caputo patrizia
//aw16 sketches - for vogue//
Assistan Designer 2015-Present
//SELF - PORTRAIT// My aim is to show from the research to sourcing, from sketches to different types of illustrations, from initial sample to final product all little examples of what I acheived in the time working for Self-portrait.
//aw16 design-fabric sourcing//
//SS17 ILLUSTRATIONS FOR WWD//
//SS17 CATWALK//
//DESIGN DEVELOPMENT//
//PRE-FALL
//SS17//
Product developer/Assistan Designer 2014-2015
//HOUSE OF HOLLAND//
//RESORT 16// CUT THE WHOLE JACKET IN BLOCK JACQUARD-WHEN CUTTING PLEASE PAY ATTENTION TO THE GRAIN LINE DIRECTION-FOR STRIPE DIRECTION PLEASE FOLLOW RED ARROWS DIRECTION FUSE ALL FACINGS AND GROWN ON HEM FACINGS WITH MID WEIGHT INTERFACING JACKET TO BE FULLY LINED CUT LINING IN COTTON LINING-BLACK
BACK YOKE AND FRONT BIB TO BE TWIN NEEDLE TOP STITCHED WITH HEAVY THREAD 30-BLACK TOPSTITCH TO BE AT 0.6CM FROM SEAM
**ALL TOPSTITCH TO BE IN HEAVY THRED 30’S-BLACK TO BE AT 0.6CM FROM SEAM** COLLAR TO BE FUSED FINISH COLLAR WIT A RUN OF EDGE STITCH IN HEAVY THREAD 30-BLACK TOPSTITCH TO BE 0.6CM FROM SEAM
TOPSTITCH COLLAR AND UPPER BACK WITH 30’S THREAD -BLACK TOPSTITCH TO BE AT 0.6CM FROM EDGE
ATTACH HOH LABEL TO THE CB INNER NECK
ATTACH 4 BUTTON AS MARKED ON PATTERN BACK DARTS TO BE TOPSTITCH WITH SINGLE NEEDLE TOP STITCH 30’S THREAD-BLACK TO BE AT 0.6CM FROM DART
JACKET IS FULLY LINED HEM FACINGS TO BE FUSED FLAT STITCH FACING FOR CLEAN AND FLAT FINISHING BAG OUT LINING WITH FACING SLIP STITCH FACING TO SELF TO SECURE
TAKE NOTE THAT DUE TO FABRIC IS EASILY FRAYING, ALL EDGES NEEDS TO BE TAPE FUSE AND NEED TO RUN ZIG ZAG STITCH ON ALL EDGES WITH THE SMALLEST ZIG ZAG AVAILABLE
TAKE NOT E OF WELT POCKETS AS PER PATTERN POCKET WELT TO BE FUSED IN MID WEIGHT INTERFACING TOPSTITCH AROUND POKET WELT CUT POCKET BAG IN COTTON LINING -BLACK FINISH POCKET BAG WITH COTTON BINDING-NAVY
//fabric and trim sourcing//
CUT BODICE AND SLEEVES IN 4CM DIAMOND QUILTED SATIN NYLON-MAROON
CUT NECK, CUFFS, UPPER FRON AND BACK PANELS AND FRONT POCKETS IN PLAIN NYLON SATIN-MAROON 1CM 2CM FULLY LINED JACKET PLEAE USE RED LINING NOTE TO MOUNT A LAYER OF WADDING TO THE LINING -DO NOT QUILT TAKE NOTE OF CHANEL WITH GROSGRAIN LOOPS AND TUBULAR CORD DTM GROSGRAIN LOOP TO BE PLACED AS PER PATTERN WITH TIED UP DTM TUBULAR CORD TAKE NOTE OF CHANNEL FACINGS TO BE IN NYLON SATIN AND TO BE FUSED WITH MID WEIGHT INTERFACING FOR FLAT FINISH PLEASE TOP STITCH AT 0.2CM WITH SINGLE NEEDLE ON WAISTBAND
TABS TO BE 1CM WIDE AND 2CM DISTANCE APART
TOP STITCH EDGE
TABS
52CM O/E T8 EXPOSED METAL ZIP RED TAPE NECK TO BE IN SELF CUT FACING IN SELF AND FUSE WITH MID WEIGHT INTERFACING UPEER PANELS TO BE MOUNT ON WADDING-DO NOT STITCH QUILTING
//aw 15// PLEASE TAKE NOTE OF POKETS POCKETS TO BE LINED IN RED LINING NON QUILTED GROSGRAIN LOOP TO BE INSERT INTO CHANNEL SEAM AS MARKED ON PATTERN
BAG OUT SELF WITH LINING MOUNT FACING ON QUILTED LINING FLAT STITCH FOR CLEAN FINISH
CUFFS TO BE IN SELF 7CM ELASTIC BAND TO BE SANDWICHED INTO CUFFS
ATTACH HOH SQUARED LABEL TO THE CB UNDER NECK LINE UPEER PANELS TO BE MOUNT ON WADDING-DO NOT STITCH QUILTING
//GRAPHICS AND ARTWORKS//
Final Collection, MA FTD Weamens wear London College of Fashion, London 2011-2012
//de-humanized// “De-humanized� is a womenswear collection composed by 10 outfits with a strong visual impact and a sense of continuity, with the objective to be a fashion show that is a documentation about mental abuse. This a collection structured as a story, aimed to show states of mind. The guideline is about translating those states into the garments, recording them during their changes trough different periods.
//fabric and surfaces//
//look 5//
//look 4//
//look 3//
//look 2//
//look 1//
//look 10//
//look 9//
//look 8//
//look 7//
//look 6//
100% Silk Chiffon - sponsored by Matero Italian Sheepskin - lasercutted and washed 100% Leather - from J.T. Batchelor ltd
100% Silk Chiffon-sponsored by Matero Italian Sheepskin-lasercutted and washed Platinum Hair
100% Silk Chiffon - sponsored by Matero Italian Sheepskin - lasercutted and washed Stretch Suede - Walter Reginald ltd
100% Silk Shantung - Pongees ltd Italian Sheepskin - laser cutted Japanese Cow Skin - Walter Reginald ltd 100% Jersey Modal - Euromaglia spa
100% Silk Chiffon - sponsored by Mantero Italian Sheepskin - laser cutted Japanese Cow Skin - Walter Reginald ltd 100% Jersey Modal - Euromaglia spa
100% Silk Chiffon - sponsored by Matero Japanese Cow Skin - Walter Reginald ltd 100% Leather - from J.T. Batchelor ltd
Assistant designer London Fashion Week SS11, London
//aminaka wilmont// I worked for the company as an intern. Working for a small brand as Aminaka Wilmont allowed me to experiment with creative pattern cutting, embroidery, draping and put my creativity and ideas towards the final collection. I’ve been cutting, sawing and embroidered an extensive part of the SS11 collection, gaining more confidence towards Luxury garments.
embroidery-fabric print-pattern making
embroidery - sewing - reserch
Unit 2, MA FTD Weamens wear London College of Fashion, London 2011
//double inside// ‘Double inside’ is the second project as a part of my master, which gets inspiration from the bipolarism and the extreme switch of personalities form absolutely euphoric to deep and dark depression. The collection is based on strong contrast of materials and colours, layering up, opposite shapes and fragmented lines. Every garments as a game of zippers that can change the look and their personalities. The connection point between this differences is in how colours or different parts blend in together with painting on leather or organza.
//fabric and surfaces//
Samples of panting / printing on Silk Shantung base with fabric acrylich coulours.
//look 5//
//look 4//
//look 9//
//look 10//
//look 3//
//look 2//
//look 8//
//look 7//
//look 6//
//look 1//
Goat Skin - Walter Reginald ltd 100% Silk Organza - Poongees
� showed all my obsession that my body use to assimilate, both they come from the inside, or outside myself� (yoyoi Kusama)
Unit 1, MA FTD Weamens wear London College of Fashion, London 2010
//tormented soul// The concept of this project rotates around general mental illness leading to a sense of extreme fragility and a need of protection. A huge part of this inspiration came from the artists and performers of the 70s who experimented and pushed with their own bodies to their physical limits and embraced different types of communication. As a result, the collection aimed to translate the juxtapositions between protection and fragility, concealing and transparency, needs of definition and difficulties in creating contacts.
//fabric and surfaces//
//look 3//
//look 2//
//look 1//
//look 8//
//look 7//
//look 6//
//look 5//
//look 4//