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CONTENTS ZACH THEATRE: 2,10-12, 14-15 BALLET AUSTIN: 4, 16-17, 20-22 THE AUSTIN SYMPHONY: 2, 10, 11, 12, 14, 15 THE LONG CENTER: 6, 58-60, 62, 64 ONE WORLD THEATRE: 78 & 80 TONIGHT’S PROGRAM NOTES: 25-56

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FOR MORE THAN 60 YEARS, BALLET AUSTIN HAS BUILT AN INTERNATIONAL REPUTATION FOR ARTISTIC EXCELLENCE AND INNOVATION. Now, the Ballet Austin Foundation is undertaking a permanent fundraising effort to raise endowment and legacy gifts that will set in motion a bold vision for Ballet Austin’s future. Gifts made today will create a permanent impact beyond our lifetimes, ensuring that future generations will benefit from a legacy that you can create. Ballet Austin is here to INNOVATE, here to TEACH, and here to SERVE… We are Here for GOOD.

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48686 PAPI BALLET 1 9_10_2019

CHOREOGRAPHY: Stephen Mills MUSIC: Carl Orff, CARMINA BURANA (Cantiones profanae) SCENIC DESIGN: Michael Korsch COSTUME DESIGN: Miho Morinoue LIGHTING DESIGN: Tony Tucci FEATURING: GRAMMYÂ® Award-Winning CONSPIRARE Symphonic Choir* & Conspirare Youth Choirs LIVE ACCOMPANIMENT: Austin Symphony Orchestra Music used by arrangement with European American Music Distributors Company, sole U.S. and Canadian agent for Schott Music GmbH & Co. KG, Mainz, Germany, publisher and copyright owner. *Live accompaniment by Conspirare is funded in part by the Texas Commission on the Arts.

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The project is funded in part by a grant from the National Endowment for the Arts, which believes that a great nation deserves great art. This project is also funded and supported in part by a grant from the Texas Commission on the Arts and in part by the Cultural Arts Division of the City of Austin Economic Development Department.

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Stephen Mills, Sarah & Ernest Butler Family Fund Artistic Director Known for his innovative and collaborative choreographic projects, Stephen Mills has works in the repertoires of companies across the United States and around the world. From his inaugural season as artistic director in 2000, Mills attracted attention from around the United States with his worldpremiere production of Hamlet, hailed by Dance Magazine as “...sleek and sophisticated.” The Washington Post recognized Ballet Austin as “one of the nation’s best-kept ballet secrets” in 2004 after Ballet Austin performed Mills’ world premiere of The Taming of the Shrew, commissioned by and performed at the John F. Kennedy Center for the Performing Arts in Washington, D.C. The Company was first invited to perform at the Kennedy Center in January of 2002 with Mills' production of A Midsummer Night’s Dream and at The Joyce Theater (NYC) in 2004. In 2005 after two years of extensive research, Mills led a community-wide human rights collaboration that culminated in the world premiere work Light / The Holocaust & Humanity Project. In 2006 Light / The Holocaust & Humanity Project was awarded the Audrey & Raymond Maislin Humanitarian Award by the AntiDefamation League. In September of 2013, the work made its international debut with a tour in three cities across Israel. In October 2016, Mills led his company of dancers through another "first," a 16-city tour of the People's Republic of China, which included performances in China's largest city, Shanghai, an international economic and cultural center. In 1998, Mills was the choreographer chosen to represent the United States through his work, Ashes, at les Rencontres chorégraphiques internationales de Seine-Saint-Denis in Paris. Mills was awarded the Steinberg Award, the top honor at le Festival des Arts de Saint-Sauveur International Choreographic Competition for One / the body’s grace. Mills has created more than 40 works for companies in the United States and abroad. His ballets are in the repertoires of such companies as Hong Kong Ballet, Ballet Augsburg, American Ballet Theatre Studio Company, Atlanta Ballet, Milwaukee Ballet, Washington Ballet, Cuballet in Havana, Cuba, BalletMet Columbus, Dayton Ballet, Sarasota Ballet, Ballet Pacifica, Dallas Black Dance Theater, Louisville Ballet, Nashville Ballet, Colorado Ballet, Texas Ballet Theater, The Sacramento Ballet and Dance Kaleidoscope. He has worked in collaboration with such luminaries as the eight-time Grammy Award-winning band, Asleep at the Wheel, Shawn Colvin and internationally renowned flamenco artist José Greco II. As a dancer, Mills performed with a wide variety of companies such as the world-renowned Harkness Ballet and The American Dance Machine under the direction of Lee Theodore. He also performed with the Cincinnati Ballet and The Indianapolis Ballet Theatre before becoming a part of Ballet Austin. Mills has danced principal roles in the Balanchine repertoire, as well as works by Choo-San Goh, John Butler, Ohad Naharin, Vicente Nebrada, Domy Reiter-Soffer and Mark Dendy. In addition to his work as a choreographer, Mills is a master teacher committed to developing dancers. He has been invited as guest faculty at many pre-professional academies including Jacob’s Pillow, Goucher College, Booker T. Washington High School for the Performing Arts in Dallas, The Virginia School of the Arts, The New Orleans Center for the Creative Arts, Stephens College and Point Park University in Pittsburgh. Mills is a member of the national dance service organization Dance/USA and has served both in leadership roles and on the board of trustees for the organization. In 2013, Mills was a participant in the Chief Executive Program of National Arts Strategies.

BALLET AUSTIN | BALLETAUSTIN.ORG

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Cookie G. Ruiz, C.F.R.E., Executive Director Cookie Gregory Ruiz has more than 30 years of experience in the areas of strategic planning, organizational development and non-profit fund-raising/ management. Since 2002 she has held the professional designation of Certified Fund Raising Executive (C.F.R.E.) by the Association of Fundraising Professionals.Her community honors include Austin Business Journal’s “Profiles in Power” Award, Leadership Austin’s Polly Scallorn Community Trustee Award, Austin Community Foundation’s Beverly S. Sheffield Award for Excellence as a Nonprofit Executive, The American Red Cross “Clara Barton Medal of Honor,” Volunteer of the Year for the Austin Independent School District, the Lone Star Girl Scout Council “Women of Distinction” Award, The Junior League of Austin’s Volunteer Extraordinaire Award and is a 2016 Austin Arts Hall of Fame inductee. Ruiz served as the city-wide Chair of CreateAustin, a City Council appointee to ImagineAustin’s Citizen’s Advisory Task Force, and is a graduate of the Austin’s City Works Academy. As a graduate of Leadership Austin she served four years on its Board of Directors. Ruiz is a currently President of the Board of Texans for the Arts, a member of the national Board of Directors of the Performing Arts Alliance, the Board of Directors of Housing Works Austin, the President of the Board of Directors of the Mayor’s Better Austin Foundation and is a Fellow of The National Arts Strategies International Chief Executive Program. Ruiz serves as a speaker, facilitator and presenter for a variety of leadership conferences, including the National Conference on Community Leadership, the National Performing Arts Conference, American for the Arts Annual Convention, National Conference of Dance/USA, The Governor’s Women’s Business Leadership Forum and the Texas Commission on the Arts. In 1996 Ruiz joined the staff of Ballet Austin as Development Director, became General Manager in 1997 and Executive Director in 1999.

Michelle Martin, Associate Artistic Director Michelle Martin had her early dance training at the Alberta Ballet School and danced professionally with the Alberta Ballet Company, Indianapolis Ballet Theatre, Hartford Ballet and Ballet Austin. During her tenure with these companies she performed soloist and principal roles in a range of classical, contemporary and modern works. Martin’s teaching credits include guest teaching engagements in Canada and across the nation, as well as five years on the faculty of Jordan College at Butler University in Indianapolis. Martin began her tenure with Ballet Austin in 1991 as a dancer with the Company and in 1992 she was appointed ballet mistress and curriculum director of the Academy. In 1999 she founded Ballet Austin II, Ballet Austin’s apprentice program, followed by the Trainee Program (now the Butler Fellowship Program) in 2000. In addition to her work in the rehearsal studio, Martin supervises the curriculum and faculty of Ballet Austin Academy, designs arts education and audience engagement programs and writes grants. She has served on the Texas Commission on the Arts peer panels for Arts Education, and Music and Dance and has been a juror for the American Ballet Competition for the past nine years. Martin was the 2001 recipient of the Austin-Under-40 award for contributions in the area of Arts and Entertainment.

BALLET AUSTIN | BALLETAUSTIN.ORG

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Christopher Swaim, Rehearsal Director Christopher Swaim is originally from Bryant, Arkansas, where he began his training with Kirt and Linda Hathaway at the Academy of Ballet Arkansas. He then went on to graduate with distinction from the University of Oklahoma with a B.F.A. in Ballet Pedagogy. Swaim has danced a variety of soloist and principal roles across classical, contemporary, and modern repertory including works by Stephen Mills, George Balanchine, Twyla Tharp, Justin Peck, Annabelle Lopez Ochoa, Nicolo Fonte, Amy Seiwert, Ben Stevenson, Miguel Terekhov, Pam Tanowitz, Sidra Bell, and Septime Webre. While at Ballet Austin he had the pleasure of touring the globe, performing at the Kennedy Center in our nation’s capital with The Suzanne Farrell Ballet and again with Ballet Across America III, and guesting with Ballet Arkansas and Amy Seiwert’s company, Imagery. In May of 2019, he retired from the stage after 15 years with Ballet Austin as Albrecht in Giselle. Christopher teaches in the Ballet Austin Academy and has guest taught across the country.

Bill Sheffield, Director of Production / Stage Manager Bill Sheffield’s long tenure with Ballet Austin extends back to the late 1980s when he served as the first director of production for the organization. Sheffield rejoined the company as production stage manager in 2002 and added the duties as director of production in 2006. An Austin native, Sheffield also produced the summer musicals at Zilker Park, including the recent hits: Seven Brides, Annie Get Your Gun, Into the Woods and the award-winners Crazy for You and Big River. Sheffield formerly worked with the Austin Musical Theater, where he was stage manager for many of their productions. He has worked with many Austin arts groups, serving as stage manager, lighting designer or master electrician. Some of these groups include Austin Opera, Bruce Wood Dance, Conspirare, Roy Lozano Ballet Folklorico, ZTP, Austin Shakespeare Festival, Slavin-Nadal Dance, ADE, ART, ZST and Tapestry.

Tony Tucci, Lighting Designer Residing in Austin, Tucci has been resident lighting designer for Ballet Austin’s repertory, for 30 years and also currently serves as resident lighting designer/ director for Ben Stevenson’s Texas Ballet Theater and Bruce Wood Dance. Tucci created the lighting designs for Bernstein’s Mass at the Long Center in June 2018. In September 2018, Tucci designed a new production of Cinderella, choreographed by Ben Stevenson for the National Ballet of China. Tucci and has created designs for national and international dance companies: Mejia International Ballet, Washington Ballet, Houston Dance Salad, Pittsburgh Ballet Theatre, Colorado Ballet, Cincinnati Ballet, Cirque Ziva, the Golden Dragon Acrobats, National Ballet of Canada, Royal Danish Ballet, Winnipeg and Swedish Ballets, Hong Kong Ballet, Singapore Dance Theatre, Ballet Contemporaneo de Caracas, Christopher Bruce's Kingdom- Geneva Ballet, Flemming Flindt's Caroline Mathilde and Lucifer's Daughter-Royal Danish Ballet. Tucci has designed for musical theater, including Austin productions of Damn Yankees, Carousel, West Side Story, Annie, Gypsy, Jesus Christ Superstar, Music Man, Oklahoma, A Chorus Line, Carousel and Sound of Music as well as Charles Duggan’s productions of Dames at Sea in San Francisco and at the Goodspeed Opera House. For 1996 Summer Olympics, Tucci designed for the Cultural Olympiad, showcasing national and international companies. He is the recipient of two Iden Payne Awards and Critics Table awards for lighting in Austin.

BALLET AUSTIN | BALLETAUSTIN.ORG

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Alexey Korygin, Wardrobe Master Alexey Korygin was born in Donetsk City, Ukraine. He earned a Master’s Degree in Fine Arts from the Kiev State Ballet School of the Ukraine, and following his graduation in 1984, he danced with Donetsk State Academic Opera and Ballet Theater as a soloist and toured extensively throughout the USSR, Europe and United States. In 1992 after auditioning in New York, Korygin joined and danced for four seasons with Ballet Austin. At the same time, he began designing and building costumes for the company. In 1996, Korygin finished his dancing career and assumed the position of Ballet Austin’s wardrobe master. His costumes can be seen in Stephen Mills’ My Wall of Names and Bolero, as well as Lambros Lambrou’s Remembrances, Lady of the Camellias, Evolution of An Angel: Part II, Homecoming and Ulysses. He is also credited for his costumes in Ballet Austin’s production of Fokine’s Les Sylphides, Balanchine’s Pas de Dix, the pas de deux from Le Corsaire, and the principal costumes for Ballet Austin’s Swan Lake production. In 1996, Ballet Austin unveiled a new production of The Nutcracker with costumes designed by Tommy Bourgeois; Korygin masterfully constructed 40 of the new costumes, while also building all of the costumes for Not Afraid of the Dark—The Show that Glows!® in 2001. Additionally, Korygin has served as resident costume designer and co-designer for Ballet Austin’s New American Talent / Dance competition and has designed and co-designed costumes for 32 full- length and one-act ballets, while supervising costume construction and wardrobe operations for more than 100 Ballet Austin productions.

Craig Hella Johnson, Artistic Director, Conspirare Craig Hella Johnson is the founding artistic director and conductor of Conspirare and music director of Cincinnati’s Vocal Arts Ensemble. Known for crafting thought-provoking musical journeys that create deep connections between performers and listeners, Johnson is in frequent demand as a guest conductor of choral and orchestral works. Johnson joined the faculty at Texas State as Artist in Residence in fall 2016. A composer and arranger, Johnson’s first concert-length composition Considering Matthew Shepard was premiered and recorded by Conspirare for a 2016 CD release. Johnson’s accomplishments have been recognized with numerous awards and honors. Notably among them, he and Conspirare won a 2014 Grammy® for Best Choral Performance and were recognized with a 2019 Texas Medal of Arts. Chorus America awarded Johnson the Michael Korn Founders Award for Development of the Professional Choral Art in 2015 and the Texas State Legislature named him Texas State Musician for 2013. Photo by Scott van Osdol.

BALLET AUSTIN | BALLETAUSTIN.ORG

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CONSPIRARE SYMPHONIC CHOIR - CRAIG HELLA JOHNSON, ARTISTIC DIRECTOR Rick Gabrillo, Associate Conductor and Chorus Master, Faith DeBow, Rehearsal Pianist **denotes section leader

Soprano Alison Acton Lisa Adeeko Erika Bacon Kellie Bledsoe Kristen Burritt Cina Crisara** Virginia Elizondo Susan Fernandez Calla Feucht Sandy Fivecoat Gwen Flory Margaret Henderson Melissa Huebsch-Stroud Millicent Garza Jardine Monica Johnson Allison Kashdan Michel Kennell Kari McDonald Susan Meitz Suzanne Mitchell Courtney Pierce Senaida San Miguel Megan Starkey

Kendall Walshak Jennifer Wang Michele Wokoek Erin Yousef

Linda Blair Ramsey Heather Rosen Deborah Rupp Youngju Seo Diana Stromme

Alto Louise Avant** Brooke Beasley Grace Cho Mary Anne Connolly Monica Cravotta Karen Fincher Cheryl Fuller Lou Ann Lasher Kathy Leighton Nancy Lesch Katie Lessley Kendra Lipman Mim Luetje Morgan Mingle Lindsay Nelson Courtney Neva Barbara Oâ&#x20AC;&#x2122;Brien Andrea Pobanz

Tenor Gabriel Fry Juan Pedro Giner Loel Graber Van Hoisington, Jr. William Hulsey Miles Jackson Bill Lasher James Lavender Jon-Michael Lees Jim Maxwell John Paulos Dennis Perez Randy Preston Trevor Shaw** Asher Streets Lester Tanquilut Dwight Tejano

Chris Tuggey Steve White Michael Zook

Bass Davis Blahuta Marshal Crenshaw David Hammond Robert Harlan** Bruce Haufler Gabriel Lotto Sean Nicolaysen Will Pearson Paul Pew John Proft** Gary Pyle Steve Reedy Miguel Roberts Duane Roth Michael Shuman** Sidharth Srinivasan Mark Tomasino Matt Zdun

CONSPIRARE YOUTH CHOIRS Nina Revering, Artistic Director and Conductor, Maimy Fong, Rehearsal Pianist Jacob Baird Zoe Baird Zoe Barsam-Cummings Hannah Bedell Sarah Collins Maura Connors Suria Desai Eliza Fleming Rebekah Freeland Graham Goodner

Aurelia Jachmann Eliza Kimbell Cadence Lee Nikhil Lyles Eleanora Mason Clara Mengoli Aurna Mukherjee Emily Mulva Jasmine Munroe Ramya Nambala

Nishka Nayampally Roslynne Norrod Solana Ortiz Divya Panicker Jewel Pierson Julia Quilici Tanvi Reddy Lydia Reedy Molly Snodgrass Eva Sommerville

Louis Spindler Rosemary Spindler Iliana Tangarova Aloysious Tasch Colin Tuohy Sarah Whorton Madeleine Wolfe

BALLET AUSTIN | BALLETAUSTIN.ORG

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Steven Brennfleck , Soloist Praised by the New York Times as a “stand out” performer, tenor Steven Brennfleck has been consistently acknowledged for his consummate artistry, vocal flexibility, and moving interpretations on the operatic and concert stage. His operatic credits include performances with the Alamo City Opera, American Opera Projects, the Caramoor Festival, Glimmerglass Opera, New York Lyric Opera Theatre, Portland Opera, Spoleto Festival USA, The Tanglewood Festival, Theatre Nohgaku and the Westminster Opera Theatre in roles including Don Ramiro (Cenerentola), Tamino (Die Zauberflöte), Laurie in Adamo’s Little Women, Gonsalve in Ravel’s L’Heure Espagnol, Henrik ( A Little Night Music), and Tobias Ragg (Sweeney Todd). Highly regarded on the concert stage, Brennfleck made his Carnegie Hall debut in 2012 in Handel’s Messiah and returned there in 2015 for a performance with the MET Chamber Ensemble of Charles Wuorinen’s It Happens Like This. A specialist in the performance of Baroque, French haute-contre repertoire as well as new music, his other recent collaborations include concert appearances with the Alabama Symphony Orchestra, American Bach Soloists, Austin Symphony Orchestra, Fall Island Vocal Arts Seminar, Georgetown Festival of the Arts, Handel Choir of Baltimore, LA International New Music Festival, June in Buffalo Festival, Round Rock Symphony, Temple Symphony Orchestra, and the Victoria Bach Festival.

Suzanne Ramo, Soloist Lauded by the San Francisco Chronicle for an ease with coloratura that one hears “blazing forth brightly” as well as her “lyrical phrasing sweetly rendered,” Suzanne Ramo’s performance career spans opera, oratorio, concert, and recital. Known to Austin audiences for her performances with Austin Opera, Austin Symphony, and Ballet Austin, other notable companies include San Francisco Opera, Philharmonia Baroque Orchestra, Orquesta Sinfónica Nacional de Panamá, Utah Opera, and Pennsylvania Ballet, among others. Declared “a highlight of any Austin Opera production she joins” by the Austin American-Statesman, she has twice earned a nomination from the Austin Critics’ Table Awards for “Best Singer.” Recent performances include Violetta in La Traviata with Amarillo Opera, in a production broadcast on PBS; Beethoven’s Symphony No. 9 with Amarillo Symphony; and Mahler’s Symphony No. 4 with Chamber Music Amarillo as well as the Laredo Philharmonic Orchestra. Ramo is currently assistant professor of voice at Texas State University in San Marcos, Texas. Photo by Shawn Blair.

David Small , Soloist David Small enjoys a vibrant career including performances of 65 roles in 54 different operas. Having performed Rossini‘s Figaro over 100 times, his repertoire includes Rigoletto, Germont, Scarpia, and many others. He has appeared with the St. Louis Symphony, Rochester Philharmonic, Cincinnati May Festival Orchestra, Austin Symphony in works such as Brahms‘ Requiem, Durufle Requiem, Elijah and recitals with pianists such as Anton Nel, Jean Anderson Collier, Claude Cymerman, and Joachim Reinhuber. In 2016 he performed Samuel Barber‘s Dover Beach with the Shanghai Quartet and Schubert‘s Winterreise for the Chamber Music Society of Detroit. Selected as a NATS Master Teacher in 2011 (one of four chosen nationally), he was an invited presenter for the 2008 NATS National Convention and has written articles for Classical Singer Magazine. He earned an Artist’s Diploma in Opera, a MM in Performance (University of Cincinnati College-Conservatory of Music studying with the great Metropolitan Opera basso Italo Tajo) and a BM degree from the DePauw University School of Music, studying with Thomas Fitzpatrick (student of Mack Harrell).

BALLET AUSTIN | BALLETAUSTIN.ORG

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Peter Bay, ASO Conductor Peter Bay became music director of the Austin Symphony Orchestra in 1998 and is also conductor of the Big Sky Festival Orchestra (Mont.) Maestro Bay has appeared with over 80 different orchestras including the National, Chicago, St. Louis, Houston, Dallas, Baltimore, New Jersey, San Antonio, Bochum (Germany), Carinthian (Austria), Lithuanian National, and Ecuador National Symphonies, the Minnesota and Algarve (Portugal) Orchestras, the Louisiana, Buffalo, and Boca del Rio (Mexico) Philharmonics, the St. Paul Chamber Orchestra, and the Eastman and Aspen Opera Theaters. Summer music festival appearances have included Aspen (Colo.) Music in the Mountains (Colo), Grant Park and Ravinia (Ill.) Peter is the primary conductor for Ballet Austin. He made his Austin Opera debut in 2002 with A Streetcar Named Desire, and subsequently conducted La Traviata in 2002, Turandot in 2003, and The Marriage of Figaro in 2005 and La boheme in 2019. A native of Washington, D.C., Bay is a graduate of the University of Maryland and the Peabody Institute of Music. In 1994, he was one of two conductors selected to participate in the Leonard Bernstein American Conductors Program and was also the first prize winner of the 1980 Baltimore Symphony Orchestra Young Conductors Competition. He conducted the Hanan Townshend score for the 2016 film The Vessel and led performances of Leonard Bernsteinâ&#x20AC;&#x2122;s Mass as part of the Bernstein100Austin celebrations. Peter was inducted into the Austin Arts Hall of Fame in May 2016.

THE AUSTIN SYMPHONY ORCHESTRA: MAESTRO PETER BAY Violin 1

Cello

Basson

Timpani

Jessica Mathaes Patrice Calixte Molly Emerman Paula Bird Ashley Cooper Megan Zapfe Eugene Gratovich

Douglas Harvey Anna Park Betsy Sanders Carolyn Hagler Frank Jenkins

William Lewis Daris Word Hale Daniel Chrisman

Tony Edwards

Violin 2 Richard Kilmer Shana Bey Joseph D. Smith Helen Cooper Caleb Polashek Georgeann DuBell Shockley

Bass Jonathan Rouse Christopher Flores Scott Davis

Flute Rebecca Garfield Rachel Lopez

French Horn Tom Hale Ed Tschoepe Kurt Moede

Trumpet Robert Cannon Kyle Koronka Timothy Shaffer

Trombone Oboe

Percussion Genaro Gonzalez Dick Berkley Blake Taylor Ian Fry Kari Klier Bobby Lopez

Viola

Julianne Webner Ian Davidson

Brenda Sansig Salas R. Ben Osborne Philip Arno

Martha Carapetyan Lana Harris Alexander Smith Emma Martin Shawn Somerville

Clarinet

Tuba

Stephen Girko Hilary Scop Nicholas Councilor

Brian Edwards

BALLET AUSTIN | BALLETAUSTIN.ORG

Keyboard Miguel Campinho Patti Wolf Faith DeBow

48686 PAPI BALLET 9 9_10_2019

CHOREOGRAPHY: Stephen Mills MUSIC: Carl Orff, CARMINA BURANA (Cantiones profanae) SCENIC DESIGN: Michael Korsch COSTUME DESIGN: Miho Morinoue LIGHTING DESIGN: Tony Tucci FEATURING: GRAMMY® Award-Winning CONSPIRARE Symphonic Choir* & Conspirare Youth Choirs LIVE ACCOMPANIMENT: Austin Symphony Orchestra Music used by arrangement with European American Music Distributors Company, sole U.S. and Canadian agent for Schott Music GmbH & Co. KG, Mainz, Germany, publisher and copyright owner. *Live accompaniment by Conspirare is funded in part by the Texas Commission on the Arts.

THE CAST Katherine Deuitch, Constance Doyle, Hailey Dupont, Courtney Holland, Grace Morton, Elise Pekarek, Chelsea Marie Renner, Leanna Rinaldi, Ashley Lynn Sherman, Brittany Strickland, Jaime Lynn Witts Max Azaro, Ian J. Bethany, Orlando Julius Canova, Edward Carr, James Fuller, Oliver GreeneCramer, Paul Martin, Kevin Murdock-Waters, Preston Andrew Patterson, Morgan Stillman, Maxim Vladimirovich

SONGS FROM BENEDIKTBEUERN In 1803, a manuscript of texts was discovered in an old monastery of Benediktbeuern in Upper Bavaria near Munich. The collection, preserved since the 13th century, included hundreds of poems and dozens of songs which had been notated over a period of one hundred years. In 1953, composer Carl Orff discovered the scores, chose two dozen of the most intriguing and organized them into three sections with a prologue and epilogue. Orff’s principal aim, evident in Carmina Burana, (translation = Songs from Benediktbeuern) has been a "total theatre" where music, words, and movement work together in producing an overwhelming effect. The verses of his Carmina Burana are earthy and unpretentious, some ribald, some erotic, some sardonic and some even tender. Stephen Mills’ choreographic work does not seek to tell a narrative story but rather to capture what he feels is the dominant element of this important piece of music: rhythm.

BALLET AUSTIN | BALLETAUSTIN.ORG

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ARTIST BIOGRAPHIES Max Azaro BAII: 2017–2018 | Joined Company: 2018 Max began dancing under Risa Kaplowitz at Princeton Dance and Theater Studio in Princeton, N.J. He completed his ballet education at American Ballet Theatre’s JKO School (NYC) with full scholarship, first under Franco De Vita and then Cynthia Harvey. During his time at JKO, he studied with Ethan Steifel, Fabrice Herrault, Karin Averty, Raymond Lukens, Richard and Melissa Bowman, and other master ballet teachers. In 2016 Max was awarded the prestigious Northern Trust Scholarship. Max joined Ballet Austin II in 2017 and was promoted to company dancer the following year. His pre-professional dance credits include the lead in Paquita by Marius Petipa, as well as the principal roles in La Source and Valse Fantaisie, both choreographed by George Balanchine. During his first year in the company, Max performed lead Russian in The Nutcracker, Peasant Pas de Deux in Giselle, and was featured in Annabelle Lopez Ochoa’s Symbiotic Twin, Requiem for a Rose, and Sombrerísimo.

Ian J. Bethany BAII: 2008–2009 | Joined Company: 2009 Ian is from Long Island, N.Y. He started dance as a tap and jazz student at Robert Mann Dance Centre, continuing at Tap to Pointe Dance Center, the Frank Ohman School of Ballet, the School of Ballet Chicago, Ballet Academy East, and Pacific Northwest Ballet School. Ian has been featured in Balanchine’s Agon and Allegro Brillante, Lar Lubovitch's Dvořák Serenade, Stephen Mills’ Grimm Tales, The Magic Flute, The Nutcracker, and Cinderella (Master of Ceremonies), in The Sleeping Beauty (Bluebird Pas de Deux), in Septime Webre's ALICE (in Wonderland) (White Rabbit), in Paul Vasterling's Peter Pan (Peter), and in works by Annabelle Lopez Ochoa, Nicolo Fonte, Gabrielle Lamb, and Bradley Shelver. He has performed with ZACH Theatre, Performa/Dance, Zilker Theatre Productions, the Austin Opera, and does numerous juggling gigs around Austin. Ian has choreographed and taught for the Ballet Austin Academy, the ZACH Theatre Pre-Professional Company, and for other schools across Texas.

Orlando Julius Canova Joined Company: 2005 Orlando began his ballet training with Lawrence and Sarma Rosenberg at the Anaheim Ballet School. At 16 he began training at the School of American Ballet (SAB) where he received a full tuition merit scholarship and was sponsored by Debbie Allen. Orlando furthered his ballet training with Miami City Ballet School. In 2001, he became an Arpino Apprentice with Joffrey Ballet of Chicago and in 2003 he joined as a full company member. At Joffrey, Orlando played the part of apprentice in Robert Altman's The Company. At Ballet Austin Orlando has danced lead roles in The Nutcracker, Cult of Color: Call to Color, Truth & Beauty: The Bach Project, Romeo & Juliet, Nine Sinatra Songs, silence within silence and The Magic Flute. He has worked with such choreographers as Stephen Mills, Twyla Tharp, KT Nelson, Dominic Walsh, Nicolo Fonte, Sonya Delwaide, Toni Bravo, Michelle Thompson, Reginald Harris, and Annabelle Lopez Ochoa. Orlando has also danced for Molly Lynch’s National Choreographers Initiative in 2012 and 2013. There he worked with Darrell Moultrie, Melissa Barak, Val Caniparoli, Frank Chavez, Kitty McNamee, and Susan McCullough. Orlando also teaches dance at Ballet Austin Academy, The Butler Center for Dance & Fitness, Saint Mary’s Hall, Austin City Ballet, and Alamo Heights High School.

BALLET AUSTIN | BALLETAUSTIN.ORG

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Edward Carr BA Trainee: 2006–2007 | BAII: 2007–2008 | Joined Company: 2008 Growing up in Pittsburgh, Penn., Carr received his first 12 years of ballet training at the Pittsburgh Ballet Theater School. After graduating high school he continued his training at Canada’s National Ballet School in Toronto. Since joining Ballet Austin he has been featured in Stephen Mills’ Light/The Holocaust and Humanity Project, premiered as The Beast in Mills' Belle REDUX / A Tale of Beauty & the Beast, and has been featured in works by George Balanchine, Twyla Tharp, Lar Lubovitch, Pam Tanowitz, Pontus Lidberg, Nicolo Fonte, and Jennifer Hart. Carr was featured in visual artist Rodney McMillian’s film Untitled (neighbors), part of McMillian’s first solo exhibition Against a Civic Death at The Contemporary Austin. He also serves as associate director to local contemporary dance company Performa/Dance, founded in 2014 by Carr and local choreographer Jennifer Hart, which continues to produce dance for the Austin scene and has been recognized with several Austin Critics Table Awards.

Katherine Deuitch BAII: 2016–2018 | Joined Company: 2018 Katherine is originally from St. Paul, Minnesota. She began her pre-professional training at Minnesota Dance Theatre under Lise Houlton and went on to apprentice with MDT’s professional company in 2013. In 2014, she was invited to attend the School of American Ballet. While at SAB, she worked with choreographers, Peter Walker and Dana Genshaft, and participated in the annual Workshop performances of George Balanchine’s Four Temperaments and Jerome Robbin’s Fanfare. She went on to spend two seasons as an apprentice with Ballet Austin, having the opportunity to dance in works by Stephen Mills, Jennifer Hart, Michelle Thompson, Thang Dao and Septime Webre. Since joining the company, she was featured in Annabelle Lopez Ochoa’s Requiem for a Rose as well as Symbiotic Twin. Katherine has also performed with Performa/Dance for two seasons in Jennifer Hart’s Fellow Travelers and Murmuration.

Constance Doyle BAII: 2015–2017 | Joined Company: 2017 Born in Frankfurt, Germany, and raised in Atlanta, Georgia, Constance trained until age 17 under Gigi Hyatt and Janusz Mazon. She was then invited to study year-round at the School of American Ballet, where she was thrilled to complete her final years of training. She performed George Balanchine's Serenade, Western Symphony and Valse Fantaisie during the school's Workshop performances featured in a 2015 PBS Live from Lincoln Center national broadcast. She was repeatedly invited to dance in the annual New York Choreographic Institute and to participate as both dancer and choreographer in SAB's Student Choreographic Workshop. At Ballet Austin she has particularly enjoyed dancing the principal couple in Stephen Mills’ Touch, George Balanchine's Allegro Brillante, and as the soloist in The Nutcracker’s Waltz of the Flowers. She was also honored to join the company in their month-long tour of China in 2016.

Hailey Dupont BAII: 2016–2017 | Joined Company: 2017 Hailey is from Lafayette, La., where she began her ballet training. She has attended the summer programs of American Ballet Theatre (NYC), Houston Ballet, Pacific Northwest Ballet, Boston Ballet, The School of American Ballet (SAB) and Ballet Austin. At 15, Hailey was awarded full scholarship to study year round at SAB where she then trained for three years. While at SAB Hailey danced in many ballets choreographed by George Balanchine and Jerome Robbins. Hailey joined Ballet Austin II in 2016 and was promoted to the main company in 2017. Since joining the company Hailey has performed in works by Justin Peck, Pam Tanowitz, Lar Lubovich and Stephen Mills. Hailey has also danced with Austin-based company Performa/Dance under the direction of Jennifer Hart. Hailey is a certified pilates instructor and teaches at the Butler Center for Dance and Fitness at Ballet Austin. She would like to thank her parents for their continued support.

BALLET AUSTIN | BALLETAUSTIN.ORG

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James Fuller Joined Company: 2010 James Fuller is from Irvine, Calif., and was trained at Ballet Pacifica Conservatory. In 2004, James received a Youth America Grand Prix scholarship to study at the Boston Ballet School where he completed his final year of training. James apprenticed with Oregon Ballet Theatre for a year before enrolling at Harvard University. At Harvard, James performed works by Paul Taylor, Martha Graham, George Balanchine, and Alvin Ailey. In the summers, James studied modern dance with the Paul Taylor Dance Company, American Dance Festival, and Beijing LDTX. James directed the Harvard Ballet Company in 2009 and graduated in 2010 with a Bachelor of the Arts in Philosophy, a secondary field in dramatic arts, and a language citation in Urdu-Hindi. Since joining Ballet Austin, James has danced Tamino in The Magic Flute, Ivan in The Firebird, Albrecht in Giselle, and the final duet in Stephen Mill's Four Mortal Men.

Oliver Greene-Cramer BAII: 2013–2014 | Joined Company: 2014 An Austinite by birth, Oliver was raised in southern Vermont and received his early training at the Brattleboro School of Dance and Burklyn Ballet Theatre. He graduated from the SUNY Purchase Conservatory of Dance where he danced works by George Balanchine, Merce Cunningham, Nicolo Fonte, John Heginbotham, and Gabrielle Lamb. After graduation Oliver joined the Lar Lubovitch Dance Company with whom he continued to perform until 2016. At Ballet Austin, Oliver has been featured in works by Stephen Mills, Lar Lubovitch, Pontus Lidberg, Pam Tanowitz, Annabelle Lopez Ochoa, Septime Webre, and Nelly van Bommel. Outside of Ballet Austin, he has performed in the Galas of such festivals as Jacob’s Pillow (2019 - Symbiotic Twin by Annabelle Lopez Ochoa) and Danza in Arte a Pietrasanta (2017 - We Circle the Night by Thang Dao). Oliver has also been featured in works by artists Rodney McMillian (2018 - Against a Civic Death) and Jack Ferver (2019 - Mon Ma Mes).

Courtney Holland Joined Company: 2016 Originally from Toronto, Canada, Courtney began her professional training at age 11 at Canada’s National Ballet School and graduated in 2010. She continued training at the Dance Theatre of Harlem. In 2012, she was a finalist at Valentina Kozlova International Ballet Competition. She received a scholarship to the Banff Centre’s Professional Dance Program and appeared as a guest artist in the Arts Summer Festival performing George Balanchine’s Concerto Barocco and Christopher Wheeldon’s Souvenirs. In 2013, Courtney joined Charlotte Ballet II where she performed works by George Balanchine, Dwight Rhoden, Sasha Janes, Mark Diamond and Jean-Pierre Bonnefoux, and was featured in The Nutcracker and Cinderella (The Autumn Fairy), directed by Kennedy Center Honoree Patricia McBride. At Ballet Austin, Courtney has danced works by Stephen Mills, Septime Webre, Pam Tanowitz and Annabelle Lopez Ochoa. She enjoyed performing Justin Peck’s In Creases, Annabelle Lopez Ochoa’s A deux and was featured in Paul Vasterling’s Peter Pan as ‘Tinker Belle.’

Paul Martin BAII: 2015–2017 | Joined Company: 2017 Paul began his ballet and dance training in West Des Moines, Iowa, under the tutelage of Hank and Beth Adams. With their guidance, Paul earned scholarships to notable summer intensive programs, including Kansas City Ballet School, Nutmeg Conservatory, San Francisco Ballet School and Ballet Austin. In 2014, Paul received a scholarship to Kansas City Ballet School where he advanced his training, culminating in a performance opportunity with Kansas City Ballet II. As a Ballet Austin II apprentice, Paul performed lead roles, such as The Judge in Nick Kepley’s Season of Innocence and The Prince in Nelly Van Bommel’s Snow White. Additionally, he’s performed in Jennifer Hart’s Spaces and Stephen Mills’ Touch and The Nutcracker.

BALLET AUSTIN | BALLETAUSTIN.ORG

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Grace Morton BAII: 2012–2013 | Joined Company: 2013 Grace is from Seattle, Wash., She received her early training at Dance Fremont under the direction of Vivian Little and Mary Reardon. In 2010 she continued her study under Damara Bennett in Oregon Ballet Theater's professional division. As a member of Ballet Austin II she enjoyed performing featured roles in Stephen Mills' Luminaria, Jennifer Hart's Wavemakers, and Nelly van Bommel's Snow White. After joining the company, Grace has danced lead roles in Mills' The Nutcracker (Snow Queen, French), One/the body's grace, and CARBON53. She has also appeared in works by George Balanchine, James Gregg, Jennifer Hart, Gabriel Lamb, Pontus Lidberg, Annabelle Lopez Ochoa, and Pam Tanowitz. Grace has danced for project-based company Performa/Dance and appeared in Zilker Theatre Production's presentation of Oklahoma! as Dream Laurie. She is also a teacher in the Ballet Austin Academy.

Kevin Murdock-Waters BAII: 2013–2015 | Joined Company: 2015 Originally from Roseville, Calif., Kevin began his dance training at The Hawkins School of Performing Arts. He then went on to train at the San Francisco Ballet School for six years before moving to Austin. At Ballet Austin Kevin has enjoyed dancing roles such as Mercutio in Stephen Mills' Romeo & Juliet, the Dodo Bird in Septime Webre's ALICE (in Wonderland), and being a part of new works like Exit Wounds and Grimm Tales by Stephen Mills. He has also performed in works by Lar Lubovitch, Pam Tanowitz, Pontus Lidberg, and Justin Peck. While in Austin Kevin has also danced in productions with Performa/Dance.

Preston Andrew Patterson BAII: 2008–2010 | Joined Company: 2010 Preston Andrew Patterson was born in Atlanta, Ga., and began his dance studies at the Ballethnic Academy of Dance. At 17 he attended the School of American Ballet and later the National Ballet School of Canada. As a member of Ballet Austin Preston Patterson has had the privilege of performing in Stephen Mills’ Wolftanzt, Light/ The Holocaust & Humanity Project, BELLE REDUX/A Tale of Beauty & The Beast, George Balanchine’s Allegro Brillante, the Peasant Pas de Deux from Giselle, and the Blue Bird pas de deux in Petipa’s The Sleeping Beauty.

Elise Pekarek BA Trainee: 2007–2009 | BAII: 2009–2011 | Joined Company: 2011 Elise is originally from the Chicago area and began her early ballet training with the Judith Svalander School of Ballet under the direction of Judith Svalander and Greg Begley. Since joining Ballet Austin’s main company, Elise has been honored to have been featured in several works by Stephen Mills, Annabelle Lopez Ochoa, George Balanchine, Lar Lubovitch, Pam Tanowitz, and Septime Webre. She has participated as a dancer in the National Choreographer's Initiative in 2017, 2018, and 2019. Elise has also performed in Austin based projects such as Michelle Thompson's Illusory Impressions as well as with Performa/Dance, directed by Jennifer Hart and Edward Carr. In 2017, she performed Thang Dao's award-winning duet, We Circle The Night, for the Danza in Arte a Pietrasanta festival in Pietrasanta, Italy. Elise also teaches classes for Ballet Austin's Pilates Center.

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Chelsea Marie Renner BA Trainee: 2005–2007 | BAII: 2007–2008 | Joined Company: 2008 Originally from Bozeman, Mont., Chelsea received her early training from Ann Bates of Montana Ballet and Campbell Midgley of Queen City Ballet. Since joining Ballet Austin's main company, Chelsea has enjoyed performing principal roles in Stephen Mills' The Nutcracker as the Sugar Plum Fairy and Paul Vasterling’s Peter Pan as Wendy. She has also enjoyed performing in Mills’ Light/The Holocaust & Humanity Project, Kai, Hamlet, and as Rosalyn in Romeo & Juliet, along with George Balanchine's Agon, Nicolo Fonte's Lasting Imprint, and works by Nelly van Bommel, Gregory Dolbashian, Gabrielle Lamb, Jimmy Orrante, and Pam Tanowitz. Chelsea has toured with the company domestically as well as internationally. Chelsea was the first recipient of the Sarah and Ernest Butler Scholarship. Chelsea also loves spending her time with her son, Landon, her husband, Aaron, and running her skincare business with Rodan & Fields. Chelsea would like to thank her husband, parents, and grandparents for their endless love and support.

Leanna Rinaldi Joined Company: 2019 Leanna Rinaldi began taking dance classes at age 3. She trained at Franklin School of Performing Arts until her family relocated to Frisco, Texas. She continued her training at Chamberlain Performing Arts under the direction of Kathy Chamberlain. She attended summer intensives at the School of American Ballet and Miami City Ballet School. She received a scholarship for the year-round program at Miami City Ballet School in 2011. She was hired in 2013 and spent 6 seasons with MCB. She’s danced a diverse repertoire of works including George Balanchine’s La Source, Emeralds, Rubies, Diamonds, Serenade, Swan Lake, Raymonda Variations, and Who Cares? among others. She was also featured in Jerome Robbins’ West Side Story, danced Justin Peck’s Year of the Rabbit and Heatscape; Nacho Duato’s Jardi Tancat; Alexei Ratmansky’s Concerto DSCH, Fairy’s Kiss, and Symphonic Dances; Paul Taylor’s Company B and Mercuric Tidings; and Twyla Tharp’s Sweet Fields.

Ashley Lynn Sherman Joined Company: 2002 Originally from the Chicago area, Ashley received her training from Sherry Moray. She then danced with Alabama Ballet under the direction of Wes Chapman and Roger Van Fleteren. Since joining Ballet Austin, Ashley has especially enjoyed dancing the roles of Giselle, Odette/Odile, Juliet, and Ophelia in Mills’ Hamlet. Ashley originated the roles of Pamina in Mills’ The Magic Flute, and, most recently, Snow White in Mills’ Grimm Tales. She has also danced the principal pas de deux in Balanchine’s Agon, Lar Lubovitch’s Dvořák Serenade, and Pontus Lidberg’s Stream. Ashley has toured internationally with Ballet Austin and made guest appearances with National Choreographer’s Initiative, Dominic Walsh Dance Theater, and Performa/Dance. She is an alumna of St. Edward's University, and a yoga instructor with specialization in Restorative and Ayurveda. Ashley is also the proud mama of a very energetic two-year old boy. She would like to thank her husband, Joshua, and her family for their generous support.

Morgan Stillman Joined Company: 2017 Morgan Stillman began his ballet training with Project Ballet in Fort Wayne, Ind., and attended Jacobs School of Music at Indiana University. In 2014 he joined Nevada Ballet Theatre and performed principal and soloist roles in works by James Canfield and George Balanchine. At Ballet Austin Morgan has danced principal roles in Mills’ Romeo & Juliet, The Nutcracker, The Firebird, and Giselle, and has been featured in works by Justin Peck and Annabelle Lopez Ochoa.

BALLET AUSTIN | BALLETAUSTIN.ORG

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Brittany Strickland BA Trainee: 2007–2008 | BAII: 2008–2010 | Joined Company: 2010 Brittany Strickland is from Winston-Salem, N.C., where she attended the North Carolina School of the Arts from 2001-2007. There she trained under Melissa Hayden, Nina Danilova and Kee-Juan Han. She continued her education as a Ballet Austin trainee under full scholarship and then spent two years with Ballet Austin II. Since joining the main company, Brittany has enjoyed dancing featured roles in Justin Peck’s In Creases, Balanchine’s Agon, Annabelle Lopez Ochoa’s Requiem for a Rose, Stephen Mills’ Wolftantz and in works by Pam Tanowitz, Lar Lubovitch, Gabrielle Lamb, and Jimmy Orrante. Brittany has performed roles in classical ballets such as Peasant Pas in Giselle, Dew Drop and Arabian in The Nutcracker, and Big Swans in Swan Lake. Brittany has her Bachelor's Degree from St. Edward’s University and teaches in Ballet Austin’s Academy.

Maxim Vladimirovich Butler Fellow: 2017-18 | BAII: 2018-19 | Joined Company 2019 Originally born in Stavropol, Russia, Maxim was raised in an orphanage until age 5 when he was adopted by two loving and caring parents. He began his training at the Marin Dance Theater in 2008 under the direction of Margaret Swarthout. In 2014 Maxim began studying at the San Francisco Ballet School with a full scholarship under Patrick Armand, where he danced the lead roles in Balanchine's Serenade and in John Neumeier's Yondering. He also got the chance to perform in San Francisco Ballet's performance tour of Cinderella in Washington D.C., and danced character roles in Swan Lake, and The Nutcracker.

Jaime Lynn Witts BA Trainee: 2001–2003 | BAII: 2003–2004 | Joined Company: 2004 Jaime is originally from Bucks County, Penn., where she received most of her training from Maxim Ponomarenko, Oleg Briansky, and Mireille Briane. She attended summer programs at CPYB, Boston Ballet, and Ballet Austin. She continued training with Truman Finney in Ballet Austin's Trainee program and as a member of Ballet Austin II. Since joining the company, Witts has performed works by numerous choreographers including Pontus Lidberg, Pam Tanowitz, KT Nelson, Nicolo Fonte, Loni Landon, Jennifer Hart, Annabelle Lopez Ochoa, and Gabrielle Lamb. She’s performed principal roles in George Balanchine's Allegro Brillante and Agon. She has also performed the title roles in The Firebird and Cinderella, Lilac Fairy in The Sleeping Beauty and Kate in The Taming of the Shrew, for which she earned her second Austin Critics Table Award. Most recently she made her premiere as Ophelia in Mills’ Hamlet. Ms. Witts has also had the honor of performing the role of The Survivor in Mills' Light/The Holocaust & Humanity Project in Austin and on tour in Miami and Israel.

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ARTISTS ENDOWED BY SARAH AND ERNEST BUTLER THROUGH THE BALLET AUSTIN FOUNDATION

Alexa Capareda

BALLET MASTER Ballet Austin II & Butler Fellows

Sabrina Appleby

Danielle Archuleta

Harrison Broadbent

Jasmine Getz

Needham, Mass.

Littleton, Colo.

Concord, N.H.

Sleepy Hollow, Ill.

Dylan Hesser

Megan McKelvey

Elizabeth-Jane Moller

Isabella Phillips

El Paso, Texas

Seattle, Wash.

Staten Island, N.Y.

Union City, Calif.

Dianetzy Rojas

Eliza Schwartz

North Bergen, N.J.

Boulder, Colo.

ENDOWED BY SARAH AND ERNEST BUTLER THROUGH THE BALLET AUSTIN FOUNDATION

Malena Bhonslay Ellis Broderick Isabella Franco

Chloe Hebdon Lillian Hendrickson Eva Kahn

Lucia Lorenzo Rebecca McEnroe Shane Powell

BALLET AUSTIN | BALLETAUSTIN.ORG

Isabelle Ramage Samantha Sherry Kathleen Tiernan

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2019 / 20 BALLET AUSTIN VOLUNTEER LEADERSHIP BOARD OF DIRECTORS MANAGEMENT COMMITTEE President

Chair

Treasurer

At Large Members

Mike Blue

Sarah Butler

Bruce Irick

Secretary

Immediate Past President

Alex Ladage

Jon Ivester Nidhi Nakra Vishal Pahwa Jare Smith Cathy Thompson

Everett Plante

Long Center Liaison

Jennifer Guthrie

Hunter Armstrong Becky Beaver Paula N. Boldt Marla Bommarito-Crouch Nikki Bryant Irion Andrew Buchholz, M.D. Bliss Burdett Daniel Byrne Greg Casas Socar Chatmon-Thomas Rich Cleary Ryan Coaxum Jeff Coddington Ada Corral Steve Dalbey Kristen Day Robert Dintzner

Cliff Ernst Kathleen Farlow Cynthia D. Fresch Renee Gallagher Jennifer Garcia, PE, CFM Wade Giles Richard J. Groos Priscilla Guajardo-Cortez David L. Harrington E.D. Hill Aileen Hooks Chris Hosek Jannette Keating Craig Kuglen, M.D. Nora Linares-Moeller Dr. Marcella Madera Sly Majid

Kristin Marcum Dr. George Martin, Ph.D. Jennene Mashburn Judy Matula Andrea McWilliams Nikelle Meade Jennifer Millspaugh Virginia Miracle Emily Moreland Meeta A. Morrison Paul B. Nelson, M.D. Charles A. Phillips Deborah Portman Elizabeth T. Powdrill Forrest Preece Deanna Rankin Ryann Reaud

Steve Redman Edie Rogat Shon Owens Saliga Pilar Sanchez Cord Shiflet Polly Shrewsbury Matt Swinney Janice L. Ta Judge George C. Thomas Jeffrey M. Trigger Natasa Valocchi David Webber Tom Welch Aisha White, M.D. Jason R. Wills Scott G. Yarborough

BALLET AUSTIN FOUNDATION BOARD OF TRUSTEES Chair

Trustees (cont'd)

Advisory Council

Legal Advisor

Sarah Butler

Craig Kuglen, M.D., Secretary Diane T. Land Jennene Mashburn, Vice Chair Emily Moreland Edie Rogat, Treasurer

Paula Boldt Blaine Bull Dorothy Drummer Alexander C. Ladage Ryann Reaud Stephanie Whitehurst Tom Welch

Derry Swanger Giordani, Swanger, Ripp & Jetel, L.L.P.

Vice President of Communications

Vice President of Fundraising Events

Monica Pereira

Shane Manning

Trustees Mike Blue Cliff Ernst, The Legacy Circle Chair Bruce Irick

Financial Advisors Lana Macrum-Craig, Gideon Derr, J.P. Morgan

BALLET AUSTIN GUILD OFFICERS President

Parliamentarian

Jennifer Millspaugh

Betty Oltorf

President-Elect

Vice President of Membership

Araceli Tapia

Suzanne Mackowiak

Secretary

Brooke Howard

Megan Kohout

Vice President of Member Events

Treasurer

Lorrie Garcia

Lori Keller

Vice President of Ballet Austin Support

Vice President of Merchandising Nancy Barnes

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CORPORATE AND FOUNDATION ANNUAL SUPPORTERS

SEASON UNDERWRITERS Silicon Labs, The Wallace Foundation

SEASON SPONSORS The Shubert Foundation, Inc. JPMorgan Chase

Baylor Scott & White

THE NUTCRACKER PRESENTER The Georgia B. Lucas Foundation Fund

A MIDSUMMER NIGHT’S DREAM PRESENTER

A MIDSUMMER NIGHT’S DREAM UNDERWRITER

St. David's Healthcare

Moreland Properties

PRODUCTION SPONSORS Clara & Paul Bancroft David Booth Boulette, Golden & Marin L.L.P. Sarah & Ernest Butler Ernst & Young

The Fifth Age Of Man Foundation Mary Sullivan Casas & Greg Casas/ Greenberg Traurig L.L.P. The Guild Hotels

H-E-B JW Marriott Austin Maxwell Locke & Ritter RetailMeNot

COMMUNITY EDUCATION SPONSORS The Powell Foundation

Bank of America

Texas Women for the Arts

IN-SCHOOL PROGRAMMING SPONSORS Dance in the Classroom/Leaps and No Bounds Sponsors 3M Michael & Alice Kuhn Foundation

Texas Commission on the Arts

NIGHT OF COMMUNITY SPONSORS The Georgia B. Lucas Foundation Fund of the Austin Community Foundation

Wells Fargo Bank

THE NUTCRACKER SCHOOL SHOWS SPONSOR H-E-B Tournament of Champions

BALLET-O-MANIA! SPONSOR Junior League of Austin

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ACTIVE LIFE WORKSHOPS SPONSOR Health’s Angels, a program of St. David’s Foundation Community Fund

PINK PILATES PROGRAM SPONSORS NXP Semiconductors, Texas Oncology

PARTNER’S CIRCLE SPONSORS TWIN Liquors, Whim Hospitality, Spectrum Concession & Events

SNOW WHITE SCHOOL SHOWS SPONSOR Applied Materials Foundation

BEWELL TALKS SPONSOR

SUMMER INTENSIVE SPONSOR

Texas Mutual Insurance

Dwight Global Online School

GOVERNMENT FUNDING Cultural Arts Division of the City of Austin’s Economic Development Department Texas Commission on the Arts National Endowment for the Arts

OTHER CORPORATE, FOUNDATION & IN-KIND SUPPORT Amazonsmile Foundation Anderson’s Coffee AT&T Ballet Austin Guild Bancroft-Clair Foundation Bento Picnic Blue Whale Moving Company, Inc. Brunetti Foundation The Dianne Smith Goggan Foundation H-E-B IBM Employee Services Center Ilios Lighting Design

Junior League of Austin Milk + Honey Spa Randall's Good Neighbor Program Richard's Rainwater Royal Blue Grocery Ride Share Austin Southern Glazer’s Wine & Spirits The Trudy Foundation United Way / State Employee Charitable Campaign Wells Fargo Foundation

HEALTHCARE SUPPORT Chief, Ballet Austin Medical Services

Physical Therapy

Jeffrey Padalecki, M.D. Chiropractic Care: Dr. Rosanne Butera Counseling: Shelley Graham, Ph.D., LPC Podiatry: Dr. Gary D. Prant

Baylor Scott & White Rehabilitation, Official Physical Therapy Provider for Ballet Austin Vanessa Muncrief, P.T., D.P.T.–On-site Medical Officer

On-site (Theater) Medical Support Texas Orthopedics, Sports & Rehabilitation Associates

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DONOR BENEFITS YOU KEEP US DANCING! Ticket sales cover only a portion of the cost to bring productions to the stage. Your generous support helps bridge the gap so we can continue to stage the classics, unveil innovative new work and incubate the next generation of dancers. In appreciation of your gift, you will enjoy a comprehensive collection of carefully selected benefits designed to bring you closer to the art form and offer VIP behind-the-scenes access to the works you see on stage.

FOUNDER: $7,500+

CORPS: $1,000+

•

Personalized benefits package including lunch with Artistic Director Stephen Mills and the opportunity to watch a performance backstage • All Premier Partner benefits

•

PREMIER PARTNER: $5,000+

•

Production Sponsorship Opportunity— Be recognized for the production of your choice and join us behind the scenes • Invitation to a complimentary pre-performance appreciation dinner at The Long Center • All Principal Partner benefits •

Complimentary Champagne Intermission at all productions* • Concierge ticketing service • All Contributor benefits

CONTRIBUTOR: $500+ Invitation to Intermission reception during The Nutcracker • Invitation to a special donor ballet class taught by a Company dancer • All Supporter benefits

SUPPORTER: $250+ Studio rehearsal viewing followed by a Q&A session with Company dancers • All Patron Benefits •

PRINCIPAL PARTNER: $3,500+ Complimentary VIP valet parking, with expedited service* • Opportunity to watch Company Class at the Long Center prior to a performance • All Preferred Partner benefits •

PATRON: $100+ • •

Donor recognition in the Season program All Member Benefits

PREFERRED PARTNER: $2,500+

MEMBER: $50+

Post-Performance Parties with Company dancers in the Kodosky Donor Lounge (All parties for The Nutcracker will be held during intermission) • Invitation to a final dress rehearsal • All Partner benefits

•

Donor recognition in the season finale program Invitation to an open studio rehearsal • Invitation to the Ballet Austin II and Butler Fellows Spring performance • Updates from the Studio emails •

*At

PARTNER: $1,500+

Long Center Performances

Complimentary VIP self-parking* Special recognition at your seat* • All Corps benefits • •

PARTNER’S CIRCLE SPONSORS

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2019 / 20 ANNUAL CAMPAIGN DONORS Ballet Austin donors support the annual budget of the organization with a yearly gift.

$150,000+

$90,000+

Ballet Austin Foundation

Ballet Austin Guild

PREMIER FOUNDERS $20,000+ David Booth

Sarah & Ernest Butler

Dr. Beverly Dale

PREFERRED FOUNDERS $10,000+ Clara & Paul Bancroft Virginia & Gilbert Burciaga Annie Chandler

Kodosky Family Foundation John Mahan Gerard & Sissi O'Reilly

Dr. Christy Sue Waters

FOUNDERS $7,500+ Renée Gallagher Jennene & K. Ray Mashburn

Carolyn & Marc Seriff Cathy & Dwight Thompson

PREMIER PARTNERS $5,000+ Becky Beaver Brenda & Mike Blue Nikki Bryant Irion & Terry Irion Jeffrey P. Coddington Ann & James Downing Kathleen & Robert Farlow Carlos & Jennifer Garcia Jennifer Guthrie Georgia & Don Henrich E.D. & Joe Hill Aileen Hooks & Ray Donley

Chandra & Chris Hosek Beverly & Bruce Irick Jannette & Patrick Keating Dr. & Mrs. Craig C. Kuglen Alexander C. Ladage Dr. Marcella Madera Judy & Michael Matula Andrea & Dean McWilliams Nikelle S. Meade The Monday-Yankus Family Emily Moreland

Drs. Cathy & Rodney Nairn Dr. Tanuj & Nidhi Nakra Charles A. Phillips Linda Ball & Forrest Preece Edie Rogat & Cotter Cunningham Jenna Salwen Natasa & Michael Valocchi David Webber & Ransom Baldasare Tom & Sally Welch The Wills Family

PRINCIPAL PARTNERS $3,500+ Anonymous Hunter & Maggie Armstrong Paula & Bob Boldt Bommarito Group Elizabeth & Andy Buchholz Bliss Burdett Darlene & Daniel H. Byrne Mary & Greg Casas Socar Chatmon-Thomas Victoria Cheney Richard P. Cleary Ryan & Laura Coaxum Ada Corral & Matthew Ames John-Michael & Priscilla G. Cortez Charlotte & Steve Dalbey Aaron & Kristen Day Robert Dintzner Martha & Cliff Ernst

Wade Giles & Jeff Schab Joani & Richard Groos David L. Harrington Jo & Jon Ivester Nora Linares-Moeller & Mike Moeller Sly Majid Kristin Marcum Dr. George Martin & Eva Muñoz Virginia & Jed Miracle Meeta & R.J. Morrison Paul Nelson, M.D. & Jessica Shadoian, Ph.D Vishal Pahwa & Sabrina De Veylder Pahwa Mandy & Everett Plante Deborah S. Portman Elizabeth & Brent Powdrill

Deanna & Marc Rankin Ryann Reaud & Jorge Rangel Steve Redman Wanda A. Reynolds Cookie & Phil Ruiz Jani & Shon Saliga Pilar Sanchez & John Hernandez Quata Schoolar Annie & Cord Shiflet Dr. Polly Shrewsbury Jare & Jim Smith Matt & Kara Swinney Janice Ta & John Beavers Judge George C. Thomas & Jolsna John Thomas Kathy Steele & Jeff Trigger Aisha White & Anthony Hall Eva & Marvin Womack Sarah & Scott Yarborough

BALLET AUSTIN | BALLETAUSTIN.ORG

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PREFERRED PARTNERS $2,500+ A Friend Dr. Maureen Alexander Cheryl & Robert Butler Jessie & Bret Curtis Emily & Ryan Deiss David A. & Constance B. Elko Hollis & Robert Gaston Michael Baryshnikov Le Burkien

Melanie Lewis Julia Marsden Mona Morgan Katie & Jesse Newland MariBen Ramsey & Karen Kahan Mr. & Mrs. W.S. Romney Carol & Frank Sheppard Danny Snyder

Stephanie Steenstrup Carolyn & Eric Thompson Valerie & Craig Tyler Betty Marie Welch Polly & Jay Westbrook

Dr. Brent Hasty & Stephen Mills Becky & Richard Herrington Joy & Gregory Hodgson Meghan Hollis & Bryan Jones Robert & Aubyn Howe Sara J. Jones Pamela & Don Leighton-Burwell Jeff Mace Flo & Ren MacNary Arthur J. Manson, III Monica & Jonathan Marler James Martin & Sky Benson Linda McDavitt Rick Morrow & Mark Jones Alicia & Robert Nellis Betty & Charles Oltorf The Pacey Family Foundation Mark & Vicki Parsons David Plaut & Jane Webre

Shalini Ramanathan & Chris Tomlinson Carrie & Taylor Riché Ann Riopel-White & Nikolas White Edward Z. Safady J.B. & Traci Hughes Sigmon Lonnie Karotkin Taub & Albert Taub Frances & Robin Thompson Sue & Terry Tottenham Tiffany Walker Dr. Desmar Walkes J. Craig Wallace Connie & Dan Weaver Stephanie & Bill Whitehurst Dr. Joseph & Ran Willman Melissa Wilson Rob Young Hilary & Stan Young

Rebekkah & Tyson Cole Barbara & Alan Cox Cynthia D. Fresch Kelvon Hansen & Neil Ely – In honor of Frank Shott Sean, Teresa, Lilli & Kate Henry Joanne Hogan & Laurie Biggar Scott Joslove

Candice & Clayton McKay Rosie & Roger Oberg Jim & Rebecca Popp Karen Sonleitner Chris & Quenby Swinson-Mitchell Watkins Insurance Group Karlan & Cam Witt

Christi Cuellar Lotz & David Lotz Stacy & Richard Dunavan Janet Eaddy Thomas Edwards Jill Fatzer Adriana & Jonathan Graf Marilyn Halpin Judy & David Harris

Margaret Herman Jeanne & Van R. Hoisington Jodi & Rocky Holland JoAnn & Kenneth Johnson Paula & Parker Jameson Krystin & Mike Johnson Caroline Jones Michelle Martin

PARTNERS $1,500+ Anonymous Danny Babineaux & Alan Carsrud Delores Baccus Mr. & Mrs. Darnese A. Bell, Jr. Rick Bennett Dahl & Joyce Black Tracy Burgess Dr. Rosanne Butera, Chiropractor Dr. & Mrs. Gil Cloyd The Honorable Michael & Marsha Dyson Betty Edmond Rose & Carey Epps Dr. Harvey Evans & Gloria Evans Lorrie & Carlos Garcia Iris Groten Jeremy Guiberteau & Dan Jackson Debra Haas & Marty Hood

CORPS $1,000+ Anonymous In honor of Hailey Dupont In memory of Regine Schumaker Rena Bitter Casey Blass & Lee Manford Myra & Blaine Bull Lynn Carter & Alan Moore

CONTRIBUTORS $500+ Jim & Debbie Alsup Nina Blanson & Phillip Balli Rosalie & Jim Boldin Patricia Cherico Tana & Joe Christie Rachel Cloyd Barbette & John Cooper Catherine & Brian Cruver

Please review the benefits of giving on page 52. Listing reflects current cash and in-kind gifts to Ballet Austin’s Annual Campaign as of Aug. 14, 2018, to Aug. 26, 2019.

BALLET AUSTIN | BALLETAUSTIN.ORG

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CONTRIBUTORS $500+ (contâ&#x20AC;&#x2122; d) Laurence McCullough Suzanne & John McFarlane Jeff & Tracy Miller Kilyong Natho

Bill Piner Daniel E. Rodriguez Vlada & Gennadi Sheber Elizabeth & Anthony Siela

Donald R. Wertz Sherry & Richard Wilkison Paula Wood & Family

Brooke & Levi Holmes Dr. Louis Hughston Kathleen Irvin Loughlin Issa Kafena Lori A. Keller Jan & Orion Knox Lauren & Lucas Lee Jessica & Andrew Lee Sandra Littlejohn Jane-Elizabeth Madison Ricky & Laura Matz R. John & Melanie Miner Susan Morehead Nancy & Leo Mueller Maureen Mulrooney Cmdr. James F. O'Leary Michael Owen Michael Ellwood Owens Cristina Rangel

Chuck & Kathy Rothstein Deena & Michael Santori Michelle Schumann & Matt Orem Charles & Carole Sikes Tabrizi Family Maria L. Talamo Vickie & Rex Taylor Bill & Mary Throop Sarah & Robert Tober Virginia Urban Mary Walcutt Michael Walters Chris & Darcie Ward Boo & Kyle Wong Carol Wood Lital & Arik Yaacob Debbie Zappen

Lisa & Paul Delacruz Linda DeMayo Sharon Dockery Beth & Cate Domel Connie & Charles Doubrava Diane Drew Mr. & Mrs. D'Souza Susan & Claude Ducloux Jim Durkin Ingeborg L. Eichberg Jeanne Ellenstein Amy Evors Mary Fernandez Edie Finch Amy Finley Dan & Jacque Fowler Emma Garcia De Alba & Joe Salinas Charles & Dora Gembinski Fred Gibson Dawn Ginestra Joel & Regina Goldstein Priscilla Gonzales Lois & Ira Goodman Anne Goshorn Delilah Grad Ann S. Graham & Arlen Johnson

Carla & Douglas Greenleaf Becky & Wayne Gregory Aubrey Erin Groves Jessica Stafford Harper Anne Marie Harrison Elizabeth Hendrix Laurie Higginbotham & Jamal Alsaffar Mitch & Jennifer Holt Tyresse Horne Laura Jackson Linda & Peter Kangos Kellye King Kurt & Ulrike Lapham Loriann Lavallee Marie & Demosthenes Lyriotakis Howard & Margaret Marcus Niccole Maurici Alissa McCain Kat McCartney Margaret Miller John Milligan Sonia Molad-Einstein Mary Ellen Mondi Kayleigh Victoria Nance Edna Nation Leslie Noble & Chris Brown

SUPPORTERS $250+ Anonymous In honor of Jeff Coddington Beth Bergen & Jay Weiner Billie Bledsoe Adrienne Bosh Cynthia Brown Julia Brown Julia & Bill Buchholz Frank Cheff & Sharon Shuppert Matt & Shana Dudley, Ph.D. with Yaya & Elliot Moulton Sherrie & Robert Frachtman Mark Gagnon Tia & Adam Garaas Claudia Garvey Mrs. Shelby Goodrum Anne J. Gray & David J. Carr Joanne Hanifan Sharon & Ken Herman

PATRONS $100+ The Abbotts Eugene Alvarez Rick Andersen Lisa Ashby David Beck Xavier, Michelle, Sidnee & Savannah Bell Rebecca Bell-Metereau & Jean-Pierre Metereau Lesley Nowlin Blessing Marybeth & Tom Bolerjack Flannery Bope Pei-San & Daniel Brown April Busby Judy Bush Kira Carey Linda Cartwright Deborah Casati Laura Catania Alania Cater Flesher Ernest Cerda Michael A. Chesser Michael & Robin Clark Michele Connors Leslie Cox & Duane Sanford In Memory of Alexei Bauereis David de la Pena

BALLET AUSTIN | BALLETAUSTIN.ORG

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PATRONS $100+ (cont’ d) Teresa O'Connell Liz O'Dea Ghadeer Okayli Fay Osborn Jonathan Park Betty L. Patterson Michael Angel Peña Kylie Phillips Virginia Phillips Joan Pinkham Lily Pipkin Coralie & Jim Pledger Talina Prow & Brett Nemeroff Marcia Raff Marianne Reat & Mark Estes Sharon & Katie Reeves Pat & Walt Reid

Alan Robinson Alissa Saenz, in honor of Brett Smith Marilyn Sharratt David & Susan Sheppard Debra Simpson Gerardo Soto Ron & Jo Ann Stehle Kimberley Stengel Jamee & Charlie Stewart Kay Taebel The Taylor Family Laura Upchurch Dr. Allison Urrutia Daylia Vaughan Shan Wang Milissa & Gary Warren

Louise & Steven Weinberg Barbara Wensel Birdie White Wiatrek Family Elizabeth & Lars Wiedenhoefer Erin Marie Williams Thomas Wilson Maria E. Wilwayco Margaret Wofford Barbara Woodward Joelyn Wooldridge Tammie Workman John Worley Homer, Katie, Ailyn & M.J. Yarchak Bradley Young Coralinn Young

Please review the benefits of giving on page 52. Listing reflects current cash and in-kind gifts to Ballet Austin’s Annual Campaign as of Aug. 14, 2018, to Aug. 26, 2019.

BALLET AUSTIN | BALLETAUSTIN.ORG

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FÊTE CO-CHAIRS : Kara & Matt Swinney fête*ish CO-CHAIRS : Stephanie Coultress O’Neill and Cassandra King Polidori FÊTE and fête*ish SPONSORS* Event Sponsor St. David’s Healthcare

A/V Sponsor Markey’s Rental & Staging

Event Design Sponsor Mandarin Design Lab

Wine & Spirits Sponsor TWIN Liquors Grey Goose Vodka Aberfeldy Highland Single Malt Scotch Whiskey Craigellachie Speyside Single Malt Scotch Whiskey

Lighting Sponsor Ilios Lighting Design

Décor Sponsor Whim Hospitality

Featured Fashion Designer CELESTINO

Dinner Sponsor JW Marriott Austin

Premium Gift Sponsor Neiman Marcus Hair/Make-Up Sponsor Elevé Cosmetics

Media Sponsors Fashion for Good Society Texas CW Print Austin Social Planner Lobby Display Sponsor H&M

FÊTE DINNER TABLE AND TICKET SPONSORS* HAUTE COUTURE

PRÊT Á PORTER

JE NE SAIS QUOI

Beverly Dale & Jeff Coddington Kara & Matt Swinney E.D. & Joe Hill, Mandy & Everett Plante, Linda Ball & Forrest Preece, Jon & Jo Ivester, Sarah & Ernest Butler

Clara & Paul Bancroft Ballet Austin Guild Charles A. Phillips IBC Bank Bliss Burdett,Jenna Salwen EZ Corp Jennifer Guthrie, Emily Moreland Jannette & Pat Keating R.C. Rondero de Mosier Orlando Canova & Morgan Stillman, Becky Beaver Elevé Cosmetics, Twelve Rivers Realty, Alyssa Rome Design Mary & Greg Casas, Edie Rogat & Cotter Cunningham, Elizabeth & Andy Buchholz

Larry Connelly & Ram Rangel Tiffany Walker Sarah Story & Chris Ragland Pearl & Ryan Downton Cindy Taylor & Ray Koerth Tina Austinson Candice & Clayton McKay Ben Woods The Honorable Michael & Marsha Dyson Paul Nelson & Jessica Shadoian Teshana Murray Dana & Ian Kemp Anna Bauereis Kate Matthews Rich Cleary Vishal Pahwa & Sabrina Deveylder Kevin Little & Andrew Roth

AVANT GARDE Lesa & Bill Rossick Renee Gallagher & Jason Pennington, Kevin Lyons, Ada Corral & Matthew Ames, Nidhi & Tanuj Nakra, Kristen & Aaron Day

*As of print date

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VISION To build the financial base and secure the future of Ballet Austin.

FOR MORE THAN 60 YEARS, Ballet Austin has built an international reputation for artistic excellence and innovation. Now, the Ballet Austin Foundation is undertaking a permanent fundraising effort to raise endowment and legacy gifts that will set in motion a bold vision for Ballet Austin’s future. Gifts made today will create a permanent impact beyond our lifetimes, ensuring that future generations will benefit from a legacy that you can create. Ballet Austin is here to INNOVATE, here to TEACH, and here to SERVE…We are Here for GOOD.

BALLET AUSTIN FOUNDATION THANKS OUR ENDOWMENT DONORS!

$5,000,000+ Dr. & Mrs. Ernest C. Butler

$100,000 + Anonymous Ballet Austin Board of Directors Mr. & Mrs. Joe Long

$50,000+ Anonymous (2) Ballet Austin Guild Dr. & Mrs. Craig C. Kuglen Edie Rogat & Cotter Cunningham Dilum & Surangi Chandrasoma in honor of Jennifer Guthrie

$25,000+ Mayor Steve Adler & Diane T. Land Martha & Cliff Ernst In loving memory of Marilyn H. Ferguson In loving memory of Martha B. Harrington Jo & Jonathan Ivester Jennene & K. Ray Mashburn Emily Moreland / Moreland Properties Cathy & Dwight Thompson

Learn more about supporting Here for Good by contacting Ballet Austin Development Director Christi Lotz at christi.lotz@balletaustin.org or 512.476.9151, ext. 124.

BALLET AUSTIN | BALLETAUSTIN.ORG

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2019 Ballet Austin Foundation Trustees and Advisory Council Members

THE LEGACY CIRCLE The Legacy Circle invites donors to include the Ballet Austin Foundation in their wills, life insurance, retirement plans, charitable remainder or charitable lead gifts to help preserve the future of Ballet Austin, enriching the lives of future generations.

BALLET AUSTIN THANKS THE LEGACY CIRCLE MEMBERS! Mayor Steve Adler & Diane T. Land Becky Beaver & John Duncan Rick Bennett Paula Boldt Dr. & Mrs. Ernest Butler Darlene & Dan Byrne Ann & Jim Downing Martha & Cliff Ernst Dr. Harvey Evans & Gloria Evans Malcolm Ferguson Jennifer Guthrie David L. Harrington Becky & Richard Herrington Terry & Nikki Bryant Irion Caroline C. Jones Alexander C. Ladage

Laraine & Leon Kentridge Lasdon Mike Baryshnikov Le Burkien Jennene & K. Ray Mashburn Helen G. Miller Michael Ellwood Owens Forrest Preece & Linda Ball Joanne Ravel Wanda A. Reynolds Cookie & Phil Ruiz Peter Schram & Harry Ullmann Rosemarie L. Schwarzer Jare & Jim A. Smith Karen Sonleitner Mary & Bruce Walcutt J. Craig Wallace Bill & Stephanie Whitehurst

Please contact the Development Office at 512.476.9151, ext.â&#x20AC;&#x2030;1 24 if you would like to have a conversation about a gift or charitable planning.

BALLET AUSTIN | BALLETAUSTIN.ORG

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BALLET AUSTIN STAFF ARTISTIC TEAM Stephen Mills, Sarah and Ernest Butler Family Fund Artistic Director Michelle Martin, Associate Artistic Director Eugene Alvarez, Company Manager Christopher Swaim, Rehearsal Director

Allisyn Paino-Martin, Rehearsal Assistant Paul Michael Bloodgood, Creative Brand Producer & Licensing Manager Alexa Capareda, Ballet Master â&#x20AC;&#x201C; Ballet Austin II and Butler Fellows

ADMINISTRATIVE TEAM Cookie Gregory Ruiz, C.F.R.E., Executive Director Billie Bledsoe, Director of Business Development Pei-San Brown, Community Education Director Tony Casati, Operations Director Christi Cuellar Lotz, C.F.R.E., Development Director Julie Loignon, Audience Engagement Sales and Services Director

Cydney Washington, Director of Marketing Revenue Strategies Vicki Parsons, Butler Center for Dance & Fitness Director William Piner, Academy Director Gail Romney, Director of Finance & Administration Bill Sheffield, Production Director / Stage Manager Lital Yaacob, Business Analytics Director

ADMINISTRATIVE STAFF Anne Marie Bloodgood, Digital Content Coordinator Samantha Canedy, Business Development Manager Graham Emmons, Creative Services Manager & Graphic Designer Emma Garcia De Alba, Accounting & HR Manager Diana Lynn Gembinski, Audience Sales & Services Senior Manager Brooke Holmes, Associate Director of Individual Giving Jordan Moser, Creative Content Producer Maria Murphy-Mayberry, Grants Manager

Kylie Phillips, Community Education Associate Lily Pipkin, Database Specialist Kent Pool, Facilities Manager Cassidy Schulze, Development & Community Education Administrator Nina Staeben, Audience Services Manager Erin Marie Williams, Development & Special Events Manager Boo Wong, Business Development Communications & Content Manager

PRODUCTION TEAM* Bill Sheffield, Production Director / Stage Manager Steven Myers, Technical Director Tony Tucci, Lighting Supervisor Alexey Korygin, Wardrobe Master Conrad Haden, Head Carpenter Ryan Gallagher, Master Electrician C.J. Swinburn, Master Electrician Valerie Sadorra, Head Props Bill Mester, Head Audio

Joan Miller, Head Wardrobe James Cameron, Assistant Carpenter George Wenning, Props Assistant Larry Jameson, Head Flyman Miriam Jurgensen, Ballet Austin II Head of Wardrobe Brad Wilson, Assistant Production Manager Maria Neff, Assistant Stage Manager * Stage employees of Ballet Austin are represented by I.A.T.S.E. Local 205.

BALLET AUSTIN ACADEMY William Piner, Academy Director Michelle Martin, Curriculum Director Katelyn Yeary, Resident Faculty & Academy Programs Manager

Emily McLaughlin, Academy Registrar Jennifer Hart, Levels 1â&#x20AC;&#x201C;5 Curriculum Director Joan Wolfe, Creative Movement Curriculum Leader Joshua Piper, Pianist Coordinator

BUTLER CENTER FOR DANCE & FITNESS Vicki Parsons, Butler Center for Dance & Fitness Director Vlada Sheber, Pilates Program Director Stephanie Albrecht, Butler Center for Dance & Fitness Associate Director Michelle Ballesteros, Customer Experience Team Adam Gonzalez, Customer Experience Team Monica Martinez, Customer Experience Team

Elliot Moulton, Customer Experience Team Michael Owens, Customer Experience Team Ekaterina Raleigh, Customer Experience Team Mariya Raleigh, Customer Experience Team Rachel Rosen, Customer Experience Team & Studio Manager

ACADEMY AND BUTLER CENTER INSTRUCTORS Jenny Alperin Ian J. Bethany Toni Bravo Pei-San Brown Dane Burch Isabelle Burnetta Orlando Julius Canova Alexa Capareda Lisa del Rosario Constance Doyle Laura Beth "LB" Flett

James Fuller Genevieve Guinn Jared Hale Amir Hammoudeh Susanna Hill Arletta Howard Logan Libby James Vivian Kaw Jean Claude Lessou Prakash Mohandas Mia Moi

Allyson Morales Grace Morton April Nygaard Selena Offenberg Lauren Parra Elise Pekarek Lucy Record Megan Richard Adam K. Roberts Francis Rodriguez Melissa Roetker

Morgan Stillman Christopher Swaim Ramsay Wall Kelsey Walsh Taylor Williams Boo Wong Terri Lynn Wright Erick Yanez Erikka Youngstrom

Stevie Hawes Louis Ray Hughston

Catherine Roan Corinne Vassallo

John Wassmuth

ACCOMPANISTS Shawn Ellison Rob Greenfield

BALLET AUSTIN | BALLETAUSTIN.ORG

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S E RV I N G AU S T I N FOR MORE THAN 33 YEARS

Masterw o r k s series 2019–20 SeaSon at a Glance Peter Bay, music director/conductor SeaSon oPener! “triPle Delight” Friday & Saturday, September 13 & 14, 2019 Jon Nakamatsu, piano; Chorus Austin (Ryan Heller, director) SCHUBERT Magnificat in C Major, D. 486 MOZART Piano Concerto No. 21 in C Major, K. 467 DURUFLÉ Requiem, Op. 9 MAURICE DURUFLÉ JON NAKAMATSU

MATT HAIMOVITZ

LIOR

“SPectreS!” Friday & Saturday, october 18 & 19, 2019 Matt Haimovitz, cello FRANCK Le Chasseur maudit (The Accursed Huntsman) SAINT-SAËNS Cello Concerto No. 1 in A Minor, Op. 33 BERLIOZ Symphonie fantastique, Op. 14 “comPaSSion” Friday & Saturday, november 22 & 23, 2019 Lior, vocalist MOZART Overture to La clemenza di Tito, K. 621 MOZART Symphony No. 36 in C Major, K. 425, Linz WESTLAKE/ATTAR Compassion (A Song Cycle in Seven Movements) “rach Star” Friday & Saturday, January 10 & 11, 2020 Orion Weiss, piano BRAHMS/Schoenberg Piano Quartet in G Minor, Op. 25 RACHMANINOFF Piano Concerto No. 3 in D Minor, Op. 30

SERGEI RACHMANINOFF

ORION WEISS

MODEST MUSSORGSKY

JESSICA MATHAES

VADIM GLUZMAN

WENDY WARNER

GEORGE GERSHWIN

ASO AND CONSPIRARE

“Picture PerFect” Friday & Saturday, February 7 & 8, 2020 Jessica Mathaes, violin; Stephanie Busing, visual artist VIVALDI The Four Seasons: “Autumn,” RV. 293 and “Winter,” RV. 297 HINDEMITH Symphony: Mathis der Maler MUSSORGSKY/Funtek Pictures at an Exhibition “march maDneSS” Friday & Saturday, march 6 & 7, 2020 Vadim Gluzman, violin; Wendy Warner, cello ELGAR Pomp and Circumstance March No. 4 in G Major, Op. 39 BRAHMS Double Concerto in A Minor, Op. 102 CHABRIER Joyeuse marche BEETHOVEN Turkisch Marsch from Die Ruinen von Athen, Op. 113 PALMGREN Exotisk Marsch, Op. 46 J. STRAUSS, JR. Ägyptischer Marsch, Op. 335 CHOPIN/Elgar Marche Funèbre from Piano Sonata No. 2, Op. 35 TCHAIKOVSKY Marche slave, Op. 31 “american lanDScaPeS” Friday & Saturday, april 3 & 4, 2020 John Novacek, piano the app: COPLAND Suite from TheDownload Heiress GOULD Interplay GERSHWIN Rhapsody in Blue Download the app: GROFÉ Grand Canyon Suite

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“Beethoven 250” Friday & Saturday, may 15 & 16, 2020 Connect: Download the app: Conspirare Symphonic Choir Craig Hella Johnson, guest conductor*; TBA, soloists HAYDN Symphony No. 104 in D Major, London* Download the app: Connect: BEETHOVEN Symphony No. 9 in D Minor, Op. 125, Choral

(512) 476-6064 or austinsymphony.org 66

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All Masterworks Series performances begin 8:00 p.m. at Michael & Susan Dell Hall. All artists, programs, and dates subject to change without notice.

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Sarah & erneSt Butler

Po Ps series

H & ERNE

BUTLER PO

PS SERIE

2019–20 SeaSon at a Glance SA

H & ERNE

BUTLER

Peter Bay, music director/conductor

PS SERIE

Close enCounters of the third Kind— Film with Orchestra saturday, October 26, 2019

Michael & Susan Dell Hall, 8:00 p.m.

Your Austin Symphony is thrilled to bring Steven Spielberg’s 1977 masterpiece, Close Encounters of the Third Kind, to Austin. Widely considered one of the most treasured and influential science fiction films of all time, Close Encounters of the Third Kind features a groundbreaking score written by legendary film composer John Williams, which will now be performed live to picture! ClOSE ENCOUNTERS Of THE THIRD KIND

“lush liFe”— music OF Duke ellingtOn & Billy strayhOrn saturday & sunday, December 28 & 29, 2019

Palmer Events Center, 8:00 p.m.

Duke Ellington and Billy Strayhorn collaborated on some of the most beloved jazz standards of all time, including “Take the ‘A’ Train,” “Satin Doll,” and the legendary Ellington/Strayhorn adaptation of Tchaikovsky’s The Nutcracker Suite. This orchestra-centered concert features both Ellington hits, and the elegant and sophisticated music of Billy Strayhorn.

Bring your favorite food dish and enjoy this concert in a cabaret-style setting. “lUSH lIfE”

raiders of the lost arK — Film with Orchestra saturday, February 22, 2020

Michael & Susan Dell Hall, 8:00 p.m.

The film that gave the world one of its greatest movie heroes, Indiana Jones, is back and better than ever before! Relive the magic on the silver screen with the original great adventure… Raiders of the Lost Ark… and another legendary film score by John Williams performed live to picture by your Austin Symphony Orchestra! Don’t miss this beloved film, live on the projected screen like you have never seen before!

RAIDERS Of THE lOST ARK

“unFOrgettaBle”— music OF nat & natalie cOle Friday & saturday, may 29 & 30, 2020

Palmer Events Center, 8:00 p.m.

Both Nat “King” Cole and Natalie Cole put their individual stamp on the jazz and pop music of their day, and won multiple Grammy® Awards along the way. “Unforgettable” celebrates Nat’s 100th birthday, and honors this incredible father/daughter duo whose flexible musical style and undeniable talent continue to influence the best musicians of today. Download the app:

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Along with the Symphony, award-winning featured vocalists Denzal Sinclaire and Dee Daniels are sure to make this an “Unforgettable” night for you! Download the app: Connect:

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“UNfORGETTABlE”

A u s ti n sym P h o n y o r c h e s t r A t i c k e t s / i n f o : (512) 476-6064 or austinsymphony.org All artists, programs, and dates subject to change without notice.

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H a n d e l’s

Mes s ia h

Two performances—two locations! Tuesday, December 3, 2019, Hyde Park Baptist Church, 8:00 p.m. Wednesday, December 4, 2019, Emmaus Catholic Church, 8:00 p.m. The Austin Symphony Orchestra presents its Christmas tradition, Handel’s Messiah, accompanied by Chorus Austin for you and your family! Both a holiday classic and a city favorite, these two nights of musical magic will comfort you through their familiarity and fill you with the joy of rediscovery. Again, this season we will have two performances at two locations—our traditional Download the app: Connect: venue at Hyde Park Baptist Church and at Emmaus Catholic Church in Lakeway! Sponsors: Cook-WalDen Funeral Homes & CemeTeries WeeD-Corley-FisH Funeral Homes Members of the Dignity Memorial Network

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a u s ti n sy M p h o n y o r c h e s t r a t i c k e t s / i n f o : (512) 476-6064 or austinsymphony.org 68

All artists, programs, and dates subject to change without notice.

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CELEBRATING

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10.17

ACousTiC AlChemy

10.18

KeiKo mATsui

10.20

dAvid wilCox

10.23

Jd souTher

10.29

dAvid BromBerG QuinTeT

11.7

Jon mClAuGhlin

11.15

musiC oF ABBA (ArrivAl From sweden)

11.17

oTTmAr lieBerT

11.22

peTer whiTe ChrisTmAs w/ euGe Groove, lindsey weBsTer , & vinCenT inGAlA

11.29

rAhsAAn pATTerson

11.30

The Guess who

12.6

dAvid ArChuleTA

12.7

AlBriGhT FAmily ChrisTmAs

12.14

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2 0 1 9 s ea s o n â&#x20AC;¢ Pa RT I I The miKe sTern/JeFF lorBer Fusion FeATurinG Jimmy hAslip & dAve weCKl

12.15

normAn Brown's Joyous ChrisTmAs w/ BoBBy CAldwell & mArion meAdows

12.20

Kim wATers

12.29

sTAnley ClArKe BAnd

1.10.20

dAr williAms

1.17.20

TuCK & pATTi

1.19.20

BJ ThomAs

2.9.20

GeorGe winsTon

2.18 & 2.19

mAry wilson oF The supremes

2.21.20

wishBone Ash

2.23.20

The sTeeldrivers

2.26.20

elizA GilKyson & CArrie rodriGuez lAs hiJAs de CAnCion

3.1.20

ATlAnTA rhyThm seCTion

3.8.20

AlBerT CumminGs

3.26.20

sTrunz & FArAh

4.2.20

viCTor wooTen

2.10.20

ArTuro sAndovAl

4.17.20

JAne monheiT

4.19.20

The wAiFs

4.22.20

BruBeCK BroThers CeleBrATe dAve's CenTenniAl

5.17.20

FireFAll

6.7.20

spyro GyrA

9.4.20

1964 The TriBuTe

9.11.20

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