JosĂŠ Serebrier
Flute Concerto with Tango for flute and string orchestra
JosĂŠ Serebrier
Flute Concerto with Tango for flute and string orchestra
Flute Concerto with Tango was commissioned by the BIS record label for Sharon Bezaly, who performed it on tour in Australia and recorded it with the Australian Chamber Orchestra, directed by Richard Tognetti and produced by Robert Suff. The first movement establishes itself without introduction, with a rhythmic punch similar in character to the first movement of my Symphony No. 3. The technical fireworks are interrupted by a highly lyrical section, providing a short-lived respite before the movement ends in a flurry. The second movement opens with a cadenza – a long, quasi-improvisational dissertation – followed by a fast, virtuoso section for the flute, with the orchestra providing punctuation. Fantasia, the rhapsodic third movement, features the warm, wonderful low register of the alto flute in long, singing lines. After becoming more intense and dramatic, the movement concludes with a quiet coda. The fourth movement justifies the title of the work. Traditionally, tangos end with a strong dominant chord followed by a brief, barely audible tonic chord. I take this idea further, leaving my tango up in the air in the middle of a phrase, so that the listener can make his own conclusion. The tango’s interlude of slow, lyrical passages gives way to the final Allegro movement, when soloist and orchestra are again off to the races. A virtuosic Presto section ends the work with a flourish of pyrotechnics. — José Serebrier
Flute Concerto with Tango, Sharon Bezaly, flute, and the Australian Chamber Orchestra, Richard Tognetti, Leader and Artistic Director, is recorded on BIS-CD-1789.
José Serebrier established himself as a significant composer very early in his career. He was just 17 when Leopold Stokowski gave the world premiere of his Symphony No. 1, and soon after started to gain notoriety also as a conductor. His dual career has been honored with 36 Grammy Award nominations, and the Latin Grammy award for Best Classical Recording as conductor. Born in Montevideo, Uruguay of Russian and Polish parents, Serebrier was awarded a Koussevitzky Foundation Award at Tanglewood and a BMI Young Composers Award for his Symphony No. 1 and Saxophone Quartet. He received a U.S. State Department Fellowship to study composition at the Curtis Institute of Music with Vittorio Giannini and with Aaron Copland at Tanglewood. Awarded two consecutive Guggenheim Fellowships at 19 and 20, he remains the youngest to have ever obtained these awards in any field. Following graduation from Curtis, Serebrier studied at the University of Minnesota, where he received his M.A. in composition. He was awarded two Dorati Fellowships, a Pan American Union Publication Award (for Elegy for Strings), and the Ford Foundation American Conductors Project Award. Subsequent awards for his compositions include a Rockefeller Foundation award (for an extended residency with the Cleveland Orchestra); a Harvard Musical Association Commission Award (for Fantasia for string quartet); and a National Endowment for the Arts Commission (Orpheus x Light, a ballet for the Joffrey Ballet). Serebrier was 22 years old when Leopold Stokowski named him Associate Conductor of the newly formed American Symphony Orchestra in New York, a post he held for four years. Stokowski conducted the first New York performance of Serebrier's Elegy for Strings at Carnegie Hall, and he opened the American Symphony Orchestra season at Carnegie Hall with the premiere of Serebrier's Poema Elegiaco, the second movement of Symphony No. 2: Partita. For two consecutive seasons, George Szell named José Serebrier Composer-inResidence of the Cleveland Orchestra. While in that position, he brought new elements to his compositions. His harp concerto Colores Magicos for the Inter-American Music Festival in Washington D.C. and Nueve, a concerto for double bass and orchestra commissioned for the double bass virtuoso Gary Karr, both incorporated imaginative staging. Serebrier has conducted Karr in performances of Nueve all over the world. Also from this period is the dramatic Symphony for Percussion, which was recorded by John Eliot Gardiner. Serebrier’s Violin Concerto: Winter was premiered by Michael Guttman in New York in 1995 and recorded on ASV. His Symphony No. 3 for string orchestra and soprano vocalise, nominated for a Grammy in 2004 as Best Composition of the Year, has been released on Naxos along with a number of his other works for strings. More recently, he has revisited his Uruguayan youth by writing Tango in Blue and Almost a Tango for orchestra (both recorded on BIS) – lighter works using rhythms and melodic turns of Latin American popular music. Tango in Blue, in fact, comes full circle: its first four notes quote the last four from his early Partita.
Flute Concerto with Tango I.
6 Flute 3 3 3 ff arco pizz. pizz. Violin I ff pizz. arco pizz. Violin II ff arco pizz. pizz. Viola ff arco pizz. solo pizz. Violoncello violento ff arco pizz. pizz. Contrabass
José Serebrier (2008)
Quasi Presto
arco stacc.
ff
tenuto
Flt.
Vln. I
3
3
Vln. II
Vla.
Vc.
Cb.
pizz. Tutti
3
legato
div.
arco
mf
ff
6
3
2 soli Div. arco
sul pont.
mf
Tutti pizz.
© Copyright 2009 by Peermusic III Ltd. International Copyright Secured All Rights Reserved
2 12
Flt.
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Vln. II
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18
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6
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28
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32
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36
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66
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102
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10 111
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184
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Flt.
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204
Flt.
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210
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214
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218
Flt.
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222
Flt.
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19
226
Flt.
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229
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3
20
231
Flt.
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Vln. II
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3
3
3
233
Flt.
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dolce
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Andante Rubato
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Vln. II
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3
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68
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23
73
Flt.
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mp pizz. mp pizz.
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77
Flt.
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80
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Vln. II
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87
mf
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mp
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91
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Vln. II
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94
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3
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mp
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mp
26
98
Flt.
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Vln. II
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Vc.
Cb.
102
Flt.
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Vla.
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arco
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mp
mp
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27
105
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107
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arco sul pont.
PN
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arco sul pont.
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28
III. Fantasia
mp Violin I Calmo dolce
Alto Flute
Viola
Contrabass
6
Flt.
Vln. I
mf
Vla.
Vc.
Cb.
Vln. I
Vln. II
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pp
espress.
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3 solo pp mf f
IV intenso mf
mf
solo
pp
11
Flt.
solo
pp
Vln. II
Violin II
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15
Flt.
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29
pp
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f
Vln. II
Vla.
Vc.
Cb.
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Vln. II
Vla.
tutti poco a poco
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solo
tutti poco a poco
tutti poco a poco
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gliss.
ff
f
f
f
f
sul pont.
mf sul pont.
mf sul pont.
mf
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accel.
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mp
21
Flt.
30 26
Flt.
Vln. I Vln. II
Vla.
Vc.
Cb.
9
f
pp
sul pont.
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Vc.
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Vla.
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P.N.
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P.N.
P.N.
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Vln. I Vln. II
28
Flt.
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31 29
Flt.
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IV
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37
Flt.
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P.N.
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3 3 5 5
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Vla.
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5
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Flt. 10 10 Vln. I Vln. II 51
Vla.
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10
10
34 54
Flt.
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6
6
6
6
6
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Vc.
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9
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pp
pp
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9
9
9
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57
Flt.
pizz.
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Flt.
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9
9
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63
Flt.
35
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Flt.
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69
Flt.
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pp
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pp
pp
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pizz.
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9
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37 72
Flt.
Vln. I Vln. II
Vla.
Vc.
Cb.
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9
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Vln. II
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9
9
arco
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arco
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9
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Flt.
f
f
con sord.
Vc.
con sord.
Cb.
38
79
Flt.
3
Vln. II
3
3
3
Vc.
perdendosi
pp
Vla.
Vc.
Cb.
soli
espress.
mp
perdendosi
85
Vln. II
mp espress.
Cb.
Vln. I
soli
pp
Flt.
pp
mf
Vln. I
Vla.
calmando
pp
IV
mf
pp
mf
perdendosi
39 91
Flt.
Vln. I
ppp
ppp
Vln. II
ppp
Vla.
Vc.
Cb.
pp ppp
divisi
pp
lunga
lunga
pp
IV. Tango inconcluso...
40
Mosso
Flute
Solo Flute
Violin I
Violin II
molto rubato, appasionato solo
Violoncello
Contrabass
Viola
mf
9
Flt.
Vln. I
Vln. II
pp
Vla.
Vc.
Cb.
accel.
con sord.
3
div.
solo
pp
rubato mf
a tempo
p con passione
3
rubato
mf
ppp
16
Flt.
Vln. I
Vln. II
Vc.
Poco più mosso
Vla.
41
div.
f
div.
f
Cb.
f
20
Flt.
unis. Vln. I Vln. II
Presto
ff
div.
f
sul pont.
fff
Cb.
Vc.
6 6 5 5 ff
Vla.
senza sord.
sul pont.
fff
42
Piú mosso Tempo di Tango
22
Flt.
Vln. I
Vln. II
gli ss.
gli ss.
fff
Cb.
27
Flt.
Vln. I
Cb.
mp
tutti
mf
div.
3
3
Meno mosso
3
mp
3
f con calore
solo
Vc.
ffp
Vla.
mf
ffp
Vln. II
Talon
non div. secco
P.N.
P.N.
Vc.
Talon mp
non div. secco
Rit.
Vla.
3
solo
mp
3
molto rubato
Vln. I
33
Flt.
Cb.
p talon secco
mf
talon secco
tutti
p
f
div.
unis.
talon
unis.
div.
div.
div. p
Vc.
f
talon non div.
Vla.
mf
Vln. II
43
a tempo
unis.
unis.
10 10
37
Flt.
Vln. I div.
div.
Vln. II
Vla.
Vc.
Cb.
5
5
f
molto
f
6
f
molto
ff
molto
talon secco
f
f
ff div.
unis.
44 42
Flt.
Vln. I
Vln. II
Vla.
Vc.
p
p sub.
p
Vln. I
non div.
pp
Lento
Vln. II
Vla.
solo
Vc.
espress. p
Cb.
con sord.
50
Flt.
pp
p sub.
Cb.
più p
con sord.
solo
dolente
solo
dolente
...
...
V
Allegro comodo
Flt.
Vln. I
ff pizz.
mf leggiero
p
arco
arco
arco
pizz.
Vla.
ff pizz.
Vc.
ff pizz. ff
11
Flt.
f
f
f
Vla.
Vc.
(whip)
(whip)
(whip)
f
arco
Vln. I Vln. II
(whip)
f (whip)
f
p
p
f f
p
f f
arco
ff
Cb.
Vln. II
Cb.
ff
pizz.
45
mf leggiero
p
p
p p
46 19
Flt.
Vln. I Vln. II
Vla.
Vc.
Cb.
Vln. I
Vln. II
Vla.
Vc.
Cb.
27
Flt.
pizz.
pizz.
arco
pizz.
arco
arco
pizz.
arco
pizz.
arco
pizz.
mp
pizz.
mp
mp
mp
pizz.
mp
mp
10
arco
f
p
mf
arco
p
sul pont.
f
f
sul pont.
f
f
47
34
Flt.
mf
Vln. I
( p)
Vln. II
f
( p)
Vla.
Vc.
Cb.
Vln. I
Vln. II
Vc.
Cb.
pizz.
pizz.
arco
mf
mf
P.N.
mp
P.N.
mp
f
mp
Vla.
f
42
Flt.
mf
6
6
6
6
48
49
Flt.
Vln. I
mf
Vln. II
mf
Vla.
Vc.
Cb.
56
Flt.
Vln. I
Vln. II
Vla.
Vc.
Cb.
pizz.
pizz.
f
f
f pizz.
f
mf
mf
mf
f
f
arco
arco
arco
arco
49
Presto
63
Flt.
Vln. I
Vla.
pizz.
pizz.
fp
fp
fp
Vc.
pizz. fp fp
Cb.
71
Flt.
Vln. I
Vc.
fp
Vla.
Cb.
Vln. II
pizz.
fp
fp
pizz.
fp
fp
Vln. II
mf
mf
mf
arco f
mf
50
78
Flt.
Vln. I
Vln. II
Vla.
Vc.
arco
mf
arco
f
mf subito
f
pizz.
pizz.
Vla.
f
Vc.
Cb.
arco
mf
mf
Vln. II
mf
86
Vln. I
pizz.
f
Flt.
f
Cb.
6
arco
arco
simile
p
6
simile
p
simile
p
51
93
Flt.
Vln. I
Vln. II
Vla.
Vc.
arco
Tempo primo (Allegro comodo)
ff
Cb.
100
Flt.
Vln. I
Vln. II
p
p Vla.
p
Vc.
Cb.
ff
ff
arco
ff
ff
simile
simile
simile
52 106
Flt.
Vln. I
f
Vln. II
Vla.
Vc.
Cb.
113
Flt.
Vln. I
f
Vln. II
Vla.
Vc.
f
Cb.
f
f
f
f
f
f
f
119
Flt.
sul pont. Vln. I
Vln. II
Vla.
Vc.
Cb.
Flt.
Vln. I P.N. arco
Vla.
Vc.
Cb.
sul pont.
sul pont.
f
pizz.
pizz.
f
P.N.
ff P.N. ff
pizz.
arco P.N. arco
Vln. II
P.N.
sul pont.
127
sul pont.
53
ff
54 136
Flt.
Vln. I
Vln. II
Vla.
Vc.
Cb.
Vln. I
Vln. II
Vla.
simile
p
simile
p
simile
ff
ff
p
143
Flt.
f
f
f
Vc.
Cb.
150
Flt.
Vln. I
Vln. II
Vla.
Vc.
55
Cb.
156
Flt.
Vln. I f
Vln. II
Vla.
f
f
f
f
mp
sul pont.
f sul pont. f
P.N.
p
P.N.
sul pont.
p
P.N.
Vc.
Cb.
p
56
163
Flt.
Vln. I
Vln. II
Vc.
Vla.
Cb.
p
p
pp
cresc.molto
p
pp
cresc.molto
172
Flt.
Vln. I
Vln. II
ff
ff
Vla.
Vc.
ff
ff
Cb. ff
ff
pizz.
Flt.
Vln. I
Vln. II
Vla.
178
arco
ff pizz.
Cb. Vc.
185
Flt.
f
57
mf leggiero
p p p p
arco
mf leggiero
Vln. I
f
Vln. II
f
p
Vla.
Vc.
Cb.
f
f
f
p p
p
58
193
Flt.
Vln. I Vln. II
Vla.
Vc.
Cb.
200
Flt.
Vln. I
pizz.
pizz.
Vln. II
Vla.
Vc.
pizz. arco
arco pizz. arco
pizz.
mp
mp
pizz. mp
arco
mp
10
arco pizz.
mp
pizz.
Cb.
mp
mf
arco
p arco
sul pont.
f
sul pont.
f
p
59
mf f f
207
Flt.
Vln. I
mf
Vln. II
Vla.
Vc.
Cb.
pizz.
p ( )
p ( )
f
f
f
f
Vln. I
Vc.
Cb.
mf
6
6
6
6
mp
Vla.
mp Vln. II
pizz.
mf
mf
arco
215
Flt.
P.N.
mp
mf
mf
60
Flt. Vln. I 222
Vln. II
Vc.
229
Flt.
f
pizz.
Vc.
mf
mf
f
pizz.
Vla.
mf
f
Vln. II
mf
pizz. Vln. I
Cb.
Vla.
Cb.
mf
f
f
f
Poco meno mosso 237 61
Flt.
Vln. I
arco
arco
Vln. II
Vla.
Vc.
Cb.
arco
Vln. I
P.N.
244
Flt.
arco
dolce
mp
mp
mp
arco f
mp
pp
Vln. II
Vla.
Vc.
p
Cb.
pp
pp
pp
62
252
Flt.
Vln. I
a tempo
f
f
Vln. II
Vla.
Vc.
Cb.
f
f
f
Presto
fp
f
fp
fp
fp
fp
fp
fp
fp
fp
fp fp fp fp Cb. Vc.
fp
fp
fp
fp
fp
fp
fp
Vla.
Vln. I Vln. II
f
260
Flt.
268
Flt.
Vln. I
Vla.
Vc.
Flt.
Vln. I
Vla.
Vc.
mf
mf
f
mf
mf
f
f
Vln. II
275
Cb.
Vln. II
Cb.
63
pizz.
pizz.
pizz.
f
f
f
pizz.
f
64 283
Flt.
Vln. I
pizz. arco
Vla.
Cb.
Vc.
Prestissimo
290
Flt.
Vln. I
Vln. II
Vla.
Vc.
Cb.
6
Vln. II
arco
6
arco
arco
p
p
p
f
f
f
div. f
arco
f
297
Flt.
Vln. I
Vln. II
Vla.
Vc.
Cb.
Flt. Vln. I Vln. II 301
Vla.
Vc.
Cb.
65
unis.
18
66
Accelerando al fine
304
Flt.
div. Vln. I
pizz. f pizz.
div.
Vln. II
Vla.
Vc.
Cb.
div.
pizz.
pizz.
f
pizz.
div.
f
f
unis. arco Vln. I unis. arco Vln. II unis. arco Vla.
Cb.
Vc.
309
Flt.
f
ff
ff
arco
arco
div. pizz.
ff div. pizz.
ff
pp
pp
unis. arco
unis. arco
ff
ff
pizz.
pizz.
pizz.
pizz.
pizz.
ff
MUSIC FOR FLUTE
SOLO (with piano accompaniment unless otherwise noted) Roque Cordero Soliloquios No. 1 (unac.) Ramiro Cortés Elegy Joaquin Gutierrez Heras Sonata Simple Rodolfo Halffter Epinicio (unac.) Huesped de las Nieblas
DUET Virgil Thomson Serenade (fl, vn) Heitor Villa-Lobos Assobio a Jato (“The Jet Whistle”) (fl, vc) TRIO Miguel del Aguila Herbsttag (fl, bn, hp) Derek Bermel Twin Trio (fl, cl, pf)
Carlos Jimenez Mabarak Cinco Piezas
Ramiro Cortés Divertimento (fl, cl, bn)
Mario Lavista Canto del Alba (unac.)
Oscar Lorenzo Fernandez Duas Invenções Seresteiras (fl, cl, bn)
Theo Loevendie Music for Flute and Piano Strands (unac.) Ned Rorem Mountain Song José Serebrier at dusk, in shadows… Richard Wilson Flutations (unac.)
Juan Orrego-Salas Divertimentos (fl, ob, bn) Harold Shapero Three Pieces for Three Pieces (fl, cl, bn) Richard Wilson Deux Pas de Trois (fl, ob, hpsd) Stefan Wolpe Trio in Two Parts (fl, vc, pf)
HL00229303
U.S. $29.95