PAPress Fall 2013 Catalog by PA Press

Fall 2013

fine books since 1981

Publisher’s Note The fact that the phrase “behind-the-scenes” generates over 394 billion hits on Google suggests that people everywhere are deeply interested in the real stories (another 10.2 billion hits) behind the often slickly polished products and images that so much define our designed world these days. Indeed, several of our most successful recent titles feature the sometimes messy but always fascinating ides and processes behind the making of things, whether the Polaroid camera (Instant), hand-painted signs (Sign Painters), artisanal chocolates (Brooklyn Makers), or wooden benches from nineteenth-century American utopian communities (We Sit Together). You’ll find more of this behind-the-curtains wisdom in many of the new books in this, our latest, catalog, starting with Southern Makers (p. 8), the south-of-the-MasonDixon-Line sequel to Brooklyn Makers. Studio Life (p. 16) is a literal behind-the-scenes tour of the studios of some of today’s most exciting artists, showing us how they work, what inspires them, what tools they use, and, in the process, suggesting how we might improve our own creativity by adapting some of the techniques and rituals of these celebrated creators. Ditto The Filmmaker Says (p. 18), which reads like the at-the-elbow collected wisdom of the movie industry’s most celebrated directors, mostly as hilarious, gruff, and unvarnished truths. Even a book as intriguingly offbeat—like so many of our best ones—as From Russia With Doubt (p. 22), has its own behind-the-scenes quality, exploring the discovery and purchase on eBay of a trove of Russian Constructivist and Suprematist paintings, their exhibition at a major museum, and then the art-world intrigue of trying to authenticate whether these newly discovered masterpieces are priceless or fakes. It’s hard to claim that many of our books are page-turners, but this one comes as close as any. Naturally, our monographs on architects—Jorn Utzon (p. 32), and Rural Studio at Twenty (p. 28)—and designers—Abbott Miller (p. 24)—focus intently on process, making these much more than simply pretty picture books. And speaking of which, the fascinating The Big Picture (p. 14) is, by its very nature, a behind-the-scenes look, since the large groups in panoramic photographs of the twentieth century, document unusual and often unseen slices of American life. So if you’re interested in the underbelly of American design, architecture, and visual culture, the nuts and bolts, the dirty paint cans and torn-up sketches of ideas tried but never realized, then do we have some books for you. Not only do we find design everywhere, we literally open the book on it to show you what it’s really all about, how its done and, most importantly, how you, too, can inspired by it, or even do it. As always I welcome your comments about what we do, please email me directly at kevin@papress.com. You can always find out more about what happens here, how our books are made and what goes into them, on our blog, blog.papress.com, and by following our Twitter feed (@papress).

Kevin Lippert Publisher New York, March 2013

Fall 2013 Princeton Architectural Press

08 Southern Makers 10 Instant Expert series 12 The Lost Christmas Gift 14 The Big Picture 16 Studio Life 18 The Filmmaker Says 20 In the City 22 From Russia with Doubt 24 Abbott Miller 26 Shadow Type 28 Rural Studio at Twenty 30 Modern Modular 32 JĂ¸rn Utzon 34 New Museums in China 36 The Sea Ranch 38 Materials for Design 2 39 Permanent Change 40 Brown University 41 Pamphlet Architecture 34 42 (Non-) Essential Knowledge for (New) Architecture 43 Emerging Voices 30 44 Balthazar Korab 45 Visual Complexity Balcony Press

Moody Nolan Design

PAPress Gift Line

48 50 50 51 52 54

Pattern Box Nested Notes: Egg Sticky Notes Blackstockâ&#x20AC;&#x2122;s Collections Notepads Nigel Peake City and Country Notecards The Pocket Dept. Notebooks Gift Line Backlist

57 Backlist 105 Index 110 Order Information

Perennial Bestsellers

Visual Complexity hc / $50.00 / £35.00 978-1-56898-936-5

America’s Other Audubon hc / $45.00 / £30.00 978-1-61689-059-9

The Artist’s Eye pb / $12.00 / £7.99 978-1-61689-056-8

Thinking with Type pb / $24.95 / £16.99 978-1-56898-969-3

The Guerilla Art Kit wire-o / $19.95 / £11.99 978-1-56898-688-3

Brooklyn Makers pb / $24.95 / £15.99 978-1-61689-074-2

Stickwork hc / $50.00 / £32.00 978-1-56898-862-7 pb / $34.95 / £20.00 978-1-56898-976-1

The Toaster Project pb / $19.95 / £12.99 978-1-56898-997-6

Instant hc / $24.95 / £15.99 978-1-61689-085-8

Tom Kundig: Houses 2 hc / $55.00 / £35.00 978-1-61689-040-7

The Map as Art pb / $29.95 / £17.99 978-1-56898-972-3

You Are Here pb / $24.95 / £14.99 978-1-56898-430-8

Perennial Bestsellers

Blackstock’s Collections pb / $21.95 / £12.00 978-1-56898-579-4

Elegantissima hc / $40.00 / £25.00 978-1-61689-097-1

Sign Painters pb / $24.95 / £15.99 978-1-61689-083-4

The Disappearance of Darkness hc / $50.00 / £32.50 978-1-61689-095-7

Graphic Design The New Basics pb / $35.00 / £20.00 978-1-56898-702-6

Inside the Painter’s Studio pb / $35.00 / £22.50 978-1-56898-852-8

The Architect Says HC / $14.95 / £8.99 978-1-61689-093-3

The Designer Says HC / $14.95 / £8.99 978-1-61689-134-3

Hand Job pb / $35.00 / £20.00 978-1-56898-626-5

A Year of Mornings pb / $21.95 / £12.99 978-1-56898-784-2

The Lost Christmas Gift hc / $29.95 / £18.99 978-1-61689-102-2

Obsessive Consumption pb / $19.95 / £12.99 978-1-56898-890-0

Bestselling Titles in Design & Typography

Thinking with Type pb / $24.95 / £16.99 978-1-56898-969-3

Graphic Design The New Basics pb / $35.00 / £20.00 978-1-56898-702-6

How to Be a Graphic Designer without Losing Your Soul, New Edition pb / $24.95 978-1-56898-983-9

Geometry of Design Second Edition, Revised and Updated pb / $24.95 / £16.99 978-1-61689-036-0

Typographic Systems pb / $24.95 / £16.99 978-1-56898-687-6

The Wayfinding Handbook pb / $24.95 / £16.99 978-1-56898-769-9

Grid Systems pb / $24.95 / £16.99 978-1-56898-465-0

Visual Grammar pb / $21.95 / £12.99 978-1-56898-581-7

Designing for Social Change pb / $24.95 / £15.99 978-1-61689-047-6

Graphic Design Thinking pb / $24.95 / £16.99 978-1-56898-979-2

Form+Code in Design, Art, and Architecture pb / $24.95 / £16.99 978-1-56898-937-2

Graphic Design Theory pb / $24.95 / £16.99 978-1-56898-772-9

Bestselling Titles in Architecture

Balthazar Korab hc / $40.00 / £25.00 978-1-61689-041-4

Generative Design hc / $100.00 / £60.00 978-1-61689-077-3

Sustainable Design pb / $24.95 / £16.99 978-1-56898-941-9

Writing about Architecture pb / $24.95 / £15.99 978-1-61689-053-7

Tom Kundig: Houses 2 hc / $55.00 / £35.00 978-1-61689-040-7

Constructing a New Agenda pb / $45.00 / £30.00 978-1-56898-859-7

Citizens of No Place pb / $19.95 / £12.99 978-1-61689-062-9

Le Corbusier Redrawn pb / $24.95 / £15.99 978-1-61689-068-1

A Guide to Archigram 1961–74 pb / $40.00 / £25.00 978-1-61689-086-5

Lewis.Tsurumaki.Lewis Intensities pb / $40.00 / £25.00 978-1-61689-066-7

Philosophy for Architects pb / $24.95 / £16.99 978-1-56898-994-5

Model Making pb / $24.95 / £16.99 978-1-56898-870-2

New & Bestselling Gift Titles

The Architect Says hc / $14.95 / £8.99 978-1-61689-093-3

The Designer Says HC / $14.95 / £8.99 978-1-61689-134-3

Brooklyn Makers pb / $24.95 / £15.99 978-1-61689-074-2

Typography Sketchbooks pb / $40.00 978-1-61689-042-1

Sign Painters pb / $24.95 / £15.99 978-1-61689-083-4

Souvenir Nation hc / $24.95 / £15.99 978-1-61689-135-0

Woodcut hc / $29.95 / £19.99 978-1-61689-048-3

The Artist’s Eye pb / $12.00 / £7.99 978-1-61689-056-8

Draw Your Own Alphabets pb / $19.95 978-1-61689-126-8

Blackstock’s Collections pb / $21.95 / £12.00 978-1-56898-579-4

The Lost Christmas Gift hc / $29.95 / £18.99 978-1-61689-102-2

America’s Other Audubon hc / $45.00 / £30.00 978-1-61689-059-9

Recent Highlights

Landprints hc / $50.00 / £30.00 978-1-61689-130-5

Breakthrough! pb / $17.50 / £10.99 978-1-61689-039-1

Houses of Maine hc / $40.00 / £25.00 978-1-61689-122-0

Elegantissima hc / $40.00 / £25.00 978-1-61689-097-1

Prospect Park hc / $45.00 / £27.99 978-1-61689-118-3

A Guide to Archigram 1961–74 pb / $40.00 / £25.00 978-1-61689-086-5

More Scenes from the Rural Life hc / $24.95 / £14.99 978-1-61689-156-5

Casa Alta hc / $50.00 / £30.00 978-1-61689-056-8

We Sit Together pb / $24.95 / £15.99 978-1-61689-159-6

Instant hc / $24.95 / £15.99 978-1-61689-085-8

The Greenest Home hc / $45.00 / £27.99 978-1-61689-124-4

Art Parks flexi / $35.00 / £21.99 978-1-61689-129-9

Southern Makers Food, Design, Craft, and Other Scenes from the Tactile Life Jennifer Causey

Food, Design , Craft , and Other Scenes from the Tactile Life

JENNIFER CAUSEY Author of Brooklyn Makers

Shipping September 2013 — 7.5 × 9.5 in / 19 × 24 cm 192 pp / 300 color Paperback 978-1-61689-164-0 $24.95 / £15.95 Rights: W

52495

In this follow-up to our bestselling Brooklyn Makers, photographer Jennifer Causey returns to her Southern roots to introduce us to a group of artisans with a long tradition of craftsmanship and a wonderfully vibrant cultural history. In communities across the South, amidst breathtaking country landscapes and bustling city neighborhoods, a thriving creative revival is underway. In Southern Makers, Causey captures the spirit of this movement by documenting twentyfive of the area’s most celebrated craftspeople. This eclectic mix of established and up-and-coming makers includes bakers, textile artists, denim designers, jewelers, woodworkers, brewers, farmers, and more. Causey’s photographs are suffused with Southern charm as she explores the artisans’ spaces—from restored homes and old factories to repurposed gas stations, general stores, and flowering fields. The lively interviews reveal personal inspirations and motivations, along with heartfelt reflections on the place where they live and work. • Features makers in Nashville, TN; Asheville, NC; Charleston, SC; Athens, GA; and the surrounding areas • Highlighted makers include Rinne Allen (photographer); Another Feather (jeweler); Imogene + Willie (denim makers); Hable Construction (textile designer); Farm and Sparrow (bakers); and Jackalope Brewery

9 781616 891640

Also Available . . .

• Includes a makers index with a guide to local markets and other favorite Southern spots • Jennifer Causey is a native of Atlanta, GA, and currently lives in Brooklyn, NY

Brooklyn Makers 978-1-61689-074-2 $24.95 / £15.99

Handmade Nation 978-1-56898-787-3 $24.95 / £14.99

Rights: W

Forthcoming Titles | Fall 2013 | p r i n c e t o n a r c h i t e c t u r a l p r e s s

STATIONER

north carolina — another feather

Sanderat urempor iberum quam verem aut vit, tem corrum qui odi vent molorerum ad molupta ssitio il et quis etur si cus, vendit que expelicil evenihi litiore peratur sapisci ulpariorecus a aperio bea sitae id eum quis volupic aerionem harcimus nis et et venti.

Brown Parcel Press who — Megan Fowler location — Sparta, Georgia

Megan Fowler is the epitome of Southern hospitality. She and her husband, Brad, live with their young daughter Emolyn on the thirty-one-acre Three Centuries Farm in Sparta, Georgia. When not running her letterpress business, Megan works with her husband raising livestock on their land, producing heritage-breed pork and free-range eggs, as well as managing a vegetable farm nearby. Brown Parcel Press is run out of a 1920s former general store located on their property. The charming building sits across the street from their home, complete with floor-to-ceiling wooden shelves, a porch containing an out-of-use gas pump, and the sign from the couple’s wedding. Creating within a building filled with rich history inspires her work and work ethic immensely. Her spacious studio more than accommodates her large, heavy equipment, including two vintage letterpresses: a

156

NORTH CAROLINA — ARTIST NAME

Heidelberg Windmill and a Vandercook SP-15, and an antique paper cutter that she prefers to modern ones. Megan loves living a little off the beaten path in rural Sparta. It feels like home for her and she thrives on the sense of community that surrounds her. Megan took her first letterpress class from Margot Ecke, who later became her mentor, at the University of Georgia. She is drawn to the beautiful impressions, a crispness and clarity that lacks in digital printing. She also appreciates the physicality of the work, creating a connection to each piece that runs through the press. Her prints reflect her daily life, incorporating nature, animals, fruits and vegetables—often inspired by what is in season on her farm—and traditional Southern foods. She loves the sense of having accomplished something at the end of the day, starting with blank pieces of paper and ending with a stack of colorful prints—and ink-

Fleet Co. Leather Goods

georgIa — rInne allen

LEATHERWORK ER

who — Malcolm Smitley location — Asheville, North Carolina

Arum solesti onsequame pos utem fugit atur, tem soloria abo. Id quat.Optus nos accusam il ipiendia quam quo dolupta tuscimpos dolupta volora que non pero blaut laborem remporupta quidis es as essima ditatquisim la disquia qui alicia si rectores delest quo odigene res autem hiliquiae ea volorupta voluptae sequatenihit ex expliaest que sapitatur, vel est, omnissu samusae ea cone cuptati usanda quam sam core volupis est et repta suntem quatior poresequis mil im cus saepre, sim sapero blaboribus acescid elicit exernam haribus is doloria eptatio. Tem eaquid quia debit eliquate commod ea velicto taquisque num voluptur, expelibusam ut int rersped eosamus maximi, cum nobita sandem.

Ut quo moditatur, inverum assimporem. Et et voluptia vidus, seque pere perovit atibus et il idus nobisitem ut fugit dolorecatum aut offictis del moluptas resequam, untibus dantio. Upicill eseque nonse magnam volenim illori dolorem. Em. Acescid qui restrum quaspe destis illaborest inum quam voluptibusam consequi ut laborror sime soloribus aspelit aut doluptibusam fugia veliquossimo blaceatur molupta temporum harcilluptae expliquiatem et ipicitas rem exeritinctet qui ide quunto maximus dolum sus ea des exceres everum net essit et ut ulpa quodi ad magnam, nobit que pratur sollent iberferia conesequi doloreh endipsam vitat inversp erspis que diorum qui autemolu

In wInter, my lIght drawIngs look very sparse and sculptural, and In summer they look lIke abundance.

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The Instant Expert series

Instant Expert

whiskey

shoes

John Lamond

Linda O’Keeffe

For men and women who appreciate the finer things in life, our new Instant Expert series is your ready guide to the world’s most skilled artisans, culinary connoisseurs, and designers.Written by the leading voices in their fields, each stylishly understated volume is compact enough to slip into your jacket or handbag for an afternoon of sophisticated shopping or conversation.

Whiskey

Shoes

John Lamond

Linda O’Keeffe

Whiskey is an authoritative guide to savoring the world’s most elegant and complex spirit to the fullest. Author and Master of Malt John Lamond guides readers from the distilling process to tasting notes, from single malts to bourbon and elegant blends. Featuring a glossary of important terms and a directory of rare and prestige whiskies to explore in greater depth, Whiskey will make an instant expert out of anyone thirsting for some specialized knowledge.

Shoes celebrates the world’s most beautifully made footwear from handcrafted bespoke pieces to the most sought after collections from luxury brands. This unique guide offers impeccable advice on all aspects from fit and style to fabrics, and features an authoritative directory of the most celebrated shoe designers in the world, including Manolo Blahnik and Christian Louboutin. Witty, assured, and informative, this book will help fuel your fervor for this most coveted of fashion items.

• John Lamond is one of the world’s leading authorities on whiskey and the author of numerous books on the subject Shipping September 2013 — 4 × 6.75 in / 10.2 × 17.2 cm 144 pp / 35 color / 10 b+w Hardcover with elastic band 978-1-61689-216-6 $18.95 Rights: NAM 51895 9 781616 892166

• Linda O’Keeffe has contributed to numerous publications, including Cosmopolitan, Harpers Bazaar, GQ, and Details. She lectures frequently and makes regular appearances on radio and television design programs. Shipping September 2013 — 4 × 6.75 in / 10.2 × 17.2 cm 144 pp / 35 color / 10 b+w Hardcover with elastic band 978-1-61689-222-7 $18.95 Rights: NAM 51895 9 781616 892227

Forthcoming Titles | Fall 2013 | p r i n c e t o n a r c h i t e c t u r a l p r e s s

w w w. pa p r e s s .c o m | 1- 8 0 0 - 759 - 019 0 | Fall 2013 | Forthcoming Titles

Now

The Lost Christmas Gift

back in stock

Andrew Beckham

Shipping October 2013 — 12 × 10 in / 30.5 × 25.4 cm 40 pp / 60 color Hardcover 978-1-61689-102-2 $29.95 / £18.99 Rights: W

52995 9 781616 891022

Published last fall to glowing reviews, The Lost Christmas Gift quickly sold through its first printing to become a holiday hit and instant Christmas classic. Andrew Beckham’s poignant tale features an exquisite book lovingly handmade by a father to show his son what really happened during an adventure they shared one blizzardy Christmas Eve. Featuring a lively combination of maps, vellum overlays, drawings, watercolors, and photographs, The Lost Christmas Gift faithfully reproduces the mysterious present— lost in the mail for decades—revealing that the silvery man in the woods who helped them get home was, in fact, no stranger, but somebody well known to us all. Appeared on numerous bestseller lists and holiday gift guides: “ We all fell in love with this book. . . .It’s just the perfect book for the season.” —Heather Duncan, Tattered Cover Book Store, as quoted in the Denver Post “ Youngsters and adults will appreciate the simple spell this lovely and unusual book casts.” —School Library Journal “ I was deeply touched by a most extraordinary new work that is destined to become a yuletide classic. Like me, you will marvel at this tale. And perhaps have a tear in your eye by book’s end.” —San Jose Mercury News

Also Available . . .

You Are Here 978-1-56898-430-8 $24.95 / £14.99

Map as Art 978-1-56898-972-3 $29.95 / £17.99

Rights: W

“ The Lost Christmas Gift is a beauty, a holiday charmer.” —Albuquerque Journal “ Every now and then a holiday book captures the season with cross-generational appeal… convincing enough to keep young readers guessing, and memorable enough it might be worth making a holiday tradition.” —FeltandWire.com

Forthcoming Titles | Fall 2013 | p r i n c e t o n a r c h i t e c t u r a l p r e s s

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The Big Picture America in Panorama Josh Sapan

Shipping September 2013 — 15 × 6.5 in / 38 × 16.5 cm 144 pp / 95 duotone Hardcover 978-1-61689-165-7 $29.95 / £18.99 Rights: W

52995 9 781616 891657

At the turn of the twentieth century, photographic technology and an American culture of optimism and self-celebration combined to create what Luc Sante calls the “strange and compelling medium” of panoramic group photography. Organizations famed and obscure—from the Anti-Saloon League of America and the troops at Camp Sevier during the Great War to the members of the Midget Swing Review—commissioned photographers to produce images that sometimes encompassed a full 360 degrees. No public event—a circus, a train wreck, or the Army-Navy football game—was too grand or eccentric to deserve its own wide-angle commemoration. The photographs compose a portrait of a society on the cusp of sweeping change, as their details preserve the enduring humanity of their subjects: a bathing beauty tosses her curls; a group of cross-dressing women smile enigmatically at an off-camera friend; children at play on a summertime lawn appear only as blurs behind an Ohio town meeting. The Big Picture gathers nearly one hundred of these fascinating images, most never before published, bringing the shared experience of American history from the late nineteenth century to the WWII era to life. • Celebrated public figures provide many of the extended captions, giving their personal take on these remarkable images. Contributors include Yogi Berra, Dick Cavett, Donny Deutsch, Arianna Huffington, Bob Kerrey, Anna Quindlen, Roger Staubach, and Martha Stewart.

Also Available . . .

• Photographs are organized thematically: building America, work, conviction, equality, war, community, spectacle, leisure, and sports • Luc Sante, author of Low Life, contributes an introduction discussing the history and development of panoramic photography

Life on the Lower East Side 978-1-56898-939-6 $29.95 / £19.99

New York Changing 978-1-56898-473-5 $40.00 / £28.00

• Josh Sapan is the CEO of Rainbow Media, operator of the cable channels AMC, WE tv, IFC Films, and the Sundance Channel

Rights: W

Forthcoming Titles | Fall 2013 | p r i n c e t o n a r c h i t e c t u r a l p r e s s

Omaha Merchants Express and Transfer Company

Omaha, Nebraska, ca. 1908

builDing aMEriCa

America is a country %hat doesn’t know where it ’s going but is determined to set 2 speed record geªing •6re. —Laurence J. Peter

Historian Frederick Jackson Turner’s “frontier thesis” advanced the idea that the United States’ expansion westward brought with it a shedding of stale European concepts and produced a distinctly American set of

development and, not rarely, exploitation. Descended from those early generations of egalitarian pioneers were a generation of successful entrepreneurs—a moneyed, privileged, and self-protecting cadre of business and civic

of the inner circle of—the Omaha Business Men’s Association, a secret organization of local business leaders who stalled the expanded unionization of labor in Omaha for the next three decades. As long as there’s been Big Business

ideals saluting egalitarianism, innovation, and rugged individualism. Turner considered the American frontier closed by 1893, after which expansionism evolved into internal

leaders. Around the turn of the twentieth century, Walter S. Jardine, head of the Omaha Merchants Express and Transfer Company, helped organize—and remained a member

in America, there’s been organized labor, the contest between them ceaselessly moving through cycles that first favor one side, then the other, even up to this day. —Bob Kerrey

Mr. Henry M. Flagler and party exiting the first train to arrive in Key West at the opening of the Florida East Coast Railroad

Key West, Florida, ca. 1912

Henry M. Flagler, one of the founders of what came to be Standard Oil, is considered to be the man who invented modern Florida.

left the oil business in 1885 and set out to realize his dream for Florida at an age when most men would have retired. Flagler’s

and joined them to form the Florida East Coast Railroad (FEC), extending the system’s reach— in one of the most impressive feats of American

went, hotels and farms sprang up alongside. The FEC eventually went bankrupt during the Great Depression, but by then its rails had

A visit to the state in the 1870s sparked a vision in his entrepreneurial eye. A man who saw what could be rather than what was, Flagler

dream was to unite the state through modern transportation, which at that time meant by rail. He acquired several small railroads

railroad construction—to Key West in 1912, thus tying the east coast of Florida together from Jacksonville to Key West. Wherever the FEC

already laid the groundwork for decades of expanding tourism and agricultural development, which remain keystones in the state’s economy.

Tk — tk

Ground breaking for the Japanese concession at the Panama-Pacific International Exposition

San Francisco, California, ca. 1914

Many world’s fairs followed the first one, the 1851 Great Exhibition of the Works of Industry of All Nations in London. Each fair tried to outdo the previous one, but all were built around the idea of bringing together state-ofthe-art advances in science and technology from around the world. The San Francisco world’s fair of 1915 was no exception, conceived in part as a celebration of one of the great engineering feats of the still-new century, the completion of the Panama Canal. The fair also saluted the city, which had come back remarkably from the devastating earthquake of 1906. Eventually, the focus of the world’s fairs would change, and they became less about celebrating innovation than about showcasing the host country.

Human Liberty Bell

Camp Dix, N ew Jersey, 1918

Eleventh Lafayette Infantry Divisionl

Camp Meade, Maryland, date unknown

There is probably no better example of the effusive patriotism that accompanied the United States’ entry into World War I than the “living photographs” and “living insignias” depicted here. Massive numbers of people came together to create these grand-scale representations; the resulting photographs signified the country’s unity of purpose and boundless resources—they were a big country’s way of saying something big in a big way. In 1918, twenty-five thousand men at Camp Dix composed this living Liberty Bell; the living insignia of the Eleventh “Lafayette” Infantry Division was formed at Camp Meade, which, like Dix, was one of the numerous training camps quickly set up following 1917’s Selective Service Act. Before the war was over, Camp Meade would train one hundred thousand men as well as twelve thousand horses for combat overseas (like other nations’ armed forces of the time, the US military still employed mounted cavalry and heavily depended on horses to move supplies and equipment). Unlike most of the camps hastily erected in 1917, both camps—later renamed Fort Dix and Fort Meade—are still in operation today.

Miss America Pageant (originally known as the Inter City Beauties)

Atlant ic City, N ew Jersey, 1926

The year 1926 marked a breakthrough for the

and the arrival of true American Sweethearts.

Miss America pageant when Norma Smallwood, a full-blooded Cherokee Indian, was the first non-Caucasian to win. This picture brings a flood of memories of what was, in many ways, a better time. I was brought up in Atlantic City in the 1940s and ’50s (before the onslaught of gambling), when we rode our bikes to school and eagerly awaited the Miss America pageant

Everyone picked a favorite during the parade, and it really mattered who would be, as the song promised, “the queen of femininity.” As the bathing suits got smaller, the talents less amazing, and the hype greater, the pageant became just another reality show. Things change, but fortunately, memories stay the same. —Bill Persky

Inter City Beauties performing at Showmen’s Variety Jubilee at Steel Pier

Atlantic City was already an established seaside resort by the 1860s and only grew more popular with the addition of its famed boardwalk in 1870. But Atlantic City’s business was seasonal. Come Labor Day, the ocean waters would chill, business would begin to fall off, hotel rooms would empty, and the boardwalk booths would

close up. Atlantic City’s Businessmen’s League came up with a plan to keep the tourists visiting in September: the Fall Frolic. The high point of the Frolic was a parade of 350 attractive, costumed “maidens,” who were pushed along the parade route in the wheeled wicker chairs that were a boardwalk fixture. The

Atlant ic City, N ew Jersey, September 3–8, 1935

first Frolic—mounted in 1920—was such a success that it led to 1921’s inaugural Inter City Beauty Contest. The winner of the contest was crowned Miss America. By 1927 the roll call of contestants had grown from the first year’s twenty contestants to eighty-three from all over the country.

Although the contest was suspended for several years during the Great Depression, it resumed in the late 1930s, more popular than ever. By the 1950s the Miss America Pageant had become a lavish affair, and its audience had expanded from the thousands jammed into Boardwalk Hall to the millions with television sets.

Sadly, by the late 1950s, Atlantic City had lost its position as a prime tourist destination. Even legalized casino gambling in the 1970s could not turn the city around, and in 2006 the Miss America Pageant moved to Las Vegas.

w w w. pa p r e s s .c o m | 1- 8 0 0 - 759 - 019 0 | Fall 2013 | Forthcoming Titles

Studio Life Rituals, Collections, Tools, & Observations on the Artistic Process Sarah Trigg

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In 2009, artist and writer Sarah Trigg embarked on an ambitious field expedition across the United States, interviewing more than two-hundred artists in their studios. She sat down with everyone—from painters to performance artists—to investigate a wide range of art-making practices. The result is Studio Life, a fascinating photographic and written account of one hundred of her most illuminating visits. Trigg asks her subjects to share objects and working habits in six categories: mascots, collected objects, rituals, makeshift tools, residue, and habitats. These talismans and behaviors provide a framework for artists to reveal insights into their practices and the nature of the creative life. Intriguing and often humorous anecdotes emerge—of one studio’s mysterious sealed vault, another’s resident bunny—and countless sources of inspiration are unearthed: vintage comics, purses, and kitschy figurines; faded yearbooks and treasured cards and letters; and one handwritten reminder to “Quit Feelin’ Sorry for Yourself.” Accessible and relevant for amateur aesthetes and art-world professionals alike, Studio Life offers an insider’s view of the artistic process as well as a snapshot of the most interesting work being produced today. • A fascinating alternative approach to understanding art • Includes 100 artists (painters, sculptors, photographers, video artists, and performance artists, among others) from the established to those beginning their careers

Also Available . . .

• Artists include David Altmejd, Tauba Auerbach, John Baldessari, Carol Bove, Theaster Gates, Michelle Grabner, Peter Halley, Rashid Johnson, Tony Oursler, Dana Schutz, Jim Shaw, Pat Steir, Fred Tomaselli, and William Wegman • A visual index provides biographical information and references to locate additional work for each artist

Inside the Painter’s Studio 978-1-56898-852-8 $35.00 / £22.50

Brooklyn Makers 978-1-61689-074-2 $24.95 / £15.99

• Sarah Trigg is an artist, writer, photographer, and the mastermind behind the widely read website the Goldminer Project. She lives and works in Brooklyn, NY.

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Forthcoming Titles | Fall 2013 | p r i n c e t o n a r c h i t e c t u r a l p r e s s

WILL COTTON

PAT STEIR

New York, New York

ill Cotton’s concoctions of lavishly baroque still lifes and nudes lounging within cotton-candy dream worlds are so decadent and sexual that one might overlook the fact that his approach to painting is intensely reverent. One sees his respect for his forebears in the mixing area of his palette, where the layering of mediums and pigments approaches the translucency of real skin. [160_1A] At Cotton’s live/work studio in the Lower East Side was the partially crumbled gingerbread house that served as a model for introspective works such as the fog-obscured scene Eutopia (2008) and the wistful Alpine Ruin (2008), compositions that stand in contrast to his generally opulent oeuvre. [162_1B] Cotton’s titles often reference classic desserts and confections: Crème Anglaise (2002), Spumoni Stream (2005), Pudding Flood (2003), Taffy Forest (2007). In many of his portraits, the subjects are topped with crowns made of lollipops, silvery Jordan almonds,

New York, New York

meringue, madeleines, and ribbons of candy hair—the traces of which are pictured directionalTK. [161_1B] Just as I was wrapping up the shoot, I noticed Cotton’s cat, Chloe, who seemed to be posing in an imaginary throne. “She’s a Lilac Point Siamese. She’s definitely my mascot.” By the time I wrote this text, Chloe, who had made it to twenty, had passed away. Cotton sent me a photo of her resting in one of his cotton-candy clouds. [163_1B]

n legendary painter Pat Steir’s best-known work, threads of paint, assisted by gravity, stream down enormous canvases from wide, horizontal brushstrokes. Inside her studio, on the wall next to canvases-in-waiting, were fields of paint viscosity and color tests. [450_1a, 451_2b, and 452_2b] For her paintings’ backgrounds, she layers several intense colors to create rich but subdued hues—the traces of which are pictured directionalTK. [453_1b] I noticed some potential titles written on a column. Steir sometimes meditates in the space, but with no particular favorite spots within the studio. “This space, this studio, is my favorite space,” she said. When I asked if she might have any rituals, she responded:

I invented art for myself to disengage, not to engage. I grew up in a big family, so there was always a lot of noise. I’m the oldest. Soon as one of the children started to cry, I started to draw, to get away from the noise. To this day if someone visits me with a small child, I start to draw. I can’t help it.

I asked if children inspire her, to which she swiftly replied, “Not inspire me, but it’s fun. I don’t like the word inspiration really very much—as though something comes from thin air to you, and that’s not really what happens. It’s experience.”

Waiting is a part of my process. Waiting to be ready. I can’t say waiting for an idea because I don’t really work through ideas. On the other hand, I think my work is conceptually based. But a concept isn’t an idea. I work with gravity and meditation, really. So I wait to start the way that a Japanese calligrapher would, or the Chinese literati landscape painters.

When I visited Steir, her studio was on the twelfth floor of the Starrett-Lehigh Building on Twenty-Sixth Street in Chelsea. She had been there for ten years. Her previous studio locations have all been in Manhattan. One was on Fourteenth Street, before a series of suspicious fires led to the demolition of the block. Before that, she’d had a place in SoHo for twenty-two years, starting around 1965, with a rent that rose to no more than 160 dollars a month. When I asked if her current space has changed her work, she responded that every aspect of life, including a studio—its size, the height of its ceiling, the quality of the light—affects the outcome of the work. Steir invites children of friends to her studio to make art under her guidance—curious happenings, independent from her practice. I suspect she offers her time and attention to provide the same escape that she herself had discovered as a child:

Studio Life

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Pat Steir

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John Baldessari

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WILLIAM WEGMAN New York, New York

y far the most clamorous reception I encountered was at the home and studio of William Wegman, by his three Weimaraners— Candy, Bobbin, and Flo. Wegman is widely known for the photographs, films, and videos he stages of his gray-furred clan. This three-decade story began with Wegman’s legendary Man Ray. Fay Ray succeeded his reign in 1986, as later did her offspring and theirs in turn. Flo, pictured here, arrived in March of 2012 and Topper in May, shortly after my visit. Appearances over the years have included The Tonight Show and Late Night with David Letterman, and Wegman has created film and video works for Saturday Night Live, Nickelodeon, and Sesame Street. Wegman has also produced a series of children’s books (including Little Red Riding Hood, Mother Goose, and Chip Wants a Dog) and many others for adult readership. “I was so excited to see that chair,” Wegman said of the object that had facilitated our meeting. [196_1c] I had first heard about the chair during my visit with Analia Saban in Los Angeles (page TK), who informed me that Wegman (and subsequently John Baldessari [pageTK]), had lived and worked in the studio she now inhabits. The chair had been left behind until 2011, when Wegman had dropped by Saban’s place and had been reunited with his beloved object. This particular chair was one of five that often had been used in his practice; one of this style can be seen, just barely, in Stomach Song. In that 1970 video, a shirtless Wegman, framed from the neck down, contorts his torso into a face that hums a hilarious tune. One of the chair’s brethren, a metal one, was the subject of Wegman’s Massage Chair (1972–73), in which he parodies an infomercial for a massage chair, beating the side of it with a stick. Since Wegman and this particular chair had last partnered, it had been painted white (possibly during Baldessari’s tenure at the studio) and repaired by Saban with yellow duct tape. Saban had shipped it back to Wegman a few months before my visit. Flo and Wegman had given the chair a test run. [197_1b, 198_1b, and 199_1b] As if born to it, Flo had

climbed on it to strike a pose. Wegman told me a bit about the dogs’ assimilation process: From the beginning with Man Ray, there would be nobody else in the room. I’d be talking to him. The camera would be here. He would look over to check. It’s apparent when you see the videos, in [Spelling Lesson (1973–74)], where I’m asking him, “Do you want to go to the beach?” He looks into the camera, saying, Oh, I see, we’re doing one of those, and then rolls his eyes. They’ve come to like it. I make it so it’s not about treats but just a normal thing that they do, and that’s what I enjoy. I like to see how different each dog might be. Some are helpful; others are sleepy; some are in between. When I was training Flo, I put her next to the dog I was working on, so she would think she was working. She’d get used to the lights and the fact that this was a studio situation. I would put her on a pedestal next to the dog who was in the scene, because when I wasn’t putting her in, she would rush in and kind of screw it up. When they don’t want to do it, they let you know, too. My second dog, Fay, would act very heavy. She’d get flat on the floor, so she’d be very heavy to pick up. It would add thirty pounds to her weight.

At the time of our visit, Wegman was finishing a large body of paintings each begun by attaching a postcard to the middle of the ground and then working outward, inventing the rest of the scene. Wegman had a massive collection of postcards. [200_1a] “A friend from Syracuse just gave me this whole box.” [201_3c] I asked him if his children’s-book series were inspired by his own two children, Atlas and Lola. “I started them before I had kids, and then when I had kids, I decided that I didn’t really want them to be so wordy. You have to read them out loud! So I abridged several of them.” As we were talking, he pointed out a piece of packing foam behind me that he had painted and decorated with his son when he was three. [202_1b] A purplish dog, no doubt a Weimaraner, was soaring in the air alongside what was either a blimp or missile above a house/metropolis. Wegman pointed out a few

William Wegman

TAUBA AUERBACH

JOHN BALDESSARI

Brooklyn, New York

mong Tauba Auerbach’s best-known works are canvases that she mists with various colors of paint before pulling them taut over painting stretchers. Every wrinkle in the material retains its raised appearance after it has been stretched flat over the supports, creating a topographic effect. She sprayed these works at a warehouse-size studio in Williamsburg, Brooklyn. The location was only temporarily available to her, so we seized the moment to document the residual overspray from her many canvases. (The majority of her other projects are conceived and given form at her studio in Bushwick, Brooklyn.)

228

Venice, California

isiting John Baldessari’s studio was a proper ending to my three-year journey of documenting artists across the United States. Born in 1931 and one of the most historically important artists living today, Baldessari could be considered a granddad to artists everywhere. His six-foot-seven-inch frame and legendary white beard complete his near-mythical stature as a giant. His recently constructed studio building in Venice was designed to accommodate several types of workspaces for contemplation and production. Upon arriving, I immediately noticed that eye level for viewing his collected memorabilia was around two feet higher than usual. My tripod, even fully extended, couldn’t reach my desired angle, but I managed to scale a ladder for a few close-ups. [650_1a, 651_1c, 652_2c and 653_2c] Up there, among other notable items, was a collection of baseballs, a container of used paint tubes, a brain-shaped candle, a Los Angeles County Museum of Art mug (Baldessari designed the museum’s logo), a cover image for Parkett magazine of Baldessari’s and Cindy Sherman’s faces bisected and merged into one, a miniature easel with a blank canvas, a set of six Gnarly Noses, a nickel-plated cast nose, and an artist figurine grasping a palette of primary colors and sporting the stereotypical beret and paint-smudged smock. This reference to painting points to a significant moment in Baldessari’s career. In 1970, as a talented but frustrated painter, he cremated his archive of more than five hundred paintings and recast himself as a conceptualist. A portion of the ashes is kept in a bronze, book-shaped urn titled Cremation Project. The signature mark making Baldessari is best known for is blocking out body parts with brightly colored cut-out shapes and sale sticker dots, creating visual messages that are wryly humorous. For example, to counterbalance art history’s attention to eyes, mouths, and the erogenous zones, Baldessari foregrounds noses, ears, eyebrows, elbows, and knees. This brings me to a giant plant pod in the shape of an eyebrow, which I discovered hanging over the

She greeted me cheerily at the door, clad in her painting clothes with a respirator hanging around her neck. She was working toward a deadline, and inside I could hear the industrial drone of an air compressor chugging away. Drapes of sheer plastic sheeting hung from two-story-high ceilings to cordon off three work areas. [637_1A] Fringing the boundaries of the work areas at eye level were strokes of jewel-tone test spraying, and just beneath this layer was a dense blanketing of built-up coats of sprayed paint. In varying shades of mauve, it covered the ground and the skirt edges of the plastic sheets in a forest of purplish moss. [638_1B], 639_2B, 640_1A, 641_2C, 642_1B, and 643_1B]

229

232

window in his production room. [654_1b] On one end was a chalked inscription: “To John, From Tom.” Studying painting masters clearly still shapes his visual strategies. Next to his desk were stacks of current reading material: books on Édouard Manet, Nicolas Poussin, Otto Dix, baroque art, and the rococo, alongside ones on Christian symbolism, the Big Bang, and the anatomy of the human brain. [655_2b] Holding down newspaper clippings and magazines on top of his desk sat a stuffed toy rooster with feathers in as bright a white as Baldessari’s notorious beard. On the other side of the desktop was a half-smoked cigar, and nearby was a gigantic daybed. [656_1b] Toward the front door was a wall dedicated to selected ephemera. [657_1b] Among the many exhibition announcements were photos of his yellow Labrador, Giotto; a still from the Wizard of Oz of Dorothy’s ruby slippers zapping the green hands of the Wicked Witch; and Albrecht Dürer’s Muzzle of an Ox Seen from the Front. Opposite this wall was a gargantuan floor-to-ceiling entrance with two peepholes: one at Baldessari’s eye level, the other for normal-height mortals. [658_1a]

w w w. pa p r e s s .c o m | 1- 8 0 0 - 759 - 019 0 | Fall 2013 | Forthcoming Titles

The Filmmaker Says Quotes, Quips, and Words of Wisdom Compiled and edited by Jamie Thompson Stern

“No saint, no pope, no general, no sultan, has ever had the power that a filmmaker has—the power to talk to hundreds of millions of people for two hours in the dark.” —Frank Capra

Shipping September 2013 — 5 × 7 in / 13 × 18 cm 160 pp / 2-color Hardcover 978-1-61689-220-3 $14.95 / £8.99 Rights: W

51495 9 781616 892203

Inspiring everything from pop culture earthquakes to popular revolutions, filmmakers have demonstrated an uncanny ability to move the masses. But the drama they project on screen is only half the picture. Stretching back from its earliest days of two-reel silent films to the latest 3-D digital blockbusters, film history provides a cast of characters ready to spill witty bon mots, outrageous pronouncements, and heartfelt reflections. The Filmmaker Says is a colorful compendium of quotations from more than one hundred of history’s most influential and opinionated creators of filmed entertainment. Paired like guests at the ultimate filmgeek dinner party—a celebrated filmmaker of today might sit next to a giant from the silent era—the members of this raucous crew puts on a show arguing, complimenting, and disagreeing with each other about every step of the moviemaking process. A perfect gift for working filmmakers, aspiring auteurs, and avid moviegoers, The Filmmaker Says will delight anyone who has dreamed of yelling “action” or just can’t wait for the lights to go down and the curtain to go up. • The third volume in the Words of Wisdom series following The Architect Says and The Designer Says

Also Available . . .

• Featuring quotes by Hollywood and Independent directors, producers, cinematographers, screenwriters, editors, studio heads, and even a few critics • Themes include: the role of the director (and of actors, writers, and producers), the value (or not) of education, censorship, criticism, and fame • The first well-designed portable compendium that focuses solely on quotations by leading filmmakers

The Designer Says 978-1-61689-134-3 $14.95 / £8.99

The Architect Says 978-1-61689-093-3 $14.95 / £8.99

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• Jamie Thompson Stern is a freelance writer and editor living in Los Angeles, CA

Forthcoming Titles | Fall 2013 | p r i n c e t o n a r c h i t e c t u r a l p r e s s

THE FILMMAKER SAYS

Life is a tragedy when seen in close-up, but a comedy in long-shot. Charlie Chaplin

Mel Brooks

(1889 –1977)

Brian De Palma

THE FILMMAKER SAYS

Photography is truth. The cinema is truth twenty-four times per second. Jean-Luc Godard

(1930 – )

(1940 – )

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THE FILMMAKER SAYS

I DON’T DIRECT A FILM, I SET UP AN ATMOSPHERE AND THE ATMOSPHERE DIRECTS THE FILM. John Cassavetes

(1929 – 89)

Most of the good things in pictures happen by accident. John Ford

(1929 – )

THE FILMMAKER SAYS

THE CAMERA LIES ALL THE TIME. IT LIES TWENTYFOUR TIMES A SECOND.

Tragedy is when I cut my finger. Comedy is when you walk into an open sewer and die.

Featuring quotations from: • Woody Allen • Wes Anderson • Kathryn Bigelow • Mel Brooks • Tim Burton • James Cameron • Frank Capra • Charlie Chaplin • Joel and Ethan Coen • Francis Ford Coppola • Cameron Crowe • George Cukor • Brian De Palma • Federico Fellini • Jean-Luc Godard • Werner Herzog

• Alfred Hitchcock • John Huston • Alejandro Jodorowsky • Spike Jonze • Stanley Kubrick • Ang Lee • Spike Lee • George Lucas • David Lynch • Roman Polanski • Steven Spielberg • Oliver Stone • Quentin Tarantino • Gus Van Sant • Orson Welles • Billy Wilder among others

(1894 –1973)

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In the City Drawings by Nigel Peake Nigel Peake

Shipping October 2013 — 6 × 8 in / 15 × 20 cm 144 pp / 90 color Hardcover 978-1-61689-154-1 $22.95 / £13.99 Rights: W

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For the follow-up to In the Wilds, his much-loved illustrated ode to rural life, Nigel Peake swaps the bucolic Irish countryside, where he grew up, for the bustling sidewalks of the city. Peake’s companion volume, In the City, explores the visual details of a variety of urban metropolises, including Shanghai, New York, Antwerp, London, Paris, Oslo, Lausanne, Budapest, Istanbul, and San Francisco. These new drawings and paintings document the sights, sounds, shapes, and textures he absorbs as he wanders the streets without a map or sits in a café while waiting for a train. Peake’s hand-drawn observations capture the colors, grids, surfaces, paths, reflections, rooftops, and other details—from reflections on windows and cracks in the pavement to the frayed posters on building walls. What emerges is a personal and universal portrait of a city in all its beautiful and intricate forms, structures, and patterns. • The follow-up and companion volume to the bestselling In the Wilds • A charming collection of 90 original drawings made with pen, ink, and watercolor • Nigel Peake’s drawings and paintings have been widely exhibited. He has worked with a variety of high-profile clients, including Hermès, the New York Times, the Tate, Ninja Tune, and Dwell magazine. • Published simultaneously with our new Nigel Peake City and Country notecards

Also Available . . .

In the Wilds 978-1-56898-952-5 $22.95 / £14.99 Rights: W

Blackstock’s Collections 978-1-56898-579-4 $21.95 / £12.00 Rights: W

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THE QUEST TO AUTHENTICATE 181 WOULD-BE MASTERPIECES OF THE RUSSIAN AVANT-GARDE

Shipping October 2013 — 7 × 9.5 in / 18.4 × 23.5 cm 176 pp / 200 color Paperback 978-1-61689-162-6 $30.00 / £18.99 Rights: W

53000

From Russia with Doubt The Quest to Authenticate 181 Would-be Masterpieces of the Russian Avant-Garde Adam Lerner

In 2010 the Museum of Contemporary Art Denver director Adam Lerner did something unheard of in the museum world: he mounted a large exhibition of paintings without first knowing whether they were real or fakes. Painted in the Suprematist and Constructivist style of early twentieth-century Russian avant-garde masters, the 181 canvases had been acquired by amateur collectors Ron and Roger Pollard from a mysterious seller in Germany they met on eBay who claimed the paintings were found in an abandoned shipping container held in German customs since the 1980s. In From Russia with Doubt, Lerner skillfully weaves together the tale—from the initial eBay find to his controversial decision to exhibit the collection—guiding readers through the looking glass into the Byzantine corridors of the art world and beyond, describing the owners’ quest to authenticate and appraise the would-be masterpieces. What he finds raises powerful questions about our own relationship to art. • Accessible text reads like an absorbing episode of NPR’s This American Life • Has all the elements of a first-rate whodunit: a cast of characters, mysterious package contents, financial motives, forensic-writing specialists, and a secretive meeting at a Paris train station

9 781616 891626

Also Available . . .

• In addition to images of the collection, the book includes original documents and evidence supporting the search for authentication • Highlights important issues relevant to museums, collectors, and the art-viewing public • Adam Lerner is Director and Chief Animator at MCA Denver

The Englishman Who Posted Himself and Other Curious Objects 978-1-56898-872-6 $24.95 / £14.99

The Toaster Project 978-1-56898-997-6 $19.95 / £12.99 Rights: W

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Forthcoming Titles | Fall 2013 | p r i n c e t o n a r c h i t e c t u r a l p r e s s

Ron has continued his collecting hobby into adulthood. He does not hoard things, but he spends a sig-

Ron began by bidding on two cubist-inspired works

nificant amount of time on eBay, looking for modern

of human faces consisting of overlapping, hard-edged geometric forms, but he lost the auction to another

furniture and objects whose value someone might have underestimated. He has an amateur obsession with his-

buyer. A third painting from the seller was a hodgepodge

tory and a good knowledge of modern design and art.

of simple shapes: a circle, a triangle, and a couple of near rectangles on a plain white ground. Ron and Roger

He continues to pride himself in being able to find rare objects that others overlook.

decided to pool their money this time and won the auc-

Ron may have picked up the habit of collecting from

tion at 610 dollars. [Figure 7] Ron then bid on a fourth painting, a slightly more classic cubist collage, but lost the auction to a

when he brought her the two paintings: “She looked at them and said,

Left

buyer who was willing to pay 807 dollars.

‘Wow, you know these are amazing. These look right. Where are you

After the brothers purchased their first painting from the seller, he contacted them from Germany and told them that he had a com-

getting these?’” In her opinion, the paintings were “of the period. Physically they look dead right.”

lacus id feugiat. Nam non

panion painting that he would sell to them directly for around the

Feeling charged by this report, Ron and Roger closely followed

price they had paid for the first picture. Ron and Roger agreed to this so that they could each own one artwork. [Figure 8] When the two

the postings of the Aachen seller. Every few weeks, he would put four or five new items up for auction. The brothers tried to win these works

euismod cursus.

paintings arrived in Denver about a week later, Ron felt a strong intu-

while keeping their bids under one thousand dollars per painting; they

Bottom

ition that they were genuinely from the period. The colors seemed right and the brush strokes were skillful. The canvases were crackled

were outbid in about half of the auctions. [Figures 9 and 10] During this time, Ron sought out as much information as he could

throughout and creased along their edges from the wooden supports

about the possible origins of the paintings. A friend of his, a former

behind them. He saw a resemblance to the work of Russian avantgarde master Aleksandr Rodchenko, and he suspected that he might

airline steward who had traveled periodically to Saint Petersburg, had once had the opportunity to tour the storage rooms of the State

have stumbled upon a treasure trove.

Hermitage Museum during the Cold War and told Ron about seeing

his mother, who was constantly rummaging through garage sales and thrift stores, perhaps to cope with her

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Vivamus sed eros id neque

feelings of loss. When Roger and Ron were only six and

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Vivamus sed eros id neque ultricies semper sed dignissim urna.

ultricies semper sed dignissim urna.

seven years old, they lost their older brother, Richard, in a hot air balloon accident. Richard was a child prodigy who went

Top

Born in 1957, Ron Pollard grew up in the suburbs of Denver

from launching balloons in the Pollards’ backyard with hot air gener-

alongside his close companion and younger brother by a year, Roger. As children, Ron and Roger would often ride around their neighbor-

ated from the family’s barbecue grill to becoming the first US National Hot Air Balloon Champion at age eighteen. Sadly, a year after winning

lacus id feugiat. Nam non

hood on their bicycles, looking in the dirt for objects left by previous

that competition, he died in a competition in California, when a leaky

occupants of the land. Ron had a near-legendary ability to spot arrowheads, and people said that he could locate one from fifteen feet away.

valve caused his balloon to catch fire and drift into high-tension wires. Unlike his mother, who, to fill the void, would buy rare curiosities

He and Roger also collected insulators discarded from old telephone

and ordinary household objects in equal measure, Ron has always col-

lines, and amassed countless ornate and weathered bottles. Ron still has his collections of arrowheads, bottles, and insulators, as well as

lected things for aesthetic reasons, a part of his broader artistic interests. In his youth, he pursued a career as a fine artist and attended two

Vivamus porttitor feugiat viverra sapien. Maecenas sagittis tellus sed ligula

Vivamus porttitor feugiat lacus id feugiat. Nam non viverra sapien. Maecenas sagittis tellus sed ligula euismod cursus.

many of the other things he and Roger gathered in their childhood.

of the top art schools in the country. He received a Bachelor of Fine

To confirm his suspicion Ron took the paintings to an art con-

hundreds of Russian modern paintings there, stacked on top of each

Looking at these objects today, it is difficult to believe that children collected them. They are not valuable, but they have an extraordinary

Arts from the Art Institute of Chicago and then pursued a Master of Fine Arts at the University of California, Los Angeles, where he

servator he greatly respected and whom he had previously hired for help with another of his eBay purchases. She had worked at museums

other, unprotected and uncataloged. Ron knew that after Stalin’s suppression of this style of art in the 1920s, it had never regained its

aesthetic quality. The insulators look like glass sculptures rather than

worked with some legendary artists, including Chris Burden and

functional objects, while the bottles could have been purchased in an antique shop. [Figures 3–5]

Robert Heinecken, before he quit the program after his second semester. At that point it had become clear to Ron that he wanted to

around the country and conserved works by Pablo Picasso, Georgia O’Keeffe, Claude Monet, Andy Warhol, and many others. She even had

credibility. It seemed plausible that, after the fall of the Soviet Union, corrupt museum employees or government workers could have gotten

experience with Russian icons. According to Ron, she was amazed

their hands on these all-but-forgotten paintings and sold them on the

viverra sapien. Maecenas sagittis tellus sed ligula euismod cursus. Right Vivamus porttitor feugiat lacus id feugiat. Nam non viverra sapien. Maecenas sagittis tellus sed ligula euismod cursus.

102

103

Vivamus porttitor feugiat

120

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abbott miller: design and content Shipping September 2013 — 10.5 in × 8.38 in / 27 × 21.3 cm 240 pp / 325 color Hardcover 978-1-56898-726-2 $60.00 / £40.00

Abbott Miller Design and Content Abbott Miller

Abbott Miller: Design and Content is the first monograph on the award-winning graphic designer known for his innovative work at Pentagram, where as a partner he leads a team designing books, magazines, catalogs, identities, exhibitions, and editorial projects, creating work that is often concerned with the cultural role of design and the public life of the written word. Collaborating with performers, curators, artists, photographers, writers, publishers, corporations, and institutions, Miller has created a unique practice that alternates between the printed page and the physical space of exhibitions. In his work as an editor and writer he pioneered the concept of designer-as-author, both roles he assumes for this beautifully produced and lavishly illustrated edition. Miller presents his work as a catalog of design strategies, emerging from the unique circumstances of form and content. Four categories—books, exhibitions, magazines, and identity—provide insight into Miller’s influences and working process while also showcasing his best designs.

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• Features Abbott Miller’s collaborations with artists such as Matthew Barney, Geoffrey Beene, Philip Glass, Yoko Ono, Nam June Paik, and Twyla Tharp, among many others

56000 9 781568 987262

• Clients include Vitra, Knoll, Harley-Davidson, and Steuben, as well as many museums and publishers • Includes a foreword by popular designer and educator Ellen Lupton

Also Available . . .

• Abbott Miller is a partner in the New York City office of Pentagram and cochair of the graphic design department at the Maryland Institute College of Art in Baltimore

Elegantissima 978-1-61689-097-1 $40.00 / £25.00

Make It Bigger 978-1-56898-548-0 $35.00 / £21.99

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Shadow Type Classic Three-Dimensional Lettering Steven Heller and Louise Fili

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Designers often look to the past for ways to enliven their projects. Letters with relief and shadow have long been an effective way to add spectacle or intrigue to otherwise mundane words. Introduced in metal type as early as 1815, shadow typefaces were a form of early experimentation among type founders. In the late nineteenth century, the form was adopted in wood type for use in posters and has been embraced ever since by designers looking for ways to communicate a sense of monumentality, a feeling of confidence, or a simple impression of optimism. Shadow Type presents a broad spectrum of examples—advertising, shop signs, billboards, posters, type-specimen books—featuring the most popular, rare, and (nearly) forgotten dimensional letters from Europe and the United States. Compiled by the leading historian of graphic design Steven Heller and renowned graphic designer Louise Fili, this invaluable collection, packed full of typographic ideas, will inspire anyone aiming to give more depth to their design. • First compilation of shadow typefaces • Contains examples from more than 300 illustrations

55500 9 781616 892043

• Drawn from a particularly rich period in the history of shadow type, from the nineteenth to the midtwentieth centuries • Literary giant Honoré de Balzac, who had his own Parisian foundry, published his own type samples

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Typography Sketchbooks 978-1-61689-042-1 $40.00

• Steven Heller is cochair of the MFA Design Department at the School of Visual Arts and the author of numerous books, including our bestselling Typography Sketchbooks. Louise Fili is director of Fili Design, a member of the Art Directors Club Hall of Fame, and the author of our bestselling Elegantissima.

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Rural Studio at Twenty Designing and Building in Hale County, Alabama Andrew Freear and Elena Barthel With Andrea Oppenheimer Dean and Timothy Hursley

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For two decades the students of Auburn University’s Rural Studio have designed and built remarkable houses and community buildings for impoverished residents of Alabama’s Hale County, one of the poorest in the nation. Our critically acclaimed bestseller Rural Studio (2002) showed how salvaged lumber, bricks, discarded tires, hay-and-waste cardboard bales, concrete rubble, colored bottles, carpet tiles, and old license plates were transformed into inexpensive buildings that were also models of sustainable architecture. Rural Studio at Twenty chronicles the evolution of the legendary program, founded by (MacArthur Genius Grant and AIA Gold Medal winner) Samuel Mockbee, and showcases an impressive portfolio of projects. Part monograph, part handbook, and part manifesto, Rural Studio at Twenty is a must-read for any architect, community advocate, professor, or student as a model for engaging place through design. • Follow-up to the bestselling Rural Studio and Proceed and Be Bold (2005) • Provides a detailed look inside the workings of the celebrated educational experiment

9 781616 891534

• The work of Rural Studio has been featured on Oprah, Nightline, and CBS News, as well as in Time and People magazines

Also Available . . .

• Rural Studio will celebrate its twentieth anniversary in 2014. A series of events and publicity will surround the milestone. • Projects are documented by the beautiful photography of Timothy Hursley • Andrew Freear is the director of Rural Studio in Newbern, AL

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Dave house

W e t eac h e r s , s ta f f , a n d s t u d e n t s have responded to our isolation

funds are divided between private and public schools, assuring educational inequal-

by marinating ourselves in the culture, politics, architecture, landscape, arts, crafts,

ity. One of the Rural Studio’s first clients, Sonny Ryan, a recently retired Hale County

music, food, and everyday life of our locale. We decided that being ‘citizen architects’

District Court judge, has been a spirited supporter of opportunities for local youth

means learning from hale county and its people.

throughout his professional life. We value Sonny for his liberal ideas and his good

the rural studio has become a place of multiple voices, people who teach or

heart. He knew Sambo, and Sonny’s son, a graduate of the studio, helped build the

work here full-time, consultants from all over the world who teach here part-time,

first Akron Boys & Girls club. “Economic differences will always exist,” Sonny says,

plus our clients, advisors, and community partners. all of them help us understand

“but no one should be denied opportunities for advancement. Human dignity and

our community and relate to it better. some of our homegrown friends—among

fulfillment should be available to all.”

whom are politicians, businessmen, leaders of nonprofits, judges, educators, artists,

In Newbern, whites and blacks, Mennonites, Baptists, and Presbyterians,

writers, musicians, and plain folks—were born in hale county and have lived here

rich and poor all work together in the Rural Studio-built Firehouse and Town Hall.

all their lives. some left and returned. some have enough “distance” to reflect on this

Being new, the buildings are unburdened by ideas passed down over generations or

place and help us understand its complexity. no matter their point of view, they are

by prior ownership. But voluntary integration tends to be the exception. Poor schools

all precious helpers. We especially appreciate their passionate nature and that they

are largely to blame. Referenda to raise taxes to improve public education invariably

care deeply about West alabama.

get voted down.

We tend to be suckers for scrappy underdogs, and in the united states, the

It takes time to understand Hale County. The longer we are here the better

deep south is scorned and stereotyped as racist and redneck. It reminds me of the

we appreciate it. Take the local architecture: we have learned to love its variety, the

way the north of england is often characterized by Londoners and of how the south

hodgepodge of modest vernacular houses with their gracious and efficient southern

of Italy is frequently regarded by northern Italians. But american southerners, Italian

front porches that keep out the sun and rain but bring in the neighborhood story

southerners, and British northerners share an ability to laugh at themselves. We like

tellers. The South is full of storytellers who rock on front porches with a cup of sweet

that. We like the authenticity of this hard-bitten region, its lack of pretense and airs.

tea, sharing memories, dreams, and myths. We admire the frugality and sense of

West alabama is a land of bare-bones pragmatism: ordinary folks struggling to make

pride expressed in the local barns, which always seem perfectly placed in the land-

a living.

scape. And we appreciate Hale’s handsome antebellum houses.

hale county has a powerful past but a frail present. since the demise of

Dick Hudgens, who teaches local architectural history to our third-year

King cotton, the economy has withered and become reliant on low-wage, fragile

students, reminds us that antebellum Greek Revival became the first American style

agricultural industries: catfish farming, dairy farming, logging. twenty-six percent

of architecture. Dick can tell you the story of a building just by looking at the nails

of the county’s residents—both blacks and whites—live below the poverty line, in

it is made of or the grain of its wooden boards. He helps us understand what people

shacks or trailers. sambo used to say the blacks were “left behind by post-civil War

miss about antebellum houses: the comfort of a place cooled and heated by natural

reconstruction.”

systems and built with local materials.

Much of alabama’s land remains in the possession of absentee landowners who use their political clout and powers of persuasion to keep the taxes low and the educational system consequently without resources. this hurts whites and blacks

After a steep and winding drive through seven wooded acres, visitors to the Newbern Firehouse are met

alike, since whites are as poor as blacks in hale county. Moreover, local education

with a large opening in the south façade

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AUTHORS:

FOREWORD:

Joseph Tanney and Robert Luntz

Allison Arieff

MODERN MODULAR The Prefab Houses of

RESOLUTION: 4 ARCHITECTURE

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Modern Modular The Prefab Houses of Resolution: 4 Architecture Joseph Tanney and Robert Luntz

Prefabricated housing of high design and quality construction has long been an elusive goal for architects, where industry practices, bureaucratic regulations, and cost have always stood in the way— until now. The New York–based firm Resolution: 4 Architecture is revolutionizing prefab housing with their Modern Modular design system. Home designs based on modules of use intended for communal or private spaces are mixed and matched to achieve an infinite number of designs suited to each buyer’s site, budget, and lifestyle. Modern Modular, the first book on the critically acclaimed firm, presents fourteen beautifully photographed case studies illustrating each step in their prefab system—from design and fabrication to transportation, siting, and final construction of distinctively modern and surprisingly affordable new homes. • Resolution: 4 Architecture is the most prolific prefab firm with more than 60 homes built throughout the United States, ranging in size from 500-square-foot cabins and 1,800-square-foot urban residences to 7,000-square-foot compounds • Resolution: 4 Architecture’s competition-winning entry for the 2003 Dwell Home Design Invitational helped ignite interest in prefab houses • Foreword by former Dwell editor-in-chief and current New York Times columnist Allison Arieff

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• Resolution: 4 Architecture is based in New York City. The firm’s projects are located in NC, MA, NY, CT, and WV.

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ModeRn Modul aR

t ypology:

house on sunset Ridge

Modern Modul ar

6 Boxes

house on sunset ridge

The study, located at the top of the stairs, provides access to the roof deck.

The second floor private spaces bridge over the screened porch, carport, and guest suite.

Modules:

L series two Bar Bridge

opposite:

View of rear deck

House on sunset Ridge Norfolk, Connecticut 2008

porch becomes the living and dining space of choice during warmer months. the

heating, and a roof wired for solar panels. like the traditional homes that sur-

main living area, oriented to align with

round it, this modern home embodies

the distant tower, features a fireplace that

tradition in the making. embracing an

Reached via a gently rising spiral drive,

is clad in recycled cement board panels

esthetic of efficiency reflective of today’s

this modern prefab home sits perched

and is wrapped in glass, maintaining a

domesticity, it can be seen from the look

on a small hill just outside of a town filled

strong connection to the outdoors even

out tower, becoming its own landmark in

with traditional new england architecture.

when weather prohibits explicitly outdoor

the historical landscape.

designed as a country house for a Brook-

living. on the second floor, an exterior

lyn family of four, the house is positioned

deck is located adjacent to the reading

on axis with a local historical landmark, the

room, which also doubles as an office. this

fire lookout tower one and a half miles due

outdoor area features a green roof and

north on haystack Mountain. the house

a fireplace, providing a year-round living

is organized in an l configuration, with the

space with stunning views of the surround-

kitchen occupying the overlap of the inter-

ing landscape.

secting bars. the first floor bar contains

this leed-certified home is com-

the public spaces of the home, while the

prised of six modules, utilizing the effi-

perpendicular upper bar is mostly private.

ciency of offsite factory construction. like

one exception, taking advantage of the

many other Modern Modular homes, it

modules’ l series typology, is the guest

employs many innovative and environ-

suite, which is set apart on the western

mentally friendly features such as bio-

end of the first floor and provided with its

based spray foam insulation, a 98 percent

own private outdoor space and framed

energy-efficient boiler, low-flow plumbing

meadow views.

fixtures, led lighting, responsibly har-

sitting below the upper bar and adjacent to the kitchen, a large screened-in

vested ipê and cedar, recycled cement board panels, bamboo floors, radiant floor View from kitchen island

Modern Modul ar

house on sunset ridge

View of fireplace clad in cement board panels space.

View of living room

The kitchen opens directly to the screened porch and the dining room opens to an exterior deck.

Modern Modul ar

View of dining and kitchen areas

bot toM:

house on sunset ridge

top: View of living and dining room module being set

View of master bedroom and bathroom being set upon the guest suite below

GUEST BEDROOM

DECK

bot toM:

ENTRY KITCHEN

DINING

LIVING

BATH

SCREEN PORCH

GREEN ROOF

M OUTDOOR SHOWER

E K

MEDIA ROOM

BEDROOM

MASTER BEDROOM

MASTER BATHROOM

SECOND FLOOR

Second floor

SECOND FLOOR

G C

FIRST FLOOR

A ENTRY B KITCHEN C DINING D LIVING E BATH F GUEST BEDROOM G DECK H OUTDOOR SHOWER I SCREEN PORCH J GREEN ROOF K MEDIA ROOM L BEDROOM M MASTER BEDROOM N MASTER BATHROOM

First floor

12 FT

FIRST FLOOR

A ENTRY B KITCHEN C DINING D LIVING E BATH F GUEST BEDROOM G DECK H OUTDOOR SHOWER I SCREEN PORCH J GREEN ROOF K MEDIA ROOM L BEDROOM M MASTER BEDROOM N MASTER BATHROOM

WEST ELEVATION SOUTH ELEVATION

WEST ELEVATION West elevation

South elevation SOUTH ELEVATION

EAST ELEVATION East elevation

North elevation

NORTH ELEVATION

12 FT

NORTH ELEVATION EAST ELEVATION

132

133

Modern Modul ar

T YpologY:

Modules:

Two story double-Wide/Triple-Wide hybrid

8 Boxes

Fishers isl and house

134

Modern Modul ar

View of south elevation at dusk

135

Fishers isl and house

139

Fishers isl and house

12 FT

View of north elevation at dusk bot toM:

View of entry

Fishers island house Fishers Island, New York 2012

house is designed to accommodate and

the roof deck, and then continues down-

entertain them all for generations to come.

stairs to prepare and consume dinner on

often called “the ark” by locals, the house

the main level. exterior stair accessed from

located off the coast of Connecticut and

is comprised of eight lego-like boxes

parking court in rear, so convenient to join

rhode island, yet occupying a body of

sitting on a panelized concrete foundation

the party upon arrival.

water in the state of new York, Fishers

that was also prefabricated. integrated into

island is accessible only by ferry. While during the summer months the island’s population swells to over 3000, yearround residents total only about 300.

family that also lives on the island. This

the sloping landscape, the long and linear vessel is organized by public and private uses. The main level contains communal living spaces that span three parallel

delivery of daily supplies and materials is

boxes, while the second floor contains the

therefore limited. Contractors live on the

immediate family’s private spaces. The

mainland, creating short workdays due to

‘east wing’ contains guest rooms and a

the commute, thereby causing construc-

stair down to a large bunkroom below for

tion of a new home to take longer and

future grandkids. as the main gathering

effectively cost more. leveraging off-site

and entertaining area, the roof becomes

construction, shipping volumetric prefabri-

another level of living space, essentially

cated modules—complete with plumbing,

an outdoor room, partially covered and

electrical, and finishes—makes for a much

equipped with a kitchen, seating, and an

more cost-effective method of building

outdoor fireplace.

on the island. The boxes were designed

all of the structure’s horizontal surfaces

specifically not only for the client and site,

are utilized for roof decks, green areas, or

but also to fit on the standard ferry.

solar panels. hot water generated by the

The client, a family of four with two recent college graduates, has extended

136

Modern Modul ar

The evening starts with drinks up on

sun keeps the house warm via the radiant floor heating system during colder months.

137

Fishers isl and house

View of living room space.

138

Modern Modul ar View of media room

View of master bathroom

View of dining room and kitchen

bot toM:

View of living room with black steel fireplace and guest room with the privacy panel closed

bot toM:

View from the living room toward kitchen

opposite:

The two story volume of the house contains mostly private spaces and is clad in cedar siding with cement board accents, while the one story volume contains public spaces and is clad in cement board panels with accents of cedar.

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12 FT

Jørn Utzon Jørn Utzon Drawings and Buildings Michael Asgaard Andersen

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Drawings and Buildings Michael Asgaard Andersen

Visionary Danish architect Jørn Utzon was just thirty-eight years old when in 1957 he was named the surprise winner of an international competition to design the Sydney Opera House in Australia. His bold design consisting of five performance halls topped by billowing concrete shells clad in ceramic tile is universally recognized as a masterpiece of twentieth-century architecture. While this early triumph brought Utzon worldwide fame, it overshadowed a larger body of work of great importance for modern architecture. Utzon’s highly diverse projects around the globe, from the National Assembly in Kuwait and Melli Bank in Tehran, Iran, to the Bagsværd Church and numerous houses in Denmark, are testaments to his belief that modernism need not sacrifice local character to be forward thinking. Organized into six thematic chapters—place, working method, building culture, construction, materiality, and living—Jørn Utzon presents all of his important work as well as many of his lesser-known, though equally important competition entries, furniture designs, and other built projects. • Jørn Utzon is the godfather to today’s architects beloved for their daring and photogenic forms

9 781616 891800

• Little is known of Utzon’s complete works outside of academic architectural circles

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• The Sydney Opera House has been called the eighth wonder of the world. In 2007 it was made a UNESCO World Heritage Site. • Utzon received RIBA’s Royal Gold Medal in 1978 and the Pritzker Architectural Prize in 2003 • Michael Asgaard Andersen is an architect and professor who practices in both Denmark and the United States. He has written extensively on Nordic architecture.

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Sydney Opera House

Sydney Opera House The lot, Bennelong Point, is a narrow point in Sydney Harbor between the inner harbor, with its docks, etc., and the outer harbor, which is fiord-like with countless coves. It is considered one of the most beautiful harbors in the world. The architecture emphasizes the character of Bennelong Point and takes the greater advantage of the view. JĂ¸rn Utzon

Sydney Operahus Konkurrenceprojekt 32

152

153

Can FelĂz

204

205

258

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259

New Museums in China Clare Jacobson

Shipping October 2013 — 8.5 × 11 in / 22 × 28 cm 256 pp / 400 color Hardcover 978-1-61689-150-3 $50.00 / £30.00 Rights: W

55000

China’s explosive urban growth continues to make headlines, illustrated by dramatic shots of the latest commercial or residential buildings, each more outstanding (and often more outlandish) than the next. As the country’s new money matures, it is increasingly being redirected from the necessity of industry to the nicety of culture. While the recession has put a damper on plans for new cultural venues in many world cities, museums in China are booming. Once scarce, they have multiplied rapidly, with more than one thousand opening during the last decade. They are now found throughout the country in megacities, smaller urban centers, and even in more remote places like Ordos, Inner Mongolia (in the middle of the Gobi Desert). New Museums in China presents fifty-one of the most innovative museums of the last ten years in beautiful photographs, detailed drawings, and insightful texts based on interviews with an international slate of architects. This spectacular collection makes an excellent survey and sourcebook for architects, art and design enthusiasts, and Sinophiles alike. • Featured museums are the best new buildings of any kind in China • Includes works by starchitects such as David Chipperfield, MVRDV, Steven Holl, and Zaha Hadid, as well as respected Chinese designers such as Wang Shu of Amateur Architecture Studio, winner of the 2012 Pritzker Architecture Prize

9 781616 891503

Also Available . . .

• Features not only art museums but also an eclectic range of museums of archaeology, automobiles, natural history, comics and animation, handcrafted paper, and clocks from the Cultural Revolution • Clare Jacobson is a Shanghai-based design writer, editor, and curator

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A view of the evolving cityscape of Kangbashi is part of the ride. Roughly one-third of the museum’s exterior is glazed, and so on the way from entrance to exit visitors get a glimpse of construction sites and constructed sites as well as the art. “The museum isn’t a self-enclosed art space,” says Xu. “It’s more like a journey on this site—a journey you take together with art.” The journey does not form a complete figure 8, but rather is interrupted by an indoor-outdoor courtyard. DnA intended that museumgoers not end their tour where they began, but arrive at a public space open to even more views. The museum’s form is executed in a variety of materials. There is wood on the ceilings and floors of the courtyard, glass and blue slate on the exterior, and drywall and more blue slate on the interior. (Xu notes this stone is a common material in China: “It’s on the floor of the Forbidden City.”) The mix of ingredients creates unexpected angles and configurations. “With this museum,” says Xu, “whatever you perceive is happening here will be part of the show.” The opening exhibition at the Ordos Art Museum—Arrogance and Romance, curated by Alexander Ochs and Tian Yuan—could be read as an expression of Ordos’s ambitions.58 It featured both Chinese artists and Andy Warhol, likely the first Warhol to be seen in Inner Mongolia. Xu admits that a show like this might seem surprising. “If you consider it in a smaller context, it seems weird,” admits Xu. “But if you put it in a larger context—the ambition, what Ordos is going through—I think it’s what they want. That’s what their fantasy is about.” She continues, “So it’s not only about this individual Andy Warhol in the museum. It’s also about the story of the museum and about Ordos as a city.”

OrDOs, inner MOngOliA , 20 07

hen we first arrived there, it was very raw land,” says Xu Tiantian, principal of DnA Design and Architecture. “There were no people. There was a swan in the lake—very beautiful. We found a rabbit on the site.”53 Xu is talking about Kangbashi New Area, a new district of the Inner Mongolian city of Ordos, plunked down in the middle of the Gobi Desert. Kangbashi is not known for its rabbits. Rather, it is a much-publicized dream city for a population of five hundred thousand, fueled by Ordos’s coal money.54 That dream included the “Ordos 100,” a 2007 plan for one hundred international architects to build one hundred villas, which so far has resulted in nothing more than a 2012 documentary and many pretty renderings.55 Still, a large amount of architecture and infrastructure has been built (if not occupied) in Ordos.56 Xu was not surprised by the extent and pace of the building. In fact, her design for the Ordos Art Museum acknowledges that there will be growth around the site. “Even though it was very wild land at the time, we knew the whole development would change into a more urban situation,” she says. While the museum is across a lake from the denser, more photographed center of Kangbashi, it already has a complex of artist studios by Ai Weiwei and other buildings as neighbors. The site’s developer plans additional cultural facilities along with residential and commercial buildings. The development sits on high ground— rough terrain compared with the flattened tabula rasa of the new town center below. The museum’s form follows the site’s wildness in a three-dimensional figure 8, which DnA’s website associates with “a desert viper winding over the dunes.”57 Xu mentions a different origin. The shape, she says, follows the site’s topography—going up and down and around as the ground does. DnA adds additional elevation to the building at the cross point of the 8, where one form bridges over another. The crossing not only accentuates the building’s three-dimensionality but also frees up ground space below.

DnA Design AnD Architec ture |

OrDOs Art MuseuM

72 —

This page Top:

exterior view BoTTom lefT:

View from inside glass facade

opposiTe page Top:

exterior view

M us euM

OppOsite page

BoTTom righT:

View showing bridging section

View of indoor/ outdoor courtyard

BoTTom:

Interior view

O r d O s A rt M us euM

This page Top lefT:

Side view of entrance lobby Top righT:

View of path between museum building and auxiliary building BoTTom lefT:

Glass-enclosed exhibition space between museum buildings

opposiTe page Top lefT:

Exhibition gallery Top righT:

BoTTom righT:

Entrance lobby

First floor

Main exhibition hall

Second floor

S h a ng h a i MuS euM o f g l a S S 129

128

tOp:

View from northwest at dusk BOttOm:

M us euM 246

Detail of bamboo roof

XIanzhuang VIll age, Yunnan, 2011

OppOsite page

story entrance and multipurpose building faces Gaoligong Mountain, and six single-story gallery spaces flank a teahouse with a roof terrace. Thin alleys link the buildings into a minivillage. Visitors move through exhibits showing the various steps of papermaking, such as removing bark, grinding pulp, and screening paper. To build the contemporary forms, TAO used mostly local materials: sha wood for the structure, exterior cladding, and interior framing; bamboo for the roofs; volcanic stone for the bases of the posts; and handmade paper for the interior wall facing. Hua connects the character of this paper to the nature of the building’s construction. “The handmade paper, at first look, seems quite rough,” he says. “But actually it has a lot of texture, and it’s beautiful. This texture tells many stories, which you never see on machine-made paper. I think the architecture has a similar intention.” Hua communicated his design through models, as the local workers did not read working drawings. “A lot of decisions were made onsite,” he says. On one occasion Long Zhanwen cut a beam to size while he and the beam were up in the air. “We’re okay with imprecision in this building, because it’s handmade,” says Hua. Yunnan’s warm climate means the museum does not need insulation but does require ventilation. The museum breathes through its screened windows and its fibrous materials. In addition, the stone at the base is set with openings to allow airflow. Yunnan’s abundant sunlight will also have its effects. “Wood can fade with time, so the color can change,” says Hua. “In fact, that was our first idea: this building should have the aesthetics of time. Over time, it should get grayer and darker and melt into the environment.” The paper on the interior will similarly change color and fade. Xianzhuang Village has changed since the Museum of Handcraft Paper was initiated. Long Zhanxian learned to improve the quality of the town’s papermaking on a visit to craftsmen in Anhui Province in eastern China. Local makers have now increased the price of their refined paper by five times, according to Hua, and sell it on a website for use in calligraphy. The village has also changed physically, with a new access road. Long Zhanwen’s house was on the path of this widened road, so he relocated, carrying his timber construction with him and repositioning it on a new site. If TAO’s timber-frame museum were to face similar development, it too could be rebuilt elsewhere, says Hua. The new road has allowed easier access to outside materials, and thus concrete and masonry structures have been built in town. These nonrenewable buildings may one day be the primary face of Xianzhuang Village. “You can define the building tradition rooted in a local resource or environment for only a certain period,” Hua admits. “It’s under constant change.”

Tr ace archITec Ture OffIce |

n a small village in Yunnan, near Gaoligong Mountain and the border with Myanmar, residents craft handmade paper from the bark of gou shu (paper mulberry tree). Villagers moved to the quiet valley from Hunan during the Ming Dynasty and brought the skill with them, where it has been practiced ever since. They sell the paper to wrap bricks of tea or to burn in honor of the dead. Like many traditional crafts that compete with cheaper massproduced goods, papermaking is threatening to disappear from Xianzhuang Village. At the same time, the community may lose another age-old skill: timber construction using fitted joints. The Museum of Handcraft Paper by Trace Architecture Office (TAO) addresses both of these traditions in a design that engages local heritage in an untraditional way. The project began with two friends from Beijing, a scholar and a graphic designer. The scholar had discovered Xianzhuang Village while studying the cultural legacy of remote areas in China. To preserve the local papermaking craft, the friends created a preservation and development project. This would be a joint effort with the residents (and with investment from the graphic designer). The two men would build a museum as part of the project, and they brought in a third friend— Hua Li, principal of TAO—to design it. “It’s not just about building a museum,” says Hua. “It’s more about a collaboration with villagers to develop a community.”40 Hua’s first task was to visit the site to research local resources and technology. There he met two cousins: Long Zhanxian, a master papermaker, and Long Zhanwen, a master builder; the expertise of both informed the work. Long Zhanwen and other villagers build timber constructions out of the Yunnan sha wood. The post-and-beam structures use sunmao joints, fitted joints that require no nails. “We liked the possibility of using this traditional technique in a modern form,” says Hua. “It’s like paper. Only if you know that you can employ it in a contemporary way can you keep using it. Otherwise it’s going to be put into a museum.” Hua’s modern form is a cluster of eight irregularly shaped buildings with roofs angled in varying directions. After studying the design through several models, he decided to build a group rather than a single building. This would allow the museum’s scale to fit its context and would create a sequence through the site. A three-

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The Sea Ranch Fifty Years of Architecture, Landscape, Place, and Community on the Northern California Coast

Fifty Years of Architecture, Landscape, Place, and Community on the Northern California Coast Revised Edition

DONLYN LYNDON JIM ALINDER Essays by Donald Canty and Lawrence Halprin

Donlyn Lyndon and Jim Alinder

One hundred miles north of San Francisco, the Sonoma County coast meets the Pacific Ocean in a magnificent display of nature. This is the location of the Sea Ranch, an area covering several thousand acres of large, open meadows and forested natural settings and interspersed with award-winning architecture. The ecologically inspired plan drawn up for the Sea Ranch in the mid-1960s caused a quiet revolution in architecture. Renowned landscape designer Lawrence Halprin’s master plan incorporated a set of building guidelines that structured the visual, as well as physical, impact upon the landscape. Subsequent buildings by architects such as Joseph Esherick, Charles Willard Moore, Donlyn Lyndon, and William Turnbull have been recognized worldwide for their remarkable environmental sensitivity. This revised and updated edition of the now-classic monograph, the only one on the Sea Ranch, contains eleven additional projects and an updated account of the ongoing development process and land-management issues.

Shipping October 2013 — 11 × 11 in / 28 × 28 cm 304 pp / 200 color / 170 b+w Hardcover 978-1-61689-177-0 $65.00 / £40.00 Rights: W

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• This monograph is the definitive portrait of the Sea Ranch • The revised edition celebrates the Sea Ranch’s continued relevance as it enters its fiftieth year • Beautifully photographed with maps, plans, detailed descriptions of the houses, and essays by Donald Canty and Lawrence Halprin • Donlyn Lyndon was one of the founding partners of the renowned architecture firm Moore, Lyndon, Turnbull, Whitaker (MLTW). Jim Alinder is an internationally recognized fine-art photographer.

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aRCHiTeCTs : Lyndon/Buchanan Associates BuiLdeR : Matthew Sylvia, 1991

presents its high face to the sun. A sliding barn door in the center of the wall can be opened or closed to modulate the breezes. Stepping through this sliding door one unexpectedly encounters an enclosed paradise garden, which is gradually accumulating old roses, and a young orchard, kin to root stock from the apples brought to nearby Fort Ross by colonizing Russians early in the mid-nineteenth century. A small stream cuts through the garden and runs alongside the orchard, nurturing a line of thick, large myrtle trees that trace its path through the landscape. This fence-protected enclave shelters the roses and apples from marauding deer, and leaves the meadow’s flora and fauna running free, unsullied by domesticity, in the space beyond.

LyndonWingWaLL House

From the deck, stairs swoop up to a square outlook tower atop the studio, which offers views to the ocean in the west, with meadows all around, and the forested hills behind. At night, an uncommonly bright star-vault soars overhead. The studio space has been problematic. Its very name conflated in my mind with the Studiolo in the Ducal Palace in Urbino, creating high expectations. It started life as a pure square, with addenda for bathing and study areas; windows and doors were placed cleverly off the axes and on the corners, resulting in formal clues that are so compounded that despite (or is it because of?) the presence of a reproduction of Robert Adam’s Iconografico Campi Martii on one wall, and Charles Moore’s The Spaniards Introduce

Lyndon Wingwall House (existing) - Plan and Section (new) - The Sea Ranch (2nd edition)

The first house built in what has become Sea Gate Row was the one I designed for Alice Wingwall and myself. It is a treasure house for light, a chamber in which to cherish the substance that has been so fundamental in both of our lives—captured in Alice’s photographs, which layer the wall, playing freely across sculpture and architecture to illuminate the modeling of form, pacing across space to mark the measure of time. Light remains a messenger of joy, even as it disappears into blindness for Alice. As the first of the Sea Gate houses, located nearest the hedgerow, it sought companionship in the landscape. The house consists of two structures, one big, one small, both clothed in weathering redwood to masquerade as wooden rocks. They court a third rock, a real and very present one, jutting forth from the meadow a stone’s throw away toward the ocean. The bigger volume holds places for sleeping, lounging, listening to music, eating, cooking, and bathing. It has an inner sanctum for Alice’s work space and a walled outdoor room for showering. The smaller structure serves as my studio, doubling, on festive occasions, as a guest house. A wooden deck, providing space for sunny lounging or outside eating, stretches between the two forms, bounded by a board wall on its eastern side and by a seat that edges the meadow on the other. The deck is protected from coastal winds by the hedgerow to the north and the tipped form of the house itself, which dips down into the wind on the opposite side and here

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BuiLDer : Matthew Sylvia, 1994

Lichter-Marck house Staging Vantage Points on the Bluff

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architects : Lyndon/Buchanan Associates

“project room,” with adjoining deck, for anyone in the family who has a project for which they need privacy and outlook. The long wing is, in itself, made up of three pieces with differing roof treatments: one has a roof that reaches up to let in the southeastern morning sun for the bedrooms; one has a flat roof over the kitchen to guide light across and onto the continuous deck; and one slopes down southwest into the winds off the ocean. From the corridor running the length of this wing, a garage is accessed at one end. A play space leads out Lichter-Marck House - Plan(existing) and Section - The Sea Ranch (2nd edition) to a deck in the east court, before the corridor steps down to the kitchen at the other end and Lichter-Marck - Plan(existing) and Section - The Sea Ranch (2nd edition) reaches out into the living space, with viewsHouse out across the grasses to the ocean.

The house belonging to Linda Lichter, Nick Marck, and their three children inhabits the bluffs at The Sea Ranch, in a section with lots placed along a road that runs out onto Sculpture Point. Uncharacteristically for the early Sea Ranch, these properties make a waterfront row, though a trail along the bluffs does pass between the houses and the ocean edge about one hundred feet out from the buildings. On this particular site a shallow swale bends up through the lot from the cliff, and a slight knob directly in front of the house on the ocean side shelters the living room somewhat from the trail, making a visible contour for the house to settle into. The house is built in two pieces, linked by a decked open space, which follows the swale and provides a common area for enjoying dramatic views out and down the coast, or up to the point. This open space, sheltered by a trellis, with a plastic roof below, also opens up the view for those on the road above to see through to the ocean—a relief from the wall of houses that mostly block the ocean panorama here. The larger building volume contains the public rooms of the house—living and dining areas and kitchen—plus the children’s bedrooms (each with a view across the deck to the ocean) and a guest sleeping loft. The smaller building holds a master bedroom suite, including a sitting area, a dressing room with a large antique bathtub, and a bathroom. Above this space is a splendid room that serves as a

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aRcHitect : Norman R. Millar and Judith Sheine BuildeR : Brian Dixon, 2012

RamiRez House Mingling with the Bluff Cypress Ramirez House Plan and Section - The Sea Ranch (2nd edition)

The Ramirez House approaches the spectacular bluff edge on which it sits as a subtly formed wedge. Its low glass facade can barely be seen from Smuggler’s Cove, but offers views of the sea through the tangled cypress trees from the farthest reaches of the house. The long, singleslope roof and slightly angled walls shape a space that encompasses all the activities of the house. Tapering in plan as well as in section, it is wider and lower at the bluff than toward the street, rising to accommodate platforms that stack within it. The highest, narrowest segment of the house is a sleeping space that is more intimate and removed from the rest but still offers glimpses of the glinting cove and wind-snarled branches as though through the tapered space of an oversized viewfinder. One side of the building has an extended board-formed concrete wall that establishes a long welcoming bench, embellished with wood shelving. The concrete wall continues throughout the building, rising and joining with shorter perpendicular walls to help form pockets of space while providing resistance to the lateral forces of wind and earthquakes. The walls interlock with Ipe wood–surfaced panels and windows to form bathrooms, showers, and closets. The bracketed windows and a skylight brighten the path as one ascends on paced stairs along that side of the volume. The floor levels change in stages. On the lower level by the cove, the large room is centered by an ample dining table and opens out

PROOF 1

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Materials for Design 2 Victoria Ballard Bell and Patrick Rand

MATERIALS FOR DESIGN

VICTORIA BALLARD BELL AND

PATRICK RAND

Shipping October 2013 — 8.5 × 10.75 in / 22 × 27.3 cm 272 pp / 400 color Paperback 978-1-61689-190-9 $50.00 / £30.00 Rights: W

55000

As architecture and design programs throughout the world break out of the classroom and adopt the holistic methods of design/build programs, the need for a textbook that bridges the gap between construction materials and design sensibility is sorely needed. In Materials for Design 2, authors Victoria Ballard Bell and Patrick Rand revisit the format of their award-winning first volume and present sixty new case studies of materials put to imaginative use by today’s brightest architects. Bell and Rand introduce each material type—glass, concrete, wood, metal, plastic, and stone—with new text describing its history and significance. Accessible case studies highlight recent advances in design and construction around the world—from a wooden church in Finland and huts in Thailand to a bank encased in a glass cube in Denmark. In a materials landscape that constantly changes to meet the demands of contemporary designers, Materials for Design 2 is an up-to-date guide to the best and most exciting materials at their disposal. • There is no other textbook on the market that tackles material details this thoroughly • Includes professional photography and technical drawings of each project

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• Features a new introduction by the authors, new essays for each material, and sixty new case-study descriptions of each project

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• The bestselling Materials for Design (2006) won an AIGA Book Design Award • Victoria Ballard Bell is an architect who lives and works in Raleigh, NC. Patrick Rand is a professor in the School of Architecture at North Carolina State University College of Design.

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Permanent Change Plastics in Architecture and Engineering Michael Bell and Craig Buckley, editors

Almost every industry in the world has benefited from the invention of plastics, but it is only in the recent past that they have begun to be appreciated as architectural materials in their own right. Plastics are quickly becoming one of the most ubiquitous materials in construction and have the potential to reshape the roles of architects and engineers, as well as the construction industry at large. As a building material, plastic allows for easily molded and formed shapes, leading to increasingly malleable design processes. Despite being the most deeply engineered building materials today, plastics are still in the nascent stages of understanding in terms of their potential applications and uses. In Permanent Change an interdisciplinary group of architects, historians, theorists, and engineers collectively explore the past, present, and future possibilities of this innovative building material. • A new generation of plastics is emerging as the building material of choice for many architects and designers • The first book to look comprehensively at innovations and advancements in plastics engineering and architecture

Permanent Change Michael Bell and Craig Buckley, editors

Plastics in Architecture and Engineering Shipping November 2013 — 8.5 × 10.75 in / 22 × 27 cm 272 pp / 180 color / 100 b+w Hardcover 978-1-61689-166-4 $65.00 / £40.00 Rights: W

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• Includes works and essays by contemporary architects and educators such as Michael Graves, Sylvia Lavin, Chip Lord (Ant Farm), Greg Lynn, Mark Wigley, and Lebbeus Woods • The fourth book in the innovative Columbia University series on materials and architecture, following Engineered Transparency, Solid States, and Post-Ductility

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Campus Guide

Brown University Raymond P. Rhinehart

Shipping October 2013 — 6.25 × 10 in / 15.9 × 25 cm 264 pp / 200 color Paperback 978-1-61689-073-5 $34.95 / £21.99 Rights: W

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Founded in 1764 as the College of Rhode Island in the town of Warren, Brown University was the seventh in a series of Colonial higher-learning institutions that now make up the Ivy League. The university moved to its current location overlooking Providence on College Hill in 1770 and was renamed in 1804 in recognition of a $5,000 gift from prominent businessman and alumnus Nicholas Brown. Today, the Brown campus, consisting of 235 buildings on 143 acres, is a tapestry of American architectural styles from pre-Colonial to modern. In Brown University, the newest volume in our acclaimed Campus Guide series, Raymond P. Rhinehart (class of ‘62) takes readers on nine architectural walks to more than one hundred campus landmarks—from the red-bricked University Hall (1770) to the state-of-the-art Warren Alpert Medical School (2001). With students, alumni, and visitors in mind, the guide showcases the role that Brown has played in the history of campus architecture and the developing urban fabric of Providence. • The only detailed architectural history of the campus • Includes the work of esteemed modern architects, such as Philip Johnson, alongside Colonial Revival and Beaux-Arts legends Stone, Carpenter and Willson; Perry, Shaw and Hepburn; and McKim, Mead and White • Beautifully photographed with archival material and an illustrated three-dimensional watercolor map

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Pamphlet Architecture 34 Fathoming the Unfathomable Perry Kulper and Nat Chard

The competition for Pamphlet Architecture 33 asked previous authors in the series to nominate the architects and theorists whose work represents the most exciting design and research in the field today. The second of two winning entries—the first was published in Spring 2013 as PA 33—was submitted by architects and educators Perry Kulper and Nat Chard. Pamphlet Architecture 34 speculates on how architecture might discuss indeterminate conditions of production through a generative agency of representation. Kulper and Chard explore the indeterminacy of architectural research through drawings that exceed the traditional drawing space. Located in two different countries, the authors communicate by shipping each drawing across geographical borders. As a result, the drawing acts, as a tactical and conversational medium, providing the architects with new opportunities for the confluence of the uncertain. • Founded in 1977 as an alternative to mainstream architectural publishing, Pamphlet Architecture helped launch the careers of architects from Steven Holl and Lebbeus Woods to Zaha Hadid • Since 2001 the competition has attracted hundred of participants from around the world

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• This volume’s competition solicited nominations from all past Pamphlet authors as well as recent winners • Nat Chard is an architect who teaches at the University of Brighton in the UK. Perry Kulper is an architect who teaches at the University of Michigan.

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(Non-) Essential Knowledge for (New) Architecture 306090, vol. 15 David L. Hays, editor

Shipping August 2013 — 8 × 10.5 in / 20 × 27 cm 248 pp / 92 color / 62 b+w Paperback 978-0-615-77951-5 $24.95 / £14.99

What is essential knowledge for architecture? This frequently posed question targets fundamental principles of design, those basic criteria and priorities through which disciplinary stability is ensured. Yet, insofar as relevance is a core value of architecture in both theory and practice, the contingent nature of the future guarantees that some forms of knowledge not presently considered essential will eventually become indispensable. With that condition in mind, (Non-) Essential Knowledge for (New) Architecture collects projects that envision possible futures for architecture through speculations about new disciplinary knowledge. Asking what specific methods, materials, or understandings—tools, ratios, formulas, properties, principles, guidelines, definitions, rules, practices, techniques, reference points, histories, and more—not presently considered essential to architecture could, or should, define its future, this new volume of 306090 serves as both a gauge of contemporary concerns and a manual for emergent theory and practice.

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Emerging Voices 30 Form, Idea, and Resonance at The Architectural League The Architectural League of New York

The prestigious Emerging Voices Award was created in 1982 by the Architectural League of New York to showcase the work of early- to mid-career North American architects. Each year, through an invited competition, a jury selects practitioners or firms with a significant body of realized work that represents the best of its kind and has the potential to impact the future of architecture and landscape design. Emerging Voices 30 documents and critically assesses the first three decades of the League’s Emerging Voices program. Essays by Reed Kroloff, Ashley Schafer, and Karen Stein, and concise observations by leading critics, architects, and historians complement the presentation of work from the more than two hundred individuals and firms that have been selected for the program. Emerging Voices 30 is an ideal lens through which to interpret the lasting impact of this influential group of architects. • The Emerging Voices Award is one of the most coveted in North American architecture • Features a who’s who of contemporary architecture, including Brad Cloepfil, James Corner Field Operations, Teddy Cruz, Jeanne Gang, Steven Holl, Lewis.Tsurumaki.Lewis, Weiss/Manfredi, Morphosis, and SHoP Architects • The Architectural League of New York presents the work of the world’s most interesting architects and designers through lectures, exhibitions, publications, and the Internet

Shipping October 2013 — 8 × 10 in / 20 × 25 cm 304 pp / 1,250 color Hardcover 978-1-61689-197-8 $50.00 / £30.00 Rights: W

55000 9 781616 891978

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Balthazar Korab Architect of Photography John Comazzi

Now

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Balthazar Korab’s recent passing at the age of eighty-six was met by a deep appreciation for his work and a tremendous outpouring of affection for his gentle spirit. As one of the most prolific and celebrated architectural photographers, Korab captured images as graceful and elegant as his subjects. His iconic photographs for master architects immortalized their finest works, while leaving his own indelible impact on twentieth-century visual culture. Now available in paperback, John Comazzi’s riveting illustrated biography traces Korab’s circuitous path from a forced exodus from his native Hungary to an architectural education at the famed École des Beaux-Arts in Paris and emigration to the United States, where he launched his career as Eero Saarinen’s on-staff photographer. Balthazar Korab includes a portfolio of more than one hundred images from Korab’s commissioned architectural photography as well as close examinations of Eero Saarinen’s TWA Terminal and the Miller House in Columbus, Indiana. • Atmospheric photos capture the midcentury modernism of the Mad Men era • Photographed buildings include iconic images of Mies van der Rohe’s S. R. Crown Hall at IIT, Le Corbusier’s Carpenter Center for the Visual Arts at Harvard University, Louis Kahn’s Kimbell Art Museum and Salk Institute, Minoru Yamasaki’s World Trade Center, Richard Meier’s Douglas House, Frank Lloyd Wright’s Fallingwater, and Jørn Utzon’s Sydney Opera House, among many others “[Korab’s] work’s enduring value is as a document of the push and pull of midcentury, the conflict between the curve and the cube at the moment America became the center of world design.” —Wall Street Journal

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“I am an architect with a passion for nature’s lessons and man’s interventions. My images are born out of a deep emotional investment in their subject. Their content is never sacrificed for mere visual effects, nor is a polemic activism intended to prevail over an aesthetic balance.” — Balthazar Korab

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Visual Complexity Mapping Patterns of Information Manuel Lima

Manuel Lima’s smash hit Visual Complexity is now available in paperback. This groundbreaking 2011 book—the first to combine a thorough history of information visualization with a detailed look at today’s most innovative applications—clearly illustrates why making meaningful connections inside complex data networks has emerged as one of the biggest challenges in twenty-first-century design. From diagramming networks of friends on Facebook to depicting interactions among proteins in a human cell, Visual Complexity presents one hundred of the most interesting examples of informationvisualization by the field’s leading practitioners. • Manuel Lima has been called the “Edward Tufte of the twenty-first century” and was named one of the “fifty most creative and influential minds of 2009” by Creativity magazine “ Visual Complexity is a showcase for the intersection of art, design and science. Some [of the examples] are profound. Many are decidedly beautiful. And all are fascinating, given the infinite kinds of data that can be visualized.” —The New York Times Book Review “ The historical section alone makes the book worth purchasing, while the exploration of the concepts and visually impressive layout will keep you engaged throughout.” —Cool Hunting “ Incredibly ambitious, deeply researched, and beautifully illustrated. Visual Complexity is the next step in understanding where information design is (and needs to be) headed.” —Frieze

Now

in paperback Shipping July 2013 — 8.5 in × 10.5 / 22 × 27 cm 240 pp / 250 color / 65 b+w Paperback 978-1-61689-219-7 $35.00 / £21.99 Rights: W

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Balcony Press

Moody Nolan Design Curtis Moody

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Shipping October 2013 — 11 × 11 in / 27.9 × 27.9 cm 456 pp / 450 color Hardcover 978-1-890449-59-9 $75.00 / £50.00 Rights: W

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From modest beginnings in an old house in Columbus, Ohio, architects Curtis Moody and Howard E. Nolan have built Moody Nolan into one of the premier public and institutional architecture design firms in the country. Through a combination of entrepreneurial persistence and outsized talent, the award-winning partnership has completed a highly diverse range of projects—from schools and libraries to fire stations and prisons—in more than forty states. With nearly two hundred employees working in regional offices across the country, Moody Nolan has developed a consistent design ethos centered on humane values and the notion of an architecture that responds naturally to site and programmatic requirements. Their signature brand of responsive architecture utilizes transparency, layering, and massing to leave a lasting impression on their building’s visitors and inhabitants. Featuring lush photography that beautifully illustrates their design philosophy, Moody Nolan Design presents the innovative firm’s complete oeuvre of built projects. • Moody Nolan has been recognized with nearly 200 local, state, and national design citations • Specialists in building for higher education, sports/ recreation, healthcare, and public service facilities • Projects at a variety of scales in more than forty states • Moody Nolan has regional offices in Chicago; Covington, KY; Cleveland; Dallas; Indianapolis; Nashville; and Washington, DC

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Princeton Architectural Press

Gift Line

Fall 2013

Pattern Box 100 Postcards by 10 Contemporary Pattern Designers Textile Arts Center

Curated by New York City’s celebrated Textile Arts Center, this vibrant, pattern-filled collection features one hundred postcards from ten international designers. Housed in an equally vivid keepsake box, the postcards are ideal for correspondence, enclosure notes, and inspiration boards alike. The set also includes a booklet about the designers, highlighting their creative processes and influences. Contributors include: New York designers Shanan Campanaro (Eskayel), Brittany Keats Cerullo, Helen Dealtry, Leah Reena Goren, Hannah Schultz, and Leanne Shapton; California designers Jennifer Parry Dodge (Ermie) and Kindah Khalidy; and international designers Victoria Garcia (Australia) and Anna Niestroj of Blink Blink (Germany). Shipping July 2013 — 4.25 × 6.25 × 3 in / 10.79 × 15.87 × 7.62 cm 100 full-color postcards, 10 tabbed dividers 24-page booklet 978-1-61689-188-6 $19.95 / £14.99 Rights: W 51995 9 781616 891886

Shanan Campanaro (Eskayel)

Brittany Keats Cerullo

Helen Dealtry

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Leah Reena Goren

Hannah Schultz

Leanne Shapton

Jennifer Parry Dodge (Ermie)

Kindah Khalidy

Victoria Garcia

Anna Niestroj (Blink Blink)

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Nested Notes: Egg Sticky Notes These artfully packaged egg-shaped sticky notepads will brighten any desk. Contained inside a “nest-lined” box, these colorful, speckled stickies make a delightful gift for a friend or a memorable way to deliver a sweet note. The set includes three sticky notepads, sixty sheets each—that’s fifteen dozen eggs! Nested Notes are a perfect companion to the Nests and Eggs Notecards, Bird Watching and Other Nature Observations Journal, and our bestselling tome America’s Other Audubon. Shipping July 2013 — 4.5 × 4.5 × 1 in / 11.43 × 11.43 × 2.54 cm Box with acetate lid 3 die-cut sticky notepads, 60 sheets each 978-1-61689-194-7 $10.95 / £7.99 Rights: W 51095 9 781616 891947

Blackstock’s Collections Notepads Gregory L. Blackstock

Inspired by our bestselling book Blackstock’s Collections, these reporter-style notepads feature the obsessively detailed visual lists of artist Gregory L. Blackstock—from party noisemakers to tools and sailing knots. These lined notepads are perfect for recording daily to-dos, dashing off grocery items, or doodling everyday objects. Designed in a slim, list-style format, with a sturdy backing and perforated sheets, Blackstock’s Collections Notepads are easy to use while on the go. Shipping July 2013 — 3.5 × 8.25 in / 8.89 × 20.95 cm Set of 3 lined notepads, 72 pp each, bound at top Bellyband; shrinkwrapped 978-1-61689-192-3 $15.95 / £11.99 Rights: W 51595 9 781616 891923

Gift Line | Fall 2013 | p r i n c e t o n a r c h i t e c t u r a l p r e s s

Nigel Peake City and Country Notecards Nigel Peake

Charming drawings and watercolors highlight the quirky vision of illustrator Nigel Peake, author of In the Wilds and In the City. Peake’s beautifully detailed artwork compares the colors, shapes, and everyday sights of urban and rural life. The twelve notecards, each with an individual design, are housed in a customdrawn keepsake box and perfect for those in tune with the rhythms of life in the bustling city or the bucolic countryside. Shipping July 2013 — 4.75 × 6 × 1.75 in / 12.1 × 15.2 × 4.4 cm 12 full-color cards 12 different designs, 12 envelopes 978-1-61689-186-2 $14.95 / £10.99 Rights: W 51495 9 781616 891862

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The Pocket Dept. Notebooks Brooklyn Art Library

A collaboration with the Brooklyn Art Library, Pocket Dept. is a line of sturdy notebooks inspired by vintage stationery and designed to fit every pocket: back pocket, shirt pocket, backpack, and messenger bag. These custom-tailored notebooks are ideal for capturing ideas, composing thoughts, making lists, or sketching on the go. Packaged in sets of three, these colorful books are as fashionable as they are indispensable. The Pocket Pack, containing one of each size, comes in a classic, interofficestyle envelope with string-and-button closure.

The Shirt Pocket 3.5 × 5.5 in / 8.89 × 13.97 cm Set of 3 lined notebooks 64 pp each J-band; shrinkwrapped 978-1-61689-202-9 $12.95 / £9.99

The Back Pocket 4 × 4 in / 10.16 × 10.16 cm Set of 3 blank notebooks 64 pp each J-band; shrinkwrapped 978-1-61689-199-2 $12.95 / £9.99

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9 781616 892029

51295 9 781616 891992

The Backpack 6 × 6 in / 15.24 × 15.24 cm Set of 3 blank notebooks 64 pp each J-band; shrinkwrapped 978-1-61689-207-4 $15.95 / £11.99

The Messenger Bag 5.5 × 8.5 in / 13.97 × 21.59 cm Set of 3 lined notebooks 64 pp each J-band; shrinkwrapped 978-1-61689-210-4 $16.95 / £12.99

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9 781616 892074

Shipping July 2013

51695 9 781616 892104

The Pocket Pack Set of 4 notebooks, 1 of each size Envelope: 7 × 9.25 in / 17.78 × 23.49 cm 978-1-61689-214-2 $21.95 / £15.99 Rights: W 52195 9 781616 892142

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w w w. pa p r e s s .c o m | 1- 8 0 0 - 759 - 019 0 | Fall 2013 | Gift Line

Vintage Typography Notecards Available now — 4.75 × 6 × 1.75 in / 12.1 × 15.2 × 4.4 cm 12 2-color cards 6 designs, repeating 2 times 12 envelopes 978-1-61689-146-6 $14.95 / £10.99 Rights: W 51495 9 781616 891466

Paula Scher MAPS New York / Paris / London: Three Mini Journals Available now — 4.25 × 5.75 in / 10.8 × 14.6 cm Set of 3 journals (1 gridded / 1 lined / 1 blank) 64 pp each Paperback, with sewn spine and back pocket 978-1-61689-143-5 $14.95 / £10.99 Rights: W 51495 9 781616 891435

Gift Line Backlist | Fall 2013 | p r i n c e t o n a r c h i t e c t u r a l p r e s s

B R YA N N A S H G I L L

Woodcut Notecards

1 2 A S SO RT E D N O T E CA R D S A N D E N V E L O PE S

Bryan Nash Gill Available now — 5.25 × 6.5 × 1.75 in / 13.3 × 16.51 × 4.45 cm 12 full-color cards 6 designs, repeating 2 times 12 envelopes 978-1-61689-147-3 $15.95 / £11.99 Rights: W 51595 9 781616 891473

What Did I Buy Today? An Obsessive Consumption Journal Illustrations by Kate Bingaman-Burt Available now — 5 × 7.125 in / 12.7 × 18 cm 160 pp / 50 color Paperback 978-1-61689-136-7 $12.95 / £9.99 Rights: W 51295 9 781616 891367

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date : location : weather :

Bird Watching and Other Nature Observations Journal

c a ro l i n a w r e n Thryothorus ludovicianus

date : location : weather :

Available now — 5.75 × 8.25 in / 15 × 21 cm 144 pp / 20 color Hardcover 978-1-61689-141-1 $16.95 / £12.99 Rights: W 51695 9 781616 891411

Nests & Eggs Notecards Available now — 4.75 × 6 × 1.75 in / 12.1 × 15.2 × 4.5 cm 12 full-color cards 6 designs, repeating 2 times 12 envelopes 978-1-61689-138-1 $14.95 / £10.99 Rights: W 51495 9 781616 891381

Gift Line Backlist | Fall 2013 | p r i n c e t o n a r c h i t e c t u r a l p r e s s

Backlist

58 Architects & Monographs 64 Young Architects Series 65 Architecture Briefs 66 Buildings 67 Source Books in Architecture 68 Campus Guides 69 Classic Reprints 70 Construction & Reference 71 General Architecture 77 Guide Books 77 Landscape Architecture 79 Source Books in Landscape Architecture 79 Urbanism 81 Writings & Theory 85 Conversations with Students 86 Pamphlet Architecture 88 Arts & Photography 93 Book Arts 94 Graphic & Industrial Design 97 Design Briefs 98 Dot Dot Dot 98 Fresh Dialogue 99 Typography 101 Visual & Popular Culture

Architects & Monographs

Adalberto Libera Francesco Garofalo, Luca Veresani 6 × 9.5 in / 15 × 24 cm 208 pp / 300 b+w Paperback / 978-1-56898-344-8 $24.95 / £16.99

Anchoring Steven Holl 8.5 × 8.5 in / 22 × 22 cm 172 pp / 205 b+w Hardcover / 978-1-87827-151-8 $40.00 / £28.00

Animate Form Greg Lynn 6.6 × 8.8 in / 17 × 22 cm 204 pp / 1472 color / 135 b+w Hardcover / 978-1-56898-083-6 $40.00 / £28.00

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The Architecture of the Ozarks The Works of Marlon Blackwell Marlon Blackwell 9.8 × 8.5 in / 25 × 22 cm 192 pp / 284 color / 51 b+w Paperback / 978-1-56898-488-9 $40.00 / £28.00

Art Deco San Francisco The Architecture of Timothy Pflueger Therese Poletti, Tom Paiva 9 × 12 in / 23 × 30 cm 256 pp / 210 color Hardcover / 978-1-56898-756-9 $55.00 / £35.00

AT-INdex Winka Dubbeldam 7.8 × 9 in / 20 × 23 cm 224 pp / 250 color Paperback / 978-1-56898-535-0 $40.00 / £28.00

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Atlas of Novel Tectonics Jesse Reiser, Nanako Umemoto 5 × 7.5 in / 13 × 19 cm 288 pp / 25 color / 200 b+w Paperback / 978-1-56898-554-1 $29.95 / £15.99

The Big Idea Scott Johnson 6 × 8 in / 15 × 20 cm 120 pp / 75 b+w Paperback / 978-1-890449-38-4 $35.00 / £20.00

Bing Thom Works Bing Thom Architects 9 × 12 in / 23 × 30 cm 208 pp / 100 color Hardcover / 978-1-56898-959-4 $65.00 / £37.50

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Rights: W A Balcony Press book

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Archigram Peter Cook 8.5 × 11 in / 22 × 28 cm 148 pp / 144 b+w Paperback / 978-1-56898-194-9 $40.00 / £21.95 Rights: W

Backlist

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Bioreboot The Architecture of R&Sie(n) Giovanni Corbellini et al. 9.5 × 6.5 in / 24 × 17 cm 224 pp / 132 color / 105 b+w Paperback / 978-1-56898-869-6 $40.00 / £25.00 Rights: NA, Canada, Australia, Philippines only

Clark and Menefee Richard Jensen 5.5 × 8.5 in / 14 × 22 cm 160 pp / 208 b+w Rights: W Available on ebrary.com

Condemned Building Douglas Darden 9 × 12 in / 23 × 30 cm 160 pp / 208 b+w Paperback / 978-0-910413-63-3 $45.00 / £30.00 Rights: W

Contemporary Classical The Architecture of Andrew Skurman Andrew Skurman 9.5 × 11.9 in / 24 × 30 cm 256 pp / 300 color / 100 b+w Hardcover / 978-1-61689-088-9 $60.00 / £38.00

Dean/Wolf Architects Constructive Continuum Kathryn Dean 8 × 10 in / 20 × 25 cm 224 pp / 303 color Paperback / 978-1-56898-829-0 $40.00 / £28.00 Rights: W

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Eero Saarinen An Architecture of Multiplicity Antonio Roman 9 × 12 in / 23 × 30 cm 240 pp / 180 b+w Hardcover / 978-1-56898-340-0 $60.00 / £45.00

Eladio Dieste Innovation in Structural Art Stanford Anderson 9.6 × 11.8 in / 24 × 30 cm 264 pp / 104 color / 158 b+w Hardcover / 978-1-56898-371-4 $60.00 / £42.00

Erwin Hauer Continua Architectural Screens and Walls Erwin Hauer 10.3 × 10.8 in / 26 × 27 cm 108 pp / 155 b+w Paperback / 978-1-56898-727-9 $34.95 / £16.99

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Everything All at Once The Software, Film, and Architecture of MOS Michael Meredith, Hilary Sample 6 × 8.25 in / 15 × 23 cm 176 pp / 40 color / 150 b+w Paperback / 978-1-61689-078-0 $24.95 / £15.99

Expanded Practice Höweler + Yoon Architecture / MY Studio J. Meejin Yoon, Eric Höweler 7.5 × 9.3 in / 19 × 23 cm 208 pp / 300 color / 45 b+w Paperback / 978-1-56898-866-5 $40.00 / £25.00

Explorations The Architecture of John Ronan John Ronan 7.5 × 10 in / 19 × 25 cm 192 pp / 350 color / 80 b+w Paperback / 978-1-56898-876-4 $40.00 / £28.00

Flesh Architectural Probes Elizabeth Diller, Ricardo Scofidio 8.3 × 10.8 in / 21 × 27 cm 256 pp / 68 color / 300 b+w Paperback / 978-1-878271-37-2 $39.95 / £28.00

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Devil’s Workshop 25 Years of Jersey Devil Architecture Susan Piedmont-Palladino, Mark Alden Branch 8 × 10.8 in / 20 × 27 cm 144 pp / 120 color / 45 b+w Paperback / 978-1-56898-113-0 $29.95 / £21.95 Rights: W

Backlist

FOBA / Buildings Katsu Umebayashi et al. 6.8 × 9.3 in / 17 × 23 cm 224 pp / 300 color / 66 b+w Paperback / 978-1-56898-527-5 $40.00 / £28.00 Rights: W Also available on ebrary.com

Fougeron Architecture Opposition/Composition Anne Fougeron 8 × 9 in / 20 × 23 cm 192 pp / 240 color / 30 b+w Paperback / 978-1-56898-990-7 $40.00 / £28.00 Rights: W

Frank Furness The Complete Works, Revised Edition George E. Thomas et al. 8.5 × 11 in / 22 × 28 cm 392 pp / 13 color / 655 b+w Paperback / 978-1-56898-094-2 $45.00 / £30.00

Ghost Building an Architectural Vision Brian MacKay-Lyons 6.3 × 9 in / 16 × 23 cm 192 pp / 224 color / 50 b+w Paperback / 978-1-56898-736-1 $35.00 / £23.00 Rights: W

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A Guide to Archigram 1961–74 Archigram Archives 5.7 × 4.9 in / 15 × 13 cm 448 pp / 200 color / 350 b+w Paperback / 978-1-61689-086-5 $40.00 / £25.00 Rights: W Language: Dual English/German

Gyroscopic Horizons Prototypical Buildings and Other Works Neil M. Denari 8.5 × 11 in / 22 × 28 cm 224 pp / 250 color / 150 b+w Paperback / 978-1-87827-113-6 $40.00

House Black Swan Theory Steven Holl 8.5 × 8.5 in / 22 × 22 cm 176 pp / 176 color / 10 b+w Hardcover / 978-1-56898-587-9 $40.00 / £25.00

Houses of Maine Elliott + Elliott Architecture 8 × 10 in / 20 × 26 cm 176 pp / 200 color / 20 b+w Hardcover / 978-1-61689-122-0 $40.00 / £25.00 Rights: W

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The Houses of William Wurster Frames for Living Caitlin Lempres Brostrom, Richard C. Peters 9 × 11 in / 23 × 28 cm 224 pp / 150 color / 150 b+w Hardcover / 978-1-61689-028-5 $50.00 / £32.50 Rights: W

Backlist

Intertwining Steven Holl 8.5 × 8.5 in / 22 × 22 cm 176 pp / 16 color / 270 b+w Hardcover / 978-1-56898-061-4 $40.00 / £28.00 Rights: W

James Carpenter Environmental Refractions Sandro Marpillero 8.7 × 11 in / 22 × 28 cm 176 pp / 200 color / 100 b+w Hardcover / 978-1-56898-608-1 $55.00

Jones, Partners: Architecture El Segundo Jones, Partners: Architecture 8.5 × 11 in / 22 × 28 cm 400 pp / 270 color / 305 b+w Hardcover / 978-1-56898-700-2 $60.00 / £38.00

Rights: NAM

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Julie Snow Architects Julie Snow, Janet Abrams 6.8 × 9.3 in / 17 × 23 cm 144 pp / 100 color / 40 b+w Hardcover / 978-1-56898-487-2 $40.00 / £28.00 Rights: W Also available on ebrary.com

Kesling Modern Structures Popularizing Modern Living in Southern California 1934–1962 Patrick Pascal 11 × 8 in / 28 × 20 cm 96 pp / 80 b+w Paperback / 978-1-890449-13-1 $24.95 / £17.95

Kuth / Ranieri Architects Byron Kuth et al. 7.5 × 9.5 in / 19 × 24 cm 192 pp / 220 color / 20 b+w Paperback / 978-1-56898-865-8 $40.00 / £28.00 Rights: W

Leven Betts Pattern Recognition David Leven, Stella Betts 8 × 10 in / 20 × 25 cm 192 pp / 205 color / 20 b+w Paperback / 978-1-56898-782-8 $40.00 / £25.00 Rights: W

Rights: W A Balcony Press book

Lewis.Tsurumaki.Lewis Opportunistic Architecture Paul Lewis, Marc Tsurumaki, David J. Lewis 7.5 × 10 in / 19 × 25 cm 192 pp / 130 color / 50 b+w Paperback / 978-1-56898-710-1 $40.00 / £25.00

Lewis.Tsurumaki.Lewis Intensities Paul Lewis, Marc Tsurumaki, David J. Lewis 7.5 × 10 in / 19 × 25 cm 192 pp / 130 color / 50 b+w Paperback / 978-1-61689-066-7 $40.00 / £25.00

Made to Measure The Architecture of Leers Weinzapfel Associates Andrea Leers et al. 9 × 11 in / 23 × 28 cm 176 pp / 213 color / 18 b+w Hardcover / 978-1-56898-957-0 $65.00 / £45.00

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Marina City Bertrand Goldberg’s Urban Vision Igor Marjanovic, Katerina Rüedi Ray 7.5 × 10 in / 19 × 25 cm 176 pp / 105 b+w Paperback / 978-1-56898-863-4 $35.00 / £25.00 Rights: W

Marmol Radziner + Associates Between Architecture and Construction Leo Marmol, Ron Radziner 8.5 × 9.5 in / 22 × 24 cm 176 pp / 235 color / 50 b+w Paperback / 978-1-56898-744-6 $40.00 / £25.00

Mary Colter Architect of the Southwest Arnold Berke 10 × 8 in / 25 × 20 cm 320 pp / 80 color / 120 b+w Paperback / 978-1-56898-345-5 $35.00 / £21.99

Material Immaterial The New Work of Kengo Kuma Botond Bognar 8.5 × 11 in / 22 × 28 cm 224 pp / 460 color / 85 b+w Paperback / 978-1-56898-779-8 $40.00 / £25.00

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Mehrdad Yazdani Joseph Giovannini 9.5 × 11.5 in / 24 × 29 cm 144 pp / 225 color Paperback / 978-1-890449-29-2 $29.95 / £19.99 Rights: W A Balcony Press book

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Backlist

Miller|Hull Architects of the Pacific Northwest Sheri Olson 8 × 9 in / 20 × 23 cm 244 pp / 200 color / 150 b+w Paperback / 978-1-56898-231-1 $40.00 / £24.00

Natural Houses The Residential Architecture of Andersson-Wise Arthur Andersson, Chris Wise 8 × 10.3 in / 20 × 26 cm 176 pp / 225 color / 25 b+w Hardcover / 978-1-56898-879-5 $40.00 / £25.00

No Nails, No Lumber The Bubble Houses of Wallace Neff Jeffrey Head 7.2 × 7.9 in / 18 × 20 cm 176 pp / 100 color / 100 b+w Hardcover / 978-1-61689-024-7 $24.95 / £16.99

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OneFiveFour Lebbeus Woods 7 × 10.5 in / 18 × 27 cm 136 pp / 100 b+w Paperback / 978-0-910413-80-0 $24.95 / £16.99

Parallax Steven Holl 5.8 × 7.6 in / 15 × 19 cm 384 pp / 110 color / 290 b+w Hardcover / 978-1-56898-261-8 $45.00 / £30.00

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Paul Rudolph The Florida Houses Christopher Domin, Joseph King 10 × 8 in / 25 × 20 cm 248 pp / 150 b+w Paperback / 978-1-56898-551-0 $40.00 / £25.00

The Miller|Hull Partnership Public Works The Miller|Hull Partnership 8.5 × 11 in / 22 × 28 cm 256 pp / 200 color / 25 b+w Hardcover / 978-1-56898-754-5 $50.00 / £30.00 Rights: W

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O’Donnell + Tuomey Selected Works Sheila O’Donnell, John Tuomey 9.8 × 8.5 in / 25 × 22 cm 192 pp / 200 color / 50 b+w Paperback / 978-1-56898-601-2 $40.00 / £23.00 Rights: W

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Peter Rose Houses Peter Rose 8 × 10 in / 20 × 25 cm 160 pp / 200 color / 50 b+w Hardcover / 978-1-56898-821-4 $40.00 / £28.00 Rights: W

Proceed and Be Bold Rural Studio After Samuel Mockbee Andrea Oppenheimer Dean, Timothy Hursley 8 × 10 in / 20 × 25 cm 176 pp / 130 color Paperback / 978-1-56898-500-8 $30.00 / £19.99 Rights: W Also available on ebrary.com

Backlist

Provisional Emerging Modes of Architectural Practice USA Elite Kedan et al. 8 × 10 in / 20 × 25 cm 288 pp / 355 color / 65 b+w Paperback / 978-1-56898-878-8 $40.00 / £25.00 Rights: W

R. Buckminster Fuller World Man Daniel López-Pérez 5.5 × 8 in / 14 × 20 cm 144 pp / 25 color / 25 b+w Paperback / 978-1-61689-094-0 $21.95 / £13.99 Rights: W

Radical Reconstruction Lebbeus Woods 12 × 9 in / 30 × 23 cm 168 pp / 109 color / 103 b+w Paperback / 978-1-56898-286-1 $39.95 / £24.95 Rights: W

Rogers Marvel Architects Rob Rogers, Jonathan Marvel 8 × 10 in / 20 × 25 cm 192 pp / 200 color Paperback / 978-1-56898-999-0 $40.00 / £28.00 Rights: W

Responsive Architecture Moody Nolan Recent Work Morris Newman 9 × 10 in / 23 × 25 cm 120 pp / 140 color Paperback / 978-1-890449-46-9 $29.95 / £16.99

Reveal Studio Gang Architects Jeanne Gang 8 × 10 in / 20 × 25 cm 256 pp / 300 color Paperback / 978-1-56898-993-8 $45.00 / £30.00

Rick Joy Desert Works Rick Joy 9.75 × 8.5 in / 25 × 22 cm 176 pp / 180 color / 30 b+w

Rights: W A Balcony Press book

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Rural Studio Samuel Mockbee and an Architecture of Decency Andrea Oppenheimer Dean, Timothy Hursley 8 × 10 in / 20 × 25 cm 192 pp / 132 color / 12 b+w Paperback / 978-1-56898-292-2 $34.95 / £21.00

The Storm and the Fall Lebbeus Woods 9.6 × 7.3 in / 24 × 18 cm 176 pp / 8 color / 134 b+w Hardcover / 978-1-56898-421-6 $50.00 / £35.00

Theater of Architecture Hugh Hardy 8 × 11 in / 20 × 28 cm 224 pp / 100 color / 55 b+w Hardcover / 978-1-61689-131-2 $50.00 / £30.00

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Tom Kundig Houses Dung Ngo 8 × 10 in / 20 × 25 cm 176 pp / 150 color / 25 b+w Hardcover / 978-1-56898-605-0 $40.00 / £25.00

Tom Kundig Houses 2 Tom Kundig 9.5 × 11.8 in / 24 × 30 cm 256 pp / 250 color Hardcover / 978-1-61689-040-7 $55.00 / £35.00

Toyo Ito Force of Nature Jessie A. Turnbull, editor 5.5 × 8 in / 14 × 20 cm 144 pp / 25 color / 25 b+w Paperback / 978-1-61689-101-5 $21.95 / £13.99

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Think / Make Della Valle Bernheimer Andrew Bernheimer, Jared Della Valle 7.5 × 10 in / 19 × 25 cm 192 pp / 245 color Paperback / 978-1-56898-781-1 $40.00 / £25.00 Rights: W

Backlist

True Life Steven Harris Architects Steven Harris 9.5 × 11.8 in / 24 × 30 cm 256 pp / 246 color Hardcover / 978-1-56898-971-6 $50.00 / £32.00 Rights: W

VJAA Vincent James Associates Architects Vincent James, Jennifer Yoos 8 × 9 in / 20 × 23 cm 208 pp / 175 color / 125 b+w Paperback / 978-1-56898-588-6 $40.00 / £23.00

Weiss/Manfredi Surface/Subsurface Marion Weiss, Michael Manfredi 11 × 9 in / 28 × 23 cm 208 pp / 300 color Hardcover / 978-1-56898-733-0 $60.00 / £35.00

William L. Pereira James Steele 10 × 12 in / 25 × 30 cm 256 pp / 20 color / 260 b+w Hardcover / 978-1-890449-20-9 $59.95 / £40.00

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Rights: W A Balcony Press book

Young Architects 8 Instability The Architectural League of New York 5 × 7 in / 13 × 18 cm 176 pp / 350 color / 20 b+w Paperback / 978-1-56898-637-1 $24.95 / £14.00

Young Architects 9 Proof The Architectural League of New York 5 × 7 in / 13 × 18 cm 176 pp / 350 color / 20 b+w Paperback / 978-1-56898-743-9 $24.95 / £15.00

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Young Architects Series

Yankee Modern The Houses of Estes/Twombly William Morgan 8 × 10 in / 20 × 25 cm 168 pp / 150 color / 20 b+w Hardcover / 978-1-56898-817-7 $40.00 / £25.00 Rights: W

Young Architects 10 Resonance The Architectural League of New York 5 × 7 in / 13 × 18 cm 176 pp / 350 color / 20 b+w Paperback / 978-1-56898-809-2 $24.95 / £14.99

Young Architects 11 Foresight The Architectural League of New York 5 × 7 in / 13 × 18 cm 176 pp / 350 color / 20 b+w Paperback / 978-1-56898-887-0 $24.95 / £16.99

Young Architects 12 ReSource The Architectural League of New York 5 × 7 in / 13 × 18 cm 176 pp / 350 color / 20 b+w Paperback / 978-1-56898-998-3 $24.95 / £16.99

Young Architects 14 No Precedent The Architectural League of New York 5 × 7 in / 13 × 18 cm 176 pp / 350 color / 20 b+w Paperback / 978-1-61689-105-3 $24.95 / £16.99

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Architecture Briefs

Architectural Lighting Designing with Light and Space Hervé Descottes, Cecilia E. Ramos 7 × 8.5 in / 18 × 22 cm 144 pp / 177 color Paperback / 978-1-56898-938-9 $24.95 / £16.99

Architectural Photography the Digital Way Gerry Kopelow 7 × 8.5 in / 18 × 22 cm 144 pp / 150 color Paperback / 978-1-56898-697-5 $24.95 / £14.99

Building Envelopes An Integrated Approach Jenny Lovell 7 × 8.5 in / 18 × 22 cm 144 pp / 175 color Paperback / 978-1-56898-818-4 $24.95 / £16.99

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Material Strategies Innovative Applications in Architecture Blaine Brownell 7 × 8.5 in / 18 × 21.6 cm 160 pp / 175 color Paperback / 978-1-56898-986-0 $24.95 / £16.99

Model Making Megan Werner 7 × 8.5 in / 18 × 22 cm 160 pp / 200 color / 20 b+w Paperback / 978-1-56898-870-2 $24.95 / £16.99

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Digital Fabrications Architectural and Material Techniques Lisa Iwamoto 7 × 8.5 in / 18 × 22 cm 144 pp / 175 color Paperback / 978-1-56898-790-3 $24.95 / £14.99 Rights: W

Ethics for Architects 50 Dilemmas of Professional Practice Thomas Fisher 7 × 8.5 in / 18 × 22 cm 152 pp Paperback / 978-1-56898-946-4 $24.95 / £14.99 Ebook / 978-1-61689-079-7

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Old Buildings, New Designs Architectural Transformations Charles Bloszies 7 × 8.5 in / 18 × 21.6 cm 144 pp / 175 color Paperback / 978-1-61689-035-3 $24.95 / £16.99

Philosophy for Architects Branko Mitrović 7 × 8.5 in / 18 × 22 cm 192 pp / 15 b+w Paperback / 978-1-56898-994-5 $24.95 / £16.99 Ebook / 978-1-61689-072-8

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Sustainable Design David Bergman 7 × 8.5 in / 18 × 22 cm 144 pp / 175 color Paperback / 978-1-56898-941-9 $24.95 / £16.99 Rights: W

Urban Composition Developing Community through Design Mark C. Childs 7 × 8.5 in / 18 × 22 cm 144 pp / 150 color Paperback / 978-1-61689-052-0 $24.95 / £15.99 Rights: W

Backlist

Buildings

Albert Frey Houses 1 + 2 Jennifer Golub 9.5 × 6.5 in / 24 × 17 cm 84 pp / 53 color / 22 b+w Paperback / 978-1-56898-190-1 $20.00 / £14.95

Writing about Architecture Mastering the Language of Buildings and Cities Alexandra Lange 7 × 8.5 in / 18 × 22 cm 192 pp / 20 b+w Paperback / 978-1-61689-053-7 $24.95 / £15.99 Ebook / 978-1-61689-113-8

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Austin Val Verde A Montecito Masterpiece Berge Aran 8.8 × 12 in / 22 × 30 cm 144 pp / 61 color / 5 b+w Hardcover / 978-1-890449-39-1 $50.00 / £30.00 Rights: W A Balcony Press book

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Casa Alta An Andalusian Paradise Elizabeth McMillan 8.5 × 10.5 in / 22 × 27 cm 192 pp / 175 color Hardcover / 978-1-61689-137-4 $50.00 / £30.00 Rights: W

The Chrysler Building Creating a New York Icon, Day by Day David Stravitz 9.6 × 12 in / 24 × 30 cm 192 pp / 170 b+w Hardcover / 978-1-56898-354-7 $45.00 / £30.00

Expanded View The New Wing of the Anchorage Museum at Rasmuson Center Julie Decker et al. 6 × 9 in / 15 × 23 cm 72 pp / 70 color / 12 b+w Rights: W Available on ebrary.com

Frank Lloyd Wright’s Fallingwater Ezra Stoller 5 × 7 in / 13 × 18 cm 96 pp / 80 b+w Hardcover / 978-1-56898-203-8 $19.95 / £14.95 Rights: W

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Frank Lloyd Wright’s Martin House Architecture as Portraiture Jack Quinan 7.5 × 10 in / 19 × 25 cm 248 pp / 130 b+w Hardcover / 978-1-56898-419-3 $34.95 / £25.00 Rights: W

Backlist

Guggenheim New York | Guggenheim Bilbao Ezra Stoller, Jeff Goldberg 5 × 7 in / 13 × 18 cm 80 pp / 34 color / 30 b+w Paperback / 978-1-56898-193-2 $14.95 / £10.95 Rights: W

Iron Erecting the Walt Disney Concert Hall Gil Garcetti 8.5 × 11 in / 22 × 28 cm 144 pp / 80 b+w Paperback / 978-1-890449-28-5 $29.95 / £19.99

Kurt Schwitters’ Merzbau The Cathedral of Erotic Misery, Building Studies 5 Elizabeth Gamard 5.5 × 8.5 in / 14 × 22 cm 192 pp / 50 b+w Paperback / 978-1-56898-136-9 $29.95

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Loblolly House Elements of a New Architecture KieranTimberlake Associates 7.5 × 10 in / 19 × 25 cm 176 pp / 125 color / 46 b+w with DVD

Hardcover / 978-1-56898-747-7 $40.00 / £25.00

Manhattan Skyscrapers Third Edition Eric P. Nash 9 × 12 in / 23 × 30 cm 240 pp / 150 color / 175 b+w Hardcover / 978-1-56898-967-9 $50.00 / £32.00

Mies Van der Rohe’s Krefeld Villas Kent Kleinman, Leslie Van Duzer 7.5 × 10 in / 19 × 25 cm 144 pp / 40 color / 60 b+w Hardcover / 978-1-56898-503-9 $35.00 / £25.00

Richard Neutra’s Miller House Stephen Leet 8 × 10 in / 20 × 25 cm 192 pp / 120 b+w Paperback / 978-1-56898-274-8 $40.00 / £28.00

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Terragni’s Danteum Thomas L. Schumacher 5.5 × 8.5 in / 14 × 22 cm 168 pp / 12 color / 117 b+w Paperback / 978-1-87827-182-2 $24.95 / £17.99

The Wittgenstein House Bernhard Leitner 8.5 × 11 in / 22 × 28 cm 160 pp / 30 color / 90 b+w Hardcover / 978-1-56898-251-9 $45.00 / £30.00

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Bernard Tschumi / Zenith de Rouen Source Books in Architecture 3 Todd Gannon, Jeffrey Kipnis 8 × 9 in / 20 × 23 cm 176 pp / 101 color / 102 b+w Paperback / 978-1-56898-382-0 $29.95 / £19.99

Steven Holl Architects / Simmons Hall Source Books in Architecture 5 Todd Gannon, Michael Demson 8 × 9 in / 20 × 23 cm 160 pp / 110 color / 75 b+w Paperback / 978-1-56898-464-3 $29.95 / £19.99

Zaha Hadid / BMW Central Building Source Books in Architecture 7 Todd Gannon 8 × 9 in / 20 × 23 cm 160 pp / 200 color / 50 b+w Paperback / 978-1-56898-536-7 $29.95 / £17.00

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The Rodin Museum, Seoul Kevin Kennon 5.5 × 8.5 in / 14 × 22 cm 168 pp / 100 color / 100 b+w Rights: W Available on ebrary.com

Source Books in Architecture

Backlist

Campus Guides

Eisenman Architects / The University of Phoenix Stadium for the Arizona Cardinals Source Books in Architecture 8 Todd Gannon 8 × 9 in / 20 × 23 cm 160 pp / 200 color / 50 b+w Paperback / 978-1-56898-720-0 $29.95 / £17.00

Cranbrook Kathryn Eckert 6.3 × 10 in / 16 × 25 cm 208 pp / 120 color Paperback / 978-1-56898-257-1 $24.95 / £17.95

Dartmouth College Scott Meacham 6.3 × 10 in / 16 × 25 cm 256 pp / 225 color Paperback / 978-1-56898-348-6 $24.95 / £15.00

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Smith College Margaret Birney Vickery, Bilyana Dimitrova 6.3 × 10 in / 16 × 25 cm 160 pp / 100 color / 20 b+w Paperback / 978-1-56898-591-6 $24.95 / £15.00

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Duke University John M. Bryan 6.3 × 10 in / 16 × 25 cm 168 pp / 120 color / 20 b+w Paperback / 978-1-56898-228-1 $24.95 / £17.95

Northwestern University Jay Pridmore 6.3 × 10 in / 16 × 25 cm 192 pp / 200 color / 20 b+w Paperback / 978-1-56898-755-2 $24.95 / £14.99

Rice University Stephen Fox 6.3 × 10 in / 16 × 25 cm 208 pp / 120 color Paperback / 978-1-56898-246-5 $24.95 / £17.95

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Stanford University, Revised Edition David J. Neuman et al. 6.3 × 10 in / 16 × 25 cm 200 pp / 120 color / 30 b+w Paperback / 978-1-56898-538-1 $29.95 / £19.99

University of California, Berkeley Harvey Helfand 6.3 × 10 in / 16 × 25 cm 368 pp / 130 color Paperback / 978-1-56898-293-9 $24.95 / £17.95

University of California, San Diego Dirk Sutro et al. 6.3 × 10 in / 16 × 25 cm 224 pp / 125 color Paperback / 978-1-56898-860-3 $29.95 / £19.99

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Backlist

University of Cincinnati Paul Bennett 6.3 × 10 in / 16 × 25 cm 224 pp / 130 color Paperback / 978-1-56898-232-8 $24.95 / £17.95 Rights: W

University of Massachusetts Amherst Marla R. Miller, Max Page 6.3 × 10 in / 16 × 25 cm 192 pp / 150 color / 16 b+w Paperback / 978-1-61689-112-1 $29.95 / £18.99

University of Pennsylvania George E. Thomas 6.3 × 10 in / 16 × 25 cm 216 pp / 170 color Paperback / 978-1-56898-315-8 $24.95 / £17.95 Rights: W

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University of Texas at Austin Lawrence W. Speck, Richard L. Cleary 6.3 × 10 in / 16 × 25 cm 224 pp / 125 color / 15 b+w Paperback / 978-1-56898-854-2 $29.95 / £20.00

University of Toronto Larry Wayne Richards 6.3 × 10 in / 16 × 25 cm 256 pp / 175 color / 18 b+w Paperback / 978-1-56898-719-4 $29.95 / £17.99 Rights: W

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University of Washington Norman Johnston 6.3 × 10 in / 16 × 25 cm 168 pp / 120 color Paperback / 978-1-56898-247-2 $24.95 / £17.95 Rights: W

Vassar College Karen Van Lengen, Lisa Reilly 6.3 × 10 in / 16 × 25 cm 176 pp / 130 color Paperback / 978-1-56898-349-3 $24.95 / £17.95

Yale University, Second Edition Patrick L. Pinnell 6.25 × 10 in / 16 × 25 cm 256 pp / 200 color / 25 b+w Paperback / 978-1-61689-064-3 $29.95 / £20.00

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The Antiquities of Athens Measured and Delineated by James Stuart and Nicholas Revett, Painters and Architects James Stuart, Nicholas Revett 9 × 12 in / 23 × 30 cm 496 pp / 400 b+w Hardcover / 978-1-56898-723-1 $125.00 / £70.00

Edifices de Rome Moderne Paul Letarouilly 9 × 12 in / 23 × 30 cm 368 pp / 354 b+w Hardcover / 978-0-910413-00-8 $85.00 / £60.00

L’Architecture Claude-Nicolas Ledoux 9 × 12 in / 23 × 30 cm 328 pp / 300 b+w Hardcover / 978-0-910413-03-9 $85.00 / £60.00

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Classic Reprints

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Backlist

Park and Recreation Structures Albert Good 9 × 12 in / 23 × 30 cm 624 pp / 400 b+w Hardcover / 978-1-56898-171-0 $85.00 / £60.00 Rights: W

Pencil Points Reader A Journal for the Drafting Room, 1920 – 43 Jan Cigliano, George E. Hartman 9 × 12 in / 23 × 30 cm 680 pp / 400 b+w Hardcover / 978-1-56898-352-3 $85.00 / £60.00

Plan of Chicago Daniel H. Burnham, Edward H. Bennett 9 × 12 in / 23 × 30 cm 268 pp / 48 color / 94 b+w Hardcover / 978-1-878271-41-9 $85.00 / £60.00

Sammlung Architektonischer Entwürfe Karl Friedrich Schinkel 11 × 8.5 in / 28 × 22 cm 268 pp / 207 b+w Hardcover / 978-0-910413-56-5 $85.00 / £60.00

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The Codewriting Workbook Creating Computational Architecture in AutoLISP Robert J. Krawczyk 7 × 8.5 in / 18 × 22 cm 416 pp / 274 b+w / with CD Paperback / 978-1-56898-792-7 $50.00 / £30.00

Contemporary Curtain Wall Architecture Scott Murray 9 × 12 in / 23 × 30 cm 264 pp / 275 color / 150 b+w Hardcover / 978-1-56898-797-2 $75.00 / £45.00

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Construction & Reference

The Vatican and Saint Peter’s Basilica of Rome Paul Letarouilly 9 × 12 in / 23 × 30 cm 320 pp / 24 color / 243 b+w Hardcover / 978-1-56898-875-7 $125.00 / £80.00 Rights: W

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Detail in Process Christine Killory, René Davids 9 × 12 in / 23 × 30 cm 208 pp / 300 color Hardcover / 978-1-56898-718-7 $65.00 / £40.00 Rights: W

Details in Contemporary Architecture Christine Killory, René Davids 9 × 12 in / 23 × 30 cm 208 pp / 200 color / 100 b+w Hardcover / 978-1-56898-576-3 $65.00 / £40.00 Rights: W

Details, Technology, and Form Christine Killory, René Davids 9 × 12 in / 23 × 30 cm 208 pp / 300 color Hardcover / 978-1-56898-953-2 $65.00 / £40.00 Rights: W

Engineered Transparency The Technical, Visual, and Spatial Effects of Glass Michael Bell, Jeannie Kim 8.5 × 10.8 in / 22 × 27 cm 272 pp / 300 color / with DVD Hardcover / 978-1-56898-798-9 $65.00 / £40.00 Rights: W

Backlist

Integrated Design in Contemporary Architecture Kiel Moe 9 × 12 in / 23 × 30 cm 208 pp / 200 color / 100 b+w Hardcover / 978-1-56898-745-3 $65.00 / £40.00

Materials for Design Victoria Ballard Bell, Patrick Rand 8.5 × 11 in / 22 × 28 cm 272 pp / 275 color / 250 b+w Paperback / 978-1-56898-558-9 $50.00

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Remarkable Structures Engineering Today’s Innovative Buildings Sutherland Lyall 9.3 × 11.8 in / 23 × 30 cm 240 pp / 150 color / 150 b+w Hardcover / 978-1-56898-330-1 $75.00

Post-Ductility Metals in Architecture and Engineering Michael Bell, Craig Buckley 8.5 × 10.75 in / 22 × 27 cm 256 pp / 180 color / 100 b+w Hardcover / 978-1-61689-046-9 $65.00 / £40.00

Prefab Prototypes Site-specific Design for Offsite Construction Mark Anderson, Peter Anderson 9.6 × 11.9 in / 24 × 30 cm 264 pp / 100 color Hardcover / 978-1-56898-560-2 $60.00 / £35.00

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Solid States Concrete in Transition Michael Bell, Craig Buckley 8.5 × 10.8 in / 22 × 27 cm 272 pp / 500 color / 175 b+w Hardcover / 978-1-56898-895-5 $65.00 / £45.00

Thermally Active Surfaces in Architecture Kiel Moe 8.5 × 11 in / 22 × 28 cm 240 pp / 250 color Hardcover / 978-1-56898-880-1 $55.00 / £38.00

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Transmaterial A Catalog of Materials that Redefine our Physical Environment Blaine Brownell 6.8 × 9 in / 17 × 23 cm 224 pp / 800 color Paperback / 978-1-56898-563-3 $35.00 / £16.99

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General Architecture

Transmaterial 2 A Catalog of Materials that Redefine our Physical Environment Blaine Brownell 6.8 × 9 in / 17 × 23 cm 240 pp / 400 color Paperback / 978-1-56898-722-4 $35.00 / £16.99

Transmaterial 3 A Catalog of Materials that Redefine our Physical Environment Blaine Brownell 6.8 × 9 in / 17 × 23 cm 252 pp / 400 color Paperback / 978-1-56898-893-1 $40.00 / £25.00

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After the Crash Architecture in Post-Bubble Japan Thomas Daniell 6 × 8.5 in / 15 × 22 cm 192 pp / 100 b+w Paperback / 978-1-56898-776-7 $24.95 / £14.99 Rights: W

Backlist

Alvar Aalto Houses Jari Jetsonen, Sirkkaliisa Jetsonen 8.5 × 11 in / 22 × 28 cm 224 pp / 279 color / 37 b+w Paperback / 978-1-61689-081-0 $35.00 / £21.99

The Architectural Detail Edward R. Ford 6 × 9 in / 15 × 23 cm 336 pp / 285 b+w Paperback / 978-1-56898-978-5 $40.00 / £28.00

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The Architecture of Diplomacy Building America’s Embassies, Revised Second Edition Jane C. Loeffler 6 × 9 in / 15 × 23 cm 424 pp / 190 b+w Paperback / 978-1-56898-984-6 $24.95 / £16.99

Architecture of the Everyday Deborah Berke, Steven Harris 6.25 × 8.75 in / 16 × 22 cm 240 pp / 40 color / 100 b+w Ebook / 978-1-61689-120-6 Rights: W Also available on ebrary.com

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The Architecture of Modern Italy The Challenge of Tradition, 1750-1900, vol. 1 / Terry Kirk 6.4 × 9 in / 16 × 23 cm 280 pp / 119 b+w Hardcover / 978-1-56898-420-9 $35.00 / £25.00

The Baltimore Rowhouse Mary Ellen Hayward, Charles Belfoure 6 × 9 in / 15 × 23 cm 304 pp / 135 b+w Paperback / 978-1-56898-283-0 $24.95 / £12.95 Ebook / 978-1-56898-956-3

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Bunker Archeology Paul Virilio 6.5 × 10.5 in / 17 × 27 cm 216 pp / 124 b+w Paperback / 978-1-56898-015-7 $40.00 / £28.00

The Cape Cod Cottage William Morgan 8.5 × 8.5 in / 22 × 22 cm 108 pp / 75 b+w Paperback / 978-1-56898-575-6 $24.95 / £14.00

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Bamboo Fences Isao Yoshikawa, Osamu Suzuki 8 × 9 in / 20 × 23 cm 160 pp / 250 color Hardcover / 978-1-56898-834-4 $40.00 / £23.50 Rights: W

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Citizens of No Place An Architectural Graphic Novel Jimenez Lai 7.5 × 10 in / 19 × 25 cm 144 pp / 105 b+w Paperback / 978-1-61689-062-9 $19.95 / £12.99 Rights: W

Backlist

Building (in) the Future Recasting Labor in Architecture Phillip Bernstein, Peggy Deamer 6 × 8.5 in / 15 × 22 cm 216 pp / 85 b+w Paperback / 978-1-56898-806-1 $29.95 / £19.99 Ebook / 978-1-61689-003-2

Colonial Revival Maine Kevin Murphy 8.3 × 10 in / 21 × 25 cm 192 pp / 60 color / 90 b+w Hardcover / 978-1-56898-449-0 $39.95 / £28.00 Rights: W

Crafting a Modern World The Designs of Antonin and Noémi Raymond Kurt G. F. Helfrich, William Whitaker 8.5 × 11 in / 22 × 28 cm 352 pp / 100 color / 340 b+w Hardcover / 978-1-56898-583-1 $75.00 / £42.00

Designing Paradise The Allure of the Hawaiian Resort Don Hibbard 10 × 8 in / 25 × 20 cm 216 pp / 170 color / 84 b+w Hardcover / 978-1-56898-574-9 $50.00 / £30.00

Earth Architecture Ronald Rael 8.5 × 9 in / 22 × 23 cm 208 pp / 222 color / 96 b+w Paperback / 978-1-56898-945-7 $24.95 / £16.99 Rights: W

Figure / Ground A Design Conversation Scott Johnson, Bill Fain 8.5 × 9.5 in / 22 × 24 cm 240 pp / 220 color Hardcover / 978-1-890449-23-0 $65.00 / £42.00 Rights: W A Balcony Press book

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Finnish Summer Houses Jari Jetsonen, Sirkkaliisa Jetsonen 9 × 11 in / 23 × 28 cm 192 pp / 170 color / 105 b+w Rights: W Available on ebrary.com

Fragments of Utopia Collage Reflections of Heroic Modernism David Wild 8.3 × 11 in / 21 × 28 cm 112 pp / 120 b+w Paperback / 978-0-907259-10-7 $40.00 Rights: NSAM A Hyphen Press book

Full Irish New Architecture in Ireland Sarah A. Lappin 7.8 × 8.5 in / 20 × 22 cm 240 pp / 250 color / 50 b+w Hardcover / 978-1-56898-868-9 $45.00 / £30.00 Rights: W

The Green House New Directions in Sustainable Architecture Alanna Stang, Christopher Hawthorne 8.5 × 9 in / 22 × 23 cm 196 pp / 200 color / 100 b+w Paperback / 978-1-56898-950-1 $24.95 / £16.99

Frank Lloyd Wright The Romantic Spirit Carol Bishop 6 × 8 in / 15 × 20 cm 144 pp / 64 color Hardcover / 978-1-890449-30-8 $35.00 / £24.00 Rights: W A Balcony Press book

From Autos to Architecture Fordism and Architectural Aesthetics in the Twentieth Century David Gartman 6 × 9 in / 15 × 23 cm 400 pp / 80 b+w Hardcover / 978-1-56898-813-9 $60.00 / £38.00 Ebook / 978-156898-960-0 Rights: W / Also available on ebrary.com

The Greenest Home Superinsulated and Passive House Design Julie Torres Moskovitz 8.5 × 9 in / 22 × 23 cm 192 pp / 250 color / 50 b+w Hardcover / 978-1-61689-124-4 $45.00 / £27.99

Guastavino Vaulting The Art of Structural Tile John Ochsendorf, Michael Freeman 8.3 × 11 in / 21 × 28 cm 256 pp / 174 color / 161 b+w Hardcover / 978-1-56898-741-5 $60.00 / £37.50

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Backlist

Hill-Stead The Country Place of Theodate Pope Riddle James F. O’Gorman et al. 8.3 × 10 in / 21 × 25 cm 192 pp / 63 color / 98 b+w Hardcover / 978-1-56898-759-0 $45.00 / £30.00

Hotel as Home The Art of Living on the Road Gary Chang 8.5 × 7 in / 22 × 18 cm 248 pp / 300 color / 40 b+w Paperback / 978-1-56898-603-6 $29.95 / £17.00

A House for My Mother Architects Build for their Families Beth Dunlop 8.5 × 9.5 in / 22 × 24 cm 192 pp / 150 color Paperback / 978-1-56898-173-4 $34.95 / £24.95

House in the Landscape Siting Your Home Naturally Jeremiah Eck 8.5 × 9 in / 22 × 23 cm 208 pp / 248 color / 59 b+w Paperback / 978-1-56898-823-8 $40.00 / £28.00

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Inside Prefab The Ready-Made Interior Deborah Schneiderman 6.75 × 9 in / 17 × 23 cm 144 pp / 125 color Paperback / 978-1-56898-987-7 $24.95 / £15.99

Installations by Architects Experiments in Building and Design Sarah Bonnemaison, Ronit Eisenbach 7.5 × 10 in / 19 × 25 cm 192 pp / 170 color / 45 b+w Paperback / 978-1-56898-850-4 $40.00 / £25.00

Interactive Architecture Michael Fox, Miles Kemp 7 × 9 in / 18 × 23 cm 256 pp / 350 color

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How to Photograph Buildings and Interiors Third Updated and Expanded Edition Gerry Kopelow 8.4 × 11 in / 21 × 28 cm 284 pp / 104 color / 230 b+w Paperback / 978-1-56898-323-3 $35.00 / £24.95

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Rights: W Available on ebrary.com

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Italian Architecture of the 16th Century Colin Rowe, Leon Satkowski 6.4 × 9 in / 16 × 23 cm 352 pp / 186 b+w Hardcover / 978-1-56898-331-8 $35.00 / £24.95

Le Corbusier and the Maisons Jaoul Caroline Maniaque Benton 7.5 × 10 in / 19 × 25 cm 176 pp / 122 color / 100 b+w Hardcover / 978-1-56898-800-9 $40.00 / £25.00

Le Corbusier Redrawn The Houses Steven Park 7.5 × 10 in / 19 × 25 cm 192 pp / 320 b+w Paperback / 978-1-61689-068-1 $24.95 / £15.99

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LEED Materials A Resource Guide to Green Building Ari Meisel, Steven Winter 6.8 × 9 in / 17 × 23 cm 224 pp / 500 color Paperback / 978-1-56898-885-6 $40.00 / £28.00 Rights: W

Backlist

Leisurama Now The Beach House for Everyone Paul Sahre 7.3 × 9.8 in / 18 × 25 cm 208 pp / 270 color / 20 b+w Hardcover / 978-1-56898-709-5 $40.00 / £25.00 Rights: W

Minka My Farmhouse in Japan John Roderick 6 × 9 in / 15 × 23 cm 256 pp / 45 b+w Hardcover / 978-1-56898-731-6 $24.95 / £14.99 Ebook / 978-1-56898-962-4

Local Architecture Building Place, Craft, and Community Brian MacKay-Lyons, Robert McCarter 8 × 10 in / 20 × 25 cm 224 pp / 250 color / 20 b+w Hardcover / 978-1-61689-128-2 $50.00 / £30.00

Matter in the Floating World Conversations with Leading Japanese Architects and Designers Blaine Brownell 7 × 9.5 in / 18 × 24 cm 256 pp / 425 color Paperback / 978-1-56898-996-9 $40.00 / £25.00

Miami Modern Metropolis Paradise and Paradox in Midcentury Architecture and Planning / Allan T. Shulman, Diane W. Camber 9.5 × 12 in / 24 × 30 cm 414 pp Hardcover / 978-1-890449-51-3 $85.00 / £55.00

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Rights: W A Balcony Press book

Moderne Fashioning the French Interior Sarah Schleuning 9 × 12 in / 23 × 30 cm 304 pp / 272 color Hardcover / 978-1-56898-724-8 $65.00 / £40.00

More Mobile Portable Architecture for Today Jennifer Siegal 9 × 6 in / 23 × 15 cm 144 pp / 220 color Paperback / 978-1-56898-758-3 $24.95 / £14.99

On the Job Design and the American Office Donald Albrecht, Chrysanthe B. Broikos 9 × 6 in / 23 × 15 cm 144 pp / 220 color

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Next Wave New Australian Architecture Davina Jackson 7.8 × 8.5 in / 20 × 22 cm 256 pp / 185 color / 80 b+w Hardcover / 978-1-56898-735-4 $50.00

Photographing Architecture and Interiors Updated and Expanded Julius Shulman 9 × 12 in / 23 × 30 cm 180 pp / 4 color / 200 b+w Hardcover / 978-1-890449-07-0 $39.95 / £28.00

Rights: W Available on ebrary.com

Rights: W Also available on ebrary.com

Narrow Houses New Directions in Efficient Design Avi Friedman 7.5 × 11.3 in / 19 × 29 cm 240 pp / 280 color / 50 b+w Hardcover / 978-1-56898-873-3 $45.00 / £25.00 Rights: W

Rights: NAM

Quonset Hut Metal Living for a Modern Age Chris Chiei, Julie Decker 7.2 × 8.3 in / 18 × 21 cm 192 pp / 80 color / 110 b+w Hardcover / 978-1-56898-519-0 $24.95 / £15.99 Rights: W

Rights: W A Balcony Press book

Backlist

Revolution of Forms, updated edition Cuba’s Forgotten Art Schools John Loomis 7.5 × 11 in / 19 × 28 cm 232 pp / 44 color / 134 b+w Paperback / 978-1-56898-988-4 $29.95 / £20.00

Revolving Architecture A History of Buildings that Rotate, Swivel, and Pivot Chad Randl 7.2 × 8.3 in / 18 × 21 cm 208 pp / 100 color / 70 b+w Hardcover / 978-1-56898-681-4 $35.00 / £25.00

Sacred Spaces Historic Houses of Worship in the City of Angels Robert Berger 8 × 10 in / 20 × 25 cm 176 pp / 100 color Hardcover / 978-1-890449-21-6 $59.95 / £40.00

Rights: W

Rights: W A Balcony Press book

Small Scale Creative Solutions for Better City Living Keith Moskow, Robert Linn 7 × 9 in / 18 × 23 cm 224 pp / 400 color Paperback / 978-1-56898-975-4 $34.95 / £20.00

Source Book of American Architecture 500 Notable Buildings from the 10th Century to the Present G. E. Kidder Smith 6.5 × 9.5 in / 17 × 24 cm 688 pp / 557 b+w Paperback / 978-1-56898-254-0 $29.95 / £21.95

Southern Comfort The Garden District of New Orleans, Revised and Updated Edition S. Frederick Starr 9.8 × 9.8 in / 25 × 25 cm 276 pp / 90 color / 75 b+w Paperback / 978-1-56898-546-6 $24.95 / £15.99

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Tall Building Imagining the Skyscraper Scott Johnson 8 × 14 in / 20 × 36 cm 280 pp Hardcover / 978-1-890449-47-6 $34.95 / £22.00

Tilting House Launching, Slide Hauling, Potato Trenching, and other Tales from a Newfoundland Fishing Village Robert Mellin 7 × 9 in / 18 × 23 cm 256 pp / 150 color / 90 b+w Paperback / 978-1-56898-807-8 $24.95 / £14.99 / Rights: W

Rights: W

Swiss Made New Architecture from Switzerland Steven Spier, Martin Tschanz 7.8 × 8.5 in / 20 × 22 cm 256 pp / 250 color / 100 b+w Hardcover / 978-1-56898-425-4 $45.00 Rights: NAM

Backlist

Rights: W A Balcony Press book

The Sea Ranch Donlyn Lyndon, Jim Alinder 11 × 11 in / 28 × 28 cm 304 pp / 200 color / 170 b+w Hardcover / 978-1-56898-386-8 $65.00 / £44.00 Rights: W

Steps to Water The Ancient Stepwells of India Morna Livingston 9.6 × 12 in / 24 × 30 cm 240 pp / 140 color / 92 b+w Hardcover / 978-1-56898-324-0 $50.00 / £35.00 Rights: W

To Each His Home Inspired Interiors as Unique as their Owners Bilyana Dimitrova 9 × 9.3 in / 23 × 23 cm 176 pp / 112 color Hardcover / 978-1-56898-796-5 $45.00 / £28.00 Rights: W

Usonia, New York Building a Community with Frank Lloyd Wright Roland Reisley, John Timpane 9 × 9 in / 23 × 23 cm 192 pp / 67 color / 130 b+w Hardcover / 978-1-56898-245-8 $40.00 / £28.00 Rights: W

Wandering the Garden of Technology and Passion John Marx Architect Pierluigi Serrain, Chris I. Yessios 10 × 10.5 in / 25 × 27 cm 176 pp / 250 color Hardcover / 978-1-890449-56-8 $45.00 / £30.00 Rights: W / A Balcony Press book

Weekend Utopia Modern Living in the Hamptons Alastair Gordon 9.6 × 12 in / 24 × 30 cm 172 pp / 75 color / 100 b+w Hardcover / 978-1-56898-272-4 $45.00 / £30.00 Rights: W

Workbook The Official Catalog for Workshopping: An American Model for Architectural Practice Emily Abruzzo 6.5 × 8.8 in / 17 × 22 cm 128 pp / 80 color / 15 b+w Paperback / 978-1-61689-017-9 $20.00 / £12.99 Rights: W

Guide Books

Art Parks A Tour of America’s Sculpture Parks and Gardens Francesca Cigola 6 × 9 in / 15 × 23 cm 224 pp / 140 color Flexibind / 978-1-61689-129-9 $35.00 / £21.99

Cruising LA Architectural Styles in 5 Easy Drives Troy Fuss 6 × 11 in / 15 × 28 cm 96 pp / 80 color Paperback / 978-1-890449-42-1 $14.95 / £9.95

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Rights: W A Balcony Press book

The Havana Guide Modern Architecture 1925-1965 Eduardo Rodriguez 5.5 × 9 in / 14 × 23 cm 288 pp / 16 color / 270 b+w Paperback / 978-1-56898-210-6 $29.95 / £17.95 Rights: W

Landscape Architecture

Louisville Guide Gregory A. Luhan et al. 4.5 × 8.5 in / 11 × 22 cm 480 pp / 325 b+w Paperback / 978-1-56898-451-3 $19.95 / £13.99 Rights: W Also available on ebrary.com

The National Park Architecture Sourcebook Harvey H. Kaiser 6 × 9.5 in / 15 × 24 cm 608 pp / 500 b+w Paperback / 978-1-56898-742-2 $40.00 / £25.00

Andrea Cochran Landscapes Mary Myers 10 × 8.5 in / 25 × 22 cm 192 pp / 175 color Hardcover / 978-1-56898-812-2 $50.00 / £30.00

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Backlist

Courtyard Housing in Los Angeles Stefanos Polyzoides et al. 8.5 × 9.5 in / 22 × 24 cm 232 pp / 403 b+w Paperback / 978-0-910413-53-4 $35.00 / £22.50

Descanso An Urban Oasis Revealed Warren Marr et al. 14 × 9 in / 36 × 23 cm 96 pp / 80 color Hardcover / 978-1-890449-37-7 $42.95 / £25.00

Drosscape Wasting Land in Urban America Alan Berger, Lars Lerup 7 × 11 in / 18 × 28 cm 256 pp / 165 color Paperback / 978-1-56898-713-2 $27.50 / £16.00

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Landprints The Landscape Designs of Bernard Trainor Susan Heeger 10 × 8.5 in / 25 × 22 cm 192 pp / 200 color / 20 b+w Hardcover / 978-1-61689-130-5 $50.00 / £30.00

The Landscape Urbanism Reader Charles Waldheim 6 × 9 in / 15 × 23 cm 288 pp / 200 b+w Paperback / 978-1-56898-439-1 $34.95 / £19.99 Ebook / 978-1-56898-949-5

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Natural Architecture Alessandro Rocca 9.4 × 6.4 in / 24 × 16 cm 216 pp / 250 color Paperback / 978-1-56898-721-7 $39.95 / £25.00

Nelson Byrd Woltz Garden, Park, Community, Farm Warren T. Byrd, Jr., Thomas L. Woltz, Stephen Orr, Elizabeth Meyer 9 × 11 in / 23 × 28 cm 240 pp / 275 color Hardcover / 978-1-61689-114-5 $60.00 / £40.00

Green Roof — A Case Study Michael Van Valkenburgh Associates’ Design for the Headquarters of the American Society of Landscape Architects Christian Werthmann 8.5 × 9 in / 22 × 23 cm 160 pp / 130 color Hardcover / 978-1-56898-685-2 $45.00 / £26.00

Gateway Visions for an Urban National Park Jamie Hand, Kate Orff 11 × 9.5 in / 28 × 24 cm 224 pp / 349 color Hardcover / 978-1-56898-955-6 $60.00 / £40.00 Rights: W

Large Parks Julia Czerniak, George Hargreaves 6 × 9 in / 15 × 23 cm 256 pp / 50 color / 100 b+w Paperback / 978-1-56898-624-1 $34.95 / £18.00 Rights: W

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Lawrence Halprin’s Skyline Park Ann Komara 6 × 9 in / 15 × 23 cm 144 pp / 2-color / 100 b+w Paperback / 978-1-61689-091-9 $24.95 / £15.99 Rights: W

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Pamela Burton Landscapes Pamela Burton 10 × 8.5 in / 25 × 22 cm 192 pp / 275 color Hardcover / 978-1-56898-965-5 $50.00 / £32.00 Rights: W

Prospect Park Olmsted & Vaux’s Brooklyn Masterpiece David P. Colley 8.5 × 11 in / 22 × 28 cm 208 pp / 180 color / 20 b+w Hardcover / 978-1-61689-118-3 $45.00 / £27.99

Reclaiming the American West Alan Berger 11 × 9.5 in / 28 × 24 cm 224 pp / 179 color / 29 b+w Hardcover / 978-1-56898-362-2 $45.00 / £35.00 Rights: W

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Recovering Landscape Essays in Contemporary Landscape Theory James Corner 6 × 9 in / 15 × 23 cm 288 pp / 120 b+w Paperback / 978-1-56898-179-6 $24.95 / £17.95

Richard Haag Bloedel Reserve and Gas Works Park, Landscape Views 1 William S. Saunders 6.5 × 8.5 in / 17 × 22 cm 80 pp / 52 b+w Paperback / 978-1-56898-117-8 $14.95 / £9.95

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Source Books in Landscape Architecture

Tree Gardens Architecture and the Forest Gina Crandell 7 × 9.5 in / 18 × 24 cm 168 pp / 120 color / 20 b+w Paperback / 978-1-61689-121-3 $40.00 / £25.00 Rights: W

Shallow Water Dictionary A Grounding in Estuary English, Second Edition John R. Stilgoe 4.6 × 6.5 in / 12 × 17 cm 72 pp / 5 b+w Hardcover / 978-1-56898-408-7 $14.95 / £10.99

Grant Jones / Jones & Jones ILARIS: The Puget Sound Plan Source Books in Landscape Architecture 4 Jane Amidon 8 × 9 in / 20 × 23 cm 144 pp / 120 color / 50 b+w Paperback / 978-1-56898-604-3 $29.95 / £18.00

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Urbanism

Paolo Bürgi Landscape Architect Discovering the (Swiss) Horizon: Mountain, Lake, and Forest Raffaella Fabiani Giannetto et al. 8 × 9 in / 20 × 23 cm 144 pp / 100 color / 20 b+w Paperback / 978-1-56898-851-1 $29.95 / £18.99

Tom Leader Studio Three Projects Jason Kentner 8 × 9 in / 20 × 23 cm 144 pp / 120 color / 20 b+w Paperback / 978-1-56898-891-7 $29.95 / £19.99 Rights: W

Above Paris The Aerial Survey of Roger Henrard Jean-Louis Cohen 11.4 × 6.3 in / 29 × 16 cm 320 pp / 320 b+w Hardcover / 978-1-56898-613-5 $50.00 / £30.00 Rights: W

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Backlist

Above the Pavement— the Farm! Architecture & Agriculture at PF1 Amale Andraos, Dan Wood 4.25 × 7 in / 11 × 18 cm 192 pp / 20 color / 150 b+w Paperback / 978-1-56898-935-8 $19.95 / £12.99

American City X Syracuse After the Master Plan Mark Robbins 7 × 9 in / 18 × 23 cm 160 pp / 175 color Hardcover / 978-1-61689-106-0 $29.95 / £18.99

Beyond the Edge New York’s New Waterfront Raymond W. Gastil 8.3 × 10.8 in / 21 × 27 cm 208 pp / 70 color / 70 b+w Paperback / 978-1-56898-327-1 $30.00 / £21.95

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Bird’s Eye Views Historic Lithographs of North American Cities John W. Reps 14.5 × 12.5 in / 37 × 32 cm 116 pp / 120 color Hardcover / 978-1-56898-146-8 $70.00 / £50.00 Rights: W

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Block by Block Jane Jacobs and the Future of New York Timothy Mennel et al. 8 × 10 in / 20 × 25 cm 64 pp / 12 color / 10 b+w Paperback / 978-1-56898-771-2 $17.95 / £10.99

City Building Nine Planning Principles for the Twenty-First Century John Lund Kriken et al. 7.5 × 10 in / 19 × 25 cm 304 pp / 200 color / 100 b+w Paperback / 978-1-56898-881-8 $40.00 / £25.00

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The Concrete Dragon China’s Urban Revolution and What it Means for the World Thomas J. Campanella 6 × 9 in / 15 × 23 cm 336 pp / 85 b+w Paperback / 978-1-56898-968-6 $24.95 / £16.99 Ebook / 978-1-56898-948-8

Coney Island The Parachute Pavilion Competition Zoë Ryan, Jonathan Cohen-Litant 8 × 9.5 in / 20 × 24 cm 176 pp / 132 color / 14 b+w Paperback / 978-1-56898-623-4 $29.95 / £18.00 Rights: W

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Fast-Forward Urbanism Rethinking Architecture’s Engagement with the City Dana Cuff, Roger Sherman 6 × 9 in / 15 × 23 cm 256 pp / 204 color / 27 b+w Paperback / 978-1-56898-977-8 $34.95 / £22.50

From the Ground Up Innovative Green Homes Peggy Tully 7 × 9 in / 18 × 23 cm 160 pp / 160 color Hardcover / 978-1-61689-092-6 $29.95 / £18.99

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The Liberal Monument Urban Design and the Late Modern Project Alexander D’Hooghe 6 × 9 in / 15 × 23 cm 112 pp / 30 b+w Hardcover / 978-1-56898-824-5 $29.95 / £19.99 Rights: W

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Formerly Urban Projecting Rust Belt Futures Julia Czerniak 7 × 9 in / 18 × 23 cm 208 pp / 80 b+w Hardcover / 978-1-61689-089-6 $29.95 / £18.99

Backlist

Modern American Housing High-Rise, Reuse, Infill Peggy Tully 7 × 9 in / 18 × 23 cm 160 pp / 200 color Hardcover / 978-1-61689-109-1 $29.95 / £18.99 Rights: W, except Canada

New Public Works Architecture, Planning, and Politics Mark Robbins 7 × 9 in / 18 × 23 cm 160 pp / 200 color Hardcover / 978-1-61689-115-2 $29.95 / £18.99 Rights: W, except Canada

Sprawltown Looking for the City on Its Edges Richard Ingersoll 6 × 9 in / 15 × 23 cm 176 pp / 50 b+w Paperback / 978-1-56898-566-4 $19.95 / £10.99 Ebook / 978-1-61689-020-9

Street Value Shopping, Planning, and Politics at Fulton Mall Rosten Woo et al. 4.25 × 7 in / 11 × 18 cm 208 pp / 35 color / 165 b+w Paperback / 978-1-56898-897-9 $19.95 / £12.99 Rights: W

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The Suburbanization of New York / Is the World’s Greatest City Becoming Just Another Town? / Jerilou Hammett, Kingsley Hammett 7 × 9 in / 18 × 23 cm 192 pp / 20 b+w Paperback / 978-1-56898-678-4 $24.95 / £15.00 Ebook / 978-1-61689-069-8

Urbanisms Working with Doubt Steven Holl 8.5 × 8.5 in / 22 × 22 cm 288 pp / 200 2-color / 50 color Hardcover / 978-1-56898-679-1 $55.00 / £35.00 Rights: W Also available on ebrary.com

X-Urbanism Architecture and the American City Mario Gandelsonas 9.8 × 9.8 in / 25 × 25 cm 200 pp / 40 color / 140 b+w Paperback / 978-1-56898-151-2 $37.50 / £26.00 Rights: W

Rights: W

Writings & Theory

After Taste Expanded Practice in Interior Design Kent Kleinman, Joanna Merwood-Salisbury, Lois Weinthal 6 × 9 in / 15 × 23 cm 256 pp / 75 color / 25 b+w Paperback / 978-1-61689-026-1 $35.00 / £22.50 / Rights: W

Architectural Regionalism Collected Writings on Place, Identity, Modernity, and Tradition Vincent B. Canizaro 6 × 9 in / 15 × 23 cm 496 pp / 80 b+w Paperback / 978-1-56898-616-6 $39.95 / £22.99 Ebook / 978-1-61689-080-3

Architecture and Film Mark Lamster 6 × 9 in / 15 × 23 cm 256 pp / 80 b+w Paperback / 978-1-56898-207-6 $24.95 / £18.95 Rights: W Also available on ebrary.com

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Backlist

Architecture and the Sciences Exchanging Metaphors Antoine Picon, Alessandra Ponte 6 × 9 in / 15 × 23 cm 360 pp / 120 b+w Paperback / 978-1-56898-365-3 $27.50 / £15.95 Rights: W

Architecture From the Outside In Robert Gutman et al. 6 × 9 in / 15 × 23 cm 344 pp Paperback / 978-1-56898-896-2 $40.00 / £28.00 Ebook / 978-1-61689-007-0 Rights: W

Architecture of the Off-Modern Svetlana Boym 5.5 × 8.5 in / 14 × 22 cm 80 pp / 20 color / 22 b+w Hardcover / 978-1-56898-778-1 $24.95 / £14.99 Paperback/ 978-1-61689-103-9 $21.95 / £13.99 Rights: W

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Capital Dilemma Germany’s Search for a New Architecture of Democracy Michael Z. Wise 6 × 9 in / 15 × 23 cm 244 pp / 65 b+w Hardcover / 978-1-56898-134-5 $25.00 / £18.95

Cold War Hothouses Beatriz Colomina, Annemarie Brennan, Jeannie Kim 6 × 9 in / 15 × 23 cm 288 pp / 144 b+w Paperback / 978-1-56898-302-8 $27.50 / £19.95 Ebook / 978-1-61689-087-2

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Donogoo-Tonka or the Miracles of Science A Cinematographic Tale Jules Romains 5.5 × 8.5 in / 14 × 22 cm 136 pp / 20 color / 20 b+w Hardcover / 978-1-56898-780-4 $24.95 / £14.99 Paperback / 978-1-61689-107-7 $21.95 / £13.99

Artificial Light A Narrative Inquiry into the Nature of Abstraction, Immediacy, and other Architectural Fictions Keith Mitnick 6 × 8.3 in / 15 × 21 cm 144 pp / 33 color Paperback / 978-1-56898-749-1 $24.95 / £15.00

Biopolitics and the Emergence of Modern Architecture Sven-Olov Wallenstein 5.5 × 8.5 in / 14 × 22 cm 96 pp / 20 color / 60 b+w Hardcover / 978-1-56898-785-9 $24.95 / £14.99 Paperback / 978-1-61689-111-4 $21.95 / £13.99

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Constructing a New Agenda for Architecture Architectural Theory 1993‒2009 A. Krista Sykes, K. Michael Hays 6.1 × 9.3 in / 16 × 23 cm 516 pp Paperback / 978-1-56898-859-7 $45.00 / £30.00 Ebook / 978-1-61689-082-7

Design Ecologies Essays on the Nature of Design Lisa Tilder, Beth Blostein 6 × 9 in / 15 × 23 cm 256 pp / 72 color / 64 b+w Paperback / 978-1-56898-783-5 $35.00 / £22.50 Ebook / 978-1-56898-954-9

Dimension 306090, vol. 12 Emily Abruzzo, Jonathan D. Solomon 7.5 × 10 in / 19 × 25 cm 192 pp / 100 color / 75 b+w Paperback / 978-0-615-18202-5 $24.95 / £14.99

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Architecture Oriented Otherwise David Leatherbarrow 6 × 9 in / 15 × 23 cm 304 pp / 80 b+w Hardcover / 978-1-56898-811-5 $39.95 / £22.00 Ebook / 978-1-56898-811-5

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Backlist

Eco-Tec The Architecture of the In-Between Amerigo Marras 5.8 × 8.4 in / 15 × 21 cm 142 pp / 40 b+w Paperback / 978-1-56898-159-8 $15.95 / £11.95

The Ethical Architect The Dilemma of Contemporary Practice Tom Spector 6 × 9 in / 15 × 23 cm / 256 pp Paperback / 978-1-56898-285-4 $25.00 / £17.95 Ebook / 978-1-56898-844-3

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Five Houses, Ten Details Edward R. Ford 6 × 9 in / 15 × 23 cm 256 pp / 20 color / 100 b+w Hardcover / 978-1-56898-826-9 $40.00 / £25.00 Ebook / 978-1-56898-963-1 Rights: W Also available on ebrary.com

Human Space Otto Friedrich Bollnow 4.9 × 8.3 in / 13 × 21 cm 320 pp Paperback / 978-0-907259-35-0 $35.00 Rights: NSAM

Form Follows Finance Skyscrapers and Skylines in New York and Chicago Carol Willis 5.8 × 9 in / 15 × 23 cm 224 pp / 170 b+w Paperback / 978-1-56898-044-7 $29.95 / £18.00 Rights: W

Le Corbusier, Homme de Lettres M. Christine Boyer 6 × 9 in / 15 × 23 cm 720 pp / 46 color / 170 b+w Paperback / 978-1-56898-980-8 $45.00 / £30.00 Rights: W

Fabricating Architecture Selected Readings in Digital Design and Manufacturing Robert Corser 6 × 9 in / 15 × 23 cm 224 pp / 50 b+w Paperback / 978-1-56898-889-4 $29.95 / £19.99 Ebook / 978-1-61689-000-1

50 Years of Recuperation of the Situationist International McKenzie Wark 5.5 × 8.5 in / 14 × 22 cm 80 pp / 26 color / 18 b+w Hardcover / 978-1-56898-789-7 $24.95 / £14.99 Paperback / 978-1-61689-108-4 $21.95 / £13.99

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Geography of Home Writings on Where We Live Akiko Busch 5 × 7 in / 13 × 18 cm 164 pp Paperback / 978-1-56898-429-2 $19.95 / £9.99

A History of Architectural Theory From Vitruvius to the Present Hanno-Walter Kruft 6.1 × 9.3 in / 16 × 23 cm 800 pp / 207 b+w Paperback / 978-1-56898-010-2 $45.00 / £30.00

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Making a Case 306090, vol. 14 Emily Abruzzo, Gerald Bodziak, Jon0athan D. Solomon 7.5 × 10 in / 19 × 25 cm 180 pp / 200 color / 40 b+w Paperback / 978-0-615-34909-1 $24.95 / £15.99

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More Scenes from the Rural Life Verlyn Klinkenborg 6 × 9 in / 15 × 23 cm 240 pp / 15 b+w Hardcover / 978-1-61689-156-5 $24.95 / £14.99 Rights: W

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Backlist

The Nature of Place A Search for Authenticity Avi Friedman 5 × 7 in / 13 × 18 cm 192 pp / 20 b+w Paperback / 978-1-61689-038-4 $19.95 / £12.99 Rights: WE, excluding Canada

Network Practices New Strategies in Architecture and Design Anthony Burke, Therese Tierney 6 × 9 in / 15 × 23 cm 224 pp / 24 color / 100 b+w Paperback / 978-1-56898-701-9 $29.95 / £18.00 Ebook / 978-1-61689-075-9 Rights: W

On Vision and Colors by Arthur Schopenhauer, Color Sphere by Philipp Otto Runge Georg Stahl 6 × 9 in / 15 × 23 cm 168 pp / 12 color / 10 b+w Paperback / 978-1-56898-791-0 $24.95 / £16.99 Ebook / 978-1-61689-005-6

Postmodern Urbanism Revised Edition Nan Ellin 6 × 9 in / 15 × 23 cm 368 pp / 50 b+w Paperback / 978-1-56898-135-2 $29.95 / £16.99 Rights: W Also available on ebrary.com

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The Project of Autonomy Politics and Architecture Within and Against Capitalism Pier Vittorio Aureli 5.5 × 8.5 in / 14 × 22 cm 120 pp / 24 color / 19 b+w Paperback / 978-1-61689-100-8 $21.95

Shanghai Reflections Architecture, Urbanism, and the Search for an Alternative Modernity Mario Gandelsonas 6.8 × 9 in / 17 × 23 cm 208 pp / 130 color / 40 b+w Vinyl binding 978-1-56898-326-4 $24.95 / £14.95

Studio and Cube On the Relationship Between Where Art is Made and Where Art is Displayed / Brian O’Doherty 5.5 × 8.5 in / 14 × 22 cm 80 pp / 43 color Hardcover / 978-1-883584-44-3 $24.95 / £15.00 Paperback / 978-1-61689-099-5 $21.95 / £13.99

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Survival City Adventures Among the Ruins of Atomic America Tom Vanderbilt 6.1 × 9.3 in / 16 × 23 cm 224 pp / 80 b+w Hardcover / 978-1-56898-305-9 $25.00 / £17.95

Sustain and Develop 306090, vol. 13 Joshua Bolchover, Jonathan D. Solomon 7.5 × 10 in / 19 × 25 cm 308 pp / 100 color / 75 b+w Paperback / 978-0-692-00088-5 $30.00 / £18.99

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Theorizing a New Agenda for Architecture An Anthology of Architectural Theory 1965‒1995 Kate Nesbitt 6.1 × 9.3 in / 16 × 23 cm 608 pp / 28 b+w Paperback / 978-1-56898-054-6 $45.00 / £26.00

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Backlist

Subnature Architecture’s Other Environments David Gissen 7 × 9 in / 18 × 23 cm 224 pp / 80 color / 65 b+w Paperback / 978-1-56898-777-4 $35.00 / £22.50 Ebook / 978-1-56898-951-8 Rights: W Also available on ebrary.com

Toward a New Interior An Anthology of Interior Design Theory Lois Weinthal 6 × 9 in / 15 × 23 cm 648 pp / 250 b+w Paperback / 978-1-61689-030-8 $45.00 / £30.00 Rights: NAM

Conversations with Students

A Conversation with Frei Otto Juan María Songel 5.5 × 8 in / 14 × 20 cm 96 pp / 22 2-color Paperback / 978-1-56898-884-9 $19.95 / £12.99

ZoomScape Architecture in Motion and Media Mitchell Schwarzer 6.1 × 9.3 in / 16 × 23 cm 312 pp / 30 b+w Paperback / 978-1-56898-441-4 $29.95 / £19.99

Rights: WE

Conversations with Mies van der Rohe Moisés Puente 5.5 × 8 in / 14 × 20 cm 96 pp / 31 b+w Paperback / 978-1-56898-753-8 $19.95 / £11.99 Rights: W

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Conversations with Paolo Soleri Lissa McCullough 5.5 × 8 in / 14 × 20 cm 96 pp / 30 b+w Paperback / 978-1-61689-055-1 $19.95 / £12.99

Ian McHarg Dwelling in Nature Lynn Margulis et al. 5.5 × 8 in / 14 × 20 cm 112 pp Paperback / 978-1-56898-620-3 $19.95 / £12.00

Le Corbusier Talks with Students Le Corbusier 5.5 × 8 in / 14 × 20 cm 96 pp Paperback / 978-1-56898-196-3 $14.95 / £10.95

Louis I. Kahn Conversations with Students Louis Kahn 5.5 × 8 in / 14 × 20 cm 112 pp / 12 b+w Paperback / 978-1-56898-149-9 $19.95 / £12.95

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Paul Rand Conversations with Students Michael Kroeger 5.5 × 8 in / 14 × 20 cm 96 pp / 30 b+w Paperback / 978-1-56898-725-5 $19.95 / £12.99

Peter Smithson Conversations with Students Catherine Spellman, Karl Unglaub 5.5 × 8 in / 14 × 20 cm 96 pp / 37 b+w Paperback / 978-1-56898-461-2 $17.95 / £12.99

Santiago Calatrava The MIT Lectures Santiago Calatrava et al. 5.5 × 8 in / 14 × 20 cm 112 pp / 35 b+w Paperback / 978-1-56898-325-7 $17.95 / £12.99

Tadao Ando Conversations with Students Tadao Ando, Matthew Hunter 5.5 × 8 in / 14 × 20 cm 96 pp / 50 b+w Paperback / 978-1-61689-070-4 $19.95 / £12.99

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Backlist

Pamphlet Architecture

Pamphlet Architecture 1-10 Steven Holl et al. 7 × 8.5 in / 18 × 22 cm 480 pp / 700 b+w Hardcover / 978-1-56898-126-0 $45.00 / £28.00

Pamphlet Architecture 11-20 Steven Holl et al. 7 × 8.5 in / 18 × 22 cm 604 pp / 466 b+w Hardcover / 978-1-61689-016-2 $45.00 / £30.00

Rights: W

Pamphlet Architecture 5 Alphabetical City Steven Holl 7 × 8.5 in / 18 × 22 cm 72 pp / 176 b+w Paperback / 978-0-910413-16-9 $16.95 / £9.99 Rights: W

Pamphlet Architecture 9 Rural and Urban House Types Steven Holl 7 × 8.5 in / 18 × 22 cm 60 pp / 107 b+w Paperback / 978-0-910413-15-2 $12.95 / £9.95

Pamphlet Architecture 11 Hybrid Buildings Joseph Fenton 7 × 8.5 in / 18 × 22 cm 48 pp / 97 b+w Paperback / 978-0-910413-14-5 $12.95 / £9.95

Pamphlet Architecture 12 Building Machines Robert McCarter 7 × 8.5 in / 18 × 22 cm 64 pp / 106 b+w Paperback / 978-0-910413-40-4 $16.95 / £9.99

Pamphlet Architecture 13 Edge of a City Steven Holl 7 × 8.5 in / 18 × 22 cm 64 pp / 70 b+w Paperback / 978-1-87827-156-3 $14.95 / £9.95

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Pamphlet Architecture 15 War and Architecture Lebbeus Woods 7 × 8.5 in / 18 × 22 cm 40 pp / 35 b+w Paperback / 978-1-56898-011-9 $16.95 / £9.99

Pamphlet Architecture 17 Small Buildings Mike Cadwell 7 × 8.5 in / 18 × 22 cm 64 pp / 110 b+w Paperback / 978-1-56898-055-3 $12.95 / £9.95

Pamphlet Architecture 21 Situation Normal Paul Lewis et al. 7 × 8.5 in / 18 × 22 cm 80 pp / 150 b+w Paperback / 978-1-56898-154-3 $16.95 / £9.99

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Pamphlet Architecture 20 Seven Partly Underground Rooms and Buildings for Water, Ice, and Midgets Mary-Ann Ray 7 × 8.5 in / 18 × 22 cm 80 pp / 110 b+w Paperback / 978-1-56898-103-1 $16.95 / £9.99 Rights: W

Backlist

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Pamphlet Architecture 22 Other Plans: University of Chicago Studies Michael Sorkin Studio 7 × 8.5 in / 18 × 22 cm 96 pp / 44 color / 36 b+w Paperback / 978-1-56898-309-7 $14.95 / £10.95

Pamphlet Architecture 23 Move: Sites of Trauma Johanna Saleh Dickson 7 × 8.5 in / 18 × 22 cm 80 pp / 90 b+w Paperback / 978-1-56898-400-1 $14.95 / £10.95 Rights: W

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Pamphlet Architecture 24 Some Among Them Are Killers: Unmanaged Landscapes for Non-U.S. Military and Government Users David Ross 7 × 8.5 in / 18 × 22 cm 80 pp / 95 b+w Paperback / 978-1-56898-389-9 $14.95 / £10.95

Pamphlet Architecture 25 Gravity James Cathcart et al. 7 × 8.5 in / 18 × 22 cm 108 pp / 95 b+w Paperback / 978-1-56898-434-6 $16.95 / £10.95 Rights: W

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Pamphlet Architecture 26 Thirteen Projects for the Sheridan Expressway Jonathan D. Solomon 7 × 8.5 in / 18 × 22 cm 80 pp / 75 b+w Paperback / 978-1-56898-454-4 $14.95 / £10.95

Pamphlet Architecture 27 Tooling Benjamin Aranda et al. 7 × 8.5 in / 18 × 22 cm 80 pp / 70 b+w Paperback / 978-1-56898-547-3 $19.95 / £11.99

Pamphlet Architecture 28 Augmented Landscapes Smout Allen 7 × 8.5 in / 18 × 22 cm 80 pp / 100 b+w Paperback / 978-1-56898-625-8 $19.95 / £11.99

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Pamphlet Architecture 30 Coupling: Strategies for Infrastructural Opportunism InfraNet Lab / Lateral Office 7 × 8.5 in / 18 × 22 cm 80 pp Paperback / 978-1-56898-985-3 $17.95 / £12.99

Pamphlet Architecture 29 Ambiguous Spaces Nannette Jackowsk, Ricardo de Ostos 7 × 8.5 in / 18 × 22 cm 80 pp / 100 b+w Paperback / 978-1-56898-795-8 $16.95 / £9.99

Pamphlet Architecture 31 New Haiti Villages Steven Holl et al. 7 × 8.5 in / 18 × 22 cm 48 pp / 16 color / 31 b+w Paperback / 978-1-56898-981-5 $19.95 / £12.99

Pamphlet Architecture 32 Resilience James A. Craig, Matt Ozga-Lawn 7 × 8.5 in / 18 × 21.6 cm 80 pp / 100 b+w Paperback / 978-1-61689-031-5 $17.95 / £11.99

Pamphlet Architecture 33 Islands and Atolls Luis Callejas 7 × 8.5 in / 18 × 22 cm 80 pp / 100 b+w Paperback / 978-1-61689-142-8 $19.95 / £11.99

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Arts & Photography

America’s Other Audubon Joy M. Kiser 11 × 13 in / 28 × 33 cm 192 pp / 69 color / 6 b+w Hardcover / 978-1-61689-059-9 $45.00 / £30.00

Animal Logic Richard Barnes et al. 12 × 11 in / 30 × 28 cm 144 pp / 100 color / 20 b+w Hardcover / 978-1-56898-861-0 $65.00 / £40.00

Rights: W

Around the World The Grand Tour in Photo Albums Barbara Levine, Kirsten Jensen 12 × 9 in / 30 × 23 cm 208 pp / 200 color / 100 b+w Hardcover / 978-1-56898-708-8 $55.00 / £32.00 Rights: W

Artpark 1974‒1984 Sandra Q. Firmin 11.5 × 9.3 in / 29 × 23 cm 256 pp / 304 color / 38 b+w Hardcover / 978-1-61689-019-3 $45.00 / £30.00 Rights: W

At. . . Writing, Mainly about Art, from the London Review of Books Peter Campbell 4.9 × 8.3 in / 12 × 21 cm 400 pp / 12 color Paperback / 978-0-907259-43-5 $35.00

Balthazar Korab Architect of Photography John Comazzi 8 × 10 in / 20 × 25 cm 192 pp / 20 color / 200 b+w Hardcover / 978-1-61689-041-4 $40.00 / £25.00

Bee Rose-Lynn Fisher 8 × 10 in / 20 × 25 cm 192 pp / 20 color / 200 b+w Paperback / 978-1-61689-076-6 $19.95 / £12.99 Rights: W

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Big Up Ben Watts 7 × 8.3 in / 18 × 21 cm 192 pp / 300 color Paperback / 978-1-56898-452-0 $35.00 / £25.00

Bird Watching Paula McCartney et al. 8 × 10 in / 20 × 25 cm 120 pp / 40 color / 5 b+w Hardcover / 978-1-56898-855-9 $50.00 / £30.00

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Backlist

Blackstock’s Collections The Drawings of an Artistic Savant Gregory L. Blackstock 5.5 × 9.5 in / 14 × 24 cm 144 pp / 140 color Paperback / 978-1-56898-579-4 $21.95 / £12.00

Brothels of Nevada Candid Views of America’s Legal Sex Industry Timothy Hursley 8 × 10 in / 20 × 25 cm 192 pp / 166 color Paperback / 978-1-56898-418-6 $24.95 / £16.99

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By Hand The Use of Craft in Contemporary Art Shu Hung, Joseph Magliaro 7.5 × 9.5 in / 19 × 24 cm 176 pp / 240 color Paperback / 978-1-56898-942-6 $24.95 / £16.99

Creative Time: The Book Anne Pasternak, Ruth Peltason 7.9 × 11 in / 20 × 28 cm 288 pp / 275 color / 25 b+w Paperback / 978-1-56898-804-7 $35.00 / £30.00

Dance in Cuba Gil Garcetti 12 × 13 in / 30 × 33 cm 144 pp / 80 b+w Hardcover / 978-1-890449-34-6 $65.00 / £38.00

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The Disappearance of Darkness Photography at the End of the Analog Era Robert Burley 10.6 × 8.5 in / 27 × 22 cm 160 pp / 71 color Hardcover / 978-1-61689-095-7 $50.00 / £30.00 Rights: W

Drawing from Life The Journal As Art Jennifer New 8 × 10 in / 20 × 25 cm 192 pp / 200 color / 5 b+w Paperback / 978-1-56898-445-2 $29.95 / £16.99

The Eiffel Tower Lucien Hervé 5.5 × 9 in / 14 × 23 cm 96 pp / 45 b+w Hardcover / 978-1-56898-372-1 $19.95 / £14.95 Rights: W

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Frozen Music Gil Garcetti 16 × 14 in / 41 × 36 cm 96 pp / 45 b+w Hardcover / 978-1-890449-27-8 $125.00 / £88.00 Rights: W A Balcony Press book

Ghostly Ruins America’s Forgotten Architecture Harry Skrdla 7.5 × 10 in / 19 × 25 cm 208 pp / 250 b+w Paperback / 978-1-56898-615-9 $29.95 / £17.00 Rights: W

Forest of Pipes The Walt Disney Concert Hall Organ Jennifer Zobelein, Grant Mudford 8 × 8 in / 20 × 20 cm 80 pp / 100 color Paperback / 978-1-890449-43-8 $24.95 / £15.00

From Hieroglyphics to Isotype A Visual Autobiography Otto Neurath 9.4 × 6.7 in / 24 × 17 cm 192 pp / many b+w Hardcover / 978-0-907259-44-2 $50.00

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Heavenly Vaults From Romanesque to Gothic in European Architecture David Stephenson 11 × 11.5 in / 28 × 29 cm 192 pp / 125 color / 15 b+w

Holidays on Display William L. Bird, Jr. 8 × 8.8 in / 20 × 22 cm 160 pp / 150 color / 75 b+w Paperback / 978-1-56898-695-1 $24.95 / £14.99

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Backlist

I Am My Family Photographic Memories and Fictions Rafael Goldchain 8 × 10 in / 20 × 25 cm 168 pp / 138 b+w Hardcover / 978-1-56898-738-5 $40.00 / £25.00

Impressions of New York Prints from the New-York Historical Society Marilyn Symmes 11 × 9 in / 28 × 23 cm 304 pp / 32 color / 107 b+w Hardcover / 978-1-56898-492-6 $50.00 / £35.00

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Italian Cities and Landscapes An Architect’s Sketchbook William H. Fain, Jr. 5 × 7 in / 13 × 18 cm 264 pp / 246 color Paperback / 978-1-890449-32-2 $27.00 / £18.00

Jazzpaths An American Photomemento David Wild 6.7 × 9.4 in / 17 × 24 cm 112 pp / 65 color / 66 b+w Hardcover / 978-0-907259-45-9 $35.00

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Inside the Painter’s Studio Joe Fig 7 × 9.5 in / 18 × 24 cm 240 pp / 200 color Paperback / 978-1-56898-852-8 $35.00 / £22.50 Ebook / 978-1-61689-117-6

Instant The Story of Polaroid Christopher Bonanos 6 × 9 in / 15 × 23 cm 192 pp / 100 color Hardcover / 978-1-61689-085-8 $24.95 / £15.99

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LaPorte, Indiana Jason Bitner 6.8 × 8.5 in / 17 × 22 cm 192 pp / 200 b+w Paperback / 978-1-56898-530-5 $19.95 / £10.99

Large Scale Fabricating Sculpture in the 1960s and 1970s Jonathan D. Lippincott 8.5 × 11 in / 22 × 28 cm 256 pp / 160 color / 220 b+w Hardcover / 978-1-56898-934-1 $45.00 / £30.00 Paperback / 978-1-61689-084-1 $40.00 / £25.00

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The Learning to See series The Artist’s Eye Peter Jenny 4.12 × 5.8 in / 10 × 15 cm 216 pp / 22 color / 120 b+w Paperback / 978-1-61689-056-8 $12.00 / £7.99

The Learning to See series Drawing Techniques Peter Jenny 4.12 × 5.8 in / 10 × 15 cm 168 pp / 90 b+w Paperback / 978-1-61689-054-4 $12.00 / £7.99

The Learning to See series Figure Drawing Peter Jenny 4.12 × 5.8 in / 10 × 15 cm 188 pp / 90 b+w Paperback / 978-1-61689-049-0 $12.00 / £7.99

Lickshot A Photo Scrapbook Ben Watts 9 × 11 in / 23 × 28 cm 208 pp / 180 color / 20 b+w Hardcover / 978-1-56898-838-2 $50.00 / £32.00

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Backlist

Life on the Lower East Side Photographs by Rebecca Lepkoff, 1937–1950 Rebecca Lepkoff et al. 8.5 × 11 in / 22 × 28 cm 192 pp / 170 b+w Paperback / 978-1-56898-939-6 $29.95 / £19.99 Rights: W

Lists To-dos, Illustrated Inventories, Collected Thoughts, and Other Artists’ Enumerations from the Smithsonian’s Archives of American Art / Liza Kirwin 7 × 10 in / 18 × 25 cm 208 pp / 115 color / 25 b+w Paperback / 978-1-56898-888-7 $24.95 / £16.99

Lost Border The Landscape of the Iron Curtain Brian Rose 10 × 10 in / 25 × 25 cm 144 pp / 87 color Hardcover / 978-1-56898-493-3 $40.00 / £28.00

Lucy + Jorge Orta Food, Water, Life Lucy + Jorge Orta 8 × 10 in / 20 × 25 cm 192 pp / 300 color Hardcover / 978-1-56898-991-4 $40.00 / £28.00 Rights: W

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Mingering Mike The Amazing Career of an Imaginary Soul Superstar Dori Hadar 9 × 9.5 in / 23 × 24 cm 192 pp / 136 color / 20 b+w Paperback / 978-1-56898-569-5 $24.95 / £14.99

Mysteries of the Rectangle Essays on Painting Siri Hustvedt 6 × 9 in / 15 × 23 cm 204 pp / 50 color Paperback / 978-1-56898-618-0 $24.95 / £11.00 Rights: WE

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The Mythic City Photographs of New York by Samuel H. Gottscho, 1925-1940 Donald Albrecht 8.5 × 11 in / 22 × 28 cm 224 pp / 175 b+w Paperback / 978-1-61689-015-5 $29.95 / £20.00

Nell Brooker Mayhew Paintings on Paper Alissa Anderson 8.3 × 8.3 in / 21 × 21 cm 80 pp / 50 color Paperback / 978-1-890449-35-3 $24.95 / £14.99

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Rights: W A Balcony Press book

New York Changing Revisiting Berenice Abbott’s New York Douglas Levere, Bonnie Yochelson 8.5 × 11 in / 22 × 28 cm 192 pp / 170 b+w Hardcover / 978-1-56898-473-5 $40.00 / £28.00

Newtown Creek A Photographic Survey of New York’s Industrial Waterway Anthony Hamboussi 9.6 × 6.5 in / 24 × 17 cm 432 pp / 237 color / 4 b+w Hardcover / 978-1-56898-858-0 $55.00 / £35.00

Now Is Then Snapshots from the Maresca Collection Marvin Heiferman 7.8 × 9.3 in / 20 × 23 cm 192 pp / 200 color / 50 b+w Hardcover / 978-1-56898-748-4 $29.95 / £16.99

Oak One Tree, Three Years, Fifty Paintings Stephen Taylor 7.75 × 9.25 in / 20 × 24 cm 112 pp / 125 color Hardcover / 978-1-61689-032-2 $29.95 / £19.99

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Backlist

Obsessive Consumption What Did You Buy Today? Kate Bingaman-Burt 6 × 8 in / 15 × 20 cm 208 pp / 550 color Paperback / 978-1-56898-890-0 $19.95 / £12.99

Paris Women & Bicycles Gil Garcetti 9 × 11 in / 23 × 28 cm 128 pp / 100 color Paperback / 978-1-890449-52-0 $45.00 / £30.00

Paris Changing Revisiting Eugene Atget’s Paris Christopher Rauschenberg 8.5 × 11 in / 22 × 28 cm 192 pp / 172 b+w Hardcover / 978-1-56898-680-7 $40.00 / £25.00

Rights: W A Balcony Press book

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Publish Your Photography Book Darius D. Himes, Mary Virginia Swanson 7 × 9 in / 18 × 23 cm 224 pp / 25 color / 50 b+w Paperback / 978-1-56898-883-2 $29.95 / £18.99

Real Photo Postcards Unbelievable Images from the Collection of Harvey Tulcensky Laetitia Wolff 7.1 × 9.3 in / 18 × 23 cm 192 pp / 180 b+w Paperback / 978-1-56898-556-5 $19.95 / £10.99

Sign Painters Faythe Levine, Sam Macon 7.5 × 9.5 in / 19 × 24 cm 176 pp / 200 color Paperback / 978-1-61689-083-4 $24.95 / £15.99 Rights: W

Rights: W

Sites of Impact Meteorite Craters Around the World Stan Gaz 10.3 × 13 in / 26 × 33 cm 144 pp / 85 b+w Hardcover / 978-1-56898-815-3 $60.00 / £35.00

Snapshot Chronicles Inventing the American Photo Album Barbara Levine et al. 10 × 10 in / 25 × 25 cm 192 pp / 576 color Hardcover / 978-1-56898-557-2 $40.00 / £25.00

Stickwork Patrick Dougherty 7 × 9.5 in / 18 × 24 cm 208 pp / 230 color / 20 b+w Hardcover / 978-1-56898-862-7 $50.00 / £32.00 Paperback / 978-1-56898-976-1 $34.95 / £20.00

Rights: W

Once Upon a Time Illustrations from Fairytales, Fables, Primer, Pop-Ups, and other Children’s Books Amy Weinstein 9 × 12 in / 23 × 30 cm 256 pp / 192 color / 325 b+w Paperback / 978-1-56898-564-0 $35.00 / £19.99 Rights: W

Pedro E. Guerrero A Photographer’s Journey Pedro E. Guerrero 8 × 10 in / 20 × 25 cm 224 pp / 60 color / 137 b+w Hardcover / 978-1-56898-590-9 $55.00 / £35.00 Rights: W

Backlist

Thrown Rope Peter Hutchinson 7.5 × 9.8 in / 19 × 25 cm 144 pp / 100 color Paperback / 978-1-56898-561-9 $29.95 / £19.99 Rights: W

Up on the Roof New York’s Hidden Skyline Spaces Alex MacLean 9 × 12 in / 23 × 30 cm 240 pp / 400 color Hardcover / 978-1-61689-050-6 $50.00 Rights: XEU

Visions of Heaven The Dome in European Architecture David Stephenson, Victoria Hammond 11 × 11.5 in / 28 × 29 cm 192 pp / 125 color Hardcover / 978-1-56898-549-7 $60.00 / £35.00

Water is Key A Better Future for Africa Gil Garcetti 12 × 13 in / 30 × 33 cm 112 pp / 80 b+w Hardcover / 978-1-890449-45-2 $65.00 / £40.00 Rights: W A Balcony Press book

We Sit Together Utopian Benches from the Shakers to the Separatists of Zoar Francis Cape 6.5 × 8.5 in / 17 × 22 cm 112 pp / 15 color / 55 b+w Paperback / 978-1-61689-159-6 $24.95 / £15.99 Rights: W

Rights: W

Book Arts

Woodcut Bryan Nash Gill 8 × 9 in / 20 × 23 cm 128 pp / 100 color Hardcover / 978-1-61689-048-3 $29.95 / £19.99 Rights: W

75 Artist Books The Kaldewey Press, New York Clemens von Lucius 6.7 × 9.4 in / 17 × 24 cm 352 pp / 400 color / 100 b+w Paperback / 978-3-87439-825-1 $50.00 / £30.00

A Year of Mornings 3191 Miles Apart Maria Alexandra Vettese, Stephanie Congdon Barnes 6 × 8 in / 15 × 20 cm 208 pp / 450 color Paperback / 978-1-56898-784-2 $21.95 / £12.99

Rights: WE except Germany, Austria, Switzerland, Asia

Rights: W

Art Deco Bookbindings The Work of Pierre Legrain and Rose Adler Yves Peyré, H. George Fletcher 7 × 9 in / 18 × 23 cm 120 pp / 60 color Hardcover / 978-1-56898-462-9 $35.00 / £25.00

The Book as Art Artists’ Books from the National Museum of Women in the Arts Krystyna Wasserman 8.5 × 11 in / 22 × 28 cm 208 pp / 186 color / 12 b+w Paperback / 978-1-56898-992-1 $34.95 / £22.50

By Its Cover Modern American Book Cover Design Ned Drew, Paul Sternberger 8.5 × 11 in / 22 × 28 cm 192 pp / 200 color Paperback / 978-1-56898-497-1 $29.95 / £19.99

Classic Book Jackets The Design Legacy of George Salter Thomas Hansen 8.3 × 9.8 in / 21 × 25 cm 200 pp / 224 color Paperback / 978-1-56898-491-9 $35.00 / £25.00

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Rights: W Also available on ebrary.com

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Backlist

Graphic & Industrial Design

Designing Books Practice and Theory Jost Hochuli, Robin Kinross 6.7 × 8.9 in / 17 × 23 cm 168 pp Paperback / 978-0-907259-23-7 $30.00

The ABC’s of Triangle Square Circle The Bauhaus and Design Theory Ellen Lupton, J. Abbott Miller 8.3 × 10.8 in / 21 × 27 cm 64 pp / 105 b+w Paperback / 978-1-87827-142-6 $24.95

Rights: NSAM A Hyphen Press book

Rights: NAM

The Business of Design Balancing Creativity and Profitability Keith Granet 8 × 10 in / 20 × 25 cm 208 pp / 75 color Hardcover / 978-1-61689-018-6 $40.00 / £25.00 Ebook / 978-1-61689-127-5 Rights: W

The Complete Engraver Monograms, Crests, Ciphers, Seals, and the Etiquette of Social Stationery Nancy Sharon Collins 6 × 8.5 in / 15 × 22 cm 224 pp / 170 color / 10 b+w Hardcover / 978-1-61689-067-4 $29.95 / £18.99

Curious Boym Design Works Constantin Boym 6.4 × 8.5 in / 16 × 22 cm 224 pp / 290 color / 15 b+w Hardcover / 978-1-56898-353-0 $40.00 / £28.00

Daniel Eatock Imprint Daniel Eatock 8.3 × 11.7 in / 21 × 30 cm 224 pp / 700 color Hardcover / 978-1-56898-788-0 $60.00 / £30.00 Rights: W

Rights: W

Design for Victory World War II Posters on the American Home Front William L. Bird, Jr., Harry R. Rubenstein 8.8 × 8 in / 22 × 20 cm 120 pp / 170 color / 20 b+w Paperback / 978-1-56898-140-6 $24.95 / £14.99 Rights: W

Rights: W

Design Studies Audrey Bennett 6 × 9 in / 15 × 23 cm 464 pp / 50 b+w Hardcover / 978-1-56898-597-8 $65.00 / £35.00 Paperback / 978-1-56898-586-2 $40.00 / £25.00

Dish International Design for the Home Julie Muller Stahl 7.3 × 9.8 in / 18 × 25 cm 200 pp / 316 color Hardcover / 978-1-56898-476-6 $34.95 / £25.00

Elegantissima The Design and Typography of Louise Fili Louise Fili 8.75 × 8 in / 22 × 20 cm 256 pp / 350 color Hardcover / 978-1-61689-097-1 $40.00 / £25.00

Exploring Materials Creative Design for Everyday Objects Inna Alesina, Ellen Lupton 8 × 9 in / 20 × 23 cm 208 pp / 425 color Paperback / 978-1-56898-768-2 $35.00 / £20.00

Rights: W

Backlist

Extreme Textiles Designing for High Performance Matilda McQuaid 8.5 × 11 in / 22 × 28 cm 224 pp / 200 color Hardcover / 978-1-56898-507-7 $45.00

Function, Restraint, and Subversion in Typography J. Namdev Hardisty 8 × 10 in / 20 × 25 cm 256 pp / 390 color / 20 b+w Paperback / 978-1-56898-966-2 $45.00 / £30.00

Rights: NAM

Rights: W

Generative Design Hartmut Bohnacker, Benedikt Gross, Julia Laub, Claudius Lazzeroni 8 × 11.2 in / 20 × 28 cm 472 pp / 1500 color Hardcover / 978-1-61689-077-3 $100.00 / £60.00 Rights: World English except Germany, Austria, Switzerland

The Handy Book of Artistic Printing Doug Clouse, Angela Voulangas 8 × 10 in / 20 × 25 cm 224 pp / 185 color / 12 b+w Paperback / 978-1-56898-705-7 $40.00 / £23.50 Rights: W

How to Be a Graphic Designer Without Losing Your Soul, New Edition Adrian Shaughnessy 7.5 × 9 in / 19 × 23 cm 176 pp / 20 b+w Paperback / 978-1-56898-983-9 $24.95 Ebook / 978-1-61689-116-9

It Is Beautiful…then Gone Martin Venezky 7 × 9.5 in / 18 × 24 cm 192 pp / 1392 color / 35 b+w Paperback / 978-1-56898-729-3 $29.95 / £16.99 Rights: W

Graphic Design: The New Basics Ellen Lupton, Jennifer Cole Phillips 8 × 9 in / 20 × 23 cm 248 pp / 400 color Hardcover / 978-1-56898-770-5 $55.00 / £35.00 Paperback / 978-1-56898-702-6 $35.00 / £20.00 Rights: W Also available on ebrary.com

Make It Bigger Paula Scher 9.3 × 6.5 in / 23 × 17 cm 272 pp / 300 color Hardcover / 978-1-56898-332-5 $45.00 / £32.00 Paperback / 978-1-56898-548-0 $35.00 / £21.99 Rights: W

Rights: NAM

Mixing Messages Graphic Design in Contemporary Culture Ellen Lupton 8.3 × 10.8 in / 21 × 27 cm 176 pp / 300 color / 64 b+w Paperback / 978-1-56898-099-7 $35.00 / £23.00

Models and Constructs Margin Notes to a Design Culture Norman Potter 6.7 × 9 in / 17 × 23 cm 312 pp / 190 b+w Hardcover / 978-0-907259-04-6 $40.00

Over and Over A Catalog of Hand-Drawn Patterns Mike Perry 8 × 10 in / 20 × 25 cm 256 pp / 250 color Paperback / 978-1-56898-757-6 $35.00 / £20.00

Rights: W

Rights: NSAM A Hyphen Press book

Rights: W

Pulled A Catalog of Screen Printing Mike Perry 8 × 10 in / 20 × 25 cm 256 pp / 256 color Paperback / 978-1-56898-943-3 $35.00 / £22.50 Rights: W

Backlist

Richard Hollis Designs for the Whitechapel Christopher Wilson 9.4 × 6.7 in / 24 × 17 cm 288 pp / many color Paperback / 978-0-907259-49-7 $35.00

Robert Brownjohn Sex and Typography Emily King 7.5 × 9 in / 19 × 23 cm 240 pp / 200 color / 55 b+w Hardcover / 978-1-56898-550-3 $45.00

Rights: NSAM A Hyphen Press book

Rights: NAM

Seventy-nine Short Essays on Design Michael Bierut 6 × 9 in / 15 × 23 cm 272 pp Hardcover / 978-1-56898-699-9 $35.00 / £20.00 Paperback / 978-1-61689-061-2 $27.50 / £15.00 Ebook / 978-1-61689-071-1

Soak Wash Rinse Spin Tolleson Design 7 × 9.5 in / 18 × 24 cm 320 pp / 800 color Paperback / 978-1-56898-198-7 $45.00 / £30.00 Rights: NAM, UK

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Tellmewhy The First 24 Months of a New York Design Company Jan Wilker, Hjalti Karlsson, Stephan Sagmeister 6 × 9 in / 15 × 23 cm 256 pp / 160 b+w

There’s Nothing Funny About Design David Barringer 6 × 9 in / 15 × 23 cm 256 pp / 160 b+w Paperback / 978-1-56898-828-3 $24.95 / £14.99

Rights: W Available on ebrary.com

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Tools of the Imagination Drawing Tools and Technologies from the Eighteenth Century to the Present Susan Piedmont-Palladino 7.8 × 9.3 in / 20 × 23 cm 128 pp / 115 color / 15 b+w Hardcover / 978-1-56898-599-2 $29.95 / £17.00 Rights: W

Visual Complexity Mapping Patterns of Information Manuel Lima 8.5 × 10.5 in / 22 × 27 cm 272 pp / 250 color / 65 b+w Hardcover / 978-1-56898-936-5 $50.00 / £35.00 Rights: W

Visual Function An Introduction to Information Design Paul Mijksenaar 6.8 × 8.3 in / 17 × 21 cm 56 pp / 22 color / 88 b+w Paperback / 978-1-56898-118-5 $14.95 Rights: NSAM

Volume Writings on Graphic Design, Music, Art, and Culture Kenneth FitzGerald, Rudy VanderLans 6 × 9 in / 15 × 23 cm 256 pp / 9 b+w Paperback / 978-1-56898-964-8 $24.95 / £14.99 Ebook / 978-1-61689-090-2 Rights: W

Backlist

The Transformer Principles of Making Isotype Charts Marie Neurath, Robin Kinross 8.3 × 10.8 in / 21 × 27 cm 80 pp Paperback / 978-0-907259-40-4 $25.00 Rights: NSAM A Hyphen Press book

What is a Designer Things, Places, Messages Norman Potter 5 × 8.3 in / 13 × 21 cm 184 pp Paperback / 978-0-907259-16-9 $20.00 Rights: NSAM A Hyphen Press book

Design Briefs

Designing for Social Change Strategies for Community-Based Graphic Design Andrew Shea 7 × 8.5 in / 18 × 22 cm 168 pp / 150 color Paperback / 978-1-61689-047-6 $24.95 / £15.99

D.I.Y. Design It Yourself Ellen Lupton 7 × 8.5 in / 18 × 22 cm 196 pp / 250 color Paperback / 978-1-56898-552-7 $24.95 / £16.99 Rights: W

Rights: W

Form + Code in Design, Art, and Architecture Casey Reas et al. 7 × 8.5 in / 18 × 22 cm 176 pp / 120 color / 80 b+w Paperback / 978-1-56898-937-2 $24.95 / £16.99 Rights: W

Geometry of Design, Second Edition, Revised and Updated Studies in Proportion and Composition Kimberly Elam 7 × 8.5 in / 18 × 22 cm 144 pp / 150 color / 50 b+w Paperback / 978-1-61689-036-0 $24.95 / £16.99

Elements of Design Rowena Reed Kostellow and the Structure of Visual Relationships Gail Greet Hannah 7 × 8.5 in / 18 × 22 cm 160 pp / 150 color Paperback / 978-1-56898-329-5 $24.95 / £16.99 Rights: W

Graphic Design Theory Readings from the Field Helen Armstrong 7 × 8.5 in / 18 × 22 cm 152 pp / 41 color / 32 b+w Paperback / 978-1-56898-772-9 $24.95 / £16.99

Graphic Design Thinking Beyond Brainstorming Ellen Lupton 7 × 8.5 in / 18 × 22 cm 184 pp / 240 color / 125 b+w Paperback / 978-1-56898-979-2 $24.95 / £16.99

Rights: W

Indie Publishing How to Design and Produce Your Own Book Ellen Lupton 7 × 8.5 in / 18 × 22 cm 176 pp / 270 color Paperback / 978-1-56898-760-6 $24.95 / £16.99

Lettering and Type Creating Letters and Designing Typefaces Bruce Willen et al. 7 × 8.5 in / 18 × 22 cm 144 pp / 515 color Paperback / 978-1-56898-765-1 $24.95 / £16.99

Rights: W

Participate Designing with User-Generated Content Helen Armstrong, Zvezdana Stojmirovic 7 × 8.5 in / 18 × 22 cm 160 pp / 100 color Paperback / 978-1-61689-025-4 $24.95 / £16.99

Rights: W

Grid Systems Principles of Organizing Type Kimberly Elam 7 × 8.5 in / 18 × 22 cm 120 pp / 45 color / 200 b+w Paperback / 978-1-56898-465-0 $24.95 / £16.99 Rights: W

Rights: W

Backlist

Thinking with Type, Second, Revised and Expanded Edition A Critical Guide for Designers, Writers, Editors, & Students Ellen Lupton 7 × 8.5 in / 18 × 22 cm 224 pp / 100 color Paperback / 978-1-56898-969-3 $24.95 / £16.99

Typographic Systems Kimberly Elam 7 × 8.5 in / 18 × 22 cm 160 pp / 55 color / 400 b+w Paperback / 978-1-56898-687-6 $24.95 / £16.99

Visual Grammar Christian Leborg 7 × 8.5 in / 18 × 22 cm 96 pp / 200 2-color Paperback / 978-1-56898-581-7 $21.95 / £12.99

Rights: W

Rights: WE Also available on ebrary.com

The Wayfinding Handbook Information Design for Public Places David Gibson 7 × 8.5 in / 18 × 22 cm 152 pp / 265 color / 5 b+w Paperback / 978-1-56898-769-9 $24.95 / £16.99 Rights: W

Rights: W

Dot Dot Dot

Dot Dot Dot 13 Stuart Bailey, Peter Bilak 6.5 × 9.3 in / 17 × 23 cm 104 pp / 14 color / 90 b+w Paperback / 978-90-77620-07-6 $16.95

Dot Dot Dot 16 Stuart Bailey 6.5 × 9.3 in / 17 × 23 cm 104 pp / 14 color / 90 b+w Paperback / 978-0-9794654-1-3 $16.95

Dot Dot Dot 17 Stuart Bailey 6.5 × 9.3 in / 17 × 23 cm 104 pp Paperback / 978-0-9794654-2-0 $16.95

Rights: NSAM, SA, Asia

Fresh Dialogue

Dot Dot Dot 19 Stuart Bailey 6.5 × 9.3 in / 17 × 23 cm 144 pp / 25 color / 245 b+w Paperback / 978-0-9794654-4-4 $16.95

Dot Dot Dot 20 Stuart Bailey 6.5 × 9.3 in / 17 × 23 cm 144 pp / 25 color / 245 b+w Paperback / 978-0-9794654-5-1 $16.95

Rights: NSAM, SA, Asia

Fresh Dialogue 6 Friendly Fire AIGA New York Chapter, James Victore 6.5 × 9 in / 17 × 23 cm 112 pp / 200 color Paperback / 978-1-56898-582-4 $16.95 / £12.95 Rights: W

Backlist

Fresh Dialogue 7 Making Magazines AIGA New York Chapter, James Truman 6.5 × 9 in / 17 × 23 cm 128 pp / 100 color Paperback / 978-1-56898-698-2 $16.95 / £9.99

Fresh Dialogue 8 Designing Audiences AIGA New York Chapter, Ze Frank 6.5 × 9 in / 17 × 23 cm 128 pp / 130 color Paperback / 978-1-56898-751-4 $16.95 / £9.99

Rights: W

Fresh Dialogue 9 In / Visible: Graphic Data Revealed AIGA New York Chapter 6.5 × 9 in / 17 × 23 cm 128 pp / 130 color Paperback / 978-1-56898-816-0 $16.95 / £9.99 Rights: W

Typography

Counterpunch Making Type in the Sixteenth Century, Designing Typefaces Now Fred Smeijers 5.5 × 8.7 in / 14 × 22 cm 200 pp / many b+w Paperback / 978-0-9207259-42-8 $40.00 Rights: NSAM A Hyphen Press book

Active Literature Jan Tschichold and New Typography Christopher Burke 8.3 × 10.9 in / 21 × 28 cm 336 pp / 700 color Hardcover / 978-0-907259-32-9 $60.00

Anthony Froshaug Typography & Texts, Documents of a Life: Vol 1 and Vol 2 Robin Kinross 6.7 × 9.5 in / 17 × 24 cm 528 pp / 360 b+w Paperback / 978-0-907259-09-1 $35.00

Autonomy The Cover Designs of Anarchy 1961–1970 Daniel Poyner 6.8 × 9.5 in / 17 × 24 cm 336 pp / many color Paperback / 978-0-907259-46-6 $40.00

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Detail in Typography Jost Hochuli 4.9 × 8.3 in / 13 × 21 cm 72 pp / 75 b+w Paperback / 978-0-907259-34-3 $25.00

Dimensional Typography J. Abbott Miller 5.5 × 8.5 in / 14 × 22 cm 64 pp / 30 color / 50 b+w Paperback / 978-1-56898-089-8 $19.95 / £13.95

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Draw Your Own Alphabets Thirty Fonts to Scribble, Sketch, & Make Your Own Tony Seddon 8.25 × 9.25 in / 21 × 24 cm 160 pp / 140 color Paperback / 978-1-61689-126-8 $19.95 Rights: NA

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Fraktur Mon Amour Judith Schalansky 4.9 × 7.9 in / 12 × 20 cm 648 pp / 300 color Hardcover / 978-1-56898-801-6 $45.00 / £30.00 Rights: WE

Hand Job A Catalog of Type Mike Perry 8 × 10 in / 20 × 25 cm 256 pp / 500 color Paperback / 978-1-56898-626-5 $35.00 / £20.00

Letter by Letter An Alphabetical Miscellany Laurent Pflughaupt 7 × 8.5 in / 18 × 22 cm 160 pp / 139 1-color / 230 b+w Paperback / 978-1-56898-737-8 $24.95 / £15.00

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Modern Typography An Essay in Critical History, Second Edition Robin Kinross 5 × 8.3 in / 13 × 21 cm 224 pp / 64 b+w Paperback / 978-0-907259-18-3 $30.00 Rights: NSAM A Hyphen Press book

Modern Typography in Britain Graphic Design, Politics, and Society, Typography Papers 8 Stuart Hall, Paul Stiff 8.5 × 11.7 in / 22 × 30 cm 160 pp Paperback / 978-0-907259-39-8 $50.00

The Stroke Theory of Writing Gerrit Noordzij 5 × 8.3 in / 13 × 21 cm 96 pp Paperback / 978-0-907259-30-5 $25.00

Type Now A Manifesto Fred Smeijers 5.7 × 8.7 in / 14 × 22 cm 144 pp / 16 color Paperback / 978-0-907259-24-4 $27.50

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Typography Papers 6 The Classical Traditon in Letters Nicolete Gray et al. 8.5 × 11.7 in / 22 × 30 cm 128 pp Paperback / 978-0-907259-29-9 $40.00

Typography Sketchbooks Steven Heller, Lita Talarico 7.3 × 9.6 in / 19 × 24 cm 368 pp / 600 color & b+w Paperback / 978-1-61689-042-1 $40.00

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Typeface Classic Typography for Contemporary Design Tamye Riggs 10.3 × 9 in / 26 × 23 cm 256 pp / 400 color Paperback / 978-1-56898-810-8 $45.00 Rights: NAM

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Backlist

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Type Spaces In-House Norms in the Typography of Aldus Manutius Peter Burnhill 6.7 × 9.4 in / 17 × 24 cm 144 pp / 150 b+w Paperback / 978-0-907259-19-0 $35.00 Rights: NSAM A Hyphen Press book

Unjustified Texts Perspectives on Typography Robin Kinross 5 × 8.25 in / 13 × 21 cm 392 pp / 109 b+w Paperback / 978-0-907259-17-6 $30.00 Rights: NSAM A Hyphen Press book

Visual & Popular Culture

A View of Early Typography Up to About 1600 Harry Carter 5.5 × 8.8 in / 14 × 22 cm 208 pp / 84 b+w Paperback / 978-0-907259-21-3 $25.00

20th-Century Pattern Design Lesley Jackson 9 × 11 in / 23 × 28 cm 224 pp / 360 color Paperback / 978-1-61689-065-0 $40.00 Rights: NAM

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The Architect Says Quotes, Quips, and Words of Wisdom Laura S. Dushkes 5 × 7 in / 13 × 18 cm 160 pp Hardcover / 978-1-61689-093-3 $14.95 / £8.99

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Asleep in the Afternoon E. C. Large 5 × 7.5 in / 13 × 19 cm 416 pp Hardcover / 978-0-907259-37-4 $35.00 Rights: NSAM A Hyphen Press book

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Breakthrough! 90 Proven Strategies to Overcome Creative Block and Spark Your Imagination Alex Cornell 5.5 × 7 in / 14 × 18 cm 176 pp / 2-color Paperback / 978-1-61689-039-1 $17.50 / £10.99 Rights: W

America’s Doll House The Miniature World of Faith Bradford William L. Bird, Jr. 7.5 × 9 in / 19 × 23 cm 128 pp / 51 color / 20 b+w Paperback / 978-1-56898-974-7 $24.95 / £14.99

At a Crossroads Between a Rock and My Parents’ Place Kate T. Williamson 7 × 9 in / 18 × 23 cm 144 pp / 144 color Paperback / 978-1-56898-714-9 $19.95 / £11.99

The Best of LCD The Art and Writing of WFMU Dave the Spazz 7.6 × 10 in / 19 × 25 cm 256 pp / 150 color / 300 b+w Paperback / 978-1-56898-715-6 $29.95 / £16.99 Rights: W

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Brooklyn Makers Food, Design, Craft, and Other Scenes from the Tactile Life Jennifer Causey 7.5 × 9.5 in / 19 × 22 cm 176 pp / 300 color Paperback / 978-1-61689-074-2 $24.95 / £15.99 Rights: W

Cartographies of Time A History of the Timeline Daniel Rosenberg, Anthony Grafton 8.5 × 10.5 in / 22 × 27 cm 272 pp / 268 color / 40 b+w Hardcover / 978-1-56898-763-7 $50.00 / £30.00 Paperback / 978-1-61689-058-2 $35.00 / £22.50

Catalog The Illustrated History of Mail Order Shopping Robin Cherry 7 × 9 in / 18 × 23 cm 272 pp / 375 color / 125 b+w Hardcover / 978-1-56898-739-2 $35.00 / £22.00 Rights: W

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101

¡Cocinando! Fifty Years of Latin Album Cover Art Pablo Yglesias 7.5 × 7.5 in / 19 × 19 cm 240 pp / 177 color / 7 b+w Paperback / 978-1-56898-460-5 $19.95 / £13.99

The Designer Says Quotes, Quips, and Words of Wisdom Sara Bader 5 × 7 in / 13 × 18 cm 160 pp Hardcover / 978-1-61689-134-3 $14.95 / £8.99

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D.I.Y. Kids Ellen Lupton, Julia Lupton 7 × 8.5 in / 18 × 22 cm 144 pp / 400 color Paperback / 978-1-56898-707-1 $14.95 / £8.99 Rights: W

The Electric Information Age Book McLuhan /Agel / Fiore and the Experimental Paperback Jeffrey T. Schnapp, Adam Michaels 4.25 × 7 in / 11 × 18 cm 216 pp / 50 color / 150 b+w Paperback / 978-1-61689-034-6 $22.95 / £12.99 Rights: W

Empire Nozone IX Nicholas Blechman 7 × 10 in / 18 × 25 cm 168 pp / 235 color Paperback / 978-1-56898-457-5 $19.95 / £14.99 Rights: W

The Englishman Who Posted Himself and Other Curious Objects John Tingey 6 × 9 in / 15 × 23 cm 176 pp / 130 color / 16 b+w Hardcover / 978-1-56898-872-6 $24.95 / £14.99 Rights: W

Five Flights Up and Other New York Apartment Stories Toni Schlesinger 6.1 × 9 in / 16 × 23 cm 320 pp / 130 b+w Paperback / 978-1-56898-585-5 $24.95 / £14.00 Ebook / 978-1-56898-670-8

Forecast Nozone X Nicholas Blechman 7 × 10 in / 18 × 25 cm 168 pp / 170 2-color Paperback / 978-1-56898-793-4 $24.95 / £14.99 Rights: W

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From Here to There A Curious Collection from the Hand Drawn Map Association Kris Harzinski 5 × 7.5 in / 13 × 19 cm 224 pp / 80 color / 62 b+w Paperback / 978-1-56898-882-5 $17.50 / £9.99

The Games We Played The Golden Age of Board and Table Games Margaret Hofer 10.3 × 10.5 in / 26 × 27 cm 160 pp / 160 color Hardcover / 978-1-56898-397-4 $24.95 / £17.95

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Backlist

God’s Amateur The Writing of E. C. Large Stuart Bailey, Robin Kinross 6.7 × 9.5 in / 17 × 24 cm 128 pp / 50 b+w Paperback / 978-0-907259-38-1 $20.00

The Guerilla Art Kit Keri Smith 5 × 7 in / 13 × 18 cm 144 pp / 70 color / 10 b+w Hardcover, wire-o binding / 978-1-56898-688-3 $19.95 / £11.99

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Handmade Nation The Rise of DIY, Art, Craft, and Design Faythe Levine, Cortney Heimerl 7.5 × 9.5 in / 19 × 24 cm 176 pp / 225 color Paperback / 978-1-56898-787-3 $24.95 / £14.99

Hello World A Life in Ham Radio Danny Gregory, Paul Sahre 6.8 × 9.3 in / 17 × 23 cm 256 pp / 500 color Paperback / 978-1-56898-281-6 $24.95 / £16.99

Hong Kong Comics A History of Manhua Wendy Siuyi Wong 9 × 9.8 in / 23 × 25 cm 204 pp / 1000 color Paperback / 978-1-56898-269-4 $25.00 / £17.99

In the Wilds Drawings by Nigel Peake Nigel Peake 6 × 8 in / 15 × 20 cm 136 pp / 80 color / 18 b+w Hardcover / 978-1-56898-952-5 $22.95 / £14.99

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The Map as Art Katharine Harmon, Gayle Clemans 10 × 9 in / 25 × 23 cm 256 pp / 360 color Hardcover / 978-1-56898-762-0 $45.00 / £28.00 Paperback / 978-1-56898-972-3 $29.95 / £17.99

Menus for Chez Panisse The Art and Letterpress of Patricia Curtan Patricia Curtan 11 × 9.5 in / 28 × 24 cm 184 pp / 250 color Hardcover / 978-1-61689-029-2 $40.00 / £25.00

Paula Scher MAPS Paula Scher 11 × 12 in / 28 × 30.5 cm 144 pp / 100 color Hardcover / 978-1-61689-033-9 $50.00 / £35.00

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Iowa State Fair Country Comes to Town Thomas Leslie 7 × 9.5 in / 18 × 24 cm 144 pp / 125 color / 60 b+w Paperback / 978-1-56898-568-8 $19.95 / £12.00 Rights: W

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Pinhole Cameras A Do-it-Yourself Guide Chris Keeney 5.5 × 8.5 in / 14 × 22 cm 144 pp / 35 color / 175 b+w Hardcover, wire-o binding / 978-1-56898-989-1 $19.95 / £10.99 Rights: W

The Projectionist Kendall Messick, Brooke Anderson 8 × 10 in / 20 × 25 cm 160 pp / 175 color / 25 b+w Hardcover / 978-1-56898-933-4 $40.00 / £25.00 Rights: W

Reinventing the Wheel Jessica Helfand 7.5 × 9.5 in / 19 × 24 cm 160 pp / 100 color / 20 b+w Paperback / 978-1-56898-596-1 $18.95 / £9.00 Rights: W

Souvenir Nation Relics, Keepsakes, and Curios from the Smithsonian’s National Museum of American History William L. Bird, Jr. 7 × 8.5 in / 18 × 22 cm 176 pp / 65 color / 10 b+w Hardcover / 978-1-61689-135-0 $24.95 / £15.99 Rights: W

Backlist

103

Strips, Toons, and Bluesies Essays in Comics and Culture D. B. Dowd, Todd Hignite 7.5 × 11 in / 19 × 28 cm 112 pp / 85 color Paperback / 978-1-56898-621-0 $21.95 / £12.99 Rights: W

Sugar in the Air E. C. Large 5 × 7.5 in / 13 × 19 cm 448 pp Hardcover / 978-0-907259-36-7 $35.00 Rights: NSAM A Hyphen Press book

Taking Things Seriously 75 Objects with Unexpected Significance Joshua Glenn, Carol Hayes 5.5 × 7 in / 14 × 18 cm 176 pp / 85 color Paperback / 978-1-56898-690-6 $17.50 / £9.99 Rights: W

The Toaster Project Or a Heroic Attempt to Build a Simple Electric Appliance from Scratch Thomas Thwaites 5 × 7.5 in / 13 × 19 cm 192 pp / 83 color / 60 b+w Paperback / 978-1-56898-997-6 $19.95 / £12.99 Ebook / 978-1-61689-119-0 Rights: W

A Year in Japan Kate T. Williamson 6 × 8 in / 15 × 20 cm 192 pp / 350 color Paperback / 978-1-56898-540-4 $19.95 / £10.99 Rights: W

You Are Here Personal Geographies and Other Maps of the Imagination Katharine Harmon 7 × 10 in / 18 × 25 cm 192 pp / 122 color / 50 b+w Paperback / 978-1-56898-430-8 $24.95 / £14.99 Rights: W

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Backlist

Index A Abbott Miller 24 ABC’s of Triangle Square Circle, The 94 Above Paris 79 Above the Pavement—the Farm! 80 Abrams, Janet 61 Abruzzo, Emily 77, 82, 83 Active Literature 99 Adalberto Libera 58 After Taste 81 After the Crash 71 AIGA New York Chapter 98, 99 Albert Frey Houses 1 + 2 66 Albrecht, Donald 75, 91 Alesina, Inna 94 Alinder, Jim 36, 76 Alvar Aalto Houses 72 American City X 80 America’s Doll House 101 America’s Other Audubon 88 Amidon, Jane 79 Anchoring 58 Andersen, Michael Asgaard 32 Anderson, Alissa 91 Anderson, Brooke 103 Anderson, Mark 71 Anderson, Peter 71 Anderson, Stanford 59 Andersson, Arthur 62 Ando, Tadao 85 Andraos, Amale 80 Andrea Cochran 77 Animal Logic 88 Animate Form 58 Anthony Froshaug 99 Antiquities of Athens, The 69 Aran, Berge 66 Aranda, Benjamin 87 Archigram 58, 60 Architect Says, The 101 Architectural Detail, The 72 Architectural League of New York, The 43, 64 Architectural Lighting 65 Architectural Photography the Digital Way 65 Architectural Regionalism 81 Architecture and Film 81 Architecture and the Sciences 82 Architecture From the Outside In 82 Architecture of Diplomacy, The 72 Architecture of Modern Italy, The 72 Architecture of the Everyday 72 Architecture of the Off-Modern 82 Architecture of the Ozarks, The 58 Architecture Oriented Otherwise 82 Armstrong, Helen 97 Around the World 88 Art Deco Bookbindings 93

Art Deco San Francisco 58 Artificial Light 82 Artist’s Eye, The 90 Artpark 88 Art Parks 77 Asleep in the Afternoon 101 At... 88 At a Crossroads 101 AT-INdex 58 Atlas of Novel Tectonics 58 Aureli, Pier Vittorio 84 Austin Val Verde 66 Autonomy 99 A Year of Mornings 93 B Bader, Sara 102 Bailey, Stuart 98, 102 Balthazar Korab 44, 88 Baltimore Rowhouse, The 72 Bamboo Fences 72 Barnes, Richard 88 Barnes, Stephanie Congdon 93 Barringer, David 96 Barthel, Elena 28 Beckham, Andrew 12 Bee 88 Belfoure, Charles 72 Bell, Michael 39, 70, 71 Bell, Victoria Ballard 38, 71 Bennett, Audrey 94 Bennett, Edward H. 70 Bennett, Paul 68 Benton, Caroline Maniaque 74 Berger, Alan 78, 79 Berger, Robert 76 Bergman, David 65 Berke, Arnold 61 Berke, Deborah 72 Bernard Tschumi/Zenith de Rouen 67 Bernheimer, Andrew 63 Bernstein, Phillip 72 Best of LCD, The 101 Betts, Stella 61 Beyond the Edge 80 Bierut, Michael 96 Big Idea, The 58 Big Picture, The 14 Big Up 88 Bilak, Peter 98 Bingaman-Burt, Kate 92 Bing Thom Architects 58 Bing Thom Works 58 Biopolitics and the Emergence of Modern Architecture 82 Bioreboot 58 Bird’s Eye Views 80 Bird Watching 88 Bird Watching and Other Nature Observations 56 Bird, William L., Jr. 89, 94, 101, 103 Bishop, Carol 73 Bitner, Jason 90

Blackstock, Gregory L. 50, 88 Blackstock’s Collections 88 Blackstock’s Collections Notepads 50 Blackwell, Marlon 58 Blechman, Nicholas 102 Block by Block 80 Blostein, Beth 82 Bloszies, Charles 65 Bodziak, Gerald 83 Bognar, Botond 61 Bohnacker, Hartmut 95 Bolchover, Joshua 84 Bollnow, Otto Friedrich 83 Bonanos, Christopher 90 Bonnemaison, Sarah 74 Book as Art, The 93 Boyer, M. Christine 83 Boym, Constantin 94 Boym, Svetlana 82 Branch, Mark Alden 59 Breakthrough! 101 Brennan, Annemarie 82 Broikos, Chrysanthe B. 75 Brooklyn Art Library 52 Brooklyn Makers 101 Brostrom, Caitlin Lempres 60 Brothels of Nevada 88 Brownell, Blaine 65, 71, 75 Brown University 40 Bryan, John M. 68 Buckley, Craig 39, 71 Building Envelopes 65 Building (in) the Future 72 Bunker Archeology 72 Burke, Anthony 84 Burke, Christopher 99 Burley, Robert 89 Burnham, Daniel H. 70 Burnhill, Peter 100 Burton, Pamela 78 Busch, Akiko 83 Business of Design, The 94 By Hand 89 By Its Cover 93 Byrd, Warren T., Jr. 78 C Cadwell, Mike 86 Calatrava, Santiago 85 Callejas, Luis 87 Camber, Diane W. 75 Campanella, Thomas J. 80 Campbell, Peter 88 Canizaro, Vincent B. 81 Cape Cod Cottage, The 72 Cape, Francis 93 Capital Dilemma 82 Carter, Harry 101 Cartographies of Time 101 Casa Alta 66 Catalog 101 Cathcart, James 87 Causey, Jennifer 8, 101 Chang, Gary 74

Chard, Nat 41 Cherry, Robin 101 Chiei, Chris 75 Childs, Mark C. 65 Chrysler Building, The 66 Cigliano, Jan 70 Cigola, Francesca 77 Citizens of No Place 72 City Building 80 Clark and Menefee 59 Classic Book Jackets 93 Cleary, Richard L. 69 Clemans, Gayle 103 Clouse, Doug 95 ¡Cocinando! 102 Codewriting Workbook, The 70 Cohen, Jean-Louis 79 Cohen-Litant, Jonathan 80 Cold War Hothouses 82 Colley, David P. 79 Collins, Nancy Sharon 94 Colomina, Beatriz 82 Colonial Revival Maine 72 Color Sphere 84 Comazzi, John 44, 88 Complete Engraver, The 94 Concrete Dragon, The 80 Condemned Building 59 Coney Island 80 Constructing a New Agenda for Architecture 82 Contemporary Classical 59 Contemporary Curtain Wall Architecture 70 Conversations with Mies van der Rohe 85 Conversations with Paolo Soleri 85 Conversation with Frei Otto, A 85 Cook, Peter 58 Corbellini, Giovanni 58 Cornell, Alex 101 Corner, James 79 Corser, Robert 83 Counterpunch 99 Courtyard Housing in Los Angeles 78 Crafting a Modern World 73 Craig, James A. 87 Cranbrook 68 Crandell, Gina 79 Creative Time: The Book 89 Cruising LA 77 Cuff, Dana 80 Curious Boym 94 Curtan, Patricia 103 Czerniak, Julia 78, 80 D Dance in Cuba 89 Daniel Eatock Imprint 94 Daniell, Thomas 71 Darden, Douglas 59 Dartmouth College 68 Dave the Spazz 101 Davids, René 70 Index

105

Deamer, Peggy 72 Dean, Andrea Oppenheimer 28, 62, 63 Dean, Kathryn 59 Dean/Wolf Architects 59 Decker, Julie 66, 75 Della Valle, Jared 63 Demson, Michael 67 Denari, Neil M. 60 de Ostos, Ricardo 87 Descanso 78 Descottes, Hervé 65 Design Ecologies 82 Designer Says, The 102 Design for Victory 94 Designing Books 94 Designing for Social Change 97 Designing Paradise 73 Design Studies 94 Detail in Process 70 Detail in Typography 99 Details in Contemporary Architecture 70 Details, Technology, and Form 70 Devil’s Workshop 59 D’Hooghe, Alexander 80 Dickson, Johanna Saleh 87 Digital Fabrications 65 Diller, Elizabeth 59 Dimension 82 Dimensional Typography 99 Dimitrova, Bilyana 68, 76 Disappearance of Darkness, The 89 Dish 94 D.I.Y. Design It Yourself 97 D.I.Y. Kids 102 Domin, Christopher 62 Donogoo-Tonka or the Miracles of Science 82 Dot Dot Dot 98 Dougherty, Patrick 92 Dowd, D. B. 104 Drawing from Life 89 Drawing Techniques 90 Draw Your Own Alphabets 99 Drew, Ned 93 Drosscape 78 Dubbeldam, Winka 58 Duke University 68 Dunlop, Beth 74 Dushkes, Laura S. 101 E Earth Architecture 73 Eatock, Daniel 94 Eckert, Kathryn 68 Eck, Jeremiah 74 Eco-Tec 83 Edifices de Rome Moderne 69 Eero Saarinen 59 Eiffel Tower, The 89 Eisenbach, Ronit 74 Eisenman Architects/The University of Phoenix Stadium for the Arizona Cardinals 68 106

Index

Eladio Dieste 59 Elam, Kimberly 97, 98 Electric Information Age Book, The 102 Elegantissima 94 Elements of Design 97 Ellin, Nan 84 Elliott + Elliott Architecture 60 Emerging Voices 30 43 Empire 102 Engineered Transparency 70 Englishman Who Posted Himself and Other Curious Objects, The 102 Erwin Hauer Continua 59 Ethical Architect, The 83 Ethics for Architects 65 Everything All at Once 59 Expanded Practice 59 Expanded View 66 Explorations 59 Exploring Materials 94 Extreme Textiles 95 F Fabricating Architecture 83 Fain, Bill 73 Fain, William H., Jr. 90 Fast-Forward Urbanism 80 Fenton, Joseph 86 Fifty Years of Recuperation of the Situationist International 83 Fig, Joe 90 Figure Drawing 90 Figure/Ground 73 Fili, Louise 26, 94 Filmmaker Says, The 18 Finnish Summer Houses 73 Firmin, Sandra Q. 88 Fisher, Rose-Lynn 88 Fisher, Thomas 65 FitzGerald, Kenneth 96 Five Flights Up and Other New York Apartment Stories 102 Five Houses, Ten Details 83 Flesh 59 Fletcher, H. George 93 FOBA / Buildings 60 Ford, Edward R. 72, 83 Forecast 102 Forest of Pipes 89 Form+Code in Design, Art, and Architecture 97 Formerly Urban 80 Form Follows Finance 83 Fougeron, Anne 60 Fougeron Architecture 60 Fox, Michael 74 Fox, Stephen 68 Fragments of Utopia 73 Fraktur Mon Amour 100 Frank Furness 60 Frank Lloyd Wright 73 Frank Lloyd Wright’s Fallingwater 66

Frank Lloyd Wright’s Martin House 66 Frank, Ze 99 Freear, Andrew 28 Freeman, Michael 73 Fresh Dialogue 98, 99 Friedman, Avi 75, 84 From Autos to Architecture 73 From Here to There 102 From Hieroglyphics to Isotype 89 From Russia with Doubt 22 From the Ground Up 80 Frozen Music 89 Full Irish 73 Function, Restraint, and Subversion in Typography 95 Fuss, Troy 77 G Gamard, Elizabeth 66 Games We Played, The 102 Gandelsonas, Mario 81, 84 Gang, Jeanne 63 Gannon, Todd 67, 68 Garcetti, Gil 66, 89, 92, 93 Garofalo, Francesco 58 Gartman, David 73 Gastil, Raymond W. 80 Gateway 78 Gaz, Stan 92 Generative Design 95 Geography of Home 83 Geometry of Design 97 Ghost 60 Ghostly Ruins 89 Giannetto, Raffaella Fabiani 79 Gibson, David 98 Gill, Bryan Nash 55, 93 Giovannini, Joseph 61 Gissen, David 84 Glenn, Joshua 104 God’s Amateur 102 Goldberg, Jeff 66 Goldchain, Rafael 90 Golub, Jennifer 66 Good, Albert 70 Gordon, Alastair 77 Grafton, Anthony 101 Granet, Keith 94 Grant Jones/Jones & Jones 79 Graphic Design, The New Basics 95 Graphic Design Theory 97 Graphic Design Thinking 97 Gray, Nicolete 100 Greenest Home, The 73 Green House, The 73 Green Roof—A Case Study 78 Gregory, Danny 103 Grid Systems 97 Gross, Benedikt 95 Guastavino Vaulting 73 Guerilla Art Kit, The 102 Guerrero, Pedro E. 92

Guggenheim New York | Guggenheim Bilbao 66 Guide to Archigram 1961–74, A 60 Gutman, Robert 82 Gyroscopic Horizons 60 H Hadar, Dori 91 Hall, Stuart 100 Hamboussi, Anthony 91 Hammett, Jerilou 81 Hammett, Kingsley 81 Hammond, Victoria 93 Hand, Jamie 78 Hand Job 100 Handmade Nation 103 Handy Book of Artistic Printing, The 95 Hannah, Gail Greet 97 Hansen, Thomas 93 Hardisty, J. Namdev 95 Hardy, Hugh 63 Hargreaves, George 78 Harmon, Katharine 103, 104 Harris, Steven 64, 72 Hartman, George E. 70 Harzinski, Kris 102 Hauer, Erwin 59 Havana Guide, The 77 Hawthorne, Christopher 73 Hayes, Carol 104 Hays, David L. 42 Hays, K. Michael 82 Hayward, Mary Ellen 72 Head, Jeffrey 62 Heavenly Vaults 89 Heeger, Susan 78 Heiferman, Marvin 91 Heimerl, Cortney 103 Helfand, Harvey 68 Helfand, Jessica 103 Helfrich, Kurt G. F. 73 Heller, Steven 26, 100 Hello World 103 Hervé, Lucien 89 Hibbard, Don 73 Hignite, Todd 104 Hill-Stead 74 Himes, Darius D. 92 History of Architectural Theory, A 83 Hochuli, Jost 94, 99 Hofer, Margaret 102 Holidays on Display 89 Holl, Steven 58, 60, 62, 81, 86, 87 Hong Kong Comics 103 Hotel as Home 74 House 60 House for My Mother, A 74 House in the Landscape 74 Houses of Maine 60 Houses of William Wurster, The 60 Höweler, Eric 59

How to Be a Graphic Designer without Losing Your Soul 95 How to Photograph Buildings and Interiors 74 Human Space 83 Hung, Shu 89 Hunter, Matthew 85 Hursley, Timothy 28, 62, 63, 88 Hustvedt, Siri 91 Hutchinson, Peter 92 I I Am My Family 90 Ian McHarg 85 Impressions of New York 90 Indie Publishing 97 InfraNet Lab / Lateral Office 87 Ingersoll, Richard 81 Inside Prefab 74 Inside the Painter’s Studio 90 Installations by Architects 74 Instant 90 Instant Expert series, The 10 Integrated Design in Contemporary Architecture 71 Interactive Architecture 74 Intertwining 60 In the City 20 In the Wilds 103 Iowa State Fair 103 Iron 66 Italian Architecture of the 16th Century 74 Italian Cities and Landscapes 90 It Is Beautiful…then Gone 95 Iwamoto, Lisa 65 J Jackowski, Nannette 87 Jackson, Davina 75 Jackson, Lesley 101 Jacobson, Clare 34 James Carpenter 60 James, Vincent 64 Jazzpaths 90 Jenny, Peter 90 Jensen, Kirsten 88 Jensen, Richard 59 Jetsonen, Jari 72, 73 Jetsonen, Sirkkaliisa 72, 73 Johnson, Scott 58, 73, 76 Johnston, Norman 69 Jones, Partners: Architecture 60 Jones, Partners: Architecture 60 Jørn Utzon 32 Joy, Rick 63 Julie Snow Architects 61 K Kahn, Louis 85 Kaiser, Harvey H. 77 Karlsson, Hjalti 96 Kedan, Elite 62 Keeney, Chris 103 Kemp, Miles 74

Kennon, Kevin 67 Kentner, Jason 79 Kesling Modern Structures 61 KieranTimberlake Associates 67 Killory, Christine 70 Kim, Jeannie 70, 82 King, Emily 96 King, Joseph 62 Kinross, Robin 94, 96, 99, 100, 102 Kipnis, Jeffrey 67 Kirk, Terry 72 Kirwin, Liza 91 Kiser, Joy M. 88 Kleinman, Kent 67, 81 Klinkenborg, Verlyn 83 Komara, Ann 78 Kopelow, Gerry 65, 74 Krawczyk, Robert J. 70 Kriken, John Lund 80 Kroeger, Michael 85 Kruft, Hanno-Walter 83 Kulper, Perry 41 Kundig, Tom 63 Kurt Schwitters’ Merzbau 66 Kuth, Byron 61 Kuth/Ranieri Architects 61 L Lai, Jimenez 72 Lamond, John 10 Lamster, Mark 81 Landprints 78 Landscape Urbanism Reader, The 78 Lange, Alexandra 66 LaPorte, Indiana 90 Lappin, Sarah A. 73 L’Architecture 69 Large, E. C. 101, 104 Large Parks 78 Large Scale 90 Laub, Julia 95 Lawrence Halprin’s Skyline Park 78 Lazzeroni, Claudius 95 Learning to See series, The 90 Leatherbarrow, David 82 Leborg, Christian 98 Le Corbusier 74, 83, 85 Le Corbusier and the Maisons Jaoul 74 Le Corbusier, Homme de Lettres 83 Le Corbusier Redrawn 74 Le Corbusier Talks with Students 85 Ledoux, Claude-Nicolas 69 LEED Materials 74 Leers, Andrea 61 Leet, Stephen 67 Leisurama Now 75 Leitner, Bernhard 67 Lepkoff, Rebecca 91 Lerner, Adam 22 Lerup, Lars 78

Leslie, Thomas 103 Letarouilly, Paul 69, 70 Letter by Letter 100 Lettering and Type 97 Leven Betts 61 Leven, David 61 Levere, Douglas 91 Levine, Barbara 88, 92 Levine, Faythe 92, 103 Lewis, David J. 61 Lewis, Paul 61, 86 Lewis.Tsurumaki.Lewis 61 Liberal Monument, The 80 Lickshot 90 Life on the Lower East Side 91 Lima, Manuel 45, 96 Linn, Robert 76 Lippincott, Jonathan D. 90 Lists 91 Livingston, Morna 76 Loblolly House 67 Local Architecture 75 Loeffler, Jane C. 72 Loomis, John 76 López-Pérez, Daniel 62 Lost Border 91 Lost Christmas Gift, The 12 Louis I. Kahn 85 Louisville Guide 77 Lovell, Jenny 65 Lucy + Jorge Orta 91 Luhan, Gregory A. 77 Luntz, Robert 30 Lupton, Ellen 94, 95, 97, 98, 102 Lupton, Julia 102 Lyall, Sutherland 71 Lyndon, Donlyn 36, 76 Lynn, Greg 58 M MacKay-Lyons, Brian 60, 75 MacLean, Alex 93 Macon, Sam 92 Made to Measure 61 Magliaro, Joseph 89 Make It Bigger 95 Making a Case 83 Manfredi, Michael 64 Manhattan Skyscrapers 67 Map as Art, The 103 Margulis, Lynn 85 Marina City 61 Marjanovic, Igor 61 Marmol, Leo 61 Marmol Radziner+Associates 61 Marpillero, Sandro 60 Marras, Amerigo 83 Marr, Warren 78 Marvel, Jonathan 63 Mary Colter 61 Material Immaterial 61 Materials for Design 71 Materials for Design 2 38 Material Strategies 65 Matter in the Floating World 75

McCarter, Robert 75, 86 McCartney, Paula 88 McCullough, Lissa 85 McMillan, Elizabeth 66 McQuaid, Matilda 95 Meacham, Scott 68 Mehrdad Yazdani 61 Meisel, Ari 74 Mellin, Robert 76 Mennel, Timothy 80 Menus for Chez Panisse 103 Meredith, Michael 59 Merwood-Salisbury, Joanna 81 Messick, Kendall 103 Meyer, Elizabeth 78 Miami Modern Metropolis 75 Michaels, Adam 102 Michael Sorkin Studio 87 Mies Van der Rohe’s Krefeld Villas 67 Mijksenaar, Paul 96 Miller, Abbott 24, 94, 99 Miller|Hull 62 Miller|Hull Partnership, The 62 Miller|Hull Partnership, The 62 Miller, Marla R. 69 Mingering Mike 91 Minka 75 Mitnick, Keith 82 Mitrovic, Branko 65 Mixing Messages 95 Model Making 65 Models and Constructs 95 Modern American Housing 81 Moderne 75 Modern Modular 30 Modern Typography 100 Modern Typography in Britain 100 Moe, Kiel 71 Moody Nolan Design 46 More Mobile 75 More Scenes from the Rural Life 83 Morgan, William 64, 72 Moskovitz, Julie Torres 73 Moskow, Keith 76 Murphy, Kevin 72 Murray, Scott 70 Myers, Mary 77 Mysteries of the Rectangle 91 Mythic City, The 91 N Narrow Houses 75 Nash, Eric P. 67 National Park Architecture Sourcebook, The 77 Natural Architecture 78 Natural Houses 62 Nature of Place, The 84 Nell Brooker Mayhew 91 Nelson Byrd Woltz 78 Nesbitt, Kate 84 Nested Notes: Egg Sticky Notes 50 Nests & Eggs Notecards 56 Network Practices 84 Index

107

Neuman, David J. 68 Neurath, Marie 96 Neurath, Otto 89 New, Jennifer 89 Newman, Morris 63 New Museums in China 34 New Public Works 81 Newtown Creek 91 New York Changing 91 Next Wave 75 Ngo, Dung 63 Nigel Peake City and Country Notecards 51 No Nails, No Lumber 62 (Non-) Essential Knowledge for (New) Architecture 42 Noordzij, Gerrit 100 Northwestern University 68 Now Is Then 91 O Oak 91 Obsessive Consumption 92 Ochsendorf, John 73 O’Doherty, Brian 84 O’Donnell, Sheila 62 O’Donnell + Tuomey 62 O’Gorman, James F. 74 O’Keeffe, Linda 10 Old Buildings, New Designs 65 Olson, Sheri 62 Once Upon a Time 92 OneFiveFour 62 On the Job 75 On Vision and Colors 84 Orff, Kate 78 Orr, Stephen 78 Orta, Lucy + Jorge 91 Over and Over 95 Ozga-Lawn, Matt 87 P Page, Max 69 Paiva, Tom 58 Pamela Burton Landscapes 78 Pamphlet Architecture 41, 86, 87 Paolo Bürgi Landscape Architect 79 Parallax 62 Paris 92 Paris Changing 92 Park and Recreation Structures 70 Park, Steven 74 Participate 97 Pascal, Patrick 61 Pasternak, Anne 89 Pattern Box 48 Paula Scher MAPS 103 Paula Scher MAPS Journals 54 Paul Rand 85 Paul Rudolph: The Florida Houses 62 Peake, Nigel 20, 51, 103 Pedro E. Guerrero 92 Peltason, Ruth 89 108

Index

Pencil Points Reader 70 Permanent Change 39 Perry, Mike 95, 100 Peter Rose 62 Peter Smithson 85 Peters, Richard C. 60 Peyré, Yves 93 Pflueger, Timothy 58 Pflughaupt, Laurent 100 Phillips, Jennifer Cole 95 Philosophy for Architects 65 Photographing Architecture and Interiors 75 Picon, Antoine 82 Piedmont-Palladino, Susan 59, 96 Pinhole Cameras 103 Pinnell, Patrick L. 69 Plan of Chicago 70 Pocket Dept. Notebooks, The 52 Poletti, Therese 58 Polyzoides, Stefanos 78 Ponte, Alessandra 82 Post-Ductility 71 Postmodern Urbanism 84 Potter, Norman 95, 96 Poyner, Daniel 99 Prefab Prototypes 71 Pridmore, Jay 68 Proceed and Be Bold 62 Projectionist, The 103 Project of Autonomy, The 84 Prospect Park 79 Provisional 62 Publish Your Photography Book 92 Puente, Moisés 85 Pulled 95 Q Quinan, Jack 66 Quonset Hut 75 R Radical Reconstruction 63 Radziner, Ron 61 Rael, Ronald 73 Ramos, Cecilia E. 65 Randl, Chad 76 Rand, Patrick 38, 71 Rauschenberg, Christopher 92 Ray, Katerina Rüedi 61 Ray, Mary-Ann 86 R. Buckminster Fuller 62 Real Photo Postcards 92 Reas, Casey 97 Reclaiming the American West 79 Recovering Landscape 79 Reilly, Lisa 69 Reinventing the Wheel 103 Reiser, Jesse 58 Reisley, Roland 77 Remarkable Structures 71 Reps, John W. 80 Responsive Architecture 63 Reveal 63

Revett, Nicholas 69 Revolution of Forms 76 Revolving Architecture 76 Rhinehart, Raymond P. 40 Rice University 68 Richard Haag 79 Richard Hollis Designs for the Whitechapel 96 Richard Neutra’s Miller House 67 Richards, Larry Wayne 69 Rick Joy 63 Riggs, Tamye 100 Robbins, Mark 80, 81 Robert Brownjohn 96 Rocca, Alessandro 78 Roderick, John 75 Rodin Museum, Seoul, The 67 Rodriguez, Eduardo 77 Rogers Marvel Architects 63 Rogers, Rob 63 Romains, Jules 82 Roman, Antonio 59 Ronan, John 59 Rose, Brian 91 Rosenberg, Daniel 101 Rose, Peter 62 Ross, David 87 Rowe, Colin 74 Rubenstein, Harry R. 94 Runge, Philipp Otto 84 Rural Studio 63 Rural Studio at Twenty 28 Ryan, Zoë 80 S Sacred Spaces 76 Sagmeister, Stephan 96 Sahre, Paul 75, 103 Sammlung Architektonischer Entwürfe 70 Sample, Hilary 59 Santiago Calatrava 85 Sapan, Josh 14 Satkowski, Leon 74 Saunders, William S. 79 Schalansky, Judith 100 Scher, Paula 95, 103 Schinkel, Karl Friedrich 70 Schlesinger, Toni 102 Schleuning, Sarah 75 Schnapp, Jeffrey T. 102 Schneiderman, Deborah 74 Schopenhauer, Arthur 84 Schumacher, Thomas L. 67 Schwarzer, Mitchell 85 Scofidio, Ricardo 59 Sea Ranch, The 36, 76 Seddon, Tony 99 Serraino, Pierluigi 77 Seventy-five Artist Books 93 Seventy-nine Short Essays on Design 96 Shadow Type 26 Shallow Water Dictionary 79 Shanghai Reflections 84

Shaughnessy, Adrian 95 Shea, Andrew 97 Sherman, Roger 80 Shoes 10 Shulman, Allan T. 75 Shulman, Julius 75 Siegal, Jennifer 75 Sign Painters 92 Sites of Impact 92 Skrdla, Harry 89 Skurman, Andrew 59 Small Scale 76 Smeijers, Fred 99, 100 Smith College 68 Smith, G. E. Kidder 76 Smith, Keri 102 Smout Allen 87 Snapshot Chronicles 92 Snow, Julie 61 Soak Wash Rinse Spin 96 Solid States 71 Solomon, Jonathan D. 82, 83, 84, 87 Songel, Juan María 85 Source Book of American Architecture 76 Southern Comfort 76 Southern Makers 8 Souvenir Nation 103 Speck, Lawrence W. 69 Spector, Tom 83 Spellman, Catherine 85 Spier, Steven 76 Sprawltown 81 Stahl, Georg 84 Stahl, Julie Muller 94 Stanford University 68 Stang, Alanna 73 Starr, S. Frederick 76 Steele, James 64 Stephenson, David 89, 93 Steps to Water 76 Sternberger, Paul 93 Stern, Jamie Thompson 18 Steven Holl Architects/Simmons Hall 67 Stickwork 92 Stiff, Paul 100 Stilgoe, John R. 79 Stojmirovic, Zvezdana 97 Stoller, Ezra 66 Storm and the Fall, The 63 Stravitz, David 66 Street Value 81 Strips, Toons, and Bluesies 104 Stroke, The 100 Stuart, James 69 Studio and Cube 84 Studio Life 16 Subnature 84 Suburbanization of New York, The 81 Sugar in the Air 104 Survival City 84 Sustainable Design 65

Sustain and Develop 84 Sutro, Dirk 68 Suzuki, Osamu 72 Swanson, Mary Virginia 92 Swiss Made 76 Sykes, A. Krista 82 Symmes, Marilyn 90 T Tadao Ando 85 Taking Things Seriously 104 Talarico, Lita 100 Tall Building 76 Tanney, Joseph 30 Taylor, Stephen 91 Tellmewhy 96 Terragni’s Danteum 67 Textile Arts Center 48 Theater of Architecture 63 Theorizing a New Agenda for Architecture 84 There’s Nothing Funny About Design 96 Thermally Active Surfaces in Architecture 71 Thierney, Therese 84 Thinking with Type 98 Think/Make 63 Thomas, George E. 60, 69 Thrown Rope 92 Thwaites, Thomas 104 Tilder, Lisa 82 Tilting 76 Timpane, John 77 Tingey, John 102 Toaster Project, The 104 To Each His Home 76 Tolleson Design 96 Tom Kundig 63 Tom Leader Studio 79 Tools of the Imagination 96 Toward a New Interior 84 Toyo Ito 63 Transformer, The 96 Transmaterial 71 Tree Gardens 79 Trigg, Sarah 16 True Life 64 Truman, James 99 Tschanz, Martin 76 Tsurumaki, Marc 61 Tully, Peggy 80, 81 Tuomey, John 62 Turnbull, Jessie A. 63 Twentieth-Century Pattern Design 101 Typeface 100 Type Now 100 Type Spaces 100 Typographic Systems 98 Typography Papers 6 100 Typography Sketchbooks 100

U Umebayashi, Katsu 60 Umemoto, Nanako 58 Unglaub, Karl 85 University of California, Berkeley 68 University of California, San Diego 68 University of Cincinnati 68 University of Massachusetts Amherst 69 University of Pennsylvania 69 University of Texas at Austin 69 University of Toronto 69 University of Washington 69 Unjustified Texts 100 Up on the Roof 93 Urban Composition 65 Urbanisms 81 Usonia, New York 77 V Vanderbilt, Tom 84 VanderLans, Rudy 96 Van Duzer, Leslie 67 Van Lengen, Karen 69 Vassar College 69 Vatican and Saint Peter’s Basilica of Rome, The 70 Venezky, Martin 95 Veresani, Luca 58 Vettese, Maria Alexandra 93 Vickery, Margaret Birney 68 Victore, James 98 View of Early Typography, A 101 Vintage Typography Notecards 54 Virilio, Paul 72 Visions of Heaven 93 Visual Complexity 45, 96 Visual Function 96 Visual Grammar 98 VJAA 64 Volume 96 von Lucius, Clemens 93 Voulangas, Angela 95

What is a Designer 96 Whiskey 10 Whitaker, William 73 Wild, David 73, 90 Wilker, Jan 96 Willen, Bruce 97 William L. Pereira 64 Williamson, Kate T. 101, 104 Willis, Carol 83 Wilson, Christopher 96 Winter, Steven 74 Wise, Chris 62 Wise, Michael Z. 82 Wittgenstein House, The 67 Wolff, Laetitia 92 Woltz, Thomas L. 78 Wong, Wendy Siuyi 103 Woodcut 93 Woodcut Notecards 55 Wood, Dan 80 Woods, Lebbeus 62, 63, 86 Woo, Rosten 81 Workbook 77 Writing about Architecture 66 X X-Urbanism 81 Y Yale University 69 Yankee Modern 64 Year in Japan, A 104 Yessios, Chris I. 77 Yglesias, Pablo 102 Yochelson, Bonnie 91 Yoon, J. Meejin 59 Yoos, Jennifer 64 Yoshikawa, Isao 72 You Are Here 104 Young Architects 64 Z Zaha Hadid / BMW Central Building 67 Zobelein, Jennifer 89 ZoomScape 85

W Waldheim, Charles 78 Wallenstein, Sven-Olov 82 Wandering the Garden of Technology and Passion 77 Wark, McKenzie 83 Wasserman, Krystyna 93 Water is Key 93 Watts, Ben 88, 90 Wayfinding Handbook, The 98 Weekend Utopia 77 Weinstein, Amy 92 Weinthal, Lois 81, 84 Weiss/Manfredi 64 Weiss, Marion 64 Werner, Megan 65 Werthmann, Christian 78 We Sit Together 93 What Did I Buy Today? 55 Index

109

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