INTERFACE
Paula Cuevas
Paula Cuevas | INDS470 | Summer 2013 | Prof. Totten
INTERFACE
TABLE OF CONTENTS INTRODUCTION 5-8 Project Overview
7-8
SECTION II 41-50 Design Concept Blocking Diagrams
43-48 49-50
APPENDIX 51-62 SECTION I 9-40 Precedent Analysis Building and Site Analysis Building Feasibility Programming
11-20 21-26 27-32 33-40
Strategic Plan
53-54
Space Allocations
55-57
FF+E Adjacency Matrix Glossary Bibliography
58-59 60 61 62-64
INTRO
Project Overview
05
7-8
SECTION II 41-50 Design Concept Blocking Diagrams
43-48 49-50
APPENDIX 51-62 SECTION I 9-40
DUCTION Precedent Analysis
Building and Site Analysis
Building Feasibility
Programming
11-20 21-26 27-32 33-40
Strategic Plan
53-54
Space Allocations
55-56
FF+E Adjacency Matrix Glossary Bibliography
57-58 59 60 61-62
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interface will provide both underprivileged
youth and young adults the opportunity to share their artistic passions with each other and get involved with their community. This facility will lead to an improvement in the surrounding community and it will promote PROJECT STATEMENT positive social change on a wider scale by using the social networking and media sites available.
“Politicians don't bring people together. Artists do.� 07
- Richard Daley
FUNDING + SUPPORT
Funding for interface will come from donations from volunteers, users, and several partners of WonderRoot. Primary support will come from the three partners shown above.
Theater Performance Venue PROGRAMMING
WonderRoot is currently located in East Atlanta. Due to gentrification, this area is becoming a more and more culturally diverse area. Since most of the users of this space are already located near the existing Arts Center and because this area has access to public transportation, the site of interface will also be located within one of the four areas listed below.
Recording Studios I-75
Photography/Film Studios DarkRoom
Reynoldstown Inman Park Cabbagetown Grant Park
Digital Media Room Fine Arts Studio
I-20
OfďŹ ce Space Exhibition Gallery Common Area
interface
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Project Overview
09
7-8
SECTION II 41-50 Design Concept Blocking Diagrams
43-48 49-50
APPENDIX 51-62
SECTION I SECTION I 9-40
Precedent Analysis
11-20
PROGRAMMING
Building and Site Analysis Building Feasibility Programming
21-26
27-32
33-40
Strategic Plan
53-54
Space Allocations
55-56
FF+E
Adjacency Matrix
Glossary Bibliography
57-58 59 60 61-62
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11
PRECEDENT ANALYSIS
Working Art Studios
Interactive Social Space Theather/Performance Venue Paula Cuevas INDS 470 | SU13 Studio V Prof. Totten
Use of Technology Elements of Sustainability Elements of Design Accessibility + Engagement with Community Programming
The unique design of these recording studios actually allows the studios to be open to the view of the street by using large store front windows. This allows anyone passing by to see a live session and become engaged with the space. The openess and transparency of the design contrasts heavily with the strict requirments needed for a studio creating interest.1
Theater Lobby Cafe
Control Room
Recording Studios
Recording Studios
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Subcat Studios is located 2.3 miles from public transit. The location is also right off of a major highway. The area that it is in has several like-minded businesses that also focus on the arts such as ArtWorks Seymourofus and The Warehouse Gallery. The physical building mimics buildings in the are to make it both inviting and relatable. There is also a lobby and cafe area that is shared with Red House Arts Center and a residential space that engages the space more in the community.
Besides the use of natural daylight and the attempt to keep a large amount of the original building elements, there is not a huge focus on sustainability. This is an area that could be improved.
SUBCATSTUDIOS PERFORMANCE THEATER
INTERACTIVE SOCIAL SPACE
219 S West St,
Subcat Studios makes good use of Syracruse, NY the existing building while engaging the community through the use of 18,300 sqft open and transparent design. The space uses a great deal of natural light even though the traditional idea of a recording studio is much darker and more enclosed.
WORKING ART STUDIOS
The technology needed to record is all present. Subcat even includes a music room with several instruments that can be used during recording sessions. With wi-fi, people can bring their own laptops or cellphones to upload the recording process or even full songs to social media sites. However, there isn’t a designated area to do so.
Use of Technology Elements of Sustainability Elements of Design Accessibility + Engagement with Community Programming
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The Lighthouse is located approximately 600 feet away from the nearest public transit. The area this center is located in is classified as having a financial risk about 48% higher than that of the national average with poorer young singles being the bulk of the community.2 Several schools and churches surround the area, however there aren’t many places for the youth in the area to interact and stay productive. Lighthouse offers young people large public spaces on its ground level to engage them into the space.
Media Center + Recording Suite
Changing Rooms
Performing Arts
Dance
Theater/Sports Hall
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The exterior design of this building has a very dynamic presence in it’s neighborhood. It appears almost as a beacon to young people who need a place to express themselves. Although it does not blend very well into the area, the designers included local youth throughout the design process to help build a connection between the facility and the building. The interior uses a large amount of white space with splashes of bright colors
The Bubble diagram located to the right shows the upper level of this space. On the lower level are more public, flexible spaces. The lower level includes group meeting rooms, IT rooms, social areas, cafe and advice centers.3
THE LIGHTHOUSE
Young People's Centre
The only use of technology in this space appears to be the in recording studios and media center located on the upper level and in the group meeting rooms located on the lower level.
PERFORMANCE THEATER
INTERACTIVE SOCIAL SPACE
100 Alma Way, The Lighthouse Young People’s Birmingham B19 2LN, Centre offers a large amount of flexible space that is inviting to the UK youth of the community. It involved the ideas of the community throughout 20,775 sqft the design process to engage the space with the area before it was even constructed. However, the building could have more sustainable qualities.
WORKING ART STUDIOS
The use of daylight and white reflective surfaces that maximize this daylight are somewhat sustainable. The use of LED lighting also contributes to the sustainability of this space. However, the use of so many LED lights to to illuminate the exterior may be counterproductive.
Use of Technology Elements of Sustainability Elements of Design Accessibility + Engagement with Community Programming
The design of this space also uses transparency to depict openess and connect spaces to each other while taking into consideration the requirements for film making. The design uses color and dynamic lighting to create dynamic experiences as a user walks through the space. Floors were kept flat to easy movement of equipment throughout the space. Creating these open spaces to showcase the film making process brought more attention to areas of film that would otherwise go unnotices, such as wardrobe and set construction.5
Columbia Collecge Chicago Media Production Center is not meant for public use. However, because of the rich architectural diversity in the area, its modern design mixes well with its surroundings. The transparency of the buildings facade helps connect it with the community, and its solid concrete structure helps to separate it from the public. The building is extremely accessible seeing that there is a bus stop located directly on the site.
Supporting Stages
Main Stage
Outdoor Theater Set-Making Shop
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Motion Capture Studio Labs
Classrooms
Lobby + Lounge
COLUMBIACOLLEGE
Chicago Media Production Center
PERFORMANCE THEATER
1600 S State St,
The transparency of this space, Chicago, IL along with its dynamic presence will be mimicked into the proposed 36,000 sqft design for INTERFACE. The access to public transit is convinient. Also the guidelines followed in order to meet LEED Gold standards will be used for the design of INTERACE.
INTERACTIVE SOCIAL SPACE
The use of technology is seen throughout this space. Each area has the required equipment and there is most likely wireless access to internet allowing for physical social interaction to occur alongside digital interaction.
WORKING ART STUDIOS
Columbia College Chicago Media Production Center has a LEED rating of Gold. This means that the building recieved 60-79 out of 110 possible points for the LEED rating system. Meaning this design has covered a large part of the following aspects: Sustainable Sites, Water Efficiency, Energy and Atmosphere, Materials, Resources and Indoor Environmental Quality, and Innovation in Design. 6
Use of Technology Elements of Sustainability Elements of Design Accessibility + Engagement with Community Programming
By studying Subcat Studios, The Lighthouse Young People’s Centre, and Columbia College Chicago Media Production Center, the design of INTERFACE will be much more informed. These spaces each included specific forms of art, ranging from music recording, performance arts, dance, and film. Most of which will be used within the INTERFACE programming. When looking at how the space is accesible and engaging within the community, all of these buildings were relatively close, if not very close, to public transit. Making it easy for under privileged population to gain access to the space. Both Subcat and Columbia College engaged with the community through their design by applying elements of transparency on their exteriors. Allowing the public to witness and experience in the space. The interior design of the spaces each used bright splashes of color to engage the user. What lacked in these spaces was the use of biomimicry or biophilia. However, I do plan to follow LEED guidelines during the design process, much like Columbia College. The use of technology within NTERFACE will match the need for each form of art while allowing for both physical and digital social interaction to occur throughout the space.
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CONCLUSION
Paula Cuevas INDS 470 | SU13 Studio V Prof. Totten
Use of Technology Elements of Sustainability Elements of Design Accessibility + Engagement with Community Programming
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Transportation
Building + Site Analysis
Community
Demographics Building and Zoning Codes Environmental Characteristics
Paula Cuevas INDS 470 | SU13 Studio V Prof. Totten
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46%of the population in East Atlanta has an income of less than $30,000. The4th largestindustry of the community is ARTS AND ENTERTAINMENT 4 27%of the population are ages 7-24. 16%either USE PUBLIC TRANSPORTATION, RIDE A BIKE, OR WALK.
Average Temperature
61.3
Yearly Percipitation
50.8''
East Atlanta has a rich artistic culture. There are several galleries, venues, and studios including: The Earl,
Average Wind Speed
9.1 MPH
Humidity
Earthshaking Music, Dance 411, The HodgePodge, The Basement,
70.5%
and more.
As of 2007, GA has
19,339miles of
HIGHWAYS and
14,584 miles of
CITY STREETS
MARTA has
2
500,000 3 daily passengers
GA has
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473AIRPORTS.
The site’s topography is relatively FLAT. The front of the building faces East with most windows on
Even light
, which is important for the North wall. different art forms, comes in from the North. Therefore, this will benefit the design of INTERFACE.
5
This site must follow IBC
2006 with Georgia Amendments 2010 and City of Atlanta Building and Development Codes and the zoning area for the site includes both overlay.
NC-2
East Atlanta Neighborhood Commercial and
BL
Beltline
+International Fire Code 2006 with Georgia Amendments 2010 +International Plumbing Code 2006 with Georgia Amendments 2013 +International Mechanical Code 2006 with Georgia Amendments +National Electrical Code 2011 +International Energy Conservation Code 2009 with Georgia Amendments 2012 +International Existing Building Code 2006 with Georgia Amendments 2009 +National Green Building Standard 2008 with Georgia Amendments 2011 11 min North via public transit
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1 525 Moreland Ave SE Atlanta, GA 30316
8
Built in 1947
6 7
15,000 sqft
USERS familiar environment, open space, even daylight, easily accessible CO-CREATORS minimal work because they are working with an existing space, but difficulty creating openings in the solid structure EARTH site promotes sustainable travel methods because of its access to public transit, readapting existing space rather than using more land for a new building COMMUNITY a positive, familiar environment to create art, enriching the culture, and bringing more attention to the area INVESTORS seeing the positive impact this space will make on both the community and the Earth.
8 min South walking
Overview of Site Overview of City Overview of State
Overall, the building site has several opportunties for a successful design. It is somewhat of a historical building in the area and is, therefore, familiar to the community. With immediate access to public transit, it becomes both accessible to the community and promotes sustainability by advocating the use of public transportation rather than individual driving. With most of the light coming in from the North wall, the artists in the space will recieve consistant, even light throughout the day. There are also very few columns because the exterior of the building is so structurally sound. This means a lot of open spaces can be used throughout the design of INTERFACE. However, because of the structurally sound exterior. It will be difficult and perhaps costly to make openings in some of the exterior walls and roof in order to get more daylight than what is provided. USERS of the space will benefit from the open spaces and ample daylight. The CO-CREATORS will benefit from using most of the existing space, however, the openings may become a hassle for them. The EARTH will hopefully benefit from the use of less individual driving and not having to lose more land for a new building. The COMMUNITY will continue to grow in artistic culture and will have a positivie environment for its youth. The INVESTORS will be able to see the positive impact this building has on the community and Earth and be satisfied with the results. 25
CONCLUSION
Paula Cuevas INDS 470 | SU13 Studio V Prof. Totten
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Approach
Building Feasibility + Code Compliance
Building Conditions
Building Codes Compliance
Sustainibility Characteristics Paula Cuevas INDS 470 | SU13 Studio V Prof. Totten
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III-A
Construction Type
17000
2
There are 9 ADA restroom facilities
15000
Net Sq Ft
Net Sq Ft
The existing space is
3
B Occupancy S-1
Business
M
Types
Mercantile
Non-Hazardous Storage
A-1
Sprinkled 2 Floors
Assembly
20’ Spacing
40’ from North Wall 525 Moreland is facing the East. It is on the corner of Moreland Ave and Glenwood Ave. This is quite a busy intersection. The building front is only the sidewalk’s distance away from the street. There is a 32.3 second delay per vehicle during the AM
There are 3 designated storage areas Ceiling Heights Range from
8’-0” - 12’-0”
traffic peak and a 37.0 second delay per vehicle during the PM traffic peak. 1
45 Parking Spaces
29
There are
1 Elevator 60” x 72” located on South East of building
2 stair wells
The building could expand Vertically or outdoor areas.
GOVERNING JURISDICTION State of Georgia - City of Atlanta - Dekalb County - Beltline Overlay District APPLICABLE CODES +International Building Code, 2006 Edition with Georgia State amendments +Rules and Regulations of the Safety Fire Commissioner for the State Minimum Fire Safety Standards, Chapter 120-3-3, January 5, 2007 (Georgia Safety Fire Law) +National Fire Protection Association (NFPA) 101 Life Safety Code, 2000 Edition with Georgia State Amendments +International Fuel Gas Code, 2006 Edition with Georgia State Amendments +International Mechanical Code, 2006 Edition with Georgia State Amendments +International Plumbing Code, 2006 Edition with Georgia State Amendments +National Electrical Code, 2011 Edition with Georgia State Amendments +Georgia State Handicapped Accessibility Law 120-3-20A / 2010 ADA Standards +International Energy Conservation Code, 2009 Edition with Georgia State Amendments 4 +International Fire Code, 2006 Edition with Georgia State Amendments
OCCUPANCY LOAD The occupancy load on the first floor is
233. The occupany load on the second floor is
80. Making the total occupancy load
313. 5
6 All entrances to building are ground level. There is accesible elevator for access to the second floor.
7
There are 3 exits on each floor. The arrangement of exits meets the 1/2 diagnol rule.
OPPORTUNITES The large column spacing and low number of columns allows for more open space. This should maximize daylighting and increase ventilation throughout space. CHALLENGES Updating any of the building systems or windows for more efficient parts may become costly. Noise from the heavy traffic may interfere with activities in space, therefore, acoustic attenuation is necessary. RESOURCE EFFICIENCY tThe design will make the best possible use of existing materials. Solar panels, photo optic sensors, and the re-use of gray water will all be used. STAKEHOLDERS U S E R S Air quality and interior comfort should be achieved. Plenty of daylighting, with little to no glare.
C O - C R E A T O R S Attention will be given to the working conditions of all co-creators involved. Local manufactures will be used as much as possible throughout design.
E
A
R
T
H
site promotes sustainable travel methods because of its access to public transit. Materials will be responsibly harvested as much as possible.
C
use the second lot to create functional
O
M
M
U
N
I
T
Y
Public transportation makes the space easily accessible to community. It is also a familiar space.
I
N
V
E
S
T
O
R
S
seeing the positive impact this space will make on both the community and the Earth.
Sustainability Characteristics Building Codes Compliance Building Conditions Approach
Overall, the building meets code compliance. In order to bring more up to date there will be some expenses. However, the improvments will lead to a more sustainable site in the long run. An issue that will have to be dealt with is the amount of noise coming in to the space form the two roads that intersect in front of it. Both Moreland Ave and Glenwood Ave are busy streets therefore, that intersection can become quite congested. USERS of the space will benefit from the open spaces and ample daylight. This in turn will lead to better air quality and interior comfort. The CO-CREATORS will benefit from using most of the existing space. The design will also ensure that all working conditions are acceptable for every aspect of the design. This includes the workers who produce materials away from the site. The EARTH will hopefully benefit from the use of less individual driving and not having to lose more land for a new building. INTERFACE will also encourage the use of public transportation of foot travle. The COMMUNITY will continue to grow in artistic culture and will have a positivie environment for its youth. It will also have a more sustainable feature located in its viciinity. The INVESTORS will be able to see the positive impact this building has on the community and Earth and be satisfied with the results. 31
CONCLUSION
Paula Cuevas INDS 470 | SU13 Studio V Prof. Totten
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33
Component Overview Adjacencies
PROGRAMMING
Prototypicals F,F,+E
Conclusion Paula Cuevas INDS 470 | SU13 Studio V Prof. Totten
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2
PROGRAM AREAS Reception Exhibition Space Offices Social Lounge/Library Fine Arts Music Photography Video Theater/Performance Venue Support
MUSIC
PHOTOGRAPHY
THEATTER + PERFORMANCE VENUE
FINE ARTS SOCIAL LOUNGE
VIDEO
RECEPTION
FINE ARTS
1
35
MUSIC
OFFICES
PROGRAMMATIC PROBLEM How can the programming of this facility create an environment that is more than just an art’s center? How can areas that are typically isolated become more connected to the surrounding program areas?
??? STRONG CONNECTIONS
WEAK CONNECTIONS
VISUAL CONNECTION
N
EXHIBITION SPACE
Some spaces will only have this sometimes. For instance the exhibit space will be visually open to other spaces on a daily basis but not during athe opening night of an exhibit.
If the space is programmed in an effective manner, users will benefit from being able to experience several areas each time they visit the facility.
CO-CREATORS The execution of the programming will only consist of humane working conditions in every aspect.
EARTH
These will occur both visually, acoustically, and in terms of accessibility.
These connections refer to areas that are somewhat accessible to each other, yet do not have any direct connections. This will hopefully encourage users to “stumble” upon spaces they weren’t necessarily intending to experience.
USERS
ACOUSTIC CONNECTION A possible acoustic connection could be listening to live recording sessions. Users would have the option to not allow listening or not to listen.
ACOUSTICAL PRIVACY This refers to spaces that do not allow sound to exit into surrounding areas.
ACOUSTICAL ISOLATION This refers to spaces that keep outside sounds from entering into the area.
Because the space is limited, efficient programming that takes advantage of each square footage will reduce the need for an even larger facility that takes away more natural topography.
COMMUNITY With a smaller square footage, the space’s programming will include open areas that will hopefully make the community feel welcome into the facility.
INVESTORS By properly programming the space from the beginning, investors will not have to waste funds on re-doing the facility. The space will also be able to have a longer life span.
Stakeholders Adjacency Notes Programmatic Problem Program Areas Adjacency Bubble Diagram
4
Small Woodshop Equip. Storage + Check-Out
3 5 SnackBar
37
6
7 Non-Acoustic Recording Studio
Acoustic Recording Studio
9
The FF+E for this facility is extremely important. Each program area requires specific equipment to run smoothly. For instance the recording studios will require a mixing board, a keyboard controller, speakers, headphones, microphones, filters, and even a television screen with HDMI capabilities for the non-acoustic studios. The photography studios will need room for both the photographer and his or her subject along with a backdrop, light and light stands, diffusers, a tri-pod, flag stands, and any props being used. The Woodshop is very minimal with only 2 table saws and 2 drill presses. As for the furniture and furnishings, the design will encorporate as much upcycled, recycled, and reclaimed materials as possible.
8 Acoustic Recording Studio with Space for Small Class Non-Acoustic Recording Studio with Space for Small Class Equipment Storage and Check-Out Snackbar Designed Around Fixed Column and Wall Small Woodshop for Exhibition Space
The overarching programmatic problem that this facility is striving to solve is the connection of spaces that are typically isolated. By connecting these spaces the facility will be able to truly take advantage of the square footage available and hopefully the degree of connection will also create a welcoming and energetic environment that the community will feel drawn to. Because the area in which this facility is being designed is already somewhat of an artisitically driven community, this facility will strive to provide a space that takes this creative energy to the next level. Because each artistic area included has very specific requirements, it is a challenge to decide where connections, whether visual, acoustical, or physical, can occur. Some major design goals include having open, functional plans, creating aesthetically pleasing spaces that appeal to a wide range of users (from youth to young adult), having both visual connections, acoustical connections, and physical connections, but allowing for areas of privacy for users who prefer more isolated areas to create their art. In terms of the stake holders: USERS of the space will benefit from being able to experience several areas each time they visit the facility. They will also benefit from having an environment where they can comfortably exchange creativity with others in their community. The CO-CREATORS will benefit from having a well thought out design from the preliminary stages. This will cut down on unneccsary renovations that can consume time and energy in the future. All working conditions for co-creators of this space will be taken into consideration and each will have humane working conditions as much as possible. The EARTH will benefit from effective usage of a small amount of square footage, Programming will be executed as efficiently as possible in order to take advantage of each square foot of space avaiable for this facility. The COMMUNITY will continue to grow in artistic culture and will have a positivie environment for its youth to collaborate in. It will also have a more sustainable feature located in its viciinity. The INVESTORS will also benefit from effective programming by not having to waste funds on unneccsary future renovations, additions, or subtractions in the future due to poor programming during the preliminary stages. 39
CONCLUSION
Paula Cuevas INDS 470 | SU13 Studio V Prof. Totten
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41
SECTION II
Design Concept
43-48
Blocking Diagrams
49-50
SCHEMATIC DESIGN
APPENDIX 51-62 Strategic Plan
53-54
Space Allocations
55-56
FF+E Adjacency Matrix Glossary Bibliography
57-58 59 60 61-62
42
43
CONCEPT: INNER WORKINGS
Paula Cuevas INDS 470 | SU13 Studio V Prof. Totten
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3
2
44
By taking a closer look at the innerworkings of ourselves and of our surroundings, we are able to appreciate the patterns, the connections, and the power in everything. This is exactly what will be happening within INTERFACE. Artists will be able to come together, realize new potentials within themselves, and realize new potentials through the connections they can make with each other. The concept of inner workings will invite the community in and encourage them to re-visualize the world.
INTERFACE INTERFACE
soundwave
INTERFACE
brushstroke
INTERFACE
matchcut
4 PING AP
The organizational patterns will mimic mechanical systems by being central. Many spaces will revolve around the gallery and social areas. There will also be overlapping of spaces as seen in more organic systems.
L OVERL A R
RH
The mood will be influenced by the rhythmic visual design. Repetition is often seen in organic and mechanical systems. Encorporating this into the design will create a comfortable, yet fun space.
INTERFACE
HM YT
Y ON M
BAL
Hard, mechanic shapes and forms will contrast with softer organic forms to create a visual balance.
45
network
7
HAR
CE CONT AN
ST RA
INTERFACE
limelight
CEN T
INTERFACE
showoff
5
The color direction for the primary spaces (gallery, theater, social, and offices) will be very neutral with bright accents and focal points of blue and orange.
4
INTERFACE
4
5
6
Concept Imagery
3
Color Direction + Elements and Principles
2
2
Concept Statement
1
As for the studio spaces on the first floor, the accent and focal colors will be bright and energetic oranges. More The studio spaces on the subtle blues will be used as the back- second floor will also have bright and energetic colors drop for these colors. to inspire creativity. To contrast the first floor, these studios will have accent and focal points of turquoise with sublte oranges as their more 6 neutral color.
snapshot
46
9 8
CONCEPT NARRATIVE
13
10 12
47
11
Paula Cuevas INDS 470 | SU13 Studio V Prof. Totten
INTERFACE will be designed with the way an artist works in mind. By looking at the inner workings of the mind, body, earth, and man-made surroundings, the space will create an energetic and vibrant space where creativity can thrive. In order to make the space as inviting to the community as possible, furniture and finishes will come from salvaged, recycled, or upcycled materials, as to create as sense of humility, rather than bringing in brand new furniture that would make some users feel as though they shouldn’t be used or touched. STUDIO spaces will have much more energetic and bright features than the administrative, gallery, or theater spaces. STUDIO spaces will look to the more organic systems inner workings for inspiration. Ceilings will be more free formed and curvilinear, fixtures will have intresting textures that encourage users to experience the space in a more tactile sense. Colors will be more vibrant to create an energetic, fun, and creative environment. The GALLERY and THEATER will have more neutral colors so that whatever exhibition or performance is being shown can take the focus. There will be splashes of blues and oranges to create wayfinding and some interest. The ADMINISTRATIVE spaces will not have as bright or energetic colors as the studio spaces, but will still have accent splashes of color to make each workspace captivating and unique.
48
First Floor
49
BLOCKING
Second Floor
DIAGRAMS
50
51
APPENDIX
52
Schematic Design
+ Refine Programming + Refine Block Diagramming + Select Mentor + Finalized Floor Plan
Design Development
53
+ Project Video + Develop Floor Plan + Develop RCP + Develop FF+E and Specifications +Mid-Terms
Deliverables
+ Refined Designs + Final Renderings + Completed Book + Final Boards + Final Presentation
STRATEGIC PLAN
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55
space allocations (continued)
56
space allocations (continued)
57
58
FF+E (continued)
59
60 58
Glossary Accessible ADA Building Code Concept Egress MARTA Precedent Studies Prototypical Stakeholders Sustainable Design Wonder Root
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The capability of features and spaces that can be used by all levels of ability or disability. (Americans with Disabilities Act) An act passed with the goal to respect and accomodate the needs of the disabled. A set of standards set by the local government to ensure the structural safety of the built environment. An abstract idea used as the overall guide for design decisions, aesthetically and organizationally. Exit (Metropolitan Atlanta Rapid Transit Authority) The main form of public transportation in the Atlanta metropolitan area. Previous projects studied in order to determine what design methods work and do not work. A minimal design of any given space to determine the minimum amount of space needed for any given activity. All those affected by a design project. This includes the Earth, Community, Users, Co-Creators, and Investors Designing with principles of economic, social, and ecological sustainability in mind. A non-profit organization based in Atlanta, GA that provides artists with spaces and equpiment they may not have access to. This organization has a focus on improving social issues through social media.
Bibliography PROJECT PROPOSAL
SITE ANALYSIS (cont)
all images from the following site: http://www.wonderroot.org/partners/
3 http://www.itsmarta.com/martamatters/Stats.aspx 4 http://www.movoto.com/neighborhood/ga/atlanta/30316.htm 5 http://www.climate-zone.com/climate/united-states/georgia/atlanta/ 6 http://www.peterborough.ca/Assets/City+Assets/Social+Services/Images /Black-White+Bus.png 7 http://vector.me/files/images/1/5/154413/black_music_note_symbol_ symbols_musical_notes_otogakure.jpg 8 http://sweetclipart.com/multisite/sweetclipart/files/imagecache/middle /art_palette_brush_colorable.png 9 http://static7.depositphotos.com/1189140/696/i/950/depositphotos _6965975-Black-silhouette-of-a-dancer-on-a-white-back ground.jpg
PRECEDENT ANALYSIS 1 http://www.archdaily.com/154884/subcat-studios-fiedler-marcianoarchitecture-llp/ 2 http://www.checkmyarea.com/B192LN.htm 3 http://www.archdaily.com/330882/the-lighthouse-young-peoples-centreassociated-architects/ 4 http://img3.etsystatic.com/004/1/7352294/il_fullxfull. 382775391_cjvw. jpg 5 http://www.archdaily.com/67247/columbia-college-chicago-mediaproduction-center-studio-gang-architects/ 6 http://www.usgbc.org/Docs/Archive/General/Docs3330.pdf
SITE ANALYSIS 1 http://www.showcase.com/b/commercial-real-estate /Matt-Rohrig/4067575#&&/wEXAQURV29ya2Zsb3dIa XN0b3J5SUQFJGVkZGM3ZTRjLTVkMjEtNGQyNC1hMTM0LTg0ZjI3N2JjY jdmYwLj74IMEppNZKWvpYfel6crySOy 2 http://www.georgiaencyclopedia.org/nge/Article.jsp?id=h-2444
CODE ANALYSIS 1 http://sandatlanta.org/Files/SAND/2009/RevisedTrafficAnalysisand Email.pdf 2 “The Codes Guidebook for Interiors” by Sharon Koomen Harmon and Katherine E. Kennon, p. 107 3 “The Codes Guidebook for Interiors” by Sharon Koomen Harmon and Katherine E. Kennon, p. 55
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Bibliography CODE ANALYSIS (cont)
PROGRAMMING (cont)
4 http://www.atlantaga.gov/modules/showdocument.aspx?documentid =7235 5 “The Codes Guidebook for Interiors” by Sharon Koomen Harmon and Katherine E. Kennon, p. 89 6 https://upload.wikimedia.org/wikipedia/commons/0/0c/Wheelchair_ symbol.svg 7 http://thumbs.dreamstime.com/thumblarge_483/12676392965qcl3V.jpg
6 http://assets.inhabitat.com/wp-content/blogs.dir/1/files/2010/10 /sodadesk.jpg 7 http://www.best buy.com/site/KRK+-+Rokit+5+G2+5%22+45W+2-Way+ Studio+Monitor+Speaker+ (Each)/9444498.p?id=1218120547426& skuId=9444498#tab=overview 8 http://www.audio-ideas.com/wp-content/2012/10/1002b-angle.jpg 9 http://www.freestylephoto.biz/static/images/product/370016.jpg (all general information in this section was found at the following sources) http://www.iammea.org/ggingras/cad115/music_program.htm http://www.wbdg.org/ccb/AF/AFDG/basetheater.pdf http://www.dpreview.com/articles/3655790149/equiment-guide-for-set ting-up-a-small-home-portraitglamor-studio http://www.iammea.org/ggingras/ http://www.kodak.com/global/en/professional/support/tech Pubs/ak3/ak3.pdf http://www.isradiology.org/isr/docs_books/technique/Chapter9.pdf http://www.wbdg.org/ccb/AF/AFDG/snackbar.pdf http://www.atsacoustics.com/page--Selecting-the-Right-Acous tic-Material--ac.html “The Codes Guidebook for Interiors” by Shron Koomen Harmon and Katherine E. Kennon
PROGRAMMING 1 http://vector.me/files/images/1/5/154413/black_music_note_symbol_ symbols_musical_notes_otogakure.jpg 2 http://sweetclipart.com/multisite/sweetclipart/files/imagecache/middle /art_palette_brush_colorable.png 3 http://bemz.typepad.com/.a/6a00e5508eeadd88340120a503da 57970b-450wi 4 http://www.dailyherald.com/apps/pbcsi.dll/bilde?Site=DA&Date= 20120525&Category=ENTLIFE&ArtNo=705259728&Ref=EP&NewT bl=1&item=2&updated=&maxw=1024&maxh=1024 5 http://www.homejelly.com/wp-content/uploads/2010/08/reclaimed -wood-table.jpg
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Bibliography CONCEPT
CONCEPT (cont)
1 http://www.ignitumtoday.com/wp-content/uploads/2013/07/Brain300x200.jpg 2 http://ziptrials.us/wp-content/uploads/2013/03/Neurons.jpg 3 http://cdnimg.visualizeus.com/thumbs/72/4d/724d95adb20cfeb69c97 dc8914651891_m.jpg 4 http://1.bp.blogspot.com/__s1DjLHW6k0/TG_jDQkCn-I/AAAAAAAAAP w/W9MEv4L3DNQ/s320/grears-11.jpg 5 http://www.melonheadgallery.com/Welcome_files/485627.jpg 6 http://www.colourbox.com/preview/5729877-919555-printed-circuit.jpg 7 http://picasaweb.google.com/lh/photo/Lnns4ohfRY_zLgCQm zlk6MoGPHbp82YpvlkDgA7HZqY 8 http://www.homejelly.com/wp-content/uploads/2010/08/reclaimed -wood-table.jpg 9 http://www.dailyherald.com/apps/pbcsi.dll/bilde?Site=DA&Date= 20120525&Category=ENTLIFE&ArtNo=705259728&Ref=EP&NewT bl=1&item=2&updated=&maxw=1024&maxh=1024 10 http://bemz.typepad.com/.a/6a00e5508eeadd88340120a503 da57970b-450wi 11 http://www.lightpublic.com/wp-content/uploads/2013/08/The-Tress -Light-from-Foscarini.jpg
12 http://2.design-milk.com/images/2012/01/Stairs-Uonuon-2.jpg 13 http://www.yelp.com/biz_photos/living-room-bar-new-york?select= D6LU-_cfuLd8A9c4fg3JjA#D6LU-_cfuLd8A9c4fg3JjA
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