Centre Staff

Mark Hallett Director of Studies

This year, Professor Hallett continued to work on two major exhibition projects, and on the publications that will accompany them.

With his colleague Dr Sarah Turner, he is co-curating an exhibition entitled The Great Spectacle: 250 Years of the Summer Exhibition, which will open at the Royal Academy in June 2018. Professor Hallett will co-author the accompanying catalogue with Dr Turner; he will co-edit a major online publication with Dr Turner and Dr Jessica Feather, also of the PMC, to be issued at the time of the display. This online publication will offer a year-by-year chronicle of the Academy’s famous Summer Exhibition, and will also incorporate a fully-digitised version of the entire run of Summer Exhibition catalogues, from 1769 to 2018.

Professor Hallett was also working on an exhibition he is curating entitled George Shaw: A Corner of a Foreign Field. The exhibition will open at the Yale Center for British Art in October 2018, before travelling to the Holburne Museum in Bath, England, in February 2019. This display will offer a comprehensive survey of the work of the leading contemporary British artist, George Shaw, and will be accompanied by a scholarly catalogue edited by Professor Hallett, and by a set of four short films on the artist and his work.

In September 2016, while on a visit to Australia, Professor Hallett spoke at a conference in Melbourne and gave a lecture at the Department of Art History at the University of Sydney. Over the course of the year, he spoke at workshops and conferences at the University of Oxford and the European University Institute in Florence. He also contributed an essay, co-written with Cassandra Albinson, to the catalogue for the Yale Center’s Enlightened Princesses exhibition, which opened in the spring of 2017. During the year, he also became a member of Tate Britain’s Advisory Council.

Martin Postle

The Deputy Director for Grants and Publications

Over the course of the year, Martin Postle continued to be involved in the initiation and planning of future courses for Yale undergraduate students at the Paul Mellon Centre. In spring 2017, he taught the course entitled British Art and Landscape, which involved visits to Stourhead, Dedham Vale, and a three-day field trip to Wales. Dr Postle continued to sit on the Centre’s Publications Committee, and to work with Professor Mark Hallett and Emily Lees, on the Centre’s forthcoming publications. In the summer of 2016 he assumed responsibility for the Centre’s Grants and Fellowships Programme, upon the retirement of Mary Smith, the Grants Administrator. Martin worked closely on maintaining and developing the programme with Harriet Fisher, Fellowships, Grants and Communications Officer, and Tom Scutt, Digital Manager. He attended the Advisory Council of the Paul Mellon Centre in Autumn 2016 and 2017, where he chaired the discussions on Grants and Fellowships. In February 2017 Dr Postle visited the Yale Center for British Art to participate in the evaluation of applications for the Scholars’ Programme.

Dr Postle actively pursued his research interests, centered principally on developing the Paul Mellon Centre research project, Collection and Display: The British Country House. Research involved site visits to Mount Stuart, Isle of Bute, Petworth, and a Study Day at Doddington Hall in October 2016, and at Castle Howard in March 2017. Dr Postle also gave a presentation in relation to the project at The Country House Revived?, the 15th Annual Historic Houses Conference, held at Dublin Castle on 19–21 June 2017. He continued to work with Anthony Spira of the MK Gallery, Milton Keynes, on co-curating the forthcoming exhibition, planned for 2109–2020, on George Stubbs. Dr Postle’s publications included a chapter on Richard Wilson’s painting, The White Monk, in James Clifton and Melina Kervandjian’s, The Golden Age of European Art. Celebrating Fifty Years of the Sarah Campbell Blaffer Foundation (Yale University Press).

Dr Postle continued to serve on the following committees and boards: Editorial Board, British Art Studies; Expert Advisor, Reviewing Committee on the Export of Works of Art; International Advisory Board, The British Art Journal; Governor of Dr Johnson’s House; Trustee of the Compton Verney Collection Settlement; Board Member of Aspire (touring exhibition project for Constable’s Salisbury Cathedral from the Meadows)

Sarah Victoria Turner Deputy Director for Research

In addition to her duties as the Deputy Director for Research at the Paul Mellon Centre and as Co-editor of British Art Studies, Dr Sarah Victoria Turner has continued to develop her profile as an active researcher and curator in the field of British art.

With Dr Kate Nichols (University of Birmingham), she co-edited “What is to Become of the Crystal Palace?”: The Crystal Palace after 1851 and this was published by Manchester University Press. This is the first book of academic essays on the Crystal Palace at Sydenham. Dr Turner continues to work with Professor Hallett on the research for a major exhibition in 2018 marking 250 years of the Royal Academy’s summer exhibitions.

In 2016, Dr Turner was appointed Visiting Senior Lecturer at the Courtauld Institute of Art. She taught an MA module Making the Modern: Art and Visual Culture in Britain, c. 1890–1970 in the 2016/17 academic year and will teach the module again in 2017/18. She continues to serve on the Courtauld Association Advisory Board. Dr Turner is a founder member of the Arts Council England’s British Art Network Steering Committee and continues to serve as a committee member.

With her Yale Center for British Art colleague, Martina Droth, Dr Turner co-organised two academic panels at professional conferences. The first of these was Editing Journals in a Digital Age, held by the Association of Research Institutes for Art History at the College Art Association’s annual conference (New York, February 2017). The second was Sculpture in Motion, held at the annual Association for Art History conference (University of Loughborough, April 2017). She was also invited to give a number of papers and presentations. These included: Mystical Moderns: Modern Art and the Mystical Revival in Early Twentieth-century Britain at the conference Modern Gods: Religion and British Modernism (The Hepworth, Wakefield, September 2016); Thinking Tantra (an exhibition talk at The Drawing Room, London, February 2017); and Christiana Herringham and the Ajanta Frescoes (research seminar held by Coventry University, 15 March 2017).

Jessica Feather Brian Allen Fellow

In addition to her ongoing work on specific Paul Mellon Centre projects, Dr Feather has continued to work as an active researcher and curator. In early 2017, she was invited to take up a guest curatorship at the Courtauld Institute Gallery, to work on their British drawings collection, with a view to curating a future exhibition at the Gallery. She will be taking up this curatorship in three one-week tranches over the course of 2017–2018.

Dr Feather continued to be involved in the curating of the British Museum exhibition Places of the Mind: British Watercolour Landscapes 1850–1950. Her chapter in the accompanying book was entitled “A new ‘golden age’? The ‘modern’ landscape watercolour” in Places of the Mind: British watercolour landscapes 1850–1950 (London: Thames & Hudson).

Dr Feather gave papers on Herbert Horne: Collecting British Art in 1890s Florence at the conference of the North American Victorian Society (Florence, May 2017) and was invited to present at the Paul Mellon Centre’s symposium Art and the Middlebrow (March 2017). She has given public talks at the Paul Mellon Centre, the British Museum, and Dulwich Picture Gallery. She has also had a conference paper accepted at the forthcoming College Art Association conference in Los Angeles for February 2018.

Over the period covered by this report, Dr Feather curated a small display at the Paul Mellon Centre on the subject of the country-house guidebook, which coincided with the launch of the Centre’s Country House project. She wrote the text for the accompanying pamphlet. Together with colleagues at Tate Britain and Birmingham Museums and Art Gallery, Dr Feather also set-up a sub-specialist group of the British Art Network dedicated to British drawings. The first of the group’s workshops, dedicated to topographical drawing, took place in March 2017.

Together with Dr Postle, Dr Feather co-taught a module for the Yale-inLondon students in the Spring semester on British Art and Landscape, which included a field trip to Wales.

Hana Leaper Paul Mellon Fellow Deputy Editor British Art Studies

In the past year, Dr Leaper has lectured and published extensively on British modernist art, particularly on Vanessa Bell and the Bloomsbury Group, and on Sybil Andrews and the Grosvenor School linocut artists. She supported the development of the Vanessa Bell exhibition at Dulwich Picture Gallery (Feb–June 2017), and contributed the essay Between London and Paris to the catalogue. Together with Nadia Hebson, she co-organised the conference Making Women’s Art Matter: New Approaches to the Careers and Legacies of Women Artists to coincide with the opening of the Vanessa Bell show. She is currently supporting the development of the forthcoming Tate St Ives exhibition Virginia Woolf: an Exhibition Inspired by Her Writings and has contributed the essay From Inheritance to Legacy: Virginia Woolf’s Place Within Networks of Women Creatives for the catalogue.

Her essay “Old-fashioned Modern”: Claude Flight’s Lino-cuts and Public Taste in the Interwar Period, was published in the journal Modernist Cultures in November 2016. The article examines the ambiguous middlebrow position of linocuts made by Flight and other artists of the Grosvenor School, and Flight’s utopian vision for mass modernism.

As a co-founder of the Early Career Researcher Network at the Paul Mellon Centre, and Deputy Editor of the Centre’s online journal British Art Studies, in November 2016 Dr Leaper co-organised the Digital Art Histories Symposium, which gathered a panel of art historians to share their experiences of developing digital projects with early career scholars of British art. She is an associate of several research networks, and is now a member of the Charleston Trust House and Exhibitions Committee.

Appendix I

Cumulative List of Publications since 1970

1971

Ronald Paulson Hogarth: His Life, Art & Times, 2 vols.

John Hayes The Drawings of Thomas Gainsborough (published for the PMC in USA only)

1972

John Hayes Gainsborough as Printmaker (published for the PMC in USA only)

1973

Eric Adams Francis Danby: Varieties of Poetic Landscape

1974

A. Charles Sewter The Stained Glass of William Morris & his Circle, 2 vols.

1975

Leonée & Richard Ormond Lord Leighton

Hans Hammelmann Book Illustrators in Eighteenth-century England

1976

M. H. Port The Houses of Parliament

Edward Mead Johnson Francis Cotes (Phaidon, published with the help of PMC)

Andrew Saint Richard Norman Shaw

Miklos Rajnai & Mary Stevens The Norwich Society of Artists 1805–1833

1977

Nicholas Penny Church Monuments in Romantic England

Robin Gibson The Clarendon Collection (privately published for PMC by BAS Printers Ltd)

Martin Butlin & Evelyn Joll The Paintings of JMW Turner (rev. 1981), 2 vols.

1978–84

Ed. K. Garlick & A. MacIntyre The Diary of Joseph Farington Vols 1–16

1978

Peter Thornton Seventeenth-century Interior Decoration in England, France & Holland

1979

Anthony Quiney John Loughborough Pearson

William Vaughan German Romanticism & English Art

George P. Landow William Holman Hunt and Typological Symbolism

1980

Kathryn Moore Heleniak William Mulready

Andrew McClaren Young, Margaret MacDonald, Robin Spencer, with the assistance of Hamish Miles The Paintings of James McNeill Whistler, 2 vols.

1981

William L. Pressly The Life & Art of James Barry

John Ingamells The English Episcopal Portrait 1559–1835: A Catalogue (privately published for PMC)

Mansfield Kirby Talley Portrait Painting in England: Studies in the Technical Literature before 1700 (privately for PMC)

Martin Butlin The Paintings & Drawings of William Blake, 2 vols.

Ed. Virginia Surtees The Diary of Ford Madox Brown

1982

Hugh Brigstocke William Buchanan and the 19th-century Art Trade (privately published for PMC)

Benedict Read Victorian Sculpture

1983

Susan Beattie The New Sculpture

Louise Lippincott Selling Art in Georgian London: The Rise of Arthur Pond

1984

Graham Reynolds The Later Paintings & Drawings of John Constable, 2 vols.

Terry Friedman James Gibbs

1985

Richard Dorment Alfred Gilbert

Rudiger Joppien & Bernard Smith The Art of Captain Cook’s Voyages, 4 vols.

1987

Cecily Langdale Gwen John

Michael McCarthy The Origins of the Gothic Revival

Cecilia Powell Turner in the South: Rome, Florence, Naples

1988

Felicity Owen & David Blayney Brown Collector of Genius: A Life of Sir George Beaumont

Stephen Deuchar Sporting Art in 18thcentury England: A Social & Political History

Eds. Bernard Smith & Alwyne Wheeler The Art of the First Fleet & other Early Australian Drawings

Iain Pears The Discovery of Painting: The Growth of Interest in the Arts in England 1680–1768

1989

Clive Wainwright The Romantic Interior

1991

Christopher Gilbert English Vernacular Furniture 1750–1900

1992

Alastair Smart Allan Ramsay: Painter, Essayist & Man of the Enlightenment

1993

David H. Solkin Painting for Money: The Visual Arts & the Public Sphere in 18thcentury England

Douglas D. C. Chambers The Planters of the English Landscape Garden

Eds. D. Bindman & Gottfried Riemann, K. F. Schinkel, The English Journey: Journal of a visit to France and Britain in 1826

Simon Thurley The Royal Palaces of Tudor England: Architecture & Court Life 1460–1547

Marcia Pointon Hanging the Head: Portraiture & Social Formation in 18thCentury England

1994

Sam Smiles The Image of Antiquity: Ancient Britain & the Romantic Imagination

Charles Harrison English Art and Modernism 1900–1939

John Schofield Medieval London Houses

Nigel Everett The Tory View of Landscape

Miles Glendinning & Stefan Muthesius Tower Block: Modern Public Housing in England, Scotland, Wales & Northern Ireland

1995

Howard Colvin A Biographical Dictionary of British Architects 1600–1840 (3rd ed.)

David Bindman & Malcolm Baker Roubiliac & the 18th-century Monument

Ed. B. Allen Towards a Modern Art World Studies in British Art 1 (SBA 1)

Ed. L. Gent Albion’s Classicism: The Visual Arts in Britain 1550–1660 (SBA 2)

Jules Lubbock The Tyranny of Taste: The Politics of Architecture and Design in Britain 1550–1960

M. H. Port Imperial London: Civil Government Building in London 1851–1915

Giles Worsley Classical Architecture in Britain: The Heroic Age

Paul Binski Westminster Abbey & the Plantagenets: Kingship & the Representation of Power 1200–1400

Margaret F. MacDonald James McNeill Whistler: Drawings, Pastels and Watercolours. A Catalogue Raisonné

1996

Eds. C. Chard & H. Langdon Transports: Travel, Pleasure & Imaginative Geography 1600–1830 (SBA 3)

Diana Donald The Age of Caricature: Satirical Prints in the Reign of George III

Graham Reynolds The Early Paintings and Drawings of John Constable, 2 vols.

Ian Bristow Interior House Painting Colours & Technology 1615–1840

Ian Bristow Architectural Colour in British Interiors 1615–1840

Charlotte Klonk Science & the Perception of Nature

Eds. B. Allen & Larissa Dukelskaya British Art Treasures from Russian Imperial Collections in the Hermitage

1997

Ed. John Ingamells A Dictionary of British and Irish Travellers in Italy 1701–1800 compiled from the Brinsley Ford Archive

Anthony Wells-Cole Art and Decoration in Tudor England: The Influence of Continental Prints, 1558–1625

Dian Kriz The Idea of the English Landscape Painter: Genius as Alibi in the early 19th century

Timothy Clayton The English Print 1688–1802

Eds. Jeffrey M. Muller & Jim Murrell Miniatura or the Art of Limning: Edward Norgate

Ed. Ronald Paulson William Hogarth: The Analysis of Beauty

Ed. Robert R. Wark Discourses on Art: Sir Joshua Reynolds

Deborah Frizzell Humphrey Spender’s Humanist Landscapes Photo Documents, 1932–1942

Eds. Michael Rosenthal, Christiana Payne & Scott Wilcox Prospects for the Nation: Recent Essays in British Landscape, 1750–1880 (SBA 4)

1998

Richard Ormond & Elaine Kilmurray John Singer Sargent: The Early Portraits. The Complete Paintings: Volume 1

Evelyn Newby The Diary of Joseph Farington: Index

Margaret Garlake New Art New World: British Art in Postwar Society

James Ayres Building the Georgian City

Eds. Elizabeth Prettejohn and Timothy Barringer Frederic Leighton: Antiquity, Renaissance, Modernity (SBA 5)

1999

Ellen D’Oench Copper Into Gold: Prints by John Raphael Smith

Mark Hallett The Spectacle of Difference: Graphic Satire in the Age of Hogarth

Howard Colvin Essays in English Architectural History

Michael Rosenthal The Art of Thomas Gainsborough

Ed. Katharine Lochnan Seductive Surfaces: The Art of Tissot (SBA 6)

Stephen Daniels Humphry Repton: Landscape Gardening and the Geography of Georgian England

Nicholas Cooper Houses of the Gentry 1480–1680

Alastair Smart, ed. John Ingamells

Allan Ramsay: A Complete Catalogue of his Paintings

2000

Peter Fergusson & Stuart Harrison Rievaulx Abbey

Ann Bermingham Learning to Draw: Studies in the Cultural History of a Polite and Useful Art

Lisa Tickner Modern Life and Modern Subjects: British Art in the Early Twentieth Century

John Summerson Inigo Jones (rev. ed.)

Ruth Bomberg Walter Sickert Prints

Paul Edwards Wyndham Lewis: Painter and Writer

Roy Strong The Artist and the Garden

Ed. Chris Brooks The Albert Memorial

Carol Gibson Wood Jonathan Richardson: Art Theorist of the English Enlightenment

David Mannings & Martin Postle Sir Joshua Reynolds: A Complete Catalogue of his Paintings, 2 vols.

Eds. John Edgcumbe & John Ingamells The Letters of Sir Joshua Reynolds

Ed. John Hayes The Letters of Thomas Gainsborough

Alastair Grieve Whistler’s Venice

Christine Stevenson Medicine and Magnificence: British Hospital & Asylum Architecture 1660–1815

2001

Stefan Muthesius The Postwar University: Utopianist Campus and College

John Bold Greenwich: An Architectural History of the Royal Hospital for Seamen and the Queen’s House

Todd Longstaffe-Gowan The London Town Garden 1700–1840

Allen Staley The Pre-Raphaelite Landscape

G. E. Bentley The Stranger from Paradise in the Realm of the Beast: a Biography of William Blake

Eileen Harris The Genius of Robert Adam: His Interiors

Edward McParland Public Architecture in Ireland 1680–1760

James Hyman The Battle for Realism: Figurative Art and its Promotion in Britain during the Cold War 1945–1959

David Solkin Art on the Line

Ed. Debra Mancoff John Everett Millais: Beyond the Pre-Raphaelite Brotherhood (SBA 7)

Ed. Pauline Croft Patronage, Culture and Power: The Early Cecils (SBA 8)

2002

Ed. Alex Kidson Those Delightful Regions of Imagination: Essays on George Romney (SBA 9)

Eds. David Peters Corbett, Ysanne Holt & Fiona Russell The Geographies of Englishness: Landscape and the National Past 1880–1940 (SBA 10)

Sara Stevenson The Personal Art of David Octavius Hill

Anne Crookshank & the Knight of Glin Ireland’s Painters

Eds. Larissa Dukelskaya & Andrew Moore A Capital Collection: Houghton Hall and the Hermitage with a Modern Edition of Aedes Walpolianae

Michael J. K. Walsh C. R. W. Nevinson: This Cult of Violence

Susan Sloman Gainsborough in Bath

Richard Ormond & Elaine Kilmurray John Singer Sargent: Portraits of the 1890s. The Complete Paintings: Volume II

Vaughan Hart Nicholas Hawksmoor

2003

Emmanuel Cooper Bernard Leach: Life & Work

Colum Hourihane Gothic Art in Ireland 1169–1550

Jonathan Scott The Pleasures of Antiquity: British Collectors of Greece & Rome

John Summerson, ed. Howard Colvin Georgian London

Ed. Robyn Asleson Notorious Muse: The Actress in British Art and Culture 1776–1812 (SBA 11)

Ed. Edward Chaney The Evolution of English Collecting (SBA 12)

Kathryn A. Morrison English Shops and Shopping

Simon Thurley Hampton Court: A Social and Architectural History

2004

Richard Ormond & Elaine Kilmurray

John Singer Sargent: The Later Portraits. The Complete Paintings: Volume III

Anthony Quiney Town Houses of Medieval Britain

G. E. Bentley, Jr. Blake Records (2nd ed.)

Peter Guillery The Small House in 18thCentury London

Bruce Laughton William Coldstream

S. Barnes, N. De Poorter, O. Millar & H. Vey Van Dyck: A Complete Catalogue of the Paintings

Sanford Schwartz William Nicholson

David J. Getsy Body Doubles: Sculpture in Britain, 1877–1905

Sue Malvern Modern Art, Britain and the Great War

Fiona Donovan Rubens and England

Veronica Franklin Gould G. F. Watts: The Last Great Victorian

Eds. Julian Holder & Steven Parissien The Architecture of British Transport in the Twentieth Century (SBA 13)

Giles Worsley The British Stable

Paul Binski Becket’s Crown: Art and Imagination in Gothic England 1170–1300

John Cornforth Early Georgian Interiors

Tim Barringer Men at Work: Art and Labour in Victorian Britain

Susan Foister Holbein and England

Alastair Grieve Constructed Abstract Art in England: A Neglected Avant-Garde

Paula Henderson The Tudor House and Garden

Martin Hammer Bacon and Sutherland

2005

Ed. Chris Miele From William Morris: Building Conservation and the Arts and Crafts Cult of Authenticity 1877–1939 (SBA 14)

Richard Wendorf After Sir Joshua: Essays on British Art and Cultural History (SBA 15)

Edward Morris French Art in NineteenthCentury Britain

Anne Middleton Wagner Mother Stone: the Vitality of Modern British Sculpture

Daniel Abramson Building the Bank of England: Money, Architecture, Society 1694–1942

C. Paul Christianson The Riverside Gardens of Thomas More’s London

Michael Levey Sir Thomas Lawrence

Martin Myrone Body Building: Reforming Masculinities in British Art 1750–1810

Matthew Hargraves Candidates for Fame: The Society of Artists of Great Britain 1760–1791

Aileen Ribeiro Fashion and Fiction: Dress in Art and Literature in Stuart England

Kate Retford The Art of Domestic Life: Family Portraiture in EighteenthCentury England

Angela Rosenthal Angelica Kauffman, Art and Sensibility

2006

Ed. Frank Salmon Summerson & Hitchcock: Centenary Essays on Architectural Historiography (SBA 16)

Christopher Wright, with Catherine Gordon and Mary Peskett Smith British and Irish Paintings in Public Collections

Judith Bronkhurst William Holman Hunt: A Catalogue Raisonné, 2 vols.

Wendy Baron Sickert Paintings and Drawings

Peter Draper The Formation of the English Gothic: Architecture and Identity

Richard Ormond & Elaine Kilmurray

John Singer Sargent: Figures and Landscapes 1874–1882. The Complete Paintings: Volume IV

Giles Worsley Inigo Jones and the European Classicist Tradition

The Knight of Glin and James Peill Irish Furniture

Eds. John Styles & Amanda Vickery Gender, Taste and Material Culture in Britain and North America 1700–1830 (SBA 17)

2007

John Harris Moving Rooms: The Trade in Architectural Salvages

Gill Perry Spectacular Flirtations: Viewing the Actress in British Art and Theatre 1768–1820

Brian Foss War Paint: Art, War, State and Identity in Britain 1939–1945

Judy Egerton George Stubbs, Painter

Elizabeth Prettejohn Art for Art’s Sake: Aestheticism in Victorian Painting

Anna Gruetzner Robins A Fragile Modernism: Whistler and his Impressionist Followers

Diana Donald Picturing Animals in Britain

Thomas P. Campbell Henry VIII and the Art of Majesty: Tapestries at the Tudor Court

2008

Eds. Julia Marciari Alexander & Catharine MacLeod Politics, Transgression, and Representation at the Court of Charles II (SBA18, published by YUP New Haven)

Maurice Howard The Building of Elizabethan and Jacobean England

Matthew Craske The Silent Rhetoric of the Body: A History of Monumental Sculpture and Commemorative Art in England, 1720–1770

Howard Colvin A Biographical Dictionary of British Architects 1600–1840 (4th ed.)

Ed. Philip Temple Survey of London Vol. XLVI South and East Clerkenwell and Vol. XLVII Northern Clerkenwell and Pentonville

Dian Kriz Slavery, Sugar and the Culture of Refinement

Vaughan Hart Sir John Vanbrugh: Storyteller in Stone

Andor Gomme & Alison Maguire Design and Plan in the Country House: From Castle Donjons to Palladian Boxes

David H. Solkin Painting Out of the Ordinary: Modernity and the Art of Everyday Life in Early Nineteenth-century Britain

Patrick Noon Richard Parkes Bonington: the complete paintings

2009

Caroline Arscott William Morris and Edward Burne-Jones: Interlacings

Judith A. Neiswander The Cosmopolitan Interior: Liberalism and the British Home, 1870–1914

Helen Pierce Unseemly Pictures: Graphic Satire and Politics in Early Modern England

Ed. Cinzia Sicca John Talman: An Early Eighteenth-Century Connoisseur (SBA 19)

Richard Ormond & Elaine Kilmurray John Singer Sargent: Venetian Figures and Landscapes, 1898–1913. The Complete Paintings: Volume VI

Rachel Stewart The Town House in Georgian London

Ingrid Roscoe, Emma Hardy and M. G. Sullivan A Biographical Dictionary of Sculptors in Britain 1660–1851

Mark Girouard Elizabethan Architecture

Robert Hewison Ruskin on Venice

Jason M. Kelly The Society of Dilettanti

2010

Celina Fox The Arts of Industry in the Age of Enlightenment

Marcia Pointon Brilliant Effects: A Cultural History of Gem Stones and Jewellery

Ilaria Bignamini and Clare Hornsby Digging and Dealing in 18th-century Rome, 2 vols.

Paula Murphy Nineteenth-century Irish Sculpture, Native Genius Reaffirmed

Malcolm Jones The Print in Early Modern England: An Historical Oversight

Christiana Payne John Brett: PreRaphaelite Landscape Painter

Andrew Saint Richard Norman Shaw (rev. ed.)

Mary Bennett Ford Madox Brown: A Catalogue Raisonné, 2 vols.

Eds. Morna O’Neill and Michael Hatt

The Edwardian Sense: Art, Design and Performance in Britain 1901–1910 (SBA 20)

Grace Brockington Above the Battlefield: Modernism and the Peace Movement in Britain, 1900–1918

Tomás Ó Carragáin Churches in Early Medieval Ireland

Philip Temple The Charterhouse, Survey of London Monograph 18

Richard Ormond and Elaine Kilmurray John Singer Sargent Figures and Landscapes, 1883–1899. The Complete Paintings: Volume V

Tara Hamling Decorating the ‘Godly’ Household: Religious Art in PostReformation Britain

Eds. Mark Crinson and Claire Zimmerman Neo-Avant-Garde and Postmodern Postwar Architecture in Britain and Beyond (SBA 21)

2011

Morna O’Neill Walter Crane: The Arts and Crafts, Painting and Politics 1875–1890

John Goodall The English Castle

Richard Fawcett The Architecture of the Scottish Medieval Church

Sharman Kadish The Synagogues of Britain and Ireland

Elizaveta Renne State Hermitage Museum

Catalogue: Sixteenth- to NineteenthCentury British Painting

Terry Friedman The Eighteenth-Century Church in Britain

John E. Crowley Imperial Landscapes: Britain’s Global Visual Culture

Mary Webster Johan Zoffany

David Coke & Alan Borg Vauxhall Gardens: A History

Geoff Quilley Empire to Nation: Art, History and the Visualisation of Maritime Britain, 1768–1829

Allen Staley The New Painting of the 1860s: Between the Pre-Raphaelites and the Aesthetic Movement

Vaughan Hart Inigo Jones: The Architect of Kings

Peter Fergusson Canterbury Cathedral Priory in the Age of Becket

Patrick Noon Richard Parkes Bonington: The Complete Drawings

2012

Nancy Rose Marshall City of Gold and Mud: Painting Victorian London

Eds. Cinzia Sicca and Louis Waldman The Anglo-Florentine Renaissance: Art for the Early Tudors (SBA 21)

Maria Dolores Sanchez-Jauregu Alpanes and Scott Wilcox The English Prize: The Capture of the Westmorland, an Episode of the Grand Tour

Mark Crinson Stirling and Gowan: Architecture from Austerity to Affluence

Todd Longstaffe-Gowan The London Square: Gardens in the Midst of Town

Emmanuel Cooper Lucie Rie: Modernist Potter

John Martin Robinson James Wyatt, Architect to George III

Stephanie Moser Designing Antiquity: Owen Jones, Ancient Egypt and the Crystal Palace

Tarnya Cooper Citizen Portrait: Portrait Painting and the Urban Elite of Tudor and Jacobean England and Wales

Tanya Harrod The Last Sane Man: Michael Cardew: Modern Pots, Colonialism and the Counterculture

Richard Ormond & Elaine Kilmurray John Singer Sargent: Figures and Landscapes 1900–1907. The Complete Paintings: Volume VII

Kathryn A. Morrison & John Minnis Carscapes: The Motor Car, Architecture and Landscape in England

Peter Harbison William Burton Conyngham and His Irish Circle of Antiquarian Artists

2013

Romita Ray Under the Banyan Tree: Relocating the Picturesque in British India

G. A. Bremner Imperial Gothic: Religious Architecture and High Anglican Culture in the British Empire 1840–1870

Finola O’Kane Ireland and the Picturesque: Design, Landscape Painting and Tourism 1700–1840

Andrew Sanders In the Olden Time: Victorians and the British Past

Christopher Rowell Ham House: Four Hundred Years of Collecting and Patronage

Rosie Dias Exhibiting Englishness: John Boydell’s Shakespeare Gallery and the Formation of a National Aesthetic

Joseph Monteyne From Still Life to the Screen: Print Culture, Display and the Materiality of the Image in 18thcentury London

Anthony Geraghty The Sheldonian Theatre: Architecture and Learning in Seventeenth-century Oxford

Christine Stevenson The City and the King: Architecture and Politics in Restoration London

Melanie Doderer-Winkler Magnificent Entertainments: Temporary Architecture for Georgian Festivals

2014

Francis Haskell The King’s Pictures: The Formation and Dispersal of the Collections of Charles I and His Courtiers

Annette Carruthers The Arts and Crafts Movement in Scotland: A History

Elizabeth McKellar Landscapes of London: The City, the Country and the Suburbs 1660-1840

Beth Fowkes Tobin The Duchess’s Shells: Natural History Collecting in the Age of Cook’s Voyages

Mark Hallett Reynolds: Portraiture in Action

Richard Ormond & Elaine Kilmurray John Singer Sargent: Figures and Landscapes 1908–1913. The Complete Paintings: Volume VIII

Ruth Guilding Owning the Past. Why the English Collected Antique Sculpture, 1640-1840

Emily M. Weeks Cultures Crossed: John Frederick Lewis and the Art of Orientalism

Elizabeth Goldring Robert Dudley, Earl of Leicester, and the World of Elizabethan Art: Painting and Patronage at the Court of Elizabeth I

Michael Hall George Frederick Bodley & the Later Gothic Revival in Britain and America

Paul Binski Gothic Wonder: Art, Artifice and the Decorated Style, 1290-1350

2015

David Brown Durham Cathedral: History, Fabric and Culture

Malcolm Baker The Marble Index: Roubiliac and Sculptural Portraiture in Eighteenth-Century Britain

Sigrid De Jong Rediscovering Architecture: Paestum in Eighteenth-Century Architectural Experience and Theory

Arthur MacGregor The Cobbe Cabinet of Curiosities: An AngloIrish Countryhouse Museum

Alex Kidson, George Romney: A Complete Catalogue of His Paintings

William Vaughan Samuel Palmer: Shadows on the Wall

Peter Cormack Arts & Crafts Stained Glass

Giles Waterfield The People’s Galleries: Art Museums and Exhibitions in Britain, 1800-1914

Elaine Harwood Space, Hope and Brutalism: English Architecture, 1945-1975

David H. Solkin Art in Britain 1660-1815

Marina Lopato British Silver: State Hermitage Museum Catalogue

2016

Marcia Kupfer Art and Optics in the Hereford Map: An English Mappa Mundi, c.1300

David Adshead and David Taylor (eds) Hardwick Hall: A Great Old Castle of Romance

Richard Ormond and Elaine Kilmurray John Singer Sargent: Figures and Landscapes, 1914–1925 (The Complete Paintings: Vol. IX)

Elizabeth Einberg William Hogarth: A Complete Catalogue of the Paintings

2017

David Jacques Gardens of Court and Country: English Design 1630–1730

Elizabeth Prettejohn Modern Painters, Old Masters: The Art of Imitation from the PreRaphaelites to the First World War

Ben Highmore The Art of Brutalism: Rescuing Hope from Catastrophe in 1950s Britain

Governors and Advisory Council

Board of Governors

Governors

Peter Salovey President of Yale University

Benjamin Polak

Provost of the University

Stephen Murphy

Vice President for Finance and Chief Financial Officer of the University

Amy Meyers

Director of the Yale Center for British Art

Board of Governors

Members

Tim Barringer

Paul Mellon Professor of History of Art

Edward S. Cooke, Jr. Department Chair; Charles F. Montgomery Professor of American Decorative Arts, History of Art Department

Jonathan Holloway Dean of Yale College; Edmund

S. Morgan Professor of African American Studies and Professor of History and American Studies

Jules D. Prown

Paul Mellon Professor Emeritus Director of History of Art and Senior Research Fellow

Edwin C. Schroeder Director of Beinecke Rare Book and Manuscript Library

Lloyd Suttle

Deputy Provost for Academic Resources

Keith Wrightson

Randolph W. Townsend, Jr. Professor of History

Advisory Council

Iwona Blazwick

Whitechapel Gallery

Alixe Bovey

The Courtauld Institute of Art

Christopher Breward

Edinburgh College of Art

David Peters Corbett

University of East Anglia

Anthony Geraghty

University of York

Richard Marks

University of York

David Mellor

University of Sussex

Martin Myrone

Tate Britain

Andrew Saint

The Survey of London

MaryAnne Stevens

Royal Academy of Arts

Shearer West

University of Sheffield

Alison Yarrington

University of Loughborough