Portfolio2018 by PaulineMalaqueen

PAULINE MALAQUIN 58 Westbourne Terrace W23UJ London +44 7930 848935 PORTFOLIO

paulinemalaquin@gmail.com https://issuu.com/paulinemalaquin/docs/portfolio2018

Contents Architecture

Google campus- Google office Instagramâ&#x20AC;&#x2122;s Manhattan office Gesundheit Institute Ygnacio Center Elis Mile High Club

Idea Flood&Connection

Design for risk and reconstruction

Product The Hat Matter

Burning man

GOOGLE CAMPUS Role: Exterior ° Concept design Rendering Interior ° Planning application drawings

2.1 3

of the organic, crafting a unique skyline in the flat vastness of Silicon Valley. It is an architectural orchestration of the public and the private, constantly negotiating between the two, yet all conjuring to generate a pedestrian neighbourhood scale.

of expression, texture, and scale the canvas defines space, provides orientation, and adds interest as one moves throughout the floor. Approximately 19,000 sq/feet have been dedicated to the headcount space for 1,500 Googlers.Â in need for large meeting rooms and event space to support these teams.

A progression through the space engaging the user in the evolution of the south San Francisco Bay. Beginning with a historical expression of the salt ponds, the aesthetic transitions to express the commercial environs of today. A rhythmic interpretation of the geometries of salt ponds, which organically shift throughout the building. Through variations

11.1

9.1

CONSULTANT

The functional theme of the Google Campus project is precisely the negotiation between the public and private realm. Each building is unique in its size and function. Three of the buildings offer 2,000,000 square feet of commercial office space, 150,000 square feet of retail space, and 200,000 square feet of amenities and product showrooms. The fourth building provides 650,000 square feet of housing. The forms of the Google Campus stem from these qualitative considerations. Order, repetition, and pattern do inform the design bestowing identity. The outcome is an up-to-date version

DESCRIPTION DESIGN DEVELOPMENT

13 A6.02

A CL1

DATE 06/22/19

CL3

13' - 5 1/2"

CL1

BOTTOM OF DECK +10' - 0" CL5

CL7

+9' - 0" CL1

13' - 5 1/2"

CL2

+9' - 0"

BOTTOM OF DECK

+10' - 3"

TYP CL6

+10' - 3"

9 A6.01

CL1

TYP CL3

+9' - 0"

CL6

B.1

CL2

CL3 CL1

B.2

FORM4 ARCHITECTURE, INC. 126 POST STREET, 3RD FLOOR SAN FRANCISCO, CA 94108 T: 4 1 5 . 7 7 5 . 8 7 4 8 F: 4 1 5 . 7 7 5 . 8 7 5 2 WWW.ARCH4INC.COM

CL1 +9' - 0"

CL1

+7' - 0"

8 A6.03

CL2

CL1

10 A6.03

CL2

C +10' - 3"

TYP CL6 CL2

CL5

CL2

+10' - 0" CL6 +10' - 0"

CL3 +10' - 3"

CL5

+9' - 0"

TYP

GENERAL NOTES

KEY NOTES

DESIGN IDEAS - CONCEPT OVERLAY 1. UNLESS OTHERWISE NOTED, CEILING HEIGHT SHALL BE 9' - 0"

ALL LIGHT FIXTURES SHALL BE U.L. APPROVED.

2. SEE DESIGN-BUILD ELECTRICAL AND MECHANICAL DRAWINS FOR ADDITIONAL INFORMATION. SEE A2.1 FOR BALANCE OF NOTES, INFORMATION, AND REQUIREMENTS FOR DESIGN-BUILD SYSTEMS.

WHERE EXISTING WALLS, WHICH ARE BELOW THE EXISTING CEILING GRID, AREA SPECIFIED TO BE EXTENDED ABOVE THE EXISTING CEILING GRID, CUT AND PATCH THE EXISTING CEILING GRID SO THAT IT FITS WITHIN THE ROOM.

4. ELECTRICAL, MECHANICAL, AND PLUMBING SUBCONTRACTORS SHALL COORDINATE INSTALLATION AND REQUIRED CLEARANCES OF THEIR EQUIPMENT. WHERE CONFLICTS EXIST BETWEEN THE REFLECTED CEILING PLAN AND MECHANICAL/ELECTRICAL/FIRE SPRINKLER PLAN(S), THE ARCHITECT'S PLANS SHALL GOVERN REGARDING THE ELEMENTS THAT ARE VISIBLE ON THE CEILING PLAN. 5. NOTIFY ARCHITECT IMMEDICATELY OF ANY CONFLICTS PRIOR TO COMMENCING CONSTRUCTION. 6. ALL MECHANICAL AND LIGHTING SPECIFICATIONS, FUNCTIONS, AND QUANTITIES SHALL CONFORM TO THE LATEST EDITION OF THE TITLE-24 LIGHTING AND ENERGY STANDARDS. 6.1

DOUBLE SWITCH WITH EACH SWITCH CONTROLLING 50% OF LAMPS PER FIXTURE ALL ROOMS/AREAS GREATER THAN 100 SQ. FT.

6.2

PROVIDE LAMP CIRCUITING AND BALLAST TYPES AS REQUIRED TO COMPLY WITH CBC ENERGY CODE (TITLE 24) REQUIREMENTS.

WHERE SOFFITS OR GYP. BD. CEILINGS RETURN EXPOSED FACE UP TO STRUCTURE, PAINT P-1, U.O.N.

1 2

SEE FINISH SCHEDULE, SHEET A9.00 FOR MORE INFORMATION

DESCRIPTION ACOUSTICAL INSULATION @ UNDERSIDE OF STRUCTURE (N) METAL AND GLASS CANOPY, TYP.

EXPOSED STRUCTURE ABOVE CL1

GYP. BD CEILING

CL2

2X2 ACOUSTICAL CEILING TILE

CL3

2X2 ACOUSTICAL CEILING TILE HEALTHZONE

10. CAP OFF (E) OVERHEAD J-BOXES AS REQUIRED. 11. OFFICES 250 SF OR SMALLER, MULTIPURPOSE ROOMS OF LESS THAN 1,000SF AND CLASSROOMS AND CONFERENCE ROOMS OF ANY SIZE SHALL BE EQUIPPED WITH OCCUPANT SENSING CONTROLS. IN ADDITION, CONTROLS SHALL BE PROVIDED THAT ALLOW THE LIGHTS TO BE MANUALLY SHUT OFF IN ACCORDANCE WITH SECTION 130.1(a) REGARDLESS OF THE SENSOR STATUS. 2016 BUILDING ENERGY EFFECIENCY STANDARD 130.1(c)5.

CL4

2X6 ACOUSTICAL CEILING TILE

CL5

LINEAR WOOD SLATS

CL6

ACOUSTICAL CLOUDS

CL7

METAL SCREEN

CL5

3. VERIFY FIELD CONDITIONS AND LOCATIONS OF ALL PLUMBING, DUCTS, STRUCTURAL ELEMENTS, AND OTHER APPLICABLE ITEMS.

LEGEND REFLECTED CEILING PLAN KEYNOTES

SYMBOL

1500 CRITTENDEN LN

TENANT AND EXTERIOR IMPROVEMENT

CL6

SHEET:

SCALE :

FIRST LEVEL REFLECTED CEILING PLAN As indicated

SHEET # :

A3.01

INSTAGRAM’S MANHATTAN OFFICE Role: Construction details specifications Final design alterations Rendering

Instagram has moved into a workspace in New York City by

Frank Gehry‘s architecture firm, where employees and visitors

can make use of a soundproof media studio and snap photos with various backdrops. The image-sharing company has taken over the top floors of 440 Broadway,the old Wanamaker’s department store close to Manhattan’s Astor Place,where its parent company Facebook also has offices. Making use of an expansive floor plan, high ceilings and large windows, the team created a sequence of spaces around a central atrium. Several moments are unsurprisingly intended to provide photo opportunities. At the entrance is a digital greeting wall, which presents a rotating selection of imagery from the Instagram feeds and stories of the app’s over 800 million users. A wall covered with a coloured gradient and a green wall beside the staircase are also intended as backdrops for photographs.

EAST 9TH STREET CONF. ROOM (COZY)

LOUNGE

STAIR A

LIBRARY

CONF. ROOM (COZY)

ELEC. CLOSET

SMALL CONF. ROOM JANITOR'S CLOSET

ELEC. CLOSET

CONF. ROOM (COZY)

ELEVATOR LOBBY

STORAGE

CONF. ROOM (COZY)

STORAGE

LOUNGE

MEN'S RESTROOM

ELEC. CLOSET

STAIR B

SMALL CONF. ROOM

STORAGE UNISEX RESTROOM MICRO PANTRY

SMALL CONF. ROOM

RECEPTION LOBBY

SMALL CONF. ROOM

WOMEN'S RESTROOM

PRINT/ COPY ROOM

CONF. ROOM (MINI)

CONF. ROOM (COZY)

CLOSET

LOUNGE

CONF. ROOM (COZY)

CONF. ROOM (MINI)

CONF. ROOM (COZY)

BROADWAY

MECHANICAL ROOM

DESIGN ROOM (GLYPH)

MEDIUM CONFERENCE ROOM

CONF. ROOM (COZY)

CONF. ROOM (MINI)

CONF. ROOM (COZY)

CONF. ROOM (MINI)

LARGE CONFERENCE ROOM

CONF. ROOM (COZY)

MECH. ROOM EXTENSION CONF. ROOM (COZY)

SMALL CONFERENCE ROOM

CONF. ROOM (COZY)

EXP LOUNGE MECHANICAL ROOM

CONF. ROOM (COZY)

OPEN WORK SPACE

LOUNGE

CONF. ROOM (MINI)

CONF. ROOM (COZY)

CONF. ROOM (MINI)

CONF. ROOM (COZY)

UX LAB

SMALL CONFERENCE ROOM

CONF. ROOM (MINI)

CONF. ROOM (COZY)

OBSERVATION ROOM

CONF. ROOM (COZY)

TRAINING ROOM

CONF. ROOM (MINI)

MEDIUM CONFERENCE ROOM

CONF. ROOM (COZY)

SMALL CONFERENCE ROOM

STAIR C

BAR

SMALL CONFERENCE ROOM

CONF. ROOM (COZY)

SMALL CONF. ROOM

JUICE BAR CONF. ROOM (MINI)

CONF. ROOM (COZY)

CONF. ROOM (MINI)

IDF ROOM IT HELP/ DESK

IT STORAGE

ELEC. CLOSET

ELEC. ELEC. JANITOR'S CLOSET CLOSET CLOSET EXTENSION

IDF ROOM

SMALL CONFERENCE ROOM

ELEC. CLOSET

CORRIDOR

STUDIO STORAGE

CLOSET STORAGE

MEN'S RESTROOM

WOMEN'S RESTROOM

PHOTO-OP AREA

LOUNGE STAIR G

STAIR G EXTENSION

WOMEN'S SHOWER

MOTHER'S ROOM

CONF. ROOM (COZY)

VAN SHAFT

CONF. ROOM (MINI) LOUNGE

STUDIO VAN SHAFT

MEN'S SHOWER

EAST 8TH STREET

CONF. ROOM (COZY)

CONF. ROOM (MINI)

CONF. ROOM (COZY)

4TH AVENUE

CONF. ROOM (COZY)

GESUNDHEIT INSTITUTE Role: Planning application drawings Construction drawings Construction management Rendering

Restaurant

Blackbox theater Short Term Housing

Library

Performance Area

The idea of the project is to re frame the hospital into a care center campus that includes; Art Center, Farmhouse and Library in addition to live-in hospital. The aim has been to create a functional complex that encourages peaceful coexistence of individuals and communities. The teaching center provides educational programs, gathering space, performance area and short term housing.

The Institute states its vision as being dedicated to reforming health care delivery with generosity and compassion. The project reflects the «hospital of tomorrow» creating a flexible space in conversation with its natural surrounds. The creation of the Gesundheit! Institute was a topic of the 1998 movie Patch Adams starring Robin Williams.

04.15.14 11.24.14 05.24.14 06.29.15 07.23.15

12.14.15

RE-ISSUE ISSUE

PHASE 1 SHELL

2234 Locust Creek Rd, Hillsboro, WV 24946

GESUNDHEIT INSTITUTE: TEACHING CENTER

PROJECT

SHEET NO.

1st Floor Plan Scale: 3/16" = 1'-0"

PHASE 1 DESIGN DEVELOPMENT :

NOT FOR CONSTRUCTION

A-1.2

04.15.14 11.24.14 05.24.14 06.29.15 07.23.15

12.14.15

RE-ISSUE ISSUE

PHASE 1 SHELL

2234 Locust Creek Rd, Hillsboro, WV 24946

GESUNDHEIT INSTITUTE: TEACHING CENTER

PROJECT

SHEET NO.

PHASE 1 DESIGN DEVELOPMENT :

NOT FOR CONSTRUCTION

A-3.1

04.15.14 11.24.14 05.24.14 06.29.15

ISSUE

GESUNDHEIT INSTITUTE:

3.1 0"

SHE

E-W Section A-3.3 Scale: 3/16" = 1'-0"

PHASE 1 DESIGN DEVELOPMENT :

NOT FOR CONSTRUCTION

A-

YGNACIO CENTER Role: Concept design Planning application drawings Construction drawings Rendering

The angles used to bend the drop ceiling and its proportion is entirely intuitive. The angles, also used in the design of the wooden wall, create a vibrant and dynamic feeling. Imagined like a ribbon, the corten steel sculpture unfolds itself to become a path to follow. It acts like a signal, starting from the outside and bringing the workers and visitors to the main lobby. The plan has been totally changed to allow more flexibility of the roomâ&#x20AC;&#x2122;s sizes. The inventive design supports the clientâ&#x20AC;&#x2122;s desire to have a new attractive working space and create a more interactive place to gather.

ELIS MILE HIGH CLUB Role: Concept design Planning application drawings Construction drawings Construction management We re-purposed the shipping container aesthetic in a jazz club in Oakland, California. In this project, we investigated the notion of two-sidedness / the audience is presented with two different spaces which offer visually and acoustically opposed experiences. This landmark club is divided into internal and external areas. The first is down to the lighting, with dark patterned surfaces in reference to dark and smoky jazz clubs in the 1960â&#x20AC;&#x2122;s. Metal mesh bar and furniture is provided for those who need a break from dancing. Outside, we has used layers of perforated steel to create an outdoor space with a very different identity. Guests can cross permeable boundaries to venture into a double dimension.

FLOOD CONNECTIONS Role: Concept design Drawings Graphic & Renderings

Design a water resistant district that utilizes unused river banks and looks at flooding as an opportunity to revitalize a flood prone city through the implementation of a new water infrastructure, which not only achieves flood prevention but also creates opportunity to increase social and ecological value.

During a major flood event, a waterfront wetland park composed of a series of pocket ponds and a large retention pond, will fill in succession to ensure the resiliency of the district. During the dry season, these landscape features can be used as play, leisure or performance areas.

An aquarium in the middle of the project, underlines a bold juxtaposition for the cityâ&#x20AC;&#x2122;s connection with water while enabling a connection between different parts of the urban area.

// Flood pools in dry season

// Flood pools in flood season

design for risk & reconstruction Role: Concept design Rendering

city

planning resilienty flood

Following the devastating Tohoku earthquake and tsunami of March 11, 2011, I received a research masters fellowship at Tohoku University to work on the task of redevelopment and planning for reconstruction. The earthquake and tsunami disaster left close to 400,000 homes uninhabitable after becoming partially or completely damaged. My initial task was to collect data, meeting local residents and city planners, to discuss a strategy for rebuilding along the coast line. This analysis lead to the development of a project that was realistic, emotionally sensitive and fundamentally safe. Conventionally water defence projects are based on the construction of big concrete barriers to defend

against the risk of flooding. However this approach has its limitations. This project explored the use of urban design to solve infrastructure and social issues. The project set aside a strategically placed wetland and retention basin interlinked by a water network. The design was optimized to dissipate tsunami water minimizing structural damage to buildings. Even in Japan, the forces of nature can not be retained with concrete and steel infrastructure, instead harmony can be found in radical urban design.

Using a run and escape map to compare shorter routes with bypass proposals, there was no great difference in shortening the evacuation time. The shorter route proposal had the advantages of both a quicker implementation time and lower cost.

Via the analysis of existing reconstruction proposals I was able to focus my project on the water transportation system and evacuation roads. The idea was, instead of separating these two systems, reunite them.

BURNING MAN Role: Construction

THE HAT MATTER Role: Art director Designer Founder

Thank you