PAPERCLIP Magazine by DAELALEJANDRO

PAPERCLIP

AUTUMN 2016

UNIF.COM

#paperclipmag

editor-in-chief, brandon studebaker creative director, elizabeth hinton features director, marion hayes creative fashion director, krizz alan fashion director, anakaren padr贸n beauty director, kourtney boston lifestyle director, keionna mckoy advertising and marketing diretor, michaela landry

contributors

graphic designer, dael alejandro torres editorial photographer, sarah hinton photographer, hector de leon photographer, lisa muller editorial model, katherine malidor hair and makeup, julia marie reyes

漏2016 Paperclip Magazine

EDITORS NOTE

PAPERCLIP

A G A Z

Yours truly, Brandon Studebaker EDITOR-IN-CHIEF

Stepping into PAPERCLIP studio everyday makes me realize just how good life can be. Whether it is walking into Marion’s funny office dances or hearing one of Krizz’s many catch-phrases like “girl,” the team is definitely alive and caffeinated on their second... err third…Starbucks for the day, et al. Without the dynamic that is within this team, we wouldn’t be able to have fun while creating and doing what we do best, fashion. PAPERCLIP is a reflection on those said personalities and gives our content a touch of refinement and a handful of crazy. The competition within the team is what keeps us motivated and delivering the best content for you. The editorial within this magazine is solid; thinking about our reader every step of the way and giving you style to be desired and sought out. The PAPERCLIP team is forward thinking, too, giving you the most rad trends before anyone else while considering both sexes. PAPERCLIP relates to you as much as it relates to us. I have to say, I couldn’t be more proud of such an eclectic team. It couldn’t be done without them.

I N E

TABLE OF CONTENTS

hair me out!, 10 whatâ&#x20AC;&#x2122;s on his feet?, 12

a chat with lauren wadley, 15

getting to know peggy blum, 30 digital distortion, 33-37

-consequential disparity, 35

-illusional confinement, 37 gimme more, britney, 38

-sleek glitch, 36

-reflective dimension, 34

off the beaten path, 18-27

donâ&#x20AC;&#x2122;t take gucci for granted, 14

bending beauty, 9

PAPERCLIP

discover loulou de la falaise, 6

I N E

DISCOVER Loulou de la Falaise

e have all heard the iconic and moving stories of classic fashion personalities like Diana Vreeland and Iris Apfel. Even if you are not involved in the industry you probably know they are basically some of the ‘hall of famers’ of fashion and rightfully so because their impacts were greatly rippled throughout the evolution of the industry. Even though they are ‘Yas queens that slay’ or whatever there is another ‘Yas Queen’ that should not be overlooked. Her name is Lou Lou de la Falaise, the muse of Yves Saint Laurent. Her elegant and tomboy style inspired one of the greatest brands pretty much ever which I believe set the tone for women wearing whatever the hell they want in today’s society (F***K YES TO PANTS, LADIES). If you want to be sexy, be sexy. If you want to be a dapper or a classic beauty than you should do it. She showed us there are no limits and no restrictions to the possibilities of how to express ones true inner self in its most elegant forms. Speaking of elegance, I believe she was a major contributor to the new definition of elegance. You don’t have to have on a dress or a ton of make up to be elegant. You don’t have to meet society’s standards at the time to be right or to be elegant. She shows us how to push boundaries without pushing people away.

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She shows us how to transform ordinary garments and accessories into functioning gasp worthy pieces of art. Unfortunately, this unicorn passed away in 2011 but she will forever be remembered and celebrated. This may be a recap for those educated in or working in the industry but what you may not know is that there is an amazing coffee table book that goes in depth about her life. It is seriously fascinating. I highly recommend any person who is remotely interested in fashion and having a fabulous book collection to buy this book. If you already own it you are amazing. Go out and buy yourself a pack of gold stars ( OR a giant bottle of wine), because you deserve it. By: Marion Hayes

bonniehaze.com @bonniehaze

1. Andy Gilmores Geometric Art, MoMA Design Store; Momastore.org 2. Fendi Parka $1,950, Saksfithavenue.com 3. Desktop Mobile $50,Ekko Workshop 4. Bronson Leather Fedora Hat $70, Neimanmarcus.com 5. Fendi Mixed Fur Monster Backpack $2,550, Saksfitavenue.com 6. Dr. Martens $125, Drmartens.com 7. Fragrance $82,Balmain Homme Cologne; Balmain.com

CATCH THE RHYTHM Fashions new future has no gender this season. Wear eccentric combinations in blazing colors, androgynous fashion will light up any room.

B E N D I NG

BEAUTY G

one are the days where women fuss over every perceived flaw and men are immune to the illusion of perfection. The beauty gap between men and women continues to narrow each year into the 21st century. Previously, genders adhered to the roles their mothers and fathers modeled for them. Women shave, wax, pluck, and thread almost every inch of their bodies. Their eyebrows are perfectly shaped; their lips are the right shade of red or pink; their eyes are big, lined, and shaded, each eyelash coated in mascara. They are soft and inherently feminine. Any hint of what we perceive as masculinity is stripped away. Men are rigid. They are chiseled, and tough. Their hands are calloused and their faces are rough with hair. They are masculine and completely against utilizing the beauty habits of the “fairer sex”. A man embraces all of his rough edges and makes no attempts to be aesthetically pleasing. The strength of man depends solely on the absence of any femininity. Today’s men and women are evolving. The thought of women going without their razors and eyeshadow is not shocking. The desire for men to have a smooth and soft complexion is not absurd. The current man looks exactly how he wants to look.

He can be bearded with manicured nails and shaped brows. He can have long hair and soft sculpted features. It is not unheard of for him to have his own beauty and skin care routine. The evolution of beauty has made a huge difference for men in particular. This wave has sparked an influx of “male specific” products such as the Tom Ford collection for men, but what many fail to realize is that there is really nothing male specific about it. It doesn’t have to be. You can have a penis and still use a tarte long wear concealer. You can use that purple urban decay primer and still remain a man. We are reaching an age where we do not need this separation of sex in our products. Many of these products do the exact same thing for both sexes and all genders. One of the best brands for both men and women to try is Bliss. Bliss is not the typical beauty brand. They focus on overall health, beauty, and wellness; none of which is exclusive to either sex. Bliss is the brand we used to demo a simple beauty look on our editor-in-chief. This look features the BLISS instant ‘tint’stant tinted skin perfecter for a healthy and natural addition of color, the well lit serum illuminating fluid to give a healthy glow to the skin, and the Bang! Pow! Tinted lip balm to soften the lips and give them a touch of color.

To accomplish this look, our model used his fingers to gently apply the tinted skin reflector to his entire face. Once he reached the desired coverage, he applied the lip balm lightly and evenly to his lips. He then applied the serum illuminating fluid to his cheekbones, directly under his eyes, at the base of his chin, and to the bridge of his nose. For the finishing touch he went over his lashes and eyebrows with clear brow gel. The end result was a perfect natural look that gave him a clean, healthy glow. By: Kourtney Boston

PAPERCLIP MAGAZINE | 10

_ me out

To me hair is very important; it’s an extension of who you are. Everyone’s hair shows something about them. Mine shows my African American culture. The afro has become more than a hairstyle. It’s a kind of movement that allows men and women to embrace their natural beauty. Even though at times it can be a hassle to maintain, so far I’ve had a positive and empowering experience from going on my natural hair journey. When going natural or keeping up with natural hair, it is important to realize a few things. First, not everyone’s hair is the same there are many different types of textures. Next, make sure it’s fully moisturized without this the hair becomes fragile, and it could lead to breakage. Lastly utilize protective hairstyles like twistouts, braid-outs, up-do’s, etc. to avoid any kind of damage from the outside weather. In order to achieve these styles, every natural needs their own staple hair products that work well for their specific hair type because different products don’t give the same results to one that they will do for another. By choosing to wear my hair this way, I have received nothing but support from the people around me and my fellow naturals to continue on this natural hair journey. It has taught me not only how to take care of my hair but how to take care of myself as far as eating healthy foods, drinking water and exercising. It has also taught me how to be patient whether it’s waiting for my hair to grow (which doesn’t happen overnight) or waiting on other things that happen throughout life. So don’t be afraid of your natural beauty. If you got it, flaunt it!

By: Keionna McKoy

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www.scotch-soda.com

WHAT ARE THOSE?! Men’s shoes are just as important as women’s shoes, and a lot of the time they are forgotten. Just like women’s shoes they have many styles, functions and uses. So I decided to interview the Editor-in-Chief (Brandon Studebaker) and the Creative Fashion Director (Krizz Alan) of Paperclip Magazine, to find out what shoes they were wearing. Both very fashionable but have completely different takes on footwear.

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• “What is the brand/style of the pair of shoes and where did you ﬁnd it?”, • “What do you love about the shoes?”, • “Why did you choose these shoes over another option at the time of purchase?”

Editor-in-chief, Brandon Studebaker

Creative Fashion Director, Krizz Alan

Classic Round-tip Boot with Side Zip, Magnanni. 1. I found this leather boot at Neiman Marcus and is hand-made by Magnanni. This brand’s origin is in Spain and is family owned. 2. The color is what really caught my attention when I first saw these. It’s a hand dyed process that’s one-of-akind to the brand. 3. At the time I purchased these, boots were becoming an ever increasing popular trend in the industry. It was around a time I was re-inventing my style to something more refined and stylish that reflected my age.

White Sole Platform Shoes, ZARA Basic Collection 1. This particular shoe was bought at ZARA, and it was as well an unexpected shop. But I fell in love with them the minute I spotted them hiding under a table. 2. The shoes drew my attention with its white sole platform and the nude leather top. 3. The contrast between the two is neutral perfection. What is funny is that I had seen other shoes before these but I let go of the other ones immediately because of all those factors. Plus, you know you have to get what you love the best. There were no second thoughts about them so they were a must.

Wing-tip Chelsea Boot Antonio Maurizi. 1. I found this leather boot on Gilt. It’s a shopping app that carries anything from middle tier brands to highend luxury designer brands. It should really be spelled “Guilt” because I buy a ton of clothes from them and honestly feel a little guilty about it. 2. I was looking for a Chelsea when I stumbled upon these. Gilt was having an amazing sale on boots, and I was afraid to miss out on a good deal; I deduced the selection and ultimately chose these. 3. These particular ones came in two colors. A light brown, always a favorite shade of mine, and this dark brown. I chose a dark brown, because it looked dressier and more versatile for my outfits at work. Monk-strap Ankle Boot, Magnanni. 1. I found this leather boot at Neiman Marcus. 2. It was an unexpected find, and I wasn’t planning on buying a monk strap. Magnanni does wonderful things with its dying process, and this boot was just as beautiful as anything they produce. 3. Monk-straps normally come in a loafer form, but I was drawn to this one because it was an ankle boot. The stream-lined slim profile looks very high quality and of European fashion roots. I found it stunning.

White/Black Platform Shoes, ALDO/ZARA Trafaluc 1. Funny to say that these two pair of shoes were also bought at ALDO and ZARA. 2. I didn’t even notice how similar they are, but what I love about these 2 pair of shoes is that they are monochromatic, so they basically can be paired with anything. 3. The shoes were purchased probably like 2 years apart from each other and I am not giving them up anytime soon. “Crisp” Tassel Loafer, ALDO 1. The shoes I was wearing were bought at ALDO. I walked in the store just to wander around but that of course didn’t happen. 2. What I loved most about the shoes was the color and its glossy, shimmering finish. 3. They were so captivating to me that I quickly thought of many different ways they can be worn and how much of a statement they would be. By: Keionna McKoy

PAPERCLIP MAGAZINE | 14

Don’t take for granted

rowing up, I remember hearing the phrase, “Put a Pucci in your Gucci.” Not having a Pucci or a Gucci, I paid no attention to the rhyming idiom. Years later, after my fashionista of a grandmother, Nan, passed away I would truly understand what it meant. Several months after Nan’s passing, the family gathered in her labyrinth of a closet to reminisce and make decisions about her wardrobe. My aunts, cousins and I were in awe of the goodies we discovered. Hidden among her day-to-day wear were true treasures. We discovered Chanel suits, Ferragamo shoes, and evening gowns from Neiman Marcus. As each piece was pulled from the closet, we regaled each other with screams of “oohs” and “ahhs.” As the day progressed, my cousins and I tried on outfit after outfit, hats, purses, jewelry... Thank goodness Nan had excellent taste and never threw anything away! At the end of the day, my cousins had evening gowns; one had a real Pucci, and I was the grand owner of a travel set of vintage Gucci. A few were in disrepair, and I had them sent to Gucci in Italy for free (yes, free!) repairs. They are my pride and joy, and I carry them whenever I travel. Each time I pack my bag for a new adventure, I think of its old adventures and what it experienced with its previous owner. I love to tell the story of how I came to own them, how I got them fixed, and how my Nan loved them. By: Elizabeth Hinton

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When did you know that being a graphic designer was your future? As a kid I was highly influenced by my dad’s artistic talent, but I didn’t know that graphic design was a career opportunity. I originally applied to The Art Institute of Austin for photography, but upon acceptance I was introduced to graphic design. I was taken away by the thought that my artistic talent could become more than just a hobby. How would you describe your design style? Within the last year I have learned to differentiate myself from other designers by developing my own quirky and abstract style. My father created abstract pieces while my great-grandmother had a more realistic approach, so I have been able to embody both influences in my designs. If you were given the chance to have a collaboration with your favorite artist, who would it be? Do they have to be alive? Most of my favorite artists are already dead, such as Picasso or Basquiat. We would have done something huge, like a banner the size of a building. What are some activities or places to go for inspiration? To relax and clear my head I like to go to Barton Springs and hang out in the sun,

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swim, maybe hula hoop a little bit. Recently, though, I visited Chicago and gained so much inspiration from The Art Institute museum there. It was really powerful to see famous art in person, to see how big or small it actually is, and what medium the artist used. My every day destination for inspiration is the internet, of course, which never lets me down. Does your artistic style inﬂuence your everyday personal style? I have definitely seen my personal style develop more as I began to find my artistic style. In high school I wasn’t really as into art as I am now, but still wanted to feel like I was unique, which led to a sort of “hippie” style with lots of accessories that definitely stood out in my small hometown. Now that I’ve really found myself and my artistic style my wardrobe has become a lot simpler. I wear simple silhouettes and colors, and try to stray away from the bold accessories and patterns. What are some challenges for aspiring graphic artist? The biggest struggle right now for me being a student is trying to get paid for my work and getting recognized. Doing freelance work isn’t as easy as it looks, and it’s all on you to create something that the client will like and be willing to pay you for. A lot of people also don’t realize that good design takes time and

tight deadlines are stressful, especially when I’m also trying to keep up with school. Do you have any words of inspiration for young, developing artists? The most important advice I can give an artist or designer is to not be intimidated. Developing your own style and mastering a skill takes a lot of time and effort and it definitely won’t happen overnight. Find what you love and keep doing it and practicing. Take inspiration from the world around you. Try to draw something every day, even if you don’t end up liking it. What has been your greatest downfall and your greatest success? There is always going to be this feeling of not being good enough. An artist is always their own worst critic. That is why confidence in your end result is important. A year ago, a peer from high school wanted to showcase a few of my pieces at a student exhibition in Norman, Oklahoma. It felt really good to have someone recognize me as an artist and help me try to get into the fine art world. Where do you see yourself in 5 years? I definitely know I’m still going to still be designing and making art. I see myself having a job with a design firm and maybe having some pieces on display in a small Austin gallery. I see myself continuing to learn and improve. No matter what I know that art will always be a huge part of my life. By: Michaela Landry

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A peak into this seasonâ&#x20AC;&#x2122;s coolest looks, matching metallic knits with pops of color. By Elizabeth Hinton & Marion Hayes Photographed by Sarah Hinton

Styled By: Krizz Alan & Ana Padron Hair & Makeup: Julia Marie Model: Katherine Molidor

JW ANDERSON DIOR

GUCCI

JW ANDERSON

LOEWE

FYODOR GOLAN

Happy Fashion New Year! It’s all about the statement pieces this season. Designers make offbeat statements with powerful prints and bold colors.

JEREMY SCOTT

SAUNDERS

MOSCHINO

MOSCHINO FYODORGOLAN

AU JOUR

UNORTHODOX MUSE

GETTING TO KNOW

PEGGY BLUM

Getting to know Peggy Blum is like getting to know a fashion industry superstar. Sure, her name may not be Anna Wintour, but her passion, credentials, and experience go just as deep. To many, she is inspiring, witty, intelligent, and, most importantly, a leader.

When have you been the most satisﬁed in life? “Well, I have to say, for me… the first time I was on an airplane to Paris and my company was paying for it. I was sitting there, thinking, “Holy Shit!” [giggles] I was looking around saying, “I know somebody’s gonna come on this plane and tell me, ‘Uh, you did not pay for your airline ticket’…” That was probably the most satisfying time in my life--when I finally felt “Wow!”— somebody’s actually recognizing my talent and paying for me to go abroad. I had been on holidays and things like that, but to have someone recognize your talent and pay for it was extremely, extremely satisfying! That trip was my first trend-forecasting consultancy trip to Europe and it was when I was working for a company called Nigel French International which is based in London; now known as WGSN.” Who is your role model and why? “I have a combination because I don’t really believe in one role model. I do have a variety of people I have really looked to during my life, especially when I was younger. I always have worked for women who are strong and talented. My first boss, Pat Tunsky, was, and is still, a talented trend forecaster for Doneger Group and she is one of my mentors in fact. I started with her when I was a receptionist and assistant in her studio. She believed in me so much that she used to give me her old clothing so that I could look more presentable at the front desk—which was like, amazing, you know—To have somebody just believe in you when you’re completely poor, going to FIT, and not knowing anything. And so, I was terrible at answering phones, but really great 31 | PAPERCLIP MAGAZINE

with clients. One day she said, “We’d like to train you to work more with clients.” That was really great. In fact, I called her recently and she said, “You’re like the third person who called me from that time period, am I dying!” I was like, “No, no, I’m not dying. I was just calling and … blah..blah..blah.” Then I also had this crazy lady that I worked with in London, named Sue Evans, head of Catwalks for WGSN. She now works for Stylist and lives in the south of France with cats and her husband; is retired--completely opposite of me at that time. I was wearing only black at that time and she would wear every color imaginable, every print imaginable, and have this British sense of humor that would make me fall-off. I flew to Tokyo with her and she was the person that taught me how to behave internationally. Last February I went to London and she flew in from France. We had a nice meal, a reunion of trendforecasters, and just had a great time! So those two women have had an incredible influence in my career.” Have you ever held a job in retail and what was your experience? “My first job in retail was at a store called Merry-GoRound. I was on commission; I was terrible! It was in a mall in New Jersey. It was during high-school. I was told to, “Never, ever, let anyone out of the dressingroom,” by the manager. “Do not let anyone out of the dressing-room unless you have them try on at least five pieces of clothing.” [giggles] I had to make them try-on. A girl came in to try on some jeans and I had to bring in four tops, whether or not she wanted them or not. I mean, it was constantly up-sale, up-sale, up-sale.

I got fired for not making any money. One week I just refused [giggles] to bring in any garment. I thought his philosophy was dumb; I told him it was dumb and then I walked out. I had my Dad collect my check. Then I moved on to Abraham and Strauss. It was a big retailer at the time, comparable to Macy’s. I think Macy’s bought them or something, I don’t know. I worked there for a little while during Christmas, I think it was. I opened a store for Anthropology. It was really early on before Anthro went big. I was doing visuals and I macramé-ed for like half a day. I helped them with a variety of things like sewing in the back. I did a so many odd-jobs and I liked it. That came to an end because I didn’t want to help in sales. That was pretty much retail for me. I was a chambermaid, a bank teller…uh…and all unsuccessful.” Tell me more about a project or accomplishment that you consider to be the most signiﬁcant in your career. “So, um, I left New York with my husband and we went to Tel Aviv Israel because he was studying medicine at Tel Aviv University. I went to a country where I thought it was going to be similar to Europe and I’ve been to Europe and I thought, “I can do this.” Well, I walked in and it was the Middle East. [sigh] I didn’t know the language, the people, and the culture. I didn’t know what I was going to do because he was constantly studying…on campus with Americans and Canadians; I was in an apartment, on my own. So I looked up the fashion college that was there and I took the bus over. When I walked in, I met this woman that was the director, she took one look at my portfolio and she hired me on the spot. I always felt that was a great accomplishment: going to a foreign country, not know the language, not knowing anyone and just taking a risk and getting on the bus and saying, ‘Hey! Here I am. Could you use me?’ I worked at Shanhar college of Engineering and Design for four years while I was in Tel Aviv and while he [her husband] was studying. That was a really great experience because that was sort of the seed that got me excited about teaching. It was during the mid-90’s. That was probably my biggest accomplishment in terms of how difficult it was to move and to figure out what I wanted to do because, you know, I gave up a really great career in New York. I did not know the language because Hebrew is like Chinese and I still don’t know it. I found something to do while I was supporting my husband at the time. That was a really big accomplishment.”

What’s your favorite book and why? I just finished reading Keith Richards, Life. Do you know who Keith Richards is? [I nod] Rolling Stones… guitarist. I LOVE HIM! Why do I love Keith Richards? Let me count the ways. I think that one of the things I really like about him is his creativity and I like the direct approach. It’s about his life, but also the creative process and what made him write/create some of the best music in the world. He’s really direct and honestly, I read the New York times review before I bought the book and the thing liked about he New York times review is that they said it was the most open and honest biography. After I read that one, I wanted to read other biographies. I read Queen Elizabeth’s biography which was about 1500 pages. [giggles] What advice do you have for young professionals getting their feet wet in the fashion industry? “First of all, I would go where the opportunity is. If you want to be in the industry, you have to go where the industry is; like fashion capitals. Get your feet wet in the fashion capitals. That’s your education. When I started FIT, they said to us, “We don’t have much of a campus, but New York City is YOUR campus.” So that makes sense to me. You have to roll up your sleeves and get involved in the industry. Whether that industry be the store you’re working at or wherever your industry takes you. Get the experience you need to gain the knowledge and to be successful. For me it was living in New York City and going to school in New Yok City, but not everybody can do that. And so, I would just say, go where the opportunity is; wherever that may be.” By: Brandon Studebaker

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SPRING/SUMMER 2017

digital

Distortion REFLECTIVE DIMENSION CONSEQUENTIAL DISPARITY SLEEK GLITCH ILLUSIONAL CONFINEMENT

THE FASHION FORECAST

REFLECTIVE DIMENSION Mirror finishes shine through S/S 2017 with three dimensional, and airbrushed liquid ombrĂŠ effects that are manipulated to deliver bicolor fades and precision. Responsive interchanging color surfaces are inspired by the digital age and are enhanced by high-shine. Reflective surfaces on apparel and accessories are a must, so double up!

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Consequential Disparity Disruptive effects on color, that deliberately blurs the lines of where one shade begins and the other ends. Consequential Disparity, tricks the eye with its close proximity in tone, these pairings distort perception of pattern and shape, creating a subtraction and contrast of color values on any setting. You might feel delirious at first glance, but thatâ&#x20AC;&#x2122;s when you know you have spotted the trend. Right on!

PAPERCLIP MAGAZINE | 36

SLEEK GLITCH No longer contained to the 2-dimensional realm of World Wide Web, the Internet takes on a tangible form in the physical world with digital-look design. Product is experimental and riotous, with digital 3-dimensional patterning, layered multimedia and lenticular effects that make distortions and alter perceptions. These lead to new interactive products that glitch and shift. So forget your 3D glasses; itâ&#x20AC;&#x2122;s getting real!

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illusional confinement High-definition striping and articulated bands replicate the impact of light and movement, contouring the body in fluid pairings of multiple stripes. Uniform and deliberate lines map the body for an illusional silhouette that enhances shape, or as an alternative, lines warp and undulate for a distorted perception of form. Donâ&#x20AC;&#x2122;t think itâ&#x20AC;&#x2122;s delusional; get it together!

By: Krizz Alan

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gimme 39 | PAPERCLIP MAGAZINE

In honor of “Godney”, our Queen of Pop and of the world, celebrating her album 9 release and her 34 years of slaying this planet with her existence; the PAPERCLIP editorial team danced the night away in style. The DJ played major throwbacks, and Britney’s greatest hits, giving life to the entire dance floor. Guests consisted of possibly 99% of Britney’s Army and 1% of undercover stans (let’s be real) who all sipped on custom drinks such as: “Britinis”, “Godney Water”, and “Toxic”. So basically the night was lit. Thank you for existing, Queen Britney. May you forever rule our world!

B*TCH

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ALDOSHOES.COM

PAPERCLIP M