A NOTE FROM THE ARTISTIC DIRECTOR The Armory strives to provide its audiences with the opportunity to experience masterful and thought-provoking works that are in dialogue with the sweep of the Armory’s unique spaces. And there is no better setting than the Board of Officers Room, with its pristine acoustics and austere elegance, to offer audiences the chance to enjoy the intimacy of recitals and music-making. Now in its fourth year, the recital series showcases more maverick musicians than ever before with an even greater breadth of works spanning more than six centuries. Building on our commitment to the art form that unites song and poetry, we feature the dynamic soprano Lisette Oropesa for an artfully-curated series of Spanish, German, and French art songs and the expressive countertenor Andreas Scholl, who performs a program of English Renaissance and Baroque gems. We take the art form in exciting new directions with the Grammy Award-winning Roomful of Teeth in a performance exploring vocal music of the 21st century, a recital by the JACK Quartet performing the world premiere of Pulitzer Prize-winning composer Roger Reynold’s FLiGHT, and an interpretation of Nina Simone’s iconic voice through the cello of the intriguing Sonia Wieder-Atherton. We also welcome burnished baritone Roderick Williams as well as Andreas Ottensamer, principal clarinettist of the Berliner Philharmoniker, for their thrilling North American recital debuts. Together with a program of Beethoven’s wondrous violin sonatas by Kristof Baráti, a poignant and heartfelt evening of lieder and art song performed by lyric soprano Kate Royal, and our ongoing partnership with the Metropolitan Opera’s Lindemann Young Artist Development Program that spotlights the next generation of opera greats, this year’s lineup allows even more opportunities than ever before to witness major talent in the most personal of settings. Pierre Audi Artistic Director
2016 RECITAL SERIES IN THE RESTORED BOARD OF OFFICERS ROOM thursday, september 8 at 7:30pm friday, september 9 at 8:00pm
ANDREAS OTTENSAMER, clarinet JOSÈ GALLARDO, piano DEBUSSY
First Rhapsody for Clarinet, L.116
TEMPLETON
Pocket-Size Sonata, no. 2
WIDOR
Introduction and Rondo, Op.72
BÉLA KOVÁCS
After You, Mr. Gershwin!
Intermission GERSHWIN
Three Preludes (arr. Stephan Koncz for clarinet and piano)
FRANÇAIX Theme and Variations DEBUSSY
La fille aux cheveux de lin
JOSEPH HOROVITZ
Sonatina
This performance is approximately one hour and fifteen minutes in length, performed with intermission.
The Recital Series is supported in part by a generous grant from Gwen Norton on behalf of the IKBS, and by The Reed Foundation. The Recital Series is also made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. Support for Park Avenue Armory’s artistic season has been generously provided by The Andrew W. Mellon Foundation, The Harold and Mimi Steinberg Charitable Trust, the Howard Gilman Foundation, the Fan Fox and Leslie R. Samuels Foundation, The Shubert Foundation, the Marc Haas Foundation, The Kaplen Brothers Fund, the Juliet Lea Hillman Simonds Foundation, the Leon Levy Foundation, the May and Samuel Rudin Family Foundation, and the Isak and Rose Weinman Foundation.
SEASON SPONSORS
ABOUT THE PROGRAM First Rhapsody for Clarinet (1910) by Claude Debussy (St. Germain-en-Laye, nr. Paris, 1862 – Paris, 1918) Debussy wrote his Clarinet Rhapsody as a competition piece for the Paris Conservatoire. It was a request he couldn’t very well turn down, but he jokingly complained to his friend and publisher Jacques Durand that he had to sit through his piece no fewer than eleven times in a row... Debussy’s rhapsody follows the pattern established by Franz Liszt in his Hungarian Rhapsodies, where a slower, lyrical section was followed by a faster, dazzling second part. The main notes of Debussy’s opening theme are taken from the pentatonic scale (the black keys of the piano); by contrast, the fast section (“Scherzando”) makes ample use of chromatic half-steps. After a brief recall of the first theme, the second one returns to close the piece. (Although Debussy called the work Première rapsodie, there never was a second.) Pocket-Size Sonata, no. 2 (1959) by Alec Templeton (Cardiff, Wales, 1909 – Greenwich, CT, 1963) Alec Templeton, the Welsh-American pianist and composer who was blind from birth, is best remembered today as the author of such gems as Bach Goes to Town and Mozart Matriculates, where the great classics meet the world of jazz. A fabulous improviser on the piano, Templeton composed two short sonatas for clarinet and piano a few years before his untimely death. The second sonata, in three movements, moves from a moderate (“and mellow”) first movement to a perky minuet and a “quasi cool” finale, mixing jazzy accents with Mozartian and Debussyan echoes. Introduction and Rondo, Op. 72 (1898) by Charles-Mare Widor (Lyon, 1844 – Paris, 1937) Known above all for his grandiose organ symphonies, CharlesMarie Widor composed prolifically for all instruments. Clarinetists have long cherished his virtuosic Introduction and Rondo, written for the French virtuoso Cyrille Rose. This brilliant showpiece opens with an Introduction anticipating the rondo theme, which is later presented in its complete form. The opening gives the impression of free improvisation with its interruptions and tempo changes. The subsequent rondo unleashes the fireworks with some fiery episodes between returns of the principal melody. After You, Mr. Gershwin! (2004) by Béla Kovács (b. Tatabánya, Hungary, 1937) Hungarian clarinetist Béla Kovács, longtime professor at the Liszt Academy in Budapest, has written several concert works for his instrument that have achieved worldwide success. They often take the form of homages to famous composers from the past from Bach to Bartók. The “Gershwin” piece begins with an obvious allusion to the opening of Rhapsody in Blue and continues in a similar vein; yet the tunes are Kovács’s own. 2
Three Preludes (1923–26) by George Gershwin (Brooklyn, NY, 1898 – Hollywood, 1937) arranged for clarinet and piano by Stephan Koncz (b. 1984) After intermission, the recital continues with some real Gershwin: an arrangement of Three Preludes, made by Austrian cellist Stephan Koncz for his colleague in the Berliner Philharmoniker, Andreas Ottensamer. Gershwin composed five preludes for piano solo in 1926. He published three of them, arranged as a miniature sonata in jazz style, with two fast and dance-like movements flanking a bluesy slow piece (“Blue Lullaby”). The last piece is known as “Spanish Prelude” on account of its Latin-inflected rhythm and melody. Theme and Variations (1974) by Jean Françaix (Le Mans, France, 1912 – Paris, 1997) Jean Françaix, a true musician’s musician, was referred to by fellow composer Marius Constant as “today’s watchmaker,” in reference to Stravinsky’s affectionate description of Maurice Ravel as the “Swiss watchmaker.” Françaix, who had started out as a child prodigy, received early encouragement from Ravel and went on to build an extremely rich catalog of works in all genres. Theme and Variations for clarinet and piano is one of Françaix’s most frequently performed chamber compositions. It has got everything: a tuneful theme and a set of variations in turn lyrical, witty, and virtuosic, complete with a spectacular unaccompanied cadenza before the final flourish. “La fille aux cheveux de lin” (“The Girl with the Flaxen Hair”) from Preludes, Book I (1910) by Debussy Debussy’s popular piano prelude, with its unforgettable pentatonic theme, has a tender, song-like quality that makes it eminently suitable for performance on a melody instrument. In this short work, Romantic feeling is combined with a more modern, impressionistic mood, evoking a portrait in pastel, half dream and half reality. Sonatina (1981) by Joseph Horovitz (b. Vienna, 1926) On May 26 of this year, composer Joseph Horovitz celebrated his 90th birthday. The Vienna native, who has lived in England since 1938, taught for many years at London’s Royal College of Music (where he had also studied). His style, firmly rooted in tonality, incorporates frequent jazz influences. The Sonatina for clarinet and piano was premiered by Gervase de Peyer, a founding member of the Chamber Music Society of Lincoln Center. Of the work’s three movements—fast, slow, fast—the last one stands out by virtue of its lively rhythms and playful exchanges between the two instruments. —Peter Laki
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ABOUT THE ARTISTS The Austrian clarinettist Andreas Ottensamer has captured audiences and critics alike with the singular beauty of tone that he coaxes from the instrument. Born in 1989, Ottensamer comes from an Austro-Hungarian family of musicians and was drawn to music early, receiving his first piano lessons when he was four. At the age of ten he began studying cello in his home town at the University of Music and Performing Arts Vienna, then changed to the clarinet under Johann Hindler in 2003. Mr. Ottensamer gained his first orchestral experience as a deputy in the orchestra of the Vienna State Opera and the Vienna Philharmonic and as a member of the Gustav Mahler Jugendorchester. In 2009 he interrupted his Harvard studies to become a scholar of the Orchestra Academy of the Berliner Philharmoniker. He now is the principle clarinettist with the Berliner Philharmoniker. Mr. Ottensamer has won first prize in competitions for clarinet, cello, and piano, and performs as a soloist and chamber musician throughout the world in venues such as Musikverein Wien, Konzerthaus Wien, Brucknerhaus Linz, Musikverein Graz, Philharmonie Berlin, Tempodrom Berlin, De Doelen Rotterdam, and Seoul Arts Center. His artistic partnerships include work with Murray Perahia, Leif Ove Andsnes, Leonidas Kavakos, Janine Jansen, Clemens Hagen, and Yo-Yo Ma. In 2005 he founded the clarinet trio The Clarinotts with his father Ernst and brother Daniel, both solo clarinettists in the orchestra of the Vienna State Opera and the Vienna Philharmonic. Several works have been dedicated to the ensemble. In February 2013 Andreas Ottensamer entered an exclusive recording partnership with Deutsche Grammophon/Mercury Classics, making him the first ever solo clarinettist to sign an exclusive agreement with the Yellow Label. His first album, Portraits – The Clarinet Album, was released that year and features concertos by Copland, Spohr, and Cimarosa, plus arrangements of short pieces. His partners are the Rotterdam Philharmonic Orchestra under Yannick Nézet-Séguin. In early 2015 he released his second album for Deutsche Grammophon/Mercury Classics of works by Brahms, followed in 2016 by a recording with The Clarinotts.
China, Dortmund, and London. Concert engagements include the Berliner Philharmoniker, Essen Philharmonic, Wiener Conert-Verein, Bremen Philharmonic, Guangzhou and Shanghai Symphony Orchestras, a tour with the Philharmonie Zuidnederland, the Bournemouth Symphony Orchestra, and the Camerata Salzburg. Born in Buenos Aires, Argentina, José Gallardo started piano lessons at the age of five at the Buenos Aires Conservatory. Later he continued his studies with Poldi Mildner at the Department of Music, University of Mainz where he received his diploma. During this time he discovered his passion for chamber music. He drew his musical inspiration from artists such as Menahem Pressler, Alfonso Montecino, Karl-Heinz Kammerling, Sergiu Celibidache, Rosalyn Tureck, and Bernard Greenhouse. Mr. Gallardo has won numerous national and international awards. Invitations to numerous tours and festivals followed, including the Chamber Music Festival Lockenhaus, Verbier Festival, Lucerne Festival, Chopin and his Europe Warsaw, Ludwigsburg Castle Festival, Schwetzingen Festival, Schleswig Holstein, the Kronberg Cello Festival, Musiktage Hitzacker, Kaposfest Hungary, and the Rheingau Music Festival. He has given concert and chamber music performances in Europe, Asia, Israel, Oceania, and South America working with artists including Gidon Kremer, Barnabás Kelemen, Linus Roth, Benjamin Schmid, Carolin Widmann, Alina Ibragimova, Nils Mönkemeyer, Andreas Ottensammer, Nicolas Altstaedt, and Miklós Perényi. He has recorded for EMI, Hänssler, Challenge Records Int., Oehms Classics, Neon, Genuin, Warner, and Naxos as well as television and radio productions. In 2013, with Andreas Ottensamer, he became joint artistic director of the “Bürgenstock Festival” in Lucerne.
Recent engagements include performances of the Busoni Clarinet Concertino and Copland Clarinet Concerto at the Seoul Arts Center in Korea, concerts with the Brahms Ensemble Berlin in Baden-Baden and Japan, appearances with his own Clarinotts in Japan, Vienn,a and Graz, as well as appearances at the Bürgenstock Festival and with the Berliner Philharmoniker. In the 2015-2016 season, he became a ‘Junge Wilde’ artist at the Konzerthaus Dortmund. During the 2016-2017 season, he gives solo recitals in New York, Quebec, armoryonpark.org
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ABOUT THE ARMORY Part American palace, part industrial shed, Park Avenue Armory is dedicated to supporting unconventional works in the visual and performing arts that need non-traditional spaces for their full realization, enabling artists to create, students to explore, and audiences to consume epic and adventurous presentations that can not be mounted elsewhere in New York City. In its first nine years, the Armory opened its doors to visionary artists, directors, and impresarios who provided extraordinary experiences in a range of art forms. Such was its impact that in December 2011, The New York Times noted, “Park Avenue Armory… has arrived as the most important new cultural institution in New York City.” Built between 1877 and 1881, Park Avenue Armory has been hailed as containing “the single most important collection of nineteenth century interiors to survive intact in one building” by the New York City Landmarks Preservation Commission. The 55,000-square-foot Wade Thompson Drill Hall, with an 80-foot-high barrel vaulted roof, is one of the largest unobstructed spaces in New York City. The Armory’s magnificent reception rooms were designed by leaders of the American Aesthetic Movement, among them Louis Comfort Tiffany, Stanford White, Candace Wheeler, and Herter Brothers. The building is currently undergoing a $210-million renovation designed by Herzog & de Meuron.
PARK AVENUE ARMORY STAFF Rebecca Robertson, President and Executive Producer Pierre Audi, Artistic Director Katrina Berselius, Special Assistant to the President Jenni Bowman, Producer David Burnhauser, Collection Manager Courtney Caldwell, Venue Events Manager Leandro Dasso, Porter Khemraj Dat, Accountant Jordana De La Cruz, Special Projects Coordinator Mayra DeLeon, Porter Marcia Ebaugh-Pallán, Manager of Special Events Alexander Frenkel, Controller Lissa Frenkel, Managing Director Melanie Forman, Chief Development Officer Caelan Fortes, Individual Giving Assistant Peter Gee, Chief Financial and Administrative Officer Pip Gengenbach, Education Coordinator Jennie Herreid, Ticket Services Manager Reginald Hunter, Building Mechanic Cassidy Jones, Education Director Chelsea Emelie Kelly, Youth Corps Coordinator Nicole Kidston, Deputy Director of Development Allison Kline, Director of Foundation and Government Relations Nicholas Lazzaro, Production Operations Manager Jennifer Levine, Director of Special Events Michael Lonergan, Producing Director 4
Wayne Lowery, Security Director Jason Lujan, Operations Manager Walter Nin, Security Manager Maxine Petry, Manager of Individual Giving Charmaine Portis, Executive Assistant to the Chief Development Officer Morgan Powell, Membership Coordinator Kirsten Reoch, Director of Design and Construction Erik Rogers, Production Coordinator Matthew Rymkiewicz, Tessitura Database Manager William Say, Superintendent Jennifer Smith, Associate Director of Corporate Relations Tom Trayer, Director of Marketing Chris Van Alstyne, Technical Director Brandon Walker, Associate Technical Director Jessica Wasilewski, Producer Monica Weigel, Associate Director of Education Avery Willis Hoffman, Program Director Nick Yarbrough, Digital Marketing Manager Youth Corps Santiago Budier, Rachel Calabrese, Logan Delgado, Joselin Flores, Lizmarie Garcia, Isatu Jalloh, Sinaia Jones, Terrelle Jones, Destiny Lora, Leidy Dania Carrasco Paulino, Angela Reynoso, Rafael Rosario, Cory Sierra, Keshawn Wallace, Maegan Wright Production Acknowledgements Steinway & Sons
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NEXT IN THE RECITAL SERIES SONIA WIEDER-ATHERTON, cello BRUNO FONTAINE, piano
KATE ROYAL, soprano JOSEPH MIDDLETON, piano
“A tribute to Nina Simone that is more than the sum of its parts and a world away from a straightforward set of cover songs.” —The Strad
“Ms. Royal produces an attractive, fully focused sound, but her most compelling quality as an interpreter is an ability to offset the polished surface of a trained voice with the passion and the sense of collective memory, however illusory, that folk singers bring to their art.” —The New York Times
october 7–8
november 18–20
Having delighted Armory audiences in 2015 with her program of Benjamin Britten’s powerful suites and Sylvia Plath’s haunting poetry, renowned cellist Sonia Wieder-Atherton returns with the North American premiere of a program that boldly re-imagines the radical, sometimes fierce music of Nina Simone. With her cello taking the role of the torch singer’s voice, Wieder-Atherton digs deep into Simone’s universe and delivers a kaleidoscope of emotions, from honey-sweet to raw and uncompromising, in this musical tour de force.
JACK QUARTET october 30–31
British lyric soprano Kate Royal has generated significant excitement among fans of great singing with appearances at the Metropolitan Opera, Glyndebourne Festival, Paris Opera, Royal Opera Covent Garden, and the English National Opera. Equally at home on the recital stage, the “elegant, thoughtful singer” (The New York Times) comes to the Board of Officers Room to perform an artfully-curated selection of lieder and song by Robert and Clara Schumann, Mahler, and Samuel Barber.
“Every JACK concert transcends a run-of-the-mill performance and becomes a true event.” —Time Out New York Known as “superheroes of the new music world” (The Boston Globe), JACK Quartet has emerged over the past decade as the go-to ensemble for contemporary music with their impeccable musicianship, intellectual ferocity, and a take-no-prisoners sense of commitment. This virtuosic young ensemble perform the world premiere of Pulitzer Prize-winning composer Roger Reynolds’s FLiGHT, an exploration of humankind’s aspirations to fly through musical composition for string quartet, real-time computer-derived sound, readings, and projections.
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NEXT AT THE ARMORY TARYN SIMON: AN OCCUPATION OF LOSS
MANIFESTO
“One of the leading artists to understand our moment in history.” —Interview Magazine
“It is both a confirmation of Blanchett’s sheer presence and acumen as an actor and Rosefeldt’s shrewdness and intellect as an artist.” —Sydney Morning Herald
september 13–25
A conceptual artist working primarily with image and text, Taryn Simon breaks form with her first-ever directed performance in which she considers the anatomy of grief and the intricate systems that we devise to contend with the irrationality of the universe. Within a monumental setting, Simon blends sculpture, sound, architecture, and performance with professional mourners in an exploration of the boundaries of grief between living and dead, past and present, performer and viewer.
CIRCLE MAP
december 7–january 8
Drawing on more than 50 manifestos by artists, architects, choreographers, and filmmakers, this highly theatrical film installation by cinematographer and video artist Julian Rosefeldt reinterprets these famous texts as poetic monologues to provoke timeless questions about the gendered, social, and political contexts that shape the artist’s role in society. Academy Award-winner Cate Blanchett connects these artistic declarations to the humanity of everyday characters and actions in a tour-de-force of acting represented on 13 different screens, boldly recapturing the defiant spirit of its source material for a contemporary audience.
october 13–14 “To journey into Saariaho’s music is to be confronted with the darkest and most dazzling dimensions of your subconscious.” —The Guardian (UK) The revered New York Philharmonic returns to the Armory for the New York premiere of Finnish composer Kaija Saariaho’s Circle Map, a new work for orchestra and electronics that builds out from six stanzas by the 13th-century Persian poet Rumi, and D’om la Vrai Sens. The evening also includes the New York premiere of Lumiére et Pesanteur as well as Lonh, a work that combines medieval love poetry sung by rising soprano Jennifer Zetlan with an electronic score that manipulates sounds from nature to evoke a distant, luminous landscape.
ARTISTS STUDIO
Join us for a new series of events inspired by the exotic beauty of the newly reopened Veterans Room and the inventive spirit of the designers who conceived it. Curated by jazz pianist, composer, artist, and MacArthur Fellow Jason Moran, these performances feature a diverse mix of contemporary classical, performative art, and an improvisational approach to jazz. upcoming performances:
TALES OF LOVE AND FEAR: LUCY RAVEN september 29–30 CAMILLE NORMENT & CRAIG TABORN october 16 RYAN TRECARTIN & LIZZIE FITCH november 21
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OTHER HAPPENINGS AT THE ARMORY UNDER CONSTRUCTION SERIES
FAMILY PROGRAMS
“A residency like the Armory’s can be life changing for an artist. With unlimited access to studio space and total creative freedom, even the wildest idea can be attempted.” —The Wall Street Journal Get an inside look into the creative process of the Armory’s artists-in-residence, who set up studios and offer intimate public previews of works-in-progress, including dance, theater, music, and visual art. The Armory’s period rooms provide a unique backdrop for their workshops, serving as both inspiration and as a collaborator in the development of their work. Previous artists-in-residence have included director and designer Julian Crouch, choreographers Faye Driscoll and Wally Cardona, soprano Lauren Flanigan, artist Ralph Lemon, maverick musician and composer Meredith Monk, postclassical string quartet ETHEL, writer and critic Sasha FrereJones, playwright and director Young Jean Lee, performance artist Okwui Okpokwasili, Trusty Sidekick Theater Company, and Shen Wei Dance Arts.
ARMORY AFTER HOURS
Salon culture has enlivened art since the 19th century, when friends gathered in elegant chambers to hear intimate performances and share artistic insights. Join us following select performances for libations with fellow attendees as we revive this tradition in our historic period rooms. You may also get to talk with the evening’s artists, who often greet friends and audience members following their performances.
Park Avenue Armory invites parents and children to participate in interactive art-making workshops in our historic period rooms. Drawing upon the Armory’s castle-like setting and unique artistic offerings, these programs are offered monthly during the school year and designed to spark the imagination of children of all ages.
ARTIST TALKS
Held in our historic period rooms, these insightful dialogues give audiences the opportunity to hear directly from the artists, and explore the inspirations, ideas, and themes behind their work.
MALKIN LECTURE SERIES
Each fall, the popular Malkin Lecture Series presents scholars and experts on topics relating to the Armory and the civic, cultural, and aesthetic life of New York City in the 19th and early 20th centuries. Lecture topics have ranged from history makers like Abraham Lincoln and Theodore Roosevelt to Gilded Age society’s favorite restaurants and the Hudson River painters.
HISTORIC INTERIORS TOURS
Get an insider’s look at the Armory with a guided walking tour of the building with our staff historian. From the soaring 55,000-square-foot Drill Hall to the extraordinary interiors designed by Louis Comfort Tiffany, Stanford White, Herter Brothers, and others, and learn about the design plans by acclaimed architects Herzog & de Meuron.
Go to armoryonpark.org for more information on all of these programs.
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PARK AVENUE ARMORY BOARD OF DIRECTORS Co-Chairman Elihu Rose, PhD. Co-Chairman Adam R. Flatto President and Executive Producer Rebecca Robertson
Marina Abramović Harrison M. Bains Wendy Belzberg Emma Bloomberg Carolyn Brody Cora Cahan Peter C. Charrington Hélène Comfort Paul Cronson Sanford B. Ehrenkranz David Fox Marjorie L. Hart Edward G. Klein, Major General NYNG (Ret.) Ken Kuchin Mary T. Kush Pablo Legorreta
Ralph Lemon Heidi McWilliams David S. Moross Gwendolyn Adams Norton Joel Press Genie H. Rice Amanda J.T. Riegel Janet C. Ross Jeffrey Silverman Joan Steinberg Emanuel Stern Angela E. Thompson Deborah C. van Eck Founding Chairman, 2000-2009 Wade F.B. Thompson
SUPPORTERS Park Avenue Armory expresses its deep appreciation to the individuals and organizations listed here for their generous support for its annual and capital campaigns. $1,000,000 + Charina Endowment Fund Empire State Local Development Corporation Richard and Ronay Menschel New York City Council and Council Member Daniel R. Garodnick New York City Department of Cultural Affairs The Pershing Square Foundation Susan and Elihu Rose The Arthur Ross Foundation and J & AR Foundation Joan and Joel Smilow The Thompson Family Foundation Wade F.B. Thompson* The Zelnick/Belzberg Charitable Trust Anonymous $500,000 to $999,999 Citi Lisa and Sanford B. Ehrenkranz Almudena and Pablo Legorreta The Andrew W. Mellon Foundation Adam R. Rose and Peter R. McQuillan Donna and Marvin Schwartz Liz and Emanuel Stern
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$250,000 to $499,999 American Express Michael Field Olivia and Adam Flatto Ken Kuchin and Tyler Morgan The Pierre and Tana Matisse Foundation The Rockefeller Foundation Marshall Rose Family Foundation $100,000 to $249,999 The Achelis and Bodman Foundations R. Mark and Wendy Adams Linda and Earle S. Altman Bloomberg Philanthropies Booth Ferris Foundation Hélène and Stuyvesant Comfort Marjorie and Gurnee Hart Kirkland & Ellis LLP Mary Kush Mr. and Mrs. Peter L. Malkin and The Malkin Fund, Inc. Mr. and Mrs. Lester S. Morse, Jr. New York State Assembly Gwen and Peter Norton Daniel and Joanna S. Rose Caryn Schacht and David Fox Amy and Jeffrey Silverman Harold and Mimi Steinberg Charitable Trust Joan and Michael Steinberg Mr. and Mrs. William C. Tomson Deborah van Eck
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$25,000 to $99,999 Gina Addeo The Avenue Association Harrison and Leslie Bains Emily and Len Blavatnik Emma Bloomberg and Chris Frissora BMW of Manhattan Carolyn S. Brody Noreen and Ken Buckfire Burberry The Cowles Charitable Trust Mary Cronson / Evelyn Sharp Foundation Caroline and Paul Cronson Jamie Drake Stuart J. Ellman and Susan H.B. Ellman Andrew L. Farkas, Island Capital Group & C-III Capital Partners Mr. and Mrs. Martin Geller Elizabeth Morse Genius Foundation Howard Gilman Foundation Horace W. Goldsmith Foundation Golub Captial LLC Kiendl and John Gordon Mr. and Mrs. Andrew Gundlach Agnes Gund The Hearst Foundations Josefin and Paul Hilal Kaplen Brothers Fund Anna Maria & Stephen Kellen Foundation, Inc. and Marina Kellen French Wendy Keys Aaron Lieber and Bruce Horten Christina and Alan MacDonald Christine & Richard Mack Marc Haas Foundation
Cindy and David Moross National Endowment for the Arts National Philanthropic Trust New York State Council on the Arts Elizabeth and Frank Newman Stavros Niarchos Foundation David P. Nolan Foundation Joan and Joel I. Picket The Pinkerton Foundation Slobodan Randjelovic and Jon Stryker Katharine and William Rayner The Reed Foundation Rhodebeck Charitable Trust Genie and Donald Rice Rebecca Robertson and Byron Knief Janet C. Ross The Fan Fox & Leslie R. Samuels Foundation The Shubert Foundation Sydney and Stanley S. Shuman Skadden, Arps, Slate, Meagher & Flom LLP Peter and Jaar-mel Sloane / Heckscher Foundation Sarah Billinghurst Solomon and Howard Solomon Dr. and Mrs. Eugene E. Stark, Jr. Michael and Veronica Stubbs Tishman Construction, an AECOM Company Barbara and Donald Tober VIA Art Fund Richard and Franny Heller Zorn Anonymous (3) $10,000 to $24,999 ADCO Electrical Corporation American Realty Capital Ginette and Joshua A. Becker Sara Berman A. Cary Brown / The W.L. Lyons Brown, Jr. Charitable Foundation Janna Bullock Marian and Russell Burke Eileen Campbell and Struan Robertson Mr. and Mrs. Chase Coleman Elizabeth Coleman Crum & Forster Emme and Jonathan Deland William F. Draper Peggy and Millard Drexler Andra and John Ehrenkranz Mr. and Mrs. Michael Evans Sandi and Andrew Farkas, Island Capital Group & C III Capital Partners Florence Fearrington Ferrari Ella M. Foshay and Michael B. Rothfeld Amandine and Steve Freidheim Debbi Gibbs The Grand Marnier Foundation Mr. and Mrs. Martin Gruss Mike & Janet Halvorson Elizabeth and Dale Hemmerdinger Anita K. Hersh Marlene Hess and James D. Zirin Herzog & de Meuron Max MF Power Jacobellis
Jil Sander Mr. and Mrs. William Kahane Erin and Alex Klatskin Suzie and Bruce Kovner Mr. and Mrs. Fernand Lamesch Leon Levy Foundation Richard H. Levy & Lorraine Gallard Lili Lynton and Michael Ryan Diane and Adam E. Max Renee and David McKee Cynthia Woods Mitchell Fund of the National Trust for Historic Preservation Northern Bay Contractors, Inc. PBDW Architects Andrea Markezin and Joel Press Charles H. Revson Foundation Deborah and Chuck Royce May and Samuel Rudin Family Foundation, Inc. Fiona and Eric Rudin Mr. and Mrs. William Sandholm Stacy Schiff and Marc de la Bruyere Mary Jane Robertson and James A. Clark Dr. and Mrs. Thomas P. Sculco Juliet Lea Hillman Simonds Foundation Lea Simonds Sanford L. Smith Sotheby’s Patricia Brown Specter Mr. and Mrs. Barry Sternlicht Claudia and Geoffrey Thompson Tishman Speyer Properties, LP Robert Vila and Diana Barrett David Wassong and Cynthia Clift William Morris Endeavor Entertainment Foundation Edward Jay Wohlgemuth Anonymous $5,000 to $9,999 Benigno Aguilar and Gerald Erickson Noreen K. Ahmad and Ahmar Ahmad Jamie Alter and Michael Lynton Ark Restaurants Corp. Jody and John Arnhold Milton and Sally Avery Arts Foundation Abigail Baratta Mr. and Mrs. Victor Barnett The David Berg Foundation, Inc. Amy Bermingham and Charles Wilson Debra and Leon Black Nicholas Brawer Catherine and Robert Brawer Tom and Meredith Brokaw Amy Brown Veronica Bulgari and Stephan Haimo Amanda M. Burden CBRE Sarah and Ronald Collins Margaret Crotty and Rory Riggs Joshua Dachs / Fisher Dachs Associates Theatre Planning and Design Diana Davenport and John Bernstein Joan K. Davidson (The J.M. Kaplan Fund) The Max and Victoria Dreyfus Foundation Mary Ellen G. Dundon David and Frances Eberhart Foundation armoryonpark.org armoryonpark.org
Cheryl and Blair Effron Inger McCabe Elliott Dr. Nancy Eppler-Wolff and Mr. John Wolff Alicia Ernst and John Katzman The Felicia Fund Fisher Marantz Stone, Inc. Bart Friedman and Wendy A. Stein Barbara and Peter Georgescu Richard Gilder and Lois Chiles Mindy and Jon Gray Mr. Jeff Greene and Ms. Kim Lovejoy Jamee and Peter Gregory Gunther E. Greiner Marieline Grinda and Ahmad Deek Allen and Deborah Grubman Mr. and Mrs. George Grunebaum Molly Butler Hart and Michael D. Griffin Mr. and Mrs. Daniel Hurwitz Tony Ingrao and Randy Kemper Nancy Josephson Paul Kanavos and Dayssi Olarte de Kanavos Jennie Kassanoff and Dan Schulman The Rachel and Drew Katz Foundation Gail and Alan Levenstein Levien & Company, Inc. Barbara and Aaron Levine Kamie and Richard Lightburn Mr. and Mrs. Robert Martin Adriana and Robert Mnuchin Mr. and Mrs. Robert Morse Barbara and Howard Morse Mr. and Mrs. Saleem Muqaddam Ali Namvar Mary Kathryn Navab Mr. and Mrs. Michael Newhouse Nancy and Morris W. Offit Peter and Beverly Orthwein Mindy Papp Susan Porter Anne and Skip Pratt Preserve New York, a grant program of Preservation League of New York Mr. and Mrs. Robert Pruzan Eileen and Tom Pulling David J. Remnick and Esther B. Fein Carolyn Risoli and Joseph Silvestri Jonathan F.P. and Diana Rose Liz and Michael Rosen Ida And William Rosenthal Foundation Jane Gregory Rubin and Reed Rubin Jack and Susan Rudin H.O. Ruding and Renee Ruding-Hekking Mr. and Mrs. Kevin Ryan Oscar S. Schafer Mr. Leigh Seippel Alan and Sandy Siegel The Six Four Foundation Elizabeth Stribling and Guy Robinson The Jay and Kelly Sugarman Foundation Bill and Ellen Taubman Jane Toll Michael Tuch Foundation Mr. and Mrs. Ronald Ulrich Anastasia Vournas and J. William Uhrig Isak and Rose Weinman Foundation, Inc. Christy Welker Cynthia Young and George Eberstadt Zubatkin Owner Representation, LLC 9 9
$2,500 to $4,999 Roswitha and A.J. Agarwal AKF Group LLC Norma Ketay Asnes Aurora Lampworks, Inc. Patrick Baldoni, Femenella & Associates, Inc. Judy and Howard Berkowitz Mr. and Mrs. Donald Calder Joyce Chelberg Alexandre and Lori Chemla Neil and Kathleen Chrisman Mr. and Mrs. David Cohen Betsy Cohn Connelly & McLaughlin Central Park Conservancy Mrs. Daniel Cowin Ellie and Edgar Cullman The Cultivist Constance and Gregory Dalvito Mary and Maxwell Davidson III Gina and James de Givenchy Richard and Barbara Debs Megan del Valle Jennie L. and Richard K. DeScherer Krystyna Doerfler Jeanne Donovan Fisher Mr. and Mrs. Robert Easton Karen Eckhoff Anne and Joel Ehrenkranz Alice and David Elgart Loren Eng and Dinakar Singh Mr. and Mrs. Brian Fisher Megan Flanigan Claudia and Fleming & George Bitar Foreground Conservation & Decorative Arts Melanie and Robert Forman Susan Freedman and Richard J. Jacobs Teri Friedman Mr. and Mrs. Scott Gerber Mr. and Mrs. Trevor Gibbons Robert and Joyce Giuffra Marjorie and Ellery Gordon Noah and Maria Gottdiener Archie Gottesman and Gary S. DeBode Sarah Gould and David Steinhardt Elizabeth and David Granville-Smith Francine Du Plessix Gray Great Performances The William and Mary Greve Foundation Anne Grissinger Claire and Christian Gudefin John Hargraves Jane Hartley and Ralph Schlosstein Augusta Hoffman and Jonathan Swygert Margaret Hunt istar Financial Inc. Caron and Geoffrey Johnson Meredith J. Kane Hon. Bruce M. Kaplan and Janet Yaseen Kaplan Mr. and Mrs. Rene Kern Nancy Kestenbaum and David Klafter Diana King / The Charles & Lucille King Family Foundation Knickerbocker Greys Phyllis L. Kossoff 10 10
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Simin Allison Eric Altmann Natalie N. Appel Rupa Athreya and Taimur Hyat Rebecca Lynn Bagdonas MD Peter Bails Tina and Peter Barnet Mr. and Mrs. Guillaume Bebear Cheryl Bergenfeld Elaine S. Bernstein Drs. Annette and Stanley M. Blaugrund Chris Bolman Diane Britz Lotti Cora Cahan and Bernard Gersten Pilar Castro Kiltz Sommer Chatwin Jennifer Chen Oya Christopher Donald G. Clinton Jerome & Carole Cloud Mrs. George Colettis Janis Conner Jessica and David Cosloy Aleksandra Maja Cragg James Danner Mr. and Mrs. Maurice Deane Luis y Cora Delgado Mr. and Mrs. Stephen Dellosso Kristin DiCunzolo Elizabeth Diller and Ricardo Scofidio Mr. and Mrs. Peter Duchin Amy Grovas Elliott Mr. and Mrs. Alexander Ercklentz Mr. and Mrs. Anthony Evnin Mr. and Mrs. Thomas N. Farmakis George Fellows Laurel D Fitts Dr. and Mrs. Walter Flamenbaum Mr. and Mrs. Marc Fox Richard Freitas and Roman Martinez Emily T Frick Mr. and Mrs. Jeffrey Geller Elisabeth Ellen Gibbons armoryonpark.org
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Mr. and Mrs. Eric Roth Mr. and Mrs. Gregorio Schneider Ainslee Schreiber and Scott Kaufman Francesca Schwartz Kimia Setoodeh Lindy Shuttleworth Angelo and Constance Silveri Albert Simons III Eileen Solomon William Spiegel and Lisa Kadin Martha S. Sproule Lili L. Stawski Mr. and Mrs. Benjamin Steiner Mr. and Mrs. Jerome Stern Frank Sullivan Shining Sung Robert Taff and J. Philip Moloney Mr. and Mrs. Brendan Tansill Lee Traub Zachary Kress Turner Amelia & Steven Usdan Annemarie Victory Karen E. Wagner and David Caplan Walter B. Melvin Architects, LLC Mr. and Ms. Anthony Weldon Christina Westley Susan Yarnell Tim Zietara Anonymous (4) List as of August 5, 2016 * Deceased
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ABOUT THE BOARD OF OFFICERS ROOM “The restoration of the Park Avenue Armory seems destined to set a new standard, not so much for its scale, but for its level of respect and imagination.” – The New York Times The Board of Officers Room is one of the most important historic rooms in America and one of the few remaining interiors by Herter Brothers. After decades of progressive damage and neglect, the room completed a revitalization in 2013 by the architecture team at Herzog & de Meuron and executive architects Platt Byard Dovell White Architects to transform the space into a state-of-the- art salon for intimate performances and other contemporary art programing. The Board of Officers Room is the third period room at the Armory completed (out of 18) and represents the full range of design tools utilized by the team including the removal of accumulated layers on the surfaces, the addition of contemporary lighting to the 1897 chandeliers, new interpretations of the stencil patterns on areas of loss, the addition of metallic finishes on new materials, new programming infrastructure, and custom designed furniture.
The room’s restoration is part of an ongoing $200-million transformation, which is guided by the understanding that the Armory’s rich history and the patina of time are essential to its character. A defining component of the design process for the period rooms is the close collaboration between architect and artisan. Highly skilled craftspeople working in wood, paint, plaster, and metals were employed in the creation of the building’s original interiors and the expertise – and hand – of similar artisans has been drawn upon for the renovation work throughout.
The renovation of the Board of Officers Room was made possible through the generosity of The Thompson Family Foundation. Cover photo by James Ewing.