MANTRA TELLING SCENES
AUSTRALIAN ALBUM AND TOUR
PUBLICITY REPORT 2013 Campaign Period: July 26 – October 11 Australian Tour: September 19 – October 26
11A Balmerino Avenue Toorak, VIC Australia 3142 | ABN 68 919 686 054 www.parisispatient.com.au - Commercial in Confidence
CO NTENTS
1
CAMPAIGN SUMMARY
2
QUOTE SHEET
3
PRESS RELEASES
4
MEDIA COVERAGE SUMMARY
5
MEDIA COVERAGE – PRINT
6
MEDIA COVERAGE – ONLINE
7
MEDIA COVERAGE – RADIO & TV
11A Balmerino Avenue Toorak, VIC Australia 3142 | ABN 68 919 686 054 www.parisispatient.com.au - Commercial in Confidence
CAM PAIGN SUM M ARY
Overview Mantra’s 2013 PR Report summarises and presents the total media coverage for the Australian ‘Telling Scenes’ Album Release and Headline Tour between September October. The purpose of the PR Report is to show the impact Paris is Patient has made to help drive and promote the Artist and Record Label’s communication goals: Increasing Mantra’s exposure nationally within the Australian music environment and achieving meaningful results to support and drive physical and digital album sales, and event ticket sales.
Communication Objective To help drive the overall success of Mantra’s ‘Telling Scenes’ album release and tour by securing media coverage to inform audiences about the new release and event dates, developing and maintaining relationships with media nationally and building long-term awareness of the Artist in Australia.
Overall Results
MEDIA OUTLET
NUMBER OF HITS
27
Online
115
Radio
15
Television
7
Campaign Period Total
164
Media Clips The following media clips are separated by media type and is ordered chronologically by date.
11A Balmerino Avenue Toorak, VIC Australia 3142 | ABN 68 919 686 054 www.parisispatient.com.au - Commercial in Confidence
Q UO TE SHEET
“Mantra has taken some risks and dropped one of the hip-hop records of the year.” –Rolling Stone (4 stars) “Telling Scenes is a compelling achievement. It’s the album Mantra had to give us.” – The Music (3.5/5) “Mantra continues to evolve and push the boundaries of his work, never resting on his achievements... Playing it safe will no longer be an option, if releases such as this continue being the trend.” –All Aussie Hip Hop (4.9/5) “This is oz hip hop, but not as you know it.” –Canberra Tim es (4.5 stars) “Mantra’s third full length release gives listeners an emotional spectrum of Australian hip hop without forfeiting the MC’s talent as one of the scenes most technically gifted lyricists.” –Tone Deaf (8/10) "Whilst many in the Australian scene will rap about party times and alcohol, Mantra, like his handle has his sights aimed at higher topics in the public consciousness. Telling Scenes finds him a touch more playful, the inclusion of short and unobtrusive interludes and skits help break up the intensity of Mantra‘s rhymes, without the emcee losing his focus on the high ideals that typifies his work." – W ordplay Magazine "For anyone seeking to uncover quality recordings, amidst the increasing diversity of Hip Hop from Australia, should look no further than this album as a great point of entry; and people more familiar with the beats, rhymes and lives of Australian Hip Hop artists will immediately recognise that this is one of the country's finest lyrical artists doing what he does best." –Aphra Magazine "All in all, this album is amazing. It’s catchy, its honest, it’s diverse, it’s polished, but most of all – it restored my faith in Australian hip-hop. For that, Mantra, I thank you." –Cool Try (9.5/10) “Mantra’s latest album, ‘Telling Scenes’, simply put is a piece of fine art that has to be appreciated.” –Park Productions (8.5/10) “As a cavalcade of this caliber of song (re: Breaking Tradition), Telling Scenes confidently pushes the boundaries of hip hop, announcing in no uncertain terms that Mantra has reached the next level of his craft. –Oz Hip Hop
11A Balmerino Avenue Toorak, VIC Australia 3142 | ABN 68 919 686 054 www.parisispatient.com.au - Commercial in Confidence
PRESS RELEASES
11A Balmerino Avenue Toorak, VIC Australia 3142 | ABN 68 919 686 054 www.parisispatient.com.au - Commercial in Confidence
MANTRA RETURNS WITH A NEW SINGLE – BREAK TRADITION & ANNOUNCES NEW ALBUM FOR RELEASE SEPTEMBER 13TH Following on from radio anthem Loudmouth, Melbourne rapper Mantra has dropped the emotionally heavy Break Tradition – the second single from his forthcoming album, Telling Scenes. Due for release in September, Telling Scenes is an album in the most creative sense: not just a collection of songs, but an experience that takes its listener on a journey. As one part of this journey, Break Tradition represents a side of Mantra very close to his heart. Using dexterous rhymes to unfold stark and literal narratives, Mantra delves into the cycle of violence that sees the endless chain of one person passing their abuse on to the next, until someone makes the conscious decision to disinherit it. To break the tradition. Whether fate or a self-fulfilling prophecy, Mantra knew Break Tradition was going to be something special even before he wrote it. Listening through a catalogue of beats by rising producer Cam Bluff, one in particular jumped out at Mantra, instantly resonating with him on a deep level. He knew he had to put something heartfelt on top of it. By the time the song was complete, Mantra had unfolded some of the best rhymes of his career, added the multi-layered vocals of Melbourne’s Massive hip-hop choir, and capped everything off with a suitably grand chorus courtesy of Cisco Tavares. Powerful and relatable, Break Tradition had evolved into one of Mantra’s best songs, and had more than earned its place on his ambitious new album. As a cavalcade of this caliber of song, Telling Scenes confidently pushes the boundaries of hip hop, announcing in no uncertain terms that Mantra has reached the next level of his craft.
TOURING – AUGUST / SEPTEMBER / OCTOBER 2013 - 25 DATE REGIONAL TOUR, WITH SETH SENTRY & GREY GHOST, STARTING AUGUST 1st - TELLING SCENES NATIONAL TOUR TO BE ANNOUNCED AUGUST 9th All show details available from www.mantraemcee.com
TELLING SCENES – SEPTEMBER 13TH The highly anticipated third album in the Power Of The Spoken Trilogy, Telling Scenes, out Friday, September 13th 2013, through Ten To Two Records.
For all media enquiries please contact Seam Lam -‐ seam@parisispatient.com.au or 0433 339 030.
MANTRA ANNOUNCES NATIONAL ALBUM TOUR SEP-OCT ‘BREAK TRADITION’ SINGLE OUT NOW TELLING SCENES ALBUM PRE-ORDER AVAILABLE Friday, August 9, 2013 – MANTRA has announced a national album tour to launch his upcoming release and third studio album, Telling Scenes on September 13, 2013 through Ten To Two Records. Joining MANTRA on select dates is Melbourne’s GREY GHOST - tickets will go on sale Thursday 15 August, 9AM. Telling Scenes is an album in the most creative sense: not just a collection of songs, but an experience that takes its listener on a journey. With its emotional narratives, unpredictable twists and amazing cast, the album plays out like a great movie. In the director’s chair: one of Australia’s best and most-respected rappers.
Telling Scenes has already spawned two successful singles - radio anthem Loudmouth and the darker ‘Break Tradition’ – but it is the album as a whole that best showcases how high MANTRA has raised the bar. Epic and prodigious, Telling Scenes has delivered MANTRA straight into the upper echelons of his craft. Catch MANTRA as he performs around the country this September and October. All shows are 18+, full tour dates below.
MANTRA TELLING SCENES ALBUM LAUNCH TOUR SEPTEMBER - OCTOBER 2013 GREY GHOST will be joining MANTRA in WA, QLD & SA TICKETS ON SALE THURSDAY 15 AUGUST, 9AM THURSDAY 19 SEP – FLYRITE, PERTH - 18+ FRIDAY 20 SEP – MOJO’s, FREMANTLE - 18+ THURSDAY 3 OCT – GREAT NORTHERN, NEWCASTLE - 18+ * FRIDAY 4 OCT – ANNANDALE HOTEL, SYDNEY - 18+ * SATURDAY 5 OCT – BEACHCOMBER, TOUKLEY - 18+ * FRIDAY 11 OCT – THE EVELYN, MELBOURNE - 18+ * THURSDAY 17 OCT – TEMPO HOTEL, BRISBANE - 18+ SAT 19 OCT – SOL BAR, MAROOCHYDORE - 18+ SAT 26 OCT – ED CASTLE, ADELAIDE - 18+ * Grey Ghost not appearing All ticket and show details available from www.mantraemcee.com
PRE-ORDER THE NEW ALBUM AT:
ITUNES https://itunes.apple.com/au/album/telling-scenes/id679513661 TELLING SCENES Track Listing: 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16.
Scene One (Introduction) Learn Your Language Energy Feat. Grey Ghost & Promoe The Fear Quicksilver Feat. Simone Page Jones Loudmouth Telling Scenes Baba Feat. Alia Gabres (Interlude) Baby Girl Feat. Kylie Auldist Break Tradition Feat. Cisco Tavares Who’s Your Favourite Rapper (Skit) Perfect Crime Feat. louis logic Dr. Trembath Meets Professor Von Horn (Skit) The Experiment Feat. Tom Thum Fighting As The Sun Goes Down
NEW SINGLE ‘BREAK TRADITION’ IS NOW AVAILABLE ON ITUNES! https://itunes.apple.com/au/album/break-tradition/id679513661?i=679513863 LISTEN TO ‘BREAK TRADITION’ ON YOUTUBE – http://youtu.be/6qvhntKjlHg Or SOUNDCLOUND - https://soundcloud.com/mantra-mc/break-tradition-eq-v2-04
www.mantraemcee.com www.tentotworecords.com
For all media enquiries please contact Seam Lam -‐ seam@parisispatient.com.au or 0433 339 030.
THE NEW ALBUM TELLING SCENES DEBUTS AT #1 ON AIR INDEPENDENT ALBUM #17 ON ARIA #3 ARIA AUSTRALIAN ALBUM AND #1 ARIA URBAN CHARTS IN THE COUNTRY! NATIONAL ALBUM TOUR SEP-OCT Monday, September 23, 2013 – One of Australia’s best and most-respected rappers, MANTRA has debuted at #17 on the ARIA Album charts, #3 on the ARIA Australian Album charts and #1 on the AIR Independent Album charts with his third studio album, Telling Scenes. The #1 ARIA Urban Album in the country this week, has been revered by fans and industry alike with reviews affirming the solid release: “... One of the Hip-Hop records of the year.” –Rolling Stone, 4 stars “Mantra’s third full length release gives listeners an emotional spectrum of Australian hip hop without forfeiting the MC’s talent as one of the scenes most technically gifted lyricists.” –Tone Deaf, 8/10 “Telling Scenes is a compelling achievement. It’s the album Mantra had to give us.” –The Music, 3.5/5 “Mantra continues to evolve and push the boundaries of his work, never resting on his achievements. ...Playing it safe will no longer be an option, if releases such as this continue being the trend.” –All Aussie Hip Hop, 4.9/5
Telling Scenes has already spawned two successful singles – crowd favourite Loudmouth and the darker ‘Break Tradition’ – but it is the album as a whole that best showcases how high MANTRA has raised the bar. Epic and prodigious, Telling Scenes has delivered MANTRA straight into the upper echelons of his craft. MANTRA kicked off his national album tour last week in WA with Melbourne’s GREY GHOST, with 4 Australian states still to visit, fans can see new songs from Telling Scenes performed live for the first time. MANTRA will be on the road until October 26 when the tour wraps up in Adelaide, see full dates below.
MANTRA TELLING SCENES ALBUM LAUNCH TOUR 2013 GREY GHOST will be joining MANTRA in WA, QLD & SA All ticket and show details available from www.mantraemcee.com THURSDAY 3 OCT – GREAT NORTHERN, NEWCASTLE - 18+ * FRIDAY 4 OCT – ANNANDALE HOTEL, SYDNEY - 18+ * SATURDAY 5 OCT – BEACHCOMBER, TOUKLEY - 18+ *
FRIDAY 11 OCT – THE EVELYN, MELBOURNE - 18+ * THURSDAY 17 OCT – TEMPO HOTEL, BRISBANE - 18+ SAT 19 OCT – SOL BAR, MAROOCHYDORE - 18+ SAT 26 OCT – ED CASTLE, ADELAIDE - 18+ * Grey Ghost not appearing
TELLING SCENES
Available Now via Ten To Two Records ITUNES https://itunes.apple.com/au/album/telling-scenes/id679513661 JB HIFI http://www.jbhifionline.com.au/music/urban-grooves/telling-scenes-bonus-mp3-bonus-keyring/689962 WATCH ‘BREAK TRADITION’ MUSIC VIDEO ON YOUTUBE – http://youtu.be/yw_2ISsFx70
www.mantraemcee.com www.tentotworecords.com
For all media enquiries please contact Seam Lam -‐ seam@parisispatient.com.au or 0433 339 030.
M EDIA CO VERAGE SUM M ARY
11A Balmerino Avenue Toorak, VIC Australia 3142 | ABN 68 919 686 054 www.parisispatient.com.au - Commercial in Confidence
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PUBLICATION
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LIVE REVIEW
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PRINT -‐ LONGLEAD TAS
Warp Magazine
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STACK Magazine
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Rolling Stone
NAT
YEN Magazine
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Acclaim Magazine
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Primo! Magazine
ACT
BMA Magazine
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Metior Magazine
NAT
Australian Musician Magazine
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SPOOK Magazine
AREA
Wed 4 Sep, 2013
October and November Feature Interview, Album Issue Review
PUBLICATION
PRINT DATE
Pitched Album Review -‐ declined Pitched Interview to Jonathan -‐ declined (September issue Pitched Album Review -‐ is full) declined Album Review -‐ see Press Feature Story -‐ see Press Clipping Clipping Pitched Album Review -‐ Pitched Interview to Jana -‐ declined declined Pitched Album Review -‐ Pitched Interview to Jonathan -‐ declined (not a right fit) declined Pitched Album Review -‐ no Pitched Interview to Editor -‐ no response response Pitched Album Review -‐ Pitched Interview to Ash -‐ declined declined Pitched Album Review -‐ no Pitched Interview to Editor -‐ declined response Pitched Album Review -‐ no Pitched Interview to Greg -‐ no response response Pitched Album Review -‐ Pitched Interview to Katy -‐ declined declined
Cover Line, Feature Interview Cover Line & Feature Story -‐ see Press Clipping
CONTENT
DETAILS
REVIEW
PRINT -‐ WEEKLY QLD
Scene Magazine
Wed 14 Aug, 2013
WA
The Music WA
Wed 21 Aug, 2013
VIC WA
Forte Magazine The Music WA
Thu 22 Aug, 2013 Wed 18 Sep, 2013
Pic and Blurb Feature Interview, Album Review Blurb Pic and Blurb
WA
X-‐Press Magazine
Wed 18 Sep, 2013
Feature Interview
Feature Story -‐ see Press Clipping
VIC
Forte Magazine
Tue 24 Sep, 2013
Feature Interview
Feature Story -‐ see Press Clipping
SA
Rip It Up Magazine
Thu 26 Sep, 2013
Feature Interview
Feature Story -‐ see Press Clipping
The Brag
Mon 30 Sep, 2013
Feature Interview
Feature Story -‐ see Press Clipping
NSW VIC
The Music VIC
Wed 2 Oct, 2013
VIC
Beat Magazine
Wed 2 Oct, 2013
NSW
The Music NSW
Wed 2 Oct, 2013
QLD
Scene Magazine
Wed 2 Oct, 2013
Pic and Blurb -‐ see Press Clipping Feature Story -‐ see Press Clipping
Pitched Live Review -‐ declined
Pitched Album Review -‐ declined Pitched Album Review -‐ declined Pitched Album Review -‐ declined Pitched Album Review -‐ declined
Pitched Live Review -‐ declined Pitched Live Review -‐ declined Pitched Live Review -‐ declined Pitched Live Review -‐ declined
Album Review -‐ see Press Clipping
Live Review -‐ see Press Clipping
Pitched Album Review -‐ declined Album Review -‐ see Press Clipping Pitched Album Review -‐ declined
Pitched Live Review -‐ declined Pitched Live Review -‐ declined Pitched Live Review -‐ declined
Blurb -‐ see Press Clipping Pic and Blurb -‐ see Press Clipping
Feature Interview (Syndicated), Album Review, Syndicated Feature Story -‐ see Press Clipping Live Review Cover Line Pic, Feature Cover Line Pic & Feature Story -‐ see Press Clipping Interview Feature Interview Syndicated Feature Story -‐ see Press Clipping (Syndicated), Album Review Feature Interview
Album Review -‐ see Press Clipping
Feature Story -‐ see Press Clipping
QLD
The Music QLD
Wed 9 Oct, 2013
VIC
Beat Magazine
Wed 9 Oct, 2013
Feature Interview, Album Review Giveaway
ACT
The Canberra Times (Fly)
Fri 18 Oct, 2013
Album Review
AREA
PUBLICATION
PRINT DATE
CONTENT
Feature Story -‐ see Press Clipping
Album Review -‐ see Press Clipping
Pitched Live Review -‐ declined
Ultimate Boxset Giveaway -‐ see Press Clipping Pitched Interview to Andrew -‐ declined (not touring ACT)
DETAILS
Album Review -‐ see Press Clipping
REVIEW
LIVE REVIEW
PHOTOS
REVIEW
LIVE REVIEW
PHOTOS
REVIEW
LIVE REVIEW
PHOTOS
REVIEW
LIVE REVIEW
PHOTOS
REVIEW
LIVE REVIEW
PHOTOS
REVIEW
LIVE REVIEW
PHOTOS
REVIEW
LIVE REVIEW
PHOTOS
REVIEW
LIVE REVIEW
PHOTOS
VIC METRO MEL MEL
Herald Sun (HIT) mX Newspaper Melbourne
Pitched Interview to Adam -‐ no response Pitched Pictorial to Andrea -‐ declined (full schedule)
MEL
The Age -‐ Entertainment
Pitched Interview to Andrew -‐ no response
AREA
PUBLICATION
PRINT DATE
CONTENT
DETAILS
NSW METRO SYD SYD SYD
The Daily Telegraph The Sydney Morning Herald mX Newspaper Sydney
AREA
PUBLICATION
Pitched Interview to Editor -‐ no response Pitched Interview to News Desk -‐ no response Pitched Pictorial to Chris -‐ declined (times didn't work out)
PRINT DATE
CONTENT
DETAILS
NSW REGIONAL Newcastle Newcastle
Newcastle Herald Newcastle Star
AREA
PUBLICATION
Pitched Interview to Kate -‐ declined Pitched Interview to Kim-‐Cherie -‐ no response
PRINT DATE
CONTENT
DETAILS
QLD METRO BRIS BRIS BRIS
Brisbane Times The Sun Herald (Unwind) mX Newspaper Brisbane
AREA
PUBLICATION
Pitched Interview to Natalie -‐ declined Pitched Interview to Sam -‐ declined Pitched Pictorial to Jeff -‐ declined (times didn't work out)
PRINT DATE
CONTENT
DETAILS
QLD REGIONAL Maroochydore
AREA
North West Star MT ISA, Tweed Border Mail
PUBLICATION
Pitched Interview to Ally who forwarded to dept.
PRINT DATE
CONTENT
DETAILS
SA METRO ADEL ADEL ADEL
AREA
The Independent Weekly Leader Messenger The Advertiser (Adelaide)
PUBLICATION
Pitched Interview to Michelle -‐ declined Pitched Interview to Chantelle -‐ declined Pitched Interview to Editor -‐ declined
PRINT DATE
CONTENT
DETAILS
WA METRO PER FRE
AREA
The West Australian Fremantle Herald
PUBLICATION
Pitched Interview to Simon -‐ declined Pitched Interview to News -‐ declined
PRINT DATE
CONTENT
DETAILS
WA REGIONAL Bunbury Bunbury Esperance Kalgoorlie Albany Mandurah
SW Times & Bunbury Herald Bunbury Mail Esperance Express Kalgoorlie Miner Albany Advertiser Mandurah Mail
Thu 26 Sep, 2013 Thu 26 Sep, 2013
Feature Interview Feature Interview
Pitched Interview to Josh -‐ declined Pitched Interview to Anne-‐Maree -‐ declined Pitched Interview to Rex -‐ declined Pitched Interview to Tegan -‐ declined Feature Story -‐ see Press Clipping Feature Story -‐ see Press Clipping
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DATE
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ONLINE -‐ NEWS NAT
TheMusic.com.au
Fri 26 Jul, 2013
Album Announce
NAT
Reverb Online
Fri 26 Jul, 2013
Album Announce
NAT
Project U
Fri 26 Jul, 2013
Single Announce
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Project U
Fri 26 Jul, 2013
Album Announce
NAT
Australian Musician Network
Mon 29 Jul, 2013
Album Announce
NAT
STASHeverything
Mon 29 Jul, 2013
Album Announce
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AAA Backstage
Tue 30 Jul, 2013
Album Announce
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Parx-‐e
Tue 30 Jul, 2013
Album Announce
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Tone Deaf
Wed 31 Jul, 2013
Album Announce
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Renowned for Sound
Wed 31 Jul, 2013
Album Announce
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The Orange Press
Thu 1 Aug, 2013
Single Announce
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Music Feeds
Thu 1 Aug, 2013
Album Announce
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Moshtix
Thu 1 Aug, 2013
Album Announce
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Cool Try
Thu 1 Aug, 2013
Album Announce
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AuspOp
Thu 1 Aug, 2013
Album Mention
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The Marshalltown
Fri 2 Aug, 2013
Album Announce
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Seven/Seven Magazine
Fri 2 Aug, 2013
Album Announce
NAT NAT
Soot Magazine AMH Network
Mon 5 Aug, 2013
Album Announce Album Announce
http://themusic.com.au/news/all/2013/07/26/mantra-‐ reveals-‐album-‐release-‐details/ http://www.reverbstreetpress.com/online/news-‐mantra-‐ releases-‐new-‐single-‐and-‐ tours/?doing_wp_cron=1375103131.18238306045532226 56250 http://projectu.tv/news/2013/07/mantra-‐telling-‐scenes-‐ september-‐release http://projectu.tv/news/2013/07/mantra-‐telling-‐scenes-‐ september-‐release http://www.myamn.com.au/index.php/forum/5-‐music-‐ news/891-‐mantra-‐new-‐single-‐break-‐tradition-‐a-‐new-‐ album-‐release-‐for-‐sep-‐13th#891 http://www.stasheverything.com/news/mantra-‐ announces-‐new-‐album-‐telling-‐scenes-‐and-‐drops-‐new-‐ single-‐break-‐tradition/ http://aaabackstage.com/latest-‐news/4336-‐melbourne-‐ rapper-‐mantra-‐announces-‐new-‐single-‐and-‐album-‐ release.html http://parx-‐e.com/mantra-‐announces-‐new-‐single-‐and-‐ album-‐release/ http://www.tonedeaf.com.au/news/tournews/330153/ma ntra-‐announces-‐new-‐album-‐ahead-‐of-‐australian-‐tour-‐ 2013.htm http://renownedforsound.com/index.php/mantra-‐ announces-‐new-‐single-‐break-‐tradition-‐aus/ http://theorangepress.net/2013/08/mantra-‐break-‐ tradition-‐ft-‐cisco-‐tavares/ http://musicfeeds.com.au/news/mantras-‐new-‐single-‐ break-‐tradition-‐from-‐upcoming-‐album-‐telling-‐scenes/ http://www.moshtix.com.au/v2/news/musicnews/mantra s-‐new-‐single-‐break-‐tradition-‐from-‐upcoming-‐album-‐telling-‐ scenes/17656 http://cooltry.com.au/mantra-‐returns-‐with-‐a-‐new-‐single-‐ break-‐tradition-‐announces-‐new-‐album-‐for-‐release-‐ september-‐13th/ http://auspop.blogspot.com.au/2013/08/new-‐release-‐ schedule.html http://www.themarshalltown.com/zine/2013/08/02/listen-‐ mantras-‐new-‐single-‐break-‐tradition/ http://sevensevenmagazine.com/2013/08/02/new-‐music-‐ mantra-‐break-‐tradition/ via Social Twitter Mention http://amhnetwork.com/mantra-‐break-‐tradition/
REVIEW
LIVE REVIEW
PHOTOS
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Music Feeds
Sat 10 Aug, 2013
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The Dwarf
Sun 11 Aug, 2013
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Reverb Online
Sun 11 Aug, 2013
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Tone Deaf
Mon 12 Aug, 2013
NAT
The AU Review
Mon 12 Aug, 2013
NAT
Scene Magazine
Mon 12 Aug, 2013
NAT
Beat Magazine Online
Tue 13 Aug, 2013
NAT
Big Tix
Thu 15 Aug, 2013
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Moshtix
Thu 15 Aug, 2013
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All Aussie Hip Hop
Thu 15 Aug, 2013
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STASHeverything
Thu 15 Aug, 2013
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Renowned for Sound
Thu 15 Aug, 2013
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A-‐muse Yourself
NAT
All Aussie Hip Hop
Thu 22 Aug, 2013
NAT NAT
The Dwarf Forte Magazine Online
Thu 29 Aug, 2013
NAT
APRA "What's Happening"
Fri 30 Aug, 2013
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Oz Hip Hop
Wed 4 Sep, 2013
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Everguide
NAT
Liveguide
NAT
Novanation
Wed 11 Sep, 2013
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Sounds of Oz
Fri 13 Sep, 2013
NAT
ABC / Triple J
Fri 13 Sep, 2013
http://musicfeeds.com.au/news/mantra-‐announces-‐ headlining-‐australian-‐tour-‐dates-‐september-‐2/ http://thedwarf.com.au/news/16138/mantra-‐announces-‐ Album Tour Announce album-‐tour http://www.reverbstreetpress.com/online/news-‐mantra-‐ Album Tour Announce announces-‐album-‐tour/ http://www.tonedeaf.com.au/news/tournews/333158/to urs-‐coming-‐ soon.htm?utm_source=Tone+Deaf+Newsletter&utm_cam Album Tour Announce paign=c6fe59da00-‐ Tucker_Bag240&utm_medium=email&utm_term=0_b6f82 3df63-‐c6fe59da00-‐203778669 http://www.theaureview.com/news/mantra-‐to-‐tour-‐ Album Tour Announce australia-‐with-‐new-‐album Album Announce http://www.scenemagazine.com.au/?Itemid=155 http://www.beat.com.au/music/mantra-‐announces-‐album-‐ Album Announce tour Event Listing http://www.bigtix.com.au/category/428-‐mantra.aspx http://www.moshtix.com.au/v2/event/mantra-‐launches-‐ Event Listing telling-‐scenes-‐w-‐special-‐ guests/67426?&ref=RSS_AUSDJFORUMS http://allaussiehiphop.com/2013/08/15/mantra-‐telling-‐ Album Tour & Track by Track scenes-‐track-‐by-‐track/ http://www.stasheverything.com/event/mantra-‐ Album Tour Announce announces-‐national-‐album-‐launch-‐tour/ http://renownedforsound.com/index.php/mantra-‐ Album Tour Announce announce-‐national-‐album-‐tour-‐aus/ http://a-‐museyourself.com/mantra-‐releases-‐new-‐album-‐ Album Announce telling-‐scenes/ http://allaussiehiphop.com/2013/08/22/mantra-‐break-‐ Music Video & Pre-‐orders tradition-‐official-‐video/ Event Listing http://thedwarf.com.au/gig/mantra-‐evelyn-‐hotel Album Tour Announce http://fortemag.com.au/?p=8332 http://aprap.apra-‐amcos.com.au/vol-‐8-‐2013/whats-‐ Album Tour Announce happening-‐in-‐september-‐your-‐space-‐your-‐news-‐your-‐ views/ http://www.ozhiphop.com/forum/viewthread.php?tid=14 Album Tour Announce 4180 http://everguide.com.au/melbourne/event/2013-‐oct-‐ Event Listing 11/mantra/ http://www.liveguide.com.au/Events/888462/Mantra/Ma Event Listing ntra_Telling_Scenes_Launches http://www.novanation.com.au/event/mantra-‐launches-‐ Event Listing telling-‐scenes-‐w-‐special-‐guests_145618 http://www.soundsofoz.com/2013/09/13/mantra-‐tours-‐ Album Tour Announce telling-‐scenes/ Album Mention http://www.abc.net.au/triplej/musicnews/s3848182.htm Album Tour Announce
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[V] Music
Mon 16 Sep, 2013
iTunes Charts
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Noise11
Sat 21 Sep, 2013
Album Charts
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AuspOp
Sat 21 Sep, 2013
Album Charts
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TheMusic.com.au
Sat 21 Sep, 2013
Album Charts
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All Aussie Hip Hop
Mon 23 Sep, 2013
Album Charts
NAT
Australian Musician Network
Wed 25 Sep, 2013
Album Charts
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http://www.vmusic.com.au/pages/main-‐ menu/news/music-‐charts/itunes-‐top-‐40 http://www.noise11.com/news/aria-‐albums-‐keith-‐urban-‐ fuse-‐debuts-‐at-‐no-‐1-‐20130921 http://auspop.blogspot.com.au/2013/09/chart-‐ watch_21.html http://themusic.com.au/news/all/2013/09/21/aussie-‐ country-‐beats-‐swedish-‐edm-‐to-‐1/ http://allaussiehiphop.com/2013/09/23/mantra-‐telling-‐ scenes-‐debuts-‐at-‐1-‐on-‐air-‐independent-‐album-‐chats/ http://www.myamn.com.au/index.php/forum/5-‐music-‐ news/1033-‐mantra-‐telling-‐scenes-‐debuts-‐at-‐1-‐on-‐air-‐ independent-‐album-‐chart
DETAILS
REVIEW
LIVE REVIEW
ONLINE -‐ FEATURES NAT
Your Daily SPA
Fri 26 Jul, 2013
Email Newsletter Feature
NAT
TheMusic.com.au
Fri 2 Aug, 2013
Track by Track Feature
NAT
Your Daily SPA
Fri 2 Aug, 2013
Email Newsletter Feature
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TheMusic.com.au
Fri 9 Aug, 2013
Track by Track Feature
NAT NAT
Your Daily SPA Tone Deaf
Fri 9 Aug, 2013 Mon 12 Aug, 2013
Email Newsletter Feature Email Newsletter Feature
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The Orange Press
Tue 13 Aug, 2013
Feature Interview
NAT
TheMusic.com.au
Wed 21 Aug, 2013
Feature Interview, Album Review, Live Review
NAT
[V] Music
Wed 21 Aug, 2013
Music Video Premiere
NAT
TheMusic.com.au
Fri 23 Aug, 2013
Track by Track Feature
NAT
Your Daily SPA
Fri 23 Aug, 2013
Email Newsletter Feature
NAT
Australian Musician Network
Tue 27 Aug, 2013
Feature Interview
NAT
TheMusic.com.au
NAT
Your Daily SPA
NAT
TheMusic.com.au
Fri 6 Sep, 2013 Fri 6 Sep, 2013 Mon 9 Sep, 2013
Track by Track Feature Email Newsletter Feature Track by Track Feature
Album Reveal Pic and Blurb -‐ see Press Clipping http://themusic.com.au/news/all/2013/08/02/mantra-‐ calls-‐on-‐youth-‐to-‐end-‐the-‐perpetual-‐violent-‐bullshit/ Track By Track Pic and Blurb -‐ see Press Clipping http://themusic.com.au/news/all/2013/08/09/premiere-‐ mantra-‐suffered-‐for-‐his-‐art-‐on-‐new-‐grey-‐ghost-‐ collab/#.UgRldRulaKw.twitter Track By Track Pic and Blurb -‐ see Press Clipping Tour Announcement Pic and Blurb -‐ see Press Clipping Pitched Album Review -‐ declined http://themusic.com.au/revi http://themusic.com.au/interviews/all/2013/08/21/mantr ews/album/2013/09/11/man a/18908/ tra-‐telling-‐scenes-‐james-‐ dapice/ http://www.vmusic.com.au/pages/main-‐ menu/news/latest-‐news/video-‐premiere-‐mantra-‐break-‐ tradition http://themusic.com.au/news/all/2013/08/23/mantra-‐i-‐ just-‐wont-‐shut-‐the-‐fuck-‐up/ Track By Track Pic and Blurb -‐ see Press Clipping http://theorangepress.net/2013/08/interview-‐mantra/
http://www.myamn.com.au/index.php/artists/item/913-‐ mantra http://themusic.com.au/news/all/2013/09/06/mantra-‐ talks-‐a-‐bunch-‐of-‐nonsense-‐on-‐new-‐lp/ Track By Track Pic and Blurb -‐ see Press Clipping http://themusic.com.au/watch/video/2013/09/09/mantra-‐ as-‐the-‐sun-‐goes-‐down-‐behind-‐the-‐scenes/
Pitched Album Review -‐ declined
Pitched Live Review -‐ declined http://themusic.com.au/revi ews/reviews-‐ live/2013/10/17/mantra-‐ evelyn-‐hotel-‐aleksia-‐barron/
Confirmed a writer to review Melbourne show, but was unable to attend in the end.
PHOTOS
NAT
Space Ship News
Tue 10 Sep, 2013
Feature Interview, Gallery
http://www.spaceshipnews.com.au/interview-‐mantra/
NAT
Vulture Magazine
Tue 10 Sep, 2013
Feature Interview, Live Review
NAT
STASHeverything
NAT
Your Daily SPA
Wed 11 Sep, 2013
Email Newsletter Feature
http://vulturemagazine.com.au/vulture-‐chirps-‐with-‐ mantra/ Offered interview to Desh -‐ declined (already interviewed Rob previously) Album Review Mention -‐ see Press Clipping
NAT
Tone Deaf
Thu 12 Sep, 2013
Exclusive Album Stream. Album Review
http://www.tonedeaf.com.au/reviews/new-‐ music/342862/telling-‐scenes.htm
NAT
Tone Deaf
Thu 12 Sep, 2013
Email Newsletter Feature
NAT
TheMusic.com.au
Thu 12 Sep, 2013
Release Week Mention
Album Review Pic and Blurb -‐ see Press Clipping http://themusic.com.au/news/all/2013/09/12/this-‐weeks-‐ releases-‐130913/
Fri 13 Sep, 2013
Feature Interview, Album Review
Pitched Live Review -‐ declined
Pitched Album Review -‐ declined Pitched Album Review -‐ declined
http://vulturemagazine.com. au/mantra-‐the-‐evelyn/ Pitched Live Review -‐ declined
http://colosoul.com.au/colos Pitched Live Review -‐ oul_2.0/?p=20718 declined
Wordplay Magazine
NAT
Tone Deaf
Mon 16 Sep, 2013
NAT NAT NAT
X-‐Press Magazine Online Your Daily SPA Forte Magazine Online
Tue 17 Sep, 2013 Mon 23 Sep, 2013 Tue 24 Sep, 2013
NAT
Mandurah Mail Online
Tue 24 Sep, 2013
NAT
The Brag Online
Wed 25 Sep, 2013
NAT
TheMusic.com.au
Wed 25 Sep, 2013
NAT
Cool Try
Thu 26 Sep, 2013
Introduction Feature, Album http://cooltry.com.au/interview-‐mantra/ Review, Live Review
NAT
All Aussie Hip Hop
Fri 27 Sep, 2013
Online Radio Feature, Album http://allaussiehiphop.com/2013/09/27/aahh-‐radio-‐ episode-‐1-‐mantra/ Review
NAT
The Music QLD
Wed 2 Oct, 2013
Giveaway
Ultimate Boxset Giveaway via The Music QLD Facebook
NAT
Project U
Sat 12 Oct, 2013
Gallery
Pitched Interview to Nic -‐ declined
NAT
What Sound Melbourne
Wed 16 Oct, 2013
Feature Interview, Live Review, Gallery
http://www.whatsoundmelbourne.com/interview-‐minutes-‐Pitched Album Review -‐ mantra/ declined
NAT
The Music NSW
Wed 16 Oct, 2013
Giveaway
Ultimate Boxset Giveaway via The Music NSW Facebook
Thu 19 Sep, 2013
Feature Interview, Live Review, Gallery
The 59th Sound
NAT
Glam Adelaide
http://www.spaceshipnews.c om.au/photos-‐mantra-‐ mojos/
http://www.tonedeaf.com.a Pitched Live Review -‐ u/reviews/new-‐ declined (unable to find a music/342862/telling-‐ writer in time) scenes.htm
NAT
NAT
http://colosoul.com.au/colosoul_2.0/?p=20894
Pitched Album Review -‐ declined
http://www.tonedeaf.com.au/features/cookbook/344369 /mantra-‐3.htm Feature Interview http://dev.xpressmag.com.au/mantra/ Email Newsletter Feature Album Chart Mention -‐ see Press Clipping Feature Interview http://fortemag.com.au/?p=9250 http://www.mandurahmail.com.au/story/1797293/mantr Feature Interview a-‐mandurah-‐is-‐my-‐city/?cs=288 Feature Interview http://www.thebrag.com/content/mantra http://themusic.com.au/news/all/2013/09/25/indie-‐focus-‐ Indie Focus Feature Mention 250913/
Cookbook Feature Interview
http://cooltry.com.au/live-‐ http://cooltry.com.au/review-‐ review-‐mantra-‐the-‐great-‐ mantra-‐telling-‐scenes/ northern-‐newcastle/ http://allaussiehiphop.com/2 Pitched Live Review -‐ 013/09/23/review-‐mantra-‐ declined telling-‐scenes/ Pitched Album Review -‐ declined
http://www.the59thsound.com/mantra-‐19092013.html
Pitched Album Review -‐ declined
Pitched Interview to Gianni -‐ declined
Pitched Album Review -‐ declined
Pitched Live Review -‐ declined
http://projectu.tv/review/20 13/10/photos-‐mantra-‐evelyn-‐ melbourne
http://www.whatsoundmelb http://www.whatsoundmelb ourne.com/gig-‐review-‐ ourne.com/shots-‐mantra-‐the-‐ mantra-‐evelyn-‐october-‐11th/ evelyn/ http://www.the59thsound.co http://www.the59thsound.co m/mantra-‐-‐the-‐evelyn-‐hotel-‐ m/mantra-‐-‐the-‐evelyn-‐hotel-‐ melbourne-‐photos-‐ melbourne-‐11102013.html 11102013.html Pitched Live Review -‐ declined
NAT
http://www.theaureview.com/interviews/the-‐au-‐ interview-‐mantra-‐melbourne
The AU Review
Thu 3 Oct, 2013
Feature Interview, Gallery
NAT
The AU Review
Thu 3 Oct, 2013
Email Newsletter Feature
NAT
XXIV Magazine
NAT NAT
Beat Magazine Online Beat Magazine Online
Wed 9 Oct, 2013 Thu 10 Oct, 2013
Feature Interview Giveaway
NAT
Park Productions
Thu 17 Oct, 2013
Album Review, Live Review, Interview was requested by Giles, however he never Gallery responded to subsequent offer
NAT
Canberratimes.com.au
Fri 18 Oct, 2013
Album Review
NAT
The Dwarf
Fri 18 Oct, 2013
Live Review
http://www.parkproductions. https://www.facebook.com/ http://www.parkproductions. net/2013/10/mantra-‐grey-‐ media/set/?set=a.667252743 net/2013/10/mantra-‐telling-‐ ghost-‐live-‐review-‐tempo-‐ 309326.1073741826.201281 scenes-‐review/ hotel-‐brisbane/ 093239829&type=1 http://www.canberratimes.c om.au/entertainment/music/ mantra-‐telling-‐scenes-‐ 20131017-‐2vppo.html Pitched Album Review -‐ declined
Pitched Interview to Erin -‐ declined
http://www.watoday.com.au /entertainment/music/mantr a-‐telling-‐scenes-‐20131017-‐ 2vppo.html http://www.aphramag.com/ #!mantra-‐-‐-‐telling-‐scenes-‐ review/cfcy Pitched Album Review -‐ declined Pitched Album Review -‐ declined
Fri 18 Oct, 2013
Album Review
NAT
Aphra Magazine
Sun 20 Oct, 2013
Album Review
NAT
Reverb Online
Pitched interview to Kevin -‐ declined (unable to find a writer)
NAT
Groupie
Pitched Interview to Erin -‐ declined
NAT
Rip It Up SA
NAT
Sounds of Oz
Pitched Interview to Lauren -‐ declined
NAT
Pedestrian
Pitched Interview to Ash -‐ declined
NAT
Renowned for Sound
Pitched Interview to Brendon -‐ declined
NAT
Music Feeds
Pitched Interview to Tim -‐ declined (Mantra already did one not long ago)
NAT
Soul of Sydney
Pitched Interview to Editor -‐ no response
NAT
Blaire Magazine
NAT
Concrete Playground
Feature Interview
Pitched Live Review -‐ declined
Pitched Interview to Matt -‐ declined
WA Today
Wed 6 Nov, 2013
Pitched Album Review -‐ declined
http://www.beat.com.au/music/mantra-‐0 http://www.beat.com.au/freeshit/mantra
NAT
Giveaway
http://www.theaureview.co Confirmed a writer to review m/photos/mantra-‐grey-‐ghost-‐ Adelaide show, but she was prime-‐ed-‐castle-‐adelaide-‐26-‐ unable to attend in the end. 10-‐13
Interview Mention -‐ see Press Clipping Pitched Interview to Alex -‐ declined
Thu 31 Oct, 2013
Pitched Album Review -‐ declined
http://thedwarf.com.au/live_ review/17200/seth-‐sentry-‐_-‐ with-‐mantra-‐and-‐grey-‐ghost
Pitched Live Review -‐ declined Pitched Live Review -‐ declined
Ultimate Boxset Giveaway promoted via Rip It Up Facebook
6-‐page Feature Story -‐ see Press Clipping Pitched Interview to Hannah -‐ no response
Pitched Album Review -‐ declined Pitched Album Review -‐ declined Pitched Album Review -‐ declined (unable to find a writer)
Pitched Live Review -‐ declined Pitched Live Review -‐ declined
Pitched Album Review -‐ declined Pitched Album Review -‐ declined
Pitched Live Review -‐ declined Pitched Live Review -‐ declined
Pitched Live Review -‐ declined
Pitched Interview to Nathan -‐ declined
Pitched Album Review -‐ declined
Feature Story -‐ URL pending
Album Review -‐ URL pending Live Review -‐ URL pendng
NAT
The Music Network
NAT
Mayhem Magazine
NAT
Faster Louder
Pitched Interview to Sarah -‐ declined
NAT
The Marshalltown
Pitched Interview to Billy -‐ declined (unable to find a writer)
NAT
All I Do Is Listen
Pitched Interview to Editor -‐ declined
NAT
Totem Brand
NAT
Scene Wave
Pitched Interview to Editor -‐ declined
NAT
AMH Network
Pitched Interview to Johno -‐ declined
NAT
Adam Not Eve
Pitched Interview to Aleksander -‐ declined
NAT
Soot Magazine
Pitched Interview to Angela -‐ declined
NAT
The Ripe
Pitched Interview to Editor -‐ declined
NAT
Live Music Adelaide
Pitched Interview to Editor -‐ declined
NAT
Raw Ink Magazine
Pitched Interview to Roxy -‐ declined
NAT
Collapse Board
Pitched Interview to Editor -‐ declined
NAT
Reviewed Music
Pitched Interview to Nils -‐ declined
NAT
The Blurb Magazine
Pitched Interview to Editor -‐ declined
NAT
AAA Backstage
Pitched Interview to Mat -‐ declined
NAT
Press Record
Pitched Interview to Tammy -‐ declined
NAT
Urban Channel
Pitched Interview to Rohan -‐ declined
NAT
Small Werld
Pitched Interview to Editor -‐ declined
NAT
The Enthusiast
Pitched Interview to Editor -‐ declined
NAT
Little Boom Music
Pitched Interview to Scot -‐ declined
NAT
This Sound Goes Around
Pitched Interview to Joel -‐ declined
Mon 18 Nov, 2013
December
Feature Interview, Album Review, Live Review
Feature Interview, Gallery
Feature Interview -‐ URL pending
Pitched Album Review -‐ declined Pitched Album Review -‐ declined (unable to find a writer) Pitched Album Review -‐ declined Pitched Album Review -‐ declined Pitched Album Review -‐ declined Pitched Album Review -‐ declined Pitched Album Review -‐ declined Pitched Album Review -‐ declined Pitched Album Review -‐ declined
Pitched Album Review -‐ declined Pitched Album Review -‐ declined Pitched Album Review -‐ declined Pitched Album Review -‐ declined Pitched Album Review -‐ declined Pitched Album Review -‐ declined Pitched Album Review -‐ declined Pitched Album Review -‐ declined Pitched Album Review -‐ declined Pitched Album Review -‐ declined Pitched Album Review -‐ declined
Pitched Live Review -‐ declined
Pitched Live Review -‐ declined Pitched Live Review -‐ declined Pitched Live Review -‐ declined Pitched Live Review -‐ declined Pitched Live Review -‐ declined Pitched Live Review -‐ declined Pitched Live Review -‐ declined Pitched Live Review -‐ declined Pitched Live Review -‐ declined Pitched Live Review -‐ declined Pitched Live Review -‐ declined Pitched Live Review -‐ declined Pitched Live Review -‐ declined Pitched Live Review -‐ declined Pitched Live Review -‐ declined Pitched Live Review -‐ declined Pitched Live Review -‐ declined Pitched Live Review -‐ declined Pitched Live Review -‐ declined Pitched Live Review -‐ declined Pitched Live Review -‐ declined
NAT
Seven/Seven Magazine
Pitched Interview to Paige -‐ declined
NAT
Life Music Media
Pitched Interview to Stuart -‐ declined
Pitched Album Review -‐ declined Pitched Album Review -‐ declined
Pitched Live Review -‐ declined Pitched Live Review -‐ declined
AREA
STATION
AIR DATE
CONTENT
DETAILS
SPINS
PLAYLIST
COMPS
RADIO -‐ COMMERCIAL NAT
Triple J -‐ Home & Hosed
Tue 23 Jul, 2013
Airplay
NAT
Triple J -‐ The Hip Hop Show
Thu 25 Jul, 2013
Airplay
NAT NAT NAT NAT
Triple J -‐ Home & Hosed Triple J -‐ The Hip Hop Show Triple J -‐ 2013 with Richard Kingsmill Triple J -‐ The Hip Hop Show
AREA
STATION
Mon 12 Aug, 2013 Thu 5 Sep, 2013 Mon 8 Sep, 2013 Thu 10 Oct, 2013
Airplay Airplay Airplay On-‐air Interview, Airplay
AIR DATE
CONTENT
Break Tradition premiered on Home & Hosed with Dom Alessio Break Tradition aired on the Hip Hop Show with Hau Latukefu Break Tradition aired on Home & Hosed with Dom Alessio The Fear aired on the Hip Hop Show with Hau Latukefu Break Tradition aired on 2013 with Richard Kingsmill http://www.abc.net.au/triplej/hiphop
DETAILS
Break Tradition -‐ Spot Play
Serviced Album
Break Tradition -‐ Spot Play
Serviced Album
Break Tradition -‐ Spot Play The Fear -‐ Spot Play Break Tradition -‐ Spot Play Break Tradition -‐ Spot Play
Serviced Album
SPINS
Serviced Album
PLAYLIST
COMPS
RADIO -‐ COMMUNITY NSW VIC VIC
2bbb FM -‐ The Mix Up Show PBS 106.7 FM SYN FM 90.7 FM -‐ GET CEREAL Show
Wed 11 Sep, 2013
On-‐air Interview, Airplay
Mon 16 Sep, 2013
On-‐air Interview, Airplay
http://www.2bbb.net.au/ Pitched Interview to Chelsea -‐ declined http://www.syn.org.au/getcereal
NSW
FBi Radio 94.5 FM
Tue 17 Sep, 2013
On-‐air Interview, Airplay
Live-‐to-‐Air on The Drop with Joyride
VIC NSW VIC QLD QLD SA
Triple R 102.7 FM 2SER Radio K-‐Rock 95.5 FM 4ZZZ 102.1 FM RTR FM 92.1 Radio Adelaide 101.5 FM
Wed 9 Oct, 2013
On-‐air Interview, Airplay
On-‐air Interview on Test Pattern with Anita Alphabet Pitched Interview to Paris -‐ declined
AREA
NETWORK
Break Tradition -‐ Spot Play
Serviced Album Serviced Album Serviced Album
Break Tradition -‐ Spot Play Loudmouth, Break Tradition -‐ Spot Play Break Tradition -‐ Spot Play
Serviced Album Serviced Album Serviced Album Serviced Album Serviced Album Serviced Album Serviced Album
Pitched Interview to Aiden -‐ declined Pitched Interview to Ellen -‐ declined (full schedule) Pitched Interview to Peter -‐ declined Pitched Interview to Chris -‐ declined
AIR DATE
CONTENT
DETAILS
SPINS
PLAYLIST
COMPS
TV -‐ BROADCAST NAT
RAGE (ABC)
NAT
Channel [V] (Foxtel)
NAT
1700 (C31)
NAT
1700 (C31)
NAT
AREA
Sat 21 Sep, 2013 and Airplay Fri 27 Sep, 2013 Tue 8 Oct, 2013 Airplay Tue 1 Oct and Mon 7 Airplay Oct, 2013
Video added to Playlist -‐ see Press Clipping Video gained additional Spot Plays during the week
Break Tradition -‐ Spot Play
http://www.c31.org.au/schedule/view/episode/100218
Playlisted on Tue 1 Oct, 2013
Pitched interview to Lauren -‐ declined (full schedule)
The Riff (Channel [V])
OUTLET
Fri 4 Oct, 2013
LIVE DATE
In Studio Performance, Interview
CONTENT
http://theriff.vmusic.com.au/2013/10/04/coming-‐4th-‐ october-‐2013-‐mantra-‐interview/
DETAILS
TV -‐ ONLINE NAT NAT NAT
Playlisted on Fri 27 Sep, 2013
Beat TV Conversations From a Coffee House Noise11
Tue 15 Oct, 2013
In Studio Interview Feature Video Interview
http://www.beat.com.au/tv/mantra Feature Interview -‐ URL pending Pitched Interview to Paul -‐ declined
http://theriff.vmusic.com.au/ 2013/10/04/video-‐mantra-‐ performs-‐loudmouth/
SPINS
PLAYLIST
COMPS
M EDIA CO VERAGE - PRINT
11A Balmerino Avenue Toorak, VIC Australia 3142 | ABN 68 919 686 054 www.parisispatient.com.au - Commercial in Confidence
Classixx
CLASSIXX
lucky to be a part of it,” David shares,“We’re definitely privileged.” It will also be the Australian debut of their long awaited first album, Hanging Gardens. “It’s been pretty positive,” David says of the reaction to the album.“We didn’t have very many expectations, so positive responses have been very attering for us. I think that people who liked our Back in the day, two producer/ flprevious work have been responding to us – that’s DJs Michael David and Tyler Blake not been very surprising. But we’ve also picked up couldn’t catch a break.They resorted some new fans that are more prone to listening to albums.” to throwing parties outside a They’re stripping back their live basement in Echo Park, Los Angeles. performances, focusing on the fundamentals. “For most part it’s just Tyler and I on stage,” he explains. Lines extended around the corner. the “We’re trying to pull back some of the peripheral Blake was evicted. And Classixx elements, keep it sort of raw; we’re playing keyboard, was born. HAYLEY DAVIS finds out guitars and sequencing. The main takeaway is that trying to make the live experience an authentic how David is feeling before their we’re one.” upcoming trip down under. David and Blake met in middle school, with David heavily into Guns N’ Roses and New Age It might be said that the endurance of Classixx guitars while Blake was deep into west coast funk. and their musical production comes down to their They went their separate ways for awhile, Blake to the relationship. Berklee College Of Music and David on the road as a “We’d probably be making this music keyboardist with a band. They always stayed in touch, anyway even if people weren’t interested,” David sharing music online, before coming together again says. “Our friendship is very much based on our in Los Angeles and unleashing their unique, synthmusical sensibilities, so for people to enjoy the music disco sounds on their own tracks and those of others. we’re making, is pretty cool.” In terms of touring together, knowing Now the duo are a respected dance music each other since they were kids means few lines have act with their own hit tracks, I’ll Get You, Dominoes and been left uncrossed. “We know each other very well, Hanging Gardens as well as epic remixes for the likes probably about as well as two friends can; it’s almost of Groove Armada, Yacht, Major Lazer and Phoenix. like touring with family,’ David says. “We kind of can They are heading to Aus for the inaugural be completely ourselves, sometimes selfish and Listen Out parties across the country, which kicks off sometimes concerned for the other person.” later this month.“I find Australian audiences go crazy and are very expressive,” David states. The boys are excited to be a part of Listen » CLASSIXX Out, which organisers say is designed to fill a gap » SUNDAY, SEPTEMBER 29 @ LISTEN OUT, in the festival market for an intelligent, Australian » OZONE RESERVE dance music event. “We’re just really happy and feel
KEEPIN’ IT REAL
MANTRA
BREAKING TRADITION Melbourne hip hop lyricist Mantra facilitated an on-stage marriage proposal when he was last in Perth. Whilst his third studio album Telling Scenes is no mushy affair, it certainly is of a quality that will be long lasting. JO CAMPBELL has more. Mantra aka Rob Tremlett is chilling on a deck overlooking Byron Bay when we catch up on the phone. He’s just finishing off a 20-date national tour with his mates in hip hop arms, Seth Sentry and Grey Ghost. He’s relaxed and enthusiastic as we discuss the second single from the new LP, the darker follow up to first single Loudmouth, entitled Break Tradition. It’s a narrative-based track dealing with the cycle of violence inspired by Tremlett’s work as a music/youth mentor. The heavy nature of the lyrics is off-set by some soulful vocals provided by Cisco Tavares, who also collaborated with Tremlett on his first LP and was a member in their band, Illzilla. “I didn’t want it to be ‘the world is fucked, the world is doomed’,” says Tremlett of Break Tradition. “I wanted it to be kind of hopeful because as much as that pattern of repetitious behaviour is often instilled and perpetuated, I have seen it be broken. “The pattern of violence that’s kind of engrained and social acceptance of violent behaviour is something that I’ve always been disturbed by, but also been very aware of for a long time,” he explains. “The young people that I work with are often in really messed up situations and I see that on a weekly basis, that kind of behaviour that gets passed down from generation to generation, that comes from the parents or the family and gets instilled in the young person who perpetuates the same bullshit and lives out the exact same things that made them so hardened, aggressive and angry.” In terms of the LP at large, Tremlett says it hadn’t been a conscious decision to collab on the beats with multiple producers. “That was borne out of necessity, just because there were a bunch of producers I was working with and I liked their sound, plus I was never in a situation where I could lock down one producer and say, ‘right let’s make an album’.” Telling Scenes is more tightly packaged than his previous LP’s, less adlib with Tremlett taking the director’s role more seriously such as on vocal www.xpressmag.com.au
Mantra collaborations, which includes his work with Kylie Auldist on Baby Girl. “The vocal thing was cool this time because it was a bit more deliberate. I had written a lot of the songs, in the case of Break Tradition and a few others, where I pretty much knew what I wanted the guest vocalist to do and then could just go holler at vocalists that I liked listening to, and who I thought suited the song. “I’m always open to people coming with their ideas but I think on this album, I was more aware of what I wanted.”
» » » » »
MANTRA TELLING SCENES OUT NOW THROUGH TEN TO TWO RECORDS THURSDAY, SEPTEMBER 19 @ FLYRITE FRIDAY, SEPTEMBER 20 @ MOJOS 27
level of support that our listeners show us in actually putting their money where their mouth is and picking up the record.â€? When it comes to tracks on the album, Solo doesn’t like playing favourites. “It changes; it’s like asking a parent to pick a favourite child,â€? he explained. “You listen to every track for so long that you develop a kind of attachment to a lot of them. But I guess ‌ It changes, but tracks like ‘Dead Star Shine’ and ‘Down the Line’ are songs that I’m particularly proud of – and same with ‘Own Backyard’.â€?
the kind of things that I’ve been thinking about. I just wanted to speak my peace. I guess that dimension has always been there to our records; we’ve always slipped in little lines here and there. It’s just more obvious on this record.� WHEN&WHERE: Star Bar, Bendigo – September 27; The Karova, Ballarat – October 17; The Wool Exchange, Geelong – October 18
MANTRA BY NATALIE ROGERS
It’s a beautiful spring afternoon and you’re one of Australia’s best and most respected rappers. What are you up to? “Pacing around my big empty house, taking little pot-shots at my indoor hoop between interviews,â€? Melbourne emcee Mantra replies with a cheekiness in his voice. Things start off light and fun as he talks about his recent time on the road with buddy Grey Ghost, supporting hip hop juggernaut Seth Sentry. “It’s been Ă€DW RXW Âą WRWDOO\ EDOOV WR WKH ZDOO LQ WHUPV RI P\ OHYHO of activity, but everything is quite exciting. I don’t mind being a workaholic when the work is so fun, and getting ready for my album to drop has been keeping me really busy!â€? Mantra continued. But as the interview progresses his tone becomes a little more serious as he talks about making his latest record. “The process of this album was an interesting one. Making a record is always emotionally draining, for me at least, ‘cause I pour my heart and soul into it and there were a whole lot of obstacles and setbacks , HQFRXQWHUHG DORQJ WKH ZD\ :KHQ , ÂżUVW VWDUWHG , was putting a lot of pressure on myself to get it out quickly and keep the momentum going from my last release. Soon I realised I wasn’t happy, and there was a moment where I said ‘I can’t do this!’â€? Help came in the form of a little sage advice from a couple of friends: “I hang out a lot with Grey Ghost and his wife Julia, who are two of my best friends and a constant source of inspiration to me. And we collaborate a lot as well. They both played quite a big
part in this record, particularly Julia. They basically just said to me, ‘dude you’re making yourself crazy! You’re putting all this pressure on yourself. Just do want you want to do and take your time with it’. “Even though it was so simple and obvious, it was the best advice I’ve ever received! As soon as they said that , LPPHGLDWHO\ IHOO WR WKH Ă€RRU DQG EUHDWKHG D PDVVLYH sigh of relief. I was overjoyed with a rush of creative liberty, and the direct result of that conversation was three tracks on the album, two of which have become WKH ÂżUVW WZR VLQJOHV ´ The singles that Mantra is referring to is radio anthem ‘Loudmouth’ and the thought-provoking ‘Break Tradition’, both standouts on an album full of insightful tales, aptly titled Telling Scenes, the third instalment of Mantra’s The Power of the Spoken Trilogy. His ability to bring his words to life with carefully crafted precision is a rare talent. “There are a few tracks on the album that are going to be a joy to play live, but one that really stands out is the one I played on the Loudmouth Single 7RXU HDUOLHU LQ WKH \HDU ,WÂśV D VRQJ FDOOHG Âľ4XLFNVLOYHUÂś It’s something that’s really fresh. It’s an acoustic track DQG , ZDVQÂśW VXUH DW ÂżUVW KRZ LW ZRXOG EH UHFHLYHG EXW after the set other emcees approached me to say it was their favourite song.â€? You can hear those tracks and others on Telling Scenes (out now). WHEN&WHERE: The Evelyn, Melbourne – October 11
NORTHEAST PARTY HOUSE BY NATALIE ROGERS
6PHOO WKDW" 6SULQJ LV QRZ RIÂżFLDOO\ LQ IXOO EORRP and with the arrival of warmer weather comes feelings of joyful anticipation for the upcoming IHVWLYDO VHDVRQ 2QH RI WKH ÂżUVW RQ WKH FDOHQGDU LV
a hard winter. We’ve been stuck in the studio with QR RXWVLGH LQWHUDFWLRQ WU\LQJ WR ¿QLVK WKH DOEXP 7KH GHDGOLQH IRU ¿QLVKLQJ LV WKH EHJLQQLQJ RI 'HFHPEHU VR E\ WKH WLPH ZH SOD\ 4XHHQVFOLII ZHœOO KDYH PRUH VRQJV
Beats// Interviews
Today Australian hip hop is a huge commercial force. Iggy Azalea is a global pop star, 360 has appeared at Lollapalooza and Seth Sentry guested on Jimmy Kimmel Live!. But could Melbourne's erudite MC Mantra (AKA Robert Tremlett) - who, outside Australia, has only gigged in China - benefit from the inroads made by Iggy?
"It's awesome when any Australian hip hop artist is blowing up overseas, but I don't know if their success would have a roll-on effect to other Australian hip hop artists or not because they are so unique," says Tremlett from Byron Bay, where he's touring with Seth. In fact, Tremlett is uneasy with the very category of 'Australian rap'. "I've never considered myself 'an Australian hip hop artist'," he says. "I've only ever tried to consider myself 'a hip hop artist'." The "unique" Iggy, an expat, has copped flak for her Americanisms. "I started rhyming in an American accent, too, just because it felt way more comfortable for me," confides Tremlett, exposed to US rap growing up. "I was embarrassed by my accent. I felt like it didn't belong in a hip hop song." That changed by time the he came to the fore with the pioneering outfit Equills. Tremlett subsequently led the well-loved hip hop live band Illzilla. The MC went solo with 2010's Power Of The Spoken on Obese Records. Now aligned with Ten To Two, he deems his third album, Telling Scenes, already in the Australian Top 20, his most artistic foray - although it still contains "some bangers" like the lead single Loudmouth and input from boom-bap beatmakers such as Resin Dogs' Dave Atkins.
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"I had a really clear idea of what I wanted to do initially with Telling Scenes," Tremlett reveals. He cut the title-track, with its emotive classical sample, early. "The rest of the record didn't end up sounding like that - [though] we got some traces of that on the album. But what it did do was just kickstart the whole writing process and get me thinking about every aspect of the songwriting - not just writing sick rhymes over beats, but really getting my hand dirty and sculpting a sound." Indeed, Tremlett worked with his friend Juleiaah (AKA Kisshead), who's been teaching him to sing and play piano. "I've been experimenting with a lot of different kinda styles of songwriting. I've been sitting at the piano and writing songs, which are just me playing piano and singing. Not many of these songs are making it onto my record but, just by doing that and practising
those things and getting better at those things, that's really helped my songwriting when I am doing pieces for my record." Cameo-ing on the album are ex-Demigodz rapper Louis Logic, soulstress Kylie Auldist, and cabaret performer Simone Page Jones. Tremlett will headline his own national tour through October. By the last date in Adelaide, he'll have been on the road for months - but the MC has learnt to pace himself. "I kinda got used to performing every week when I was younger and we'd just be able to smash the party after the show! We'd never sleep. It was just a constant party. I feel like it never really took that big a toll on my shows - but it's a different kettle of fish now. I'm very careful about taking care of myself and always try to eat right, get a lot of sleep and rest up - 'cause you get sick. As an MC, your voice is your livelihood so, as soon as that's gone, then you're screwed."
While Tremlett has been "cagey" about performing new tracks on tour with Seth, that won't be the case this time. "I'll be trying to get as much of the new material in there as possible," he assures. "That said, there's always gonna be heads at the shows who wanna hear the old shit - and there's songs that I'd pretty much get crucified [for] if I don't play... But I always like to do some one-off shit as well. I like to throw in some surprises maybe some freestyles or some exclusive bars or whatever. I like to keep it pretty fresh." WHO: Mantra WHAT: Telling Scenes (Ten To Two Records) WHERE: Ed Castle WHEN: Sat Oct 26
Dizzee Rascal The Pursuit Of Dizziness By Alasdair Duncan
A
few years ago, Dizzee Rascal’s single ‘Dance Wiv Me’ signalled a change in the cheeky UK rapper’s music, away from the grime sound of old into the direction of unabashed pop. His new album, The Fifth, sees him embrace the idea of pop even more. Packed with dancefl oorready beats, it’s his most joyous release to date. As he tells it, he wanted to make an album that would give his live show more punch. “The whole thing with this record is that it’s geared towards live audiences,” he explains. “The earlier stuff didn’t have a lot for the crowd to latch onto in terms of hooks and the rest of it, it was just me rapping away, so this time I really wanted to give people something. I challenged myself to bring those big hooks in and make it work.” On his newfound musical direction, Rascal has said that if his last record, Tongue N’ Cheek, represented him dipping a toe into the swimming pool of happiness, then The Fifth is him diving in and going for a few laps. He’s simply arrived at a point in life where he appreciates the benefi ts of happiness and positivity. “I want to see people smiling and jumping around and having the time of their lives at my shows,” he says. “I want music that facilitates that. I mean, the energy that it gives off, people
“I want to make people feel good. I want to make classics. I want people to put my music on when they have a celebration. That’s how I want to be remembered.”
might run around and have a fi ght to, but I want people to have a good time. I want to make people feel good. I want to make classics. I want people to put my music on when they have a celebration. That’s how I want to be remembered.” The Fifth was made in Los Angeles, and the atmosphere of the city – itself undergoing something of a hip hop resurgence at the moment – contributed greatly to the sound of the album. “I’ve been coming to LA for years,” Rascal explains. “It’s actually the first place I went when I came to America back in 2003, but I’ve never made music here before this album. It’s always been my favourite American city, even ahead of Miami. This time around, I decided to come out here and do the pop star thing – I worked with some big people in some big studios, and I just had a laugh. It’s funny to be waking up in hotels – every day is sunny, going to the studio all day… There are so many people here. You can go to a studio here and anyone can be next door. You’ll be walking the halls and bump into Tyga or Chris Brown.” Across a decade-long career Rascal has always determinedly produced his own material, but when making The Fifth he decided to try a new approach, entrusting production duties to his various collaborators so he could focus on songwriting instead. “I’d never done that kind of thing before, because I’d always done it myself from home. It was cool, though, because the calibre of producers and beatmakers I worked with was very high.” Pop heavyweight RedOne contributed, along with R&B star Jean Baptiste and many more. “The production side of me was still there, because I picked the beats, and I worked on the arrangements,” Rascal explains. “The way things fi t together on the album isn’t necessarily the way they fi t together when I was first presented with the beats. When you have to build a beat then write to it, your
thought process is different, so I liked that I started out working with smashing pop hooks for this one.” Dance and hip hop are changing and evolving all the time, and on that front Rascal considers it a part of his job to be always on top of the newest sounds and the freshest beats. “That’s especially true when it comes to hip hop,” he says. “My heart’s still there, it’s still the core of what I do, so I wake up every morning and look all over the internet for new shit, from the mainstream as well as the underground. That’s my main thing. I also listen to a lot of club music – it’s not necessarily my main thing, but I hear a lot of it about, and I’m always curious about why and how people respond to different beats. I was in Ibiza and went to the clubs there and had an eye-opening experience there. It’s not necessarily what I’m into, but it’s not always about what I’m into, it’s about fi nding out what stimulates people, and then trying to fi nd a balance, putting that into my own music.” Rascal puts on a very energetic live show, constantly bouncing from left to right around the stage, and The Fifth will only add more energy to the performance. “I defi nitely give it my all in the show,” he laughs. “My knees are fucked afterwards! I feel super hyped after I come off. I put everything into the show, but I always fi nd that if you give everything, you’ll get it back. There’s nothing worse than seeing a lazy rapper. Live performance is the most important part of this whole thing for me – when people come to see me, they want to see the music come to life, they want to have the full experience, and it’s very important for me to give them that.” What: The Fifth out Friday September 27 through Dirtee Stank/Liberator Music
Mantra Simple Words By Krissi Weiss
As with his previous releases, Tremlett has chosen to be forthright and honest in his lyrics and subject matter on this album, though not beyond reason. “I think for the most part the things that I write about are the things I’m generally comfortable with people hearing and discussing. If you’re putting something in a song you’re basically putting it up for public discussion. If there’s something I’m totally not comfortable with I won’t put it on a record. Some of the biggest obstacles and emotional issues I’ve dealt with in my life I’ve come to terms with a lot more after writing songs about them. There have been a few massive heartbreaks and tragedies that have become easier to think about.”
T
here’s no use pretending that rap is still a niche genre in this country. The Australian music industry is bursting at the seams with men and (not enough) women clambering over each other to spit rhymes in some sort of time. Genre saturation can be creative suicide but luckily for all involved, the hip hop scene in our fair land has stayed afloat by its safety in numbers. Talent has always been there, skill has definitely grown, but mateship and collaboration – that’s the key ingredient that has pushed Aussie hip hop beyond the hilltops and into the stratosphere. thebrag.com
Mantra (Rob Tremlett, according to his passport) has finally revealed album number three, Telling Scenes, and has a whole new setlist to go with it for the album launch tour. “I’ve been pretty cagey about it all,” Tremlett says of the shows he played immediately before Telling Scenes dropped. “[I was] doing the two singles and dropping little bits of other tracks, like a verse of one and a chorus of another dropped in … keeping it close to my chest until the big album tour.” As is Tremlett’s MO, the record includes a slew of guests, from Grey Ghost to old sparring
partner Tom Thum. Tremlett has always enjoyed collaborative creation but what stands out with this album is its musicality. “I started getting some vocal lessons, mainly to strengthen my voice and take care of it on the road and nail my tunes each and every night,” he says. “That then led to trying more out with singing and I got to learn some piano and it got to solidify some of the music theory I’d learned back in the days, as well as giving me that really strong foundation to build on. It really affected my writing and my music in a cool way. The more I think about it now though, I probably did need to do it.”
Though Tremlett continues that emotional purging, he explains the catalyst for each song can always come back and take him by emotional surprise. “You’ve poured your heart out but after rehearsing and performing a song night after night it makes it a bit strange,” he says. “I have a song I wrote, ‘For You’, about my friend who was murdered and I’d written the song a few years ago now, and I’d recorded before and performed it – I decided to record it again in its final incarnation. I laid it down in the studio and then just this one time listening to it in the studio that was suddenly a trigger for me to have to leave the room for a minute and go and cry my eyes out in the bathroom. It’s like I hadn’t properly thought about what it was for so long – it had become just a song – so shit never really goes away, but you do become desensitised. And there’s no better place to do that than in music.” What: Telling Scenes out now through Ten To Two Records Where: Great Northern, Newcastle / Annandale Hotel, Sydney / Beachcomber, Toukley When: Thursday October 3 / Friday October 4 / Saturday October 5 BRAG :: 531 :: 23:09:11 :: 37
REPEAT AFTER ME Mantra’s Telling Scenes found Rob Tremlett digging deeper than ever. And, as the Melbourne MC tells Matt O’Neill, getting piano lessons.
“T
o be honest, it wasn’t really a conscious decision... I actually made the decision to start learning to sing a couple of years ago. It was after the release of my last album [2011’s Speaking Volumes],” Tremlett reflects on what eventually led him to piano lessons. “It was just about strengthening up my vocal performance as a rapper... But, while I was doing it, my teacher started teaching me piano. So, I was learning chords, melodies and the actual structure of music, which is not something I’d looked at since I was a kid. Learning about that stuff in the context of what I’m doing now was a big help.”
Telling Scenes isn’t just another album for Rob Tremlett. His third solo outing as Mantra, it finds him getting ambitious. “Lyrically, I did a few things that I’d never really done before. I address a lot of personal issues on this album that I’ve never touched on in a song before. I don’t want to use the term ‘soul searching’ – but I guess I just did,” he quips.
In discussing the album’s initial direction, he talks of minimalism and cathedrals: “It was way darker than the final album ended up being... I was working with a few vocalists and we were writing these almost choir-
style vocals and basing a lot of the songs around that. Basically, I saw a big, Gregorian church.
“And that’s where I was spitting my raps. I was taking it back to the abbey. I was the fucking monk, y’know what I mean,” Tremlett jokes. “A lot of those early ideas managed to get onto the album in some way, but I think I just wasn’t in that dark, brooding place. There’s a few lighter tracks, there’s a few hardcore banging tracks. There’s both sides.”
There’s genuine darkness and struggle to Mantra’s narrative. One of his closest friends was murdered at the outset of Tremlett’s career. More pragmatically, his early albums have a far broader stylistic palette. “I’m still really proud of everything I did on those first two albums. When I listen to my first solo album, I kind of go, ‘Wow, I don’t write like that anymore’. Sometimes, I look back and go, ‘Wow, I wish I could think like that again’,” he reflects. “It was much more dreamy, much more abstract. A little bit cryptic. That was just the starting point, but it’s gotten me to the point where I’m at now – which is much more of a complete artist. I feel like I’ve honed it. I’m a much better songwriter now.”
Tremlett still maintains that nationalistic sense of larrikinism (see: recent single Loudmouth) but there’s always something going on beneath the surface. “I’m quite adamantly not a religious person... But I feel like I definitely consider myself a spiritual person in that I know what my soul needs to be happy and content. Can’t always get it, but I know what it is [laughs]... I think the spiritual connotations of the albums are often simply a product of me thinking about the world and my place within it.” WHAT: Telling Scenes (Ten To Two Records) WHEN & WHERE: 11 Oct, Evelyn Hotel
music
album review
MANTRA
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Telling Scenes
To speak of a hungry MC doesn’t get to the heart of it. Hunger is about desire: I want food. Hunger is not starvation: I need food. So to describe Mantra as hungry is to miss the point. He doesn’t want to rap. He must rap. You can hear it in the ferocity of his rapid-fire delivery. You can feel it in the way he squeezes everything he can from a rhyme scheme before moving on to the next one. You can sense it in the mini-melodies that punctuate his raps. Mantra had to make Telling Scenes this way. He had no other option. Learn Your Language is a case in point. “Ya ya ya ya ya ya ya,” and then – bang! We find ourselves in Mantra’s world of words bouncing and boombapping along. It serves as the album’s mission statement: we are here to talk about talking. The Fear has a stunning moment a little after the two-minute mark where Mantra’s melodic command roams free before
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★★★½ segueing back to the hypnotic hook. Break Tradition deserves its reputation as a call to arms for all white ribbon wearers. Perfect Crime is striking and powerful; comfortably the album’s best. Problems? The skits detract from the album a little more with each listen. After all, a good joke gets boring faster than a good song; an average joke, faster still – a minor quibble. Telling Scenes is a compelling achievement. It’s the album Mantra had to give us. James d’Apice
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live reviews to an end, most in the audience give Swinscoe and his colleagues a well-deserved standing ovation. A killer start to Melbourne Festival and the many delights that are sure to come our way in the next couple of weeks. Guido Farnell
MANTRA, L FRESH THE LION Evelyn Hotel 11 Oct
There’s a solid crowd assembled for L Fresh The LION’s warmup set at Evelyn Hotel on Friday night. The up-and-coming MC and support act du jour (seriously, he’s everywhere) is putting on a good show, but an unusually husky quality in his voice and a little less energy than normal suggest that he may have fallen prey to one of the many
the direction of DJ Flagrant’s face – with interesting results. “Someone doesn’t know how to spell ‘clitoris’,” says Mantra, peering at an early arrival with concern. The freestyle set, once it gets going, is an absolute hit – topics covered in verse include Heisenberg, unicorns, Australian hip hop and RIP Hunter. ( Jousting, tonsils and fart were all unlucky and didn’t make the cut.) The second part of the set features a few special guest appearances but, rather than inviting other MCs on stage to join him, Mantra performs alongside a few vocalists featured on his new record. Soul songstress Kylie Auldist joins him to perform Baby Girl, while Simone Page Jones dazzles when she lets her voice fly on the down-tempo track Quicksilver. Hits like Loudmouth and Voodoo Music keep the crowd bouncing before the set ostensibly closes with As The Sun Goes Down. The
THE BUTTERFLY EFFECT @ THE ESPY. PIC: MATT ALLAN
Melbourne bugs going around. It doesn’t stop him rocking out to his radio earworm One though. DJ Flagrant steps up to keep the crowd entertained with a mini-set of Aussie hip hop classics. The crowd lap it up, but they really find their voice when Mantra jumps up on stage. Backed by Flagrant and percussionist Neda Rahmani, he launches into Learn Your Language, a track from his new album Telling Scenes. The early part of the set balances new material with older classics such as Who The Fuck Is Mantra and I Hereby Stand. Then, it’s stunt time! Earlier in the day, Mantra put a request on Facebook for fans to bring paper planes with a word written on them to the gig, together with the promise that he’d freestyle about the words during his set. So, naturally, during Paper Planes, he requests that the plantderived projectiles be thrown in 54 • THE MUSIC • 16TH OCTOBER 2013
on his neck as he emphatically wails into the mic. The quintet work through the sonic peaks and troughs of their densely layered tunes, alternating between moments of quietude and roaring intensity. Closing their set with the soaring Raptor, the boys exit the stage to make way for the second support act. Sleep Parade up the energy levels from the first strum of frontman Leigh Davies’ guitar. To describe these guys as impassioned would be an understatement; both Davies and drummer Dan Teng grimace with every plucked string and pounded skin. Not one to hold back on guitarhero antics, Davies whizzes back and forth with his axe, even aping Hendrix, using his guitar pickup as a microphone. Dancing With The Enemy is a heartfelt standout, delivered with pulsing beat and ample gusto.
THE BUTTERFLY EFFECT @ THE ESPY. PIC: MATT ALLAN
audience demands an encore though, shouting “MAN-TRA! *clap clap clap*” like they’re at a footy match. Mantra obliges with a finale performance of his showstopper The Freak Show, which leaves the punters satisfied, if not entirely sated – they really can’t get enough. Aleksia Barron
THE BUTTERFLY EFFECT, SLEEP PARADE, TEAL The Espy 11 Oct
While punters make their way into The Espy’s narrow, shabby chic Gershwin Room, Sydney lads Teal are hard at work trying to win over a crowd that has one band firmly on their minds. Vocalist Joe Surgey contorts about the stage, working the veins
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THE BUTTERFLY EFFECT PIC: MATT AL
By now the ratio of bottle blondes is on par with that of black-tee sporting tradies, both parties squeezing into the rectangular room and shuffling forward for prime position. This is to be the first visit to Melbourne for this new incarnation of The Butterfly Effect, featuring Paul Gallagher on the mic. Easing into their set with Filling Silence, Gallagher is flanked by guitarist Kurt Goedhart and bassist Glenn Esmond, both heavier set and shaven skulled, looking more security guards than bandmates. Gallagher sways languidly to the mid-tempo beat, hair in face and eyes shut as he attempts to do the song justice. Phoenix drops the clutch and the audience lights up, Gallagher’s voice tackling this track more easily than the last. Window And The Watcher continues the string of crowd favourites from their back catalogue, A Slow Descent, with its recognisably frantic guitarline
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wednesday october 2 inside:
mantra
miguel campbell news tours club snaps + more
DUBFIRE
mantra wo rd s / k r is s i we i s s
Rob Tremlett aka Mantra barely had time to wash his socks after a massive tour with Seth Sentry when his own album launch tour began. Album number three (and the first away from the Obese label) Telling Scenes has arrived and in typical Mantra style it’s heartfelt, achingly honest and full of the collaborative style he’s so known for. “We’ve done our first shows for the album tour and we’re excited to be rocking the new tracks now,” Tremlett says. “It was awesome playing in WA because the album had only been out for a week and, ya know, every song that we played people knew all the words. That’s very encouraging for me because I don’t think my lyrics are particularly easy to learn so that means people must be giving it a pretty damn good listen.” Despite being a self-professed class clown, Mantra’s humble and almost self-deprecating view of himself as an artist is worlds away from the hip hop bravado stereotype. “I can never really believe that anyone at all wants to listen to my music so for me, it’s still amazing when that happens,” he says. “To think that people are actually waiting for the album is just amazing. We did a bunch of pre-order packages that were like a box set with vinyl and a lyric book and stuff and the response to that was great. A bunch of them sold out a week in advance before the album was even released; I couldn’t believe the love I was getting and I couldn’t believe that people wanted those physical things.” Tremlett has always enjoyed collaborative creation but what stands out with his forthcoming album is its musicality. It’s just plain better. “I started getting some vocal lessons mainly to strengthen my voice and take care of it on the road and nail my tunes each and every night,” he says. “That then lead to trying more out with singing and I got to learn some piano and it got to solidify some of the music theory I’d learned back in the days as well as giving me that really strong foundation to build on. It really affected my writing and my music in a cool way. The more I think about it now though; I probably did need to do it.” As with his previous releases, Tremlett has chosen to be painstakingly honest in his lyrics and subject matter on this album. “I think for the most part the things that I write about are the things I’m generally comfortable with people hearing and discussing,” he says. “If you’re
putting something in a song you’re basically putting it up for public discussion. If there’s something I’m totally not comfortable with I won’t put it on a record. Some of the biggest obstacles and emotional issues I’ve dealt with in my life I’ve come to terms with a lot more after writing songs about them,” he continues. “There have been a few massive heartbreaks and tragedies that have become easier to think about.” He’s continued that emotional purging but explains that the catalyst for each song can always come back and take him by emotional surprise. “You’ve poured your heart out but after rehearsing and performing a song night after night it makes it a bit strange,” he says. “I have a song I wrote, For You, about my friend who was murdered and I’d written the song a few years ago now and I’d recorded before and performed it – I decided to record it again in its final incarnation. I laid it down in the studio and then just this one time listening to it in the studio that was suddenly a trigger for me to have to leave the room for a minute and go and cry my eyes out in the bathroom. It’s like I hadn’t properly thought about what it was for so long – it had become just a song – so shit never really goes away but you do become desensitized. And there’s no better place to do that than in music.” WA audiences did get to enjoy Grey Ghost and Mantra share the stage for a few tracks but as the tour rolls on, the album’s collaborative nature is going to come to life even more. “We’ve only done two shows, they’ve both been in WA and unfortunately none of my collaborators were there,” he says. “I did have Grey Ghost at the show so we got to play a couple tracks together. I haven’t been able to bring to life the collabs that I did on the album just yet but I’m definitely looking forward to a bunch of those artists coming up on stage during the upcoming shows. I’m not saying who’s gonna be there specifically but there’s a lot to look forward to.”
Mantra will hit The Evelyn on Friday October 11. Telling Scenes is out now through Ten To Two Records. facebook.com/mantrahiphop
REPEAT AFTER ME
music
Mantra’s Telling Scenes found Rob Tremlett digging deeper than ever. And, as the Melbourne MC tells Matt O’Neill, getting piano lessons.
“T
o be honest, it wasn’t really a conscious decision. In terms of my own musical knowledge and stuff. I actually made the decision to start learning to sing a couple of years ago. It was after the release of my last album [2011’s Speaking Volumes],” says Tremlett, explaining what led him to get piano lessons. “There was stuff I’d never tried before on that album.”
“It was just about strengthening up my vocal performance as a rapper... But, while I was doing it, my teacher started teaching me piano. So, I was learning chords, melodies and the actual structure of music. Which is not something I’d looked at since I was a kid,” he impresses. “Learning about that stuff in the context of what I’m doing now was a big help.”
Telling Scenes isn’t just another album for Rob Tremlett. His third solo outing as Mantra, Telling Scenes finds the respected rapper getting ambitious. It’s taken him nearly two years to really tease it out. As a musician, he’s taken a more hands-on role in writing and production. As a lyricist, he’s digging deeper than ever. “Lyrically, I did a few things that I’d never really done before. I address a lot of personal issues on this album that I’ve never touched on in a song before. I don’t want to use the term ‘soul searching’ – but I guess I just did,” he quips. “I think I personally became a bit more reflective over the time I worked on this album.”
It’s gone through a couple of incarnations. Initially, Tremlett was reaching for something far more obscure. In discussing the album’s initial direction, he talks of minimalism and cathedrals. Mantra’s third studio album was intended to be a vast, cavernous recording. The eventual product didn’t turn out like that. “It was way darker than the final album ended up being. I wanted it to be really dark, I wanted it to be really minimal. I was working with a few vocalists and we were writing these almost choirstyle vocals and basing a lot of the songs around that. Basically, I saw a big, Gregorian church.
“And that’s where I was spitting my raps. I was taking it back to the abbey. I was the fucking monk, y’know what I mean,” Tremlett jokes. “A lot of those early ideas managed to get onto the album in some way, but I think
I just wasn’t in that dark, brooding place. There’s a few lighter tracks, there’s a few hardcore banging tracks. There’s both sides.” Tremlett’s work as Mantra has always had a pronounced difference from that of his peers. For one thing, there’s genuine darkness and struggle to Mantra’s narrative. One of his closest friends was murdered at the outset
abstract. A little bit cryptic. But, that was just the starting point. But it’s gotten me to the point where I’m at now – which is much more of a complete artist. I feel like I’ve honed it. I’m a much better songwriter now. Those early records hold a very special place in my heart but I think I’ve been able to take their strengths and really build on them with this album.”
Most poignantly, Mantra’s work has always been shot through with a sense of spirituality. Tremlett’s chosen alias alone is a hint of the greater depths at play within some of his work. He still maintains that nationalistic sense of larrikinism (see: recent single Loudmouth) but there’s always something going on beneath the surface.
“I WAS TAKING IT BACK TO THE ABBEY. I WAS THE FUCKING MONK, Y’KNOW WHAT I MEAN.” of Tremlett’s career. More pragmatically, his early albums have a far broader stylistic palette than found on those of his contemporaries.
“I’m still really proud of everything I did on those first two albums. When I listen to my first solo album, I kind of go, ‘Wow, I don’t write like that anymore’. Sometimes, I look back and go, ‘Wow, I wish I could think like that again’,” he reflects. “It was much more dreamy, much more
“I’m certainly not a religious person. In fact, I’m quite adamantly not a religious person... But I’m totally accepting of all forms of spirituality and I really value the sense of spirit. The idea of the spirit and spirituality. I feel like I definitely consider myself a spiritual person in that I know what my soul needs to be happy and content. “Can’t always get it, but I know what it is,” the MC says with a laugh. “It’s certainly not a thing I rigidly stick to or whatever, though. I think the spiritual connotations of the albums are often simply a product of me thinking about the world and my place within it.” WHAT: Telling Scenes (Ten To Two Records) WHEN & WHERE: 3 Oct, Great Northern Hotel, Newcastle; 4 Oct, The Annandale; 5 Beachcomber Hotel, Toukley THE MUSIC • 2ND OCTOBER 2013 • 49
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PREACHING THE MESSAGE MANTRA IS A BUSY MAN. HE’S CURRENTLY SUPPORTING SETH SENTRY ON TOUR, TRAVELLING THE LENGTH AND BREADTH OF THE LAND, AS THEY HIT UP PREDOMINATELY REGIONAL AREAS, ORGANIZING AND PUTTING THE FINISHING TOUCHES ON HIS OWN TOUR WHICH STARTS AT THE END OF SETH’S, FLYING BACK AND FORTH TO MELBOURNE EACH WEEK FOR HIS TEACHING AND MENTORING PROGRAMS, AS WELL AS GETTING A VIDEO FOR HIS NEW SINGLE SORTED AND PREPARING FOR THE RELEASE OF HIS NEW ALBUM. When I caught up with Mantra, he was actually planning on taking a few hours off in the afternoon to head to the beach and enjoy the stop they were on – the beautiful Byron Bay on the north coast of NSW. Mantra had supported Seth the previous evening at the Great Northern Hotel. “It’s all going good. I’m working my nuts off at the moment. I’m so busy, it’s awesome. I was so caught up with emails and phone calls to booking agents, I barely even looked out the window on the drive here,” Mantra said. “Which was a shame because this place is kinda geographically perfect, and the weather is awesome.” The current tour with Seth and Grey Ghost will be taking Mantra all over the place, from far northern Queensland, through regional NSW and all over Victoria, before 3 dates in Tasmania, then heading over to WA. At the end of that, Mantra is heading out on the road, with Grey Ghost in support, to do his own thing – an album launch tour mainly hitting up the bigger cities, which should keep him out of trouble until the end of October at least. Not that Mantra would even have time to get himself into trouble with his current schedule. He spends a few days on the road touring, and then flies back to Melbourne for 2 days a week to continue his work with children.
“I do some teaching, working with kids, doing hip hop writing workshops, and I also do some mentoring. I work with the Juvenile Justice Centre as part of a mentoring program they have,” Mantra reveals. Mantra’s new album, Telling Scenes is due out mid September. It’s been a labour of love, being over one and a half years in its creation. “I took my time with this album. The last one was quite quick; I found I could really smash it out. This time I was far more comfortable taking my time. I probably could have done this one a bit quicker, but I didn’t want to rush it. I wanted to get it right,” Mantra said. And this will be Mantra’s first album with new record label, Ten To Two Records. “They’re a relatively new record label, the same team that manage Seth Sentry and Grey Ghost. They’re a rad team, we’d been in touch for a while, and I’d been on their radar. They came to me to say they wanted to work with me, which ironically was at the same time I was looking for a new label for the new album. It was pretty exciting the way it all worked out,” Mantra shared. “And the album is actually due out on Friday September 13 – Black Friday. We didn’t
specifically plan for that, but I’m pretty happy with the outcome.” The third single from Mantra’s upcoming album has also just dropped – ‘Break Tradition’. “The new single has just been released on iTunes, and the video is on its way. The video was very important to me, and I’m fine tuning it, trying to get it just right.” Also featuring in the background on this single are a select members of a group known as MASSIVE Hip Hop Choir. Australia’s first hip hop choir, MASSIVE is made up of around 14 young performers from Melbourne, sporting a wide range of cultural identities. “At first we were thinking of using a school choir for what we were after. It didn’t work out, and got too hard to organize. It was an easy choice to go with Massive, they are awesome. These are peeps I really want to see do well. We used a select group of female vocalists from the group, to get the choir part we were after.’ Mantra said. For three dates in September, Tasmania will be playing host to three of the best hip hop artists the country has on offer, as Seth Sentry’s Vacation Tour hits up Devonport, Launceston and Hobart, bringing Mantra and Grey Ghost along for the ride. Opportunities like this don’t come along very often, with three dates and three venues to chose from, you have no excuse for missing out. Get yourself along for a night of fantastic music, and have a listen to Aussie hip hop at its finest. KYLIE COX
MANTRA WILL BE SUPPORTING SETH SENTRY, BEGINNING AT SPURS IN DEVONPORT ON THURSDAY SEPTEMBER 12, BEFORE TRAVELLING TO LAUNCESTON FOR A FRIDAY NIGHT SHOW AT ALCHEMY AND THEN SATURDAY NIGHT AT SOHO HOTEL, HOBART.
ZZZ IDFHERRN FRP ZDUS PDJ
album review
MANTRA
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Ten To Two
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Telling Scenes
To speak of a hungry MC doesn’t get to the heart of it. Hunger is about desire: I want food. Hunger is not starvation: I need food. So to describe Mantra as hungry is to miss the point. He doesn’t want to rap. He must rap. You can hear it in the ferocity of his rapid-fire delivery. You can feel it in the way he squeezes everything he can from a rhyme scheme before moving on to the next one. You can sense it in the mini-melodies that punctuate his raps. Mantra had to make Telling Scenes this way. He had no other option. Learn Your Language is a case in point. “Ya ya ya ya ya ya ya,” and then – bang! We find ourselves in Mantra’s world of words bouncing and boombapping along. It serves as the album’s mission statement: we are here to talk about talking. The Fear has a stunning moment a little after the two-minute mark where Mantra’s melodic command roams free before
K
★★★½ segueing back to the hypnotic hook. Break Tradition deserves its reputation as a call to arms for all white ribbon wearers. Perfect Crime is striking and powerful; comfortably the album’s best. Problems? The skits detract from the album a little more with each listen. After all, a good joke gets boring faster than a good song; an average joke, faster still – a minor quibble. Telling Scenes is a compelling achievement. It’s the album Mantra had to give us. James d’Apice
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music
REPEAT AFTER ME Mantra’s Telling Scenes found Rob Tremlett digging deeper than ever. And, as the Melbourne MC tells Matt O’Neill, getting piano lessons.
“T
o be honest, it wasn’t really a conscious decision. In terms of my own musical knowledge and stuff. I actually made the decision to start learning to sing a couple of years ago. It was after the release of my last album [2011’s Speaking Volumes],” says Tremlett, explaining what led him to get piano lessons. “There was stuff I’d never tried before on that album.”
“It was just about strengthening up my vocal performance as a rapper... But, while I was doing it, my teacher started teaching me piano. So, I was learning chords, melodies and the actual structure of music. Which is not something I’d looked at since I was a kid,” he impresses. “Learning about that stuff in the context of what I’m doing now was a big help.”
Telling Scenes isn’t just another album for Rob Tremlett. His third solo outing as Mantra, Telling Scenes finds the respected rapper getting ambitious. It’s taken him nearly two years to really tease it out. As a musician, he’s taken a more hands-on role in writing and production. As a lyricist, he’s digging deeper than ever. “Lyrically, I did a few things that I’d never really done before. I address a lot of personal issues on this album that I’ve never touched on in a song before. I don’t want to use the term ‘soul searching’ – but I guess I just did,” he quips. “I think I personally became a bit more reflective over the time I worked on this album.”
It’s gone through a couple of incarnations. Initially, Tremlett was reaching for something far more obscure. In discussing the album’s initial direction, he talks of minimalism and cathedrals. Mantra’s third studio album was intended to be a vast, cavernous recording. The eventual product didn’t turn out like that. “It was way darker than the final album ended up being. I wanted it to be really dark, I wanted it to be really minimal. I was working with a few vocalists and we were writing these almost choirstyle vocals and basing a lot of the songs around that. Basically, I saw a big, Gregorian church.
“And that’s where I was spitting my raps. I was taking it back to the abbey. I was the fucking monk, y’know what I mean,” Tremlett jokes. “A lot of those early ideas managed to get onto the album in some way, but I think 28 • THE MUSIC • 9TH OCTOBER 2013
I just wasn’t in that dark, brooding place. There’s a few lighter tracks, there’s a few hardcore banging tracks. There’s both sides.” Tremlett’s work as Mantra has always had a pronounced difference from that of his peers. For one thing, there’s genuine darkness and struggle to Mantra’s narrative. One of his closest friends was murdered at the outset
abstract. A little bit cryptic. But, that was just the starting point. But it’s gotten me to the point where I’m at now – which is much more of a complete artist. I feel like I’ve honed it. I’m a much better songwriter now. Those early records hold a very special place in my heart but I think I’ve been able to take their strengths and really build on them with this album.”
Most poignantly, Mantra’s work has always been shot through with a sense of spirituality. Tremlett’s chosen alias alone is a hint of the greater depths at play within some of his work. He still maintains that nationalistic sense of larrikinism (see: recent single Loudmouth) but there’s always something going on beneath the surface.
“I WAS TAKING IT BACK TO THE ABBEY. I WAS THE FUCKING MONK, Y’KNOW WHAT I MEAN.” of Tremlett’s career. More pragmatically, his early albums have a far broader stylistic palette than found on those of his contemporaries.
“I’m still really proud of everything I did on those first two albums. When I listen to my first solo album, I kind of go, ‘Wow, I don’t write like that anymore’. Sometimes, I look back and go, ‘Wow, I wish I could think like that again’,” he reflects. “It was much more dreamy, much more
“I’m certainly not a religious person. In fact, I’m quite adamantly not a religious person... But I’m totally accepting of all forms of spirituality and I really value the sense of spirit. The idea of the spirit and spirituality. I feel like I definitely consider myself a spiritual person in that I know what my soul needs to be happy and content. “Can’t always get it, but I know what it is,” the MC says with a laugh. “It’s certainly not a thing I rigidly stick to or whatever, though. I think the spiritual connotations of the albums are often simply a product of me thinking about the world and my place within it.” WHAT: Telling Scenes (Ten To Two Records) WHEN & WHERE: 17 Oct, The Tempo Hotel, Fortitude Valley; 19 Oct, Solbar, Maroochydore
album review
MANTRA
T
Ten To Two
U
Telling Scenes
To speak of a hungry MC doesn’t get to the heart of it. Hunger is about desire: I want food. Hunger is not starvation: I need food. So to describe Mantra as hungry is to miss the point. He doesn’t want to rap. He must rap. You can hear it in the ferocity of his rapid-fire delivery. You can feel it in the way he squeezes everything he can from a rhyme scheme before moving on to the next one. You can sense it in the mini-melodies that punctuate his raps. Mantra had to make Telling Scenes this way. He had no other option. Learn Your Language is a case in point. “Ya ya ya ya ya ya ya,” and then – bang! We find ourselves in Mantra’s world of words bouncing and boombapping along. It serves as the album’s mission statement: we are here to talk about talking. The Fear has a stunning moment a little after the two-minute mark where Mantra’s melodic command roams free before
K
★★★½ segueing back to the hypnotic hook. Break Tradition deserves its reputation as a call to arms for all white ribbon wearers. Perfect Crime is striking and powerful; comfortably the album’s best. Problems? The skits detract from the album a little more with each listen. After all, a good joke gets boring faster than a good song; an average joke, faster still – a minor quibble. Telling Scenes is a compelling achievement. It’s the album Mantra had to give us. James d’Apice
A on H th di at es co th re so se ga
B co Te be he di he th be an
P ho fo fa sh w
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MANTRA Mantra has just dropped his third studio album Telling Scenes. Telling Scenes is an album in the most creative sense: not just a collection of songs, but an experience that takes its listener on a journey. We have a commemorative box set including Telling Scenes CD, Telling Scenes double 12” vinyl with gatefold sleeve, 42 page hard cover lyric book (all three albums), t-shirt and keyring to give away.
THE APE The Ape are embarking their first east coast tour. Comprised of Raul Sanchez, Pat Bourke, Gus Agars and the mighty Tex Perkins, The Ape have just released their self-titled debut album. They launch it at Ding Dong on Friday October 11. We have some double passes to give away.
GURRUMUL Multi-ARIA award-winning Indigenous artist Gurrumul presents an unparalleled musical event – a spellbinding account of his unique life, voiced through song, film and the storytelling of his people. Declared Australia’s most important voice by Rolling Stone, this blind-
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Albany Advertiser
Thursday, September 26, 2013
Boyup Brook beckons artists It’s the last chance for budding country musicians to enter the Boyup Brook Country Music Festival, with entries to close on Monday. The premier event attracts
amateur and professional performers, and audiences from across the globe. Entry forms are available at www.countrymusicwa.com.au or by calling 9765 1657.
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Mantra will perform with Seth Sentry at Studio 146 tomorrow night. Picture: Michelle Grace Hunder
Mantra gets rowdy
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If you have a ticket for Seth Sentry’s Albany leg of The Vacation Tour at Studio 146 tomorrow night, get there nice and early. Seth will be accompanied by fellow Melbournians Grey Ghost and, in particular, Mantra. Mantra, or Rob Tremlett, has just released his third album, Telling Scenes, which follows Power of the Spoken and Speaking Volumes. Mantra explained he took his time between album two and three. “It was I think because I felt more comfortable taking my time and trying some different stuff out with my writing,” he said.
“There are some real bangers on it, but I think the main thing is I really want to tell stories on this one. “The musical style of the different songs kind of evolved and changed during the process of writing this album and the main focus was getting to the core of some of my more personal subjects.” Mantra, Seth and Grey Ghost all grew up in the Melbourne hip-hop scene. “This tour has been a barrel of laughs, Grey Ghost and Seth Sentry are two of the funniest dudes I know,” Mantra said. “It’s just us p…… ourselves in the back of the bus for hours on end.” Mantra cut his teeth as a performer freestyling at the Laundry Bar in Fitzroy with
Seth 10 years ago. Now he is giving back. Mantra is involved with two hip-hop mentor programs, one named Dig Deep held weekly at Arts Centre Melbourne and the other a poetry residency at a primary school. “It’s funny coming back from a crazy, rowdy hip-hop tour, getting back and then working with young kids and teaching them how to beat box, it’s pretty surreal,” Mantra said. A rowdy hip-hop tour is what he expects for his second trip to Albany. Mantra said his first gig in the city was one of the rowdiest he had seen. “I’ve never seen a crowd get loose like Albany, man,” he said. “It was wild, they were ready to go from the get-go.”
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ARIES: The tension you experience in your life during September 27-30 is due to conflict with a partnership or over money or ethics. TAURUS: Domestic discontent or woes tends to upset the balance of life during September 27-30, perhaps emanating from the pressure of workloads or disputes over responsibilities. GEMINI: Arguments are difficult to avoid during September 27-30 as the intensity of desire to make progress meets with unforeseen obstacles. CANCER: There appears to be a frenzy of action surrounding money during September 27-30. An attitude of “easy come, easy go” is likely to find you out of pocket. LEO: High-powered Leo will be seeking to explore life to the fullest during September 27-30, as well as establishing credentials. Frustrations with communication and travel may be upsetting. VIRGO: Differences of opinion, problems with communication and transport tend to create a few headaches for Virgo during September 27-30. You need time to think things through unpressurised. LIBRA: Whilst you may want to pursue certain objectives during September 27-30, hindrances may arise due to a conflict of values or issues pertaining to cash flow. SCORPIO: There may well be open conflict between yourself and a competitor during September 27-30, with a tendency for the exposition of your weak points to occur. SAGITTARIUS: There have been many things where luck has worked to your advantage in recent times. However, you’ll need to work to maintain this streak of good fortune. CAPRICORN: In your quest for achievement, you need not to lose sight of the real values that determine the quality of success. You’ll need to reflect on such issues during September 27-30. AQUARIUS: This time tends to produce major disagreements as others have their own ideas on how things should be done. Everyone needs to be dispassionate before solutions are found. PISCES: Health matters tend to be aggravated under current trends during September 27-30 and are likely due to increased workloads and responsibilities. Discussions are non-productive.
Hip hop artist hits Mandurah by Amy Martin DESPITE this Sunday being the first time hip hop artist Mantra will be here, he’s already claiming Mandurah as his own. He first heard of the city when he encountered some local fans on his last tour – and something about the city left a lasting impression with the Melbourne performer. “Mandurah is my city as far as I’m concerned,” he joked. “I met people down in Bunbury during my last show there and asked where they were from and they said ‘We’re from Mandurah’ and I was like ‘You’re from Mantra? That’s so weird.’” With his similar name aside, Mantra said he’s looking forward to performing this weekend and expects “a freaking party” for his last show in the Western Australian leg of the Telling Scenes tour. “I haven’t spent that much time in WA,” he said. “I love it there, and I’ve been a couple of times. “But it’s the first time to Mandurah and I’m really looking forward to it.” On tour with his third studio album, Telling Scenes which was
released earlier this month, it is a new direction for the hip hop artist. He describes it as a progression of his last two albums and while Mantra admits there are things on the album which are new for his repertoire, the performer thinks fans appreciate him not sticking to the “same old”. The main influence over this latest release is something most hip hop artists wouldn’t even dream of doing yet has helped the artist with a new way of constructing his sound. What started as training to keep vocally fit for his previous album, has resulted in singing and piano lessons. “There were some songs which were testing my vocal range and I wanted my voice to be strong and to nail all of the new tracks,” Mantra explained. “It was a form of training to get match fit, but the music lessons opened up my eyes to the possibilities. “I was confident in making choices that I thought before were weird or had not even thought about.
This weekend: Mantra has taken a new approach for his latest album Telling Scenes. “I now have a clear idea of what each song should sound like and the way it has to happen.” The result is an album like the ones Mantra himself “grew up listening too”. It’s one of the most personal records for the rap artist, injecting more of himself into the record than ever before and
tackling some personal issues in his music. And with a new outlook on how he makes music, Mantra has done so in a way which turns his album into a collection of short stories. “My main focus is to tell a lot of narratives,” he said. “I appreciate that style of writing.
“While obviously every track has a story behind it, getting into a real storytelling way of writing is something I haven’t done a lot of.” Mantra will be at Players Bar with Seth Sentry and Grey Ghost on September 29. For more information or for ticketing go to oztix.com.au
On show: Former Pinjarra musical director Stephanie Lewendon-Lowe, left, plays bear Caramel in Caramel’s Sweet Tooth with Nicole George as Pretty Dolly
Sweet treat for children Live Acoustic Music @ 8PM Grand Final Party from 12PM Big Screen TV, Pints & Pies Nate Lansdell Live & Acoustic @ 8PM
Sunday .. Sunday Sesh with Sarah Wise from 6PM Coming Soon.. Octoberfest, Melbourne Cup Christmas Packages Available
66 The Mail, Peel’s Leading Newspaper, Thursday, September 26, 2013
TA1212404
Friday .. Saturday ..
FORMER Pinjarra musical director Stephanie Lewendon-Lowe is putting on a bear costume this school holidays. She’s appearing as Caramel the bear in Caramel’s Sweet Tooth, one of two short plays featured as part of Storytime in the Hills. “Caramel is a kind, friendly bear who gets along well with all the other toys,” Lewendon-Lowe said. “But she loves sweets a bit too much and the play shows what happens if you eat too many of them. “I know it will be a lot of fun and everyone I’m working with is so supportive and enthusiastic.” Normally, Lewendon-Lowe works behind-the-scenes as a violinist, pianist or musical director and has performed with Pinjarra’s Murray Music and Drama Club, WA Academy of Performing Arts and various secondary colleges. This time she’s getting out from behind the curtain and into the spotlight.
“Caramel’s Sweet Tooth looked like a bit of fun and I was really keen to be on the other side of the stage for once,” Lewendon-Lowe said. “And what better way than in a children’s play where I get to dress up in a warm, bear suit.” Writer and director Nicole George said Storytime in the Hills came about last year when it was recognised there needed to be some theatre shows for children. “A lot of Roleystone Theatre members have young children but we were limited in what we could take them to see in the area, so it was suggested we write our own short plays to meet this need,” she said. Storytime in the Hills plays at 11am and 2pm, October 9, 11 and 12. All tickets are $5 and include a light snack. For more information go to Roleystone Theatre or call 9397 5730.
Rock Goddess Opens Up
Emiliana Torrini Tookah Rough Trade ★★★½
Magic Dirt frontwoman digs deep with ruminations on love, life and adulthood
Adalita All Day Venus Liberation ★★★★ “I’m not your dirty friend/And I’m not your Marianne,” sings Adalita on “Annihilate Baby”, a biting rock stomper and the opening track to the Melbourne songwriter’s second solo album. In 2011 the Magic Dirt founder took out the AIR Award for Best Independent Release with her self-titled debut. Minimal and raw, that disc came off the back of tragedy – the death of former bandmate and best friend, Dean Turner. Two years on, All Day Venus is sonically richer and (in places) more upbeat, but no less evocative. The 42-year-old says these 12 songs are about growing up: lessons learnt from love gone wrong, contemplation about the power of the feminine, KEY TRACKS: “Rolled in Gold”, self-examination. “All Day Venus”, Though she’s beefed up the “He Wrote” instruments – drummers Jim White (Dirty Three), Lee Parker (Spite House), and Hugo Cran (The Devastations), plus bassist Matt Bailey (Paradise Motel) and violinist Willow
LISTEN UP! To hear a song from Adalita’s new LP, download the free viewa app and scan this page with your smartphone or tablet.
Stahlut – this is most definitely a solo vision. The songs are drenched in romance: “Maybe love is not enough,” she sings in “Trust is Rust”, the song fading out in a wash of strings and piano. “All Day Venus” is menacing pop, all dark bottom-end. “I’m so in love with my ego,” she sings in “Ego”. “Too much of a good thing/And not enough breathing/And not enough seeing it for what it is.” The sweet, character driven “He Wrote” is a sad farewell: “Oh love of my life/In the blink of an eye/It’s over”. Closer “Rolled in Gold”, with its amniotic synths and airy vocals, is a standout. “I’m not your woman/I’m incognito,” Adalita insists – and how right she is. SAMANTHA CLODE
Emiliana Torrini isn’t the first pop singer to coin new words: Cocteau Twin Elizabeth Fraser would sing entire songs – albums, even – consisting of little more than extemporaneous gibberish. Yet the word the Icelandic Torrini has created, Tookah, is perfect: to her it means a karmic balance, the “union of self and a state of bliss”. Pretty much exactly what these glacial soundscapes bring on. Torrini could warble the phone book in her waif-ish voice and you’d listen, spellbound, babbling about her “unforgettable A-K”. Another collab with producer Dan Carey, inspired in part by the birth of her first child, Torrini’s seventh LP is a worthy successor to 2008’s near-breakthrough Me and Armini. JEFF APTER
Lo Five
Mantra
★★★
★★★★
Let it Fly Liberation ★★★½
Sydney funk duo surprise with assured debut album
Lyrical Melbourne MC’s risks pay off on strong third album
One-time chart-topper goes his own way
Kim Gordon’s challenging headfirst charge into obscurity
Without so much as a single EP behind them, Lo Five have seemingly emerged from nowhere to deliver a polished debut. Singularity swaggers along the lines of soul, funk and groove; paying homage to Amy Winehouse on “Heavenly Ho”, employing the talents of Sweet Inspirations vocalists Estelle Brown and Portia Griffin on “Little Man” and taking a slow and dreamy turn on standout “Moonwalking”. To its credit, the record doesn’t try to be anything it’s not – Lo Five aren’t exactly oozing youthful cool, but they know their way around an unpretentious rhythm. Though probably not destined to be a Jamie Lidell-style crossover hit, this is nonetheless a commendable piece of work. K.C.
One of Australia’s most talented and lyrically intelligent emcees, Mantra has been the connoisseurs choice of rappers since he made his name with Victorian hip-hop group Illzilla. Telling Scenes, his third solo LP, delivers another mindful collection of jams that showcase the influences of Eastern mysticism and a locally unmatched lyrical depth. “Who’s Your Favourite Rapper” is that rare thing – an actually funny skit – but Telling Scenes is full of standouts, from the brilliant guest spots on “Energy” to the guitar-led melancholy of “Quicksilver” and the spoken word interlude “Baba”. Mantra has taken some risks and dropped one of the hip-hop records of the year. DANIEL FINDLAY
You can’t help but admire the way Mark Lizotte recast his career, once he fell from mainstream favour in the mid-Nineties – no re-hashing the old hits for the former Johnny Diesel. Over the past few years he’s been a bluesman, a re-interpreter of the classics, and a live staple from the Top End to the Apple Isle. The 47-year-old still cuts a mean figure while wielding an axe, too – a glance at the cover of his 13th album proves that. And from the stomping opener “Moneymaker” and the gutsy title track to the dirt floor blues of “By Your Throne”, Diesel proves he’s still a dab hand with raw rockin’ power and true grit. Unlike many of his peers, Diesel has no time for pop’s rear-view mirror. J.A.
You’ll need patience to find the golden moments in this mostly improvised double-album suite of guitar experimentals from ex-Sonic Youth legend Kim Gordon and NY art-rock stalwart Bill Nace. While those familiar with Sonic Youth’s broader catalogue will expect to be challenged, those who liked the major label singles will be left cold by this haphazard interweaving of guitars. Gordon’s vocals nod at Patti Smith’s spoken poetry rather than the spit and snarl of Sonic Youth, but then, this is art, not pop music. It’s the occasional moment of sheer beauty when Gordon and Nace’s guitars mesh to create an accidental symphony that make the effort worthwhile. MATT COYTE
Singularity Independent
Telling Scenes Ten to Two Records
Diesel
Incandescent, introspective electro-pop
Body/Head
Coming Apart Remote Control
★★
R ol l i n g S t o n e , O c t o b e r 2 01 3 |
101
and local favourites Miles
BREAKING TRADITION
music
On the verge of releasing his third full-length album, Telling Scenes, Mantra chats to Kane Sutton about musical growth, maturity and the reasoning behind choosing his first two singles.
“I
still can’t believe this is even a possibility,” Mantra suggests humbly of his budding career as a hip hop artist. “When I started, I had no intention of ever trying to make it a career. I didn’t think it was a possibility at all. And that wasn’t even a priority for me; I just did it because I loved doing it. I didn’t even really know that Australian hip hop existed when I started getting into it. I enjoyed it, so I figured that’s what I wanted to do. There was never really a point where I decided I need to do this in a serious way; I just gradually noticed that Aussie hip hop was becoming a really valued genre.” Three albums in, Mantra reflects on the person he was on releasing his debut. “I think it’s very clear on this record that I’ve learned a lot of things musically and really honed in on those things that I had signs of early on. This is definitely my most mature-sounding album, but I don’t really know if I’ve matured as a person – I don’t want to grow up and my credit rating will probably vouch for that. I also lost my wallet at the venue last night. I went to the front to put some names on the guest list and went, ‘Oh, shit, I have to go and get my wallet, I think I left it on the table!’ and she said, ‘No, someone handed it in at the bar; yours is the one with no ID and no money in it, right?’ So
yeah, I went and got the wallet, but then realised that when I’d gone to talk to the door girl I’d left my laptop sitting on a couch in the same venue with my whole fucking set on it!” His first album for new label Ten To Two Records, Telling Scenes has already spawned two successful singles – radio anthem, Loudmouth, and the darker Break Tradition – but it’s the album as a whole that best showcases how Mantra has raised the bar. “The tracks are all really different. We thought Loudmouth would be a good first single because it’s light-hearted,
funny and taking itself a lot less seriously than some of the other songs. Then we decided to release Break Tradition, which had a different response. The message is strong and I believe it quite firmly, and it’s also a very literal song – I was really happy that I could sum it up so concisely. I think people are really into it for that reason. It’s a message that people can relate to very easily.” About to embark on a massive national tour, Mantra is excited about heading west. “I love Perth and Freo, so I’m really looking forward to that – we’ve got a strong and loyal fanbase there and I don’t get to head over too often so I’m really looking forward to that. And on a really selfish level I’m also looking forward to just chilling at the beach.” WHEN AND WHERE: 19 Sep, Flyrite; 20 Sep, Mojo’s THE MUSIC • 21ST AUGUST 2013 • 33
album review
MANTRA
T
Ten To Two
U
Telling Scenes
To speak of a hungry MC doesn’t get to the heart of it. Hunger is about desire: I want food. Hunger is not starvation: I need food. So to describe Mantra as hungry is to miss the point. He doesn’t want to rap. He must rap. You can hear it in the ferocity of his rapid-fire delivery. You can feel it in the way he squeezes everything he can from a rhyme scheme before moving on to the next one. You can sense it in the mini-melodies that punctuate his raps. Mantra had to make Telling Scenes this way. He had no other option. Learn Your Language is a case in point. “Ya ya ya ya ya ya ya,” and then – bang! We find ourselves in Mantra’s world of words bouncing and boombapping along. It serves as the album’s mission statement: we are here to talk about talking. The Fear has a stunning moment a little after the two-minute mark where Mantra’s melodic command roams free before
K
★★★½ segueing back to the hypnotic hook. Break Tradition deserves its reputation as a call to arms for all white ribbon wearers. Perfect Crime is striking and powerful; comfortably the album’s best. Problems? The skits detract from the album a little more with each listen. After all, a good joke gets boring faster than a good song; an average joke, faster still – a minor quibble. Telling Scenes is a compelling achievement. It’s the album Mantra had to give us. James d’Apice
A on H th di at es co th re so se ga
B co Te be he di he th be an
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m s R m m a g
.........................................................................
MANTRA ON THE SCENE Next month sees the release of Telling Scenes, the third album from one of Australiaâ&#x20AC;&#x2122;s most respected MCs, Mantra. Mantra was picked up by Obese Records in 2010 IRU KLV ÂżUVW DOEXP Power of the Spoken. He followed that one up with Speaking Volumes the following year. His new album features singles â&#x20AC;&#x2DC;Loudmouthâ&#x20AC;&#x2122; and â&#x20AC;&#x2DC;Break Traditionâ&#x20AC;&#x2122; featuring the talents of Cisco Tavares. The Evelyn â&#x20AC;&#x201C; October 11. .........................................................................
GET YO FREAK ON
JUST DESSERTS
Back for more polyrhythmic goodness, Afreakah hits the The Bird on Sat 21 Sep. Laying down a “Ziggi & The New Generation” theme, Charlie Bucket, Raaghe and Jack Doepel drop the dub plates. Plus there’s a tape stall. Shyeah. $10 on the door.
A fave around these parts, lo-fi songstress Leure is about to embark on a little Europe tour, playing a festival in Vienna. First, though, she’s launching two new singles at The Bird on Thurs 19 Sep. Leon Osborn and Mei Saraswati support.
GREY MATTA Two of the top dudes in the game at the moment, Mantra and Grey Ghost make for the double-header of the year, for those keeping an ear on uprising Aussie hip hop. Catch them at Mojos on Fri 20 Sep, with Bitter Belief and Sarah Pellicano & Creed Birch.
JUG TIME
SWEET MARY
2013’s WA leg of the National Campus Bands Competition wraps up this Fri 20 Sep at The Rosemount Hotel. Heats haven’t wrapped up yet, but the event is sure to showcase the best up’n’coming uni bludger bands
Mary Street Bakery is already making waves on the Highgate scene, and is now on board to help out fundraising for Beaufort Street Festival with the Mary Street Wine Mixer on Thurs 19 Sep between 6.30 and 9pm.
M EDIA CO VERAGE - O NLINE
11A Balmerino Avenue Toorak, VIC Australia 3142 | ABN 68 919 686 054 www.parisispatient.com.au - Commercial in Confidence
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From: "Your Daily SPA - theMusic.com.au" <dailyspa@themusic.com.au> Subject: Splendour: first gallery, know the bands (and another fking list), Aussies all over US album chart, best films of MIFF plus album details from Mantra, Paper Kites Date: 26 July 2013 3:02:50 PM AEST To: "Seam Lam" <lam.seam@gmail.com> Reply-To: dailyspa@themusic.com.au
Friday 26 July 2013
GALLERY: SPLENDOUR'S $50 GUMBOOTS With a ground that looks mud-inclined, we hope you brought your own gumboots. And ultimate Alt-J proof for the final doubters. READ MORE...
FRANK OCEAN PREPARING TO CANCEL SHOW? Rumors have emerged that Splendour headline act Frank Ocean will cancel his sold out Melbourne sideshow tonight. READ MORE...
AUSSIE ARTISTS DEBUT IN US CHART TOP 20 Gold Coast pop star Cody Simpson has debuted at ten in the US album charts this week, as Sydney's Sick Puppies land at 17. READ MORE...
TOOT TOOT TOOTS DITCH THEIR 'FART NAME' Melbourne's The Toot Toot Toots will be known as Twin Beasts from here on in, to stop the farting connotations. READ MORE...
ANOTHER F**KING SPLENDOUR LIST Dan Condon's Sick Tunes is bloody sick of all these Splendour-related lists... so he picks five bands you have to see this weekend. READ MORE...
THE MELBOURNE FILM FEST'S 13 BEST FILMS Resident film snob Anthony Carew looks through the 13 best films of this year's Melbourne International Film Festival. READ MORE...
CODY SIMPSON REPLACING ALT-J AT SITG Gold Coast heartthrob Cody Simpson is being flown in to replace Alt-J as Splendour In The Grass' secret band for tomorrow. READ MORE...
SPLENDOUR: Know your bands. theMusic's guide to the festival's artists
WATCH: The Transistors sell out to the corporations in latest video clip
Cliff Notes Mantra reveals details of new album Telling Scenes. (Pictured) Stonefield drop new single, reveal tour dates. The legendary Television announce Aussie theatre shows. The Paper Kites to release debut album in August. Winners of theMusic's Splendour ticket giveaway. RANDOM SELECTION: A difficult second album meets its band.
This Weekend on theGuide:
SURFER BLOOD
JAGWAR MA SA, FRI: Rocket Bar
NSW, FRI: Oxford Art Factory [get info]
AIRBOURNE NSW, SAT: The HiFi
[get info]
THE PROTOMEN NSW, SUN: Annandale Hotel [get info]
[get info]
SPLENDOUR IN THE GRASS NSW, SAT: North Byron Parklands, feat. Flume [get info]
JAKE BUGG VIC, SUN: Corner Hotel [get info]
EVERYTHING EVERYTHING
CITY CALM DOWN
VIC, FRI: Corner Hotel
WA, FRI: Villa
[get info]
[get info]
ALT-J
THE TONGUE
WA, SAT: Challenge Stadium
NT, SAT: Bojangles Saloon
[get info]
GRACE WOODROOFE WA, SUN: Mojo's [get info]
[get info]
ALL THE GIGS IN YOUR TOWN THIS WEEKEND! [get info] HANG WITH US
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From: "Your Daily SPA - theMusic.com.au" <dailyspa@themusic.com.au> Subject: Annandale Hotel closes after robbery, Jack White cops restraining order, top musician in AMID Power 50 revealed and stream the new Dead Letter Circus! Date: 2 August 2013 4:21:29 PM AEST To: "Seam Lam" <lam.seam@gmail.com>
Friday 2 August 2013
POWER 50 BY THE NUMBERS & TOP MUSOS With the top 20 revealed, take a look at some of the AMID Power 50 stats, plus this year's top musicians. READ MORE...
ANNANDALE HOTEL RANSACKED AND ROBBED The Annandale Hotel in Sydney was ransacked over night. It has cancelled tomorrow night's show as a result. READ MORE...
EXCLUSIVE STREAM: DEAD LETTER CIRCUS The mighty Brisbane prog-rock group Dead Letter Circus stream their new LP on theMusic before its release next week. READ MORE...
JACK WHITE IN EX-WIFE RESTRAINING ORDER Jack White has reportedly been slapped with a restraining order by his ex-wife over alleged harrasment and bullying. READ MORE...
HANDS LIKE HOUSES DEBUT IN US TOP 40 Canberra post-hardcore act Hands Like Houses debut in the Top 40 of the Billboard charts this week, as Cody Simpson plummets. READ MORE...
FAKE AMID POWER 50 LEAK FOOLS INDUSTRY SPA Confidential can this afternoon reveal the real top ten of the AMID Power 50 after a false leak had AJ Maddah at number one. READ MORE...
PREMIERE: Mantra calls on youth to end violent bullsh**t
Queenscliff Music Festival announce more acts, including San Cisco and PEZ
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From: "Your Daily SPA - theMusic.com.au" <dailyspa@themusic.com.au> Subject: Massive Hunters tribute tracklist, Universal promote A&R exec to push export, meet the new Eskimo Joe, Rdio look to convert internet radio users and band ditches #auspol Date: 9 August 2013 4:28:06 PM AEST To: "Seam Lam" <lam.seam@gmail.com>
Friday 9 August 2013
VEDDER, FINN, KELLY FOR HUNTERS TRIBUTE The Hunters & Collectors tribute tracklist is out: Eddie Vedder & Neil Finn, The Avalanches, Paul Kelly, Birds Of Tokyo... READ MORE...
FULL STREAM: THE ESKIMO JOE YOU PAID FOR After teasing the matter yesterday, we've got our hands on the full stream of the new Eskimo Joe single that their fans crowdfunded. READ MORE...
UNIVERSAL PUSH GLOBAL DEALS FOR LOCALS The Universal Music Group have promoted A&R executive Michael Taylor to increase the label's global deals for local acts. READ MORE...
YOUR WEEKEND'S DRUNKEN SINGALONG As well as your weekend's drunken singalong, Sick Tunes has indie veterans, kiwi punk geniuses and chanteuses. READ MORE...
RDIO UNVEIL THEIR 'PANDORA KILLER' Streaming service Rdio looks to convert internet streaming radio users with the roll out of personalised 'stations'. READ MORE...
BAND DITCHES AUS POLITICS CONCEPT ALBUM The Mars Volta have decided against basing their comeback concept album on the current Australian federal election. READ MORE...
PREMIERE: Tumbleweed take to the desert in new clip
PREMIERE: Mantra on suffering with Grey Ghost
RELEASE: Gurrumul pays tribute to Dr Yunupingu with Maralitja - Crocodile Man
BLOG: Get your sh*t together with Film Carew and new flick Frances Ha
Cliff Notes Gudinski backs commercial radio band comp again for 2013. (Pictured) CherryFest fleshes out line-up with reformations and rare Germans. Fans choose Red Jumpsuit Apparatus' tour locations. Eleventh He Reaches London finally release new single. VEVO developing app for Apple TV. RANDOM SELECTION: Zookeeper suspended for punching a seal.
The Weekend on theGuide:
SHAPESHIFTER NSW, FRI: Metro Theatre [get info]
THE GETAWAY PLAN TAS, SAT: The Waratah [get info]
CLARE BOWDITCH
COSMIC PSYCHOS
SA, FRI: The Gov
VIC: The Hi-Fi
[get info]
YOU AM I QLD, SAT: Tanks Arts Centre [get info]
[get info]
THE SMITH STREET BAND VIC, SAT: Old Bar [get info]
ILUKA
SETH SENTRY
KARNIVOOL
ACT, SUN: Front Cafe & Gallery
QLD, SUN: Spotted Cow
WA: Metro City
[get info]
[get info]
[get info]
DIALECTRIX WA: Mojo's Bar [get info]
YOTHU YINDI NT, SAT: National Indigenous Music Awards [get info]
ALL THE GIGS IN YOUR TOWN TONIGHT! [get info]
From: Tone Deaf's Tucker Bag <marketing@tonedeaf.com.au> Subject: Falls Festival Lineup, Most Hated Bands, Aussie Band Robbed, Lorde Builds Buzz, Music On Airlines, Band Name Origins, Arcade Fire Score, Tours & More Date: 12 August 2013 2:05:42 PM AEST To: <seam.lam18@gmail.com> Reply-To: Tone Deaf's Tucker Bag <marketing@tonedeaf.com.au> Falls Festival Lineup, Most Hated Bands, Aussie Band Robbed, Lorde Builds Buzz, Music On Airlines, Band Name Origins, Arcade Fire Score, Tours & More
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Afternoon Snack: Arcade Fire Film Score, Rare Dylan Song, Childish Gambino TV & More Feeling the midday blues? We’ve got some tasty afternoon treats in the forms of tracks, videos, and news tidbits from around
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From: "Your Daily SPA - theMusic.com.au" <dailyspa@themusic.com.au> Subject: Soundwave 2014 line-up and analysis, Gareth Liddiard interviews Don Walker, BIGSOUND adds beer and Lorde cracks US top ten... Date: 23 August 2013 4:27:57 PM AEST To: "Seam Lam" <lam.seam@gmail.com> Reply-To: dailyspa@themusic.com.au
Friday 23 August 2013
GREEN DAY LEAD SOUNDWAVE FEST 2014 Line-up and analysis of next year's Soundwave. Featuring Green Day, Avenged Sevenfold, Alice In Chains, STP and more. FULL LINE-UP...
GARETH LIDDIARD INTERVIEWS DON WALKER The Drones’ Gareth Liddiard and Cold Chisel’s Don Walker go head-tohead on life, getting old and music. READ PART ONE HERE...
BANDS YOU MUST SEE AT SOUNDWAVE 2014 Sick Tunes will be heading to Soundwave next year, starting circle pits for Trash Talk, Rocket From The Crypt and Green Day. READ MORE...
BEER JOINS BIGSOUND DESIGN LINE-UP The final BIGSOUND Music+Design program is out, with The Grates' Patience Hodgson, Ianto Ware and craft beer. READ MORE...
LORDE CRACKS US DIGITAL CHART TOP TEN As New Zealand starlet Lorde rises into the top 25 of the Billboard 200, she also lands at eight in the US Digital Albums Chart. READ MORE...
FOLK BAND LIVID OVER SOUNDWAVE SNUB The festival season's 'next big indie-folk thing' are livid after being overlooked for the 2014 Soundwave bill. READ MORE...
THEMUSIC SESSIONS: Glass Towers perform Halcyon and Jumanji for theMusic
SOUNDWAVE: Six moments in Soundwave history that we'll never forget
PREMIERE: Mantra continues his track-by-track. 'I just won't shut the f**k up!'
WATCH: Flume's new clip is literally Insane.
Cliff Notes Deep Sea Arcade announce homecoming show, release new single. You Am I, Regurgitator, Paul Dempsey band together for injured fan. (Pictured) Kathy Griffin adds Melbourne show to Aus tour. Rapper Neno Best named in massive New York drug bust after he posted about guns and money on Instagram. Tiny Ruins add more Aussie shows. RANDOM SELECTION: Human space invaders.
This Weekend on theGuide:
JOSH PYKE
DIALECTRIX
CASTLECOMER
MIA DYSON
NSW, FRI: Enmore Theatre
QLD, FRI: Coniston Lane
VIC, FRI: The Workers Club
NT, FRI: The Lighthouse
[get info]
RAUL MIDON NSW, SAT: Mullum Music Festival [get info]
[get info]
[get info]
[get info]
COSMIC PSYCHOS
DARREN SYLVESTER
JACKIE ONASSIS
QLD, SAT: The HiFi
VIC, SAT: Boney
WA, SAT: Amplifier Bar [get info]
[get info] [get info]
SEEKAE
CHELSEA
WOOHOO
ALL THE GIGS
SA, SUN: Published Art House [get info]
BASHAM
REVUE
QLD, SUN: Gympie Music Muster [get info]
TAS, SUN: Brooksfield [get info]
IN YOUR TOWN THIS WEEKEND! [get info] HANG WITH US
Street Press Australia 2-4 Bond St, Abbotsford. Victoria 3067 View this email on the web | Forward this enmail to a friend | Don't want to receive this again?
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From: "Your Daily SPA - theMusic.com.au" <dailyspa@themusic.com.au> Subject: Chugg and Bragg at BIGSOUND plus what we've overheard so far, Sticky Fingers frontman gets arrested and Philadelphia Grand Jury to reform for a show tonight... Date: 11 September 2013 4:28:13 PM AEST To: "Seam Lam" <lam.seam@gmail.com>
Wednesday 11 September 2013
CHUGG CALLS RADIO QUOTA 'BULLSH*T' Veteran promoter Michael Chugg has slammed the Australian music quota for commercial radio stations today at BIGSOUND. READ MORE...
BRAGG: 'I FAILED TO CHANGE THE WORLD' “If you want change, it's your responsibility, not mine,” said Billy Bragg at today's opening BIGSOUND keynote speech. READ MORE...
OVERHEARD AT BIGSOUND PART ONE BIGSOUND's banter has given us a solid idea on who we should be seeing, avoiding and where to get free booze. READ MORE...
STICKY FINGERS FRONTMAN ARRESTED IN WA Lead singer Dylan Frost was arrested at Perth’s Rottofest festival last weekend after climbing the stage’s scaffolding. READ MORE...
PHILADELPHIA GRAND JURY REFORM FOR GIG The Sydney indie-soul outfit will come out of retirement for a BIGSOUND show tonight. READ MORE...
WHAT HAVE OUR INDIE ARTISTS BEEN UP TO? News from Little Scout, Money For Rope, Eden Mulholland, The Gooch Palms and more make up this week's Indie Focus. READ MORE...
Jinja Safari [music]
Barenaked Ladies [music]
Route 36 'Cocaine Bar' [travel]
Everything you need to know about BIGSOUND [industry]
What do Danza, Montana and Stark have in common?
The Brunswick Social [eat/drink]
THE MUSIC Sydney
[the end]
THE MUSIC Brisbane
Aussies and their Whisky [drink]
Parkway Drive [music]
The Drones [music]
From goth girl to stylist, we chat with Bec Cole [fashion]
The great 'Fat' debate [health]
Randy Feltface [comedy]
THE MUSIC Melbourne
THE MUSIC Perth
Cliff Notes Bonjah release new track and announce extensive tour (pictured). The first round of AACTA noms have been revealed for the 2014 awards. The reviews are in for Mantra, Janelle Monรกe, Carcass and more. Franz Ferdinand amputate limbs in new video clip. Archie Roach, Jessica Mauboy and more honoured at the Deadly Awards. RANDOM SELECTION: Funny Or Die take us through the "new" iPhone.
Tonight on theGuide
RUSSELL MORRIS QLD: Spiegeltent [get info]
CUMBIAMUFFIN
JINJA SAFARI
NSW: The Basement
QLD: Woombye Pub
[get info]
[get info]
ALL THE GIGS IN YOUR TOWN TONIGHT! [get info] HANG WITH US
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From: Tone Deaf's Tucker Bag <marketing@tonedeaf.com.au> Subject: Harvest Cancellation Likely, BIGSOUND Day 1, Groovin The Moo Launch New Festival, Flume Plugs "Aussie Sound", Future Liquidation, Tours & More Date: 12 September 2013 1:50:26 PM AEST To: <seam.lam18@gmail.com> Reply-To: Tone Deaf's Tucker Bag <marketing@tonedeaf.com.au> Harvest Cancellation Likely, BIGSOUND Day 1, Groovin The Moo Launch New Festival, Flume Plugs "Aussie Sound", Future Liquidation, New Tours & More
LATEST HEADLINES
Harvest 2013 Likely To Be Cancelled, Replaced With Headline Tours In sad news that follows community support and Tone Deafâ&#x20AC;&#x2122;s own piece, Top 8 Reasons To Attend Harvest 2013, it seems
Groovin The Moo Launch New Music Festival The Plot Fresh from announcing the dates and venues for Groovin The Moo 2014, festival organisers Cattleyard Promotions are set to expand their
5 Things We Learnt At BIGSOUND 2013 Day One The first day of BIGSOUND 2013 is over and has kicked off the conference in style. For those not lucky enough
Bonjah Australian Tour 2013/2014 Announced The Bonjah Australian Tour 2013/2014 has been announced, with the New Zealand-bred, Australian-hewn rock outfit hitting the road in support of
Shining Bird G’day, the band formally and currently known as Shining Bird is: Russ, Dane, Albags, Strat, Ricci & Katesy. We all live
ALSO ON TONE DEAF
Colour Coding – Yours, Not Mine Sydney Indie/Pop duo comprising of Chris Holland and Tim Commanduer are Colour Coding have released their brand new video for Yours,
Record Review: Mantra, Telling Scenes – Exclusive Stream The third release from one of the scenes most thought provoking rhymesters delivers even more evidence to the
Review: Josh Pyke @ The Tivoli Often Saturday nights are best spent in the company of close friends rather than a crowd of strangers.
Photo Gallery: Washington, 10th September 2013 @ The Toff In Town Check out our photos of Washington. Shot by Carl Dziunka
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From: "Your Daily SPA - theMusic.com.au" <dailyspa@themusic.com.au> Subject: Dune Rats snubbed over bong video, the meh, bad and ugly Emmys' moments, Mumford's hiatus and win Breaking Bad tighty whities... Date: 23 September 2013 4:32:44 PM AEST To: "Seam Lam" <lam.seam@gmail.com>
Monday 23 September 2013
VIETNAM SNUBS DUNE RATS OVER BONG CLIP Brisbane band Dune Rats suggest they've been left off a festival bill in Hanoi because of their Red Light, Green Light video. READ MORE...
THE MEH, BAD AND UGLY OF THE EMMYS The Emmys basically told us that some carbon-copy nerd stereotype is funnier than Louis CK. We beg to differ. READ MORE...
MUMFORD & SONS TAKE INDEFINITE HIATUS “There won’t be any Mumford & Sons activities for the foreseeable future” keyboardist Ben Lovett has confirmed. READ MORE...
BID FOR THE BREAKING BAD TIGHTY WHITIES Breaking Bad's producers are selling off its props as the acclaimed show comes to an end and we pick out the most wanted items. READ MORE...
THE WIRE ACTOR TAKES ON LIAM GALLAGHER Idris Elba, famous for playing Stringer Bell in the acclaimed TV series, says "no one gives a f*ck” about the ex-Oasis singer. READ MORE...
AUSSIE COUNTRY BEATS SWEDISH EDM TO #1 Keith Urban pips Avicii in the ARIA Albums chart, while Mantra and NZ's The Naked & Famous also debuted strongly. READ MORE...
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From: "the AU newsletter" <newsletter@theaureview.com> Subject: Issue 101 // The Fratellis, Mantra, Melbourne Ska Orchestra, The Bamboos, win tickets to Future Music Festival plus much more! Date: 3 October 2013 11:15:53 PM AEST To: lam.seam@gmail.com Reply-To: "the AU newsletter" <newsletter@theaureview.com>
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State of Affairs: Music Industry News - HERE Album News: Releases and Updates - HERE News of the Arts: Theatre, Art and more - HERE Tour News: All the latest - HERE
YouTube announces its first music awards - HERE British India announce tour dates - HERE SXSW band submissions shutting October 11 - HERE
ARTS & LIVE MUSIC REVIEWS + GALLERIES Redfoo (of LMFAO) at Marquee Sydney (27.09.13) - REVIEW Rihanna - Rod Laver Arena, Melbourne (30.09.13) - REVIEW Foals + Alpine - Enmore Theatre, Sydney (29.09.13) - REVIEW Agatha Christie's A Murder is Announced - Sydney Theatre Company (28.09.13) - REVIEW Jinja Safari + Cub Sport - Karova Lounge, Ballarat (28.09.13) - REVIEW Deep Sea Arcade + Hey Geronimo + Morning Harvey - The Zoo, Brisbane (27.09.13) - REVIEW Papa Vs Pretty + Battleships + Valar - Oxford Art Factory (25.09.13) - REVIEW Eucalyptus Echoes Psych Fest BNE - Beetle Bar (21.09.13) - REVIEW Capital Cities - The Standard (25.09.13) - REVIEW William Shakespeare's Titus Andronicus - Cafe Church, Glebe (18.09.13) - REVIEW
The AU Sessions: The Bamboos 'Avenger' - HERE
Exclusive Album Stream: Loose Change - Listening Party - HERE
ALBUM REVIEWS FKA twigs - EP2 (EP) - REVIEW // The Strypes - Snapshot (LP) - REVIEW James Iha - Look to the Sky (LP) - REVIEW // Allen Toussaint - Songbook (LP) - REVIEW Holy Ghost! - Dynamics (LP) - REVIEW // Luca Ciut - Seventeen Million Lonely Angels (LP) - REVIEW The Trotskies - The Trotskies (EP) - REVIEW // The Paul McKenna Band - Elements (LP) - REVIEW Elvis Costello and The Roots - Wise Up Ghost and Other Stories (LP) - REVIEW Go Violets - Heart Slice (EP) - REVIEW // Crucible - The Songs Of Hunters & Collectors (LP) - REVIEW
Eating with the AU: PaperPlanes New Lunch Menu Bondi Beach (Sydney) - HERE
Hello Asia! NEWS: MBC Korean Music Wave to hit Singapore in November! - HERE
THE AU REVIEW PRESENTS:
Melbourne MC Mantra took some time to answer some questions - HERE Wolf Mail took some time to tell the AU Review about life in a traveling band - HERE We catch up with Nicky Bomba of 26-piece Melbourne Ska Orchestra - HERE We catch up with bassist Andrew Pearsall of Sydney's Solkyri - HERE We chatted to Paul French of Perth indie-rock quartet Mining Boom - HERE Cara caught up with Morgan Castle from Brisbane group Young Lions - HERE Larry eats Yum Cha with Felix Riebl from The Cat Empire! - HERE We chat to Nic and Ben of Bed Wettin' Bad Boys - HERE We catch up with Australian Hardcore and Metal outfit Hellions - HERE Larry chats to Jon Fratelli from Glasgow's The Fratellis - HERE
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MANTRA With two albums under his belt and a tour underway, you’re an idiot not to keep your eye on Mantra. Benny Thompson had a chance to catch up with the popular rapper at a Melbourne show.
F
irst off, congrats on the really big accolades, Telling Scenes has debuted at number one on the AIR independent charts, number three on the Australian Album chart, and number one on the Urban chart, you’ve got to be feeling pretty good about that? Yeah dude, we’re totally stoked. I was saying to someone recently I kind of go into these sorts of situations without expectations, you know? The higher your expectations are, the easier it is to be disappointed, and you can often do yourself an injustice that way. I just wanted to give people the best album I could. So yeah, when that response came back and we saw just how good the week had been, we were blown away, and really, really, really happy. Does it feel nice getting so much credit from the music industry, with people like Rolling Stone saying it’s one of the biggest hip hop albums of the year, or do you wait to see the response from the fans and let that be the gauge on how well you’ve done?
POSITIVE AND PROGRESSIVE HIP-HOP 16
Yeah, the accolades from the industry are always very much appreciated, and obviously when someone like Rolling Stone vouches for you and says the things that they did there is an enormous sense of pride. Or when artists you admire pick you out as one of their favourites, these are things that definitely feel great, you know? But I think you’ve definitely got to take all those things with a grain of salt and not let them dictate how you feel > 17
about your own music. As you say, it’s the fans that are the most important, because if you’re not reaching those people then you’re kind of missing the purpose. So industry stuff is obviously great, and makes you feel really really good, but for me the real measure is standing on stage and looking down and seeing someone rapping the lyrics to your songs, or when you meet someone after the show and they tell you of an experience with your music that might have helped them out in their life, that immediate impact from the people, listening and connecting with you, that’s the mark right there. That’s awesome man. ‘Break Tradition’ is the single out at the moment, and it’s a bit different from ‘Loudmouth’, the first single. It brings a bit more of a serious vibe, and it’s obviously a track you’ve invested yourself into. I put a lot of thought and care into writing the song, yeah. And it is totally different from ‘Loudmouth’, because there is a much darker tone to it, and a much more serious message. But it’s also very different because ‘Loudmouth’ is speaking directly on behalf of myself, and talking about how I’d grown up, where as in ‘Break Tradition’, I’m kind of talking about other people’s stories. I was a bit apprehensive ‘cause whenever you do something like that, you’ve got to make sure you’re not insensitive to anyone’s situation. And you want to make sure that the message doesn’t come off contrived or preachy or not genuine in any way. So I was careful of that, but the song was inspired by stories I’ve heard from some of the young people I work with. It’s a really common story, that instilled sense of aggression, and that cycle of violent behaviour that never really gets broken. It’s something I’ve wanted to speak about for a long time, and a felt like now was the time to do it. The film clip is amazing as well dude, I really liked the use of dance, which is something I 18
don’t say about many film clips. It conveyed the message really well and obviously the director has put a lot of themself in it too. Yeah, Claudia, the director, did an amazing job. She really had the vision and we worked on that story together. I had a vague idea of what I wanted to include, I knew I wanted some abstract elements, contemporary dance or something along those lines, so I came to her with a few basic ideas. She had a few really good ideas herself, and we sat down and just did it. She has a great eye for aesthetics and knew a bunch of the shots she wanted. It is a very aesthetically beautiful film clip. The backdrop of the story is you building this epic, artistic kind of puzzle or sculpture. How much time did you guys put into that? Dude, couldn’t have done that without Claudia and the amazing team that worked on that for ages. That whole thing is meant to represent a Mandala. A Mandala being a traditional artwork which actually represents a mantra. That’s meta as shit dude. Yeah totally! It’s really fitting. But the reason we wanted to do that is it’s like a traditional, repetitious art form, and the point of a Mandala is it’s created by repetition, which is exactly what we’re talking about in the song. And when someone is done creating a Mandala they sort of destroy it and get rid of it. Not in a violent or an aggressive way, but to give themselves a chance to start again. So that was a metaphor for the whole song and breaking that tradition. I know social justice and youth work are both passions of yours, and I know you also like to bring a lot of those topics to your music. What is one of the bigger issues that you think Australian youth face? > 19
Family abuse and domestic violence is definitely one that I thought was kind of invisible and I know Family abuse and domestic violence is definitely one that I thought was kind of invisible and I know that before I started working with young people it was something I was pretty unaware of. It was a big, eye-opening experience just to see how hard some kids had it. I live in Melbourne and most of the people you see out and about are reasonably well off, everyone’s got what they need, everyone’s paying rent, everyone’s eating, and so it’s really easy to be blind to the people who are struggling and doing it hard. I think there’s lots of issues that are due to be raised, especially with young people, and so I definitely think it is up to artists and individuals to raise issues that they think are important.
Nice man. Alright, a couple of quick-fire questions. If you could have a superpower what would it be?
Sounds like a call to arms! Okay, let’s lighten the tone a little bit. What’s the best bit about doing music for a living?
If you could play with any three musical acts from history who would they be?
I can only speak on behalf of myself, but it’s kind of the only thing I’ve ever really been good at, and secondly, it’s the thing that I enjoy doing most in the whole world, so even though doing it for a living can be tough, and you’ve got to work your arse off every day, and even though most of it has nothing to do with music, I do all that work happily because I know there’s nothing I’d rather be doing. What do you get up to in your spare time man? Shit dude, I don’t even remember what spare time looks like [laughs]. I love movies, I love books, I’ve been trying to read a lot in my spare time, trying to get around to some classics I’ve never read. I’ve been doing lots of other writing recently too, writing stuff outside of music, stories, poems and the like, just for myself, just for fun. And hanging out with my people. Tours and stuff make it hard for you to see people whenever you want, so whenever possible I try to maintain those friendships. 20
Fuck! Shit, I don’t know man. Actually, teleportation. That would be amazing. I agree man. Flying would be cool, but I couldn’t say no to just like ‘click’ and I’m in Barcelona. Or if you forgot your keys, or got busted in a smoke spot, boom, gone. Exactly dude! The list of benefits goes on and on! We’re killing this man! [laughs]
Otis Redding would definitely be number one. Then I reckon Notorious B.I.G, that would be amazing. And I’d have to say Led Zeppelin. Dude, that would be a fucking awesome show to see! Imagine if we formed a super group! Shit, that would be the best! If you could erase a musical act from time, who would it be? That is a brutal question! Absolutely brutal, and it would definitely have to be Michael Buble. Okay dude, before we wrap it up, touring around with dudes like Grey Ghost and Seth Sentry, you must have a couple of pretty good tour stories? One of the more interesting moments was when we played at this venue in Bendigo. They’d just finished refurnishing the place and when we got there they were literally still painting and stocking
the bar and everyone was crazy stressed out there cause they had so much to do. It was this massive band room, but it was sort of divided down the middle by a curtain, and they were running the two sides of the room as two different venues. So there’s us on one side; a show full of rowdy hip-hop heads and on the other side happened to be Bendigo’s biggest gay night. Like a raging hardout gay-club, and it was going off too! Techno club beats, dancing, sweating. And we had to walk through both of these “venues” to get to our dressing room. We walk through our side and we get bombarded by these drunk hip-hop heads wanting to take photos and chat and that would take us a while, and then we’d get on the other side of the curtain and have to wade through this heaving dance floor of dudes just going absolutely mental. But what’s awesome was that there was a balcony smoking area that was for both venues, but it was divided down the middle so you couldn’t just jump between venues, and all the rowdy hiphop heads are on one side, and all the dudes from
the gay night were on the other, and they all just kind of got along really well. They had like mad conversations and were laughing, chatting, smoking cigarettes. I came outside and I was like, ‘this is a beautiful thing!’ So that was one of the more surreal nights of the tour, for sure. Music, always bringing people together! Nice one man! It’s been wicked talking to you dude, we appreciate the time. Before you go, Last word from Mantra? I’ve been thinking about this recently, people often comment negatively on the state of music, especially hip hop and think their reasons for doing so are sometimes quite valid, but I think there’s always enough good music out there to listen to, so please stop complaining about the bad music and go make some good music yourself, or go buy an album of someone worth listening to who needs the money. > Benny Thompson
21
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