of the best Blues musicians in the world abroad but very often nothing happens Acting on Aadyam for 2 days of guitar-ripping, soul-tripping and the artists become very sceptical. action at the iconic Mehboob Studio in The Aadyam Theatre, an Aditya But when it comes to Oranjuice, these

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Birla initiative is another brainchild of Oranjuice. Aadyam is working towards becoming India’s gateway to artistic expression for meaningful experiences and capacity audiences. “Theater in India is very vibrant, especially in Mumbai but theatre has never really had corporate support and funding. Mr Birla saw a great opportunity there, so we created the brand Aadyam for him which promotes theatre by funding five new productions every year.” Some of the plays listed under Aadyam are The Siddhus of Upper Juhu, Merchant of Venice, Twelve Angry Jurors and others.The third season of Aadyam will be launched in May, this year with seven plays - five on a big scale and two catering to about 100 people in a new space in Lower Parel. “So that’s really what Oranjuice does, Oranjuice creates IPs, some which are owned by us and some of which are created for brands. Our strategy is to create an IP for the brand, especially for them, where they own it and drive it; rather than just becoming a logo that one would put on someone else’s property. That is what we do in Oranjuice,” says Murray.

Celebrating Bandra Yet another festival organized by Fountainhead as a CSR activity since 2003 is Celebrate Bandra, a festival created by the people and for the people, with Times of India as the principal sponsor. Murray has been the festival director of Celebrate Bandra since 2003 and Fountainhead co-owns it with the Celebrate Bandra trust. “We earn no money in that! All the money that

ticket price here is close to Rs 2000. The average ticket price in U.S. is 100 dollars for any concert. So therefore it’s difficult to make money from what should be the automatic revenue stream. One should be making money directly from the gate. That’s the gap, that’s the challenge we have to face.”

Time restrictions:

Fountainhead MKTG pulls off world’s first premiere of ‘xXx’ The Return Of Xander Cage’ in Mumbai comes from Celebrate Bandra, we put it back in worthy projects in Bandra. We bought two school buses for a municipal school called Aseema, we have donated two vans to Kripa Foundation, which is one of the largest NGO in India, working among people afflicted with chemical dependency & HIV Infection. We have also given sterilization equipment for terminally ill patients at Shanti Avedna Sadan. The festival brings people together providing a clean entertainment, all of which is free and as a gift back to the community.”

Growth factor propelling the events industry According to Murray, one of the biggest factors that has really aggravated events industry growth is the fact that traditional media has become cluttered. “In the years gone by, you had two or three print options, and you had Doordarshan and maybe a couple others. But today even if you are launching, a new phone, the media planner has to really think as to which are the channels, he really need to put this ad on. The reason why we are blossoming as a business is mainly because of this. We are not saying we are replacing mainstream advertising because we have to coexist but today every customer, every consumer, is looking for some kind of experience. Even malls are providing engaging experiences rather than just shopping. Why are they doing that? Because they can create brand recall. Otherwise if you open the newspaper and see some repetitive ad you are not even interested unless it is some new product. What is working for the events

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industry is that there is a lot of media messaging and we are creating connect between customers and brands. So it is the experiences that we provide because of which the market share for the event industry is going up.

Great access to technology Commenting on access and gear Murray is of the opinion that with regards to technology and we in India are keeping pace with what is happening overseas. “Some of my vendors and partners are investing good money in technology – sound, lights etc. with technology we are right up there. When we do the Blues festival, artists come here and they say wow! In some places in North America, they don’t get the kind of things that we provide here in India. So that’s a good side of what we do.”

Events Industry Challenges Venues: Talking about the challenges faced by big scale event organizers Murray says there aren’t many good venues in the country with most events outside Mumbai, Delhi, and Hyderabad being relegated to hotel ballrooms or auditoriums. “One of the biggest challenges we face are the venues in Mumbai; it’s a real shame. The only venue we can execute something extravagant during monsoon or on a hot summer’s day, is NSCI or BKC. Reliance Jio is a good outdoor venue, but then it’s not covered. Delhi has Siri Fort auditorium and The Jawaharlal Nehru Stadium which are good

“Then we face time restrictions. In India, it is mostly say 1:00 am, but most cities in the world have no time restrictions. In New York people are walking out of the village at 6 in the morning; hopefully we will reach there. But I think over time, if you look at the industry, we are about 22 years old and Wizcraft must be about 30 and that’s just how old the industry is. So it is going to take time and hopefully the Government will also get little relaxed about the fact that we need to be around and people need to be entertained and people need to be smiling, in a tough city like Mumbai!“

and Hyderabad has the International Convention Centre which is fantastic. Bengaluru has got an indoor stadium but nothing really world class.”

Fountainhead - Marketing geniuses or event gurus?

Lack of Government support:

Murray is of the opinion that everybody can do events, but it is actually about creating memorable experiences and the ones who understand marketing can do this better. “One needs to understand a client’s needs and should be able to truly address and build around the need that they have. I’d have to say, we are marketers first, the second part of being event gurus should come naturally to us.

“The other factor is we still do not have much support from the Government. The government needs to change their whole perspective on things. They need to collaborate with us and make our lives easier instead of working against us. We have too many problems with licensing and permissions, but we have to live with it. In Delhi we have had a little success because there is single window clearance,but it’s yet to happen here in Mumbai. We have as many events as Delhi so why can’t we have it here.”

Lack of talent: “Another impediment isto get good talent, so we try and retain some of our good talent by giving them good opportunities, paying them good salaries and providing them with proper training. We face problems in acquiring creative people, good operational people across the board.”

Ticketing model: “Yet another impediment is getting big sponsors to back big events. The problem in India is that the ticketing model does not pay for a big show, add to that the 25% tax, therefore we have to rely on corporate funding and that is a big challenge for us. The problem here in India is that the people are still not used to paying the ticket prices the way they pay internationally. The average

Digital marketing Murray believes that digital marketing is the new medium and it is here to stay. “In the digital space the idea needs to be simple, yet one needs to call for more and more creativity - so creative that it has the potential to go viral because of level of excitement created. It is the key to everything we do and we can’t be doing something in isolation. Mahindra Blues has the largest following of the largest blues community for the blues festival anywhere in the world thanks to our digital team; they handle it all, hats off to them! So even if it’s a strong ground event with no television presence, it needs to exist in the digital space. We are moving away from traditional media. Nobody is reading newspapers, they are reading everything digitally and so we have to have extensions on the digital platform and we have a whole division here known as the Fountainhead Digital, it’s a team of 35 and they are all young and they all understand the medium well.”

Product Focus

Line Arrays

Tour Stars

A whole lot of line arrays have appeared over the past decade, with almost all speaker manufacturers having their own version. PALM technology surveys the field and presents six line arrays gracing the touring circuits. This focus is purely for info purpose and intended as a guide.

Nexo GEO M6 In 2014 Yamaha Commercial Audio Systems released the Nexo GEO M6 compact loudspeaker series. Drawing on more than 30 years’ experience at the forefront of acoustic design, GEO M6 utilises a number of patented technologies to achieve exceptional

Reflective Wavesource (HRW) to control acoustic energy by creating a virtual wavesource ‘outside the box’, resulting in optimal wavesource coupling without destructive interference. • Waveguide Flanges: System flexibility can be increased by adding flanges to the HF waveguide exit, changing the standard 80˚ acoustic coverage across the horizontal plane to 120˚. • Directivity Phase Device: A Directivity Phase Device (DPD) on each cone driver extends the upper frequency limit for file source coupling between adjacent speakers. 6.5” drivers coherently couple as if there were twice as many 3.25” cones mounted at half the physical distance. • Port tube profiling: Internal faces of the port tube are profiled to ensure smooth air flow, reducing turbulence to increase low frequency efficiency and linearity at high power.

levels of sonic performance. And For smaller shows, NEXO GEO M6 delivers uncompromised full-range sound from a compact system, with an elegant internal rigging system. Comprising two identically-sized cabinets – the GEO M620 main and GEO M6B bass extension – and complemented by a comprehensive range of mounting accessories, GEO M6 offers installation contractors and sound rental companies a dependable, TÜV-certified system. Main Features include: • The GEO M620 is a full-range unit for stand-alone, curved array or line array application. • The GEO M6B is a low and mid-frequency partner module to the GEO M620, for applications which demand more powerful reinforcement, such as live music. • Hyperbolic Reflective Wavesource: GEO M6 utilises NEXO’s patented Hyperbolic

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Tech Specifications: Frequency Response: 80Hz – 19kHz ±3dB Usable Range @-6dB: 75Hz – 20kHz Sensitivity 1W @ 1m: 95dB SPL Nominal Nominal Peak SPL @ 1m: 127dB HF Dispersion: 80˚or 120˚Horizontal (CCD) Crossover Frequencies: LF-HF: 2kHz Passive Nominal Impedance: 8Ω Recommended Amplifiers: 450W per box (3 boxes max in parallel on one channel amplifier) Height x Width x Depth: 191mm x 373mm x 260mm Weight: Net 9.7kg

D&B Audiotechnik V12 Comprising both line array systems and point source solutions, the V-Series is the answer for medium to large scale sound reinforcement application. The 3-way passive loudspeakers the same dipolar driver arrangement, while the subwoofers all exhibit d&b cardioid technology. In short, the V-Series is a verifiable recipe for success. The 3-way passive V8 and V12 line array loudspeakers provide 80°and 120°horizontal

dispersion respectively, maintained down to 250 Hz. Main Features include: • 3-way passive design housing 2 x 10” LF drivers • One hornloaded 8” MF driver and two 1.4” exit HF compression drivers with 2.5” voice coils mounted to a dedicated waveshaping device. • The symmetrical dipolar arrangement of the neodymium LF drivers around the centrally mounted coaxial MF and HF components allows a smooth overlap of the adjacent frequency bands in the crossover design. • 120°horizontal constant directivity dispersion control nominally being maintained down to 250 Hz. • Mechanical and acoustical design enables flown vertical arrays of up to twenty four loudspeakers. It can be used in columns of purely V12 loudspeakers or combined with V8s and / or with V-SUBs. • The cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. Tech Specifications: Frequency response (–5 dB standard): 67 Hz - 18 kHz Frequency response (–5 dB CUT mode): 100 Hz - 18 kHz Max. sound pressure (1m, free field) with D20/30D: 139 dB with D80: 142 dB Cabinets per amplifier channel: 2 Configuration: High performance 3-way passive line array loudspeaker Nominal impedance: 8 Ω Power handling capacity (RMS/peak 10 ms): 500/2000 W Nominal dispersion angle (horizontal): 120°13 Splay angle settings: 0°- 14°(1°increment)

Components: 2 x 10” driver / 1 x 8” driver; 2 x 1.4” exit compression driver; passive crossover network Connections: 2 x NLT4 F/M; optional 2 x NL4 or 2 x EP5 Dimensions (H x W x D): 310 x 700 x 460 mm or (12.2 x 27.5 x 18”) Weight: 34 kg (75 lb)

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JBL VTX A12

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Of all the achievements JBL has made over the years, the VTX Series stands as a milestone in the practical application of creative engineering. The next generation in line arrays, VTX heralds a new era in performance, system integration and user friendliness. JBL VTX A12 is a complete tour sound solution for mid- to large-size touring appli-

• •

tion, and 90-degree coverage down to 250 Hz. Next Generation LF section, including industry-defining Differential Drive woofers, with a dual magnet, dual voice-coil design for extended linear excursion. Best-in-class rigging for streamlined, rapid deployment. Full-face grill for superior weatherization and refined aesthetics. New transport cart and frame for simplified transport and setup. Optimizations throughout the design for space efficiency and reduced weight while simultaneously improving performance. Full integration with JBL system control and prediction software. Lightweight design.

Tech Specifications: Frequency Response: 46 Hz - 19 kHz (Preset: VTX A12) Coverage Pattern: Horizontal: 90 degrees nominal (250Hz - 18kHz) Vertical: Varies with array size and configuration Max SPL: 146 dB (Preset: VTX A12) System Processing: Crown Audio I-Tech HD Series, Crown Audio I-Tech 4x3500HD IP Rating: IP55 EN (60529) UV Rating: 6 (ISO105-B01) Dimensions (H x W x D): 330.2mm x 1.118mm x 495.3mm or (13.0in x 44.0in x 19.5in) Weight: 60.8 kg (134.0 lbs)

cations and high-end fixed installations. VTX A12 was designed from scratch to address the unique challenges of rental companies, FOH engineers and tour sound production crews. Next-generation JBL transducer technology and a high-frequency waveguide design deliver unmatched performance, sensitivity and coverage. A patented JBL rigging mechanism and redesigned suspension system streamline deployment and setup. And refinements to the physical design maximize reliability and versatility, while minimizing size and dramatically reducing weight. VTX A12 isn’t just a superior line array—it’s a completely new way to approach tour sound. Main Features include: • New and improved JBL transducers for the best output per weight. • Innovative HF section integrates the phasing plug and waveguide for high sensitivity and linearity even at high output levels. • Redesigned Radiation Boundary Integrator® (RBI) for reduced horn edge diffraction, improved LF sensitivity, lower distor-

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L-Acoustics L-Acoustics’ K2 with Panflex Technology includes the K2 fullrange element with Panflex horizontal steering, operating from 35 Hz to 20 kHz; the K1-SB LF element down to 30 Hz or LF throw down to 35 Hz; SB28 LF element, extending down to 25 Hz; and the LA4X LA8 amplified controllers. K2 employs Panflex combines mechanically adjustable fins with DSP algorithms effective from 300 Hz. Four settings are possible: two symmetric (70°or 110° ) and two asymmetric

(90°as 35° /55°or 55° /35° ). The K2 system can match the complex shape of any audience geometry with ideal sonic performance and minimum noise pollution. The K2 loudspeaker enclosure is based on a 3-way active design. It comprises 4 input sections: 2 LF and 1 MF at a nominal impedance of 8 ohms, and 1 HF at a nominal impedance of 16 ohms. It features two 12” speakers and four 6.5”, all directradiating neodymium speakers mounted in a bass-reflex enclosure, and two 3” neodymium diaphragm compression drivers coupled to individual DOSC waveguides and adjustable directivity fins. The transducers are implemented in a K-shape configuration. The K2 enclosure operates over the nominal frequency range of 35 Hz to 20 kHz. Its LF resources can be reinforced with the dedicated K1-SB extension and its bandwidth can be extended down to 25 Hz with the SB28 subwoofer. The K2 rigging system allows vertical assembly of enclosures with various inter-element angles (up to 10° ), constituting a line array with variable curvature. The combination of the coplanar symmetry and the DOSC waveguide in the HF region ensure a perfect acoustic coupling between the elements of an array. The WST (Wavefront Sculpture Technology) criteria are fulfilled, so that such an array can be qualified as a true line source. The K2 is driven and quadamplified by the LA8 or LA4X controller. Main features include: • K1 system design rescaled into a 12” compact and flexible format. • V-DOSC SPL and bandwidth, with 10° inter-element flexibility. • 100% acoustic and rigging compatibility with K1 and K1-SB. • 70° /110°symmetric and 90°(L/R) asymmetric horizontal directivity. • LA-RAK (LA8) advanced system drive and protection. • Low-weight for rigging limitations and cost-effective logistics. Tech Specifications: Usable bandwidth: (-10dB) 35 Hz - 20 kHz Maximum SPL: 147 dB ([K2_70] preset) Coverage angle (-6 dB) Horizontal: 110° /70° symmetric ; 90°asymmetric (35° /55°or 55° /35° ); Vertical: depends on the number of elements and array curvature. Transducers: LF - 2 x 12’’, weather-resistant, bass-reflex; MF - 4 x 6.5’’, weather-resistant, bass reflex; HF - 2 x 3’’, diaphragm compression driver, DOSC waveguide. Nominal impedance: LF - 2 x 8 ohms; MF 8 ohms; HF - 16 ohms. RMS power handling: LF - 2 x 450 W; MF -320 W; HF - 160 W. Connectors IN: 1 x 8-point PA-COM® ; LINK: 1 x 8-point PA-COM. Rigging components: Captive 4-point rigging

system; Inter-enclosure angles: 0.25, 1, 2, 3, 4, 5, 7.5 or 10° . Dimensions: W/w x H x D 1338 x 354/286 x 400 mm (52.7 x 14/11.3 x 15.8 in) Weight (net): 56 kg 123.2 lb.

Martin Audio MLA Martin Audio’s revolutionary award-winning Multi-cellular Loudspeaker Array [MLA] technology has reinvented the way loudspeaker arrays are configured and controlled. With it has come an unsurpassed control of sound with pristine fidelity and huge output capability — bringing the FOH engineer and the audience together in a more powerful, involving experience. Main features include: • Smart Active Monitor (SAM) Systems Directivity Control Waveguide (DCW) Technology • Minimum Diffraction Enclosure (MDE) Technology • Reflex Port Design • Optimized Amplifiers • Active Crossovers • Protection Circuitry • Intelligent Signal Sensing (ISS) Technology • Iso-Pod Stand • Versatile Mountings Tech Specifications: Type: Three-way cellular drive, active array element Frequency Response (1): 52Hz-18kHz ± 3dB Maximum SPL @ 1m: LF: 133dB continuous, 139dB peak (3) MF: 134dB continuous, 140dB peak (4) HF: 139dB continuous, 145dB peak (4) Drivers: LF: 2 x12” (300mm)/3” (75mm) voice coil, ultra-long excursion, neodymium magnet drivers, Hybrid® bass horn loaded MF: 2 x 6.5” (165mm)/2” (50mm) coil, neodymium magnet drivers, horn loaded HF: 3 x 1” (25mm) exit neodymium magnet compression drivers, horn loaded Dispersion: (-6dB) 90º horizontal (-10dB) 120º horizontal 7.5°vertical Crossover Frequencies: 320Hz: 8th-order Linkwitz-Riley 4kHz: Vanishing Point™ FIR filters Power Supply: Type: Switch mode, fixed frequency with PFC AC Input Operating Range: 100 – 240V ~ AC, 50 - 60Hz AC Overvoltage Tolerance: 400V AC Power Factor: > 0.95 Nominal Power Consumption: 900W Mains Connector: 16A IEC309 (Ceeform) – IP44 rated IP Rating: IP 24

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Dimensions (inc. wheel-board): (W) 1136mm x (H) 372mm (376mm) x (D) 675mm (825mm) (W) 44.7in x (H) 14.6in (14.8in) x (D) 26.5in (32.4in) Weight: (ex. wheel-board): 87.5kg (193lbs)

RCF HDL 50-A The HDL 50-A Three-Way Line Array Module is a true active high power speaker system ready to use touring system for large events, indoors and outdoors. Equipped with 2x12” woofers, 4x symmetrical 6.5” midranges and two 2” drivers, it offers excellent playback quality and high sound pressure levels with a built in 2200W RMS powerful digital

amplifier that delivers superior SPL, while reducing energy requirement. Using advanced neodymium magnets and a groundbreaking new housing constructed from lightweight plywood and polypropylene, it has a remarkably low weight for easy handling and flying. Main Features include: • 4400 Watt, 3 way amplification • 140 dB max SPL • 8 x high power neodymium transducers • 48 kHz, 32 bit DSP processing • RDNet on board • Remote monitoring and control • Symmetrical design • Extremely low weight Tech Specifications: Input signal: bal/unbal Input connectors: XRL male, RDNET Output connectors: XLR female, RDNET Input sensitivity: +4 dBu Frequency Response -3 dB: 40 Hz ÷ 20000 Hz Max SPL: 140 dB Horizontal coverage angle: 90° Vertical coverage angle: 10° Compression Driver: 2x1.4” neo, 3.0” v.c. Midrange: 4x6” neo, 2.0” v.c. Woofer: 2x12” neo, 3.0” v.c. Crossover frequencies: 200-800 Hz Protections: thermal, rms Limiter: soft limiter Controls: Cluster size, HF correction, RDNET Dimensions: Height: 366/14.42 mm/inch Width: 1171/46.1 mm/inch Depth: 502/19.78 mm/inch Net Weight:56/123.45 kg/lbs

TOA HX 7 The HX 7, is an update to TOA’s classic HX-5, with companion 18-inch sub. The HX-7 expands the HX Series with a larger, more powerful configuration. Designed to meet the needs of medium-sized venues, such as churches, auditoriums (and other performance spaces), as well as gymnasiums and sports arenas, it adds true line array performance to its already impressive range of configurations. Its improved hi-frequency driver compliment improves output, power handling, and provides enhanced intelligibility within the vocal range. Multiple HX-7’s may be stacked together vertically for increased power handling and distance coverage. Like its smaller sibling, the HX-5, the HX-7 offers flexibility not available with other “single-box” speaker products. Models available: HX-7B, HX-7B-WP (weather proof), HX-7W, HX-7W-WP (weather proof). Main Features include: • 4 cell configuration each incorporating: • --(2) 5” Low-frequency drivers • --(1) Center-mounted, waveguide-loaded, 1”-exit compression driver • Flexible vertical angle adjustment between 0°and 45°(60°with second HX-7 and optional adapter). • Power handling: 750W Continuous Program @ 8 Ohms. • 100dB sensitivity (1W @ 1m). • Optional hardware for stand, wall, ceiling & flown installations. • Black or White & weather-proof (WP) versions available Tech Specifications: Enclosure: Sealed type Power Handling Capacity:Continuous pink noise: 250 W (IEC60268-5: 350 W); Continuous program: 750 W Rated Impedance:8 Sensitivity: 100 dB (1 W, 1 m) Frequency Response: 105 Hz - 20 kHz Crossover Frequency: 1.7 kHz Directivity Angle: Horizontal: 100° ; Vertical: Depending on directivity angle mode Speaker Component: Low frequency: 13 cm (5.5”) cone-type x 8;High frequency: Wave front control horn with compression driver x 4 Input Terminal: M4 screw terminal, distance between barriers:9 mm (0.35”) Dimensions: 497 (W) x 664 (H) x 274 (D) mm (19.57” x 26.14” x 10.79”) Weight: 30 kg (66.14 Ib)

proaudio@ansata.net +91 97313 10443 www.ansata.net

dpamicrophones.com

Made in Denmark

Outline GTO C-12 The Outline GTO C-12 is a compact line-source enclosure that can be efficiently transported and deployed, but still produce the power, intelligibility and control necessary to handle a wide range of events and locations. It is a descendent of the GTO, a system which, was launched in 2011. GTO C-12 develops the high transducer density concept pioneered by GTO by packing eight drive units into a remarkably compact cabinet, containing two 12” low frequency drivers, four 6.5” midrange units and two 3”-throat compression drivers, mounted on the same award-winning DPRWG waveguide found in its big brother. GTO C-12 retains a key element from GTO in the V-shaped front baffle called the ‘V-Power Concept’. This ground-breaking idea facilitates superior acoustical coupling between high-frequency modules, thus producing a smooth yet extended HF response. It also creates the ideal ‘unbroken baffle’ shape through an array which minimises diffraction and deterioration, especially in the far field. The C-12 cabinet is 21.6% smaller in the vertical plane than the GTO, while overall cabinet weight has been reduced by a remarkable 30%. The footprint of the new cabinet is exactly the same as all the other modules in the GTO range, allowing full mechanical compatibility with GTO, GTO-SUB, GTO-LOW and GTO-DF in terms of rigging, flying hardware and wheelboards. GTO C-12 is also fully compatible with the Outline DBS and LAB21 subwoofers, and we can supply suitable DSP controller presets for any combination of GTO C-12 and Outline subwoofers. GTO C-12 shares a common voicing with our other concert-series products, allowing them to be freely integrated to create system designs to handle any application.. Main Features include: • Compact high-power full range linesource element to form part of the GTO turnkey solution. • Light weight; 12 elements with 1 GTO DF from a single 1 ton chain motor. • High efficiency full range element incorporating 2 x 12” LF drive-units, 4 x 6.5” MF drive-units and 2 x 3” diaphragm HF drivers on a D.P.R.W.G. waveguide, coupled to an Outline ‘V-Power’ baffle.

• Very high power handling (3200 LF + 2400 MF + 1000 HF watts AES peak) and

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sound pressure (147.5 dB SPL peak @ 1 metre – full space). • Equipped with the high-precision, lightweight, integrated GTO rigging system to allow accurate aiming and coverage. • Design file available within the ‘Open Array’ 3D acoustic simulation software. • Ideal for theatre, arena, festival and stadium productions Tech Specifications: Frequency Response(-10 dB): 45 Hz – 18 kHz Average Dispersion: Horizontal: 90° Vertical: Depending on array configuration Impedance: Low: 2 x 8 Ω (min 2 x 6 Ω) Mid: 8 Ω (min 6.6 Ω) High: 16 Ω (min 16.6 Ω) Power – Waes: Low: 2 x 400 (2 x 1600 peak) Mid: 600 (2400 peak) High: 250 (1000 peak) Max Short-Term SPL @ 1 m, free-field*: 147.5 dB SPL Loudspeakers And Loading: Low: 2 x 12″ NdFeB Hybrid band-pass loaded woofers Mid: 4 x 6.5″NdFeB partially horn loaded mid woofers High: 2 x 3″diaphragm NdFeB compression driver loaded by 2 D.P.R.W.G. Weight – Single Unit: 72.5 kg (160 lb) Dimensions (Net): Height: 363 mm (14 9/32″); Width: 1126 mm (44 11/32″); Depth: 655 mm (25 25/32″) * calculated using +10 dB crest-factor signal

Bose ShowMatch SM10 Bose Professional ShowMatch DeltaQ SM10 full-range array modules provide 10° nominal vertical coverage with included field-changeable waveguides offering choice of 70°or 100°horizontal coverage. Replace single waveguide panel to form horizontal asymmetrical patterns. The 2-way module requires external power amplifiers (2- channels) and DSP to provide full-range response from 59 – 18,000 Hz with peak array output up to 145 dB. Main Features include: • DeltaQ technology – defines the nextgeneration in loudspeaker array design with selectable coverage patterns that more precisely direct sound to audience areas for improved sound quality and vocal clarity with fewer boxes versus line arrays. • Replaceable waveguides – ships with 100°waveguides installed with 70°panels included to allow coverage change. Largest-in-class size provides better coverage and vocal clarity. Change single panel for asymmetrical patterns. • Compact, portable enclosure – Versatile design allows both fixed install and portable applications, from small clubs and houses of worship to the largest perform-

ing arts centers and AV productions. • Tour-sound output level – 4x Bose EMB2S compression drivers, improved with more HF output, and 2x 8-inch neodymium highpower woofers allow peak array output up to 145 dB SPL. • 3-point “quick pin” rigging – Fast, easy setup with up to 24 fullrange modules and 10:1 design factor. • Removable side guards – provide rigging guard and hand holds for portable applications. Easily removed for permanent installs to reduce width and improve sight lines.. Tech Specifications: Frequency Response: (+ / -3 dB) (1) 69 – 16,000 Hz Frequency Range: (-10 dB) 59 – 18,000 Hz Recommended High-Pass Protection Filter: 70 Hz with minimum 12-dB / octave filter Nominal Coverage Pattern: 100°H x 10°V (includes waveguides for 70°H x 10°V) Recommended Crossover: 750 Hz (acoustic; requires active, 2-way crossover in DSP) Power Handling, long-term continuous: Bose extended-lifecycle test: 450 W (Low Frequency) 100 W (High Frequency) AES transducer test: 600 W (LF) 125 W (HF) Power Handling, peak: Bose extended-lifecycle test: 1800 W (LF) 400 W (HF) AES transducer test: 2400 W (LF) 500 W (HF) Sensitivity (SPL/ 1W @ 1 m) (2): Bose extended-lifecycle test: 94 dB (LF) 106 dB (HF) AES transducer test: 94 dB (LF) 106 dB (HF) Calculated Maximum SPL @ 1 m (3): Bose extended-lifecycle test: 121 dB (LF) 126 dB (HF) AES transducer test: 122 dB (LF) 127 dB (HF) Calculated Maximum SPL @ 1 m, peak : Bose extended-lifecycle test: 127 dB (LF) 132 dB (HF) AES transducer test: 128 dB (LF) 133 dB(HF) TRANSDUCERS Low Frequency: 2 x Bose SM8 neodymium 8-inch woofers (3-inch voice coil) High Frequency: 4 x Bose EMB2S extendedHF neodymium compression driver (2-inch voice coil) Nominal Impedance: 8 ohms + 6 ohms (LF/HF) Connectors: 2 x Neutrik® NL4 wired parallel Suspension / Mounting: integrated 3-point quick-pin rigging Dimensions: (H x W x D) 11.1” x31.2” x18.3” (282 x 793 x 465 mm) / W: 29.8” (757 mm) side guards removed Net Weight: 65.5 lbs (29.7 kg)

Market

Top 35 Rental Companies PALM Technology has done a crucial exercise of surveying the market for identifying these top 35 audio/video/lighting rental companies who are investing into product and inventory and offering the latest technology thereby driving the market and rental business with sizable inventory. This is not an audited list and is intended as a guide. Name of the rental company

Location

Spearheaded by

About

Audio Design

New Delhi

Navneet Wadhwa

Audio Design is a respected sound rental company in India, providing audio solutions across India and internationally. The company provides a full range of high end staging solutions including sound, lighting and video equipment as well as stage structures for some of the biggest concerts and festivals in India and employs more than 100 professionals.

Beats Light & Sound

New Delhi

Sanjay Chaudhary

Sound & light rental with an experience of more than 20 years in the event industry. It supplies to a wide variety of events, such as concerts and theatrical productions, corporate and sporting events.

Anthony Fernandes

The company has experience with all kinds of events ranging from private celebrations like anniversaries, dances and weddings to ommercial events like conferences, road shows and exhibitions and events with thousands of people, that require production details worked out to the single second.

CAS-ANT Entertainers

Goa

Chakor Sound

Mumbai

Anish Purao

An audio solutions provider in the sound reinforcement industry for over four decades,their ability to fabricate systems in-house allows them the freedom to create customisable audio solutions. The company provides concert sound and audio solutions all over India, and also services for world-wide tours.

Daedal Prodigy

New Delhi

Sunny Kalra

Founded in 2006, it is a sound and lights rental company providing a comprehensive selection of audio and lighting equipment for events, corporate presentations, nightclubs, private functions, fashion shows etc.

Satya Prakash Soni

Company offers complete AV solution including PA system , advanced lighting equipment, SFX Systems, truss systems, silent DG sets, LED walls etc. with services ranging from live concerts, wedding, road shows, brand activations, live rock concerts, fashion shows, corporate meets and exhibitions.

Sarosh Patel

A leading rental sound company with robust experience in the event industry of more than 6 years, it has an expansive infrastructure and a pool of talented professionals, and provides equipment and engineering for concerts as well as corporate and collegiate events.

Durgesh Sound &Light Systems

Effects-tech S.L.T Pvt. Ltd.

Indore

Mumbai

Electrocraft

Mumbai

Roger Drego

Veteran industry pioneer Roger Drego’s Electrocraft has been around for over four decades and is best described as a professional live sound company that also specializes in lights, laser systems and trussing. The company has a long list of elite clientele and grand events that it has catered to over the last few decades.

Focus Vision

Pune

Sachin Nasre

Specializes in providing a complete range of audio-visuals & production services since 2001. It has an inventory of audio, video, lighting and trussing equipment

Frequency Professional Services

Pune

Nitish Desai & Vaibhav Shinde

FPS is a well-established sound reinforcement company and has been in the business since a decade. The company has an inventory of sound systems, lighting, audio-visual & truss for any size of event. From small business meeting to large outdoor event concerts and high profile music shows.

Global Pro Audio Management

New Delhi

Gaurav Malvai

Launched in 2006 Global Sound Management is a reputed Delhi based rental company supplying professional sound & light equipment for events/private parties/ corporate events/weddings etc.

May - June 2017

Name of the rental company

Location

Spearheaded by

About

J Davis Pro Sound and Lighting

Bengaluru

Santana Davis

Founded in 1980, J Davis Prosound & Lighting has made its identity in supplying professional sound & lighting equipment with qualified sound engineers and technicians for major concerts and events. The company has extended its services in providing trussing & audio visual equipment which is a very integral part of every event today.

LED Solutions

Delhi

Vikrant Jain

The company is in the business of rental of audio, visual and lighting equipment,for stage shows such as product launches, dance performances, live music performances etc.

Lloyd Lee

Mumbai

Richie Braganza

Established in 1998, the company was started with the vision of manufacturing and providing quality pro-audio equipment. Backed by dedicated management, strong technical know-how and unique designs, Lloyd Lee has grown to be one of India’s finest professional audio equipment manufacturing company engaged in designing, product development, manufacturing, installations, sales, and rental

Master Sound

New Delhi

Tarandeep Singh

Started in 1956, Master Sound provides complete sound and light solutions.

Mega Sound

Udaipur

Siddharth Chauhan

Established in 1997, over the past 18 years the company has grown by leaps and bounds. Mega Sound has invested in some imported top of the line professional equipment and is the one of the few companies in Southern Rajasthan which provides total solutions under one roof for live sound, DJ system, stage lighting and conference equipment.

Modern Stage Services Pvt. Ltd.

Delhi

Davinder Wadhwa

Not just one of the largest equipment inventory companies, nationally but also a holistic, multifaceted 360° event engineering based solutions company with worldwide reach.

MOWZZ Entertainment Services India LLP

Secunderabad

Zakir Alladin

A full service rental company with over 20 years of experience to support audio visual & event service needs. The company provides equipment rentals and services to hotels, restaurants, nightclubs, churches, concerts, etc.

Mahindra Singh Malhotra

Started in 1982, today the company has a large inventory of rental equipment such as conventional and moving lights, consoles, motors, truss, cables, lifts curtains and a host of latest equipment that caters to all kinds of events ranging from conferences to sophisticated live concerts

Nixon Jhonny

NJ’s Sound Machine started by manufacturing and selling speakers, and then moved on to sound equipment rentals. Today, by investing in the most advanced technology, NJ’s has become a leading provider of sound, light and video equipment.

Dinesh Poddar

A full service in-house light and sound equipment rental company in Eastern India with lighting equipment, sound, audio visual, truss, scaffolding, generator etc. Started in the year 1999 with theatre and dance drama light design, it diversified in to large events, award function, fashion shows, corporate launches, and TV shows and today has more than 3000 shows to its credit.

Naamdhari Entertainment Systems

NJ’s Sound Machine

Q Lighting

Hyderabad

Mumbai

Kolkata

Reynolds Inc.

Bengaluru

Felix Remedios

Reynold’s is one of the leading companies providing a mix of sales and rental solutions for musical instruments as well as professional entertainment gear. Reynold’s supplies and handles world class sound, lighting, video and trussing systems powering the most prestigious events and venues in India.

Shiva Systems

Mumbai

Sumit Aggarwal

A professional sound & lights management company since 1998, dealing in rental of sound & lights to cater multiple venue/shows for audience varying from 30 to 3000 handled by trained & efficient engineers & technicians.

Sound & Light Professionals (SnL Pro)

Mumbai

Manish Mavani

A well established & respected sound reinforcement company, it has vast experience in handling some of the most challenging events, that has led them to become one of the leading players in the pro audio rental sector. Expertise includes sales & installation, rental & dry hire

SOUND.COM

Mumbai

Warren Dsouza

Founded in 1998, SOUND.COM has pushed the boundaries of technical excellence & service provision for turnkey audio rental solutions. Within a short span of time they have become globally recognized as the company to work with in India.

Soundeffects.com

Pune

Uday Shah

One of the leading audio rental companies, providing live enforcement to a large number of big events and music festivals acrosss the country

SSL Media Technology & Solutions Pvt. Ltd.

Mumbai

Ulhas Sahasrabuddhe

Company has a huge inventory of lighting rentals for live stages and reality television

May - June 2017

Name of the rental company

Location

Spearheaded by

Star Dimensions India Pvt. Ltd.

Mumbai

Jay Mathuria & Ashish Mehta

Started in the year 2000, is a leading rental company offering all kinds of lighting and trussing equipment and with offices in Mumbai, Pune, Goa.

Stylus Sound and Light

Bangalore

Sharukh. F. Billimoria

An independently owned and operated full service Technical Production company it offers audio and live sound production, lighting system, power distribution, trussing system and backline rental services.

Sudarshan Audio

Mumbai

Titu Kulkarni

Established in 1974, it is a sound and lights rental company operating in Mumbai and all over Maharashtra. It is managed by the Kulkarni Brothers

Swapna Sounds

Kozhikode

Arshad

Established in the late 1980’s, Swapna Sounds provides the latest equipment in sound and light and power requirement for all type of events in southern India.

Systematic Inc.

Bangalore

Vinod Bangera

Systematic Inc., Bangalore is a full-service sound and lights reinforcement company providing sound and lights for corporate events, concerts, rock shows, fashion shows, public gathering etc.

Taher Sound

Hyderabad

Syed Layaq Ali

Has a good inventory of sound equipment from brands like HARMAN and Allen & Heath and can support big events with big audience. Company has a long history of successfully managing projects like government functions and political party events.

About

Video Wall India Pvt. Ltd.

Mumbai

Anil Girkar

Started as an LED rental company in 2007, Video Wall has quickly become a market leader in end to end LED screen video marketing solutions in India and abroad. From live events on a huge scale, or indoor projections, the company is the go-to brand for top notch LED screens for any and every type of occasion.

Vinayak Video Vision Pvt. Ltd.

Mumbai

Jaideep Patel

Company’s inventory boasts of LED screens, mapping servers, projectors, plasmas and all types of AV solutions for live, corporate events and reality shows

Disclaimer: The above list is not a definitive list. We are not making any claims. This is just PALM technology’s attempt to identify the large rental companies on its own estimate without audit and verification

CORPORATE GUEST How to become a leading Sound Engineer A sound engineer’s contribution is one of the reasons behind the music industry’s growth in India. With deep knowledge of acoustics and a mastering the art of presenting great sound, sound engineers are the people behind the success of any event. Sound engineers’ Aesthetic Sense for Good Sound Have you ever wondered what makes a PVR or an INOX different from single screen theatres? Do you know the reason behind the year– on-year success of the likes of NH 7 Weekender and Sunburn festivals? The answer to all these questions is people prefer Sound to Noise! Sound plays pivotal role in the success of an event. Sound engineers are the reason behind every successful rock concert, a corporate event or a musical reality show. This art and science of creating an everlasting sensory experience is Sound Engineering. Sound engineering encompasses a thorough understanding of acoustics, physics and electronics combined with an aesthetic sense for good sound. The science of Sound is easy to learn as it is all about theory, the rules and the dos and don’ts. The difficult part is mastering the art of the fuzzy element of sound while creating an aesthetic element.

Sound engineering - A lucrative profession In the past, there were not many courses for sound engineering. With the evolution of the audio industry, people have started accepting the idea of sound engineering as a career option. We see increase in willingness amongst youngsters, who possess a good ear for sound and an interest and knowledge in music, to join this lucrative profession. In earlier days, one would start off in the recording studio or in the live sound space as an ap-

prentice, -Then graduate to becoming a Mix Engineer for small shows and events, learning the basics of sound and moving up to becoming a System Tech. In the recording studio, the process was similar – to start by joining as an apprentice and learning from experienced professionals. However, today, many institutes have started offering a course in Sound Engineering to propel the expansion in this industry.

this broad direction is established, several institutes in India offer a diploma or a post-graduate course in audio engineering.

TOP INSTITUTES PROVIDING A COURSE IN SOUND ENGINEERING:

Prashant Govindan, Sr. Director, India & Sri Lanka, Harman Professional

• SAE (School of Audio Engineering) Institute, Bangalore • FTII (Film and Television Institute of India) Pune: Offers 3-year Post Graduate Diploma in Sound Recording and Sound Design • KM Conservatory, Chennai: Offers 1-year diploma in Audio Engineering • AAT College, Bangalore- Offers a sound engineering program, which is at par with the SAE Institute • True School of Music, Mumbai (in

Good Engineers High in Demand Sound engineers role has developed over a period, especially in this era of digital music where most of the work happens in the live sound space. The biggest challenge a sound engineer should be equipped to handle is

The biggest challenge a sound engineer should be equipped to handle is delivering an experience that the artist wishes.

delivering an experience that the artist wishes. Audio engineers control the sound mixing and experience during live performances. As the industry is widening its scope of experimentation, good engineers are in high demand.

association with HARMAN International): Offers specialized audio engineering course, focusing on live music and recording • Audio Life School of Audio Engineering, Bangalore: Offers 6-month diploma live sound engineering • Mumbai Music Institute: Offers 6-month diploma in live sound engineering • InfoComm International: Certified Technical Specialist (CTS) certification track aimed at working professionals

Educational Courses for Aspiring Sound Engineers So how does one become a sound engineer, as there are sub sects to being a sound engineer- A live sound engineer, recording engineer or work in the installed sound division. Once

While these courses equip students/learners with technical skills, an internship would be the perfect teaching ground for them. Companies such as Sound and Light Professionals, Sound.com, Reynolds and J Davis are known to be great career springboards for live sound. For a career in recording, working at the leading studios in Mumbai or Chennai would provide the right kind of exposure. Pattern of music consumption is changing constantly, we have moved from records, cassettes, CDs/DVDs, MP3 to Live Streaming. Convenience has deteriorated the quality of music, but, this has also given a boost to the live concerts, a platform not only a lucrative business option but it also establishes a direct connect with the fans. A sound engineer’s contribution cannot be ignored when talking about music industry’s growth in India. Deep knowledge of acoustics and a mastering the art of presenting great sound is not restricted to music industry only. Sound engineers are much sought after by audio-visual contractors and consultants, who design venues, meeting spaces, conferencing facilities, nightclubs, lounges and entertainment venues.

01 - 03 June 2017 | Bombay Exhibition Centre | www.palmexpo.in May - June 2017

Lighting

AYRTON LAUNCHES NEW LINE OF LUMINAIRES Ayrton has introduced an exciting new line of luminaires with product names like Merak, ArcaLine3, and MagicBlade-FX fixture. Ayrton has developed Merak as a compact wash fixture that combines punch with enhanced performance. Its new design squeezes a whole lot of washlight into a package that is less than 40cm high, with a new 250W RGBW multichip LED module and Fresnel lens, to create a monosource luminaire that is a marvel of ingenuity.

is a vastly improved colour mix. The central beam intensity of the LED emitters has also been increased by a factor of 1.5, achieving 63 candela/ lumen (compared to the previous 40), which is a testament to point-bypoint design. Like Merak, Arcaline 3 will also be ready for shipping at the end of June. With MagicBlade-FX, Ayrton adds more magic to its Creative Solutions line of graphic beam projectors with a unit that combines the originality

Merak signifies the first embodiment of Ayrton’s new, sleeker design motif that exhibits straight yoke arms and minimised base enclosures that house highly efficient miniaturised power supplies – Merak’s base box fits its high-tech, 400W power supply into a package just 20cm wide by 5cm high! It features a proprietary 10:1 optical zoom system, combined with a 250-Watt low-etendue, RGBW multichip LED module. Merak produces magnificent output with a remarkable spread through specially developed optics, combining a four-chip-per-colour RGBW LED module with light pipe technology to ensure a homogenous colour mix is transmitted through its rosette lens. Merak produces superior colours – even in the yellow, orange and amber range, and features a white chip at 6500K. A de-focusable rotating beam shaping optic, which can be variably positioned with respect to the light pipe, provides control latitude from subtle softness to ideal sharpness. The fixture’s zoom range is 7°to 70°paired with a new Fresnel lens design to ensure homogenous colour mixing regardless of beam angle. With its single-source transmitting lens, Merak casts wonderfully crisp light and just one shadow. Merak features a new miniaturised liquid cooling system that was specially

developed to ensure the powerful LED module is properly cooled and to guarantee continuous full power operation without dereating. Merak will be ready to ship at the end of June. “Everybody is excited to see that Ayrton is not just staying in the niche of top-notch effect lighting, but has expanded its portfolio still further by choosing to bring its ideas, engineering, know-how and innovation into the more widely used ‘bread and butter’ products,” said Althaus. The second new arrival was ArcaLine3, the latest product in the Static Luminaire range. With ArcaLine3, Ayrton’s ArcaLine unit has had a total makeover, making V.3 a refined fixture that produces outstanding results which are even more attractive to event suppliers. Each ArcaLine 3 fixture now consists of two distinct parts: the tubular optics and a slender base that houses the electronics, with stabilizing feet at either end that permit the tube to be tilted with no restraint. The one metre-long linear luminaire houses 12 next-generation RGBW high-output LED emitters that can be controlled point-by-point. It has a new 45 mm collimator that projects an 8°beam angle – narrowed from the 12°found on previous units. The new lens employs a rosette pattern, to decrease the diffusion of light energy and concentrate it. The result

May - June 2017

of its award-winning MagicBlade-R and beauty of MagicPanelFX to become the epitome of elegant versatility. MagicBlade-FX is an elegant rotating baton fitted with seven of the distinctive squared output 65mm fixed frontal lenses found on MagicPanel FX. It shares the same quality of colour mixing and versatile effects: 3D volumetric projections, variation between the colour-rich luminescent face and separated points of light with ultra-tight beam projection or wide angle wash from a unique zoom system with no visible moving parts. Each emitter combines an ultrapowerful RGBW multichip LED source with a light pipe zoom system that homogenizes the colour mix and an aspherical transmitting lens, which is optimized to project a tight 3.6° beam. The versatility of the MagicBladeFX makes it ideal for any lighting designer. Used for back lighting, it can create a lens moiré effect. With its volumetric beams in unlimited continuous rotation on the pan/tilt axes, this luminaire helps highlight a performing artist from the side or

front. Ayrton celebrated its 15th anniversary at Prolight + Sound with new products, new staff and a prestigious PIPA Award in the Light FX category for its MagicBurst graphic LED strobe fixture. This is the fourth year for the Prolight + Sound International Press Awards (PIPA), which are voted for by journalists from over 100 dedicated specialist magazines across the international music and technology sector. “To be given the PIPA 2017 Light FX Award for MagicBurst is very satisfying and a nice industry recognition of the continuation of Ayrton’s ingenuity and originality in product design,” said Ayrton’s new global sales director, Michael Althaus. “It tops what has been an excellent show for Ayrton where we experienced a really fantastic reception of our new products by the many visitors who came to check them out and see them in action in our light show.”

MODERN STAGE SERVICES PVT. LTD. PROVIDES TECHNICAL SPLENDOR Keshav Reddy, Full HD Christie son of GVK’s Vice Projectors were president Sanjay equipped. 12 Reddy tied the Watchout Servers knot with Veena, were running in daughter of Pharma tandem with all baron Chinappa Matrix switching Reddy. Their for safety and sangeet ceremony backup and close took place at Taj to 500 x 24 feet Falaknuma Palace, of set size and Hyderabad and put 24000 x 1080 Pratik Wadhwa of MSS Pvt. Ltd. forth a technical pixels resulted in a splendor that was a visual treat for stunning visual content. everyone present. It was one of the biggest indoor Modern Stage Services Pvt. Ltd. mapping projects undertaken by provided the technical support for MSS Pvt. Ltd.. the Sangeet and a lot of planning “This was one of the most went into the set up of the event, challenging setups for us. Planning as it was a temporary structure played a very crucial part in this and was difficult to execute. All project. Thanks to my team and the projectors were suspended at their commitment, we were able to 36 feet high on motorised trusses achieve this,” said Pratik Wadhwa of and 28 projectors 20,000 Lumens Modern Stage Services Pvt. Ltd..

Lighting

HARMAN PROFESSIONAL SOLUTIONS EXPANDS THE MARTIN VDO CREATIVE LED VIDEO RANGE WITH VDO FATRON 20 AND VDO DOTRON HARMAN Professional Solutions announced the launch of Martin VDO Fatron 20 and VDO Dotron and added new dimensions and capabilities for lighting designers with a more comprehensive range of creative LED video products. Both the 20 mm pixel pitch video batten VDO Fatron 20 and the compact and powerful video pixel VDO Dotron can double as DMX-controllable lighting battens and seamlessly weave together with the entire Martin VDO range including the VDO Sceptron and VDO Face 5. An extensive palette of fieldexchangeable diffusers and lenses gives the daisy-chainable fixtures a great variety of different looks.

They also can be deployed frontless for a raw look. Versatile rigging accessories make mounting onto walls, set pieces, stage designs or directly on a truss a breeze. Plus, an IP65 outdoor rating makes these fixtures ideal to enhance creative outdoor and indoor designs. VDO Fatron 20 and VDO Dotron are driven by the Martin P3 System Controller for easy video-mapping and creative mix ‘n’ match with New versatile video pixel products add 3D stage design options to extensive range of outdoor-rated Martin P3 System Controlled LED video

SOLARIS FLARE DEBUTS FLARE Q+ RAYZR AND FLARE Q+ DYNAMIC WHITE Flare Q+ Rayzr and Flare Q+ Dynamic White are the latest innovations in the Solaris Flare range of LED fixtures. The Solaris Flare is now universally recognized by top designers and programmers for its

other Martin LED video products. Automatic switching between P3 and DMX modes is provided for smaller applications. Using the same integrated power and data cabling as VDO Sceptron, installation of VDO Fatron 20 and VDO Dotron is a breeze. “The addition of the two new fixtures to the creative VDO toolbox is the missing link that really brings creative ideas to life when you want to create truly astonishing 3D stage designs,” said Wouter Verlinden, Product Manager – LED Video, HARMAN Professional Solutions. VDO Dotron is available now, and VDO Fatron 20 is expected to be available in mid-May 2017.

ROBERT JULIAT INTRODUCES OZ AND ALICE

of the CT range. Like all Flares, it is crazy bright and features the Flare’s world-class dimming, smoothness and flicker-free performance. Q+ Technology is an exciting

Building upon the success of Roxie, its first LED followspot, Robert Juliat has taken the next step by previewing two new LED followspot models - Oz and Alice, the newest additions to the RJ followspot family. This dynamic pair features a powerful 600W cool white LED source and the same high-quality functions and

maintenance. A digital display, RJ45 connector and USB port are just some of the convenient features that come as standard. Besides Oz and Alice Robert Juliat has also launched SpotMe, an advanced solution for their Compact and Grand ranges of followspots, which is designed to shine the light on performers in

characteristics offered by the Robert Juliat classic Compact range. Long- and short-throw models respectively, Oz and Alice are the first LED professional followspots to deliver a high output comparable with that of 1200W discharge followspots. Their compact dimensions and silent operation are coupled with the benefits of no heat, smooth electronic dimming - locally or remotely via DMX – and no lamp-change for less

a smart, progressive way. Robert Juliat’s ZEP Fresnel 360LF series and ZEP profile 660SX series also has an extension to its family as a brand new, variable white version. The new source exhibits the same bright output as its siblings with a superior evenness of beam and no hotspots. It is ready to ship with immediate effect and the variable white models complement the warm white and cool white versions.

Flare Q+ Rayzr and Flare Q+ Dynamic White are the latest innovations in the Solaris Flare range of LED fixtures brightness, versatility and reliability, and now these two new models add exciting new dimensions to the product range. The Flare Q+ Rayzr is a superslim blade of ultra-bright light and color, available in 50 and 100 cm lengths. It provides Flare brightness, colors and features in a single row of RGBW LEDs. Various mounting options are available for end-to-end alignment, hanging, wall-mounting, and pipe attachment. With its ultra-slim profile, the Flare Q+ Rayzr will go where other fixtures will not, while maintaining famous Flare performance. The new Flare Q+ Dynamic White offers variable color temperature output from 2,000 to 10,000 Kelvin, with a CRI of 90+ throughout most

May - June 2017

innovation recently introduced and now standard in the entire Solaris Flare product range: Flare Q+, Flare Q+ Linear, Flare Q+ Rayzr, and Flare Q+ Dynamic White. This LED driver technology maximizes LED output for superior brightness, while also optimizing LED temperatures for long term reliability. Representing a significant leap forward in LED fixture design, Q+ Technology performance is available in the popular 96-LED Flare Q+, as well as the 108-LED Linear format and the 18- or 36-LED Rayzr. Flare IP RGBW outdoor wash fixtures are also available in singlehead High Definition (HD) and singleor dual-head High Reach (HR) models, available with integrated or remote power supplies.

CONCERT LIGHTING

Star Dimensions Taking Concert Lighting Up a Notch with Justin Bieber’s Purpose tour, Mumbai The India leg of Justin Bieber’s Purpose World Tour in support of his fourth studio album, ‘Purpose’ took place at the DY Patil stadium in Mumbai on May 10th. The lighting design, conceptualized by Nick van Nostrand featured a relentless transforming canopy of lights in various colours along with dynamic

and quantities. “The artist lighting designer had mostly worked with Elation & Martin lighting on the Purpose tour, and was thus, extremely happy with our fixture options,” says Jay. Right from the word go, Jay Mathuria and Ashish Mehta saw this event as a whole new experience. “We needed

were controlled by one GrandMA2 full size desk, 1 NPU & 4 Art Net systems. We can safely and proudly say this is one of the largest network configurations for a single stage concert, in recent times. Moreover, this was achieved with a single fiber optic cable running from the FOH to stage rack making it neat, and simple,” the duo asserted. The Elation Platinum Beam 5R & The Martin Mac Aura XB Wash both played a key role. According to Jay and Ashish, the Martin Mac Aura wash lights were a treat to the eye. “Subtle yet impactful, Nick truly created magic with these. The Elation 5R beams are extremely reliable, compact & sharp. Out of these 270 fixtures not a single one gave us any Crafted to the finest detail, the main stage was illuminated by Elation Professional, Martin lighting & Smoke Factory. The fixtures were controlled by GrandMA2 Full size consoles trouble & the show was flawless. “ a more ‘Never say die’ type of an apeffects. Crafted to the finest detail, the All special rigging, cantilevers, side proach for this event. The aim was to main stage was illuminated by Elation wings & FOH (on Layher) & upright truss provide a dynamic light show with a Professional, Martin lighting & Smoke on stage was done by Star Dimenseries of 540 fixtures. Factory. The fixtures were controlled by sions using Global truss & countless GrandMA2 Full size consoles. rigging accessories. Star Dimension’s Bieber performed on a 22 mtr x 18 Av arm - Spectrum AV, used 10 mm mtr meter stage along with his troupe pitch outdoor LED for the backdrop & The soaring temperatures took a toll of dancers, under an impressive lighting side screens. This was ideal for the high on the lighting equipment & crew. Oversystem planned and executed by Star resolution content used as well as the heating of racks, processors & consoles, Dimensions, Mumbai. Several lighting live feed. was a huge challenge in itself. “The prorental companies were called in by the “When Nick van Nostrand & Bieber’s duction team assisted us by providing organizers of the event – White Fox technical crew walked onto the site for on spot solutions with fans & shade. Our India, with Star Dimensions going ahead programming, they were pleasantly crew proved to be true warriors; nothing to finally bag the most coveted concert. surprised to see all the lighting fixtures stops them- come rain or shine.” come on at the push of a button. They went on to say that the Star Dimensions crew was amongst the best they have During the planning of the show, Jay worked with so far, on Justin Bieber’s Mathuria and Ashish Mehta of Star DiPurpose World Tour. They were equally Owing to the massive size of the mensions were called in by Akul Narula satisfied with the quality of the equipinventory, networking between the of White Fox entertainment. ment and the output,” said Jay and control desks and the Network ProcessStar Dimensions was the only Ashish. ing Units was critical. The lighting company that was able to satisfactorily “The Head of Production - Rodney fixtures took up 22 universes which match the artist rider, in terms of brands

Challenges

Planning & Execution

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A Show of Great Magnitude

At a glance Main Stage Air – 300 Fixtures Elation Platinum 5R Beam Martin Quantum Wash Martin Aura XB Wash Clay Paky Mythos Martin Atomic LED Molefays Floor (Stage + Thrust) – 90 fixtures ROX/TZ LED Batterns Elation Platinum 5R Beam

Wings Air – 40 fixtures Martin Quantum Wash Clay Paky Mythos Martin Atomic LED Floor– 16 fixtures Elation Platinum 5R Beam

FOH Towers - 30 fixtures Elation Platinum 5R Beam Robe Colorwash 2500E 4-Lite Molefay FollowSpots

Other Equipment Elation Platinum 5R Extreme Elation Rayzor Q7 6par 300 Smoke Factory Tour Hazer II Smoke Factory Captain D Smoke Factory Fan Fogger II Grand MA2 Full size Networking System Stage NA Diginet 8 Stage NA Octo RDM Splitters Special Atmospheric Fluid Smoke Factory Heavy Fog Smoke Factory Tour Hazer Fluid

Barnes & the White Fox team were also elated with the show and the crew. We are grateful to them for entrusting us with such a huge responsibility for their first show of this magnitude. We had a great experience working with them and are confident of a long standing association,” they added.

PALM Showcase

People at

PALM

PALM 2017 engages expertise of eminent personalities who have accomplished knowledge in their field of activity. Their valuable involvement in PALM, act as a driving force towards PALM’s intellect and dynamism which leads Indian entertainment professional landscape to a higher paradigm.

Bishwadeep Chatterjee – Sound Engineer

Indrajit Sharma

IRAA Jury Member

– Musician, Music Arranger & Composer

The PALM show is an excellent opportunity for professionals in our film/music/stage/broadcast industry to get acquainted with the latest technological developments that directly have an impact on our thought process and aesthetics. The most exciting part is the human interaction with representatives and professionals from other parts of the country and the world. Stage Performances by musicians of international repute, interactive talks and lectures with Artists and Technicians from around the globe gets the atmosphere supercharged.

IRAA Jury Member

The PALM show is one of a kind platform showcasing everything new in sound and light. It’s a wonderful opportunity for technicians and musicians to witness and experience the best in their fields; all under one roof. It brings together like minded people, allows interactions with stalwarts and the ambience is what makes people want to return year after year.

– Sound Engineer IRAA Awards Director

PALM show is the only major platform in India where all audio professionals come under one roof to network, interact, share knowledge and remain updated with latest technology, and I feel proud to be a part of it.

Reji Ravindran – DJ, Turntablist, Educator Curator of PALM Soundscape

The PALM Expo is India’s biggest of its kind, which brings together brands and field professionals together under one roof. To witness all the new developments by some of my favourite brands and discovering newer brands and products are some of the factors that get me excited each year.

Yogesh Pradhan – Musician, Music producer, Sound Engineer IRAA Jury Member

I like and respect IRAA Awards because it’s the only award which respects, honors and appreciates music, musicians and technicians behind the screen. My best wishes to IRAA Awards.

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Pramod Chandorkar

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Discover your new frontline to incredible sound—visit avid.com/MTRX

Small Format, Big Mix

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Tap into real creative power—visit avid.com/ptdock © 2017 Avid Technology, Inc. All rights reserved. Product features, specifications, system requirements, and availability are subject to change without notice. Avid, the Avid logo, and Pro Tools are trademarks or registered trademarks of Avid Technology, Inc. or its subsidiaries in the United States and/or other countries. All other trademarks contained herein are the property of their respective owners.

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Vijay Benegal

Aditya Modi

– Recording & Mix Engineer

– VC, AES India

IRAA Jury Member

Moderator for AES India Palm Open Forum For Sound Engineers at PALM Conference & Seminar

The PALM show provides opportunity to see new products and technology as well as connecting with colleagues and making new contacts.

I think it is a very well organised event. We would encourage much more of these events to happen! The Palm Expo has successfully given everyone a platform to share knowledge of sound & music!

Shantanu Hudlikar

Becket Tundatil

– Sr. Sound Engineer, YRF Studios

– Visual & Lighting Designer PALM Conference & Seminar Speaker

IRAA Jury Member

At the Conference, Becket Tundatil will enlighten the audience on the unique concept of - WHEN LIGHTING & SOUND INTERACT.

It is a good platform to recognize and promote all things concerned with audio and light. It is a great platform for Indians to be able to be kept abreast with technology. In regards to IRAA, it’s about time we started something to have relevance. I must say it’s of the engineers, by the engineers and for the engineers.

Dr. Resul Pookutty – Director of Sound PALM Conference & Seminar Speaker

The audience at PALM Conference will stand a chance to get acquainted with the topic –‘Art Of Recording Film Song – A Modern Perspective’. Resul Pookutty will interact with conference delegates during this One-On-One Q&A session.

Pankaj Pawan – Actor & Director Moderator for Becket Tundatil Session at PALM Conference & Seminar

‘WHEN LIGHTING & SOUND INTERACT’ session by Becket will be moderated by Pankaj.

Donal Whelan – Chief Mastering Engineering and MD Hafod Mastering, UK

Fali Damania

PALM Conference & Seminar Speaker Donal will give valuable details on ‘Cultural Differences in Production and Mastering Practices’.

– FOH Engineer PALM Conference & Seminar Speaker

I’ve been aware of PALM expo for a few years, it looks like a very successful event. I always know when it’s on in Mumbai because my Facebook feed starts buzzing with updates from all my Indian studio friends who are there.

Know all about the final mix in a session – ‘GOING LIVE WITH Fali Damania’. This one-on-one Q&A session with leading FOH Engineer Fali will allow attendees to acquire tips and learn the secrets in the live sound realm.

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Sachit Subramanian

Toshifumi Kunimoto

– Director, Circle Pro Audio LLP

– Fellow - Research & Development Division Technology Unit, Yamaha Corporation

Moderator for Entertainment Event

At PALM Conference & Seminar Programme, Sachit will initiate and moderate the Entertainment Event Management Session on “How To Plan A Mid-Scale Event - Tech Perspective” .

PALM Conference & Seminar Speaker

YAMAHA Seminar Session on VCM technology will be led by Toshifumi Kunimoto at PALM Conference & Seminar.

Vijay Sabhlok – Technical Evangelist PALM Conference & Seminar Speaker

‘Art of Multi-Imaging - Production And Techniques’ led by Vijay will touch upon the topic of Multi Imaging using different technologies.

Vikaas Kalantri

Uday Chitre

– CEO, White Leaf Entertainment Media Pvt. Ltd.

– Chairman of Audio Engineering Society, India

PALM Conference & Seminar Speaker

Vikaas Kalantri will provide an event management perspective during the Entertainment Event Management Session - How to Plan a Mid-Scale Event - Tech Perspective.

Uday will be a panelist at the AES India Palm Open Forum For Sound Engineers at the PALM Conference.

Colin Kavanagh

Vinod Bangera

– VP and GM of Philips Entertainment Lighting

– CEO, Systematic Inc. PALM Conference & Seminar Speaker

PALM Conference & Seminar Speaker

Vinod will provide valuable insights at the Entertainment Event Management Session: How to Plan a Mid-Scale Event - Tech Perspective.

Get an insight into ‘LED Innovativeness and the Future in Entertainment Lighting’ by Colin Kavanagh.

Sanchit Balhara

Michele Marani

– Film Score Composer

– Founder – MARANI Audio

PALM Conference & Seminar Speaker

Sanchit will give an insight into his creative process, showing his approach from original composition through to orchestration and recording using a working example score from the Indian epic Bajirao Mastani.

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PALM Conference & Seminar Speaker

Michele Marani will make a presentation on ‘Loudspeaker Management System’ at the PALM Conference & Seminar Programme.

T S L U A R N I T G I R O E H T

XLR & plugs powerCON ® & speakON® More than just connectors. We put our long time knowhow and our whole passion into our innovative products and unique solutions. No matter whether a rock band or a lighting designer, an industrial application or a broadcast studio – Neutrik offers high quality and reliable solutions for every application. For more information visit www.neutrik.com

Rob Cowan

A.R. Chandrashekhar

– CEO, Point Blank Music School

– ICT-AV - CCTV Surveillance Consultant

Introduction on POINT BLANK MASTERCLASS at PALM Conference & Seminar

PALM Conference & Seminar Speaker

Point Blank Music School will present a film scoring workshop with a former student, Sanchit Balhara with Rob introducing the session.

A.R. Chandrashekhar will educate on Bridging The Gap – SIN for IT / AV

Vijay Dayal

Mahesh Amberkar

– Sound Engineer, YRF Studios

– Sound Rec/Mixing Engg at Atharva Sound n Media

PALM Conference & Seminar Speaker & IRAA Jury Member

PALM Conference & Seminar Speaker

Vijay will join Donal Whelan to discuss ‘Cultural Differences in Production and Mastering Practices’ at PALM Conference & Seminar Programme.

PALM Conference and Seminar Programme is the only event where different industry relevant topics are covered.

Ashish Saksena

– Sound Engineer, Purple Haze Studios

Mujeeb Dadarkar

– Sound Engineer, Co-founder OdBle

Sandeep Shirodkar – Musician & Music Producer

IRAA Jury Member

Akbar Sami

DJ Chetas

– DJ & Film Score Composer

– DJ & Producer

Panelist at PALM Soundscape

Speaker at PALM Soundscape

Akbar will be a panelist for ‘Reinventing the Wheels of Steel’ discussion at PALM Soundscape.

Be a part of ‘In Conversation with DJ Chetas’ at PALM Soundscape.

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Ali Safdar – COO at Scoop Brand Holdings Panelist at PALM Soundscape

Ali will be a panelist for ‘Mega Stage Events 101’ discussion at PALM Soundscape.

Shoven Shah

Parampreet Dhanoa

– Founder - Enchanted Valley Carnival, Director - Twisted Entertainment

– Head of Operations Zee Events Panelist at PALM Soundscape

Panelist at PALM Soundscape

Parampreet will be a panelist for ‘Mega Stage Events 101’ discussion at PALM Soundscape.

Shoven will be a part of ‘The Importance of Music Mentorship & Talent Scouting’ panel discussion.

Tuhin Mehta – DJ, Producer, Official Pioneer Pro DJ & co-founder - Go Madras Festival Moderator at PALM Soundscape

Tuhin will be moderating the ‘Mega Stage Events 101’ panel discussion at PALM Soundscape.

Warren Dsouza – Founder & Managing Director - Sound.com Panelist at PALM Soundscape

Warren will be a panelist for ‘Mega Stage Events 101’ discussion at PALM Soundscape.

Product Focus

Touring Consoles

Large-Format Digital Consoles PART II Part II of PALM technology’s focus on Live Consoles, lines-up some more noteworthy desks in the market which exhibit striking capabilities and state-of-the-art technology. PART I which presented consoles from manufacturers like HARMAN, SSL, AVID, DIGICO was featured in the Jan-Feb 2017 edition of the magazine. Those of our readers who missed it can access it through the “product focus” section on palmtechnology.in

Yamaha Rivage PM10 Yamaha’s PM1D and PM5D digital mixers have been a mainstay of large scale live productions throughout the world for more than a decade - be they touring live music, festivals, theatre, musicals, dance, municipal or corporate events. Bringing yet greater levels of quality, flexibility, functionality and reliability to the iconic PM name, the RIVAGE PM10 is a brand new flagship which again redefines the direction of the digital audio mixing industry. Ever since Yamaha’s first professional live sound console was released more than 40 years ago, the PM series has been the fertile ground from which numerous significant sound reinforcement milestones have grown. Many of those innovations have become standard tools that professionals depend on to this day. The RIVAGE PM10 launched a new generation of PM consoles that continues to evolve as new software and hardware are rolled out. In terms of sound quality, operation, functionality, reliability, expandability, and

more, the RIVAGE PM10 is a thoroughly refined flagship that defines the direction for future generations. It is a worthy heir to the PM name that brings true innovation to the developing live sound scene. Main Features include: • The new hybrid microphone preamps at the input stage of the PM10 help create a solid foundation of sound for crisp clear sound. The hybrid mic preamp features the great sound of analogue thanks to its mechanical construction and the parts picked to make it up, everything about

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the preamp has been reviewed to make sure the best sound is attained. • Another vital factor contributing to the great sound of the hybrid microphone preamplifier is its digital stage. The transformer circuitry and SILK processing incorporated in high-end analogue devices from Rupert Neve Designs, designed by the legendary Rupert Neve himself, have been precisely modelled using original Yamaha VCM (Virtual Circuitry Modelling) technology. These preamplifiers are available for use on all RIVAGE PM10 input channels. • The PM10 has been designed with operability in mind, as with all Yamaha consoles. With the PM10 Yamaha have worked to take their already well designed interface and extend its operability with new time saving and efficient features. As with most Yamaha consoles, the PM10 features Yamaha’s industry standard select channel concept, providing direct access to parameters of any channel via its select key. The PM10 also features a merged touch screen and fader strip which allows for intuitive changes and editing on the fly as well as facilitating 2-man operation. • Yamaha’s new console is fit for use in a number of solutions, whether it is for live sound in a venue or in a house of worship. The new features make this a high end option that offers extremely clear sound and a high level of flexibility and control. The PM10 is a fitting flagship model for Yamaha and a worthy addition to the PM range. Tech Specifications: Mixing Capacity: 44.1/48/88.2/96 kHz; 144 input channels, 72 Mix buses, 36 Matrix buses; Stereo buses A and B (or Mono bus), Cue A/B, Monitor A/B Input Channel: A/B, Gain Compensation, Digital Gain, HPF, LPF, 4-band PEQ, 2 Dynam-

ics, Delay, 2 insert points (x4 daisy-chain), Direct Out Output Channel: HPF, LPF, 8-band PEQ, Dynamics, Delay (on channel and port), 2 insert points (x4 daisy-chain) Scene Memory: Number of scenes: 1000; Functions: Recall Safe, Focus Recall, Fade Time, Preview, Overlay Filter, Isolate DCA/Mute Group: 24 DCAs, 12 Mute Groups Plug-ins: 384 plug-in slots (The maximum number of plug-ins used at a time varies depending on the plug-in types); 45 types of plug-ins GEQ/PEQ: 48 racks (96 for Flex15GEQ and 8-band PEQ); 31-band GEQ, Flex15GEQ, 8-band PEQ Recording: 2-track USB recording (MP3 and WAV); Multitrack recording and Virtual Soundcheck via Dante (option) I/O Network (TWINLANe) 400 channels @ 44.1/48/88.2/96 kHz, 32-bit Network latency: 11 samples at 44.1/48 kHz, 12 samples at 88.2/96 kHz Topology: ring for network redundancy Recommended cable: Neutrik opticalCON DUO multimode fiber (HY256-TL) or Neutrik opticalCON DUO singlemode fiber (HY256TL-SMF)

Midas PRO X-CC-IP The MIDAS PRO Series family moves up a gear with the PRO X control centre and the industry-changing NEUTRON Audio System Engine. Featuring 168 simultaneous input channels and 99 time-aligned and phasecoherent mix buses, the PRO X sets a new performance benchmark in

high-profile live sound applications and is a truly impressive digital control surface for the engineer whose very livelihood depends on both unparalleled functionality and reliability. Like all PRO Series consoles, the PRO X features managed latency and 40 bit floating point processing precision. Main Features include: • Live performance digital console control centre with up to 168 simultaneous inputs • 99 time-aligned and phase-coherent mix buses • HyperMAC and AES50 networking allows up to 288 inputs and 294 outputs @ 96 kHz Sample Rate • HyperMAC router with 192 bidirectional channels over copper and optical fibre • Provides dual redundant snake connection to the NEUTRON Audio System Engine • Snake connections up to 500 m with optical fibre or 100 m with CAT5/5e cable • 10 VCA (variable control association) and 8 POPulation groups • Up to 36 assignable 1/3 octave KLARK TEKNIK DN370 graphic equalisers • Up to 24 simultaneous internal multichannel effects • 29 MIDAS PRO motorised 100 mm faders • 2 daylight viewable 15” full colour TFT display screens • Fully interpolated touch sensitive controls • Optional wireless remote control with MIDAS MIXTENDER App for iPad* • Three bay auto-ranging universal switchmode power supply with N+1 redundancy. Tech Specifications: Sampling rate: 96kHz Latency delay: <2 ms (Input to Master output with no latency compensation) Dynamic range: 110 dB, 22 Hz to 22 kHz Maximum voltage gain: 80 dB, Inputs to Subgroups and Masters 86 dB, Inputs to Aux and Matrix Crosstalk: -100 dB physically adjacent input channels Fader/pan cut off: -100 dB Frequency Response: 0 dB to -1.0 dB, 20 Hz to 20 kHz Gain Error @ 1kHz: ±1.0 dB Input CMRR: 0 dB gain: -80 dB; +40 dB gain: -90 dB Distortion @ 0 dBu: 0 dB gain: 0.01%; +40 dB gain: 0.03% Distortion @ +20 dBu: 0 dB gain: 0.03%; +40 dB gain: 0.03% Noise Floor: 0 dB gain: -89 dBu, 22 Hz to 22 kHz (unweighted); +40 dB gain: -87 dBu, 22 Hz to 22 kHz (unweighted) Dynamic Range: 0 dB gain: 110 dB, 22 Hz to 22 kHz (unweighted); +40 dB gain: 108 dB, 22 Hz to 22 kHz (unweighted) Dimensions: 1365 mm wide x 940 mm deep x 434 mm high (53.7” x 37.0” x 17.1”) Net weight: 120 kg (264 lbs)

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Studer Vista 1 Black Edition Vista 1 is the all-in-one compact, flexible mix system for live, broadcast and production. Designed to pack everything you need within a single compact console, Vista 1 Black Edition combines an industry-leading Studer control surface with advanced DSP, fully-configurable I/O and redundant power supplies - all in one unit.

Vista 1’s powerful feature set and flexible I/O configurations mean it can handle the widest range of applications, from OB and ENG vans, to small studios, to mobile productions where the console needs to be moved frequently. Ready for easy integration with AoIP networks and expandable via Studer’s D21m system and the Compact Stage Boxes, Vista 1 Black Edition is a cost-effective, future-proof console ready for anything that gets thrown its way... Main Features include: • 32 or 22 motorised faders, with Studer FaderGlow • Up to 256 Inputs and Outputs - Standard configuration (32 Mic/line In, 32 Line Out, 8 AES In & Out) can be customised - Desk operator headphone - USB jingle player socket - Integral 64x64 optical MADI port - Slots for additional D21m I/O cards (one double-width or two single-width cards), such as AoIP (AES67/Dante, Livewire), Dual-MADI, AES/EBU, ADAT, TDIF, CobraNet®, Aviom A-Net®, Dolby® E/Digital, SDI, etc. • 96 DSP channels, including 5.1 surround channels • Powerful integrated Lexicon FX • Soundcraft Realtime Rack Plug-in engine • True broadcast monitoring, talkback, red light control and 8 general-purpose control inputs/outputs (GPIO) • Input level and gain reduction LED bargraph meter in every fader strip • Optional TFT-Meter Bridge • 6 high-resolution VFD master level meters • Full mix-minus (n–x) system for live two way operations • Vista data format compatibility for easy transfer of console snapshots between

different Vista consoles • Integrated jingle player for immediate playback of 8 different station identifier clips, background FX or other audio files from a jingle stick/USB memory device • Studer Virtual Vista Online/offline editor • Snapshot automation • Outstanding Theatre CUE list automation • Support for the Studer Vista Compact Remote Bay over Ethernet or even WLAN • Harman HiQnet support for controlling other Harman devices • Ember and Pro-Bel protocol support for use with broadcast/ newsroom automation systems • Redundant PSU • Studer’s RELINK input/output sharing system allows sharing inputs and outputs with other Studer Vista and OnAir consoles • Support for the whole Studer stagebox range via a MADI link, such as the 4U Studer Compact Stagebox • The system can be extended by using additional Studer D21m I/O frames accepting cards from the comprehensive D21m I/O system programme.

Allen & Heath GLD-112 GLD-112 is a larger version of the popular GLD-80 mixer, with an extra bank of 8 control strips, increasing the channel count to 28 fader strips in 4 layers. GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. Plug n’ play I/O expanders make it easy to build systems with up to 48 mic inputs, supported by a full suite of apps, software and personal monitoring solutions. GLD-112 provides 48 input processing channels, 8 stereo FX returns fed by the FX e m u l a tions, 30 configurable buses, 20 mix pro-

cessing channels, and DSP power to provide full processing without compromise. Now in a new GLD Chrome Edition, with sleek new styling, Automatic Mic Mixing, new embedded plugin FX and new compressor models on all channels.

Main features include: • Compact digital mixer with scalable, remote I/O • Systems from 4 to 48 mics • Easy to use, quick to access, analogue style interface • dSNAKE Cat5 digital snake—up to 120m cable length • 8.4 inch colour touchscreen for graphical view and setup • 28 faders, 4 layers, 112 channel strips in a freely customizable layout • 48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs • 8 stereo RackFX engines with dedicated ‘short’ returns with 4-band PEQ • Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay • Full processing on all outputs including insert, PEQ, GEQ, compressor and delay • Deep processing embedded plugins including GEQ and compressor models • Automatic Mic Mixer with up to 44 microphone sources • LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes • USB stereo recording and playback • 16 DCAs / mute groups • Built-in Talkback, RTA and Signal Generator • I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more • MIDI In/Out and Ethernet Network port • Compatible with ME Personal Mixing System • High end 1dB step recallable mic/line preamps • User definable channel names and colours • Engineer’s mono Wedge and stereo IEM strips • Input, output and insert soft patchbays • Quick copy, paste and reset of mixes and parameters • Libraries, Scenes and Show memories with USB transfer • Scene Filters, crossfades and automated recalls • Get started quickly with Template Shows • Password protectable user profiles

Lawo – mc36 Easy - versatile - reliable. The mc²36 is the German company’s first all-in-one console, designed for maximum ease-of-use. The compact size, in-built DSP and I/0 make the console equally perfect for permanent installations with limited space and rental companies’ transportation demands. The mc²36 is a universal console, providing a comprehensive feature set for broadcast, theater, house of worship, live and install applications. To

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super-compact and optimized for low power consumption using inaudible, lowspinning fans for cooling. This is especially important in environments such as concert halls, where fan noise is obtrusive.

make this possible, Lawo has optimized its features to provide benefits not only for one application, but for all. The one common factor is that everything is opt. Main features include: • Ready for the road: Only one flightcase is required for console, DSP core and I/0. ln addition to the German quality chassis and electronics, the mc² 36 can be ordered in a heavy-duty flightcase version ready for the road. But it’s not just the hardware factors that make the mc²36 a perfect choice for rental companies – features like saving and loading configurations and show files easily via USB sticks are especially valuable in the rental and touring business, where several consoles and users might be involved. • Onboard I/0: The Lawo mc²36 features integrated input and output connectivity to meet for a broad range of broadcast and install applications, as well as FOH and monitoring. The 32 Lawo microphone preamps are identical with those found on Lawo’s renowned 941/55 microphone card for DALLIS systems, providing an extremely linear frequency response of only 0.03dB between 20Hz and 20kHz and an unbelievably low THD of 0.0006%. • I/0 Overview: 32 Mic/Line inputs; 32 Line outputs; 8 digital AES3 inputs; 8 digital AES3 outputs; 8 GPIO; 1 MADI (SFP); 3 RAVENNA I AES67; 1 Headphone • ln addition to the onboard inputs and outputs, a MADI tie-line connection and three RAVENNA/AES67 Audio-over-IP ports provide future-proof connectivity for up to 384 external inputs and outputs, resulting in a total capacity of 496 physical inputs and outputs. The mc²36 is fully prepared for intelligent networking with other mc²36/56/66 consoles. lt can also be operated in combination with Lawo Nova audio routers, giving instant access to thousands of audio channels. Lawo mc² consoles provide intelligent mechanisms, including user-right management to allow input sharing between several consoles. • The Lawo mc²36 features a new, integrated DSP micro-core with an internal 512x512 port audio matrix. lt is

100

Tech Specifications: Control Panel: Frames with 16, 24 and 40 faders; Six banks each with 2 layers; 100 mm fader + 1 freely assignable rotary knob + channel display for each fader with sensetriggered pop-up displays for modules TFT metering: mono, stereo or up to 7.1 including bus assignment, gain reduction for dynamics, AfV status, VCA assignment, mix-minus; GUI page output, e.g. metering, on an external monitor; Eight central user buttons. Signal Processing: • 40-bit floating point • Up to 184 inputs with A/B input, up to 32 sub-groups, 32 aux sends, up to 32 track buses, up to 16 main sums • Rapid switching of channel and bus to mono / stereo / surround • Up to 24 surround channels, 128 VCA groups with metering, 256 GPC channels • Surround formats: DTS / Dolby Digital 5.1, Dolby Pro Logic 4.0, DTS ES / Dolby EX 6.1, SDDS 7.1, DTS-HD 7.1, diverse panning characteristics, surround aux bus • Two AFL: 1 surround 8-channel, 1 stereo • Two PFL stereo • Audio-follow-Video with 128 events, control via Remote MNOPL, Ember+, GPI or matrix connection, envelope up to 10s fade time • Solo In Place • Permanent input meter beside fader, adjustable INPUT, PF, AF, DIROUT meter point in channel display • Loudness Metering according to EBU R128 and ATSC A/85, momentary or short term in every channel, integrated measurement on sum channels with display of integrated LUFS value in headline. • Modules: INMIX with MS decoder, digital amp, 2-band fully parametric filter, 4-band fully parametric EQ, 2-band fully parametric side-chain filter, insert, delay up to 1800 ms – switchable units: meters, milliseconds, frames, 4 independent dynamic modules: expander, gate, compressor, limiter, image, meter, direct out • AMBIT Upmix, available on every 5.1 channel, fully Downmix compatible • Inline configuration with send / return switching — per channel or global • Fully-equipped surround channel with coupling of all channel parameters and hyperpanning • Dimensions: Height: 5RU / 220 mm / 8,7”; Width: 482,6 mm / 19

YAMAHA MUSIC INDIA PVT. LTD. Email : support_in@inquiry.yamaha.com www.yamahaproaudio.com; in.yamaha.com

STUDIO ANALOGUE Pramod Chandorkar

- Founder, SoundideaZ Academy

RECORDING & MICROPHONES Chandorkar offers expert tips on achieving a good recording with details about room dynamics, good microphones and their placement, and more.

Article to be continued in the July-August 2017 issue.

E: pramod@soundideazacademy.com

May - June 2017

In this age of Sound engineering, is the art of recording still alive? I had an opportunity to discuss the same with my contemporary engineers and seniors recently. It was a very relevant topic, which I thought could be discussed here. Actually other than vocals hardly any instrument is recorded in today’s time. This applies to the most released popular music in India. As far as the recording art is concerned, its still kept alive by the Bands, Classical Music and other private non-film Music. I cherish those memories when I used to record live instruments every day. Those were the days when I got to practice the art of recording. Microphone placement plays a major role in getting a good recording. My Guruji taught me “when you are recording you are actually capturing a precious time of the performance of an artist”. These words are engraved in my mind. follow it with their head position and posture; An important aspect for a good recording is otherwise they’ll counteract the expected effect. the ‘Room’. The sound of the room plays a very The easiest way to prevent this is to set up the important role in getting a good recording. Despite pop shield and have the singers locate themselves using the most state-of-the-art equipment, if the accordingly, rather than according to the Mic. Putroom is not acoustically right, the recording will ting lyric sheets in a sensible location can also do never come right. In today’s time where space is a lot to direct the singer’s attention in the desired so expensive, the size of the studio has been curdirection irrespective of Mic position. tailed to a small room. Can Changing the angle of we actually get a good rethe Mic in any given posicording out of these small tion will also change the Now based on the rooms? Yes we can get sound, especially if you’ve style of playing, you a good recording out of followed the norm of using these rooms as long as we a large diaphragm cardioid should ensure that the understand the role of the condenser Mic. Even the transients are not too loud room in a good recording. best large diaphragm cardiDifferent strategies need to and will be well captured oid mics deliver an altered be applied for recording frequency response off axis, by the microphone withdifferent sounds. which usually means less

out getting overloading and saturation.

Vocal recording

While recording solo vocals, ‘Distance’ is one factor, partly because of the proximity effect of the cardioid microphones typically used for vocal recording. A Mic further away from the singer picks up a more natural representation of their head and chest resonances. Close proximity to microphone will enhance the Lip noise; Esses & pop Sounds. Higher frequencies tend to beam slightly downwards from the nose and mouth, so positions below the nose will tend to be brighter than those above. Some consonants, such as ‘S’ and ‘P’ sounds, tend to be worst directly on axis vertically. When a microphone diaphragm is placed right in front of the lips or little below, the sound captured will be brighter in nature. If the microphone diaphragm is placed a little higher in line of the nose, the head resonance is captured. Depending on the performer the placement should be decided. The horizontal plane is a bit more of an unknown quantity, as it seems to me to vary more from singer to singer and many vocalists sing asymmetrically too, so the best thing to do is experiment, if you have the time. When you’re moving the Mic around, you need to make sure that the singer doesn’t

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sensitivity to the high end of the spectrum, and in principle you could, indeed, use this to soften backing vocals.

Backing Vocals Or Chorus Recording Recording multiple singers for a Chorus section has been a very important part of Indian film music. Using an Omni directional Condenser Microphone at a distance of 2-3 feet will give Impressive results. In the case where the section is singing an high octave part and are large in numbers the distance from the microphone can go up to 4-5 feet. This technique will deliver a good balanced Round

sound. This technique will also capture the room sound to give the bigness of the section. For low octave or soft sections the distance can be reduced to 1-2 feet. Using different polar patterns as figure of 8 and spreading out the vocal section in such a way that bright vocalist can be off axis and softer ones on axis also improves the overall sound. The decision to apply the Mic technique also depends on the musical part being performed. AKG 414, Neumann U 87 is widely used for these recordings.

Indian Percussion (Dholak & Tabla) Indian Percussions have a very large range in terms of loudness and timber. They are played with sticks as well as hands. We will differentiate them with their characteristics. Hand played percussion’s include the following Dholak, Tabla, Dholki, Pakhawaj, Mridungam, Khol. The mentioned instruments are not very loud in nature. However, when played loud, these instruments sound different. When we Mic these instruments, the style of playing or the genre in which they will be used is important to know in order to make a decision on how to Mic them. These instruments are also played solo or in an ensemble where you can have group of percussion’s playing together. The micking for such ensembles will be different than that of a solo performance.

Solo Micking Shure SM58 & 57 is a very widely used dynamic microphone for these percussions. They should be placed 6-8” away from the source and pointing towards the center of the Instrument face. There have been a lot of instances where its debated weather to use one microphone for a Tabla

In this technology dominated world of sound lets not forget the fundamentals of good recordings. An Acoustically designed room; good Microphones, Proper Knowledge of Mic Placement, Decent or good recording equipment’s only will lead to a good recording and a great Mix.

or two!! Tabla consists of two individual parts a ‘Chati’ and a ‘Baya’. These are placed next to each other and the sound source is very much in the center. Ideal placement is one microphone in the center of both, the distance being 6-8”. The ‘Baya’ generates low mids and lows, where as ‘Chati’ generates hi mids and Mids. One SM 58 can very well capture them both or even a Neumann U 87 (Condenser Mic). In case of the later the distance can be 1 feet. Now based on the style of playing, you should ensure that the transients are not too loud and will be well captured by the microphone without getting overloading and saturation. A condenser microphone will give u a very clean character with pristine top end; if the distance is right you can capture the transients very nicely. A Dholak also can be captured well with Shure Sm 58 & 57. Here the sound sources are exactly opposite to each other and you need 2 microphones. The distance has to be 6-8 “ apart. Generally a dynamic Mic is preferred than the condenser for recording a Dholak or the rest of the above-mentioned instruments other than the Tabla.

Ensemble or sections of Dholak When recording sections of these percussions doing a collective micking to the section will deliver better results than doing individual micking. This will capture a room tone and a good ambience sound, which makes it sound bigger. Close micking or spot micking will not give a big sound. Some engineers nicely blend the spot mics with room mics. A thorough knowledge of Phase is required when you use multiple microphones for the sections. In this technology dominated world of sound lets not forget the fundamentals of good recordings. An Acoustically designed room; good Microphones, Proper Knowledge of Mic Placement, Decent or good recording equipment’s only will lead to a good recording and a great Mix.

To Be continued..

UPSTAGED Event Entertainment Industry Embraces Expansion The event industry in India is booming and the new age technologies are transforming the music and event entertainment industry in a drastic way. The EDM Concerts and innovations in the animation technology, are mesmerizing the audience is a great way! India is re defining event experiences and perceptions. Though it leads to more and more opportunities for every facet of the country’s entertainment and culture, the industry also faces some prime challenges. Topping the list of these challenges is the Skilled Manpower. The skilled expertise is lacking and is not enough to meet the requirements in this sector. Also, the absence of good event venues raises the question of holding big scale events with ease. But the future of this industry seems to be bigger and witnesses immense scope for growth; leading to expansion of event & brand activation industry in India. In 2016, India played a host to a number of gigs like Sunburn Festival, Electric Daisy Carnival, Global Citizen Festival and many more, wherein 2017 witnessed VH1 supersonic. Purpose World Tour - Justin Bieber Concert was added as the most anticipated concert. The D Y Patil Stadium in Mumbai was filled with great zeal, swooning over the musical magic of Justin Bieber on 10 May. The entire concert planning, management and execution of the concert was managed by White Fox India. The superlative set-up and the sound technical for the concert were managed by SOUND.COM with tech support from Harman International. The lasers and lighting was supported by Star Dimensions; fireworks were led by Amir Morani Fireworks and video montages were executed by Spectrum AV. MediaPro led the trussing. The entire concert delivered extremely well thought-out showmanship and witnessed more than 40,000 fans, who erupted in loud cheer when the pop star performed his

May - June 2017

popular numbers. The trend of music concerts has witnessed a phenomenal growth across the globe, and sure enough, India has joined the bandwagon with zeal, considering the rise of stage events since the past few years. Honouring Punjabi music, PTC

and provided equipments like Sholite 20R Beam, Sholite 15R and Sholite LED Par 2403. Modern Stage Service also provided the technical support - Artist, Sound, Light, Truss and Production at NIST College Fest that witnessed performance with Jasleen Royal with

Punjabi Music Awards are presented every year and this year it was held on March 23, 2017, Parade Ground, Sector – 5, Panchkula. The Awards Night was hosted by Binnu Dhillon, Jassi Gill, Babbal Rai, Ranjit Bawa and Kulwinder Billa. Live performances came from Jazzy B, Gippy Grewal,

band. J Davis Prosound & Lighting and Graflex Inc provided technical support for Kailash Kher Performance at Forum Mall, Bengaluru, on 31st March ‘17. The event managed by Brando Communications. Kailash Kher staged a groovy evening for his fans and

and Kulwinder Billa, who staged some of their biggest hits. Also on stage were performances by Bollywood singers like Richa Sharma and Sargun Mehta. One of the companies that supported the technical for awards was Modern Stage Service

mesmerized hearts of everyone present with his raw, and soulful voice. Another such event where J Davis Prosound & Lighting and Graflex Inc provided Sounds, Lights, and Trussing and LED was the Monkey Town Arts

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and Music Festival - 2nd Edition on 14 and 15 April 2017, at the Space Resorts, Ooty. A culmination of a myriad form of music and arts within nature’s cradle, Monkey Town showcases a blend of soul-stirring music, local dance forms and visual performances in the Queen of hills. Also, Sound & Light Professionals powered Arijit Singh Symphony in Surat. The event presented western classical music created by symphony band with the blend of Bollywood music with Arijit Singh. An event reached the attendee’s soul through the strings of instruments and magical voice of Arijit. The past two months saw many musical events of a larger scale. Like – Bollyland which was one of the biggest Bollywood dance music property in the country. Bollyland had performances by Neha Kakar and Arjun Kanungo to enthrall the music lovers and was supported by DJ Anshul and DJ Akbar Sami. The mega-event took place at Sarusajai Stadium in Guwahati on 29 April. In Mumbai, International Jazz Day has been celebrated since the last four years. This year was its fifth edition, the event featured over 20 artists in a span of three hours. There were a mix of jazz genres, from jazz standards to jazz fusion, featuring some of the finest musicians and singers in the country. The event took place on 30 Apr 2017, at Tata Theatre, Mumbai. UB40 India Tour 2017 took place in in Bengaluru, Goa, Pune and Mumbai on April 21, April 24, April 26 and April 28 respectively. UB40 formed in 1978 in Birmingham, England. Since then, the band has had more than 50 singles in the UK Singles Chart, and has also achieved huge international success. The sound support for UB40 India Tour was provided by SOUND.com and the event was organized by KCT Entertainment.

already failed to nurture talent by

Arijit Singh and “Sadda Move”

instrumentalist, conductor, and song-

“However, the present case is fair use

providing a proper live platform for

sung by Diljit Dosanjh and

writer – Ilaiyaraaja, opened up Pan-

of the copyright and must be encour-

its own singers (both from film as

Raftaar.

dora’s box through his recent move

aged,” said a legal expert. Also not

well as independent) resulting in a

wherein, the music director/composer

clear is whether Illayaraaja holds the

generation of kids more tuned into

from Half Girlfriend starring

served a legal notice to legendary

international music and international

Shraddha Kapoor and Arjun Ka-

singer SP Balasubrahmanyam for sing-

served SP a legal notice.

stars, this kind of a move by compos-

poor. Arijit Singh weaves magic

ers would only serve as a last straw.

yet again with “Phir Bhi Tumko

Has South Indian music composer,

ing songs composed by him without

More than a decade ago A R Rahman had decided to protest against

his permission.

Also in the top 10 are songs

Singers on their part need to cease Chaahunga” from the movie,

the prevailing practices. The music

being enslaved to film music to boost recorded at Studio One and

already trying to grapple with audio

composer went all out to campaign

their careers and start writing and

Living Water Music by A Ma-

rights issue, like for instance trying to

for securing the financial rights of

composing their own music. Who

nivannan and Kaushal Gohil and

collect royalty in the complicated

composers and lyricists. ‘I can’t run to

can even remember the last time

Mixed & Mastered by Eric Pillai

digital realm which involves not only

music companies every time I need to

a mainstream popular singer went

at Future Sound Of Bombay.

For the music industry which is

internet streaming but

The other

also use and commer-

song from Half

cialization of ‘IP’ by mo-

Girlfriend that

bile network operators

made it to the

through ring tones and

top 10 is the

caller tunes, this move

romantic soul-

by Illayaraaja has further

ful track “Baarish”

complicated issues.

which is sung by

It was possible

Ash King & Sha-

to monitors sales of

shaa Tirupati with

cassettes and DVDs,

music by Tanishk

and earn royalties,

Bagchi and Mixed

but beyond this, it is

& Mastered by

practically difficult to

Eric Pillai at Future

monitor how a composer’s composition is used and the number

Music director/composer laiyaraaja (r) has served a legal notice to legendary singer SP Balasubrahmanyam (l) for singing songs composed by him without his permission

of people using it. The Indian Performing Rights Society which

use my own song,’ he had said. According to Rahman he wanted

Sound of Bombay The multitalented Parineeti

beyond playback singing and released

Chopra made a rocking debut

a chartbusting independent album

with her soothing track “Maana ki

is supposed to be entrusted the

to push for the copyright of compos-

of his own? Till then they would not

Hum Yaar Nahin” from Meri Pyaari

task of issuing licenses to users of

ers and lyricists and music produc-

only have to deal with copyright

Bindu which reached the top of

music and collecting royalties from

ers, wherein everybody would get

issues but also resign themselves to

the charts. With music by Sachin-

them, for and on behalf of its

a share. His contention was that as

celebrity culture (which Indian audi-

Jigar, the single was recorded at

members – artists, composers etc.,

conventional outlets for music sales

ences are slaves to) with popular film

YRF Studios.

are themselves entangled in legal

were drying up, music companies

actors entertaining audience with their

cases for siphoning off the funds

should envision the changing ground

less than mediocre singing.

which was due to these artists.

reality which would in future make all

Since much of our talent is busy

instantly found a spot for itself in

music available for free, with only the

in a studio, recording a song, while

the top ten music lists was com-

has thrown focus on complexi-

performers and performances reaping

actors hog the limelight on live stage

posed by Guru Randhawa, Rajat

ties in copyright protection of

repeated benefits.

as always, let’s look at what’s coming

Nagpal, Original Music – Intense,

out of these studios.

sung by Guru Randhawa Ft.Arjun

Illayaraaja’s notification to S P

The peppy song “Suit Suit”, from the film Hindi Medium which

music. According to Section 17

On the other side of the debate is

of the Copyright Act, 1957, the

the argument that singers should not

author of a work is the owner,

be held liable to seek permission from

sic charts are songs from the movie

but if this work is done under

music composers and it should be

Raabta. Composed by Pritam, with lyr- Bombay

employment, it is the employer

the sole responsibility of the event or-

ics by Irshad Kamil and Amitabh Bhat-

New entry to the top 10 list

who is the owner. In the case of

ganisers or tours organisers to obtain

tacharya, Sound Design by Dj Phukan

is the powerful rendering of “The

composers, the composer is paid

permissions and have legalities sorted

and Sunny M.R, Recorded by Ashwin

Ganesh Aarti” sung by Amitabh

a one-time fee and eventually it

out with PPL and IPRS. However in

Kulkarni, Himanshu Shirlekar, Aaroh

Bachchan for SARKAR 3.

is the music label which owns

the absence of a ‘real’ regulatory

Velankar and mixed and mastered

the copyright.

body, it would be a long time before

by Shadab Rayeen, three songs from

busting non-film music from these

Burning up the popular online mu- and was Mixed And Mastered by Eric Pillai at Future Sound Of

So until we get some real chart-

the music industry finds a ‘real’ solu-

Raabta are currently trending in the

singer-composers, we would have

experts if SP had made a CD

tion to its never ending copy right

top ten lists. These include the sooth-

to keep content with film music

of Illayaraaja’s songs and com-

woes.

ing title song “Raabta” sung by Nikta

and copyright woes.

According to some legal

mercialized it without giving

For the music industry which has

Gandhi, “Ik Vaari Aa” in the voice of

any royalties, then that would

May - June 2017

108

+91-7887 567987 +91-9326 426273

DEALS IN ALL KINDS OF SOUND SYSTEMS

Stan

Address: Behind Timki Police Station Chowki, Mominpura, Nagpur, MH, India | Email: sharp.traders2011@gmail.com

BIJNESS We love what we do. Why else would someone put themselves through what we do in this life? The Travel, The Hours, Inhospitable Locations and worst of all - the Idiots. After waking at midnight to catch a pre dawn flight - to get into a smelly car on a cold dusty airport and bump over 100 kilometres to the venue gate to be told by a voice behind a faded glass window ‘aapka naam list pe nahin hai !’ It’s humbling to see how many ways my (unusual ?) name has been mangled on a security list. Vibha Pulka, Baraf Puja, Giraffe Pochgaya; are standout examples. And so it goes. We battle for our creative independence, trying to meet our clients expectations while dealing with so many hurdles to get to where we want. That is our life and career and business. We do this as well as we can, simply to earn the privilege to get up and do it all over again the next time. Ah - ha... WAIT! We have forgotten perhaps the most important element that will make our business and careers thrive - Investment. In all our hustle and bustle of getting ahead I have seen so many promising enterprises drown under their inability to service their investments. Hastily people point out that ‘What nonsense’ - their business still exists. So they have invested wisely. If that is your yardstick then Good Luck and God Bless. But if the idea of actually making

money doing what you love interests you, read on. Let’s understand some basic concepts. 1. Turnover: This is the total amount of money our businesses earn in a year. 2. Direct Expenses: the expenses we incur that are directly related to the business we carry on. Means that it is directly associated with a project. 3. Overheads: Expenses we need to make for the routine running of our businesses - telephone bills, rent etc. 4. Profit: What remains of our turnover after deducting all expenses and overheads (Incl. taxes) 5. Investment: Our spending on any item that will help us generate revenue in the future. To effectively manage our businesses the manager must know on a week to week basis the exact total of each of the above heads -IN TOTAL. A good manager will also know how close the business is to the BUDGETED figures for the year. For the manager to be truly coveted - he will know each ratio that the above heads has in proportion to each other; because that comes with the ability to tweak the operations to meet the business’ goals. Too often I hear sneers of what a waste of time all this is. Give the figures to the accountant, pay your taxes and everybody’s happy. If I have not already lost you I urge you to consider just one point. If you do get your balance of these concepts right - and are aware of the balance your companies need to

maintain - you could save lakhs and hours of your companies time. Most importantly you could save your companies future. In my experience the typical life cycle of an event business seems to be. 1. First Five years: Work Crazy Hours at crazy prices and make a name in the market. 2. Year 3 - 7: Make huge investments into people or equipment. 3. Year 7 - 15: Have so much equipment - No place to store it or have people to effectively manage it. 4. Year 15 Onwards: Get bogged down by details, owners lose interest, slow fade into just staying afloat. Equipment lying wasted and impossible to sell. I see this pattern repeat itself countless times. Just a handful of companies have managed to dodge this curve. More despairingly - I have not seen a single company being sold at a fair price to some young energy that has built on the founders past to grow into another form and stay on top of the market. Not one single company (that I know of. Please prove me wrong!) has managed stay on top of changing business cycles. Which means that every company must spend its formative years learning the ropes of being a business. In my view that is the single reason why we have not seen a breakout success. Some event management companies have done it. Their present avatar is unrecognisable from what they were when they started out. Their owner or manager roles

PALM CONFERENCE & SEMINAR PROGRAMME – JUNE 1-3, 2017 THEME FOR DAY 3: MUSIC PRODUCTION

have matured into functions that have grown. Responsibilities that have enlarged. How many owner managers of event technical companies can truly say that? Sure, as you have grown you may have more professional help. But understand that you are still making the same decisions you were making when you started. More worrisome the parameters on which you are making your decisions are still more or less the same. Be true to yourself. If you are out of the cycle - You are blessed. If all of what I am writing is gobblygook - do yourselves and your businesses a favour. Ask for help. Be assured that you will benefit from the lessons you will learn. It is a truism that a person that is technically skilled or creatively gifted is usually bad at maintaining accounts books. But I urge you to find somebody who can do them for you so that you know when, and where to invest your time and your money for maximum benefit. Most importantly - know when is the right time to bring in the right energy at a fair price to carry your business forward so you can stay ahead for as long as possible. My Best to all of you who undertake this journey. (The views expressed by the author are his own personal comments and the magazine does not subscribe to them).

International Lounge, Mezzanine, Hall 1 | Bombay Exhibition Centre, Goregaon (E), Mumbai

11:00 - 12:00

14:00 – 14:45

POINT BLANK MASTERCLASS with Sanchit Balhara

ART OF RECORDING FILM SONG – A MODERN PERSPECTIVE by Resul Pookutty

Point Blank Music School will present a film scoring workshop with a former student and award-winning film composer, Sanchit Balhara. Sanchit will give an insight into his creative process, showing his approach from original composition through to orchestration and recording using a working example score from the Indian epic Bajirao Mastani. Introduction by Rob Cowan

15:00 - 16:00

AES INDIA PALM OPEN FORUM FOR SOUND ENGINEERS Speakers: Mahesh Amberkar and Uday Vasant Chitre Convened by Aditya Modi

12:15-13:30

CULTURAL DIFFERENCES IN PRODUCTION AND MASTERING PRACTICES by Donal Whelan, Hafod Mastering and Vijay Dayal, YRF Studios 16:00 hrs onwards

May - June 2017

Contact: Anisha Jain | +91-8169895039

Indian Recording Arts Academy Awards (IRAA)

at Hall 4, VIP Parking Area, Bombay Exhibition Centre, Goregaon (E), Mumbai

110

11 QUESTIONS WITH

Roland Stenz and Kerstin Mischke Veteran audio professional, Dipl.-Ing. Roland Stenz, CEO of Eve Audio and Kerstin Mischke, Sales and Marketing Director of Eve Audio, field 11 questions on the birth and growth of the young Berlin-based professional studio monitor manufacturing company, while providing insight into the design philosophy and R&D process of the new monitors and Eve Audio‘s presence in the Indian market. RS: What were the deciding factors that made you break away from Adam and set up your own professional company for monitor speakers? I was one of two founders/shareholders and CEO of ADAM Audio from inception in 1999 till 2010. In this time, we established a very successful brand. After a while different opinions about products and how to bring the company into the future showed up and we decided to go separate ways. With EVE Audio, I could realize my own ideas. A complete range of studio monitors and subwoofers could be delivered already in spring 2012. Working in my own company allows me to follow my long-time experience in pro audio business since 1983.

RS: Since its inception, what has been Eve’s core management and production philosophy? There are two sides important. The main questions are what the internal and external effect of my own work should be. Generally, I don’t want to act against people. I need to be welcome in my own company. A very friendly working climate is essential for good results. Of course, the respect is offered also to our customers and partners. Related to our products I would say – a speaker is a technical product which can be defined in technical parameters like frequency response, distortion etc. But immediately when music starts to play, a speaker changes to a very emotional product. I like it very much during listening sessions to talk also about music, artists and the process of recording.

RS: How much would you say you employ “state-of-the art design” in the Eve brand of products? EVE Audio products are developed to get best possible information about your music. This is not easy to archive because every speaker is used in different rooms. It is very important to have the complete product carefully designed. To say it is a good sounding speaker because of the used tweeter etc. is not helpful. To find a very good balance between all technical parameters is most important. EVE Audio is established as a very serious player in the world. This results in a very

May - June 2017

successful growth over the years. All different types of speakers have the same balanced sound. From my opinion, it does not make an real sense to develop speakers Kerstin Mischke and Roland Stenz which are designed these rooms. Beside these technical parameters, for a special type of music only. To have very we spend a lot of time with listening music to good designed speakers in combination with balance the sound carefully to the best result. best customer support (social media, print media, web, education …) has built this “state-of-the-art design”. The complete package of a company must be right – from products to customer support.

RS: If you have to name one single differentiated technology in Eve Audio monitor speakers that distinguishes it from other monitor speakers, what would it be? I don’t really like this view to products. But our self-developed air motion transformers offer the next level in high frequency resolution. Unfortunately, a single part in high quality doesn’t mean so much for a final product quality. I spend a lot of time to combine all parts of a speaker in the best way. EVE Audio has all needed tools like a huge anechoic chamber and a huge echo chamber. This allows to measure all needed parameters of a studio monitor. We can measure frequency response, energy response, distortion and others. Not all manufacturers have

It is very important to have the complete product carefully designed. To say it is a good sounding speaker because of the used tweeter etc. is not helpful. To find a very good balance between all technical parameters is most important.

RS: Tell us a little about Eve’s R&D process and production facility? I have mentioned before that EVE Audio has all tools to develop studio monitors on highest level. We control the complete chain from R&D, production and quality control. During our R&D process all aspects of development are taken care of in-house – including 3d-construction, electronic design and driver construction for woofers and tweeters. Beside electronic measurement systems for amplifiers (frequency response, distortion, power handling, EMC etc) we also have a huge anechoic chamber and an echo chamber. In an echo chamber we can measure acoustical systems without any room effects (reflections from walls, defractions). A massive turntable allows turning also heavy speakers to get results in all needed angles. The total energy emission can be measured in our echo chamber. This information is very helpful because a speaker delivers frequency depending sound to all sides of the speaker cabinet. This has an effect also in a normal room because reflections come back as additional energy to the listening position together with the direct sound of a speaker. We built prototypes here to get best results. When the prototypes full-fill all requests then we shift our work to the suppliers. There is an ongoing quality control for all components there and in addition every speaker is finally tested and adjusted here in-house in Berlin/Germany.

KM: Which was the first major studio that you supplied Eve monitors to? Well, one of the first studios, maybe the first

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of all, was Pughouse Studio in Melbourne in Australia that bought a pair of SC307. They were so pleased with the sound of a brand they have not heard about before that they send us a very happy user report.

KM: Which is the biggest market for Eve Audio worldwide? At the moment our biggest markets for EVE Audio are China and Japan, but also Germany, Netherlands and Scandinavia are strong markets for EVE.

KM: Which product is Eve currently pushing most aggressively in the global pro-audio market? We consider our desktop loudspeaker SC203 to be a product that deserves more attention and that’s why we are currently pushing it. For its size it’s a very powerful desktop loudspeaker with a tiny footprint and ideal for all workspace applications with limited space. Listeners usually do not expect such little speaker to reproduce such frequency range, especially such low end.

KM: And any new product launches planned for the near future? Sure, there are always plans for future products and the R&D team never sleeps. But it’s too early to reveal any details or release dates.

KM: What are your impressions about the Indian market or what are the peculiarities of the Indian market and which are some of the studios in India where Eve monitors have been installed? The Indian market is very crowed and the

The Indian market is very crowed and the local brands are naturally very strong. For us as a foreign brand, it takes some efforts to bring people’s attention to EVE. The key for that is to create an on-going visibility by being present in trade shows or doing demos.

local brands are naturally very strong. For us as a foreign brand, it takes some efforts to bring people´s attention to EVE. The key for that is to create an on-going visibility by being present in trade shows or doing demos. Because we feel EVE is still not as visible in India as it is in other countries we also did a road show last year and travelled together with our Indian distributor Modi Digital to Chennai to conduct EVE seminars. The purpose was to push EVE further into the Indian market and share first-hand information. Our impression is that Indian people are very open-minded, curious to learn more and attended the seminars nicely. Some of our projects include: Eve Audio SC205 - Rohan Puntambekar(Music Composer, Music Producer, Programmer, Sound Engineer and also the proprietor of

Seven Sounds Productions); Eve Audio SC305 (Northpole Magicworks Studio, which produces music for movies and television commercials); Eve Audio SC307 - Bodhi Sound Studio (Satish Chakraborthy); Eve Audio SC407 - Raghav Sachars Studio(Need Studio Name) (Indian singer, composer, Music Director and a MultiInstrumentalist); Eve Audio SC305 - Shadab Rahims Home Studio (songs final mixing and mastering - Dangal, songs final mixing - Dear Zindagi); Eve Audio SC203 - Abhijit Tenny Roy (Director at Junk ‘n Genius Studios (J’nG); Eve Audio SC203 - Vishwas Nicholas (CEO/Founder/ Owner at Nicholas International ProductionZz); Eve Audio SC203 - Sunny Sanour ( Indian composer, Music Producer, Sound Engineer and Playback Singer); Eve AudioSC305 - Nitish Kumar (Mixing engineer, Sound engneer for A. R. rahman); Eve Audio SC407 - Luke Ashirwad (Mix engineer); Eve Audio SC205 - Sanket Kale (Music Programmer); Eve Audio SC205 - Nishant (Music Programmer); Eve-audio SC407, SCS307, SC307, SC305, TS112, TS110 - Knack Studios; Eve-audio SC205 - YuVan (Music Director); Eve-audio SC407 - Sai Thaman (Music Director)

KM: What are your short and long-term goals for the India market? The short-term goal is to increase brand awareness and brand visibility, to bring more EVE´s into the eyes of potential customers and let people constantly know about EVE Audio. The long-term goal in India and worldwide generally is to be recognized as one of the major brands in the monitor market.

INDIA’S PREMIERE ENTERTAINMENT EVENT PRODUCTION AND MUSIC PRODUCTION EXPO SOUNDSCAPE AND CONFERENCE

31 MAY - 02 JUNE 2018 HALL 1 & HALL 5, BEC, MUMBAI

GREATEST SOURCING FOR STAGE SOUND AND LIGHT EQUIPMENT Recording sound and stage sound and light rentals, lasers and effects, stage technology, rigging and trussing, event technology from video mapping to light design - PALM 2018 is the ground zero for worldwide latest technology product demo from all leading manufacturers and brands.

* PALM is a B2B exhibition. Children below 16 years of age will not be permitted entry.

DJ Technology

CDJ-2000NXS2 and CDJ-TOUR1 now support djay PRO with USBHID control Algoriddim’s djay PRO is now compatible with the USB-HID control feature of CDJ-2000NXS2 and CDJ-TOUR1 multi players. This comes under the Pioneer DJ Certification Program, an initiative to evaluate products from other companies and certify them as compatible with Pioneer DJ gear so that the user can use them together with confidence. The user can use the CDJ-2000NXS2 or CDJ-TOUR1 to intuitively control djay PRO’s features including scratching and tempo adjustment. The decks also display track titles, artwork, waveforms and other information from the software so the user can quickly select your next track without looking at their computer. Connect DJM-900NXS2 with the user’s CDJ-2000NXS2s, or connect the DJM-TOUR1 with the CDJ-TOUR1s via LAN cables, then

simply plug the Mac into the mixer with a single USB cable and the user can control djay PRO on up to four multi players at the same time. Through each mixer’s built-in sound card, the user can output audio signals without the need for an external audio interface. KEY FEATURES OF USING THE CDJ2000NXS2/CDJ-TOUR1 WITH DJAY PRO • Intuitive control Simply plug the Mac into the CDJ-2000NXS2/CDJ-TOUR1 with a single USB cable and control djay PRO. Intuitively scratch and use the player’s performance features including loops, tempo adjustment, and play/cue, which are all seamlessly linked to the software. • Track information on CDJ2000NXS2/CDJ-TOUR1 screens View text information on the multi player’s display and select tracks easily from the user’s djay

Algoriddim’s djay PRO is now compatible with the USB-HID control feature of CDJ-2000NXS2 and CDJ-TOUR1 multi players. PRO library using the deck’s rotary selector. View artwork images to reference tracks by album covers as well as their titles. Instantly view detailed cue points, loops and playhead information using the newly-supported zoomable waveform, Wave Zoom, and visually grasp the overall composition of a track using the high-resolution overall waveform. • Connect your Mac to NXS2/TOUR1 set-up with a single USB cable

Use USB-HID control to control djay PRO on up to four multi players at the same time. Connect DJM-900NXS2 with CDJ-2000NXS2s, or connect DJMTOUR1 with CDJ-TOUR1s via LAN cables, then simply plug the user’s Mac into the mixer with a single USB cable and everything syncs seamlessly. The user can output audio signals without the need for an external audio interface thanks to each mixer’s built-in sound card.

Numark Launches NS6II A 4-Channel Serato DJ Controller Numark released an update to their NS6 DJ controller- the NS6II. The NS6II builds on the NS6’s legacy of innovation and performance and delivers the user a 4-channel DJ controller, now with two USB outs and built-in hi res screens! Dual USB Outs For DJ Hand-Off A Numark first—a Numark DJ controller that enables the user to

connect two laptops simultaneously, connected to Serato DJ for seamless DJ hand-offs. With a push of a button you and your partner DJ can switch between two laptops and play at the same time between four channels. Built-In Hi Res Display Playing to the crowd is key to

May - June 2017

the success and energy of any event. Maximize the energy and stay connected to the crowd with the built-in full-color 2-inch hi-res displays. The user can monitor BPM, platter position, time remaining, pitch adjustment and keylock. Critical information that ticks all the boxes with intuitive actions to keep the user focused on the performance. The user’s DJ senses are on fire as they can select the next song in their playlist,

all without ever looking at the laptop. Independent Mixer In addition to the dual USB outs, the NS6II is a standalone 4-channel mixer to connect turntables and external media devices. The user can connect two media devices to the RCA line/ phono inputs and switch between them on a dime.

Touch-capacitive frequency knobs, with a simple touch adjust mid, low and high frequencies during the mix, for the quality tone. With its audiophile-grade circuitry, the NS6II delivers 24-bit sound quality without compromise. Performance Pads Rubber MPC performance pads give the user quick access to hot cues, auto loop/roll, manual loop mode sampler and slicer. Each function duals-up with sub functions to give the user an access to a total of 16 velocity-sensitive pads. • Hot Cue –Set 8 cue points within your DJ software. Secondary function (click button twice) enables hot cue + instant auto loop mode • Auto/Roll - Pressing this button once will enter the auto looping mode- 16 bar, 8 bar and others. Secondary function (click button twice) enables beat-jumping once auto loop is engaged utilizing parameter keys • Loop Mode – Activate manual loop mode and any saved loops. Secondary function (click button twice) enables a second bank of the Manual/Saved Loops section

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• 8 Pad Sampler – Load custom sound samples such as tags and drops (non-velocity sensitive). Secondary function (click button twice) enables velocity sensitive pads in sampler mode • Slicer – As the track is playing the pad will follow the beat, and when pad is engaged (rhythmically) beat will stutter per parameter. Secondary function (click button twice) will change the slicer into looping when pad is engaged temporarily. Pitch Fader 100mm pitch fader gives full control of tight, seamless blends across 4-channels. On the built-in display, the pitch indication can be monitored without looking at the laptop. The smoothly-resistant long pitch fader is responsive to every tick of the beat. Software The full version of Serato DJ comes with the NS6II, and all the user has to do is plug and play. NS6II also has an option to upgrade in Serato DJ for the DVS expansion. The DVS expansion allows to connect external turntables for time coded vinyl control.

DJ Technology

Serato Launches Serato Sample DAW Plugin Serato has announced the Public Beta launch for Serato Sample- a fun, fast, high-quality production plugin that allows the user to quickly find, chop, key shift and time stretch samples. Until now, producers have struggled to freely manipulate samples while maintaining high-grade audio quality. This has been solved with Sample, an intuitive sampling tool powered by Serato’s original plugin, Pitch ‘n Time. Serato CEO, Young Ly, said, “Over the years we’ve seen huge growth in the crossover between DJing

and producing so it feels like a natural next step for us to return to the world of production. And in turn it made sense to leverage our successful plugin, Pitch ‘n Time.” Serato Sample’s feature set

accommodates the needs of producers wanting a powerful, convenient sampling tool and also provides a familiar, intuitive workflow for DJs to delve into beat making.

Ableton Launches Beat Tools Pack Ableton has launched a brand new Live pack, Beat Tools, that is designed to help producers quickly craft ideas and make beats

Drum and Instrument Racks with tweakable processing chains that sound great in the mix, right from the off. Also there are 182 audio

Live pack, Beat Tools with the included loops, and kits. Instead of just a sound pack, it’s a full Live project with processing, effects chains, and Macros set up for intuitive control. The Pack contains more than 120

loops for chopping up and creating new grooves and melodies, as well as almost 100 MIDI clips for reworking into the user’s own beats, and showing the user the things that the kits can do.

Reach the Summit MA-808 Portable Wireless PA System Versatile Sound Ampliﬁcation The MA-808 innovatively integrates wireless microphones, speakers, CD / USB player and a Bluetooth interface for wireless music streaming into a sturdy, compact case that offers an entirely portable sound system anywhere it is needed. MIPRO supplies UHF and 2.4 GHz receiver modules options and matching handheld or bodypack transmitters, as well as the exclusive miniature transmitters for musical instruments, such as violin, saxophones, erhu, guitar, cajon, and so on, thus the instrument players could experience convenient wireless ampliﬁcation via the MA-808 portable wireless PA system.

The Ultimate in Convenience Lightweight with built-in pull-up handle and sturdy wheels for easy transport, the economical rechargeable battery system enables operations indoors or outdoors without AC power and cumbersome cables. Even handheld & bodypack transmitters can be stored within the sleek cabinet.

Distributed in India by Calibre Sound Systems Pvt Ltd

PO Box 4050, 290 Lamington Road Mumbai, 4000007 Tel: (91) 22 2387 3615 | www.mrhdigital.com | ajit@mrhdigital.com

www.mipro.com.tw

Pro Tools | S6 Mixing redefined

Pro Tools® | S6 leverages the best of the industry-leading ICON and System 5 families in a revolutionary new modular design. From extensive visual feedback to the integrated touchscreen, Pro Tools | S6 provides a truly immersive experience for the modern sound engineer. • Customize and scale the surface to match your workflow • Experience superior ergonomics that feel like a true physical extension of Pro Tools • Take intelligent control of Pro Tools | Software and other EUCON™-enabled applications • Tackle the most demanding productions with proven and trusted technology

Get the performance you need to complete projects faster and deliver the best sounding mixes possible.

Take a closer look: avid.com/S6 © 2017 Avid Technology, Inc. All rights reserved. Product features, specifications, system requirements, and availability are subject to change without notice. Avid, the Avid logo, EUCON, and Pro Tools are trademarks or registered trademarks of Avid Technology, Inc. or its subsidiaries in the United States and/or other countries. All other trademarks contained herein are the property of their respective owners.

proaudio@ansata.net +91 97313 10443 www.ansata.net

PALM technology May-June 2017

Articles inside

CORPORATE GUEST Prashant Govindan

Upstaged

Studio Analogue Pramod Chandorkar - Founder, SoundideaZ Academy