portfolio
ALEKSANDRA PAWLOWSKA adress
Plac Dabrowskiego 5/10c 00-057 Warszawa, Poland
e-mail phone
ola.pawlowska@gmail.com 0048 883 213 452
This portfolio is a collection of architectural works produced by Aleksandra Pawlowska while attending Delft Technical University, Melbourne Design School, Warsaw University of Technology and Escuela Superior de Arquitectura y Geodesia in Alcala de Henares, during Graduate and Undergraduate study programmes. The work ranges from architectural to the conceptual presenting variety of representation skills and use of software. Aleksandra has always had an interest in exploring new ideas in various fields of design, architecture and urban planning. This portfolio is a sample of her works and a result of a uniq combination of many courses and travels that she was part of along her education.
Architecture and Design projects Warsaw Design Center - creative hub for thinkers, designers and entrepreneurs Bachelor Diploma, Warsaw University of Technology faculty of Architecture and Urbanism - graduation June 2012 Dementia Care Homes and Collective living -care environment for people suffering from dementia Master Diploma, TU Delft faculty of Architecture and Built Environment- graduation May 2016 Contemplation Garden -planting concept for all-year-life garden workshop with Piet Oudolf Aleksandra Pawlowska STUDIO 14 PUBLIC SPACE AND MEMORY - DECONSTRUCTING IDENTITY OF TASMANIA
Counter monument for Tasmania -activating collective memory through public space exchange design studio, Melbourne Design School Public recreation space -city mysterious garden exchange design studio, Escuela Superior de Arquitectura y Geodesia, Alcala de Henares perspective impressions
plan 1:200
160
section 1:200 day time public green space
Warsaw Design Center project: public building; WAPW graduation project
PROJECT DESCRIPTION Idea behind Warsaw Design Center as a place of creative thinking and making came from a certain observation of the design market in Poland. As a survey of ‘Ishows, for polish industry it is not yet a standart to work with designers and thinkers to develop products. As a result most of the time the industry try to copy good selling work or undermine the role of a good design, producing objects just for their utility. Another conclusion points out that graduate designers lack certain entrepreneurial skills to find thier place in the market and/or start own bussines. One of the possible reasons is a lack of a place/ institution that would provide such courses or made it possible for the designers to meet entrepreneur to present and sell thier projects.
In resposne to this observation I proposed to create such place and use one of the remaining plots on the campus of Warsaw University of Technology. New building occupies fully given space, creating missing facade of the Piękna street.It is 12 m. wide and 92 m. long. Structure allows flexible use of interiors, and all instalations are located in communication blocks. Program of the buliding focuses around theme of production with big workshops on the groundfloor on upper floors there are: co-working and rent desks areas, a restaurant, cafe, exhibition and lecture space and research center with library. Program, location and spatial relations allow creativity to flourish hoping for next good ideas and projects resulting in realisation.
corner of Koszykowa Street and Niepodleglosci Street - main entrance
design proces
98 m. long and 14 m wide plot in front of the faculty of Chemistry in WUT
aerial view from Campus and courtyardentrance to the building
maximum occupation of the given setting hight according to the sloping the roof to reach the minimum and maximum hight plot nearby buildings
aerial view from Piekna Street and second entrance to the building
cutting and sliding the corner for strong symetrical composition of ...force to push in and brake the the seccond entrance to the buildopening the space in front of the the faculty of chemistry buildings... building to accentuate and close the ing follows the design of the first building and the entrance axis entrance opening the acces to WUT area
SITE creating missing facade of Niepodleglosci Street
1
5
2
8
4
7
11
9
9 727 587
694
419
913
900
B
0.6 korytarz 21,7 żywica epoksydowa 0.1 hall wejściowy 136,7 żywica epoksydowa
1 213
0.3 WC D 20,8 ceramika
0.4 WC N 6,2 ceramika
0.8 14
0.2 zaplecze 14,5 wykładzina
0.7 warsztat 312,3 wykładzina kałczukowa 0.5 WC M 8,1 ceramika
przedsionek płyty granitowe
A 225
225
732
225 619
225
225
1 067
225
674 1 072
225
225
225
616
675 9 727
1
2
3
4
6
7
10
1
12
view from Aleja Niepodleglosci street
13
900
14
913
18
15
17
424
19
913
ground floor plan
20
648
B
0.14 korytarz 21,7 żywica epoksydowa
0.15 hall wejściowy 168,9 żywica epoksydowa
1 213
0.10 WC D 20,8 ceramika
0.11 WC N 6,2 ceramika
A-06
0.9 schowek 14,5 wykładzina
0.13 13,9
0.12 WC M 8,1 ceramika
schowek wykładzina
A 225 617
15
1 066
225
225
1 076
16
841
17
900
18
19
20
function scheme
building floor plans
testing ideas on models - design process research studio
cafeteria research studio
co-working space exhibition area
workshop as a heart of the building
facade
flexible space
workshop design studios conference aula
entrance zones workshop building floor program
function scheme
shape
details
facade details and section
facade fragment
PRZEKRÓJ A-A SKALA 1:100
+ 24,67
podłoga na gruncie -PG pod garażem/pod budynkiem
+ 24, 09
20
posadzka betonowa CB 25 poz. izol. przeciwwilgociowa - folia poliuretanowa 40 - 60 płyta żelbetowa 10 chudy beton 10 podsypka z piasku grunt rodzimy
PRZEKRÓJ A-A
+ 20
podłoga na gruncie - strop nad garażem --PGS 3 4 8 20 35
płyty granitowe piasek stabilizowany cementem fizelina filtrująca styropian ekstrudowany chudy beton ze spadkiem 2% przekładka techn. folia PE strop żelbetowy
+ 16,00 + 14,44
+ 12,00
ściana fundamentowa -SF 35 10
+ 10,44
żelbet pionowa izol. przeciwwodna membrana TPO wełna hydrofobizowana folia drenażowa grunt rodzimy
SWD
+ 800 + 7,44
ST
+ 400 + 3,44
PGS
- 0,2
+/- 0,00 - 0,55
PRZEKRÓJ B-B SF
PG
SWK
- 3,52
PG
- 3,52
- 3,69
PRZEKRÓJ B-B SKALA 1:100
+ 24,67
strop typowy -ST 5
+ 22,72
50
+ 21,43
0,91
45
+ 24, 09
wykładzina kałczukowa stelaż podłogi podniesionej przestrzeń instalacyjna - modularna podłoga podniesiona 600x600 strop żelbetowy (płyta 20 + żebra 25)
+ 22,72
+ 21,43
+ 21, 37 + 20,33
+ 20,00
+ 19,55
dach
20 35
mata wegetacyjna z zakorzenioną roślinnością geowłuknina filtrująca warstwa drenująca - żwir płukany geowłuknina dyfuzyjna izol. termiczna styropian ekstrudowany paroizolacja membrana TPO strop żelbetowy ( płyta 15 + żebra 20)
+ 16,00
4 pi tro
+ 12,00
3 pi tro
+ 800
2 pi tro
+ 400
1 pi tro
+ 14, 68
+13, 34
ściana wew. działowa garażowa -SWDG 12
bloczki betonowe spoinowane 12/24/59 kl. 500
+ 10, 68
ściana wew. konstrukcyjna -SWK 1,5 20 1,5
+ 9,34
tynk cementowo-wapienny żelbet tynk cementowo-wapienny
+ 6, 68
+ 5, 34
ściana wew. działowa -SWD 2 12 2
płyta g-k na stelażu systemowym stelaż z wypł. wełna mineralna - izolacja akustyczna płyta g-k na stelażu systemowym
+ 2,68
+ 1, 34 PGS
ST
- 0,2
+/- 0,00
parter
- 0,55 - 1,34
SF
SF SF
PG
SWK
- 3,52
- 2,68 - 3,52
piwnica _ 4,33
Dementia Care Homes and Collective living project: Healthcare architecture, public space and landscape; TU Delft graduation project
PROJECT DESCRIPTION As the population of european countries is expected to grow older in upcoming years, the need for care institutions for elderly people will undoubtedly rise. Aging is associated with dependency and solitude, and the end of life is often thought to be depressing, difficult and troubling. It doesn’t have to be this way if models of cohabitation and support of daily life are developed. Therefore, this project is an example of potential model where typical Amsterdam housing block can support care facility for vulnerable group of our society. Focus of the research was twofold. First, study of already existing care homes for elderly people with dementia and activities they would be happy to do while living in new place. Second, typology of
collective housing, and gardens with their role in social realm. This project wants to prove that protective and healthy environment can exist within the urban context, providing both, access to open green areas, and interaction with other people on various levels of intensity. This relation can be observed through different scales, from private room of patients, collective rooms in housing units, private and collective gardens, appartments for different models of life, comunal garden and public plaza. These typologies manifest themselves on various scales from privacy to community without having to compromise.
Hofje - typology study
Sint Andrienshofje - Amsterdam
Sint Andrieshofje Amsterdam
Patio de los Leones & Palacio Nazaries, Alhambra, Granada
Alhambra - Granada
types of hofjes
Amsterdam Hofjes
model of Alhambra as a design inspiration for design development
design proces
urban scheme model proces
garden scheme
p r o g ra m helthcare housing medical center library existing buildings design
urban situation
program scheme
helthcare housing
ground floor
courtyard entrances
ground floor
public and comunal squares
first floor
courtyard
facade concept - inside and outside world
outside - vibrant - mixed use of housing and commercial
inside - calm and unified
section
1st floor - housing units for various users
2nd ground floor - housing units for various users
courtyards and gardens
courtyard - entrance to the house and garden
ground floor
private rooms collective space in group living
view from kitchen into garden activity room
entranceto the house and rest place in garden
private room design
entrance
centraly positioned big w
indow with low windowsill
basic interior equipment with room for individual objects
private room design - connection solution
day time - open corridor
night time - open toilet from room
whole complex model
inside and outside world
Contemplation Garden project: garden design workshop with Piet Oudolf
PROJECT DESCRIPTION The objective of the workshop was to redesign a garden in Health care building for cancer patients of all ages. The building had to be inviting and have a friendly character. The task was to find out how one of the gardens can contribute to the clients approach of the Health care building and how it can strengthen its architectural design. Parallel survey was made on plants which can compose all-year-round garden. Uder the guidance of Piet Oudolf, a concept was developed in which garden play central role in architectural composition.
Special attention was placed on the atmosphere, forms and light. Hoping to achive uniq celebration of forms colors and textures.
concept
re-designing given layout into strong spatial relation between inside and outside
Conflict I : program and use While it has to be a meditation garden, it is surrounded by many entrances and program (office) which doesn’t support it. This way garden won’t be used as place of relax, but only as a representative entrance garden.
Conflict II : geometry The circular form of a garden is surrounded by straight walls. This leads to both uncomfortable interior/exterior spaces making the presence of the garden weak.In this situation the garden and the building refuse to work together.
Solution Visual and spatial connection between interior and exterior. Interior layout compliments strong circular form of the garden. Generous entrance space and pathway reduces focus from garden itself, allowing for calmer atmosphere of it.
design elements
planting concept
higher plants along the entrance path with flower bed in front of the cafe
garden
inside garden path and meditation circle
Counter monument for Tasmania project: public space, identity and landscape; MSD studio project
PROJECT DESCRIPTION ‐ what is the post millenial generation’s expectation of architetcure? In response to the question an intensive hybrid program was explored and the potential for architecture to alter and affect the experiential qualities of space was researched. Through the perception, understanding, and re‐ framing of place and its history idea of a counter monument in Hobart, main city of Tasmania, was proposed to rise the awarness of public. Temporary instalation is composed out of 2 elements and exists both in form as well as in virtuality which holds its factual content.
As a temporary event in public space, happening in various places, counter monument talks about the history of Tasmania and it’s indigeneus inhabitants in soft and uninvasive way. The journey starts in any point marked by cutoff of ‘black line’ with streets. Once you stand in merging of cutoff point you will be able to activate phone app about whole event and gain access to more information. The higlight of the event is green stripe on the Hobart pier. On this concrete, reclaimed land a piece of Tasmania’s natural land is revived. It tells a story about it’s history trough different types of indigenous plants, lights and paths.
A b o r i g i n a l Ta s m a n i a h i s t o r y
M o n u m e n t s v s . C o u n t e r- m o n u m e n t
design tool
Black line diagram as a design tool
poster
graphical representation of an event / map / instruction
u r b a n s p a c e a c t i v a t i o n - F e l i c e Va r i n i i n s p i ra t i o n
points of intersection in urban space
rendered black line onto Hobart street map
points of intersection
the metaphore
fragment of the black line
Ephemeral light instalation memorating 1079 people who died during Black War
Aboriginal culture represented through characteristic landscape elements of Tasmania
Colonialism
Clash of Colonialism with Aboriginal culture
tplan o p o1:200 graphy
day-time public green space
160
section 1:200 day time public green space
night-time light instalation
collage Aleksandra Pawlowska STUDIO 14 PUBLIC SPACE AND MEMORY - DECONSTRUCTING IDENTITY OF TASMANIA
perspective impressions
Public space - City Jungle Garden project: public space and landscape architecture;; ETSAG studio project, colab. Agata Wozniczka
PROJECT DESCRIPTION Madrid has a lot of green and public zones. One of them is Plaza de Espana on the end of the main street - Gran Via. Unfortunatelly the potential of this space is not fully dicovered by the citizens. The aim was to change it and encourage people to spend there their time. The design process was based on methodology: Mapping the City of Senses and Meanings introduced by Donald Appleyard; the space of the Plaza de Espana was analysed and later redesigned according to the results. Analysis focuses on the perception of the plaza from the: ’outside’ and ‘inside’; by which is understood: how pedestrians and car drivers perceive the space of plaza de Espana.
The result was that from every street it is perceived differently and seams to be divided into zones. Decision was made to highlight all existing elements and create an oasis inside the city center. A place where only by getting through the ‘green wall’ one enter a secret garden with lots of flowers, birds and playfull activities.Topography of the plaza gave possibility to design various fountains and water zones, And hot climate allows to think of a secret garden as a jungle with lots of trees, palms, bushes and flowers.
outside part
urban scenography
inside part
urban scenography
analysis based on the methodology of Appleyard
conclusions... the most calm part of the plaza the vegetation intensified in the middle and lower part
high trees creates the volume
visual perception of the fountain
high trees creates the volume
entrance created by volume and composition of vegetation. It’s not used by many people so the pavement is very narrow. the wall of vegetation is the most thick here
main entrance
need for ‘secret doors’to cut out the noise of the street but to remain exsisting entrance main entrance sugested by the design of the pavement and the volume of vegetation
jungle furniture
green pavilions
artificial trees analogy
URBAN JUNGLE activities
active space/social zone artificial trees+umbrelas oasis in the jungle oasis in the city main entrance - to invite to enter the URBAN JUNGLE the pavement and vegetation was changed quiet zone/ intimate zone green pavilions
planting concept g re e n z o n e - p l a n t i n g d e s i g n
section
day-time
night-time light instalation
activities
a c t i v i ty z o n e - u r b a n f u r n i t u re
t ra m p o l i n s i n t i m a te p av i l i o n s p u b l i c p av i l i o n s a r t i f i c i a l p av i l i o n s g a rd e n b e n c h f l owe r b e d s s to n e p a t h
inside city jungle garden
Design Concepts
parliment
Tourists temporary Pavilion - open pavilion for forest park visitors studio work, Warsaw University of Technology
curved forms
rostrum
vertical sections
Polish Senate Bookshop -concept developed during internship at WWA Architects Foldable structure -exploration of foldable geometries studio work, Warsaw University of Technology Disappearing Crease -exploration of form and design processes workshop with ZHA research team, AA workshop in India. Interactive instalation -city information wall activationg public space exchange design studio, Escuela Superior de Arquitectura y Geodesia, Alcala de Henares
display
display
Waiting for Godot - concept design for theater instalation exchange design studio, Escuela Superior de Arquitectura y Geodesia, Alcala de Henares Light and Movement -interactive instalation concept for immersive experience of light&darknes;mass&void, exchange design studio, Escuela Superior de Arquitectura y Geodesia, Alcala de Henares Palimpsest chair -concept furniture design re-use of Arne Jacobsen legendary chairs
Jewellery -small form design
Drawings
Tourist temporary Pavilion project: landscape architecture; WAPW studio design
PROJECT DESCRIPTION The aim of the project was to design small public facility which could be used during summertime. It should be design as an environmentaly friendly architecture that corresponds with the context and character of the place. Building should be easilly accessible for disabled people and its architecture should evoke feeling of openness. Natural answer was to try to blend into the landscape with new structure. Main objective therefore, was to create architecture that will use paterns of existing space and will compliment landscape. Analysis
Design Concepts
of the given place show that the nature is at the same time solid and efimeral. Solid is ground and trunks of the trees. Efimeral are all smaller elements like leaves and brunches that can be moved by air. Based on this observation character of particulat elements was decided. Solid are walls that form shelter for various facilities; Efimeral is construction of roof allowing transparency and visual connections.
efimeral branches solid roof wall
trees site elements of the landscape - paterns & forms
visual performance colors
model
panorama view
lounge bar
model
3-D model - composition of interior
Polish Senate Bookshop project: interior design; WWA Architects
PROJECT DESCRIPTION The book store in polish senate is located behind the main entrance to the building. The aim was to enlarge the entrance zone by connecting visualy the exterior with the interior of the book store. Books are placed in between wood panels which form all elements of the interior, such as sell counter and display. Colors, textures and materials are limited to the minimum therefore the interior is simple and elegant allowing for the content to come forward.
Design Concepts
parliment
curved forms
display
rostrum
vertical sections
display
polish senate
schemes - inspiration - form finding
axsonometry
plan
entrance
scheme
interior of the book store in polish senate
Foldable structure project: WAPW structure design studio
PROJECT DESCRIPTION The aim was to find and test unconventional structure that could be used as a mobile pavilion or temporary roof in any location. Main inspiration were kinetic sculptures and origami where by multiplication of one module it is possible to build the whole structure. Formal inspiration became ‘miura ori’, simple and effective concept which was an answear to the flexibility of structure and modularity. Project have evolved from paper tests of forms, through modular model and design of key joint element.
Design Concepts
Concept Pavilion and Skyscraper model visualization
main module
polycarbonate
aluminum
any light material
type A
type A
type A the shape of a structure is manipulated by lines in the upper and lower part
type B
type B
type B the shape of a structure is manipulated by mechanism that pulls and stretc the modules
joint - Rhino model
Disappearing Crease project: research - design&make workshop
Aleksandra Pawlowska, Sean Regan, Jordan A G So, Tutors: Shajay Bhooshan, Mostafa El Sayed, Abhishek Bij, Chikara Inamura, John Klein PROJECT DESCRIPTION The design uses established form finding methods to investigate the constraints concerned with the fold and its disappearance within the middle of a plane. Initial investigations explored the relationship between the angle of the fold, the length of the fold, and the depth of the fold with the resultant bend of the structure beyond. Physical modelled geometries allowed for a qualitative understanding of form and its structural behaviour in regards to accumulated folds, their directionality, and the formation of the sheet edge condition.
Design Concepts
HYPER | THREADS Digital design form finding further explored the synergies between architectural articulation, structural logistics, and fabrication constraints to develop a self-supported thin shelled tensegrity structure. The structural folds employ a combination of continuous tension members and discontinuous compression members in such a way that each member operates with maximum efficiency and economy.
basic module - disappearing crease Initial investigations explored the relationship between the angle of the fold, the length of the fold, and the depth of the fold with the resultant bend of the structure beyond. Physical modelled geometries allowed for a qualitive understanding of form and its structural
placing the creases on one edge
shape versus crease
alternating the creases
changing orientation of the creases
Form - Finding | Design Development and Analysis
End point of the crease
Topology of the final shape and model generation steps
The diagram shows disappearance of the fold and dispersement of forces through the use of a curved crease. The curved crease distributes the load much more effective than a punctured surface.
digital model
1. Basic module 2. Smooth geometry of the end point of the crease 3. Alternaiting creases on single surface 4-5. Final shape
FORM | STRUCTURE
Converting the model from Polygons to NURBS for unfolding, decomposition of the geometry into a 2D template so that it can accurately be produced from flat sheet material such as aluminium.
model made by Sean Regan Form Active Structure
Low poly model to smooth mesh and relaxed mesh - Maya models
Interactive Wall instalation project: public space and interactive design; ETSAG studio design
PROJECT DESCRIPTION ‘Interactive Madrid’ is a conceptual information wall on one of the side roads from Gran Via, main street in Madrid. Close study of the character of that street led to a conclusion that in order to attract more people and make the whole experience of public space nicer, project should focus on light and integration with digital media.
Design Concepts
Concept uses projectors and movement detectors,as well as internet data. Those elements make the ever changing dissplay of news, art, commercials, keeping up with media society.
Waiting for Godot project: stage design and performance workshop
PROJECT DESCRIPTION “Waiting for Godot” is a play by Samuel Beckett, in which two characters, Vladimir and Estragon, wait endlessly and in vain for the arrival of someone named Godot. This play was regarded as one of the most important of XX century and invites all kinds of social and political and religious interpretations; with
Beckett himself placed in different schools of thought, different movements and ‘ism’s. The attempts to pin him down have not been successful, but the desire to do so is natural when we encounter a writer whose minimalist art reaches for bedrock reality. ‘Less’ forces us to look for ‘more’. Therefore, proposed stage design is minimalistic and uses geometrical forms only to give a frame for different characters appearing in the play and allow freedom of interpretation.
Light and Movement project: design workshop
PROJECT DESCRIPTION Light and Darkness, movement and pause,mass and space; all these elements come together in this interactive instalation. The experience is very extreme and it’s perfomative character focuses on the movement and body of the visitor. Movement sensitive tubes which fill up the whole room, rise up if encounter moving object.The light comes out as the instalation is set in motion, creating spectacle of light and space.
Palimpsest Chair project: design workshop
PROJECT DESCRIPTION Design of Palimpsest chair was inspired by iconic chairs designed by Danish designer Arne Jacobsen. Palimpsest is a manuscript or piece of writing material on which the original writing has been effaced to make room for later writing but of which traces remain. This concept envision new chair composed out of silhouettes of 3 different designs.
FURNITURE PROJECT E.T.S.A.G ALCALA DE HENARES 2010
+
+
=
44cm
70cm
scheme
52cm
left side
Arne Jacobsen chairs
front
top view
PALIMPSEST CHAIR
Jewellery project: hobby
DRAWINGS & PAINTINGS
2
ALEKSANDRA PAWŠOWSKA CV Education Master degree 2013- 2016 TU Delft faculty of Architecture and Built Environment 2014 Melbourne School of Design - one semester exchange program Bachelor degree 2007-2012 Warsaw University of Technology faculty of Architecture and Urbanism - graduation June 2012 2010-2011 Culture Animation at Open University of University of Warsaw 2009-2010 Escuela Superior de Arquitectura y Geodesia, Alcala de Henares - one year Erasmus student exchange 2004-2007 XXII high school, Jose Marti profile: science (mathematics and geography) Design Experience January, 2015 - Piet Oudolf garden design and planting, Holland workshop case study on plants and typologies of gardens November, 2012 - Architectural Association, Bangalore, India workshop 10 days design&make, Hypher Threads Zaha Hadid research team experimenting with various design techniques using advanced modeling software: Maya, Rhinoceros, Grasshopper focus on design&make process. Within 10 day we managed to design, research, and evaluate ideas from sketch to final product. working in an international group September-December, 2012 - MIT University, Manipal, India Research about Indian architecture, duration 3 months case study on architect Laurie Baker. Focus on eco and low cost architecture in India. case study on Vastu-Shastra - ancient philosophy of space. focus on existing and conceptual examples in architecture and urban development. October-December, 2011 - ArchiPlan Studio Ewa Widera, Warsaw, Poland Architecture intern, duration 3 months managed documentation of urban plans for new multi-housing district in Warsaw. researched brands and products that were later used in projects led by office. improved proposal for public space of city square in Mińsk Mazowiecki. assisted in detail drawing for multi-housing project.
September, 2011 - Howest Design Centre, Kortrijk, Belgium 1 week Prototyping workshop. Techniques I got familiar with: quick & dirty prototyping laser cutting high&low density foam modelingz open source CNC machining and 3D makerboots arduino - open-source electronics prototyping platform wood turning textile experimentation February 2011 - WWA Architects, Warsaw, Poland Design intern, duration 1 month prepared online catalogue of projects done by the office. created alternative proposals for public space in new housing district in Warsaw. re-designed interior of the book shop in polish Senate. July 2009 - Central Saint Martins, London, UK 3 weeks Design Summer School. workshops on photography, illustration and typography Computer Skills zknowledge of: Adobe creative suite - Photoshop, Illustrator, InDesign ArchiCAD 15, Sketch-up, Auto CAD experience with: Maya, Rhino, Grasshopper high skills in model making using: paper, plaster, foam,small metal work, wood, ceramics, plastic,pcv familiar with prototyping machines CNC, 3dPrinters, wood millers Languages Polish, English, Spanish