2021 INTERIOR ARCHITECTURE PORTFOLIO (Furniture, Conceptualization, Site Execution, etc.) by Paras Sood

My philosophy... As an Interior Architect designer, my aim is to contribute to society by creating designs in a way that creates values and it contributes towards environment.

PARAS SOOD Interior Architect & Designer

I’m enamored for learning new things so I explore to learn more. I’m dedicated towards my work not just to fulfill the client’s needs but also being empathetic while designing. Looking forward to the workplace where I can learn and which also contributes to personal and organizational growth.

Personal details Date of birth: 2nd January, 1997 Email: parassood73@gmail.com Contact: 9888898804 Instagram: @visualdiarybyparas

EDUCATION

STRENGTH

SOFTWARES

AUG 2016 - MAY 2020 B.A. Hons. in Interior Architecture & Design, IIAD - Delhi (aff. Kingston University, London)

Enthusiastic for Learning Communication Skills Self Motivated Goal Oriented Mind Ready to accept any challenges

AutoCAD Sketchup V- RAy Adobe Indesign Rhino Adobe Photoshop Adobe Illustrator Adobe Photoshop lightroom Adobe Premier Pro

Diploma in design 2015 - 2016 IIAD, Delhi (aff. Kinsgton University, London) High School - D.A.V. Public School

HOBBIES & INTERESTS Languages: English : Proficient User Hindi : Independent user Punjabi : Mother tongue

Writing, Poetry, Story telling Avid Reader Love to Dance Exploring new things Exercising Yoga Practicing Mindfulness

ANCILLARY COURSES Bamboo weaving caligraphy workshop origami workshop WHAT DESIGN CAN DO Workshop

EXPERIENCE

ANT Studio - 4 Months Internship Freelance - Site Execution Projects Concreate Story - 3 Months (WFH) Social Media Content Creator @spbm_surfaces (S.P.B.M) Project Associate at Diabesties (Community for empowering & educating people living with Type 1 Diabetes)

SKILLS Drafting Rendering Context Research Team Work Concept Development Material Entanglement Site Execution, Handling & Cordination.

Contents 1. Furniture Designing - Tetris Table

5. Ant Studio - 4 Month Internship

2. Bhutanese Outreach Centre

6 Freelance Project - Parametric Wall

3. Modskool Library

7. Concreate Story - work from home

4 Retail Design - Bakery Cafe

T ET RIS TABLE

PROCESS

INITIAL OBJECT

Tetris Table is a small free standing piece of furniture designed for placing tea and snacks. It stands out with its design of layered arms and a glass surface over the wooden members. It was made out of a washroom ventilator by retaining the wood, where the exhaust fan hole left as such. The louvered members are kept on top, as a remnant of what it was earlier. It can be placed in front of sofas in the drawing room.

As a pair, we explored different salvage markets of Delhi, and bought bathroom ventilator from Shaheen Bagh furniture salvage market of Okhla, Delhi. We did a detailed study and examined object. Discussed the pros, cons and snags of it. Also we gained the information , about the objects, including the material details and a rough history of the object from the vendor. This bathroom ventilator was previously used in a residential space in Delhi. It is made of meranti wood, plyboard and Burma teak. Burma teak is used on the members as it has the ability to form sharp edges. A frosted glass in one frame, circular hole for exhaust fan in the middle and wooden members arranged in a particular angle on the other frame By engaging more with the object, we examined and identified the snags of it. It includes weak joineries, broken glass, paints and top layer of wood were coming off. With respect to that, through reverse engineering we generated primary ideation to transform it into a different object. But all our ideations held the basic rectangular shape. As the joineries were weaker and we wanted to get rid off the basic shape, we dismantled the object. At the end we came up with a coffee table with two shelves on both sides, as we were having enough space on two sides so we used it wisely. With this idea, we could go forward by retaining

With planar, each dismantled wooden piece's dead surface cleared and gave a fine finishing. With the dismantled pieces, we made the structure of coffee table. Lap joinery is the joinery used for joining legs. Bottom portion of the ventilator (wooden member frame) has been used as the top shelf of the table. Gaps were filled using wooden putty and sandpapered for a flat surface. Then sealer polished it with walnut color, and then fixed 8mm float glass of 20 by 20" on top and 10 by 10" glass on two side shelves using brackets, with a 10'' height. Coffee table has a standard height of 20" from floor to top shelf. The louvered members and exhaust board used as such as a remnant of what it was earlier.

FINAL OBJECT

T ECHNICAL

DRAWINGS

BHUTAN OUT REACH CENT RE Implementing passive designing strategies in the context of Delhi

DEVELOPMENT CASE S

Development Alternatives building became my final case study towards designing bhutanese cultural centre where I choose the concept of applying passive designing techniques in the context of Delhi. To understand about the building I critically analyzed it by looking at every facade of the building like how the orientation is being done according to the sun path. What elements are used to cut direct sun light.

Facade at north east of the building

CASCADE WALL

Facade at north side of the building • Shaded and reflector elements are used on this facade • Some part of the facade falls in northwest quadrant and some in the northeast. • During summers north west quadrant receives direct sun light from around 2pm till 5:30 pm

COURTYAD Creates self shading

T ALT ERNAT IVES ST UDY AMPHI-THEATER

Shaded and reflector elements are used to cut direct sunlight on south, north & northwest facades

Angular windows are made on the west facing facade, some part of this building falls in the northwest quadrant to stop direct sunlight . During summers northwest side of window is blocked and window is made on the south west side

Facade at west part of the building

DELHI’S CLIMATE

Delhi which has hot dry and warm humid climate. Where average temperature in hot dry goes down to 21 degree Celsius in night and reaches to 43 degree celsius in the day. And in the warm humid average temperature goes down to 24 degree celsius in the night and reaches unto 32 degree in the day. So the buildings should be designed in a manner to give comfort to its user. In hot dry season, which is less humid and under 30 degree celsius with the proper cross ventilation there is no requirement for using air conditioners. But where as in the warm humid or hot humid climate it became uncomfortable for person without using air conditioners for ventilation because in warm humid season the relative humidity goes till 95% and air becomes more moist. Under 60 % of relative humidity is considered as normal.

DIAGRAM SHOWING SHADING FROM

ABOUT PROJECT

Bhutan being a Buddhist Country which was isolated for many years from the rest of the world. Buddhism was brought to Bhutan from India in the 7th century. It was India that encouraged Bhutan to abandon its policy of self imposed isolation. The purpose to build Bhutanese cultural centre here in Delhi is not just to improve the relationship between Bhutan and India but It would also help people from rest of the world to learn, understand about Bhutanese culture. Bhutan has already set an example for other nations throughout the world by being a country who truly believes in Sustainability. Being a student of Interior Architecture first thing which I personally took back from Bhutan is that our country should also take steps towards sustainable design. In a developing country like India that is racing towards becoming ’developed’ at a maddening, breakneck pace. Where Architects or Designers neglect about the environment or mostly sustainable models are failed. Towards designing this Bhutan Culture Centre how can I contribute towards environment and simultaneously Bhutanese people should feel as if they are visiting their home. Delhi being the Capital of India and large metro city where people are living from all across the world, Even Non Bhutanese people should also get that spirit and essence of Bhutan on their visit to Culture Centre.

We went for Study trip to Bhutan in January, 2019. The Bhutan which is already a carbon negative country as of 2018. 60-70 percentage of its geographical area is covered with forest. Bhutan already set an example for other nations being a carbon negative country. Also, they championed a new approach for their development which measures prosperity through formal principles of Gross National Happiness which is based on the principles of Vajrayana Buddhism. On the basis of the new approach which not only considers the happiness of human beings but also on their surroundings. Their concern towards environment and sustainable model in Architecture got my huge attraction.

To understand more about the thoughts of Bhutanese people about their nostalgic feeling toward their home country, some of students went from our college for interviewing Bhutanese people around Delhi. Also asked about the culture of both countries and what they think that India can learn from Bhutan. There were different answers from different people. Out of that some shared they don’t like the environment of Delhi which is polluted and they love to spend time when they are either in Himachal, Dharamshala where they feel like home. Answer related to the environment was common in most of them.

DESIGN ITERATIONS

NEBHOURING BUILDINGS

Their concern towards environment and sustainable model in Architecture got my huge attraction. On my Bhutan trip where I got inspired by their approach of GNH (Gross National Happiness) which not just respects and concern about human beings but everything in their surroundings because we all are interconnected. Bhutan which has already set a milestone for other countries by being a carbon negative country which helped me to take this decision of designing this cultural centre in such a way where i can reduce the usage of natural resources. Taking inspiration from Bhutan and other things which was giving me an opportunity to explore something new which I had never done in my course of learning so I thought of working on this idea where I can not just understand that how buildings are made with passive techniques but also where I can make it as my philosophy of working in future projects. For understanding this I studied about different buildings around Delhi both secondary and primary that how buildings respond to the climate in context of Delhi. Delhi’s environment which is hot dry and warm humid where 9 months of the year its summer and the buildings are designed according to it. So I finally chose the concept of implementing passive designing strategies in the context of Delhi.

Approx 50 - 60 percentage of Air conditioning is reduced Approx 50 - 60 percentage of Air conditioning is reduced

INSPIRATIONAL BOARD

MATERIAL BOARD

ROAD LVL 0

GUARD CABIN ENTRANCE

ELE-A REF : L -08&09

B 4280

4290

780

2570

1600

LVL + 130

2050

1500

TOILET A 1545

1170

FIXED BHUTANESE STYLE WINDOW WITH 4MM THICK GLASS

RECEPTION & SOUVENIR SHOP

RECEPTION

3995

4280

MULTIPURPOSE HALL

ADMIN OFFICE 305 SQ. FT.

PRODUCED BY AN AUTODESK STUDENT VERSION

B AIR CURTAIN

LVL + 200

4680

C SOLAR TUBES

LIFT 1600x1525 6 passenger OTIS

SHAFT 745x1850

TOILET

(GENTS)

REF : L -12&13 ELE-C

SOLAR TUBES

(LADIES)

7645

D MULTI PURPOSE 930 SQ. FT.

SOLAR TUBES

LVL + 130 RESTAURANT CUM FOOD COURT 4720

KITCHEN

KITCHEN 118 SQ. FT.

600

2230

1200

3338

MULTIPURPOSE HALL

DOWN

ELE-B REF : L - 10&11

PRODUCED BY AN AUTODESK STUDENT VERSION

1594

SOUVENIR SHOP 305 SQ. FT.

75 MM THICK FOLDABLE PARTITION MDF PANEL

20 19

18 17

16 15

1 UP

23 22

FIRE EXIT STAIRCASE 3605

3120

4170

2580

LVL + 250

OPENABLE BHUTANESE STYLE WINDOW CONSIST OF TWO SHUTTERS; ONE WITH 4 MM GLASS AND OTHER WITH IRON MESH

GENERATOR

FOOD COURT SEATING AREA

1612

1220

FOOD COURT SITTING AREA 750 SQ. MT.

F 2

REF : L -14 ELE-D

6 1500 1000

EXISTING TREE

500

2000

GROUND FLOOR PLAN

GROUND FLOOR

ELE-A REF : L -08&09

7950 600

8680

6628

A LIBRARY 755 SQ. FT.

3405

READING SPACE

40 MM THICK GRC JAALI USED FOR RAILING

open space for reading purpose and space can also be used for language classes

450

OPEN SPACE FOR READING PURPOSE & CAN ALSO BE USED FOR LANGUAGE CLASSES

30 29

1500

1825

1500

REF : L -12&13 ELE-C

2478

C LIFT 1600x1525 6 passenger OTIS

SOLAR TUBES

SHAFT 745x1850

TOILET

(GENTS)

(LADIES)

DO6

D 100

SEMINAR HALL CUM WORKSHOP SPACE 413 SQ. FT.

4420

1200

750

1400

SOLAR TUBES

2130

3710

PRAYER WHEELS CONNECTING INTELLECTUAL AND SPIRITUAL SPACE

3810

STORAGE

23 22

20 19

18 17

16 15

UP 1645

LOW SEATING

4170

2525

FIRE FIRE EXIT EXIT STAIRCASE STAIRCASE

3750

OPENABLE BHUTANESE STYLE WINDOW CONSIST OF TWO SHUTTERS; ONE WITH 4 MM GLASS AND OTHER WITH IRON MESH

1830

1 WEAVING MACHINE MADE OUT OF WOOD

10 MM THICK TOUGHENED GLASS PROPOSED FOR PARTITION WALLL

E MEDITATION CUM ALTAR ROOM 430 SQ. FT.

ALTAR SPACE F 2345

REF : L -14 ELE-D

FIRST FLOOR PLAN

1500 1000

EXISTING TREE

500

PRODUCED BY AN AUTODESK STUDENT VERSION

B RISER = 150 TREAD = 300 WIDTH = 1280

PRODUCED BY AN AUTODESK STUDENT VERSION

AIR CURTAIN

SOLAR TUBES

PRAYER WHEELS CONNECTING INTELLECTUAL & SPIRITUAL SPACES

10 MM THICK TOUGHENED GLASS PROPOSED FOR PARTITION WALLL

ELE-B REF : L - 10&11

SPACE FOR WEAVING WORKSHOP

600

2000

FIRST FLOOR

READING ROOM

EXISTING WASHROOM

SHAFT

EXISTING WASHROOM

ELEVATOR

EXISTING WASHROOM

SHAFT 2100

EXISTING WASHROOM

ELEVATOR

MULTIPURPOSE HALL

BASEMENT

SECTIONAL ELEVATION A’A /Volumes/YUMMY/Bhutan Outreach Centre/Autocad Files/190512 Bhutanese outreach centre Drawings.dwg, Mon May 13 17:31:30 2019, NoneCVHIDE.PC3

READING ROOM

ELEVATOR

1545

SHAFT

380

1900 1760

1800

760

MULTIPURPOSE HALL

SHAFT 2830

ELEVATOR

2400

3020

600

SECTIONAL ELEVATION AA’ /Volumes/YUMMY/Bhutan Outreach Centre/Autocad Files/190512 Bhutanese outreach centre Drawings.dwg, Mon May 13 16:25:42 2019, NoneCVHIDE.PC3

BASEMENT

420 315

ELEVATOR WALL

READING ROOM

1500

ADMIN OFFICE

900

MULTIPURPOSE HALL

BASEMENT

SECTIONAL ELEVATION BB’

/Volumes/YUMMY/Bhutan Outreach Centre/Autocad Files/190512 Bhutanese outreach centre Drawings.dwg, Mon May 13 17:52:37 2019, NoneCVHIDE.PC3

SECTIONAL ELEVATION 4

RESTUARANT SITTING IN SET BACK AREA

Intellectual and spiritual space at first floor taking the inspiration of the Hindu temple’s architecture where it welcomes the devotee to the garb griha. For connecting both the spaces there is visual a connection from the reading room to the library also from the circulation space. For creating an experience for visitor to physically connect to space the idea of prayer wheels is being implemented taking inspiration from the Dzong.

Space Weaving Workshop Library

Reception and Souvenir Shop

View of Admin Office

view from the main entrance

low seating at the set back

Idea of perforated wall is used for better cross ventillation and better lighting taking inspiration from brick cave project.

380

900 400 160 2000

300

725

Table for restaurant space ZHU element of Bhutanese architecture is used to give Bhutanese feel

Book Shelves made out of bamboo for Library

915 610

750 725

Circulation Desk made out of Bamboo and Bamboo board

Exploded view of Circulation desk

1500 3120 350 200

Altar Elevation

Altar Plan

125 1800

635

600

Reception Table made out of Pine wood and on top red stone is used

MODSKOOL LIBRARY

MAKING OF BAMBOO CEILING

We students of interior and architecture design of IIAD also went to Yamuna khadar in the month of October,2017 for workshop. Where we made ceiling for Modksool’s classrooms by using different techniques of splitting, joining, adding and weaving. The day was filled with full of fun and learning with fellow mates and kids of the community.

ModSKOOL is design project of a low cost, modular school for 250 students that can be built in a few hours and dismantled as quick by the community to protect it from government demolitions and annual floods. It is located in Chilla Khadar, a slum on the floodplains of River Yamuna in Delhi. In 2011 the DDA demolished their structures including a school being run by the NGO Van Phool. Later, School operates from temporary tarpaulin structure which was built by the local youths. Students have no protection from climatic conditions as they have plastic sheet on the top of their heads. Community found it difficult for students to study under that temporary structure. Community approached the director of mHS city Lab AR. Swati Janu who works for homeless in India. Understanding needs and challenges of community, they came up with the design of Modskool. They set up Funding Campaign through social media where they taught youth of the community usage of social media for campaign. Also, 50 volunteers joined Swati Janu & Nidhi for building the Project ModSKOOL. The structure was built quickly by screwing bamboo in metal joints. Each classroom has openable wooden panels made with thatch as walls and windows. It gives protection to kids from climatic conditions. In summer, from the heat waves, in monsoon from the mosquitos and rain and as well as in winters it keeps place warm. The beginning and establishment of libraries have shaped important movements in the histories of civilizations. Library plays important role as the centers for

learning in both the control of information as well as the propagation of knowledge, depending on their promotions by states or people. Library plays an important role in the schools and institutions for the development of students. I was told to design the Library in 15 by 18 feet for people 5-15 years of age as an extension to the existing structure of Modskool. Also told to keep main focus on interiors. After researching about Modskool I came to conclusion so I decided to keep the structure for library almost same as classroom where they used MS poles for supporting the walls made from bamboo and for roof there was steel corrugated sheet which was screwed to MS structure but did minor changes in the structure given one door for the entrance. I felt existing structure is perfect as the space left in between the bamboo walls also works for the ventilation. Delhi is

well known for its high temperatures in the summers. Even on the sunny days the bamboo walls helps to keep the place cool. While designing a library first point that comes to my mind was of stacking. I used bamboo as material to build stacks by joining and tying technique. Also it can hold 400 – 500 hundred books. Space managing also is major aspect of designing Library or any interior spaces it was challenge for me to build a space where I was not told to design a space for total no. of kids. As I also focused on space management so 15 – 18 people can use this space at once. There were many points to keep in mind while designing this library but there were few which I felt the major point that it should be designed in such a manner so it can also be built by the Youth and people of the community. I used Bamboo as major part in Designing Library. Also, Community members can built this library themselves as design is very simple and basic. As kids are very fond of colorful things so earlier it was difficult for me to decide that how can a space in library where major material has to be bamboo can be attractive for kids. While researching I found a sustainable design by Eleena Jamil a colorful pavilion structure with the versatility use of bamboo with structural support to a decorative cladding which was built in Kuala Lumpur for World Urban Forum. I used her idea as an inspiration and given the partition of bamboo, In which there are cut outs of 100 mm thick bamboo are colored in different colors and pasted together with the support of bamboo structure.

MODSKOOL LIBRARY

T ECHNICAL

Using different bamboo weaving for walls

3050

380

Using 80 mm thickness bamboo to support shelves by tying and joining it with jute rope.

1750

910 1100

NOTES

460

Book Shelf

380

750

Using 30 mm thickness of bamboo for shelves by tying.

05 Ø3

Stool Made from bamboo of 40 mm thickness and 20 mm thick plyboard.

Ø8

380

1900

380

Using 80 mm thick bamboo to support a plyboard top of 25 mm thickness for reading purpose

Circulation de

2540

MODSKOOL ALL DIMENSIONS ARE IN MM LIBRARY

SECTIONAL ELEVATION CC’

5485

355 355

PARAS SOOD

5 30

CHECKED BY:

09.07.18

DATE

Space for keeping Mat (Chatai)

Ø3

1:16

Ø3

SCALE

SECTIONAL ELEVATION CC'

Ø3

NAME OF DWG

2100

Using 80 mm thick bamboo to support a plyboard top of 25 mm thickness for reading purpose

355

300

Partition made from bamboo cut outs

355

This space can be used for activity cum interaction purposes and for Reading as well.We can use Mat for sitting on the floor as stools are also movable

355

2640

3050

2620

355

Using different bamboo weaving for walls

300

355

Stool Made from bamboo of 40 mm thickness and 20 mm thick plyboard.

355

460 725

NOTES

ALL DIMENSIONS ARE IN MM

SECTIONAL ELEVATION BB’

NAME OF DWG

SECTIONAL ELEVATION BB'

SCALE

1:16

Using Stool made from bamboo and plyboard Using Bamboo and plyboard for table

410

Bamboo Swings (Jhoola). Using 60 mm thick bamboo and tying it with rope. then hanging it with MS structure of ceiling

355 1345

Partition made

DRAWINGS Using different bamboo weaving for walls

MODSKOOL LIBRARY

esk

Using 80 mm thickness bamboo to support shelves by tying and joining it with jute rope.

1750

1900

3050

200 750

Bamboo Mudah

Using 30 mm thickness of bamboo for shelves by tying.

300

Ø3

MODSKOOL NOTES LIBRARY ALL DIMENSIONS ARE IN MM

SECTIONAL ELEVATION AA’

1500

Swing Door made from bamboo weaving and joining

NAME OF DWG

SECTIONAL ELEVATION AA'

SCALE

1:16

DATE

09.07.18

CHECKED BY:

PARAS SOOD

Using different bamboo weaving for walls B'

Bamboo Swings (Jhoola)

Using 80 mm thickness bamboo to support shelves by tying and joining it with jute rope.

425

900

e from bamboo cut outs

NAME OF DWG

Using 30 mm thickness of bamboo for shelves by tying. PLAN

SCALE

1:20

DATE

09.07.18

CHECKED BY:

PARAS SOOD

Bamboo Mudah

Bamboo Swings (Jhoola). Using 60 mm thick bamboo and tying it with rope. then hanging it with MS structure of ceiling

300

100

570

3050

ALL DIMENSIONS ARE IN MM

1900

600

NOTES

Bamboo Mudah

2540

200

610

100

380

Book Shelf

NOTES

ALL DIMENSIONS ARE IN MM

SECTIONAL ELEVATION DD’

NAME OF DWG

SECTIONAL ELEVATION DD'

SCALE

1:16

DATE

09.07.18

BAKERY CAFE

DESIGN IT ERAT IONS

This brief was about designing a retail store. It is hypothetical project. Site for this retail store is in Connaught Place, Delhi. CP being the High Street market. Where there are high value and large capital shops are existing. We were told to choose any retail store for designing. After, understanding about the surroundings, i chose bakery. As there are different kinds of bakeries so, personally i felt my interest in designing Bakery Café. To understand the design of bakery café I went to different bakeries around Delhi for case studies.

C.P which is a high street market where both local people and foreigners visit so I choose the idea of combining high end and local bakery. According to the requirements of bakery café, I took my inspiration from different baked items for designing spaces and furniture to engage all the senses of visitor.

MIRROR

T ECHNICAL

SECTIONAL ELEVATION EE'

3500

4847

800

1650

2100

2995

3350

600

355

GYP BOARD FALSE CEILING 1O MM THICKNESS

3350

MIRROR

SECTIONAL ELEVATION FF'

CLIENT

425

PROJECT

SCALE

1:25

DATE

DEC 3, 2018

Drawn by

PARAS SOOD

AREA FOR BREAD STACKING

1525

DRAWING TITLE

DRG. NO. -

Project Stage:

355

800

975

SECTIONAL ELEVATION FF’

SECTIONAL ELEVATION EE’

D 2997

1600

1300

2400

SECTIONAL ELEVATION EE'

/Volumes/Untitled/Bakery Late Submission/181204 BAKERY .dwg, Thu Apr 11 15:55:31 2019, NoneCVHIDE.PC3

4123

PANTRY

3350

800

975

CAKE SHAPED SITTING MADE OF PLYBOARD

POWDER ROOM

620

680

1025

SLOPE

2100

1200

2995

3500

1790

600

1650

SECTIONAL ELEVATION AA'

SECTIONAL ELEVATION FF' SECTIONAL ELEVATION BB'

SECTIONAL ELEVATION BB’ PROJECT

SCALE

1:25

DATE

DEC 3, 2018

Drawn by

PARAS SOOD

DRAWING TITLE

1030

CLIENT

DRG. NO. -

Project Stage:

940

/Volumes/Untitled/Bakery Late Submission/181204 BAKERY .dwg, Tue Apr 16 14:52:38 2019, NoneCVHIDE.PC3

7068

2740

1200

STRUCTURE MADE OF FIRE BRICKS

2100

DETAILED PLAN

/Volumes/Untitled/Bakery Late Submission/181204 BAKERY .dwg, Tue Apr 16 14:58:40 2019, NoneCVHIDE.PC3

SECTIONAL ELEVATION CC'

SECTIONAL ELEVATION CC’

NON- REFRIGERATION WINDOW DISPLAY FOR DRY CAKES

STRUCTURE MADE OF FIRE BRICKS

DRAWINGS 2100

2740

1200

STRUCTURE MADE OF FIRE BRICKS

SECTIONAL ELEVATION CC'

7600

NON- REFRIGERATION WINDOW DISPLAY FOR DRY CAKES

Storage 3500

STRUCTURE MADE OF FIRE BRICKS

150

BREAD STACKING

1300

2400

2740

NON REFRIGERATION UNIT

OVEN SHAPED SPACE FOR BREAD STACKING

BREAD SHAPED DISPLAY UNIT

CASH COUNTER

A' SECTIONAL ELEVATION DD' 8792

SECTIONAL ELEVATION DD’

1 2

1750

/Volumes/Untitled/Bakery Late Submission/181204 BAKERY .dwg, Tue Apr 16 14:53:48 2019, NoneCVHIDE.PC3

B' BREAD SHAPED DISPLAY UNIT

1500

1600

2699

SECTIONAL ELEVATION AA'

SECTIONAL ELEVATION AA’

3350

1200

14650

1025

680

975

CAKE SHAPED SITTING MADE OF PLYBOARD

620

2400

425

800

1300

975

2400

3350

sitting Area facing window

SECTIONAL ELEVATION BB'

ANT ST UDIO (Poem for Ant Studio’s Product)

COOLANT

Visit

Potter’s

Place

I had several visits to Potter’s Place during my internship at Bindapur Village, Delhi for Design Iteration, Coordination of material, Supervision, etc.

PRAKRITI X WAY - NOIDA for testing and experimentation of Coolant Working on Coolant for analysis and development

UNEP - UNIT ED NAT ION ENVIRONMENTAL PROGRAMME

MATERIAL SOURCING AND SITE EXECUTION FOR UNEP PROJECT’S STRUCTURE

INSTALLATION at UNEP EXHIBITION

ANAHAT’S ST RUCT URE

1:1 Drawings were issued on site to built these M.S rings for ANAHAT’s Roof Structure. My role was to check each piece, rectificating if incorrect... Worked as Site Supervisior, Co-ordinator... This whole process took approximately One and a half months

To Watch Time Lapse of Roof Structure, Scan the Barcode

ANAHAT’S ROOF T ILE SCULPT URE

Scan QR code to see Video

CONCEPT UAL DESIGN FOR SHANT I NIWAS FACADE

150

ANAHAT’S WASHROOM DRAWINGS 4

450

Floor trap as/plumbimg

525

Bath mixer as/specs.

2400

300X300mm floor tile as/specs

450

850

150 450

slope

Tile as/specs 75mm PCC Lightweight filling

Wash basin as/specs

12mm drop in floor

Section-2 150

slope

Commercial tiles 300x200 mm

Dressing 1910x1990

.Project

Shower as/specs Light fixture for the wash basin

.client

10 mm thick toughened glass

2850

Ledge wall LVL + 1200mm

12mm drop in floor Tile as/specs 75mm PCC

2100

DETAIL-D

1050

Wall hung w.c. as/specs.

.architect & interior designer ANT STUDIO D-64 top floor amar colony, new delhi Phone: 9953330270,monish@ant-studio.org

1050

1200

Health faucet as/specs

450

Wash basin as/specs

300

MS. DEEPIKA

GSP DESIGN CONSULTANT

Bath mixer as/specs

ANAHAT Noida

MEP Consultant:-

2100

Floor drain as/plumbimg

slope

850

slope

Wash basin as/specs

400

Health faucet as/specs Floor trap as/plumbimg

12mm drop in floor

1200

Ledge wall as/detail Wall hung w.c. as/specs

1 2850

600

pe slo

slope

DETAIL-D

.drawing title

Bathroom 1 .drawing number

Lightweight filling

Section-3

.scale 1:30 .drawn by PARAS SOOD .revision

N .date

01.07.19

.checked by .purpose

For approval

150 600

600

BAL

600

Commercial tiles 300x200 mm

600

Ledge wall as/detail

450

75mm PCC

slope

Lightweight filling

slope

Section-4 2 150

slope

Wash basin as/specs

BAL

Shower as/spes LVL +2100mm

12mm drop in floor

BAL

slope

600

BAL

.Project

.client

2850

Bath mixer LVL +1050mm

GSP DESIGN CONSULTANT

.architect & interior designer

600

ANT STUDIO 1200

600

MS. DEEPIKA

MEP Consultant:-

900 600

Dressing 1910x1990

ANAHAT Noida

600

2 Floor drain as/plumbimg

DETAIL-D

Tile as/specs

150 450

Health faucet as/specs Floor trap as/plumbimg

12mm drop in floor

400

Wall hung w.c. as/specs

12mm drop in floor 600

300X300mm floor tile as/specs

600

slope

slo

10 mm thick toughened glass

2100

Bath mixer as/specs.

525

2400

Floor trap as/plumbimg

2850

600

450

D-64 top floor amar colony, new delhi Phone: 9953330270,monish@ant-studio.org

.drawing title

Bathroom 1

Tile as/specs

75mm PCC

.drawing number

Lightweight filling

Section-1

.scale 1:30 .drawn by PARAS SOOD .revision

N .date

01.07.19 .checked by .purpose

For approval

150 BAL

BAL

600

BAL

600

440

600

2100

12mm drop in floor

600

1200 850

2850

2400

600

2100 300

400

600

1050

Wall hung w.c.as/specs. 12mm drop in floor

Bath mixer LVL +1050mm

600

Wash basin as/specs.

10 mm thick toughened glass 600

900

600

Shower as/specs

600

Ledge wall as/detail

600

Light fixture for the wash basin

Tile as/specs

75mm PCC

75mm PCC Lightweight filling

Lightweight filling DETAIL-D

DETAIL-D

Section-2

Section-1

34 450

450

1200

Floor trap as/plumbing

150

Ledge wall as/detail

Health faucet as/specs

Wash basin as/specs

slope

Floor trap as/plumbing o sl

Floor tile 300 x 300 mm

12mm drop in floor

2850

Wall hung w.c. as/specs

1 2

e slop

1 2

2400

12mm drop in floor

Commercial tiles 300x200 mm

.Project

.client

ANAHAT Noida MS. DEEPIKA

MEP Consultant:-

GSP DESIGN CONSULTANT

.architect & interior designer ANT STUDIO

5 6

D-64 top floor amar colony, new delhi Phone: 9953330270,monish@ant-studio.org

.drawing title

Bathroom 7 Tile as/specs

.drawing number

75mm PCC

Section-6 34

.scale 1:30 .drawn by PARAS SOOD .revision

N .date

03.07.19

.checked by .purpose

For approval

150 BAL

600

2850

3000

600

Ledge wall LVL + 1200mm

2100

2400

2850

600

Bath mixer as/specs

600

Flush button as/specs

Commercial tiles 300x200 mm

600

Shower as/specs 10 mm thick toughened glass

600 600

1050

Wall hung w.c.as/specs.

Tile as/specs

75mm PCC

Lightweight filling

Section-4

400

850

Commercial tiles 300x200 mm 600

Wash basin as/specs.

BAL

600

2400

BAL

600

BAL

Section-3 34 450

450

1200

Ledge wall as/detail

150

Floor trap as/plumbing

Health faucet as/specs

slope

Floor trap as/plumbing

Floor tile 300 x 300 mm

12mm drop in floor

o sl

Wall hung w.c. as/specs

1 2

e slop

1 2

12mm drop in floor

5 6

.Project

.client

ANAHAT Noida MS. DEEPIKA

MEP Consultant:-

GSP DESIGN CONSULTANT

2400

2850

Wash basin as/specs

.architect & interior designer ANT STUDIO

5 6

D-64 top floor amar colony, new delhi Phone: 9953330270,monish@ant-studio.org

.drawing title

Bathroom 7 .drawing number

Tile as/specs 75mm PCC

Section-5 34

.scale 1:30 .drawn by PARAS SOOD .revision

N .date

03.07.19

.checked by .purpose

For approval

CONCEPT UALISAT ION FOR WASHROOM

Parametric Wall - Site Execution, Site Education & Supervision

Worked in Collaboration with Ant Studio for Site Execution, Site Education & Site Supervision. We Used 2000 Bricks for this Parametric Brick Wall. It’s done without any formwork and drawings. Every brick of wall is at different angle.

T HE CONCREAT E STORY At The Concreate Story, I worked as a Interior Designer where I got an opportunity to work on 6 different projects in span of 3 months. I was able to polish my Rendering skills & Conceptualisation... Also, I learned more about combining different elements together in more subtle and balanced way. Sharing a glimplse of different projects in this portfolio

PARX LA In 4 BHK Apartment of Parx Laureate, we worked on the Interiors for a Punjabi Family. The idea was to bring forth the essence of the French home... Also keeping in mind to bring more storage in some spaces

GLIMPSE OF

ENTRANCE FOYER

GLIMPSE OF

AUREAT E

DRAWING ROOM

TV cum BAR UNIT

A BEDROOM

CIVIL LINES - DR

In Civil Lines residence I worked on the Visualisation and conceptualisation of the contemporary and monochromatic style... Using Ivory as a hero colour we propose and create different textures... Proposed organic shaped furniture to reflect natu

RAWING ROOM

e Living Room and Master Bedroom. In the Living room, the idea was to create a ed a stone finish alongside mouldings with the same colour on walls to bring depth ure’s symbiotic ordering as it creates symphony to the Interiors and blends well.

CIVIL LINES - MAST ER BEDROOM

MOOD FOR COLOR PALLET

Conceptualisation of Nishkam & Kashni’s Furniture and Spaces

NISHKAM & KASHNI

42'' PARENTS BEDROOM

ONE WAY SWITCH LIGHT PLUG

4 1'-6"

eq.

9'-8"

1'-6"

POP DROP -4'' FROM BOTTOM OF SLAB

5 AMP SOCKET

1" 3'-32

1" 1'-12 eq

7'-3"

1X SWITCH - 6 AMP (COVE LIGHT)

9" 1'

1'-4" 4'-1"

1" 3'-72

2'-10"

12'-10"

1" 3'-72

2'-10''

1'-4" 3'-4"

2'' FROM BOTTOM OF SLAB

42''

5" 1" 32

24''

1 X (2WAY) 5AMP (CEILING FAN) SWITCH/REGULATOR 1X SWITCH - 6 AMP (HANGING LIGHT)

42''

DRAWING ROOM

42'' 5 AMP POWER PLUG

1" 5'-82

11"1"

1" 5'-32

eq. 1'

2'-4"

24''

1 X (2 WAY) SWITCH - 6 AMP (CEILING LIGHTS)

42'' ENTRANCE LOBBY 6 AMP DOOR BELL SWITCH

42'' BEDROOM 2

ENTRANCE FOYER

DRAWING ROOM

5 AMP SOCKET

2 X SWITCH - 6 AMP (CEILING LIGHTS)

eq.

5 AMP SOCKET

6'' FROM BOTTOM OF SLAB

2'' FROM BOTTOM OF SLAB

POP DROP -3'' FROM BOTTOM OF SLAB

3'' WIDE COVE

BEDROOM 2

2'-5"

6'' FROM BOTTOM OF SLAB

3" 1" 1'-82

7'-3"

42''

POP DROP 8'' FROM BOTTOM OF SLAB

1' FROM BOTTOM OF SLAB

1" 10'-72

5'-7"

2'-4''

42'' ENTRANCE FOYER POWER PLUG( 5AMP)

1'-4" 1'

PARTITION

5 AMP SOCKET

1" 3'-82

1' FROM BOTTOM OF SLAB

BEDROOM 2 (15'-1'' X 11'-0'')

BEDROOM 2 1

1'' WIDE POP MOULDING

1'-5"

5 AMP POWER PLUG

EQ.

ENTRANCE FOYER 5'-0'' X 12'-0''

2'-4"

SLIDING DOOR

BEDROOM 2

2'-4"

EQ.

DRAWING ROOM (25'-3'' X 12'-0'')

1X SWITCH - 6 AMP (COVE LIGHT)

5" 2'-5''

1'-4" 5'

PANEL LIGHT (2' X2') HANFGING LIGHT

1 X (2 WAY) SWITCH - 6 AMP (CEILING LIGHT)

1" 1'-42

1" 4'-42

2 X 5AMP SWITCH/REGULATOR (CEILING FANS) 1X SWITCH - 6 AMP (CHANDELIER)

1" 1'-42

3'-7"

6'-7"

1" 1'-112

42'' FAMILY LOUNGEPOWER PLUG( 16AMP)

2'-4" 0"

3 X SWITCH - 6 AMP (CEILING LIGHTS)

1" 6'-72 POP DROP

POP DROP -7'' FROM BOTTOM OF SLAB

TWO WAY SWITCH

1X SWITCH - 6 AMP

1" 4'-22

10"

-3'' FROM BOTTOM OF SLAB

5 AMP POWER PLUG X 2

1 X (2WAY) 5AMP (CEILING FAN) SWITCH/REGULATOR

1'-1 1/2

1" 42

1" 2'-102

1" 1'-12

42'' DRAWING ROOM

eq.

42'' PARENTS BEDROOM

PART STORAGE

eq.

1'-6"

eq.

POWER PLUG FOR FRIDGE @300MM (16 AMP) WIFI OUTLET

1" 2'-92

eq.

1'-5"

BEDROOM 1 (12'-7'' X 11'-4'')

1" 2'-92

2'-9"

11" 3"

2'-10" 4'-6''

3'' WIDE COVE

POP DROP -6'' FROM BOTTOM OF SLAB

2'-6"

2 X 5AMP SWITCH/REGULATOR (CEILING FAN) 1X SWITCH - 6 AMP (COVE LIGHT)

1X SWITCH - 6 AMP (EXHAUST FAN)

2" 1" 5'-112

eq.

1 X 2 WAY SWITCH - 6 AMP (WASHROOM'S CEILING LIGHT)

3'' WIDE COVE

eq.

8'' FROM BOTTOM OF SLAB

1" 1'-02

POP DROP -8'' FROM BOTTOM OF SLAB

WASHROOM 6'-10'' X 10'-2''

1X SWITCH - 6 AMP (BRACKET LIGHT)

1" 2'-32

F eq

1 X 2WAY 5AMP SWITCH/REGULATOR (CEILING FAN)

POP DROP -3'' FROM BOTTOM OF SLAB eq.

2'-3"

2' 1' 1'-5"

1" 2'-32

5 AMP X 3(SOCKET +1 4 X SWITCH - 6 AMP (CEILING LIGHTS) TATA SKY X 1 SWITCH),

1'-5"

1'-6"

POP DROP -3'' FROM BOTTOM OF SLAB

2'-3"

1X SWITCH - 6 AMP (BRACKET LIGHT)

1X SWITCH - 6 AMP (COVE LIGHT)

8'' FROM BOTTOM OF SLAB

2'' WIDE BAND (BLACK)

5 AMP SOCKET, FAN REGULATOR 5 AMP SOCKET

5 AMP SOCKET

3'-11"

POP DROP -6'' FROM BOTTOM OF SLAB

3'' WIDE COVE

5'-11"

eq.

1' 1"

eq.

UTILITY

KITCHEN (11'-5'' X 11'-0'')

42'' PARENT'S BEDROOM

1'-5"

eq.

POP DROP -7'' FROM BOTTOM OF SLAB

UPVC SLIDING

1X SWITCH - 6 AMP (CHANDELIER)

1 X 2 WAY SWITCH - 6 AMP (CEILING LIGHT)

1'-5"

MANDIR

eq.

1" 2'-102

1" 1'

42'' FAMILY LOUNGE BRACKET LIGHT @2250MM

eq. 1" 5'-32

AC SWITCH

2' 1' 1" 1'

1 X SWITCH - 6 AMP (CEILING LIGHT)

4'-10"

1'-1"

AC UNIT

1 X 2WAY 5AMP SWITCH/REGULATOR (CEILING FAN)

3'' WIDE COVE

1 X (2 WAY) SWITCH - 6 AMP (CEILING LIGHT)

POWER PLUG( 5AMP) 1'-6"

PARENT'S WASHROOM

1' 1'

42''

5 AMP POWER PLUG

5 AMP SOCKET

5 AMP POWER PLUG

6'-6"

AC SWITCH

3'-6"

24'' PARENTS BEDROOM

3 X SWITCH - 6 AMP (CEILING LIGHT)

42'' FAMILY LOUNGE

POWER PLUG FOR GEYSER @ 1650MM

1 X (2WAY) 5AMP (CEILING FAN) SWITCH/REGULATOR

EXHAUST FAN

5 AMP POWER PLUG

CHANDLIER

KITCHEN

1 X 6 AMP SWITCH/REGULATOR (CEILING FAN) 1X SWITCH - 6 AMP (COVE LIGHT)

5 AMP SOCKET

2 X SWITCH - 6 AMP (CEILING LIGHTS)

CEILING LIGHT

42''

1" 5'-02

CEILING FAN

2 X SWITCH - 6 AMP (CEILING LIGHT)

5 AMP SOCKET X 1

LEGEND

1 X 5AMP SWITCH/REGULATOR (CEILING FAN)

11" " 5" 1'-12

KITCHEN

42''

eq.

42''

UTILITY

1" 1'-02

3'-0''

1 X SWITCH - 6 AMP (CEILING LIGHTS)

1X SWITCH - 6 AMP (BRACKET LIGHT) 1X SWITCH - 6 AMP (COVE LIGHT)

1 X (2WAY) 5AMP (CEILING FAN) SWITCH/REGULATOR 1 X SWITCH - 6 AMP (COVE LIGHT) 3 X SWITCH - 6 AMP (CEILING LIGHTS)

1X SWITCH - 6 AMP (BRACKET LIGHT')

AC SWITCH 2 X SWITCH, 2 X SOCKET - 6 AMP 5 AMP POWER PLUG 2 X SWITCH, 2 X SOCKET - 6 AMP

WIFI OUTLET

CLIENT:

NISHKAM KASHNI

BY: THE CONCREATE STORY

ELECTRICAL & RCP

NISHKAM KASHNI SCALE:

FIT TO PAPER

BY: THE CONCREA

- ELECT RICAL & RCP LEGEND CEILING FAN 1

CEILING LIGHT

42'' MASTER BEDROOM'S WASHROOM

CHANDLIER EXHAUST FAN G

LEGEND CEILING FAN CEILING LIGHT

2 X SWITCH - 6 AMP (BRACKET LIGHT)

POWER PLUG FOR GEYSER @ 1650MM

CHANDLIER

1X SWITCH - 6 AMP (EXHAUST FAN)

EXHAUST FAN

5 AMP POWER PLUG

ONE WAY SWITCH

LIGHT PLUG 1

42'' SISTER'S WASHROOM POWER PLUG( 5AMP)

AC UNIT AC

ONE WAY SWITCH

5 AMP SOCKET

1 X 5AMP SWITCH/REGULATOR (CEILING FAN)

AC SWITCH

1 X SWITCH - 6 AMP (CEILING LIGHT)

BRACKET LIGHT @2250MM 1X SWITCH - 6 AMP (BRACKET LIGHT)

5 AMP X 3(SOCKET +1 SWITCH), TATA SKY X 1

2'-5" 1" 2'-22

1 X 5AMP SWITCH/REGULATOR (CEILING FAN)

5 AMP POWER PLUG

5 AMP SOCKET

1X SWITCH - 6 AMP (EXHAUST FAN)

1X SWITCH - 6 AMP (BRACKET LIGHT) 4 X SWITCH - 6 AMP (CEILING LIGHTS) 1X 5AMP SWITCH/REGULATOR (CEILING FAN) 1X SWITCH - 6 AMP (HANGING LIGHTS) 1X SWITCH - 6 AMP (COVE LIGHT)

AC SWITCH

2' 1" 1' 6'-10''

MASTER BEDROOM (15'-4'' X 12'-0'')

1'-3"

6'-8"

POP DROP -4'' FROM BOTTOM OF SLAB

1X SWITCH - 6 AMP (BRACKET LIGHT)

1'-2" 4'-10''

1'-3"

2'-2"

3'-3"

5 AMP SOCKET

24'' SISTER'S BEDROOM AC SWITCH 2 X 5 AMP POWER PLUG

3 1

42'' SISTER'S BEDROOM 5 AMP SOCKET 1 X 5AMP SWITCH/REGULATOR (CEILING FAN) 3 X SWITCH - 6 AMP (CEILING LIGHT) 1X SWITCH - 6 AMP (COVE LIGHT) 5 AMP POWER PLUG

& RCP ELECTRICALCLIENT:

HANFGING LIGHT

5 AMP POWER PLUG

POP DROP -8'' FROM BOTTOM OF SLAB

2 X SWITCH - 6 AMP (CEILING LIGHT)

ATE STORY

2'-2"

DINING AREA

1'-3"

MASTER BEDROOM

PANEL LIGHT (2' X2')

1 X (2 WAY) SWITCH - 6 AMP (CEILING LIGHTS)

3'-7''

7'-3"

1'-7"

1'-5"

1'' WIDE groove

8'-2" 11'

1'' WIDE groove 1'' WIDE groove

POP DROP -6'' FROM BOTTOM OF SLAB

42''

1'' WIDE groove

24''

8'-6"

3'' WIDE COVE

10'

POWER PLUG( 16AMP)

4'-11"

1'-3"

3" 1'-5"

4'-1" 4'-4"

WASHROOM ALONGSIDE DINING

7'-6"

7'-5"

42''

3'-3"

3'' WIDE COVE

1"8"

BEDROOM 3 (13'-7'' X 11'-9'')

1" 72

TV UNIT

POP DROP -3'' FROM BOTTOM OF SLAB

5 AMP POWER PLUG

1" 2'-92

POWER PLUG FOR FRIDGE @300MM (16 AMP) WIFI OUTLET TWO WAY SWITCH

1'-5"

G102"

2'-2"

1" 1'-112 1'-1"

4'-4"

7'-7"

WASHROOM 15'-7'' X 7'-3''

5 AMP POWER PLUG

2'-5"

eq.

WASHROOM 6'-11' X 7'-3'' 3'

42'' SISTER'S BEDROOM

5 AMP X 3(SOCKET +1 SWITCH), TATA SKY X 1

POP DROP -3'' FROM BOTTOM OF SLAB

POP DROP -6'' FROM BOTTOM OF SLAB

TV UNIT

1" 1'-82

3'' WIDE COVE

POP DROP -3'' FROM BOTTOM OF SLAB

eq.

2'-2"

1" 1'-52

VANITY + DRESSING

3'' WIDE COVE

eq.

1" 3'-92

1" 1'-52

1" 9'-32

eq.

HANFGING LIGHT 1" 2'-102

2'-9" 11''3"

1" 3'-12

1" 5" 1'-021"

1" 1'-52

8'' FROM BOTTOM OF SLAB

POP DROP -3'' FROM BOTTOM OF SLAB

1" 1'-82

2'-9" 6'-5''

3'-10"

WASHROOM 5'-2'' X 7'-8''

8'' FROM BOTTOM OF SLAB

PANEL LIGHT (2' X2')

CROCKERY STORAGE

2'' WIDE BAND (BLACK)

5 AMP SOCKET

1X SWITCH - 6 AMP (BRACKET LIGHT)

POWER PLUG( 16AMP) EQ.

5 AMP SOCKET, FAN REGULATOR

AC SWITCH

TWO WAY SWITCH

1'-6"

24''

1 X 5AMP SWITCH/REGULATOR (CEILING FAN)

eq.

1" 3'-12

DINING (12'-2'' X 11'-9'')

AC SWITCH BRACKET LIGHT @2250MM

MASTER BEDROOM

POWER PLUG FOR FRIDGE @300MM (16 AMP) WIFI OUTLET

11''1"

1X SWITCH - 6 AMP (COVE LIGHT)

eq.

TITION

eq.

5 AMP SOCKET

EQ.

AC UNIT

1" 1'-6" 3'

POWER PLUG( 5AMP)

2 X SWITCH - 6 AMP (CEILING LIGHT)

1" 1'-112

3"11" 1" 5'-112

LIGHT PLUG

42'' MASTER BEDROOM'S WASHROOM 1 X 5AMP SWITCH/REGULATOR (CEILING FAN)

5 AMP SOCKET, FAN SWITCH - 6 AMP REGULATOR1X (EXHAUST FAN) 1" 2'-92

POWER PLUG FOR GEYSER @ 1650MM

24'' MASTER BEDROOM 5 AMP SOCKET 1 X (2WAY) 5AMP (CEILING FAN) SWITCH/REGULATOR 2 X SWITCH - 6 AMP (CEILING LIGHT) 1 X SWITCH - 6 AMP (COVE LIGHT) 1 X (2 WAY) SWITCH - 6 AMP (CEILING LIGHTS)

SCALE: KASHNI NISHKAM PAPER BY: THE CONCREATE STORY FIT TO

SCALE:

T HANKFITYOU TO PAPER

ELECTRICAL & RCP