¶ƒ√°ƒ∞ªª∞ ∫π¡∏ª∞∆√°ƒ∞º√À CINE PARIS ñ 2Ë ∂∫¢√™∏ ñ IOY§π√™ / AY° 2015 ñ
OPEN AIR CINE PARIS PROGRAM ñ ISSUE No 2 ñ JULY/AUG 2015 ñ FREE PRESS
¶ø™ ¡∞ ∫∞¡∂∆∂ ∂ƒø∆∞ ™∞¡ ∂°°§∂∑√™ ñ ME TON M¶AM¶A ◊ TH MAMA; ñ XIPO™IMA A°A¶H MOY ñ EPøTA™ XøPI™ ¢E™MEY™EI™ ñ 3 KAP¢IE™ ñ Kø¢IKO ONOMA: UNCLE ñ HOW TO MAKE LOVE LIKE ENGLISHMAN ñ PAPA OU MAMAN? ñ HIROSHIMA , MON AMOUR ñ SLEEPING WITH OTHER PEOPLE ñ 3 COEURS ñ THE MAN FRON U.N.C.L.E
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SCAN AND LIKE
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¶ E P I E XOM E N A OI TAINIE™ ∆√À ª∏¡∞: ¶ø™ ¡∞ ∫∞¡∂∆∂ ∂ƒø∆∞ ™∞¡ ∂°°§∂∑√™ . . . . 3 ME TON M¶AM¶A ◊ TH MAMA; . . . . . . . . . . . . .5 XIPO™IMA A°A¶H MOY . . . . . . . . . . . . . . . . . . . . . . .5 EPøTA™ XøPI™ ¢E™MEY™EI™ . . . . . . . . . . . . . . . . .6 3 KAP¢IE™ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Kø¢IKO ONOMA: UNCLE . . . . . . . . . . . . . . . . . . . . 7
CONT ENT S THIS MONTH’S MOVIES: HOW TO MAKE LOVE LIKE ENGLISHMAN . . . .4 PAPA OU MAMAN? . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 HIROSHIMA, MON AMOUR . . . . . . . . . . . . . . . . . . 5 SLEEPING WITH OTHER PEOPLE . . . . . . . . . . . . .6 3 COEURS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8 THE MAN FRON U.N.C.L.E. . . . . . . . . . . . . . . . . . 10 ∫·ÏˆÛÔÚ›Û·Ù ÛÙÔ ‰È·ÛËÌfiÙÂÚÔ ıÂÚÈÓfi ÛÈÓÂÌ¿ Ù˘ ∞ı‹Ó·˜ Welcome in the world’s famous open air cinema of Athens
¶Ò˜ Ó· ∫¿ÓÂÙ ŒÚˆÙ· Û·Ó ∂ÁÁϤ˙Ô˜ ™ÙËÓ ÛÔÊÈÛÙÈΤ Î·È Û¤ÍÈ ÚÔÌ·ÓÙÈ΋ ÎÔÌÂÓÙ› «¶Ò˜ Ó· ∫¿ÓÂÙ ŒÚˆÙ· Û·Ó ∂ÁÁϤ˙Ô˜» √ ¶ÈÚ˜ ªÚfiÛÓ·Ó ı· ‚ÚÂı› ·Ó¿ÌÂÛ· ÛÙȘ ÂÎÚËÎÙÈΤ˜ ™¿ÏÌ· ÿÁÈÂÎ Î·È ∆˙¤ÛÈη ÕÏÌ·. √ ªÚfiÛÓ·Ó ˘Ô‰‡ÂÙ·È ¤Ó·Ó ηıËÁËÙ‹ ·ÓÂÈÛÙËÌ›Ô˘ ÛÙÔ ∫¤ÈÌÚÈÙ˙ Ô˘ ı· ‚ÚÂÈ ÙÔÓ ‰¿ÛηÏÔ ÙÔ˘, ÛÙÔ ÚfiÛˆÔ Ù˘ ™¿ÏÌ· ÿÁÈÂÎ, Î·È ı· ·Ó·ÁηÛÙ› Ó· ·ӷÚÔÛ‰ÈÔÚ›ÛÂÈ ÙË ÁÂÌ¿ÙË ÂÚˆÙÈΤ˜ ÂÚȤÙÂȘ ˙ˆ‹ ÙÔ˘, ·ÊfiÙÔ˘ ·Ê‹ÛÂÈ ÙËÓ ∆˙¤ÛÈη ÕÏÌ·, ÊÔÈÙ‹ÙÚÈ· ÙÔ˘ ÛÙÔ ·ÓÂÈÛÙ‹ÌÈÔ Î·È ÂÙÂÚÔı·Ï‹ ·‰ÂÏÊ‹ Ù˘ ÿÁÈÂÎ, ¤Á΢Ô.
How to Make Love Like an Englishman A comedy/romance film written by Matthew Newman and directed by Tom Vaughan,about a Cambridge poetry professor (Brosnan) who finds a woman (Hayek) who forces him to reevaluate his life of hedonistic excess including a fling with his 21-year old student, Misty (Sporrer), after he gets her grad student stepsister (Alba) pregnant. ∫ˆÌˆ‰›· ™∫∏¡√£∂™π∞: ∆ÔÌ µÔÓ ¶∞π∑√À¡: ¶ÈÚ˜ ªÚfiÛÓ·Ó, ™¿ÏÌ· ÿÁÈÂÎ, ∆˙¤ÛÈη ÕÏÌ·, ªÂÓ ª·Î∫¤Ó˙È, ª¿ÏÎÔÏÌ ª·Î¡Ù¿Ô˘ÂÏ ¶∞ƒ∞°ø°∏: ∏ӈ̤ÓÔ µ·Û›ÏÂÈÔ 2015 COMEDY Director: Tom Vaughan Starring: Pierce Brosnan, Salma Hayek, Jessica Alba / English Version
¢ƒAª∞ - ™∫∏¡√£∂™π∞: ∞Ï¤Ó ƒÂÓ¤ ¶∞π∑√À¡: ∂Ì·ÓÔ˘¤Ï ƒÈ‚¿, ŒÈÙ˙È √ηÓÙ¿ DRAMA Director: Alain Resnais Stars: Emmanuelle Riva, Eiji Okada, Stella Dassas / French Version
KøMø¢IA - ™∫∏¡√£∂™π∞: ª·ÚÙ›Ó ªÔ˘ÚÌÔ˘ÏfiÓ ¶AIZOYN: §ÔÚ¿Ó §·Ê›Ù, ªÈÛ¤Ï µÈÁÈÂÚÌfi˙, §ÈÏ› ºÏÂÚ ¶Ô˘·ÓÙfi COMEDY Director: Martin Bourboulon Stars: Laurent Lafitte, Marina Foïs, Alexandre Desrousseaux / French Version
XÈÚÔ̷ۛ, AÁ¿Ë ÌÔ˘ ∆Ô ÔÚfiÛËÌÔ ÙÔ˘ Á·ÏÏÈÎÔ‡ ¡¤Ô˘ ∫‡Ì·ÙÔ˜, Ë ÚÒÙË Ù·ÈÓ›· ÌÂÁ¿ÏÔ˘ Ì‹ÎÔ˘˜ ÙÔ˘ ∞Ï¤Ó ƒÂÓ¤ Î·È Ì›· ·fi ÙȘ ÛËÌ·ÓÙÈÎfiÙÂÚ˜ fiÏˆÓ ÙˆÓ ÂÔ¯ÒÓ. ª›· ËıÔÔÈfi˜ ÊÙ¿ÓÂÈ ÛÙË ÃÈÚÔ̷ۛ ÁÈ· Ó· ÚˆÙ·ÁˆÓÈÛÙ‹ÛÂÈ Û ÌÈ· Ù·ÈÓ›· Ì ı¤Ì· ÙËÓ ÂÈÚ‹ÓË. ∂Λ, ÁÓˆÚ›˙ÂÈ ¤Ó·Ó π¿ˆÓ·, Ì ÙÔÓ ÔÔ›Ô Á›ÓÔÓÙ·È ÂÚ·ÛÙ¤˜. ∆Ô ˙¢Á¿ÚÈ Û ÌÈ· ÛÂÈÚ¿ Û˘˙ËÙ‹ÛÂˆÓ ÂÍÔÌÔÏÔÁÂ›Ù·È Ô ¤Ó·˜ ÛÙÔÓ ¿ÏÏÔÓ ÙȘ ÛΤ„ÂȘ Î·È ÙȘ ÂÒ‰˘Ó˜ ·Ó·ÌÓ‹ÛÂȘ. ∂ΛÓÔ˜, ÌÈÏ¿ÂÈ ÁÈ· ÙË ˙ˆ‹ ÙÔ˘ Î·È Â·Ó·Ï·Ì‚¿ÓÂÈ «¢ÂÓ ¤¯ÂȘ ‰ÂÈ Ù›ÔÙ· ·fi ÙË ÃÈÚÔ̷ۛ». ∂ΛÓË ·Ó·Ê¤ÚÂÙ·È ÛÙ· ÂÊË‚Èο Ù˘ ¯ÚfiÓÈ· ÛÙË ¡Â‚¤Ú, ηٿ ÙË ‰È¿ÚÎÂÈ· ÙÔ˘ ¢Â‡ÙÂÚÔ˘ ¶·ÁÎÔÛÌ›Ô˘ ¶ÔϤÌÔ˘, ÁÈ· ÙÔ ˆ˜ ÂÚˆÙ‡ÙËΠ¤Ó·Ó °ÂÚÌ·Ófi ÛÙÚ·ÙÈÒÙË ·ÏÏ¿ Î·È ÛÙËÓ Ù·Â›ÓˆÛË Ô˘ ˘¤ÛÙË Î·Ù¿ ÙË ‰È¿ÚÎÂÈ· Ù˘ ∞ÂÏ¢ı¤ÚˆÛ˘.
Hiroshima Mon Amour 1959. A French young woman has spent the night with a Japanese man, at Hiroshima where she went for the shooting of a film about peace. He reminds her of the first man she loved. It was during World War II, and he was a German soldier. The main themes of this film are memory and oblivion.
ªÂ ÙÔÓ ª·Ì¿ ‹ ÙË ª·Ì¿ ∆Ô ÛÎËÓÈÎfi Ù˘ Ù¤ÏÂÈ·˜ ÔÈÎÔÁ¤ÓÂÈ·˜ ÌÂÙ·ÙÚ¤ÂÙ·È Û ÂÌfiÏÂÌË ˙ÒÓË ÛÙËÓ ÈÔ ·Ó·ÙÚÂÙÈ΋ Á·ÏÏÈ΋ Έ̈‰›· Ù˘ ¯ÚÔÓÈ¿˜. µÈÙÚÈÔÏÈÎfi ¯ÈÔ‡ÌÔÚ, ÛÈÚÙfi˙ÈΘ ·Ù¿Î˜, Î·È Î·ÏÔÎÔ˘Ú‰ÈṲ̂ÓÔÈ Ú˘ıÌÔ› ·fi ÙÔ˘˜ ‰·ÈÌfiÓÈÔ˘˜ ÛÂÓ·ÚÈÔÁÚ¿ÊÔ˘˜ Ù˘ ÙÂÚ¿ÛÙÈ·˜ ÂÈÙ˘¯›·˜ «°È· fiÏ· ÊÙ·›ÂÈ Ù' fiÓÔÌ¿ ÛÔ˘!» («Le Prénom», 2012). ∏ ºÏÔÚ¿Ó˜ Î·È Ô µÂÓÛ¿Ó Ù· ¤¯Ô˘Ó ÂÙ‡¯ÂÈ fiÏ·. ∫·Ù·ÏËÎÙÈΤ˜ ‰Ô˘ÏÂȤ˜, ¤Ó·Ó Ù¤ÏÂÈÔ Á¿ÌÔ, ÙÚ›· ˘¤ÚÔ¯· ·È‰È¿. ∫·È ÙÒÚ· ı¤ÏÔ˘Ó ÙÔ ‰È·˙‡ÁÈfi ÙÔ˘˜ Ó· ¤¯ÂÈ ·Ó¿ÏÔÁË ÂÈÙ˘¯›·. ŸÙ·Ó fï˜ ·›ÚÓÔ˘Ó Ù·˘Ùfi¯ÚÔÓ· ÙËÓ ÚÔ·ÁˆÁ‹ Ô˘ ¿ÓÙ· ÔÓÂÈÚ‡ÔÓÙ·Ó, ÁÈ· ÌÈ· ηÚȤڷ ÛÙÔ Â͈ÙÂÚÈÎfi, Ë Ì¤¯ÚÈ ÙÒÚ· ·fiÏ˘Ù· ÔÏÈÙÈṲ̂ÓË Û¯¤ÛË ÙÔ˘˜ ÌÂÙ·ÙÚ¤ÂÙ·È Û ÂÊÈ¿ÏÙË. ∞fi '‰ˆ Î·È ÛÙÔ ÂÍ‹˜ ‚Á·›ÓÔ˘Ó Ù· Ì·¯·›ÚÈ·: ÔÈ ‰‡Ô ˘Ô‰ÂÈÁÌ·ÙÈÎÔ› ÚÒËÓ ÎËÚ‡ÛÛÔ˘Ó fiÏÂÌÔ Î·È ı· οÓÔ˘Ó Ù· ¿ÓÙ· ÁÈ· Ó· ª∏¡ ·ÔÎÙ‹ÛÔ˘Ó ÙËÓ ÎˉÂÌÔÓ›· ÙˆÓ ·È‰ÈÒÓ.
Papa ou Maman Florence and Vincent Leroy are successful in business, marriage and children. Today, it's their divorce they want to succeed in. But when they both receive the promotion they've always dreamed of, their life together turns into a nightmare.
∂ƒø∆∞™ Ãøƒπ™ ¢∂™ª∂À™∂π™ √ ∆˙¤ÈÎ Î·È Ë §¤ÈÓÈ ÚÈÓ ÔÏÏ¿ ¯ÚfiÓÈ· ¤¯·Û·Ó Ù·˘Ùfi¯ÚÔÓ· ÙËÓ ·ÚıÂÓÈ¿ ÙÔ˘˜ Û ÌÈ· Û¯¤ÛË ÁÂÌ¿ÙË ¿ıÔ˜ ηȅ Ï¿ıË. ∞fi ÙfiÙ fï˜ ηÓ›˜ ÙÔ˘˜ ‰ÂÓ ÛÙ·‡ÚˆÛ ·ÍÈfiÏÔÁË Û¯¤ÛË Ì·˙‡ÔÓÙ·˜ ÙË ÌÈ· ÌÂÙ¿ ÙËÓ ¿ÏÏË, ¿ıÏȘ ·ÔÙ˘¯›Â˜. ¡ÈÒıÔÓÙ·˜ ‚·ıÂÈ¿ ·ÔÁÔ‹Ù¢ÛË ·fi ÙȘ ̤¯ÚÈ ÙÒÚ· ÁÂÌ¿Ù˜ ·ÈÛٛ˜ Û¯¤ÛÂȘ ÙÔ˘˜, ÙËÓ ¤ÓÙÔÓË ÂÌÌÔÓ‹ Ì ÙÔ ÛÂÍ Î·È ÙËÓ Û˘Ó¯‹ ·˘ÙÔ¸ÔÓfiÌ¢ÛË, ·ÔÊ·Û›˙Ô˘Ó Ó· ÚÔ¯ˆÚ‹ÛÔ˘Ó Û ¤Ó· ηÈÓÔ‡ÚÈÔ ÛÙ¿‰ÈÔ. ¡· Û˘Ó¿„Ô˘Ó ÌÈ· ¯·Ï·Ú‹ Û¯¤ÛË, ·ÏÏ¿ Ó· ÚÔÛ·ı‹ÛÔ˘Ó Ó· ÙËÓ ·Ê‹ÛÔ˘Ó Ï·ÙˆÓÈ΋, ·ÔʇÁÔÓÙ·˜ fiˆ˜ Ô ‰È¿ÔÏÔ˜ ÙÔ ÏÈ‚¿ÓÈ ÙÔ ÛÂÍ ÌÂٷ͇ ÙÔ˘˜. ◊ÚıÂ Ë ÒÚ· Ó· ··ÓÙ‹ÛÔ˘Ó ÙÔ ÚÔ·ÈÒÓÈÔ ÂÚÒÙËÌ·: ªÔÚÔ‡Ó ¤Ó·˜ ¿ÓÙÚ·˜ Î·È ÌÈ· Á˘Ó·›Î· Ó· Ì›ÓÔ˘Ó ÌfiÓÔ Ê›ÏÔÈ; °¤ÏÈÔ, ¿ÊıÔÓÔ ÎÈ ·ÂÓÔ¯ÔÔÈË̤ÓÔ, Û ÌÈ· ·Úfi‚ÏÂÙË ÚÔÌ·ÓÙÈ΋ Έ̈‰›· ÁÂÌ¿ÙË ¯ÈÔ‡ÌÔÚ ÎÈ ¿ÊıÔÓÔ ·›ÛıËÌ·...
SLEEPING WITH OTHER PEOPLE A good-natured womanizer and a serial cheater form a platonic relationship that helps reform them in ways, while a mutual attraction sets in. KøMø¢IA ™∫∏¡√£∂™π∞: §¤ÛÏÈ Ã¤ÓÙÏ·ÓÙ ¶∞π∑√À¡: ÕÏÈÛÔÓ ªÚÈ, ¡·Ù¿Û· §ÈfiÓ, ∞Ì¿ÓÙ· ¶ÈÙ, ∆˙¤ÈÛÔÓ ™Ô˘ÓÙ¤ÎȘ, ª·ÚÎ ªÏԇη˜, ∆˙¤ÈÛÔÓ ª·ÓÙ˙ԇη˜ ¶∞ƒ∞°ø°∏: H.¶.A. 2015 COMEDY Director: Leslye Headland Stars: Alison Brie, Natasha Lyonne, Adam Scott / English Version
3 ∫∞ƒ¢π∂™ ŒÓ· Û˘ÁÎÈÓËÙÈÎfi Î·È ÁÂÌ¿ÙÔ ÂÓÙ¿ÛÂȘ ‰Ú¿Ì·, ÁÈ· ÙËÓ ·ÓıÚÒÈÓË ÌÔ›Ú·, ÙȘ ·Ú¿ÓÔ̘ Û¯¤ÛÂȘ, ÙÔ Î·Ù·ÛÙÚÔÊÈÎfi ¿ıÔ˜. ªÈ· ·ıÂÚ¿Â˘Ù· ÚÔÌ·ÓÙÈ΋ Ì·ÙÈ¿ Û ¤Ó· ÎÏ·ÛÈÎfi ÂÚˆÙÈÎfi ÙÚ›ÁˆÓÔ. ªÈ· Ó‡¯Ù· ÛÙËÓ Â·Ú¯È·Î‹ °·ÏÏ›·, Ô ª·ÚÎ ¯¿ÓÂÈ ÙÔ ÙÚ¤ÓÔ ÁÈ· ÙËÓ ÂÈÛÙÚÔÊ‹ ÛÙÔ ¶·Ú›ÛÈ Î·È ÙfiÙÂ, Û˘Ó·ÓÙ¿ ÙË ™˘Ï‚›. √ ¤Ó·˜ ÓÈÒıÂÈ ¤ÓÙÔÓ· Û˘Ó·ÈÛı‹Ì·Ù· ÁÈ· ÙÔÓ ¿ÏÏÔÓ Î·È ¯ˆÚ›˜ Ó· ÙÔ Î·Ù·Ï·‚Ô˘Ó ‚Ú›ÛÎÔÓÙ·È Ó· ÂÚÈÏ·ÓÈÔ‡ÓÙ·È ÌÈ· ÔÏfiÎÏËÚË Ó‡¯Ù· ÓÈÒıÔÓÙ·˜ ÌÈ· ÌÂı˘ÛÙÈ΋ ·ÚÌÔÓ›· Ó· ÙÔ˘˜ ‰¤ÓÂÈ ¯ÂÈÚÔfi‰·Ú·. ∞fi ¤Ó· ·Ú¿ÍÂÓÔ ·È¯Ó›‰È Ù˘ Ù‡¯Ë˜ ÙÔ ¿ÏÏÔ Úˆ› ¯¿ÓÔÓÙ·È ÎÈ fiÙ·Ó Í·Ó·‚ÚÂıÔ‡Ó, Ô ª·ÚÎ Â›Ó·È ·ÓÙÚÂ̤ÓÔ˜. ªÂ ÙËÓ ™ÔÊ›. ∆ËÓ ·‰ÂÏÊ‹ Ù˘ ™˘Ï‚›.
3 COEURS A tax inspector (Benoît Poelvoorde), his new bride and her sister become entwined in a love triangle. MY™THPIOY ™∫∏¡√£∂™π∞: ªÂÓÔ˘¿ Z·Îfi ¶∞π∑√À¡: ªÂÓÔ˘¿ ¶¤Ï‚ÔÔÚÓÙ, ™·ÚÏfiÙ °Î¤ÓÛÌÔ˘ÚÁÎ, ∫È¿Ú· ª·ÛÙÚÔÁÈ¿ÓÈ / °·ÏÏ›· 2015 MYSTERY Director: Benoît Jacquot Starring: Benoît Poelvoorde, Charlotte Gainsbourg, Chiara Mastroianni / French Version
∫ø¢π∫O O¡√ª∞ U.N.C.L.E. ∆Ô ‰È¿ÛËÌÔ Û›ÚÈ·Ï ÙˆÓ Sixties Í·Ó·¯Ù˘¿ Ì ÛÎËÓÔı¤ÙË ÙÔÓ °Î¿È ƒ›ÙÛÈ! ∞Ú¯¤˜ ÙˆÓ Sixties, ÂÓ Ì¤Ûˆ æ˘¯ÚÔ‡ ¶ÔϤÌÔ˘. Ô Ú¿ÎÙÔÚ·˜ Ù˘ CIA ™fiÏÔ Î·È Ô Ú¿ÎÙÔÚ·˜ Ù˘ KGB ∫Ô˘ÚÈ¿ÎÈÓ, ·Ê‹ÓÔ˘Ó ÛÙËÓ ¿ÎÚË ÙËÓ ·ÓÙÈ·ÏfiÙËÙ¿ ÙÔ˘˜, ÁÈ· Ó· ÂÍ·ÚıÚÒÛÔ˘Ó ÌÈ· Ì˘ÛÙËÚÈÒ‰Ë ‰ÈÂıÓ‹ ÂÁÎÏËÌ·ÙÈ΋ ÔÚÁ¿ÓˆÛË Ô˘ ÛÙԯ‡ÂÈ Ó· ηٷÛÙÚ¤„ÂÈ ÙË ÁË. ∏ ÌfiÓË ÙÔ˘˜ ÂÏ›‰·, Ë ÎfiÚË ÂÓfi˜ ÂÍ·Ê·ÓÈṲ̂ÓÔ˘ °ÂÚÌ·ÓÔ‡ ÂÈÛÙ‹ÌÔÓ·, ̤ۈ Ù˘ ÔÔ›·˜ ı· ÌÔÚ¤ÛÔ˘Ó Ó· ‰ÈÂÈÛ‰‡ÛÔ˘Ó ÛÙÔ˘˜ ÎfiÏÔ˘˜ Ù˘ ÔÚÁ¿ÓˆÛ˘. ªÈ· ÛÎÏËÚ‹ Ì¿¯Ë Ì ÙÔÓ ¯ÚfiÓÔ ÍÂÎÈÓ¿ ÁÈ· Ó· ·ÔÙڷ› ÌÈ· ˘ÚËÓÈ΋ ηٷÛÙÚÔÊ‹.
MAN FROM UNCLE In the early 1960s, CIA agent Napoleon Solo and KGB operative Illya Kuryakin participate in a joint mission against a mysterious criminal organization, which is working to proliferate nuclear weapons. ¶EPI¶ETEIA ™∫∏¡√£∂™π∞: °Î¿È ƒ›ÙÛÈ ¶∞π∑√À¡: äÓÚÈ ∫·‚›Ï, ÕÚÌÈ Ã¿ÌÂÚ, ÃÈÔ˘ °ÎÚ·ÓÙ, ∞Ï›ÛÈ· µÈοÓÙÂÚ / H.¶.A. 2015 ACTION Director: Guy Ritchi Starring: Alicia Vikander, Henry Cavill, Armie Hammer / English Version
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