Bermel - Migration Series

DEREK BERMEL

MIGRATION SERIES for Jazz Ensemble and Orchestra

The Migration Series was commissioned for the American Composers Orchestra and the Jazz at Lincoln Center Orchestra through Music Alive, a national program of the American Symphony Orchestra League and Meet the Composer. Funding for Music Alive has been provided by The Andrew W. Mellon Foundation and The Aaron Copland Fund for Music.

ABOUT MIGRATION SERIES The Migration Series is a concerto for jazz band and orchestra, influenced by many of my compositional heroes, including Charlie Parker, Stevie Wonder, Sarah Vaughan, Eric Dolphy, Thelonious Monk, John Zorn, and the rappers Rakim and Mos Def. While writing the work, I kept in mind the individual voices of the members of the Lincoln Center Jazz Orchestra, and worked closely with them in the rehearsal process. The piece is in five movements, with three connecting interludes, and is dedicated to Wynton Marsalis, whose music-making has been a great inspiration to me. It was as a child in New York that I first encountered the 'Migration Series', a set of 60 paintings by Jacob Lawrence (1917-2000) depicting the Great Migration of African-Americans from South to North during the early decades of the 20th Century. The paintings have remained etched in my consciousness ever since, and as I began work on this piece, many of the sounds in my head evoked memories of the series. Because Lawrence didn't regard the paintings as separate entities, but instead as components of a larger cycle, it felt natural for me to focus on the shapes, colors, moods, and atmospheres evoked by groups of scenes within the series, rather than individual paintings. In this grand American story, I gravitated toward the larger themes, those of determination, mystery, despair, and hope; Lawrence's unique sense of perspective and distance – his generosity and universality of narrative – allowed the space for me to add music. The first movement is inspired by the wide open Southern landscapes and the theme of the railroad depicted in Lawrence's paintings. The music builds on a relentless four-note ostinato in the strings which combine with a short funk riff in the trumpet. The movement builds as a slowly expanding series of diatonic chord changes evolves and the texture becomes layered in polytonality. A short solo piano interlude leads to the more lyrical second movement; this section reflects Lawrence's depictions of the emotional pulse prior to migration, the overwhelming disbelief and despair stemming from the prejudices and hardships endured by the former slaves and their families. The music begins as a Gospel ballad, transformed by a trio of rapping trombones which anticipate the vocalizations of the third movement. Another interlude, this time for solo clarinet and bass, leads to the third movement; This section takes as its point of departure the conversational "call and response", the excitement of rumors in the air and impending change captured by Lawrence in several of the paintings. This vitality is expressed rhythmically by swinging chromatic tone clusters heard in the three trombones (presaged in mvt. II), then later by four bass clarinets, four trumpets, and finally by the whole jazz band. With development of contour, rather than melody, the movement emphasizes gestures of rhythm and syncopation over pitch – i.e. the central interplay is the conversational banter(characteristic of dub or hip-hop music), rather than on the melody-chord relations typical of 'song' forms. Partway through the movement, echoes of the first 'landscape' ostinato reappear in the strings, as the chatter leads to the migratory journey. The fourth movement follows immediately without pause. Lawrence illustrates the migrants' arrival in the Northern cities, accompanied by joy and expectation, but also by violence, rejection, and new incarnations of poverty. The new urban energy manifests itself in the manic bebop lines of the saxophones - with the cooler serenity – in the strings and harp – recalling the depictions of a simpler, rural life in the South. A trumpet interlude leads out of the fourth movement, picks up steam as a conversation runs throughout the ensemble, into the fifth and final section, a musical and visual summation based on material presented in the earlier movements; this last section evokes the text accompanying Lawrences final painting: "And the migrants kept coming." – Derek Bermel

Instrumentation Reed I Reed II Reed III Reed IV Reed V 4 Trumpets in Bb 3 Trombones Piano Electric Guitar Upright Bass Drums Solo Clarinet in Bb/Composer (Movement III) Oboe (also English Horn) Bassoon 4 Horns in F Tuba Timpani (also Percussion III in Movement V) Percussion (2 players) Vibraphone Marimba Glockenspiel Conga Suspended Cymbal 2 Metal Cowbells (hi & lo) Triangle Tambourine Cabasa Clave Rainstick Sleighbells Maracas Metal Brazilian shaker Caxixi (if available) Egg shakers Harp Strings

Stage Diagram (from the premiere performance)

To Wynton Marsalis

The Migration Series

Derek Bermel

I. Landscape

  







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





Reed II

 

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Reed III

 

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Reed IV

 

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Reed V

  

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  

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 

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Cool swing (h = 76)

Reed I

Trumpets in Bb I-II

Trumpet in Bb III-IV



4. solo





 

  

p warmly

    

 



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

 

   



Trombones I-II

 

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Trombone III

  

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Drum Set

 

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   

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Electric Guitar





  

Piano

Upright Bass

Oboe/ English Horn Bassoon

Horns in F I-II

p pointed

   









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  

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     



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   



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

 







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

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

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   

  





 

sim.

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Horns in F III-IV

 

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Tuba

  

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Timpani

Percussion (2 Players)

Harp

   



    

p pointed









la metà  arco,   

Violin I





  

arco, la metà p

  

p pointed

  

Contrabass





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  

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 

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 

 

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p pointed









  

arco p pointed

Violoncello





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pizz.

  

p pointed pizz.

Viola







arco

Violin II





Cool swing (h = 76) p



3   

3    

 3 

3    

 



 



 









  









© Copyright, 2006 by X Pyre Music All Rights for the World Exclusively Adminsitered by Songs of Peer, Ltd.













 3 

3    

 3 

3    





p







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2  

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

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Reed II





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Reed III



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Reed IV





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Reed V





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 



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8 Reed I

Tpt. I-II

(4.)

 

Tpt. III-IV

U. Bass

Eng. Hn.

Bsn.

Hn. I-II

Hn. III-IV

Timp.

 







 









 

  

    

 















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



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

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

 









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







 



 











   

  







 





 













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 

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 

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

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 

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

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

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







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 

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 

 

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

 





 

 







 Vln. II



(arco)





(pizz.)



 



(arco)

 

Vla.

(pizz.)



Vc.

































 

 



 





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







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3   

3    



3   

3      

 



 

 



















 



   



 3  

 









 



  

Vln. I

Cb.

    



Hp.

    



 Perc.

  



 

Pno.

 



Dr.

E. Gtr.





Tbn. I-II

Tbn. III





3   

3  













Reed II















Reed III















Reed IV















Reed V















 

















15 Reed I

Tpt. I-II

   (4.)

Tpt. III-IV







 







 

















Tbn. III













Pno.

U. Bass

Eng. Hn.

Bsn.

Hn. I-II

Hn. III-IV

Timp.

Hp.

Vln. I

3.















 















   







 





 











   

  





















 

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













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

 

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

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 

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

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











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



 

































 







 

 



 

 







 

 



 







 







  3 





  3 







 

















  



  







 

 

 



















 

 

3   





 

 

3   





3

3







   

Vc.

 





Vla.

(flz)





Vln. II

Cb.







 





 Perc.



mp

Dr.

E. Gtr.



mp

Tbn. I-II







 













4 A

 











Reed II













Reed III













Reed IV













Reed V













 











21 Reed I

Tpt. I-II

  

Tpt. III-IV



 



 





U. Bass

Eng. Hn.

Bsn.

Hn. I-II

 





 



 



mp









 



 

 



 







 

 





 

 

 





 



























   

 









 



 

















 

























 1.  



   







p pointed







Cabasa p

  

mp



 

tutti div. á 4

   p



(p)

 

(pizz.)

(p)









 





 

  

 

 

 

















 3

 

3   

 

 

3   

3













 



 

 



  

  







 



p





 



 

Vc.



 







 

  

(p)

Vla.









  



(arco)





 



 

 



(pizz.)

 

3









(arco)

Vln. II







A

(p)







 





p

Vln. I



(l.v.)

p warmly













 



 





 





   

Cb.





Vibraphone

Hp.

1.





 

 



 arco (motor off)   Perc.







3.

Timp.

 



p pointed

Hn. III-IV





 

Pno.





  

Dr.

E. Gtr.





Tbn. I-II

Tbn. III







5  











Reed II













Reed III













Reed IV













Reed V













 











26 Reed I

Tpt. I-II

 

Tpt. III-IV

 

Tbn. I-II

Tbn. III

U. Bass

Eng. Hn.

Bsn.

Hn. I-II

Hn. III-IV

Timp.

Perc.

 



 







 









 









 









 

  

 

 

 



 













 













 





   

 















 

 

























 

























 















 







 





















3

 











  



  

   

  

 

Vln. II









   



 

Vc.















 

 3

 

 

 

3

3









 





 

 

3

  





   

 

 

 

 

 

  p

 

















 



 





 



 





mp



 

Vla.

     3



 3





   





















   

















 sim.

 













Vln. I

Cb.







Hp.







 

 



 

Pno.







Dr.

E. Gtr.



 



 

 

 

3

 

 3



6  













Reed II















Reed III















Reed IV















Reed V















 

















31 Reed I

Tpt. I-II

    

Tpt. III-IV

(1.)

  

Tbn. I-II

Tbn. III



Pno.

U. Bass

Eng. Hn.

Bsn.

Hn. I-II

 















   







mf







 



 

 

 

 



 











 















 





 



 





 











   

  





 













 

































 







 

sim.







(Cabasa)























3    



  

 

(arco)

(pizz.)

 



Vc.





(arco)







  

























 

 



 

 3       3





  

  



  

  

 

3     





mp

















 3 

3    



3   

3    





 





 















 

 















  





 













  

(pizz.)





      





 

3

 

  

 





     

Vla.







3



sim.





 



mf





 

Vln. II

























 







 (1.)  

 







 





Vln. I

Cb.





 (Vibes) 

Hp.





sim.

Perc.





(3.)

Timp.





Hn. III-IV

Tba.





Dr.

E. Gtr.







 

 



3

 

7

B

 















37 Reed I

Alto Sax



        mp

Reed II

Soprano Sax







Reed III

Tenor Sax















Reed V









 



Tpt. I-II

Tpt. III-IV

Tbn. I-II





          

 











á2

 

mf

   

  

   

   

  

 

    

 

 

 



mf

smooth















p

















 









p

mf

smooth

 p



        

mp

Reed IV

mf

smooth

      mp

 



 

 



 

      





 







     

  

   

   

  

 

    

 

mf

Tbn. III



  

   

Play-slowly solidify groove

 

Dr.

E. Gtr.

   







 

p pointed

U. Bass

Eng. Hn.

Bsn.

Hn. I-II









Hp.



    





   





 



     



  

 

   









 





















 2.  

 

 















 

 







 



mf

B

mf

Vln. I

  

mf

 

mp









mp











 





sim.

  



 















  

3   























 

  

  

 

 

 

  

  

 

  

  

 

 

 

  

  

 



 (l.v.)





mp









mp pizz.







 















































3   

3    



3   

3     





 



 

 





















 









 





 













3   

3    



3   

3    



 





     







   













 



    







mp





   





 



  

 









 

3

 

 





 

Vc.











mp





mp

mp

Vla.

 















  Vln. II







sim.

(mp)

 

















 

mp











 





   

Cb.



   







   Perc.





(l.v.)

3. mp

Timp.





pizz.

1. mp 4.

Hn. III-IV

 



mp



  



 

Pno.





 

8  Alto Sax   

44 Reed I

  

 

mp

Soprano Sax

 

Reed II



  





 





 

mp

 

 





p





p



mf

  



  

 











 



 

mp

 













p



mf

 

p



mf

mp



 



mp





mf

Tenor Sax

 



mf

mp

Reed III



p



mf

 

p

Reed IV















Reed V



















Tpt. I-II

 

 

Tpt. III-IV





   

Dr.

E. Gtr.



 

Tbn. I-II

Tbn. III





   





U. Bass

Eng. Hn.

Bsn.

Hn. I-II

Hn. III-IV

  

 

 









Timp.

Perc.

Hp.





 







 



 

 















 







 



 



 

 



























      









 

 

 











  





 















 

 



















































 























  

3   





























 

































  

  

 

 

  

 

 

  

  

 

 

(pizz.)





 



(arco)



Vla.



(pizz.)



 

Vc.





















  







  

















3   

3    



3   

3    



 



 

 









  



 

 





































 







 

Vln. II



 



 







(arco)





   

























 

(2.)





  







Vln. I

Cb.

 

  



 







 









 







 

 





(4.)











  

 





  

 















 

Pno.

 







 

9  

50 Reed I







     

 

     

 

mp





Reed II





mf

mp



mf

    





Reed IV







Reed V











 





















Tpt. III-IV

Tbn. I-II

Tbn. III



   

Dr.

E. Gtr.

   





 

Pno.

U. Bass

Eng. Hn.

Bsn.

Hn. I-II

Hn. III-IV

Timp.

Perc.

Hp.

  

 

   











 





   

       



















 



 























 

















 

















 

 

























 

 

  

  



  

  

  

 









  Vla.

 

























p





 

  

   

 

 



 

  

   



 





 



 

 



 





  



 

 

  



 











 

    



 

      







(building)

 















 





 







 







 

     3

















 3 

3    



 3 

3    





 

























































3

  



mf



  



 























 





















  

 

 

 

  

  

 

 

 

  

  

 

















 





 





 

















 







   























Vc.



  









 

Vln. II



building









mf







 



 

  









 





mf

Vln. I

Cb.





  

mf









 

mp



p



 

 p

Reed III

Tpt. I-II











 

















 3 

3    



3   

3    





 





 

 





10 C

 











Alto Sax













Flute

Reed III





















Bb Clar.

Reed IV

Reed V













Bb Clar.

57 Reed I

Reed II

Tpt. I-II

Tbn. I-II

Tbn. III



 



U. Bass

Eng. Hn.

Bsn.

Hn. I-II

Tba.

Timp.



 

 





  



  







 







 







  



  







 







 



 







 







 







 



 

  mf



 







 

 

 







 



 



 







 

 

 

 

     



  

  

 

   

 



time; heavy! ride cymbal 

snare

mf



  





Eb solo (drone), rhythmic



 







   

 



 



 



  

   









 

Vln. I

  Vln. II

 

    

mp cresc.

  







mf

á2



mp cresc. á2



mp cresc.

 

 

3















 

 

 



3

 cowbell (stopped) use heavy stick



f meaty









   

 

  

  

 





 

 

 

 



 



   

 

 













 

 



   



  





















  

 



3

 

 

 





 

 



 















 





  6

6

 

 





 



 





    





 

 

 

   



  

 

mf cresc.



 



6

 





  



 













 3

mf





6



 

 











6

 

 



 6



 







 

mf

 





f

 



 



 







  

 

 

 



 



   

6



 



 

 

 



 

(arco)



mf cresc.





























(pizz.)



mf cresc. (arco)





 3

 

3   

 3

 

3   

 3

 

mf cresc.

Vla.



   









mf

 







6

C



     



mf cresc.

 

 

   

 



 

mf





Vc.

 

 



Cb.



 





Hp.







  Perc.



 











 

Hn. III-IV





     





2.



add distortion & flange

Pno.



mf

bass drum

E. Gtr.

 



mf





Dr.

 

mf

 

Tpt. III-IV





(pizz.) mf cresc.



mf cresc.

mf cresc.





 









 3  

 3









  

3    





 









 3

3      

 3

3      

11   

61 Reed I



Reed II

 

Eng. Hn.

Bsn.







 f













mp









 



 









 





 





f

mp

 





 







  



  







 





 







 



 







 



 



 



 

 

 



 



 



  











 



























f





  

 



 





 

   





   







 



  

 



 



 







  



  













 







 



 







 



 



 



 

 

 

 

 

 

     



  

  

 

   

 

 

 



 





  

 



3

 

 





  

 

   





 



   

    







 

 



   





 3

 

   











 













   

 

mp



 

 

mp









 

f



 











mp





  mp



   









f









(Eb solo)









    





   

  









     











 



  



f









 

  









mp











f





 

mp













Dr.

U. Bass



   

Tbn. I-II

Pno.









 

Tpt. III-IV

E. Gtr.





Reed IV

Tbn. III



f



Tpt. I-II





Reed III

Reed V









1. 2.

Hn. I-II

































3. 4.

 

Hn. III-IV

Tba.

Timp.











   

 



  Perc.

Hp.





 

Vln. I



   

 



  

Cb.



 

 



 



   



 





 

















 



















 

 

 



 



 





 



  

 

 



 



   



 



















 

3   





 

 

3   





 3

 

 3



 3  

 

6

 

3    



 

 

 

 3 3

6

6

 







6

  





Vc.

 

 





6



 

 



 

  Vla.

 



6

  Vln. II



 6



 









6

 

 











 







 



 



 



 

 





 



12  Alto Sax.    

65 Reed I









mf

mf

    Flute

Reed II













mf





Reed IV

   









   









Bb Clar.

mf

Bb Clar.

Tpt. I-II



Pno.

U. Bass

Eng. Hn.

Bsn.

Hn. I-II



                        

Dr.

E. Gtr.



           

Tbn. I-II

Tbn. III





Tpt. III-IV

     



      



 











           

  

         

f

      

   











(Eb solo)







         

 



  

mf

f

     

 



f

f

mf

 









 



f



   









   











 







  mf





 





 

 



    



 







3



3

f

3



  arco

3

 









 



   

mf cresc.

 



 

 

  

arco

 

3

      

f

        f

      3

f

 3

f



 

    

 

   

 



 



3



3



3



3





  



 près de la table



      





       





             



3

 

mfp

    f

 

     

3

      p senza vib.

 

3

       f





 3            

 

 

3

3

senza vib.

       f



(l.v.)

p senza vib.

3

       



fp

 



f







  

     

mp



 

 

   

mf cresc.



 

p

mf

Cb.



f

mf cresc.

pizz.

fp





 

   







 





(pizz.)

fp





mf cresc.

   

fp

pp



 

 

fp



take oboe





mf cresc.

   

 

    

 



(arco)

Vc.





  

 

2. con sord. fp laid back





 

    





mf        

fill



  

 

 

    

 

   

    



Vln. I

Vla.



     



 

Vln. II



           

 

  



 



   



f

 



 

    

 



 









   



 























Cowbell

  



 







   

dim.







mf

f



 



f

      





  



mf

 











      

 

take Piccolo



   









mf





(l.v.)





dim.

 

Hp.

  

 

f

        



mf

Perc.

     



 





f



   





mf







Hn. III-IV

Timp.



 

mf

Tba.



   

  

f

     

mf

mf

 

 



Reed III

Reed V



    

senza vib.

        f

senza vib.

        f



senza vib.

13  







Reed II











Reed III











Reed IV











Reed V











Tpt. I-II

   

71 D Reed I



p

Tpt. III-IV

Tbn. I-II



 





 



 

 



 

















 









   p

 

 

 

  

 

 

 







Flute











 





 

Dr.

E. Gtr.

Pno.

U. Bass

Ob.

Bsn.

Hn. I-II

 

Timp.

Hp.













p sub.

























































p

 



















 































   

 

 

p

dim.



 





Claves





mp



mp



pp

 







 



 



















 





 



























 













Vln. II



p











Vla.

   p

 

 

 

Vc.

  

  

  

  

p



















D   

Vln. I

Cb.





 Perc.







Hn. III-IV

Tba.



time; lighter, p improvise on hh





mf laid back



p

Tbn. III

 



14    

(Flute)

75 Reed I



 









 

 



 









 

 



 

 













 





Reed II











Reed III











Reed IV











Reed V











Tpt. I-II

 (2.)  

Tpt. III-IV

Tbn. I-II

Tbn. III



Pno.

U. Bass

Ob.

Bsn.

Hn. I-II

Hn. III-IV

Timp.











 



















 



 







































 





























 







































 



















 



















 









 

 

 



 

Hp.

  

 Perc.





Dr.

E. Gtr.







Sleighbells

mp

(Claves)



 

bisbigliando

 









 



 



















 

 

 

 







 

 

















 



























Vla.











Vc.





















Vln. II

Cb.





 



















ppp

  

Vln. I





15   

79 Reed I



 









 

 



 









 

 



 

 













 





Reed II











Reed III











Reed IV











Reed V











Tpt. I-II

   

Tpt. III-IV

Tbn. I-II

Tbn. III





U. Bass

Ob.

Bsn.

Hn. I-II

Hn. III-IV

Timp.







 



















 



 





































    



 

C

clean sound





p light

  



p light

 

  







D

E



     

  



  



 C

  

 



  

  

   

 



 

 









 

  







p light



 





 



 

 E

 

  





p





p light

  



D

mp



  

 







D

E





  



 

  

   



 C

  

 



  

  



 





 

 













 



 

 D



  



 

 









 





 



 



 

 





 

 



 











  p













 

  p















 

 





 





 

 







 





 























 





 









 





 



 

  







 







Vln. I





















Vla.











Vc.





















Vln. II

Cb.

  

mp



 

(Cymbal)







 



 

 

Hp.





 Perc.

 

 

Pno.

 



Dr.

E. Gtr.





16  

83 Reed I

 

(Flute)



 









 

 



 







 

 





 

 













 





Reed II











Reed III











Reed IV











Reed V











Tpt. I-II

 

Tpt. III-IV

Tbn. I-II

Tbn. III



Ob.

Bsn.

Hn. I-II

Hn. III-IV

Timp.

Hp.

Vln. I











 















 



 











 





















  

 

(l.v.)





Fade out





























































   







  















  





 











  





 



(Sleighbells)



(Claves)

p





p

 











 













 



 











 





















 











arco (norm.)

 



   

 

mfp

Vln. II

pizz. (norm.)

 







 Vla.

 

Vc.







mfp pizz.



mfp arco (norm.)

(p)













(p)











3



 

 







































3



 

 

 



 



 



(p)

arco

mfp





(p)

mfp

Cb.







 Perc.

 





U. Bass







Pno.





Dr.

E. Gtr.



(2.)



drums out

17 87 E  

 

Reed I

Reed II

Reed III

Reed IV

Reed V

Tpt. I-II



 









Piccolo



 









 











   4. solo

 



Tbn. I-II

Tbn. III



Pno.

U. Bass

Ob.

Bsn.

Hn. I-II

Hn. III-IV

Timp.

Hp.

Bb Clar.



p

 



 



 



 

 





 

 





 

  

incisive

  

Bb Clar.

p

incisive





























mp

 mp



mp









  











































(G maj+)























































 



p



















 







   

  

 



    

    

 incisive    



p

 

 

   









  



 



p







 

    

  

 

 



mp



  

mp



  

 

















3      



incisive











 







mp















































  

 





 







































































E  





pizz.









  

(arco)

  





incisive

 3  

























3    

 

3    

 

3

3





 

  



  

 















mp

 mp





 

 







 



 



3       



  pizz.

  

 

 





  Vc.

   







 

(p)

p

incisive

   

 



Vla.

 





   (p)

pizz.



 

   p

(div.)

Vln. II

   











p

Vln. I

Cb.

incisive





  Perc.

p

 





   









Dr.

E. Gtr.





B dorian (or Bm)

Tpt. III-IV





 

  



































3    

 



18  

93 Reed I

   

(Piccolo)

 

Reed II

p

 

 

(Bb Clar.)

Reed III

p

 

 

(Bb Clar.)

Reed IV

Reed V

Tpt. I-II

    

Tpt. III-IV



Ob.

Bsn.

Hn. I-II

Hn. III-IV

Timp.

Perc.

Hp.

 





 

 





 

 





 

  





mp

 mp



mp

 





 



  

 











 









 









pp

pp

pp



 

 





 

 





 

  







































(E dorian)

































       



p





  

 



    

  

 

 

 

  

  



 

 

 

 





     

   









 



 















p

 mp











3      













 







 











 

    



 



 



  



 

  







 





 

























 













  (Sleighbells) 













































  

     

    

(pizz.)

   



(arco)

  Vla.

(pizz.)

 

(pizz.)

3     

Vc.



3



3

    



   

 

(div.) 











 

















  















  



   











 



 



pp

pp

mp

 









mp





(arco)



 

 

  



 



p

(arco)

   

 

p

 

Vln. II





  

  























 

  





  



3

 



mp



 



 







3



3

p

   





p





















 







p



  

p

    

 

 

 



3

 









 

mp

 















 

mp con sord.









p

solo





 p



 



p



pp



p laid back

2. con sord.









 









   



pp

mp





 







 





















   



  



Vln. I

Cb.







Flute





   











 

U. Bass



 





 

Pno.



 





Dr.

E. Gtr.





Tbn. I-II

Tbn. III

p





19 F

                     

99 Reed I

 

  

      

      

 

                     

















Reed III

 















Reed IV

 









































Reed II

Reed V

Tpt. I-II

  

Tpt. III-IV

 



Tbn. I-II

  

   

(B dorian)

Tbn. III





Ob.

Bsn.







Hn. I-II





laid back

 



   



 

 

Timp.

Perc.













 

1.

mp

  



  



   

  

 



mp

  

p

 







      

  

      



  



  





   p

(tutti arco)

   p

  

 





2.

  

 

   

  



  

 







 

        











 



   

   

 

 





 

























 





  



  









 



  



  





  

  

   

 

 

 

  

  

 

 

 























 























3     





arco  



p

(arco)

 

3    









p

















 

  

3   





p





   













 





 



 

(div.)



 

1.



 







             

 

(div.)





















              



 





 

 





3     

 

Vla.





(G maj7)

  p

Cb.





         

 

p div. arco norm.









 



3. (open)



F arco norm.  





















 











p

p









Vc.





 

Vln. II







Vln. I





  









 

Hp.





1. (open)





 



  











             



p

Hn. III-IV



             





 



U. Bass





Dr.

Pno.



           sporadic hints at the beat

E. Gtr.



 

3    



20 105 (Flute)   

 

 











  









 



 









 

 



 









 

 



 

 



Reed I



Reed II













Reed III













Reed IV













Reed V























Tpt. I-II

 

Tpt. III-IV

 

Tbn. I-II

  



  



Tbn. III



 



   

 

U. Bass

Ob.

Bsn.

Hn. I-II







 



 

 





  





  

  

 

   

 

 

    

 2.

 







   

Timp.

  







 

 

 



 



 

  





   

 



 



 



 

 





 

  



 



 

 



  



 

1.

 



 

 

  







  





 

 

  



  





 

  

 

   



 

























1.





 

 

Claves



Vln. II









  







 

 





    

  

  

(pizz.)

 

3    















  













 

3

  

  3

mp

  

 3































  





3   

  



 

  

   

 

 

  

  















 

  





3    









3    





 



 

 





   

p



 

   



 









 

























 

    











(arco)

 



 



3











   



Vc.







    

Vla.

3.



 

 

 

Vln. I





     



(p)

 





 









 



 



 















  





   

Cb.

 





Sleighbells

Hp.



 

  Perc.





3.

Hn. III-IV



(E dorian)











Pno.







 

Dr.

E. Gtr.







21   

110 Reed I

  









 



 









 





 









 





 

 













 



Reed II











Reed III













Reed IV













Reed V





















Tpt. I-II

   

Tpt. III-IV

Tbn. I-II

 

Tbn. III

 



 

Dr.

E. Gtr.



    







 



  



 



Ob.

Hn. I-II

Hn. III-IV

Timp.



 









 





 

  



 

 

 

  



   

 

  







2.

 







 

  



 

  



  

 

  



  





 



 





 

  

  

 

  

  

 

  

 



 

   

 



 



































 



  

 

 























  













  



 

 

 

  

 

  

 

 



 



Vla.

  Vc.

 





 











  



3   

  













  

3    





 





mf

2.

 



mf

 

 



 













  3

  

   



  

  

 



3

  

 

  























3    

 









 



  



    

















 





  

 



 

 











mp smooth













   

Vln. II











 

 























Piccolo











 



mf



   





Vln. I

Cb.

 

 

 

Hp.







  Perc.







Eng. Hn.

Bsn.







  

U. Bass







Pno.



(C lydian (^))





3



 

3



   

22 G

Reed I



   

115

Flute

  

Picc.

Reed II



Reed III



Reed IV



 

Soprano Sax.

Soprano Sax.







mp smooth

   

con sord.

Tpt. I-II

 

 



 

Tbn. III



 



E. Gtr.

Pno.

U. Bass

Eng. Hn.

   



 













Hn. I-II

 

 

Timp.

 









 